Bookidcu31924022471415 hi-res stock photography and images

. The wastrel hoard; a drama of the greater love. lay, Russell is re-served and self-contained. He gives the impression ofthe silent man of few words, of turbulent spirit, underpracticed repression, overcome by bashfulness, and madegentle by much chastening, of impulsiveness checked byshyness, but of indomitable purpose and latent power. TEE WASTREL HOARD. 11 In the soft speech 0/ Russell and of Mary the acute earwill detect the inheritarice of New England. Russelldoes not note the presence of the servants. Mary doesnot observe Russell^s entrance. One of the servantsstealthily approaches the o Stock Photo

RM2AFWNDB–. The wastrel hoard; a drama of the greater love. lay, Russell is re-served and self-contained. He gives the impression ofthe silent man of few words, of turbulent spirit, underpracticed repression, overcome by bashfulness, and madegentle by much chastening, of impulsiveness checked byshyness, but of indomitable purpose and latent power. TEE WASTREL HOARD. 11 In the soft speech 0/ Russell and of Mary the acute earwill detect the inheritarice of New England. Russelldoes not note the presence of the servants. Mary doesnot observe Russell^s entrance. One of the servantsstealthily approaches the o

. The wastrel hoard; a drama of the greater love. eloquence rises to the height of this great argu-ment.] I speak American. Mary. Are you in charge of this telegraph office? Gulp. I am. Mary. And an American? Gulp. I was born a Dutchman, went to New York, be-came an American citizen, came back to Holland, and be-came a Dutchman again. THE WASTREL HOARD. 99 Mary. Whenever I hear a man whistling, I cant tellwhether hes a Yankee or a Dutchman. Gulp. If he wets his whistle To keep up his Dutch courage ? Mary,Gulp.Mary,better.Gulp. He is an American still.Please say Still an American. It sounds I h Stock Photo

RM2AFWK4D–. The wastrel hoard; a drama of the greater love. eloquence rises to the height of this great argu-ment.] I speak American. Mary. Are you in charge of this telegraph office? Gulp. I am. Mary. And an American? Gulp. I was born a Dutchman, went to New York, be-came an American citizen, came back to Holland, and be-came a Dutchman again. THE WASTREL HOARD. 99 Mary. Whenever I hear a man whistling, I cant tellwhether hes a Yankee or a Dutchman. Gulp. If he wets his whistle To keep up his Dutch courage ? Mary,Gulp.Mary,better.Gulp. He is an American still.Please say Still an American. It sounds I h

. The wastrel hoard; a drama of the greater love. eir own wars. Theyare big-gun fodder now, as well as the rank and file. Maey. Down with the nobility—the lords of war? Gulp. Yes—^permanent executives, permanent diplo-mats, permanent opulence, permanent warfare, to maintainthem, and—permanent poverty! Governments are butweathervanes, the people are the air; when weathervaneastick, their use ends, and danger from the breeze com-mences. Aristocrats! It is descendants that ennoble.Ancestors are the commonest things in the world. Myparents brought up fourteen children, and saw them allthrough Utre Stock Photo

RM2AFWJE4–. The wastrel hoard; a drama of the greater love. eir own wars. Theyare big-gun fodder now, as well as the rank and file. Maey. Down with the nobility—the lords of war? Gulp. Yes—^permanent executives, permanent diplo-mats, permanent opulence, permanent warfare, to maintainthem, and—permanent poverty! Governments are butweathervanes, the people are the air; when weathervaneastick, their use ends, and danger from the breeze com-mences. Aristocrats! It is descendants that ennoble.Ancestors are the commonest things in the world. Myparents brought up fourteen children, and saw them allthrough Utre

. The wastrel hoard; a drama of the greater love. hoacksletneckU nlllititdleToomerU eototbeblMii diergeeoclit IIetg(«t«DU<wt«ii. UVeD: WtDtsy weidnngiatscbeDlfeMieiiiael^ocbtTotnietta zyaver • b»TCa Stock Photo

RM2AFWKKW–. The wastrel hoard; a drama of the greater love. hoacksletneckU nlllititdleToomerU eototbeblMii diergeeoclit IIetg(«t«DU<wt«ii. UVeD: WtDtsy weidnngiatscbeDlfeMieiiiael^ocbtTotnietta zyaver • b»TCa

. The wastrel hoard; a drama of the greater love. led iliroogh leai* and Joy to Ibec,.i .. , In eliante. tt vtbn an. nun. jnU daih ae«3. UiToagh all llrae tw atffn. c/ /0B/ men ttfor love uuy mate out lov* 41 • vine,(01 »«l - «^ ^Unt dt • met,-. Stock Photo

RM2AFWH03–. The wastrel hoard; a drama of the greater love. led iliroogh leai* and Joy to Ibec,.i .. , In eliante. tt vtbn an. nun. jnU daih ae«3. UiToagh all llrae tw atffn. c/ /0B/ men ttfor love uuy mate out lov* 41 • vine,(01 »«l - «^ ^Unt dt • met,-.

. The wastrel hoard; a drama of the greater love. gen,Norah, and remain at the cottage every moment until Icome—no bathing, even. Norah. Yes, madame. Mary. And keep Miss Fanning within call when shegoes on the beach. Norah. Yes, madame. Mary. In answer to all inquiries, you are stupid for-eigners ; you know nothing, understand nothing. Norah. Yes, madame. Mary. And if you have no word from me over night,seek out Senator Morse here and inquire. Norah. Yes, madame. Mary. Thats all, Norah. You may go. Norah. Very well, madame.[Norah turns to go.] Mary. And, Norah TEE WASTREL HOARD. 97 NoEAH. Yes, Stock Photo

RM2AFWKTP–. The wastrel hoard; a drama of the greater love. gen,Norah, and remain at the cottage every moment until Icome—no bathing, even. Norah. Yes, madame. Mary. And keep Miss Fanning within call when shegoes on the beach. Norah. Yes, madame. Mary. In answer to all inquiries, you are stupid for-eigners ; you know nothing, understand nothing. Norah. Yes, madame. Mary. And if you have no word from me over night,seek out Senator Morse here and inquire. Norah. Yes, madame. Mary. Thats all, Norah. You may go. Norah. Very well, madame.[Norah turns to go.] Mary. And, Norah TEE WASTREL HOARD. 97 NoEAH. Yes,

. The wastrel hoard; a drama of the greater love. been! I ought to be ashamedof myself. Maey. Youre a dear. [She runs over the first bars of 0 Belle Nuit, andsings to throw off hisgase.] THE WASTREL HOARD. 29 Lovely night, oh, night of love,Smile down on our caresses.Night more lovely than the day,Lovely night of love.Time flies on without return,And carries our embraces.Far from this most happy hour,To come again nevermore.Soft summer-night breeze,Fold us in with your kisses.The balm of your breathOn our foreheads let play.Lovely night, oh, night of love.Smile down on our caresses.Night more Stock Photo

RM2AFWMTB–. The wastrel hoard; a drama of the greater love. been! I ought to be ashamedof myself. Maey. Youre a dear. [She runs over the first bars of 0 Belle Nuit, andsings to throw off hisgase.] THE WASTREL HOARD. 29 Lovely night, oh, night of love,Smile down on our caresses.Night more lovely than the day,Lovely night of love.Time flies on without return,And carries our embraces.Far from this most happy hour,To come again nevermore.Soft summer-night breeze,Fold us in with your kisses.The balm of your breathOn our foreheads let play.Lovely night, oh, night of love.Smile down on our caresses.Night more

. The wastrel hoard; a drama of the greater love. The Wastrel Hoard A DRAMA OF THE GREATER LOVE by Frank Hendrick Of the New York Bar, First Ricardo PrizeFellow in Harvard Univertity Author of Railway Control by Commission, The Power to Regulate Corporations and Commerce, The Common Law of the United States/ Policies, Reaction, and the Constitution, The Contribution of American Women TO the Work of Lincoln, The Adequate Man, Etc., Etc.. There is that in the least of mortals which is God. PURITAN PLAY COMPANY New York1916 COFYRICHT, 191ff,BY FRANK HENDRICK, all rights reserved Set Up and Elkctr Stock Photo

RM2AFWNNB–. The wastrel hoard; a drama of the greater love. The Wastrel Hoard A DRAMA OF THE GREATER LOVE by Frank Hendrick Of the New York Bar, First Ricardo PrizeFellow in Harvard Univertity Author of Railway Control by Commission, The Power to Regulate Corporations and Commerce, The Common Law of the United States/ Policies, Reaction, and the Constitution, The Contribution of American Women TO the Work of Lincoln, The Adequate Man, Etc., Etc.. There is that in the least of mortals which is God. PURITAN PLAY COMPANY New York1916 COFYRICHT, 191ff,BY FRANK HENDRICK, all rights reserved Set Up and Elkctr

$. The wastrel hoard; a drama of the greater love. And some-tiffles. io tbe twi . ligbtgloom, a. ^ m : ij |f p IT If J ^ ^ {Tbe tall trees wbia-per, wbis . per heart toeresa ^. Copyright, 1899, by Arthur P. Schmidt Used by permissioa 12 THE WA8TBEL HOARD. Suddenly Mary stops and bursts into tears, bows herhead in a manner indicating dejection, and sobs. TheSERVANTS are all attention, and are ready to appear sym-pathetic if observed. Rising from the piano, Marynotes for the first time the presence of the servants,comes out and takes a feic steps into the room. She isdressed in white. It is no Stock Photo$

RM2AFWN7T–. The wastrel hoard; a drama of the greater love. And some-tiffles. io tbe twi . ligbtgloom, a. ^ m : ij |f p IT If J ^ ^ {Tbe tall trees wbia-per, wbis . per heart toeresa ^. Copyright, 1899, by Arthur P. Schmidt Used by permissioa 12 THE WA8TBEL HOARD. Suddenly Mary stops and bursts into tears, bows herhead in a manner indicating dejection, and sobs. TheSERVANTS are all attention, and are ready to appear sym-pathetic if observed. Rising from the piano, Marynotes for the first time the presence of the servants,comes out and takes a feic steps into the room. She isdressed in white. It is no

. The wastrel hoard; a drama of the greater love. dei voTld of hope and Joy I sec,.ifv • aent cera tot Jo tends le» bnw,.. J J. J>i yoo *peBH In ma ID sc - rentsA • ctf • atmtnt to cotx acb> - . —? I rf m r r I riud (he roE - «% trak-tng fOand my feel,n - MB -If tatt - U ma prt • Stock Photo

RM2AFWH5H–. The wastrel hoard; a drama of the greater love. dei voTld of hope and Joy I sec,.ifv • aent cera tot Jo tends le» bnw,.. J J. J>i yoo *peBH In ma ID sc - rentsA • ctf • atmtnt to cotx acb> - . —? I rf m r r I riud (he roE - «% trak-tng fOand my feel,n - MB -If tatt - U ma prt •

. The wastrel hoard; a drama of the greater love. ead. As herhead falls, herlips touch the flag held in herfolded hands. Awakened to consciousness of theflag, she regards it a moment through her tears,raises it slightly in both hands, lets it drop, raises THE WASTREL HOARD. 90 ?ier head, swallows, assumes an attitude of reso-lution, brightens up, und looks for a considerabletime into space, as if into the future, until thefall of the curtain.] CUETAIN. ACT Hi. Before the rising of the curtain, the orchestra playsselections from Madame Butterfly, the Tavan ar-rangement, with emphasis upon and r Stock Photo

RM2AFWM5B–. The wastrel hoard; a drama of the greater love. ead. As herhead falls, herlips touch the flag held in herfolded hands. Awakened to consciousness of theflag, she regards it a moment through her tears,raises it slightly in both hands, lets it drop, raises THE WASTREL HOARD. 90 ?ier head, swallows, assumes an attitude of reso-lution, brightens up, und looks for a considerabletime into space, as if into the future, until thefall of the curtain.] CUETAIN. ACT Hi. Before the rising of the curtain, the orchestra playsselections from Madame Butterfly, the Tavan ar-rangement, with emphasis upon and r

. The wastrel hoard; a drama of the greater love. the public enemy,the master of the invisible government. Hes—hes—un-derstudy—to the devil himself. Gulp. I said he wished me to help him. Dont you wishme to help you? Mary. Of course Gulp. Ill do anything—proper—^you wish. Mary. But Bullard persuaded you? Gulp. I formed a first impression—a general imprea-Bion—and against impressions persuasion is useless. Mary. And you naturally distrust me—[Descending manxiety to plaintiveness amounting almost to a whine]—because I am a stranger. Gulp. My first impression of you was—in Berlin. IhuoiD your not Stock Photo

RM2AFWJ68–. The wastrel hoard; a drama of the greater love. the public enemy,the master of the invisible government. Hes—hes—un-derstudy—to the devil himself. Gulp. I said he wished me to help him. Dont you wishme to help you? Mary. Of course Gulp. Ill do anything—proper—^you wish. Mary. But Bullard persuaded you? Gulp. I formed a first impression—a general imprea-Bion—and against impressions persuasion is useless. Mary. And you naturally distrust me—[Descending manxiety to plaintiveness amounting almost to a whine]—because I am a stranger. Gulp. My first impression of you was—in Berlin. IhuoiD your not

. The wastrel hoard; a drama of the greater love. ijnl^Jina ^ rHfiriii^irriJ ^ ^ ^ffi ^. 100 THE WASTREL HOARD. [Gulp turns quickly and says to him in Dutch,Genoeg gefloeten. Ga in het kantoor. The boybursts out laughing, and says, Ja, Meneer/bows low, turns and goes into the telegraph office.These boys are very young and have round faces,with fat flaming red cheeks.] Mary. How many windmills did her father oflfer? Gulp. I came for her alone. I couldnt stay away.A mans country is where his best girl is. Love is needing.That is what makes childrens love so beautiful. Andpatriotism! All are part Stock Photo

RM2AFWJT1–. The wastrel hoard; a drama of the greater love. ijnl^Jina ^ rHfiriii^irriJ ^ ^ ^ffi ^. 100 THE WASTREL HOARD. [Gulp turns quickly and says to him in Dutch,Genoeg gefloeten. Ga in het kantoor. The boybursts out laughing, and says, Ja, Meneer/bows low, turns and goes into the telegraph office.These boys are very young and have round faces,with fat flaming red cheeks.] Mary. How many windmills did her father oflfer? Gulp. I came for her alone. I couldnt stay away.A mans country is where his best girl is. Love is needing.That is what makes childrens love so beautiful. Andpatriotism! All are part

. The wastrel hoard; a drama of the greater love. pared against the times that try mens souls!Nothing personal, Mr.—Bullock—[Looking at card Bul- 188 THE WASTREL HOARD. LABD had given Mm, and smiling innocently]—Bullard!—Pardon me! BuLLABD. Itll be all right. CULP. Itll be all right, all right! [Gulp goes into the private office leaving Bullardbewildered. Bullaed catches sight of the hand-kerchief which Maey dropped—appears interest-ed—and goes to pick it up. He sniffs the perfume,pauses, examines the initial, thinks, and, suddenlystaggers, between the doubt and dismay of a greatdiscovery.] Cu Stock Photo

RM2AFWHTE–. The wastrel hoard; a drama of the greater love. pared against the times that try mens souls!Nothing personal, Mr.—Bullock—[Looking at card Bul- 188 THE WASTREL HOARD. LABD had given Mm, and smiling innocently]—Bullard!—Pardon me! BuLLABD. Itll be all right. CULP. Itll be all right, all right! [Gulp goes into the private office leaving Bullardbewildered. Bullaed catches sight of the hand-kerchief which Maey dropped—appears interest-ed—and goes to pick it up. He sniffs the perfume,pauses, examines the initial, thinks, and, suddenlystaggers, between the doubt and dismay of a greatdiscovery.] Cu

. The wastrel hoard; a drama of the greater love. one and beside it a small brass clock.In left back corner, facing audience, is a chime clock,resting on the floor. Photographs, including that ofVictor, Kussell Turner, Mary, Senator Morse, andMrs. Morse. Victor^s is on piano. Beside it is a large,full figure oil painting, in the style of thirty years be-fore, of a beautiful girl of twenty, in stage costume,suggesting the well-known painting of Lotta Faust.American flags are conspicuous in the temporary deco-ration for the Fourth of July. On the walls are picturesof Washington, Hamilton, Marsha Stock Photo

RM2AFWHAW–. The wastrel hoard; a drama of the greater love. one and beside it a small brass clock.In left back corner, facing audience, is a chime clock,resting on the floor. Photographs, including that ofVictor, Kussell Turner, Mary, Senator Morse, andMrs. Morse. Victor^s is on piano. Beside it is a large,full figure oil painting, in the style of thirty years be-fore, of a beautiful girl of twenty, in stage costume,suggesting the well-known painting of Lotta Faust.American flags are conspicuous in the temporary deco-ration for the Fourth of July. On the walls are picturesof Washington, Hamilton, Marsha

. The wastrel hoard; a drama of the greater love. w, if I only got you on the ship or on thedock, the Lady Inspector would be handy. Ill have to de-tain you, Im afraid. ViCTOE. Cant you cut that out? CoRTEiGHT. Shes an opera singer. Alice. What have I done! Mary. Scissors, please. Ill save you the trouble. Alice. Eight here on the desk. [Alice hands Mary the scissors. Mary cuts thered piping on her dress and draws out a string ofrubies. The others are apparently much con-cerned, Mary makes an effort to appear playful.] Mary. Mr. Officer. You were right. Im the lady—disguised. I wear this costu Stock Photo

RM2AFWGKA–. The wastrel hoard; a drama of the greater love. w, if I only got you on the ship or on thedock, the Lady Inspector would be handy. Ill have to de-tain you, Im afraid. ViCTOE. Cant you cut that out? CoRTEiGHT. Shes an opera singer. Alice. What have I done! Mary. Scissors, please. Ill save you the trouble. Alice. Eight here on the desk. [Alice hands Mary the scissors. Mary cuts thered piping on her dress and draws out a string ofrubies. The others are apparently much con-cerned, Mary makes an effort to appear playful.] Mary. Mr. Officer. You were right. Im the lady—disguised. I wear this costu

. The wastrel hoard; a drama of the greater love. UVeD: WtDtsy weidnngiatscbeDlfeMieiiiael^ocbtTotnietta zyaver • b»TCa. Keemt acht op uwer Landeo etaat, V volck end etoden meest8^)11 stereli end daer is nut m diet Van outs alt^t geweestV adel Is manliifticli vnom,Hco vlDd Diet been eelQckco;f4)e^daB^ei4Mt docli,4ck bid n, in dn tboomPtt bS vu one audi vtldien. Bescbut, beschennti bewaard n bn^ Let op bet Spaeiecb bedroglBi, bet nlet nemen o^Jt o bud U Pnvilegien todilMaflr tboont o eick ean mmn vol moetId t bonden van a wetten»BwKD al djent God en valt bem ateeto te KDat U1 op o macb letteo. Stock Photo

RM2AFWKE0–. The wastrel hoard; a drama of the greater love. UVeD: WtDtsy weidnngiatscbeDlfeMieiiiael^ocbtTotnietta zyaver • b»TCa. Keemt acht op uwer Landeo etaat, V volck end etoden meest8^)11 stereli end daer is nut m diet Van outs alt^t geweestV adel Is manliifticli vnom,Hco vlDd Diet been eelQckco;f4)e^daB^ei4Mt docli,4ck bid n, in dn tboomPtt bS vu one audi vtldien. Bescbut, beschennti bewaard n bn^ Let op bet Spaeiecb bedroglBi, bet nlet nemen o^Jt o bud U Pnvilegien todilMaflr tboont o eick ean mmn vol moetId t bonden van a wetten»BwKD al djent God en valt bem ateeto te KDat U1 op o macb letteo.

RM2AFWPBB–. The wastrel hoard; a drama of the greater love. The Wastrel Hoard A DRAMA OF THE GREATER LOVE by Frank Hendrick Of the New York Bar, First Ricardo PrizeFellow in Harvard Univertity Author of Railway Control by Commission, The Power to Regulate Corporations and Commerce, The Common Law of the United States/ Policies, Reaction, and the Constitution, The Contribution of American Women TO the Work of Lincoln, The Adequate Man, Etc., Etc.cu31924022471415

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