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1674 1734 Stock Photos and Images
Monseigneur the Dauphin of France, 1730/33, Jean Daullé (French, 1703-1763), after Alexis-Simon Belle (French, 1674-1734), France, Engraving on ivory laid paper, 393 × 272 mm (image), 407 × 280 mm (plate), 515 × 399 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monseigneur-the-dauphin-of-france-173033-jean-daull-french-1703-1763-after-alexis-simon-belle-french-1674-1734-france-engraving-on-ivory-laid-paper-393-272-mm-image-407-280-mm-plate-515-399-mm-sheet-image328614060.htmlRM2A2HJGC–Monseigneur the Dauphin of France, 1730/33, Jean Daullé (French, 1703-1763), after Alexis-Simon Belle (French, 1674-1734), France, Engraving on ivory laid paper, 393 × 272 mm (image), 407 × 280 mm (plate), 515 × 399 mm (sheet
Marie Leszczynska with Louis, Dauphin of France. Artist: Belle, Alexis Simon (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marie-leszczynska-with-louis-dauphin-of-france-artist-belle-alexis-74094475.htmlRME8F877–Marie Leszczynska with Louis, Dauphin of France. Artist: Belle, Alexis Simon (1674-1734)
. Photograph of portrait in oils of James Francis Edward Stuart and Louisa Maria Teresa Stuart by Alexis Simon Belle . circa 1699. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF: 29802151 ISNI: 0000 0000 6661 4073 ULAN: 500025018 WGA: BELLE, Alexis-Simon GND: 123739616 693 James Francis Edward and Louisa Maria Stuart by Alexis Simon Belle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photograph-of-portrait-in-oils-of-james-francis-edward-stuart-and-louisa-maria-teresa-stuart-by-alexis-simon-belle-circa-1699-alexis-simon-belle-16741734-alternative-names-alexis-simon-belle-description-french-painter-miniaturist-pastellist-and-draughtsman-date-of-birthdeath-12-january-1674-21-november-1734-location-of-birthdeath-paris-paris-work-location-paris-authority-control-q1383440-viaf29802151-isni0000-0000-6661-4073-ulan500025018-wgabelle-alexis-simon-gnd123739616-693-james-francis-edward-and-louisa-maria-stuart-by-alexis-simon-belle-image185795074.htmlRMMP7KEA–. Photograph of portrait in oils of James Francis Edward Stuart and Louisa Maria Teresa Stuart by Alexis Simon Belle . circa 1699. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF: 29802151 ISNI: 0000 0000 6661 4073 ULAN: 500025018 WGA: BELLE, Alexis-Simon GND: 123739616 693 James Francis Edward and Louisa Maria Stuart by Alexis Simon Belle
Caspar van Citters (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-caspar-van-citters-1674-1734-139495520.htmlRMJ2XFXT–Caspar van Citters (1674-1734)
Caspar van Citters (1674-1734). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caspar-van-citters-1674-1734-image237140614.htmlRMRNPK7J–Caspar van Citters (1674-1734).
Maximillian Christopher Miller, 1674 - 1734. Also known as The Saxon Giant and the German Giant. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maximillian-christopher-miller-1674-1734-also-known-as-the-saxon-giant-41278956.htmlRMCB4BMC–Maximillian Christopher Miller, 1674 - 1734. Also known as The Saxon Giant and the German Giant.
Kolbe, Katharina, 1674 - 1734, Duchess of Wartenberg, mistress of King Frederick I in Prussia, allegorical image, woodcut, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kolbe-katharina-1674-1734-duchess-of-wartenberg-mistress-of-king-frederick-23532812.htmlRMBA809G–Kolbe, Katharina, 1674 - 1734, Duchess of Wartenberg, mistress of King Frederick I in Prussia, allegorical image, woodcut,
Monseigneur the Dauphin of France. Jean Daullé (French, 1703-1763); after Alexis-Simon Belle (French, 1674-1734). Date: 1730-1733. Dimensions: 393 × 272 mm (image); 407 × 280 mm (plate); 515 × 399 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monseigneur-the-dauphin-of-france-jean-daull-french-1703-1763-after-alexis-simon-belle-french-1674-1734-date-1730-1733-dimensions-393-272-mm-image-407-280-mm-plate-515-399-mm-sheet-engraving-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image239946182.htmlRMRXADPE–Monseigneur the Dauphin of France. Jean Daullé (French, 1703-1763); after Alexis-Simon Belle (French, 1674-1734). Date: 1730-1733. Dimensions: 393 × 272 mm (image); 407 × 280 mm (plate); 515 × 399 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
A.-S.BELLE - GENTLEMAN prizing TOBACCO Alexis-Simon Belle (1674-1734). 'Gentilhomme prisant du tabac'. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sbelle-gentleman-prizing-tobacco-alexis-simon-belle-1674-1734-gentilhomme-prisant-du-tabac-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350205334.htmlRM2B9N6DA–A.-S.BELLE - GENTLEMAN prizing TOBACCO Alexis-Simon Belle (1674-1734). 'Gentilhomme prisant du tabac'. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Madame de la Sablonniere et sa fille. Peinture de Alexis Simon Belle (1674-1734), huile sur toile, 1724, art francais 18e siecle. Musee des Beaux Arts de Pau. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madame-de-la-sablonniere-et-sa-fille-peinture-de-alexis-simon-belle-1674-1734-huile-sur-toile-1724-art-francais-18e-siecle-musee-des-beaux-arts-de-pau-image559621058.htmlRM2RECXAA–Madame de la Sablonniere et sa fille. Peinture de Alexis Simon Belle (1674-1734), huile sur toile, 1724, art francais 18e siecle. Musee des Beaux Arts de Pau.
Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), 'The Old Pretender' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-prince-james-francis-edward-stuart-16881766-the-old-pretender-image593793384.htmlRM2WE1HEG–Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), 'The Old Pretender'
Alexis-Simon Belle (1674-1734). 'Gentlehm gave tobacco'. Museum of Fine Arts of the City of Paris, Petit Palais. 24104-19 Box, gentleman, man, male fashion, wig, snare, tobacco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-gentlehm-gave-tobacco-museum-of-fine-arts-of-the-city-of-paris-petit-palais-24104-19-box-gentleman-man-male-fashion-wig-snare-tobacco-image596798565.htmlRM2WJXEJD–Alexis-Simon Belle (1674-1734). 'Gentlehm gave tobacco'. Museum of Fine Arts of the City of Paris, Petit Palais. 24104-19 Box, gentleman, man, male fashion, wig, snare, tobacco
Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), 'The Old Pretender' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-prince-james-francis-edward-stuart-16881766-the-old-pretender-image593793403.htmlRM2WE1HF7–Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), 'The Old Pretender'
Mezzo Scudo of Unknown ; Tommaso Mercandetti; Pope Clement XI from Rome. Ruler: Unknown Ruler: Tommaso Mercandetti, Italian, 1758–1821Ruler: Pope Clement XI, Italian, 1649–1721 Mint: Rome Artist: Giuseppe Ortolani, Italian, 1674–1734 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mezzo-scudo-of-unknown-tommaso-mercandetti-pope-clement-xi-fromrome-ruler-unknown-ruler-tommaso-mercandetti-italian-17581821ruler-pope-clement-xi-italian-16491721-mint-rome-artist-giuseppe-ortolani-italian-16741734-image463243401.htmlRM2HWJFK5–Mezzo Scudo of Unknown ; Tommaso Mercandetti; Pope Clement XI from Rome. Ruler: Unknown Ruler: Tommaso Mercandetti, Italian, 1758–1821Ruler: Pope Clement XI, Italian, 1649–1721 Mint: Rome Artist: Giuseppe Ortolani, Italian, 1674–1734
Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), 'The Old Pretender' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-prince-james-francis-edward-stuart-16881766-the-old-pretender-image593793378.htmlRM2WE1HEA–Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), 'The Old Pretender'
Diana and Actaeon 1734 Jean Francois de Troy 1674-1742 France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diana-and-actaeon-1734-jean-francois-de-troy-1674-1742-france-french-image503766969.htmlRM2M7GFWD–Diana and Actaeon 1734 Jean Francois de Troy 1674-1742 France French
Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart with his sister, Princess Louisa Maria Theresa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-prince-james-francis-edward-stuart-with-his-sister-princess-louisa-maria-theresa-image593793407.htmlRM2WE1HFB–Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart with his sister, Princess Louisa Maria Theresa
Art inspired by The Flower-Garden Display'd, In Above Four Hundred Curious Representations Of the Most Beautiful Flowers; Regularly Dispos'd in the Respective Months of Their Bloom, 1734, Illustrations: hand-colored etching and engraving, Book: 9 7/8 x 7 13/16 x 7/8 in. (25.1 x 19.8 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-flower-garden-displayd-in-above-four-hundred-curious-representations-of-the-most-beautiful-flowers-regularly-disposd-in-the-respective-months-of-their-bloom-1734-illustrations-hand-colored-etching-and-engraving-book-9-78-x-7-1316-x-78-in-251-x-198-x-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462959422.htmlRF2HW5HD2–Art inspired by The Flower-Garden Display'd, In Above Four Hundred Curious Representations Of the Most Beautiful Flowers; Regularly Dispos'd in the Respective Months of Their Bloom, 1734, Illustrations: hand-colored etching and engraving, Book: 9 7/8 x 7 13/16 x 7/8 in. (25.1 x 19.8 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Alexis-Simon Belle (1674-1734) - James Frances Edward Keith (1696–1758) - ABDUA 30095 - University of Aberdeen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-james-frances-edward-keith-16961758-abdua-30095-university-of-aberdeen-image593793369.htmlRM2WE1HE1–Alexis-Simon Belle (1674-1734) - James Frances Edward Keith (1696–1758) - ABDUA 30095 - University of Aberdeen.
Jean Daullé, (artist), French, 1703 - 1763, Alexis-Simon Belle, (artist after), French, 1674 - 1734, Louis Philippe d'Orléans, etching and engraving, plate: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.), sheet: 57.1 x 40.6 cm (22 1/2 x 16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-daull-artist-french-1703-1763-alexis-simon-belle-artist-after-french-1674-1734-louis-philippe-dorlans-etching-and-engraving-plate-405-x-276-cm-15-1516-x-10-78-in-sheet-571-x-406-cm-22-12-x-16-in-image386227760.htmlRM2DCA5CG–Jean Daullé, (artist), French, 1703 - 1763, Alexis-Simon Belle, (artist after), French, 1674 - 1734, Louis Philippe d'Orléans, etching and engraving, plate: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.), sheet: 57.1 x 40.6 cm (22 1/2 x 16 in
Portrait of a gentleman holding a cup of chocolate. Artist: Belle, Alexis Simon (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-gentleman-holding-a-cup-of-chocolate-artist-belle-alexis-135276303.htmlRMHT2A8F–Portrait of a gentleman holding a cup of chocolate. Artist: Belle, Alexis Simon (1674-1734)
. Deutsch: Portrait Maria Leszczynskas, Öl auf Leinwand, châteaux de Versailles et de Trianon English: Portrait of Maria Leszczynska, oil on canvas, châteaux de Versailles et de Trianon . circa 1730. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF: 29802151 ISNI: 0000 0000 6661 4073 ULAN: 500025018 WGA: BELLE, Alexis-Simon GND: 123739616 859 MariaLeszczy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-portrait-maria-leszczynskas-l-auf-leinwand-chteaux-de-versailles-et-de-trianon-english-portrait-of-maria-leszczynska-oil-on-canvas-chteaux-de-versailles-et-de-trianon-circa-1730-alexis-simon-belle-16741734-alternative-names-alexis-simon-belle-description-french-painter-miniaturist-pastellist-and-draughtsman-date-of-birthdeath-12-january-1674-21-november-1734-location-of-birthdeath-paris-paris-work-location-paris-authority-control-q1383440-viaf29802151-isni0000-0000-6661-4073-ulan500025018-wgabelle-alexis-simon-gnd123739616-859-marialeszczy-image185847079.htmlRMMPA1RK–. Deutsch: Portrait Maria Leszczynskas, Öl auf Leinwand, châteaux de Versailles et de Trianon English: Portrait of Maria Leszczynska, oil on canvas, châteaux de Versailles et de Trianon . circa 1730. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF: 29802151 ISNI: 0000 0000 6661 4073 ULAN: 500025018 WGA: BELLE, Alexis-Simon GND: 123739616 859 MariaLeszczy
Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), Son of James VII and II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexis-simon-belle-1674-1734-prince-james-francis-edward-stuart-16881766-son-of-james-vii-and-ii-image593793362.htmlRM2WE1HDP–Alexis-Simon Belle (1674-1734) - Prince James Francis Edward Stuart (1688–1766), Son of James VII and II
ISSAC WATTS ( 1674-1748) English hymn-writer and poet. Lived at Abney House, Hackney,London, 1734-1748. Demolished 1843 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/issac-watts-1674-1748-english-hymn-writer-and-poet-lived-at-abney-house-hackneylondon-1734-1748-demolished-1843-image365779713.htmlRM2C72KN5–ISSAC WATTS ( 1674-1748) English hymn-writer and poet. Lived at Abney House, Hackney,London, 1734-1748. Demolished 1843
Louise de Kéroualle, Duchess of Portsmouth (1649-1734), mistress of King Charles II of England, portrait painting by Sir Peter Lely, 1671-1674 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louise-de-kroualle-duchess-of-portsmouth1649-1734-mistress-of-kingcharles-ii-of-england-portrait-painting-by-sir-peter-lely-1671-1674-image432554604.htmlRM2G3MFPM–Louise de Kéroualle, Duchess of Portsmouth (1649-1734), mistress of King Charles II of England, portrait painting by Sir Peter Lely, 1671-1674
Sir Robert Vyner, 1st Baronet (1631-1688). Goldsmith and banker. Lord Mayor of London in 1674. 'The Family of Sir Robert Vyner'. The painting show Sir Robert and his wife Mary (d. 1674), Bridget Hyde (1662-1734) (Duchess of Leeds), daughter of first marriage of Lady Vyner, and their only son Charles Vyner (1666-1688). Portrait by John Michael Wright (1617-1694). Oil on canvas (144,8 x 195,6 cm), ca. 1673. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-robert-vyner-1st-baronet-1631-1688-goldsmith-and-banker-lord-mayor-of-london-in-1674-the-family-of-sir-robert-vyner-the-painting-show-sir-robert-and-his-wife-mary-d-1674-bridget-hyde-1662-1734-duchess-of-leeds-daughter-of-first-marriage-of-lady-vyner-and-their-only-son-charles-vyner-1666-1688-portrait-by-john-michael-wright-1617-1694-oil-on-canvas-1448-x-1956-cm-ca-1673-national-portrait-gallery-london-england-united-kingdom-image435149458.htmlRM2G7XNG2–Sir Robert Vyner, 1st Baronet (1631-1688). Goldsmith and banker. Lord Mayor of London in 1674. 'The Family of Sir Robert Vyner'. The painting show Sir Robert and his wife Mary (d. 1674), Bridget Hyde (1662-1734) (Duchess of Leeds), daughter of first marriage of Lady Vyner, and their only son Charles Vyner (1666-1688). Portrait by John Michael Wright (1617-1694). Oil on canvas (144,8 x 195,6 cm), ca. 1673. National Portrait Gallery. London, England, United Kingdom.
Signore Sebastiano Conca, Pittore Napoletano. Dated: 1734/1755. Dimensions: sheet: 31.6 x 21.5 cm (12 7/16 x 8 7/16 in.) support: 48 x 38 cm (18 7/8 x 14 15/16 in.). Medium: pen and brown ink over black chalk on laid paper mounted on album page. Museum: National Gallery of Art, Washington DC. Author: Pier Leone Ghezzi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/signore-sebastiano-conca-pittore-napoletano-dated-17341755-dimensions-sheet-316-x-215-cm-12-716-x-8-716-in-support-48-x-38-cm-18-78-x-14-1516-in-medium-pen-and-brown-ink-over-black-chalk-on-laid-paper-mounted-on-album-page-museum-national-gallery-of-art-washington-dc-author-pier-leone-ghezzi-image233239660.htmlRMRFCYFT–Signore Sebastiano Conca, Pittore Napoletano. Dated: 1734/1755. Dimensions: sheet: 31.6 x 21.5 cm (12 7/16 x 8 7/16 in.) support: 48 x 38 cm (18 7/8 x 14 15/16 in.). Medium: pen and brown ink over black chalk on laid paper mounted on album page. Museum: National Gallery of Art, Washington DC. Author: Pier Leone Ghezzi.
Altar in semi-precious stone and gilt copper work of a Neapolitan baroque artist Dioniso Lazzari (1674) . Royal Chapel, dedicated to Our Lady of Assumption - Royal Palace of Naples that In 1734 became the royal residence of the Bourbons - Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altar-in-semi-precious-stone-and-gilt-copper-work-of-a-neapolitan-baroque-artist-dioniso-lazzari-1674-royal-chapel-dedicated-to-our-lady-of-assumption-royal-palace-of-naples-that-in-1734-became-the-royal-residence-of-the-bourbons-naples-italy-image554660842.htmlRM2R6AYFP–Altar in semi-precious stone and gilt copper work of a Neapolitan baroque artist Dioniso Lazzari (1674) . Royal Chapel, dedicated to Our Lady of Assumption - Royal Palace of Naples that In 1734 became the royal residence of the Bourbons - Naples, Italy
CHRISTOPH MILLER, GIANT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christoph-miller-giant-105317444.htmlRMG39HD8–CHRISTOPH MILLER, GIANT
True and accurate illustration (...), title page for part: glorification of Emperor Karl VI .. after: Johann Andreas Thelott (1655-1734), Artist, Hieronymus Sperling (1695-1777), Copper Engraver, Johann Andreas D . Ä. Pfeffel (1674-1748), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/true-and-accurate-illustration-title-page-for-part-glorification-of-emperor-karl-vi-after-johann-andreas-thelott-1655-1734-artist-hieronymus-sperling-1695-1777-copper-engraver-johann-andreas-d-pfeffel-1674-1748-publisher-image471091895.htmlRM2JAC2EF–True and accurate illustration (...), title page for part: glorification of Emperor Karl VI .. after: Johann Andreas Thelott (1655-1734), Artist, Hieronymus Sperling (1695-1777), Copper Engraver, Johann Andreas D . Ä. Pfeffel (1674-1748), publisher
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348847.htmlRM2K8TJBY–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pier-leone-ghezzi-italian-1674-1755-signore-sebastiano-conca-pittore-napoletano-1734-1755-pen-and-brown-ink-reimagined-image230451202.htmlRFRAWXT2–Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink reimagined
![. Bonn zoological bulletin. Zoology. 222 Aaron M. Bauer & Richard Wahlgren. [c] [d] Plate 1. a. Heinrich Linck (1638-1717), founder of the Linck collection and of the Linck apothecary dynasty in Leipzig. Image from Seifert (1934) from an engraving by Nicolaus Haublein. b. Johann Heinrich Linck the Elder (1674-1734), son of Heinrich Linck and accomplished naturalist and phannacist. Image courtesy of U. Budig, Museum Waldenburg - Naturalienkabinett und Stadtmuseum. c. Johann Heinrich Linck the Younger (1734-1807), grandson of H. Linck and son of J. H. Linck the Elder, who prepared the Iiutcx Stock Photo](https://c8.alamy.com/comp/RHDKGF/bonn-zoological-bulletin-zoology-222-aaron-m-bauer-amp-richard-wahlgren-c-d-plate-1-a-heinrich-linck-1638-1717-founder-of-the-linck-collection-and-of-the-linck-apothecary-dynasty-in-leipzig-image-from-seifert-1934-from-an-engraving-by-nicolaus-haublein-b-johann-heinrich-linck-the-elder-1674-1734-son-of-heinrich-linck-and-accomplished-naturalist-and-phannacist-image-courtesy-of-u-budig-museum-waldenburg-naturalienkabinett-und-stadtmuseum-c-johann-heinrich-linck-the-younger-1734-1807-grandson-of-h-linck-and-son-of-j-h-linck-the-elder-who-prepared-the-iiutcx-RHDKGF.jpg ". Bonn zoological bulletin. Zoology. 222 Aaron M. Bauer & Richard Wahlgren. [c] [d] Plate 1. a. Heinrich Linck (1638-1717), founder of the Linck collection and of the Linck apothecary dynasty in Leipzig. Image from Seifert (1934) from an engraving by Nicolaus Haublein. b. Johann Heinrich Linck the Elder (1674-1734), son of Heinrich Linck and accomplished naturalist and phannacist. Image courtesy of U. Budig, Museum Waldenburg - Naturalienkabinett und Stadtmuseum. c. Johann Heinrich Linck the Younger (1734-1807), grandson of H. Linck and son of J. H. Linck the Elder, who prepared the Iiutcx Stock Photo")
. Bonn zoological bulletin. Zoology. 222 Aaron M. Bauer & Richard Wahlgren. [c] [d] Plate 1. a. Heinrich Linck (1638-1717), founder of the Linck collection and of the Linck apothecary dynasty in Leipzig. Image from Seifert (1934) from an engraving by Nicolaus Haublein. b. Johann Heinrich Linck the Elder (1674-1734), son of Heinrich Linck and accomplished naturalist and phannacist. Image courtesy of U. Budig, Museum Waldenburg - Naturalienkabinett und Stadtmuseum. c. Johann Heinrich Linck the Younger (1734-1807), grandson of H. Linck and son of J. H. Linck the Elder, who prepared the Iiutcx Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonn-zoological-bulletin-zoology-222-aaron-m-bauer-amp-richard-wahlgren-c-d-plate-1-a-heinrich-linck-1638-1717-founder-of-the-linck-collection-and-of-the-linck-apothecary-dynasty-in-leipzig-image-from-seifert-1934-from-an-engraving-by-nicolaus-haublein-b-johann-heinrich-linck-the-elder-1674-1734-son-of-heinrich-linck-and-accomplished-naturalist-and-phannacist-image-courtesy-of-u-budig-museum-waldenburg-naturalienkabinett-und-stadtmuseum-c-johann-heinrich-linck-the-younger-1734-1807-grandson-of-h-linck-and-son-of-j-h-linck-the-elder-who-prepared-the-iiutcx-image234484671.htmlRMRHDKGF–. Bonn zoological bulletin. Zoology. 222 Aaron M. Bauer & Richard Wahlgren. [c] [d] Plate 1. a. Heinrich Linck (1638-1717), founder of the Linck collection and of the Linck apothecary dynasty in Leipzig. Image from Seifert (1934) from an engraving by Nicolaus Haublein. b. Johann Heinrich Linck the Elder (1674-1734), son of Heinrich Linck and accomplished naturalist and phannacist. Image courtesy of U. Budig, Museum Waldenburg - Naturalienkabinett und Stadtmuseum. c. Johann Heinrich Linck the Younger (1734-1807), grandson of H. Linck and son of J. H. Linck the Elder, who prepared the Iiutcx
. The Victoria history of the county of Hertford. Natural history. BRAUGHING HUNDRED J. Briant, 1787 ; the seventh, dated 1668, and the eighth, 1652, both by Anthony Bartlett. The communion plate consists of cup and cover paten, 1660, and modern chalice, paten and flagon. The registers are in five books, as follows : (1) baptisms 1546 to 1675, burials 1546 to 1679, marriages 1546 to 1674; (ii) baptisms and burials 1679 to 1730, marriages 1680 to 1729 ; (ill) baptisms and burials 1734 to 18 12, marriages 1734 to 1753 ; (iv) and (v) marriages 1754 to 1772 and 1772 to 1812. A priest is included a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-hertford-natural-history-braughing-hundred-j-briant-1787-the-seventh-dated-1668-and-the-eighth-1652-both-by-anthony-bartlett-the-communion-plate-consists-of-cup-and-cover-paten-1660-and-modern-chalice-paten-and-flagon-the-registers-are-in-five-books-as-follows-1-baptisms-1546-to-1675-burials-1546-to-1679-marriages-1546-to-1674-ii-baptisms-and-burials-1679-to-1730-marriages-1680-to-1729-ill-baptisms-and-burials-1734-to-18-12-marriages-1734-to-1753-iv-and-v-marriages-1754-to-1772-and-1772-to-1812-a-priest-is-included-a-image216362334.htmlRMPG04A6–. The Victoria history of the county of Hertford. Natural history. BRAUGHING HUNDRED J. Briant, 1787 ; the seventh, dated 1668, and the eighth, 1652, both by Anthony Bartlett. The communion plate consists of cup and cover paten, 1660, and modern chalice, paten and flagon. The registers are in five books, as follows : (1) baptisms 1546 to 1675, burials 1546 to 1679, marriages 1546 to 1674; (ii) baptisms and burials 1679 to 1730, marriages 1680 to 1729 ; (ill) baptisms and burials 1734 to 18 12, marriages 1734 to 1753 ; (iv) and (v) marriages 1754 to 1772 and 1772 to 1812. A priest is included a
Diana and Actaeon 1734 Jean Francois de Troy 1674-1742 France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diana-and-actaeon-1734-jean-francois-de-troy-1674-1742-france-french-image503766977.htmlRM2M7GFWN–Diana and Actaeon 1734 Jean Francois de Troy 1674-1742 France French
Wrist Rest with Scene from 'The West Chamber', China, Qing (1644–1911) dynasty, Date dated to either 1674 or 1734, China, Bamboo, H. 8 1/8 in. (20.6 cm); W. 2 1/8 in. (5.4 cm); D. 1/2 in. (1.3 cm), Bamboo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wrist-rest-with-scene-from-the-west-chamber-china-qing-16441911-dynasty-date-dated-to-either-1674-or-1734-china-bamboo-h-8-18-in-206-cm-w-2-18-in-54-cm-d-12-in-13-cm-bamboo-image344642622.htmlRM2B0KR52–Wrist Rest with Scene from 'The West Chamber', China, Qing (1644–1911) dynasty, Date dated to either 1674 or 1734, China, Bamboo, H. 8 1/8 in. (20.6 cm); W. 2 1/8 in. (5.4 cm); D. 1/2 in. (1.3 cm), Bamboo
Catherine-Eléonore-Eugènie de Béthisy, future Princess of Montauban, and her brother Eugène de Béthi Artist: Belle, Alexis Simon (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-catherine-elonore-eugnie-de-bthisy-future-princess-of-montauban-and-74094476.htmlRME8F878–Catherine-Eléonore-Eugènie de Béthisy, future Princess of Montauban, and her brother Eugène de Béthi Artist: Belle, Alexis Simon (1674-1734)
. Deutsch: Portrait Maria Leszczynskas, Öl auf Leinwand, châteaux de Versailles et de Trianon English: Portrait of Maria Leszczynska, oil on canvas, châteaux de Versailles et de Trianon . circa 1730. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF: 29802151 ISNI: 0000 0000 6661 4073 ULAN: 500025018 WGA: BELLE, Alexis-Simon GND: 123739616 859 MariaLeszczy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-portrait-maria-leszczynskas-l-auf-leinwand-chteaux-de-versailles-et-de-trianon-english-portrait-of-maria-leszczynska-oil-on-canvas-chteaux-de-versailles-et-de-trianon-circa-1730-alexis-simon-belle-16741734-alternative-names-alexis-simon-belle-description-french-painter-miniaturist-pastellist-and-draughtsman-date-of-birthdeath-12-january-1674-21-november-1734-location-of-birthdeath-paris-paris-work-location-paris-authority-control-q1383440-viaf29802151-isni0000-0000-6661-4073-ulan500025018-wgabelle-alexis-simon-gnd123739616-859-marialeszczy-image185847081.htmlRMMPA1RN–. Deutsch: Portrait Maria Leszczynskas, Öl auf Leinwand, châteaux de Versailles et de Trianon English: Portrait of Maria Leszczynska, oil on canvas, châteaux de Versailles et de Trianon . circa 1730. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF: 29802151 ISNI: 0000 0000 6661 4073 ULAN: 500025018 WGA: BELLE, Alexis-Simon GND: 123739616 859 MariaLeszczy
Pier Leone Ghezzi, (artist), Roman, 1674 - 1755, Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter), 1734/1755, pen and brown ink over black chalk on laid paper mounted on album page, sheet: 31.6 x 21.5 cm (12 7/16 x 8 7/16 in.), support: 48 x 38 cm (18 7/8 x 14 15/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pier-leone-ghezzi-artist-roman-1674-1755-signore-sebastiano-conca-pittore-napoletano-signore-sebastiano-conca-neapolitan-painter-17341755-pen-and-brown-ink-over-black-chalk-on-laid-paper-mounted-on-album-page-sheet-316-x-215-cm-12-716-x-8-716-in-support-48-x-38-cm-18-78-x-14-1516-in-image386349573.htmlRM2DCFMR1–Pier Leone Ghezzi, (artist), Roman, 1674 - 1755, Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter), 1734/1755, pen and brown ink over black chalk on laid paper mounted on album page, sheet: 31.6 x 21.5 cm (12 7/16 x 8 7/16 in.), support: 48 x 38 cm (18 7/8 x 14 15/16 in
N/A. English: Alexander, 4th Lord Forbes of Pitsligo (d. 1762) oil on canvas 80.8 x 64.3 cm signed verso: peint a Paris. par. AS Belle / Janvier. 1720.. . January 1720. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF:29802151 ISNI:0000 0000 6661 4073 ULAN:500025018 WGA:BELLE, Alexis-Simon Oxford Dict.:46466 82 Alexander, 4th Lord Forbes of Pitsligo, b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-alexander-4th-lord-forbes-of-pitsligo-d-1762-oil-on-canvas-808-x-643-cm-signed-verso-peint-a-paris-par-as-belle-janvier-1720-january-1720-alexis-simon-belle-16741734-alternative-names-alexis-simon-belle-description-french-painter-miniaturist-pastellist-and-draughtsman-date-of-birthdeath-12-january-1674-21-november-1734-location-of-birthdeath-paris-paris-work-location-paris-authority-control-q1383440-viaf29802151-isni0000-0000-6661-4073-ulan500025018-wgabelle-alexis-simon-oxford-dict46466-82-alexander-4th-lord-forbes-of-pitsligo-b-image209968666.htmlRMP5GW4X–N/A. English: Alexander, 4th Lord Forbes of Pitsligo (d. 1762) oil on canvas 80.8 x 64.3 cm signed verso: peint a Paris. par. AS Belle / Janvier. 1720.. . January 1720. Alexis Simon Belle (1674–1734) Alternative names Alexis-Simon Belle Description French painter, miniaturist, pastellist and draughtsman Date of birth/death 12 January 1674 21 November 1734 Location of birth/death Paris Paris Work location Paris Authority control : Q1383440 VIAF:29802151 ISNI:0000 0000 6661 4073 ULAN:500025018 WGA:BELLE, Alexis-Simon Oxford Dict.:46466 82 Alexander, 4th Lord Forbes of Pitsligo, b
Nat. 1674. Ph. van Dyck pinx. 1719. Ob. 1734. MR. CASPER VAN CITTERS, Raadpensionaris van Zeeland. etc. J. Houbraken fec. after the Original by des even Son de Hr. Burgerm. Jacob van Citters. IS. TIRION excud. 1760 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nat-1674-ph-van-dyck-pinx-1719-ob-1734-mr-casper-van-citters-raadpensionaris-van-zeeland-etc-j-houbraken-fec-after-the-original-by-des-even-son-de-hr-burgerm-jacob-van-citters-is-tirion-excud-1760-image573179896.htmlRM2T8EGPG–Nat. 1674. Ph. van Dyck pinx. 1719. Ob. 1734. MR. CASPER VAN CITTERS, Raadpensionaris van Zeeland. etc. J. Houbraken fec. after the Original by des even Son de Hr. Burgerm. Jacob van Citters. IS. TIRION excud. 1760
117 Caspar van Citters (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/117-caspar-van-citters-1674-1734-image214105922.htmlRMPC9A82–117 Caspar van Citters (1674-1734)
Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pier-leone-ghezzi-italian-1674-1755-signore-sebastiano-conca-pittore-123367618.htmlRMH4KTJA–Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink
Sir Robert Vyner, primer baronet (1631-1688). Banquero, orfebre y alcalde de la ciudad de Londres (1674-1675). 'Familia de Sir Robert Vyner'. Sir Robert, su esposa Mary (m. 1674), Bridget Hyde (1662-1734) hija de Lady Vyner de su primer matrimonio, hijo Carlos Vyner (1666-1688). Retrato realizado por el artista John Michael Wright (1617-1694). Oleo sobre lienzo, h.1673. National Portrait Gallery. Londres. Inglaterra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-robert-vyner-primer-baronet-1631-1688-banquero-orfebre-y-alcalde-de-la-ciudad-de-londres-1674-1675-familia-de-sir-robert-vyner-sir-robert-su-esposa-mary-m-1674-bridget-hyde-1662-1734-hija-de-lady-vyner-de-su-primer-matrimonio-hijo-carlos-vyner-1666-1688-retrato-realizado-por-el-artista-john-michael-wright-1617-1694-oleo-sobre-lienzo-h1673-national-portrait-gallery-londres-inglaterra-image336737063.htmlRM2AFRKFK–Sir Robert Vyner, primer baronet (1631-1688). Banquero, orfebre y alcalde de la ciudad de Londres (1674-1675). 'Familia de Sir Robert Vyner'. Sir Robert, su esposa Mary (m. 1674), Bridget Hyde (1662-1734) hija de Lady Vyner de su primer matrimonio, hijo Carlos Vyner (1666-1688). Retrato realizado por el artista John Michael Wright (1617-1694). Oleo sobre lienzo, h.1673. National Portrait Gallery. Londres. Inglaterra.
Altar in semi-precious stone and gilt copper work of a Neapolitan baroque artist Dioniso Lazzari (1674) . Royal Chapel, dedicated to Our Lady of Assumption - Royal Palace of Naples that In 1734 became the royal residence of the Bourbons - Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altar-in-semi-precious-stone-and-gilt-copper-work-of-a-neapolitan-baroque-artist-dioniso-lazzari-1674-royal-chapel-dedicated-to-our-lady-of-assumption-royal-palace-of-naples-that-in-1734-became-the-royal-residence-of-the-bourbons-naples-italy-image554660834.htmlRM2R6AYFE–Altar in semi-precious stone and gilt copper work of a Neapolitan baroque artist Dioniso Lazzari (1674) . Royal Chapel, dedicated to Our Lady of Assumption - Royal Palace of Naples that In 1734 became the royal residence of the Bourbons - Naples, Italy
The one with a new facade AO. 1734. Plaid St. Peterskirche '(Peterskirche), from: True and accurate illustration (...), Part 4, Fig. 1. After: Salomon Kleiner (1700-1761), Drawer, Johann Bernhard Hattinger, Copper engraver, Johann Andreas d. Ä. Pfeffel (1674-1748), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-one-with-a-new-facade-ao-1734-plaid-st-peterskirche-peterskirche-from-true-and-accurate-illustration-part-4-fig-1-after-salomon-kleiner-1700-1761-drawer-johann-bernhard-hattinger-copper-engraver-johann-andreas-d-pfeffel-1674-1748-publisher-image471051517.htmlRM2JAA70D–The one with a new facade AO. 1734. Plaid St. Peterskirche '(Peterskirche), from: True and accurate illustration (...), Part 4, Fig. 1. After: Salomon Kleiner (1700-1761), Drawer, Johann Bernhard Hattinger, Copper engraver, Johann Andreas d. Ä. Pfeffel (1674-1748), publisher
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348820.htmlRM2K8TJB0–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
Wrist Rest with Scene from 'The West Chamber' dated to either 1674 or 1734 China The motif of a woman reading a letter is most likely based on a woodblock print illustrating a scene from a fourteenth-century play known as either The West Chamber or The Romance of the West Chamber. This play, which tells of the convoluted romance between a young scholar and a beautiful woman, is one of the most well known in Chinese history, and allusions to some of its more famous moments are often found in the visual arts.. Wrist Rest with Scene from 'The West Chamber' 73223 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wrist-rest-with-scene-from-the-west-chamber-dated-to-either-1674-or-1734-china-the-motif-of-a-woman-reading-a-letter-is-most-likely-based-on-a-woodblock-print-illustrating-a-scene-from-a-fourteenth-century-play-known-as-either-the-west-chamber-or-the-romance-of-the-west-chamber-this-play-which-tells-of-the-convoluted-romance-between-a-young-scholar-and-a-beautiful-woman-is-one-of-the-most-well-known-in-chinese-history-and-allusions-to-some-of-its-more-famous-moments-are-often-found-in-the-visual-arts-wrist-rest-with-scene-from-the-west-chamber-73223-image458484980.htmlRM2HHWP7G–Wrist Rest with Scene from 'The West Chamber' dated to either 1674 or 1734 China The motif of a woman reading a letter is most likely based on a woodblock print illustrating a scene from a fourteenth-century play known as either The West Chamber or The Romance of the West Chamber. This play, which tells of the convoluted romance between a young scholar and a beautiful woman, is one of the most well known in Chinese history, and allusions to some of its more famous moments are often found in the visual arts.. Wrist Rest with Scene from 'The West Chamber' 73223
Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pier-leone-ghezzi-italian-1674-1755-signore-sebastiano-conca-pittore-napoletano-1734-1755-pen-and-brown-ink-reimagined-image230051605.htmlRFRA7N4N–Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink reimagined
History of Worcester and its people . Dea. John, lived in Sudbury. He soldhis land here March 5, 1721-2, to Obadiah Ward for love, etc. Wardwas also of Sudbury. He also sold land to Daniel Hubliard. late of Con-cord, now of Wor., May 17, 1726. Healey.—William Healey came from Eng. before 1645, settled inRoxbury. rem. to Lynn; m. (1) Rebecca Ives, dau. of Miles; (2) GraceButtrick or Butteries, dau. of Nicholas. (3) Phebe Green; (4) or (5)Sarah Brown. He d. Xov. 28. 1682. aet. lO. He was jirison keeper atCambridge 1674-1682. Healey, Nathaniel- (William), hapt. Feb. 6, l(i58. d. June 2, 1734;woun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-worcester-and-its-people-dea-john-lived-in-sudbury-he-soldhis-land-here-march-5-1721-2-to-obadiah-ward-for-love-etc-wardwas-also-of-sudbury-he-also-sold-land-to-daniel-hubliard-late-of-con-cord-now-of-wor-may-17-1726-healeywilliam-healey-came-from-eng-before-1645-settled-inroxbury-rem-to-lynn-m-1-rebecca-ives-dau-of-miles-2-gracebuttrick-or-butteries-dau-of-nicholas-3-phebe-green-4-or-5sarah-brown-he-d-xov-28-1682-aet-lo-he-was-jirison-keeper-atcambridge-1674-1682-healey-nathaniel-william-hapt-feb-6-li58-d-june-2-1734woun-image339987285.htmlRM2AN3N71–History of Worcester and its people . Dea. John, lived in Sudbury. He soldhis land here March 5, 1721-2, to Obadiah Ward for love, etc. Wardwas also of Sudbury. He also sold land to Daniel Hubliard. late of Con-cord, now of Wor., May 17, 1726. Healey.—William Healey came from Eng. before 1645, settled inRoxbury. rem. to Lynn; m. (1) Rebecca Ives, dau. of Miles; (2) GraceButtrick or Butteries, dau. of Nicholas. (3) Phebe Green; (4) or (5)Sarah Brown. He d. Xov. 28. 1682. aet. lO. He was jirison keeper atCambridge 1674-1682. Healey, Nathaniel- (William), hapt. Feb. 6, l(i58. d. June 2, 1734;woun
Illustration from Le Maître à danser, 1734. Artist: Rameau, Pierre (1674-1748) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-from-le-matre-danser-1734-artist-rameau-pierre-1674-1748-135276952.htmlRMHT2B3M–Illustration from Le Maître à danser, 1734. Artist: Rameau, Pierre (1674-1748)
. English: Grand pensionary Zeeland 1718-1734 . 14 October 2012, 14:51:56. Tirion 101 Caspar van Citters (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-grand-pensionary-zeeland-1718-1734-14-october-2012-145156-tirion-101-caspar-van-citters-1674-1734-image188843367.htmlRMMY6FHY–. English: Grand pensionary Zeeland 1718-1734 . 14 October 2012, 14:51:56. Tirion 101 Caspar van Citters (1674-1734)
Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pier-leone-ghezzi-italian-1674-1755-signore-sebastiano-conca-pittore-77440403.htmlRMEDYM0K–Pier Leone Ghezzi, Italian (1674-1755), Signore Sebastiano Conca, Pittore Napoletano, 1734-1755, pen and brown ink
The Flower-Garden Display'd, In Above Four Hundred Curious Representations Of the Most Beautiful Flowers; Regularly Dispos'd Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-flower-garden-displayd-in-above-four-hundred-curious-representations-162528756.htmlRMKCBR2C–The Flower-Garden Display'd, In Above Four Hundred Curious Representations Of the Most Beautiful Flowers; Regularly Dispos'd
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348838.htmlRM2K8TJBJ–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
. Historic Virginia homes and churches . orthampton County in 1664. He jjatented UpshurNeck —2300 acres in Accomac County—and in 1674 re-moved to that place, where he died, in 1709, in the eighty-fifth year of his age. His son, Arthur Upshur II, marriedSarah Brown, who in 1734 gave Brownsville—then con-taining 631 acres—to their youngest son, Thomas Upshur.This Thomas Upshur was the father of Thomas Upshur II,who married Anne Stocklej and was the father of JohnUpshur, the builder of the present Brownsville house. Thomas Upshur II was an officer in a company ofminute men during the Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historic-virginia-homes-and-churches-orthampton-county-in-1664-he-jjatented-upshurneck-2300-acres-in-accomac-countyand-in-1674-re-moved-to-that-place-where-he-died-in-1709-in-the-eighty-fifth-year-of-his-age-his-son-arthur-upshur-ii-marriedsarah-brown-who-in-1734-gave-brownsvillethen-con-taining-631-acresto-their-youngest-son-thomas-upshurthis-thomas-upshur-was-the-father-of-thomas-upshur-iiwho-married-anne-stocklej-and-was-the-father-of-johnupshur-the-builder-of-the-present-brownsville-house-thomas-upshur-ii-was-an-officer-in-a-company-ofminute-men-during-the-revolution-image370183090.htmlRM2CE788J–. Historic Virginia homes and churches . orthampton County in 1664. He jjatented UpshurNeck —2300 acres in Accomac County—and in 1674 re-moved to that place, where he died, in 1709, in the eighty-fifth year of his age. His son, Arthur Upshur II, marriedSarah Brown, who in 1734 gave Brownsville—then con-taining 631 acres—to their youngest son, Thomas Upshur.This Thomas Upshur was the father of Thomas Upshur II,who married Anne Stocklej and was the father of JohnUpshur, the builder of the present Brownsville house. Thomas Upshur II was an officer in a company ofminute men during the Revolution.
Portrait of Don Emanuel Desvalls, n.d. Spanish soldier. 'Don Emanuele dell'illustre Famiglia Desvalls nato in Barcellona l'anno 1674 incominciò a militare come Capitano l'anno 1694, regnando Carlo II in Espagna: fu promosso al grado di Colonello da Carlo III l'anno 1707, e fatto Comandante di Cardona d'Ivizza: quindi l'anno 1734, dichiarato in Vienna General Maggiore dall'Imperatorre Carlo VI, fu mandato Comandante in Gaeta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-don-emanuel-desvalls-nd-spanish-soldier-don-emanuele-dellillustre-famiglia-desvalls-nato-in-barcellona-lanno-1674-incomincixf2-a-militare-come-capitano-lanno-1694-regnando-carlo-ii-in-espagna-fu-promosso-al-grado-di-colonello-da-carlo-iii-lanno-1707-e-fatto-comandante-di-cardona-divizza-quindi-lanno-1734-dichiarato-in-vienna-general-maggiore-dallimperatorre-carlo-vi-fu-mandato-comandante-in-gaeta-image491537886.htmlRM2KFKDGE–Portrait of Don Emanuel Desvalls, n.d. Spanish soldier. 'Don Emanuele dell'illustre Famiglia Desvalls nato in Barcellona l'anno 1674 incominciò a militare come Capitano l'anno 1694, regnando Carlo II in Espagna: fu promosso al grado di Colonello da Carlo III l'anno 1707, e fatto Comandante di Cardona d'Ivizza: quindi l'anno 1734, dichiarato in Vienna General Maggiore dall'Imperatorre Carlo VI, fu mandato Comandante in Gaeta.
. English: Grand pensionary Zeeland 1718-1734 . 14 October 2012, 14:51:56. Tirion 117 Caspar van Citters (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-grand-pensionary-zeeland-1718-1734-14-october-2012-145156-tirion-117-caspar-van-citters-1674-1734-image187569539.htmlRMMW4ET3–. English: Grand pensionary Zeeland 1718-1734 . 14 October 2012, 14:51:56. Tirion 117 Caspar van Citters (1674-1734)
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348823.htmlRM2K8TJB3–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
. The Victoria history of the county of Hertford. Natural history. BRAUGHING HUNDRED J. Briant, 1787 ; the seventh, dated 1668, and the eighth, 1652, both by Anthony Bartlett. The communion plate consists of cup and cover paten, 1660, and modern chalice, paten and flagon. The registers are in five books, as follows : (1) baptisms 1546 to 1675, burials 1546 to 1679, marriages 1546 to 1674; (ii) baptisms and burials 1679 to 1730, marriages 1680 to 1729 ; (ill) baptisms and burials 1734 to 18 12, marriages 1734 to 1753 ; (iv) and (v) marriages 1754 to 1772 and 1772 to 1812. A priest is included a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-hertford-natural-history-braughing-hundred-j-briant-1787-the-seventh-dated-1668-and-the-eighth-1652-both-by-anthony-bartlett-the-communion-plate-consists-of-cup-and-cover-paten-1660-and-modern-chalice-paten-and-flagon-the-registers-are-in-five-books-as-follows-1-baptisms-1546-to-1675-burials-1546-to-1679-marriages-1546-to-1674-ii-baptisms-and-burials-1679-to-1730-marriages-1680-to-1729-ill-baptisms-and-burials-1734-to-18-12-marriages-1734-to-1753-iv-and-v-marriages-1754-to-1772-and-1772-to-1812-a-priest-is-included-a-image232063012.htmlRMRDFAMM–. The Victoria history of the county of Hertford. Natural history. BRAUGHING HUNDRED J. Briant, 1787 ; the seventh, dated 1668, and the eighth, 1652, both by Anthony Bartlett. The communion plate consists of cup and cover paten, 1660, and modern chalice, paten and flagon. The registers are in five books, as follows : (1) baptisms 1546 to 1675, burials 1546 to 1679, marriages 1546 to 1674; (ii) baptisms and burials 1679 to 1730, marriages 1680 to 1729 ; (ill) baptisms and burials 1734 to 18 12, marriages 1734 to 1753 ; (iv) and (v) marriages 1754 to 1772 and 1772 to 1812. A priest is included a
Portrait of Prince James Francis Edward Stuart (1688-1766), nicknamed The Old Pretender, 1710s. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-prince-james-francis-edward-stuart-1688-1766-nicknamed-the-old-pretender-1710s-private-collection-image433143509.htmlRM2G4KAY1–Portrait of Prince James Francis Edward Stuart (1688-1766), nicknamed The Old Pretender, 1710s. Private Collection.
. English: Grand pensionary Zeeland 1718-1734 . 14 October 2012, 14:51:56. Tirion 117 Caspar van Citters (1674-1734) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-grand-pensionary-zeeland-1718-1734-14-october-2012-145156-tirion-117-caspar-van-citters-1674-1734-image188129158.htmlRMMX20JE–. English: Grand pensionary Zeeland 1718-1734 . 14 October 2012, 14:51:56. Tirion 117 Caspar van Citters (1674-1734)
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348826.htmlRM2K8TJB6–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
Portrait of Simon Harcourt, 1st Viscount Harcourt (1661-1727), First third of 18th cen.. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-simon-harcourt-1st-viscount-harcourt-1661-1727-first-third-of-18th-cen-private-collection-image374814917.htmlRM2CNP871–Portrait of Simon Harcourt, 1st Viscount Harcourt (1661-1727), First third of 18th cen.. Private Collection.
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348830.htmlRM2K8TJBA–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
Gentilhomme prisant du tabac, End of 17th-Early 18th cen.. Found in the Collection of the Musée des Beaux-Arts de la ville de Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentilhomme-prisant-du-tabac-end-of-17th-early-18th-cen-found-in-the-collection-of-the-musxe9e-des-beaux-arts-de-la-ville-de-paris-image617196567.htmlRM2XT3MEF–Gentilhomme prisant du tabac, End of 17th-Early 18th cen.. Found in the Collection of the Musée des Beaux-Arts de la ville de Paris.
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348821.htmlRM2K8TJB1–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
Portrait of Marie Leszczynska, Queen of France (1703-1768), 1725. Found in the collection of Musée de l'Histoire de France, Château de Versailles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marie-leszczynska-queen-of-france-1703-1768-1725-found-in-the-collection-of-musxe9e-de-lhistoire-de-france-chxe2teau-de-versailles-image374813933.htmlRM2CNP6YW–Portrait of Marie Leszczynska, Queen of France (1703-1768), 1725. Found in the collection of Musée de l'Histoire de France, Château de Versailles.
The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pilgrimage-church-of-vilgertshofen-in-bavaria-is-one-of-the-most-important-church-buildings-in-the-whole-of-lechrain-image487348844.htmlRM2K8TJBT–The pilgrimage church of Vilgertshofen in Bavaria is one of the most important church buildings in the whole of Lechrain.
