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1773 woman Stock Photos and Images
Man and Woman, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-man-and-woman-1773-105349477.htmlRMG3B299–Man and Woman, 1773
Young Woman Drops her Geta as She Boards a Boat, c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-drops-her-geta-as-she-boards-a-boat-c-1773-isoda-koryusai-japanese-1735-1790-japan-color-woodblock-print-hashira-e-image328636591.htmlRM2A2JK93–Young Woman Drops her Geta as She Boards a Boat, c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e
MAN & WOMAN DRUNK 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-man-woman-drunk-1773-56762238.htmlRMD89MPP–MAN & WOMAN DRUNK 1773
A Woman is Unmasked, Gravelot, French, 1699 - 1773, active in England, Louis-Simon Lempereur, French, 1728 - 1808, Etching on paper, France, 1758, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-woman-is-unmasked-gravelot-french-1699-1773-active-in-england-louis-simon-lempereur-french-1728-1808-etching-on-paper-france-1758-print-image391708785.htmlRM2DN7TFD–A Woman is Unmasked, Gravelot, French, 1699 - 1773, active in England, Louis-Simon Lempereur, French, 1728 - 1808, Etching on paper, France, 1758, Print
Man And Woman 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-and-woman-1773-image7120237.htmlRMA9Y3JE–Man And Woman 1773
Standing Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Graphite on paper, lined, A standing woman, facing left, holding her apron with both hands., Italy, 1700–1773, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-woman-luigi-vanvitelli-italian-1700-1773-graphite-on-paper-lined-a-standing-woman-facing-left-holding-her-apron-with-both-hands-italy-17001773-figures-drawing-image391168230.htmlRM2DMB71X–Standing Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Graphite on paper, lined, A standing woman, facing left, holding her apron with both hands., Italy, 1700–1773, figures, Drawing
Woman Braiding Wreaths 1828 Heinrich Anton Dahling 1773-1850 German Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-braiding-wreaths-1828-heinrich-anton-dahling-1773-1850-german-123229080.htmlRMH4DFXG–Woman Braiding Wreaths 1828 Heinrich Anton Dahling 1773-1850 German Germany
Samuel William Reynolds I, (artist), British, 1773 - 1835, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Woman of Samaria, Liber Studiorum, (series), published 1819, etching and mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-william-reynolds-i-artist-british-1773-1835-joseph-mallord-william-turner-artist-british-1775-1851-the-woman-of-samaria-liber-studiorum-series-published-1819-etching-and-mezzotint-image386343622.htmlRM2DCFD6E–Samuel William Reynolds I, (artist), British, 1773 - 1835, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Woman of Samaria, Liber Studiorum, (series), published 1819, etching and mezzotint
Art inspired by Unidentified profile portrait, woman facing left, 1773–1820, Silhouette, 3 3/4 × 3 1/4 in. (9.5 × 8.2 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-unidentified-profile-portrait-woman-facing-left-17731820-silhouette-3-34-3-14-in-95-82-cm-cut-paper-anonymous-german-wrapped-in-paper-with-five-other-profiles-inscription-on-the-packet-in-brown-ink-frau-rntchen-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023123.htmlRF2HW8EM3–Art inspired by Unidentified profile portrait, woman facing left, 1773–1820, Silhouette, 3 3/4 × 3 1/4 in. (9.5 × 8.2 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Switzerland: Jean-Étienne Liotard (1702 –1789), pastel on canvas self-portrait, 1773. Jean-Étienne Liotard (1702–1789) was a Swiss-French painter. although not primarily an Orientalist, his paintings contain some Orientalist themes, notably 'Portrait of Richard Pocoke' (1738), 'Portrait of Monsieur Levett English Merchant in Tatar Costume' (1740), 'Turkish Woman with Maidservant' (1742), and 'Portrait of a Young Black Woman'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/switzerland-jean-tienne-liotard-1702-1789-pastel-on-canvas-self-portrait-1773-jean-tienne-liotard-17021789-was-a-swiss-french-painter-although-not-primarily-an-orientalist-his-paintings-contain-some-orientalist-themes-notably-portrait-of-richard-pocoke-1738-portrait-of-monsieur-levett-english-merchant-in-tatar-costume-1740-turkish-woman-with-maidservant-1742-and-portrait-of-a-young-black-woman-image344227789.htmlRM2B00X1H–Switzerland: Jean-Étienne Liotard (1702 –1789), pastel on canvas self-portrait, 1773. Jean-Étienne Liotard (1702–1789) was a Swiss-French painter. although not primarily an Orientalist, his paintings contain some Orientalist themes, notably 'Portrait of Richard Pocoke' (1738), 'Portrait of Monsieur Levett English Merchant in Tatar Costume' (1740), 'Turkish Woman with Maidservant' (1742), and 'Portrait of a Young Black Woman'.
Cartoon on the lifting of the Jesuit order, July 21, 1773, Anonymous, 1773 print Cartoon on the lifting of the Order of the Jesuits, at the Bul Pope Clemens XIV on July 21, 1773. Woman world shakes the sieve of the Jesuits, from which cins and documents fall. These are collected on the ground by children. With a twelve -line German fresh 'it is'. Germany paper engraving 'Frau Welt'. kitchen-utensils: sieve. sorting, selecting of material by sieving, sifting, screening. regular clerics, e.g. Jesuits, Redemptorists Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-on-the-lifting-of-the-jesuit-order-july-21-1773-anonymous-1773-print-cartoon-on-the-lifting-of-the-order-of-the-jesuits-at-the-bul-pope-clemens-xiv-on-july-21-1773-woman-world-shakes-the-sieve-of-the-jesuits-from-which-cins-and-documents-fall-these-are-collected-on-the-ground-by-children-with-a-twelve-line-german-fresh-it-is-germany-paper-engraving-frau-welt-kitchen-utensils-sieve-sorting-selecting-of-material-by-sieving-sifting-screening-regular-clerics-eg-jesuits-redemptorists-image593676958.htmlRM2WDT90E–Cartoon on the lifting of the Jesuit order, July 21, 1773, Anonymous, 1773 print Cartoon on the lifting of the Order of the Jesuits, at the Bul Pope Clemens XIV on July 21, 1773. Woman world shakes the sieve of the Jesuits, from which cins and documents fall. These are collected on the ground by children. With a twelve -line German fresh 'it is'. Germany paper engraving 'Frau Welt'. kitchen-utensils: sieve. sorting, selecting of material by sieving, sifting, screening. regular clerics, e.g. Jesuits, Redemptorists
Guatemala,Central America,Latin,Hispanic Spanish influence,Tropics,Latin America,North America,La Antigua,colonial capitol until 1773 earthquake,Cakch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guatemalacentral-americalatinhispanic-spanish-influencetropicslatin-image1842378.htmlRMA0HCCB–Guatemala,Central America,Latin,Hispanic Spanish influence,Tropics,Latin America,North America,La Antigua,colonial capitol until 1773 earthquake,Cakch
Elaborate Hairstyles, Wigs, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elaborate-hairstyles-wigs-1773-image352805064.htmlRM2BDYJCT–Elaborate Hairstyles, Wigs, 1773
'Kirke's villainy & cruelty to a young woman who beg'd him to save his brother's life', 1773. Creator: Charles Grignion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kirkes-villainy-cruelty-to-a-young-woman-who-begd-him-to-save-his-brothers-life-1773-creator-charles-grignion-image248875003.htmlRMTCW6GY–'Kirke's villainy & cruelty to a young woman who beg'd him to save his brother's life', 1773. Creator: Charles Grignion.
Personification of Physics, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/personification-of-physics-1773-image352803002.htmlRM2BDYFR6–Personification of Physics, 1773
Fashions of 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fashions-of-1773-56691067.htmlRMD86E0Y–Fashions of 1773
Caricature of Three Alcoholics, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caricature-of-three-alcoholics-1773-135089759.htmlRMHRNTA7–Caricature of Three Alcoholics, 1773
A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-satire-on-dandyish-fashions-of-1773-a-macaroni-gentleman-wearing-a-ridiculously-long-wig-in-which-the-hair-is-tied-in-a-bundle-down-his-back-tips-his-hat-to-two-ladies-with-equally-exaggerated-tall-wigs-one-of-whom-wears-an-entire-bunch-of-flowers-in-her-bosom-image560866156.htmlRM2RGDJE4–A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom.
Jean-Jacques Lequeu - Ad naturam imago Rothomagae - 1773 - Veiled Woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-jacques-lequeu-ad-naturam-imago-rothomagae-1773-veiled-woman-image544690380.htmlRF2PJ4P3T–Jean-Jacques Lequeu - Ad naturam imago Rothomagae - 1773 - Veiled Woman
Phillis Wheatley, first Published African American Female Poet, Illustration, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phillis-wheatley-first-published-african-american-female-poet-illustration-1773-image244557381.htmlRMT5TFC5–Phillis Wheatley, first Published African American Female Poet, Illustration, 1773
Theresia Cabarrus (1773-1835), wife of Tallien, then princess of Chimay 17/10/2013 - 18th century Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-theresia-cabarrus-1773-1835-wife-of-tallien-then-princess-of-chimay-85766714.htmlRMEYF08X–Theresia Cabarrus (1773-1835), wife of Tallien, then princess of Chimay 17/10/2013 - 18th century Collection
Fountain sculpture, woman holding the shield of the mayor from 1773-1856, Place de la Sinne, Ribeauvillé, Alsace, France, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fountain-sculpture-woman-holding-the-shield-of-the-mayor-from-1773-34502314.htmlRMC03M1E–Fountain sculpture, woman holding the shield of the mayor from 1773-1856, Place de la Sinne, Ribeauvillé, Alsace, France, Europe
'A Masquerade Scene at the Pantheon', 1773. Artist: Charles White Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-masquerade-scene-at-the-pantheon-1773-artist-charles-white-image262746052.htmlRMW7D37G–'A Masquerade Scene at the Pantheon', 1773. Artist: Charles White
'The enraged macaroni, 1773. Artist: Philip Dawe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-enraged-macaroni-1773-artist-philip-dawe-image60097370.htmlRMDDNJPJ–'The enraged macaroni, 1773. Artist: Philip Dawe
'The Graces Decorating a Terminal Figure of Hymen', 1773, (1911). Artist: Sir Joshua Reynolds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-graces-decorating-a-terminal-figure-of-hymen-1773-1911-artist-sir-joshua-reynolds-image262785923.htmlRMW7EX3F–'The Graces Decorating a Terminal Figure of Hymen', 1773, (1911). Artist: Sir Joshua Reynolds.
!['Tea at the Journalist's House', 1773, (1786). Scots writer James Boswell and English lexicographer Dr Samuel Johnson at tea with Flora MacDonald at Dunvegan Castle, on the Isle of Skye. Illustration from 'Social Caricature in the Eighteenth Century ... With over two hundred illustrations' by George Paston [pseudonym of Emily Morse Symonds], (London, 1905). Stock Photo](https://c8.alamy.com/comp/WHBH2X/tea-at-the-journalists-house-1773-1786-scots-writer-james-boswell-and-english-lexicographer-dr-samuel-johnson-at-tea-with-flora-macdonald-at-dunvegan-castle-on-the-isle-of-skye-illustration-from-social-caricature-in-the-eighteenth-century-with-over-two-hundred-illustrations-by-george-paston-pseudonym-of-emily-morse-symonds-london-1905-WHBH2X.jpg "'Tea at the Journalist's House', 1773, (1786). Scots writer James Boswell and English lexicographer Dr Samuel Johnson at tea with Flora MacDonald at Dunvegan Castle, on the Isle of Skye. Illustration from 'Social Caricature in the Eighteenth Century ... With over two hundred illustrations' by George Paston [pseudonym of Emily Morse Symonds], (London, 1905). Stock Photo")
'Tea at the Journalist's House', 1773, (1786). Scots writer James Boswell and English lexicographer Dr Samuel Johnson at tea with Flora MacDonald at Dunvegan Castle, on the Isle of Skye. Illustration from 'Social Caricature in the Eighteenth Century ... With over two hundred illustrations' by George Paston [pseudonym of Emily Morse Symonds], (London, 1905). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tea-at-the-journalists-house-1773-1786-scots-writer-james-boswell-and-english-lexicographer-dr-samuel-johnson-at-tea-with-flora-macdonald-at-dunvegan-castle-on-the-isle-of-skye-illustration-from-social-caricature-in-the-eighteenth-century-with-over-two-hundred-illustrations-by-george-paston-pseudonym-of-emily-morse-symonds-london-1905-image268859554.htmlRMWHBH2X–'Tea at the Journalist's House', 1773, (1786). Scots writer James Boswell and English lexicographer Dr Samuel Johnson at tea with Flora MacDonald at Dunvegan Castle, on the Isle of Skye. Illustration from 'Social Caricature in the Eighteenth Century ... With over two hundred illustrations' by George Paston [pseudonym of Emily Morse Symonds], (London, 1905).
Charles Turner, (artist), British, 1773 - 1857, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Woman and Tambourine, Liber Studiorum: no.3, (series), published 1807, etching and mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-turner-artist-british-1773-1857-joseph-mallord-william-turner-artist-british-1775-1851-the-woman-and-tambourine-liber-studiorum-no3-series-published-1807-etching-and-mezzotint-image386343620.htmlRM2DCFD6C–Charles Turner, (artist), British, 1773 - 1857, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Woman and Tambourine, Liber Studiorum: no.3, (series), published 1807, etching and mezzotint
Art inspired by Unidentified profile portrait, older woman facing right, 1773–1820, Silhouette, 5 1/8 × 3 15/16 in. (13 × 10 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-unidentified-profile-portrait-older-woman-facing-right-17731820-silhouette-5-18-3-1516-in-13-10-cm-cut-paper-anonymous-german-wrapped-in-paper-with-five-other-profiles-inscription-on-the-packet-in-brown-ink-frau-rntchen-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023085.htmlRF2HW8EJN–Art inspired by Unidentified profile portrait, older woman facing right, 1773–1820, Silhouette, 5 1/8 × 3 15/16 in. (13 × 10 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Standing Laundress, Luigi Vanvitelli, Italian, 1700 – 1773, Graphite on paper, lined, A standing woman, facing right, holding a cloth high with both hands., Italy, 1700–1773, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-laundress-luigi-vanvitelli-italian-1700-1773-graphite-on-paper-lined-a-standing-woman-facing-right-holding-a-cloth-high-with-both-hands-italy-17001773-figures-drawing-image391191576.htmlRM2DMC8RM–Standing Laundress, Luigi Vanvitelli, Italian, 1700 – 1773, Graphite on paper, lined, A standing woman, facing right, holding a cloth high with both hands., Italy, 1700–1773, figures, Drawing
James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas Rowlandson Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-boswell-his-wife-and-dr-johnson-at-tea-in-edinburgh-1773-1786-artist-thomas-rowlandson-image262746279.htmlRMW7D3FK–James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas Rowlandson
Joseph Mallord William Turner, (artist), British, 1775 - 1851, Samuel William Reynolds I, (artist), British, 1773 - 1835, The Woman of Samaria, Liber Studiorum: no.71, (series), published 1819, etching and mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-artist-british-1775-1851-samuel-william-reynolds-i-artist-british-1773-1835-the-woman-of-samaria-liber-studiorum-no71-series-published-1819-etching-and-mezzotint-image386343619.htmlRM2DCFD6B–Joseph Mallord William Turner, (artist), British, 1775 - 1851, Samuel William Reynolds I, (artist), British, 1773 - 1835, The Woman of Samaria, Liber Studiorum: no.71, (series), published 1819, etching and mezzotint
Guatemala,Central America,Latin,Hispanic Spanish influence,Tropics,Latin America,North America,La Antigua,colonial capitol until 1773 earthquake,Cakch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guatemalacentral-americalatinhispanic-spanish-influencetropicslatin-image4531053.htmlRMAF9R6E–Guatemala,Central America,Latin,Hispanic Spanish influence,Tropics,Latin America,North America,La Antigua,colonial capitol until 1773 earthquake,Cakch
Standing Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A standing woman, facing forward. Her left hand supports her face, the right holds and apron., Italy, 1700–1773, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-woman-luigi-vanvitelli-italian-1700-1773-black-crayon-on-paper-a-standing-woman-facing-forward-her-left-hand-supports-her-face-the-right-holds-and-apron-italy-17001773-figures-drawing-image391141585.htmlRM2DMA129–Standing Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A standing woman, facing forward. Her left hand supports her face, the right holds and apron., Italy, 1700–1773, figures, Drawing
Lady Cockburn and her Three Eldest Sons, 1773, (1907). Artist: Sir Joshua Reynolds Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-cockburn-and-her-three-eldest-sons-1773-1907-artist-sir-joshua-reynolds-image262780406.htmlRMW7EK2E–Lady Cockburn and her Three Eldest Sons, 1773, (1907). Artist: Sir Joshua Reynolds
Young Woman Drops her Geta as She Boards a Boat, c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 25 3/8 x 4 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-drops-her-geta-as-she-boards-a-boat-c-1773-isoda-koryusai-japanese-1735-1790-japan-color-woodblock-print-hashira-e-25-38-x-4-34-in-image328636212.htmlRM2A2JJRG–Young Woman Drops her Geta as She Boards a Boat, c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 25 3/8 x 4 3/4 in
Marital Bliss, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marital-bliss-1773-135018524.htmlRMHRJHE4–Marital Bliss, 1773
Seated Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A seated woman facing left, her chin on her left shoulder. One hand in her lap, upon an apron., Italy, 1700–1773, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-woman-luigi-vanvitelli-italian-1700-1773-black-crayon-on-paper-a-seated-woman-facing-left-her-chin-on-her-left-shoulder-one-hand-in-her-lap-upon-an-apron-italy-17001773-figures-drawing-image391705845.htmlRM2DN7MPD–Seated Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A seated woman facing left, her chin on her left shoulder. One hand in her lap, upon an apron., Italy, 1700–1773, figures, Drawing
Knight with a woman on horseback. Draughtsman: Louis Moritz. Dating: 1773 - 1850. Measurements: h 203 mm × w 244 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knight-with-a-woman-on-horseback-draughtsman-louis-moritz-dating-1773-1850-measurements-h-203-mm-w-244-mm-museum-rijksmuseum-amsterdam-image233104551.htmlRMRF6R6F–Knight with a woman on horseback. Draughtsman: Louis Moritz. Dating: 1773 - 1850. Measurements: h 203 mm × w 244 mm. Museum: Rijksmuseum, Amsterdam.
Standing woman in nun's habit, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Standing woman in nun's habit holding a book in her left hand and looking upward. Her right hand is also slightly raised., France, ca. 1759–70, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-woman-in-nuns-habit-jean-robert-ango-french-active-in-rome-1759-1770-d-1773-red-chalk-on-paper-standing-woman-in-nuns-habit-holding-a-book-in-her-left-hand-and-looking-upward-her-right-hand-is-also-slightly-raised-france-ca-175970-figures-drawing-image391376316.htmlRM2DMMMDG–Standing woman in nun's habit, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Standing woman in nun's habit holding a book in her left hand and looking upward. Her right hand is also slightly raised., France, ca. 1759–70, figures, Drawing
Johann Georg Fockhetzer. Bavarian painter, active in Cremona between 1758 and 1773. Portrait of a Lady of the Cauzzi Family. Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-georg-fockhetzer-bavarian-painter-active-in-cremona-between-1758-and-1773-portrait-of-a-lady-of-the-cauzzi-family-oil-on-canvas-museo-civico-ala-ponzone-cremona-lombardy-italy-image591220762.htmlRM2W9TC36–Johann Georg Fockhetzer. Bavarian painter, active in Cremona between 1758 and 1773. Portrait of a Lady of the Cauzzi Family. Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
Jeune femme vêtue de bleu - Young woman dressed in blue in 1773 Marie Élisabeth Louise Vigée Le Brun 1755 –1842 Paris French France ( rococo neoclassical painter ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jeune-femme-vtue-de-bleu-young-woman-dressed-in-blue-in-1773-marie-90233872.htmlRMF6PE68–Jeune femme vêtue de bleu - Young woman dressed in blue in 1773 Marie Élisabeth Louise Vigée Le Brun 1755 –1842 Paris French France ( rococo neoclassical painter )
' A Woman of Prince William's Sound '. From “Watercolours illustrating Captain Cook's last voyage” ca. 1773-1784 by John Webber. Webber was appointed topographical artist and sailed with Cook on the third voyage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-woman-of-prince-williams-sound-from-watercolours-illustrating-captain-cooks-last-voyage-ca-1773-1784-by-john-webber-webber-was-appointed-topographical-artist-and-sailed-with-cook-on-the-third-voyage-image596167068.htmlRM2WHWN50–' A Woman of Prince William's Sound '. From “Watercolours illustrating Captain Cook's last voyage” ca. 1773-1784 by John Webber. Webber was appointed topographical artist and sailed with Cook on the third voyage
'A Turkish Woman', 1773. Artist: Angelica Kauffman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-turkish-woman-1773-artist-angelica-kauffman-image60419859.htmlRMDE8A43–'A Turkish Woman', 1773. Artist: Angelica Kauffman
Portrait of a Woman 1773. 973 Portrait of a Woman - Perronneau 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-1773-973-portrait-of-a-woman-perronneau-1773-image185541828.htmlRMMNT4DT–Portrait of a Woman 1773. 973 Portrait of a Woman - Perronneau 1773
Painting titled 'Three Ladies Adorning a Term of Hymen' by Joshua Reynolds dated 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-three-ladies-adorning-a-term-of-hymen-by-joshua-reynolds-dated-1773-image474714662.htmlRM2JG93B2–Painting titled 'Three Ladies Adorning a Term of Hymen' by Joshua Reynolds dated 1773
Old illuminated Haggadah (Presburg 1773). A Jewish text that sets forth the order of the Passover Seder. Switzerland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-old-illuminated-haggadah-presburg-1773-a-jewish-text-that-sets-forth-166391014.htmlRFKJKNC6–Old illuminated Haggadah (Presburg 1773). A Jewish text that sets forth the order of the Passover Seder. Switzerland.
Art inspired by Unidentified profile portrait, woman facing left (Constanze Hauser?), 1773–1820, Silhouette, 4 15/16 × 4 in. (12.5 × 10.2 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-unidentified-profile-portrait-woman-facing-left-constanze-hauser-17731820-silhouette-4-1516-4-in-125-102-cm-cut-paper-anonymous-german-wrapped-in-paper-with-five-other-profiles-inscription-on-the-packet-in-brown-ink-frau-rntchen-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023082.htmlRF2HW8EJJ–Art inspired by Unidentified profile portrait, woman facing left (Constanze Hauser?), 1773–1820, Silhouette, 4 15/16 × 4 in. (12.5 × 10.2 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Princess Sophia of Gloucester (1773-1844) on engraving from the 1800s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-princess-sophia-of-gloucester-1773-1844-on-engraving-from-the-1800s-28549791.htmlRFBJCFFB–Princess Sophia of Gloucester (1773-1844) on engraving from the 1800s.
A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom. Date: 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-satire-on-dandyish-fashions-of-1773-a-macaroni-gentleman-wearing-a-ridiculously-long-wig-in-which-the-hair-is-tied-in-a-bundle-down-his-back-tips-his-hat-to-two-ladies-with-equally-exaggerated-tall-wigs-one-of-whom-wears-an-entire-bunch-of-flowers-in-her-bosom-date-1773-image557105567.htmlRM2RAA9RB–A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom. Date: 1773
Josefa Ortiz de Dominguez (1773-1829) on 5 Pesos 1971 Banknote from Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-josefa-ortiz-de-dominguez-1773-1829-on-5-pesos-1971-banknote-from-49099154.htmlRFCRTJD6–Josefa Ortiz de Dominguez (1773-1829) on 5 Pesos 1971 Banknote from Mexico.
Guatemala,Central America,Latin,Hispanic Spanish influence,Tropics,Latin America,North America,La Antigua,colonial capitol until 1773 earthquake,Cakch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guatemalacentral-americalatinhispanic-spanish-influencetropicslatin-image1842350.htmlRMA0HCAF–Guatemala,Central America,Latin,Hispanic Spanish influence,Tropics,Latin America,North America,La Antigua,colonial capitol until 1773 earthquake,Cakch
'Portrait de la cantatrice italienne Giuseppina Grassini (1773-1850) dans le role de Zaire dans la piece du meme nom de Voltaire (1694-1746)' Elle fut la maitresse de Napoleon Bonaparte et du duc de Wellington. Peinture de Marie Elisabeth Louise Vigee Le brun (ou Vigee-Lebrun ou Vigee Lebrun) (1755-1842) 1804 Dim. 1,27x0,95 m Rouen, musee des Beaux Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-de-la-cantatrice-italienne-giuseppina-grassini-1773-1850-dans-le-role-de-zaire-dans-la-piece-du-meme-nom-de-voltaire-1694-1746-elle-fut-la-maitresse-de-napoleon-bonaparte-et-du-duc-de-wellington-peinture-de-marie-elisabeth-louise-vigee-le-brun-ou-vigee-lebrun-ou-vigee-lebrun-1755-1842-1804-dim-127x095-m-rouen-musee-des-beaux-arts-image531680161.htmlRM2NW03D5–'Portrait de la cantatrice italienne Giuseppina Grassini (1773-1850) dans le role de Zaire dans la piece du meme nom de Voltaire (1694-1746)' Elle fut la maitresse de Napoleon Bonaparte et du duc de Wellington. Peinture de Marie Elisabeth Louise Vigee Le brun (ou Vigee-Lebrun ou Vigee Lebrun) (1755-1842) 1804 Dim. 1,27x0,95 m Rouen, musee des Beaux Arts
Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dentist-laughing-as-he-uses-pincers-to-pull-a-bad-tooth-from-the-mouth-165665225.htmlRMKHEKK5–Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
Portrait of a Woman - Perronneau 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-woman-perronneau-1773-134716346.htmlRMHR4T22–Portrait of a Woman - Perronneau 1773
Entitled: 'The enraged macaroni.' Shows a woman fish vendor holding fish in face of dandy who is pulling knife from sheath, as another woman, in window behind him, cuts his hair. Macaroni (or maccaroni), from the Italian word, maccherone, which literally Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-entitled-the-enraged-macaroni-shows-a-woman-fish-vendor-holding-fish-104019918.htmlRMG16ED2–Entitled: 'The enraged macaroni.' Shows a woman fish vendor holding fish in face of dandy who is pulling knife from sheath, as another woman, in window behind him, cuts his hair. Macaroni (or maccaroni), from the Italian word, maccherone, which literally
Drawing, Seated Woman, 1700–1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-seated-woman-17001773-image264827942.htmlRMWARXMP–Drawing, Seated Woman, 1700–1773
The Fourth Iwai Hanshiro as a Woman. Artist: Katsukawa Shunsho (Japanese, 1726-1792). Culture: Japan. Dimensions: 11 3/8 x 5 1/5 in. (28.9 x 13.2 cm). Date: 1773 or 1774. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fourth-iwai-hanshiro-as-a-woman-artist-katsukawa-shunsho-japanese-1726-1792-culture-japan-dimensions-11-38-x-5-15-in-289-x-132-cm-date-1773-or-1774-museum-metropolitan-museum-of-art-new-york-usa-image212895387.htmlRMPAA66K–The Fourth Iwai Hanshiro as a Woman. Artist: Katsukawa Shunsho (Japanese, 1726-1792). Culture: Japan. Dimensions: 11 3/8 x 5 1/5 in. (28.9 x 13.2 cm). Date: 1773 or 1774. Museum: Metropolitan Museum of Art, New York, USA.
Robed woman with two children and a goat, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, A robed woman stands with her back to the viewer, and extends her hand to two seated children. There is a goat at lower right. There are tree branches over the heads of the three human figures, and the children sit on some surface adjacent to the tree., France, ca. 1759–70, ornament, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robed-woman-with-two-children-and-a-goat-jean-robert-ango-french-active-in-rome-1759-1770-d-1773-red-chalk-on-paper-a-robed-woman-stands-with-her-back-to-the-viewer-and-extends-her-hand-to-two-seated-children-there-is-a-goat-at-lower-right-there-are-tree-branches-over-the-heads-of-the-three-human-figures-and-the-children-sit-on-some-surface-adjacent-to-the-tree-france-ca-175970-ornament-drawing-image391377933.htmlRM2DMMPF9–Robed woman with two children and a goat, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, A robed woman stands with her back to the viewer, and extends her hand to two seated children. There is a goat at lower right. There are tree branches over the heads of the three human figures, and the children sit on some surface adjacent to the tree., France, ca. 1759–70, ornament, Drawing
The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-head-and-shoulders-of-two-fashionable-women-who-wear-extremely-high-wigs-to-the-right-a-gentleman-greets-them-by-taking-his-hat-off-image440582891.htmlRF2GGP7Y7–The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off.
Design for a Medallion: Figure of a Woman, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and black charcoal on medium, slightly textured, beige laid paper mounted on medium, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines, Mount: 11 1/8 × 7 7/8 inches (28.3 × 20 cm), Contemporary drawn border: 5 3/8 × 4 inches (13.7 × 10.2 cm), and Sheet: 3 5/8 × 2 1/2 inches (9.2 × 6.3 cm), design, figure (illustration), genre subject, medallion (medal), woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-medallion-figure-of-a-woman-hubert-franois-gravelot-16991773-french-active-in-britain-173345-undated-graphite-and-black-charcoal-on-medium-slightly-textured-beige-laid-paper-mounted-on-medium-slightly-textured-cream-laid-paper-with-gold-leaf-watercolor-pen-in-black-and-red-ink-border-lines-mount-11-18-7-78-inches-283-20-cm-contemporary-drawn-border-5-38-4-inches-137-102-cm-and-sheet-3-58-2-12-inches-92-63-cm-design-figure-illustration-genre-subject-medallion-medal-woman-image389883917.htmlRM2DJ8MWH–Design for a Medallion: Figure of a Woman, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and black charcoal on medium, slightly textured, beige laid paper mounted on medium, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines, Mount: 11 1/8 × 7 7/8 inches (28.3 × 20 cm), Contemporary drawn border: 5 3/8 × 4 inches (13.7 × 10.2 cm), and Sheet: 3 5/8 × 2 1/2 inches (9.2 × 6.3 cm), design, figure (illustration), genre subject, medallion (medal), woman
France, Oise, Chantilly, Chantilly estate, Chantilly castle, Anglo-Chinese garden designed by the architect Jean-François Leroy in 1773, the hamlet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-oise-chantilly-chantilly-estate-chantilly-castle-anglo-chinese-garden-designed-by-the-architect-jean-franois-leroy-in-1773-the-hamlet-image207970006.htmlRMP29RT6–France, Oise, Chantilly, Chantilly estate, Chantilly castle, Anglo-Chinese garden designed by the architect Jean-François Leroy in 1773, the hamlet
Phillis Wheatley (c.1753-1784), the first African-American author of a published book of poetry. Frontispiece and title page of a first edition of her book 'Poems on Various Subjects Religious and Moral', 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phillis-wheatley-c1753-1784-the-first-african-american-author-of-a-published-book-of-poetry-frontispiece-and-title-page-of-a-first-edition-of-her-book-poems-on-various-subjects-religious-and-moral-1773-image376756525.htmlRM2CTXMP5–Phillis Wheatley (c.1753-1784), the first African-American author of a published book of poetry. Frontispiece and title page of a first edition of her book 'Poems on Various Subjects Religious and Moral', 1773
. Русский: Женщина мелет зерно English: Woman grinding cereal Polski: Kobieta mieląca kasze . 1817. Jean-Pierre Norblin de La Gourdaine (1745–1830) Alternative names Jan Piotr Norblin Description French-Polish painter and caricaturist Citizen of the Polish-Lithuanian Commonwealth (1793) Date of birth/death 15 July 1745 23 February 1830 Location of birth/death Misy-Faut-Yonne Paris Work location Paris (1762-1771), London (1772, 1773, 1774), Spa (1773), Paris (1774), Puławy (1774-1783), Warsaw (1778-1780), Arkadia/Nieborów (1783-1785, 1789-1790), Warsaw (1785-1804), Bronice (1801), Pr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-woman-grinding-cereal-polski-kobieta-mielca-kasze-1817-jean-pierre-norblin-de-la-gourdaine-17451830-alternative-names-jan-piotr-norblin-description-french-polish-painter-and-caricaturist-citizen-of-the-polish-lithuanian-commonwealth-1793-date-of-birthdeath-15-july-1745-23-february-1830-location-of-birthdeath-misy-faut-yonne-paris-work-location-paris-1762-1771-london-1772-1773-1774-spa-1773-paris-1774-puawy-1774-1783-warsaw-1778-1780-arkadianieborw-1783-1785-1789-1790-warsaw-1785-1804-bronice-1801-pr-image185881462.htmlRMMPBHKJ–. Русский: Женщина мелет зерно English: Woman grinding cereal Polski: Kobieta mieląca kasze . 1817. Jean-Pierre Norblin de La Gourdaine (1745–1830) Alternative names Jan Piotr Norblin Description French-Polish painter and caricaturist Citizen of the Polish-Lithuanian Commonwealth (1793) Date of birth/death 15 July 1745 23 February 1830 Location of birth/death Misy-Faut-Yonne Paris Work location Paris (1762-1771), London (1772, 1773, 1774), Spa (1773), Paris (1774), Puławy (1774-1783), Warsaw (1778-1780), Arkadia/Nieborów (1783-1785, 1789-1790), Warsaw (1785-1804), Bronice (1801), Pr
Black woman watches doctor prepare insulin injection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-woman-watches-doctor-prepare-insulin-injection-14460400.htmlRFAHFKGH–Black woman watches doctor prepare insulin injection
Old illuminated Haggadah (Presburg 1773). A Jewish text that sets forth the order of the Passover Seder. Switzerland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-old-illuminated-haggadah-presburg-1773-a-jewish-text-that-sets-forth-166391021.htmlRFKJKNCD–Old illuminated Haggadah (Presburg 1773). A Jewish text that sets forth the order of the Passover Seder. Switzerland.
Art inspired by Unidentified profile portrait, woman facing left, 1773–1820, Silhouette, 3 13/16 × 3 1/4 in. (9.7 × 8.2 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-unidentified-profile-portrait-woman-facing-left-17731820-silhouette-3-1316-3-14-in-97-82-cm-cut-paper-anonymous-german-wrapped-in-paper-with-five-other-profiles-inscription-on-the-packet-in-brown-ink-frau-rntchen-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023129.htmlRF2HW8EM9–Art inspired by Unidentified profile portrait, woman facing left, 1773–1820, Silhouette, 3 13/16 × 3 1/4 in. (9.7 × 8.2 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau Röntchen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Woman with the Initials MCC 1773 by John Bogle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-woman-with-the-initials-mcc-1773-by-john-bogle-image559674677.htmlRM2REFAN9–A Woman with the Initials MCC 1773 by John Bogle
Art inspired by The Fourth Iwai Hanshiro as a Woman, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 11 3/8 x 5 1/5 in. (28.9 x 13.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-fourth-iwai-hanshiro-as-a-woman-edo-period-16151868-1773-or-1774-japan-polychrome-woodblock-print-ink-and-color-on-paper-11-38-x-5-15-in-289-x-132-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904197.htmlRF2HW330N–Art inspired by The Fourth Iwai Hanshiro as a Woman, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 11 3/8 x 5 1/5 in. (28.9 x 13.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antique wax figure of Kate Hardcastle by the sculptor Agatha Walker 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-wax-figure-of-kate-hardcastle-by-the-sculptor-agatha-walker-23970779.htmlRMBAYXY7–Antique wax figure of Kate Hardcastle by the sculptor Agatha Walker 1928
Inspired by Young Woman Carries Adorned Pole for a Procession, Utagawa Toyohiro, Japanese, 1773-1829, Woodblock print, narrow koban tate-e surimono-style printing, Japan, ca. 1805-6, Edo Period, 9 1/4 x 3 3/8 in., 23.5 x 8.6 cm, asian, daimyo, IMLS, japan, japanese, pole, print, procession, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-young-woman-carries-adorned-pole-for-a-procession-utagawa-toyohiro-japanese-1773-1829-woodblock-print-narrow-koban-tate-e-surimono-style-printing-japan-ca-1805-6-edo-period-9-14-x-3-38-in-235-x-86-cm-asian-daimyo-imls-japan-japanese-pole-print-procession-woman-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249232.htmlRF2HK4H28–Inspired by Young Woman Carries Adorned Pole for a Procession, Utagawa Toyohiro, Japanese, 1773-1829, Woodblock print, narrow koban tate-e surimono-style printing, Japan, ca. 1805-6, Edo Period, 9 1/4 x 3 3/8 in., 23.5 x 8.6 cm, asian, daimyo, IMLS, japan, japanese, pole, print, procession, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Elderly woman with walking stick wearing distinctive indigo dress as worn in hilltribe communities around Sapa, Lao Cai Province, northern Vietnam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-woman-with-walking-stick-wearing-distinctive-indigo-dress-as-worn-in-hilltribe-communities-around-sapa-lao-cai-province-northern-vietnam-image413787996.htmlRM2F15JPM–Elderly woman with walking stick wearing distinctive indigo dress as worn in hilltribe communities around Sapa, Lao Cai Province, northern Vietnam
Art inspired by Nakamura Matsue II as a Woman Standing on a Hill, Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-nakamura-matsue-ii-as-a-woman-standing-on-a-hill-edo-period-16151868-1773-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-34-x-5-1316-in-324-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905185.htmlRF2HW3481–Art inspired by Nakamura Matsue II as a Woman Standing on a Hill, Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-plump-rich-vicar-with-tobacco-pipe-and-liquor-ignores-the-entreaties-165664953.htmlRMKHEK9D–A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
Art inspired by The First Nakamura Tomijuro as an Angry Woman Standing in a Room, Edo period (1615–1868), 1772 or 1773, Japan, Polychrome woodblock print; ink and color on paper, 11 11/16 x 5 2/3 in. (29.7 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-first-nakamura-tomijuro-as-an-angry-woman-standing-in-a-room-edo-period-16151868-1772-or-1773-japan-polychrome-woodblock-print-ink-and-color-on-paper-11-1116-x-5-23-in-297-x-144-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905192.htmlRF2HW3488–Art inspired by The First Nakamura Tomijuro as an Angry Woman Standing in a Room, Edo period (1615–1868), 1772 or 1773, Japan, Polychrome woodblock print; ink and color on paper, 11 11/16 x 5 2/3 in. (29.7 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Standing Woman, 1700–1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-standing-woman-17001773-image264830561.htmlRMWAT229–Drawing, Standing Woman, 1700–1773
Art inspired by Young Woman Carries Adorned Pole for a Procession, Utagawa Toyohiro, Japanese, 1773-1829, Woodblock print, narrow koban tate-e surimono-style printing, Japan, ca. 1805-6, Edo Period, 9 1/4 x 3 3/8 in., 23.5 x 8.6 cm, asian, daimyo, IMLS, japan, japanese, pole, print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-young-woman-carries-adorned-pole-for-a-procession-utagawa-toyohiro-japanese-1773-1829-woodblock-print-narrow-koban-tate-e-surimono-style-printing-japan-ca-1805-6-edo-period-9-14-x-3-38-in-235-x-86-cm-asian-daimyo-imls-japan-japanese-pole-print-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566385.htmlRF2HKK1H5–Art inspired by Young Woman Carries Adorned Pole for a Procession, Utagawa Toyohiro, Japanese, 1773-1829, Woodblock print, narrow koban tate-e surimono-style printing, Japan, ca. 1805-6, Edo Period, 9 1/4 x 3 3/8 in., 23.5 x 8.6 cm, asian, daimyo, IMLS, japan, japanese, pole, print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The First Nakamura Tomijuro as an Angry Woman Standing in a Room. Artist: Katsukawa Shunsho (Japanese, 1726-1792). Culture: Japan. Dimensions: 11 11/16 x 5 2/3 in. (29.7 x 14.4 cm). Date: 1772 or 1773. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-nakamura-tomijuro-as-an-angry-woman-standing-in-a-room-artist-katsukawa-shunsho-japanese-1726-1792-culture-japan-dimensions-11-1116-x-5-23-in-297-x-144-cm-date-1772-or-1773-museum-metropolitan-museum-of-art-new-york-usa-image212848776.htmlRMPA82P0–The First Nakamura Tomijuro as an Angry Woman Standing in a Room. Artist: Katsukawa Shunsho (Japanese, 1726-1792). Culture: Japan. Dimensions: 11 11/16 x 5 2/3 in. (29.7 x 14.4 cm). Date: 1772 or 1773. Museum: Metropolitan Museum of Art, New York, USA.
The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-head-and-shoulders-of-two-fashionable-women-who-wear-extremely-high-wigs-to-the-right-a-gentleman-greets-them-by-taking-his-hat-off-image440582859.htmlRF2GGP7X3–The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off.
Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm), archways, cityscape, men, religious and mythological subject, sunlight, teaching, trees, water well, woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-woman-of-samaria-etched-by-joseph-mallord-william-turner-17751851-british-engraved-by-samuel-william-reynolds-17731835-british-after-joseph-mallord-william-turner-17751851-british-1819-etching-and-mezzotint-printed-in-brown-ink-first-published-state-on-medium-slightly-textured-cream-laid-paper-sheet-11-14-17-14-inches-286-438-cm-plate-8-14-11-12-inches-21-292-cm-and-image-7-14-10-38-inches-184-264-cm-archways-cityscape-men-religious-and-mythological-subject-sunlight-teaching-trees-water-well-woman-image389671012.htmlRM2DHY19T–Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm), archways, cityscape, men, religious and mythological subject, sunlight, teaching, trees, water well, woman
Gilles Demarteau, the Elder after Antoine Watteau, Head of a Young Woman, 1773 Head of a Young Woman; 1773date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gilles-demarteau-the-elder-after-antoine-watteau-head-of-a-young-woman-1773-head-of-a-young-woman-1773date-image335886792.htmlRM2AECY0T–Gilles Demarteau, the Elder after Antoine Watteau, Head of a Young Woman, 1773 Head of a Young Woman; 1773date
Drawing a tooth with the help of pincers, as depicted by Tim Bobbin (the pseudonym of John Collier, an English caricaturist and satirical poet based in Lancashire). Date: 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-drawing-a-tooth-with-the-help-of-pincers-as-depicted-by-tim-bobbin-105255887.htmlRMG36PXR–Drawing a tooth with the help of pincers, as depicted by Tim Bobbin (the pseudonym of John Collier, an English caricaturist and satirical poet based in Lancashire). Date: 1773
. English: Abstract: Colley Cibber (1671-1757) seizing Alexander Pope (1688-1744) by one leg, and pulling him off a woman who reclines on a chouch bed. . And has not Sawney too his Lord and w(hor)e . Hubert-François Gravelot (1699–1773) Alternative names Hubert-Francois Bourgignon Gravelot Description French illustrator, engraver, painter and draughtsman Date of birth/death 26 March 1699 20 April 1773 Location of birth/death Paris Paris Work period Baroque Authority control : Q981197 VIAF:?47065548 ISNI:?0000 0001 2131 3768 ULAN:?500004164 LCCN:?n83227326 WGA:?GRAVELOT, Hubert- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-abstract-colley-cibber-1671-1757-seizing-alexander-pope-1688-1744-by-one-leg-and-pulling-him-off-a-woman-who-reclines-on-a-chouch-bed-and-has-not-sawney-too-his-lord-and-whore-hubert-franois-gravelot-16991773-alternative-names-hubert-francois-bourgignon-gravelot-description-french-illustrator-engraver-painter-and-draughtsman-date-of-birthdeath-26-march-1699-20-april-1773-location-of-birthdeath-paris-paris-work-period-baroque-authority-control-q981197-viaf47065548-isni0000-0001-2131-3768-ulan500004164-lccnn83227326-wgagravelot-hubert-image189226471.htmlRMMYT087–. English: Abstract: Colley Cibber (1671-1757) seizing Alexander Pope (1688-1744) by one leg, and pulling him off a woman who reclines on a chouch bed. . And has not Sawney too his Lord and w(hor)e . Hubert-François Gravelot (1699–1773) Alternative names Hubert-Francois Bourgignon Gravelot Description French illustrator, engraver, painter and draughtsman Date of birth/death 26 March 1699 20 April 1773 Location of birth/death Paris Paris Work period Baroque Authority control : Q981197 VIAF:?47065548 ISNI:?0000 0001 2131 3768 ULAN:?500004164 LCCN:?n83227326 WGA:?GRAVELOT, Hubert-
Portrait of Catherine II (1729-1796), Peter Falconet, 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-catherine-ii-1729-1796-peter-falconet-1773-image242091768.htmlRMT1T6EG–Portrait of Catherine II (1729-1796), Peter Falconet, 1773
Old illuminated Haggadah (Presburg 1773). A Jewish text that sets forth the order of the Passover Seder. Switzerland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-old-illuminated-haggadah-presburg-1773-a-jewish-text-that-sets-forth-166391024.htmlRFKJKNCG–Old illuminated Haggadah (Presburg 1773). A Jewish text that sets forth the order of the Passover Seder. Switzerland.
. English: Pauline Clementine Marie Walburga Princess von Metternich-Winneburg zu Beilstein, born Countess Sandor von Szlavnicza (1836-1921) grand-daughter and daughter-in-law of state chancellor Klemens Wenzel Lothar von Metternich (1773-1859). She married in 1856 Richard Klemens Prince von Metternich, from 1856 envoy in Dresden and from 1859 to 1871 Austrian ambassador in Paris, where already as a young woman she played a leading role in society. She was especially well-known during her time in Paris where she was a leader of style, and influenced a whole generation of salonières. In 1871 th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-pauline-clementine-marie-walburga-princess-von-metternich-winneburg-zu-beilstein-born-countess-sandor-von-szlavnicza-1836-1921-grand-daughter-and-daughter-in-law-of-state-chancellor-klemens-wenzel-lothar-von-metternich-1773-1859-she-married-in-1856-richard-klemens-prince-von-metternich-from-1856-envoy-in-dresden-and-from-1859-to-1871-austrian-ambassador-in-paris-where-already-as-a-young-woman-she-played-a-leading-role-in-society-she-was-especially-well-known-during-her-time-in-paris-where-she-was-a-leader-of-style-and-influenced-a-whole-generation-of-salonires-in-1871-th-image185744914.htmlRMMP5BEX–. English: Pauline Clementine Marie Walburga Princess von Metternich-Winneburg zu Beilstein, born Countess Sandor von Szlavnicza (1836-1921) grand-daughter and daughter-in-law of state chancellor Klemens Wenzel Lothar von Metternich (1773-1859). She married in 1856 Richard Klemens Prince von Metternich, from 1856 envoy in Dresden and from 1859 to 1871 Austrian ambassador in Paris, where already as a young woman she played a leading role in society. She was especially well-known during her time in Paris where she was a leader of style, and influenced a whole generation of salonières. In 1871 th
Portrait of a Woman 1773-74 by Jens Jrgensen Juel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-1773-74-by-jens-jrgensen-juel-image573901778.htmlRM2T9KDG2–Portrait of a Woman 1773-74 by Jens Jrgensen Juel
Jacques-Louis David, Mademoiselle Guimard as Terpsichore, portrait painting, 1773-1775 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-louis-david-mademoiselle-guimard-as-terpsichore-portrait-painting-1773-1775-image396849345.htmlRM2E1J1AW–Jacques-Louis David, Mademoiselle Guimard as Terpsichore, portrait painting, 1773-1775
Solanum rostratum is a species of nightshade that is native to the United States and northern and central Mexico. Common names include buffalobur nightshade, buffalo-bur, spiny nightshade, Colorado bur, Kansas thistle, bad woman, Mexican thistle, and Texas thistle. from Description of rare plants grown in Malmaison and Navarre by Aime Bonpland (1773-1858), French botanist Hand Painted by Pierre-Joseph Redouté in 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/solanum-rostratum-is-a-species-of-nightshade-that-is-native-to-the-united-states-and-northern-and-central-mexico-common-names-include-buffalobur-nightshade-buffalo-bur-spiny-nightshade-colorado-bur-kansas-thistle-bad-woman-mexican-thistle-and-texas-thistle-from-description-of-rare-plants-grown-in-malmaison-and-navarre-by-aime-bonpland-1773-1858-french-botanist-hand-painted-by-pierre-joseph-redout-in-1813-image594657859.htmlRF2WFD04K–Solanum rostratum is a species of nightshade that is native to the United States and northern and central Mexico. Common names include buffalobur nightshade, buffalo-bur, spiny nightshade, Colorado bur, Kansas thistle, bad woman, Mexican thistle, and Texas thistle. from Description of rare plants grown in Malmaison and Navarre by Aime Bonpland (1773-1858), French botanist Hand Painted by Pierre-Joseph Redouté in 1813
The Artist's wife Elizabeth and their son Raphael, portrait painting by Benjamin West, circa 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-artists-wife-elizabeth-and-their-son-raphael-portrait-painting-by-benjamin-west-circa-1773-image365239252.htmlRM2C662B0–The Artist's wife Elizabeth and their son Raphael, portrait painting by Benjamin West, circa 1773
Drawing, Standing woman in nun's habit; Jean-Robert Ango (French, active in Rome 1759 –1770, d. 1773); France; red chalk on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-standing-woman-in-nuns-habit-jean-robert-ango-french-active-in-rome-1759-1770-d-1773-france-red-chalk-on-paper-image546133161.htmlRM2PMEEBN–Drawing, Standing woman in nun's habit; Jean-Robert Ango (French, active in Rome 1759 –1770, d. 1773); France; red chalk on paper
Sir Joshua Reynolds, Lady Cockburn and Her Three Eldest Sons, portrait painting, 1773-1775 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-joshua-reynolds-lady-cockburn-and-her-three-eldest-sons-portrait-painting-1773-1775-image343536588.htmlRM2AXWCBT–Sir Joshua Reynolds, Lady Cockburn and Her Three Eldest Sons, portrait painting, 1773-1775
The Disappointment: an old woman interrupts an amorous couple in a hotel room. A peeping Tom watches from behind a folding screen. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-disappointment-an-old-woman-interrupts-an-amorous-couple-in-a-165664852.htmlRMKHEK5T–The Disappointment: an old woman interrupts an amorous couple in a hotel room. A peeping Tom watches from behind a folding screen. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
John Singleton Copley, portrait painting, Mrs John Winthrop, (Hannah Fayerweather Winthrop, 1727-1790), 1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-singleton-copley-portrait-painting-mrs-john-winthrop-hannah-fayerweather-winthrop-1727-1790-1773-image399145304.htmlRM2E5AHWC–John Singleton Copley, portrait painting, Mrs John Winthrop, (Hannah Fayerweather Winthrop, 1727-1790), 1773
Drawing, Standing Woman, 1700–1773 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-standing-woman-17001773-image264830562.htmlRMWAT22A–Drawing, Standing Woman, 1700–1773
Inspired by Lady Reading a Letter, Attributed to Utagawa Toyohiro, Japanese, 1773-1829, Color woodblock print on paper, Japan, 1790, Edo Period, 12 1/4 x 5 3/4 in., 31.1 x 14.6 cm, Bijinga, Edo Period, Japan, Japanese, Kimono, Lady, Letter, Woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-lady-reading-a-letter-attributed-to-utagawa-toyohiro-japanese-1773-1829-color-woodblock-print-on-paper-japan-1790-edo-period-12-14-x-5-34-in-311-x-146-cm-bijinga-edo-period-japan-japanese-kimono-lady-letter-woman-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459260523.htmlRF2HK53DF–Inspired by Lady Reading a Letter, Attributed to Utagawa Toyohiro, Japanese, 1773-1829, Color woodblock print on paper, Japan, 1790, Edo Period, 12 1/4 x 5 3/4 in., 31.1 x 14.6 cm, Bijinga, Edo Period, Japan, Japanese, Kimono, Lady, Letter, Woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bust of a Young Woman Looking Down. Dated: 1773 or later. Dimensions: plate: 30.9 x 23.2 cm (12 3/16 x 9 1/8 in.) overall (2nd framing line): 23.5 x 16.6 cm (9 1/4 x 6 9/16 in.). Medium: chalk manner printed in black and red on laid paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Marin Bonnet after François Boucher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-a-young-woman-looking-down-dated-1773-or-later-dimensions-plate-309-x-232-cm-12-316-x-9-18-in-overall-2nd-framing-line-235-x-166-cm-9-14-x-6-916-in-medium-chalk-manner-printed-in-black-and-red-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-louis-marin-bonnet-after-franois-boucher-image225767510.htmlRMR38GNA–Bust of a Young Woman Looking Down. Dated: 1773 or later. Dimensions: plate: 30.9 x 23.2 cm (12 3/16 x 9 1/8 in.) overall (2nd framing line): 23.5 x 16.6 cm (9 1/4 x 6 9/16 in.). Medium: chalk manner printed in black and red on laid paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Marin Bonnet after François Boucher.
The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-head-and-shoulders-of-two-fashionable-women-who-wear-extremely-high-wigs-to-the-right-a-gentleman-greets-them-by-taking-his-hat-off-image440582887.htmlRF2GGP7Y3–The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off.
Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), arch, Bible, building, bush, Christ explaining his doctrine to women and children, city, gate, landscape, man, New Testament, pointing, preaching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-woman-of-samaria-etched-by-joseph-mallord-william-turner-17751851-british-engraved-by-samuel-william-reynolds-17731835-british-after-joseph-mallord-william-turner-17751851-british-1819-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-laid-paper-sheet-11-12-17-38-inches-292-441-cm-plate-8-18-11-38-inches-206-289-cm-and-image-7-18-10-38-inches-181-264-cm-arch-bible-building-bush-christ-explaining-his-doctrine-to-women-and-children-city-gate-landscape-man-new-testament-pointing-preaching-image389747326.htmlRM2DJ2EKA–Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), arch, Bible, building, bush, Christ explaining his doctrine to women and children, city, gate, landscape, man, New Testament, pointing, preaching
Entitled: 'Irish peg in a rage. Make good the damage you dog, or I'll cut away your parsnip.' Shows a macaroni walking past a burly and irate old Irish vegetable seller, upsets her mug of beer on the pavement. On this she seized him by the monstrous tail Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-entitled-irish-peg-in-a-rage-make-good-the-damage-you-dog-or-ill-cut-104019920.htmlRMG16ED4–Entitled: 'Irish peg in a rage. Make good the damage you dog, or I'll cut away your parsnip.' Shows a macaroni walking past a burly and irate old Irish vegetable seller, upsets her mug of beer on the pavement. On this she seized him by the monstrous tail
Knight with a woman on horseback, draughtsman: Louis Moritz, 1773 - 1850, paper, pen, h 203 mm × w 244 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knight-with-a-woman-on-horseback-draughtsman-louis-moritz-1773-1850-paper-pen-h-203-mm-w-244-mm-image472073451.htmlRM2JC0PE3–Knight with a woman on horseback, draughtsman: Louis Moritz, 1773 - 1850, paper, pen, h 203 mm × w 244 mm
Search Results for 1773 woman Stock Photos and Images (657)
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