Attributed to Mahesha, Indian, active c. 1570 - 1590 - Qasam al-Abbas Arrives from Mecca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-mahesha-indian-active-c-1570-1590-qasam-al-abbas-arrives-100512094.html
RMFREM5J–Attributed to Mahesha, Indian, active c. 1570 - 1590 - Qasam al-Abbas Arrives from Mecca
Nostradamus' magic mirror, c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nostradamus-magic-mirror-c-1570-56697484.html
RMD86P64–Nostradamus' magic mirror, c. 1570
Martin Droeshout, (artist), Flemish, born c. 1570, Queen Elizabeth, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martin-droeshout-artist-flemish-born-c-1570-queen-elizabeth-engraving-image386252988.html
RM2DCB9HG–Martin Droeshout, (artist), Flemish, born c. 1570, Queen Elizabeth, engraving
Alessandro Vittoria. Bust of Francesco Duodo. c 1570-80 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alessandro-vittoria-bust-of-francesco-duodo-c-1570-80-image268834108.html
RMWHACJ4–Alessandro Vittoria. Bust of Francesco Duodo. c 1570-80
Inspired by The Birth of Mary, Luca Cambiaso, c. 1570, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-birth-of-mary-luca-cambiaso-c-1570-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459269042.html
RF2HK5E9P–Inspired by The Birth of Mary, Luca Cambiaso, c. 1570, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The east front of the manor house, dated c.1570, at Trerice, Cornwall. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-east-front-of-the-manor-house-dated-c1570-at-trerice-cornwall-94494819.html
RMFDMH2Y–The east front of the manor house, dated c.1570, at Trerice, Cornwall.
Marriage of the Virgin by Schedoni, Bartolomeo (c.1570-1615); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-the-virgin-by-schedoni-bartolomeo-c1570-1615-galleria-e-museo-estense-modena-italy-italian-out-of-copyright-image469740944.html
RM2J86FA8–Marriage of the Virgin by Schedoni, Bartolomeo (c.1570-1615); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright.
The fruit and vegetable sellers, c. 1570. Creator: Beuckelaer, Joachim (ca. 1533-1574). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fruit-and-vegetable-sellers-c-1570-creator-beuckelaer-joachim-ca-1533-1574-image248913316.html
RMTCXYD8–The fruit and vegetable sellers, c. 1570. Creator: Beuckelaer, Joachim (ca. 1533-1574).
Italy/Venice: Pietro Loredano (c. 1481 - 3 May 1570), Doge of Venice. Oil on canvas painting by Jacopo Tintoretto (1519 - 31 May 1594), c. 1570. Pietro Loredan was the 8th Doge of Venice (r. 1567-1570), hailing form the influential Loredan family. The Doge of Venice (derived from Latin dux, 'leader'), often mistranslated Duke (the Italian word for duke is 'Duca') was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-pietro-loredano-c-1481-3-may-1570-doge-of-venice-oil-on-canvas-painting-by-jacopo-tintoretto-1519-31-may-1594-c-1570-pietro-loredan-was-the-8th-doge-of-venice-r-1567-1570-hailing-form-the-influential-loredan-family-the-doge-of-venice-derived-from-latin-dux-leader-often-mistranslated-duke-the-italian-word-for-duke-is-duca-was-the-chief-magistrate-and-leader-of-the-most-serene-republic-of-venice-for-over-a-thousand-years-doges-of-venice-were-elected-for-life-by-the-city-states-aristocracy-image344242160.html
RM2B01GAT–Italy/Venice: Pietro Loredano (c. 1481 - 3 May 1570), Doge of Venice. Oil on canvas painting by Jacopo Tintoretto (1519 - 31 May 1594), c. 1570. Pietro Loredan was the 8th Doge of Venice (r. 1567-1570), hailing form the influential Loredan family. The Doge of Venice (derived from Latin dux, 'leader'), often mistranslated Duke (the Italian word for duke is 'Duca') was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy.
Jacques Amyot - portrait, c.1570. French Bishop of Auxerre. Engraving by Larmessin. 1513 - 1593. Served under Francois / Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacques-amyot-portrait-c1570-french-bishop-of-auxerre-engraving-by-83364178.html
RMERHFT2–Jacques Amyot - portrait, c.1570. French Bishop of Auxerre. Engraving by Larmessin. 1513 - 1593. Served under Francois /
The Return of the Prodigal Son c.1570-80. N/A 174 Basf2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-return-of-the-prodigal-son-c1570-80-na-174-basf2-image210085512.html
RMP5P660–The Return of the Prodigal Son c.1570-80. N/A 174 Basf2
Portrait Bust of Johann Neudorfer the Younger by Johan Gregor van der Schardt (c. 1530-after 1581) terracotta, c 1570-1590. After he settled in Nuremberg, Van der Schardt , originally from the Low Countries, concentrated on making lifelike painted portrait busts and reliefs of wealthy citizens. Portrayed here is Johann Neudorfer the Younger, the municipal calligrapher and mathematician. He belonged to the city's cultural elite. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-bust-of-johann-neudorfer-the-younger-by-johan-gregor-van-image68543200.html
RMDYEBFC–Portrait Bust of Johann Neudorfer the Younger by Johan Gregor van der Schardt (c. 1530-after 1581) terracotta, c 1570-1590. After he settled in Nuremberg, Van der Schardt , originally from the Low Countries, concentrated on making lifelike painted portrait busts and reliefs of wealthy citizens. Portrayed here is Johann Neudorfer the Younger, the municipal calligrapher and mathematician. He belonged to the city's cultural elite.
Altarpiece Wing with the Circumcision. On the outside are John the Baptist with the Lamb of God. Dating: c. 1570. Place: Northern Netherlands. Measurements: h 252.2 cm × w 121 cm × t 3.8 cm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altarpiece-wing-with-the-circumcision-on-the-outside-are-john-the-baptist-with-the-lamb-of-god-dating-c-1570-place-northern-netherlands-measurements-h-2522-cm-w-121-cm-t-38-cm-museum-rijksmuseum-amsterdam-image232836319.html
RMREPH2R–Altarpiece Wing with the Circumcision. On the outside are John the Baptist with the Lamb of God. Dating: c. 1570. Place: Northern Netherlands. Measurements: h 252.2 cm × w 121 cm × t 3.8 cm. Museum: Rijksmuseum, Amsterdam.
John Rogers, English Puritan clergyman, c. 1570-1636. Preacher of the word of God 31 years at Dedham in Essex. From a scarce print with skull cap, ruff collar, robes and Holy Book. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-rogers-english-puritan-clergyman-c-1570-1636-preacher-of-the-word-of-god-31-years-at-dedham-in-essex-from-a-scarce-print-with-skull-cap-ruff-collar-robes-and-holy-book-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image493394301.html
RM2KJM1D1–John Rogers, English Puritan clergyman, c. 1570-1636. Preacher of the word of God 31 years at Dedham in Essex. From a scarce print with skull cap, ruff collar, robes and Holy Book. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
The Garden of Gethsemane by Giorgio Vasari (1511-1574), oil on panel, c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-garden-of-gethsemane-by-giorgio-vasari-1511-1574-oil-on-panel-c-1570-image523056012.html
RM2NAY77T–The Garden of Gethsemane by Giorgio Vasari (1511-1574), oil on panel, c. 1570
Antique Maps of the World. Map of Asia. Abraham Ortelius. c 1570. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-maps-of-the-world-map-of-asia-abraham-ortelius-c-1570-image383713463.html
RM2D87JC7–Antique Maps of the World. Map of Asia. Abraham Ortelius. c 1570.
HENRY HUDSON c 1570-1611) English explorer shown finding the river named after him at present day Manhattan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-hudson-c-1570-1611-english-explorer-shown-finding-the-river-named-after-him-at-present-day-manhattan-image339109391.html
RM2AKKNDK–HENRY HUDSON c 1570-1611) English explorer shown finding the river named after him at present day Manhattan
Prayer Book c. 1570 1580 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-prayer-book-c-1570-1580-140470833.html
RMJ4EYYD–Prayer Book c. 1570 1580
Lute player, c. 1570. Unsigned French woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lute-player-c-1570-unsigned-french-woodcut-image156724794.html
RMK2YC22–Lute player, c. 1570. Unsigned French woodcut.
El Greco, Christ Healing the Blind, painting, c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/el-greco-christ-healing-the-blind-painting-c-1570-image242009948.html
RMT1ME4C–El Greco, Christ Healing the Blind, painting, c. 1570
Left Pauldron Reinforce, c. 1570/80, Northern Italian, Milan, Milan, Steel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/left-pauldron-reinforce-c-157080-northern-italian-milan-milan-steel-image328650763.html
RM2A2K9B7–Left Pauldron Reinforce, c. 1570/80, Northern Italian, Milan, Milan, Steel
A Fete at Bermondsey c.1570 by Joris Hoefnagel (1542-1600) - Hatfield House, Hertfordshire, UK.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-fete-at-bermondsey-c1570-by-joris-hoefnagel-1542-1600-hatfield-house-hertfordshire-uk-image268852600.html
RMWHB86G–A Fete at Bermondsey c.1570 by Joris Hoefnagel (1542-1600) - Hatfield House, Hertfordshire, UK..
Inspired by Portrait bust of a man, Johan Gregor van der Schardt, c. 1570 - 1580, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-bust-of-a-man-johan-gregor-van-der-schardt-c-1570-1580-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459272193.html
RF2HK5JA9–Inspired by Portrait bust of a man, Johan Gregor van der Schardt, c. 1570 - 1580, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The east front of the manor house, dated c.1570, at Trerice, Cornwall. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-east-front-of-the-manor-house-dated-c1570-at-trerice-cornwall-94494816.html
RMFDMH2T–The east front of the manor house, dated c.1570, at Trerice, Cornwall.
Marriage of the Virgin by Schedoni, Bartolomeo (c.1570-1615); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marriage-of-the-virgin-by-schedoni-bartolomeo-c1570-1615-galleria-e-museo-estense-modena-italy-italian-out-of-copyright-image469978263.html
RM2J8HA1Y–Marriage of the Virgin by Schedoni, Bartolomeo (c.1570-1615); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright.
Portrait of Guido Guardi with his sons, c. 1570. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-guido-guardi-with-his-sons-c-1570-image214388353.html
RMPCP6EW–Portrait of Guido Guardi with his sons, c. 1570.
Belgium: 'God Blesses Noah and his Family'. Wool and silk tapestry by Willem de Pannemaker (c. 1512/1514-1581) and Michiel Coxie (14 March 1499 - 10 March 1592), c. 1570. In this tale from the Hebrew Bible, or the Old Testament of the Christian Bible, God was dissatisfied with the sins of mankind and he decided to purge the earth of every person except the righteous Noah and his wife. God instructed Noah to build an ark and to save two of each earthly creature on board. Noah complied, and as soon as the ark was built, God flooded the earth and killed everyone except Noah and his wife. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/belgium-god-blesses-noah-and-his-family-wool-and-silk-tapestry-by-willem-de-pannemaker-c-15121514-1581-and-michiel-coxie-14-march-1499-10-march-1592-c-1570-in-this-tale-from-the-hebrew-bible-or-the-old-testament-of-the-christian-bible-god-was-dissatisfied-with-the-sins-of-mankind-and-he-decided-to-purge-the-earth-of-every-person-except-the-righteous-noah-and-his-wife-god-instructed-noah-to-build-an-ark-and-to-save-two-of-each-earthly-creature-on-board-noah-complied-and-as-soon-as-the-ark-was-built-god-flooded-the-earth-and-killed-everyone-except-noah-and-his-wife-image344235568.html
RM2B017YC–Belgium: 'God Blesses Noah and his Family'. Wool and silk tapestry by Willem de Pannemaker (c. 1512/1514-1581) and Michiel Coxie (14 March 1499 - 10 March 1592), c. 1570. In this tale from the Hebrew Bible, or the Old Testament of the Christian Bible, God was dissatisfied with the sins of mankind and he decided to purge the earth of every person except the righteous Noah and his wife. God instructed Noah to build an ark and to save two of each earthly creature on board. Noah complied, and as soon as the ark was built, God flooded the earth and killed everyone except Noah and his wife.
Giorgio Vasari - Garden Gethsemane C 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giorgio-vasari-garden-gethsemane-c-1570-image415531455.html
RF2F412H3–Giorgio Vasari - Garden Gethsemane C 1570
. English: Charlotte de Sauve, mistress of King Henry III of Navarre (later King Henry IV of France) . 16th century, c. 1570. unknown, french school 107 Charlotte de Sauve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-charlotte-de-sauve-mistress-of-king-henry-iii-of-navarre-later-king-henry-iv-of-france-16th-century-c-1570-unknown-french-school-107-charlotte-de-sauve-image188961179.html
RMMYBWWF–. English: Charlotte de Sauve, mistress of King Henry III of Navarre (later King Henry IV of France) . 16th century, c. 1570. unknown, french school 107 Charlotte de Sauve
Portrait Bust of Johann Neudorfer the Younger by Johan Gregor van der Schardt (c. 1530-after 1581) terracotta, c 1570-1590. After he settled in Nuremberg, Van der Schardt , originally from the Low Countries, concentrated on making lifelike painted portrait busts and reliefs of wealthy citizens. Portrayed here is Johann Neudorfer the Younger, the municipal calligrapher and mathematician. He belonged to the city's cultural elite. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-bust-of-johann-neudorfer-the-younger-by-johan-gregor-van-image68542711.html
RMDYEAWY–Portrait Bust of Johann Neudorfer the Younger by Johan Gregor van der Schardt (c. 1530-after 1581) terracotta, c 1570-1590. After he settled in Nuremberg, Van der Schardt , originally from the Low Countries, concentrated on making lifelike painted portrait busts and reliefs of wealthy citizens. Portrayed here is Johann Neudorfer the Younger, the municipal calligrapher and mathematician. He belonged to the city's cultural elite.
Portrait of Cornelis Aerentsz van der Dussen (1481-1556). Dating: c. 1555 - c. 1570. Measurements: support: h 99.2 cm × w 76.8 cm; t 1.7 cm; d 8.0 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan van Scorel (copy after). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-aerentsz-van-der-dussen-1481-1556-dating-c-1555-c-1570-measurements-support-h-992-cm-w-768-cm-t-17-cm-d-80-cm-museum-rijksmuseum-amsterdam-author-jan-van-scorel-copy-after-image232835088.html
RMREPFET–Portrait of Cornelis Aerentsz van der Dussen (1481-1556). Dating: c. 1555 - c. 1570. Measurements: support: h 99.2 cm × w 76.8 cm; t 1.7 cm; d 8.0 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan van Scorel (copy after).
Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Iznik Lavender Ground Slip Painted Pottery Jug, Ottoman Turkey, c. 1570. Estimate £120,000-180,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-24-october-2022-art-of-the-islamic-and-indian-worlds-including-oriental-rugs-and-carpets-takes-place-on-27-october-image-iznik-lavender-ground-slip-painted-pottery-jug-ottoman-turkey-c-1570-estimate-120000-180000-credit-malcolm-parkalamy-live-news-image487220633.html
RM2K8JPTW–Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Iznik Lavender Ground Slip Painted Pottery Jug, Ottoman Turkey, c. 1570. Estimate £120,000-180,000. Credit: Malcolm Park/Alamy Live News
The Miracle of Christ Healing the Blind by El Greco, oil on canvas, c.1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-miracle-of-christ-healing-the-blind-by-el-greco-oil-on-canvas-132831594.html
RMHM301E–The Miracle of Christ Healing the Blind by El Greco, oil on canvas, c.1570
Elizabeth I c 1570. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-i-c-1570-image328576939.html
RM2A2FY6K–Elizabeth I c 1570.
Catherine of Sweden (1552) c 1570 by unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-catherine-of-sweden-1552-c-1570-by-unknown-139554000.html
RMJ316FC–Catherine of Sweden (1552) c 1570 by unknown
Woman playing guitar, c.1570 from unsigned French series of woodcuts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-playing-guitar-c1570-from-unsigned-french-series-of-woodcuts-image156724661.html
RMK2YBW9–Woman playing guitar, c.1570 from unsigned French series of woodcuts.
Hans Eworth, Elizabeth I (1533-1603), portrait, painting, c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hans-eworth-elizabeth-i-1533-1603-portrait-painting-c-1570-image245597377.html
RMT7FWXW–Hans Eworth, Elizabeth I (1533-1603), portrait, painting, c. 1570
Pair of Tassets for Light Field Use, c. 1570, Northern German, Northern Germany, Steel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-tassets-for-light-field-use-c-1570-northern-german-northern-germany-steel-image328651277.html
RM2A2KA1H–Pair of Tassets for Light Field Use, c. 1570, Northern German, Northern Germany, Steel
Antique Map of the World by Abraham Ortelius c 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antique-map-of-the-world-by-abraham-ortelius-c-1570-57123129.html
RMD8X53N–Antique Map of the World by Abraham Ortelius c 1570
Art inspired by The Birth of Mary, Luca Cambiaso, c. 1570, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-birth-of-mary-luca-cambiaso-c-1570-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459579097.html
RF2HKKHR5–Art inspired by The Birth of Mary, Luca Cambiaso, c. 1570, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Giuseppe Arcimboldo (1527-1593). Italian painter. The Cook, c. 1570. National Museum. Stockholm. Sweden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-arcimboldo-1527-1593-italian-painter-the-cook-c-1570-national-91491525.html
RMF8RPAD–Giuseppe Arcimboldo (1527-1593). Italian painter. The Cook, c. 1570. National Museum. Stockholm. Sweden.
The Martyrdom of St. John the Evangelist by Bedoli, Girolamo Mazzola (c.1500-69); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-st-john-the-evangelist-by-bedoli-girolamo-mazzola-c1500-69-palazzo-ducale-museo-mantua-lombardy-italy-italian-out-of-copyright-image469019578.html
RM2J71K76–The Martyrdom of St. John the Evangelist by Bedoli, Girolamo Mazzola (c.1500-69); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright.
Portrait of Joanna of Austria (1547-1578), Grand Duchess of Tuscany, c. 1570. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joanna-of-austria-1547-1578-grand-duchess-of-tuscany-c-1570-private-collection-image337005169.html
RM2AG7WEW–Portrait of Joanna of Austria (1547-1578), Grand Duchess of Tuscany, c. 1570. Private Collection.
India: 'Mihrdukht Shoots Her Arrow through a Ring'. Gouache and gold painting depicting a scene from the Hamzanama, c. 1570. The Hamzanama or Dastan-e-Amir Hamza (Adventures of Amir Hamza) narrates the mythical exploits of Amir Hamza, the uncle of the prophet of Islam. Most of the story is extremely fanciful, memorably described by the first Moghul Emperor Babur as: 'one long far-fetched lie, opposed to sense and nature'. Yet the Hamzanama proved enduringly popular with Babur's grandson, the third Mughal Emperor Akbar, who commissioned a magnificent illustrated version of the epic in c.1562. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-mihrdukht-shoots-her-arrow-through-a-ring-gouache-and-gold-painting-depicting-a-scene-from-the-hamzanama-c-1570-the-hamzanama-or-dastan-e-amir-hamza-adventures-of-amir-hamza-narrates-the-mythical-exploits-of-amir-hamza-the-uncle-of-the-prophet-of-islam-most-of-the-story-is-extremely-fanciful-memorably-described-by-the-first-moghul-emperor-babur-as-one-long-far-fetched-lie-opposed-to-sense-and-nature-yet-the-hamzanama-proved-enduringly-popular-with-baburs-grandson-the-third-mughal-emperor-akbar-who-commissioned-a-magnificent-illustrated-version-of-the-epic-in-c1562-image344232852.html
RM2B014EC–India: 'Mihrdukht Shoots Her Arrow through a Ring'. Gouache and gold painting depicting a scene from the Hamzanama, c. 1570. The Hamzanama or Dastan-e-Amir Hamza (Adventures of Amir Hamza) narrates the mythical exploits of Amir Hamza, the uncle of the prophet of Islam. Most of the story is extremely fanciful, memorably described by the first Moghul Emperor Babur as: 'one long far-fetched lie, opposed to sense and nature'. Yet the Hamzanama proved enduringly popular with Babur's grandson, the third Mughal Emperor Akbar, who commissioned a magnificent illustrated version of the epic in c.1562.
Maarten van Heemskerck- Adoration Magi C 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maarten-van-heemskerck-adoration-magi-c-1570-image415989767.html
RF2F4NY5B–Maarten van Heemskerck- Adoration Magi C 1570
. English: Charlotte de Sauve, mistress of King Henry III of Navarre (later King Henry IV of France) . 16th century, c. 1570. unknown, french school 124 Charlotte de Sauve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-charlotte-de-sauve-mistress-of-king-henry-iii-of-navarre-later-king-henry-iv-of-france-16th-century-c-1570-unknown-french-school-124-charlotte-de-sauve-image187692456.html
RMMWA3J0–. English: Charlotte de Sauve, mistress of King Henry III of Navarre (later King Henry IV of France) . 16th century, c. 1570. unknown, french school 124 Charlotte de Sauve
Alessandro ALLORI - Venus and Cupid - C. 1570 - Uffizi Gallery - Galleria degli Uffizi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alessandro-allori-venus-and-cupid-c-1570-uffizi-gallery-galleria-degli-uffizi-image185249595.html
RMMNARMY–Alessandro ALLORI - Venus and Cupid - C. 1570 - Uffizi Gallery - Galleria degli Uffizi
John Rogers, English Puritan clergyman, c. 1570-1636. Preacher of the word of God 31 years at Dedham in Essex. From a scarce print with skull cap, ruff collar, robes and Holy Book. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-rogers-english-puritan-clergyman-c-1570-1636-preacher-of-the-word-of-god-31-years-at-dedham-in-essex-from-a-scarce-print-with-skull-cap-ruff-collar-robes-and-holy-book-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image571850406.html
RM2T6A10P–John Rogers, English Puritan clergyman, c. 1570-1636. Preacher of the word of God 31 years at Dedham in Essex. From a scarce print with skull cap, ruff collar, robes and Holy Book. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
Thomas Middleton - title page for 'Game at Chess' 1624. English playwright, poet, c 1570-1627 - Jacobean drama Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thomas-middleton-title-page-for-game-at-chess-1624-english-playwright-83363360.html
RMERHEPT–Thomas Middleton - title page for 'Game at Chess' 1624. English playwright, poet, c 1570-1627 - Jacobean drama
The Dream of Saint Helena by Paolo Veronese (1528–1588), oil on canvas, c.1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dream-of-saint-helena-by-paolo-veronese-15281588-oil-on-canvas-c1570-image466326013.html
RM2J2JYGD–The Dream of Saint Helena by Paolo Veronese (1528–1588), oil on canvas, c.1570
Vecelli, Tiziano - Judith with the head of Holofernes - c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vecelli-tiziano-judith-with-the-head-of-holofernes-c-1570-134799411.html
RMHR8J0K–Vecelli, Tiziano - Judith with the head of Holofernes - c. 1570
Estatutos da Universidade de Évora, cópia de original de c. 1570. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/estatutos-da-universidade-de-vora-cpia-de-original-de-c-1570-image328895570.html
RM2A32DJA–Estatutos da Universidade de Évora, cópia de original de c. 1570.
Catherine of Sweden (1552) c 1570 by unknown (crop) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-catherine-of-sweden-1552-c-1570-by-unknown-crop-139549534.html
RMJ310RX–Catherine of Sweden (1552) c 1570 by unknown (crop)
Woman playing guitar, c.1570 from unsigned French series of woodcuts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-woman-playing-guitar-c1570-from-unsigned-french-series-of-woodcuts-164175255.html
RMKF2R5Y–Woman playing guitar, c.1570 from unsigned French series of woodcuts
El Greco, Christ Driving the Money Changers from the Temple, painting, c. 1570-1571 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/el-greco-christ-driving-the-money-changers-from-the-temple-painting-c-1570-1571-image242009957.html
RMT1ME4N–El Greco, Christ Driving the Money Changers from the Temple, painting, c. 1570-1571
Breastplate with Lance Rest and Fauld, c. 1570, Northern Italian, Milan, Italy, Steel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/breastplate-with-lance-rest-and-fauld-c-1570-northern-italian-milan-italy-steel-image328651224.html
RM2A2K9YM–Breastplate with Lance Rest and Fauld, c. 1570, Northern Italian, Milan, Italy, Steel
The months of January, February, May, June, September and October. Workshop of Abel Grimmer (c. 1570–c. 1620), a Flemish late Renaissance painted. Oil on wood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-months-of-january-february-may-june-september-and-october-workshop-of-abel-grimmer-c-1570c-1620-a-flemish-late-renaissance-painted-oil-on-wood-image235161406.html
RMRJGENJ–The months of January, February, May, June, September and October. Workshop of Abel Grimmer (c. 1570–c. 1620), a Flemish late Renaissance painted. Oil on wood.
Art inspired by Portrait bust of a man, Johan Gregor van der Schardt, c. 1570 - 1580, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-bust-of-a-man-johan-gregor-van-der-schardt-c-1570-1580-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459584041.html
RF2HKKT3N–Art inspired by Portrait bust of a man, Johan Gregor van der Schardt, c. 1570 - 1580, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ecce Homo. Unknown master. Oil on oak panel, c. 1570. From a Portuguese convent abolished in 1834. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecce-homo-unknown-master-oil-on-oak-panel-c-1570-from-a-portuguese-convent-abolished-in-1834-national-museum-of-ancient-art-lisbon-portugal-image464889167.html
RM2J09ETF–Ecce Homo. Unknown master. Oil on oak panel, c. 1570. From a Portuguese convent abolished in 1834. National Museum of Ancient Art. Lisbon, Portugal.
Sicilia insularum omnium (ut inquit Diodorus) optima et Mediterranei maris maxima. Map information: Title: Sicilia insularum omnium (ut inquit Diodorus) optima et Mediterranei maris maxima. 84.2. Place of publication: [Rome] Publisher: [Antoine LafreÃÅry] Date of publication: [c. 1570] Item type: 1 map Dimensions: 37 x 50 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sicilia-insularum-omnium-ut-inquit-diodorus-optima-et-mediterranei-maris-maxima-map-information-title-sicilia-insularum-omnium-ut-inquit-diodorus-optima-et-mediterranei-maris-maxima-842-place-of-publication-rome-publisher-antoine-lafrery-date-of-publication-c-1570-item-type-1-map-dimensions-37-x-50-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401717240.html
RM2E9FPC8–Sicilia insularum omnium (ut inquit Diodorus) optima et Mediterranei maris maxima. Map information: Title: Sicilia insularum omnium (ut inquit Diodorus) optima et Mediterranei maris maxima. 84.2. Place of publication: [Rome] Publisher: [Antoine LafreÃÅry] Date of publication: [c. 1570] Item type: 1 map Dimensions: 37 x 50 cm Former owner: George III, King of Great Britain, 1738-1820
Lamentation over the dead Christ with Saints Bartholomew and Paul, c. 1570. Found in the Collection of the Pinacoteca Tosio Martinengo, Brescia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lamentation-over-the-dead-christ-with-saints-bartholomew-and-paul-c-1570-found-in-the-collection-of-the-pinacoteca-tosio-martinengo-brescia-image462499493.html
RM2HTCJR1–Lamentation over the dead Christ with Saints Bartholomew and Paul, c. 1570. Found in the Collection of the Pinacoteca Tosio Martinengo, Brescia.
Arabia: Depiction of Layla and Majnun, the ill-fated lovers from the classic Arabic story, with a poem by Nur ad-Din Abd ar-Rahman Jami, c. 1570. Often thought of as an Arabian version of Romeo and Juliet, Layla and Majnun is a classical story of star-crossed lovers based on the true story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula during the Umayyad era in the 7th century. In one version, he spent his youth together with Layla tending their flocks. In another version, upon seeing Layla he fell passionately in love with her. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arabia-depiction-of-layla-and-majnun-the-ill-fated-lovers-from-the-classic-arabic-story-with-a-poem-by-nur-ad-din-abd-ar-rahman-jami-c-1570-often-thought-of-as-an-arabian-version-of-romeo-and-juliet-layla-and-majnun-is-a-classical-story-of-star-crossed-lovers-based-on-the-true-story-of-a-young-man-called-qays-ibn-al-mulawwah-from-the-northern-arabian-peninsula-during-the-umayyad-era-in-the-7th-century-in-one-version-he-spent-his-youth-together-with-layla-tending-their-flocks-in-another-version-upon-seeing-layla-he-fell-passionately-in-love-with-her-image344226270.html
RM2B00T3A–Arabia: Depiction of Layla and Majnun, the ill-fated lovers from the classic Arabic story, with a poem by Nur ad-Din Abd ar-Rahman Jami, c. 1570. Often thought of as an Arabian version of Romeo and Juliet, Layla and Majnun is a classical story of star-crossed lovers based on the true story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula during the Umayyad era in the 7th century. In one version, he spent his youth together with Layla tending their flocks. In another version, upon seeing Layla he fell passionately in love with her.
Domínikos Theotokópoulos - El Greco - Adoration Shepherds 1 C 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domnikos-theotokpoulos-el-greco-adoration-shepherds-1-c-1570-image431853258.html
RF2G2GH6J–Domínikos Theotokópoulos - El Greco - Adoration Shepherds 1 C 1570
. English: Charlotte de Sauve, mistress of King Henry III of Navarre (later King Henry IV of France) . 16th century, c. 1570. unknown, french school 125 Charlotte de Sauve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-charlotte-de-sauve-mistress-of-king-henry-iii-of-navarre-later-king-henry-iv-of-france-16th-century-c-1570-unknown-french-school-125-charlotte-de-sauve-image188218487.html
RMMX62GR–. English: Charlotte de Sauve, mistress of King Henry III of Navarre (later King Henry IV of France) . 16th century, c. 1570. unknown, french school 125 Charlotte de Sauve
Map of Ireland, c. 1570. Published 1899. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-ireland-c-1570-published-1899-image64909121.html
RMDNGT6W–Map of Ireland, c. 1570. Published 1899.
Ecce Homo. Unknown master. Oil on oak panel, c. 1570. From a Portuguese convent abolished in 1834. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecce-homo-unknown-master-oil-on-oak-panel-c-1570-from-a-portuguese-convent-abolished-in-1834-national-museum-of-ancient-art-lisbon-portugal-image465230723.html
RM2J0W2EY–Ecce Homo. Unknown master. Oil on oak panel, c. 1570. From a Portuguese convent abolished in 1834. National Museum of Ancient Art. Lisbon, Portugal.
Château de Saint-Cloud, France. Palace on bank of the Seine river, near Paris. C. 1570 - 1891 (demolished). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chteau-de-saint-cloud-france-palace-on-bank-of-the-seine-river-near-83343537.html
RMERGHEW–Château de Saint-Cloud, France. Palace on bank of the Seine river, near Paris. C. 1570 - 1891 (demolished).
Saint Luke by Giorgio Vasari (1511-1574), oil on panel, c. 1570-71 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-luke-by-giorgio-vasari-1511-1574-oil-on-panel-c-1570-71-image459882197.html
RM2HM5CC5–Saint Luke by Giorgio Vasari (1511-1574), oil on panel, c. 1570-71
Parrasio Micheli - Young Woman Playing a Lute, c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-parrasio-micheli-young-woman-playing-a-lute-c-1570-134715384.html
RMHR4PRM–Parrasio Micheli - Young Woman Playing a Lute, c. 1570
Catherine of Sweden (1552) c 1570 by unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catherine-of-sweden-1552-c-1570-by-unknown-image237180640.html
RMRNTE94–Catherine of Sweden (1552) c 1570 by unknown.
Man and Woman, probably Oudenaarde, c. 1570 1600, wool and silk Packwood House Warwickshire, England DSC08893 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-man-and-woman-probably-oudenaarde-c-1570-1600-wool-and-silk-packwood-142959680.html
RMJ8GAET–Man and Woman, probably Oudenaarde, c. 1570 1600, wool and silk Packwood House Warwickshire, England DSC08893
Hunting horn - Man blowing hunting horn, with dog. Woodcut, c. 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-horn-man-blowing-hunting-horn-with-dog-woodcut-c-1570-image157816812.html
RMK4N4XM–Hunting horn - Man blowing hunting horn, with dog. Woodcut, c. 1570
Spanish Costume (1550-1600), Spain, since 1522, left: Charles V (reigned 1516-1556), middle: Don Juan d'Austria (c. 1570), right: Maria of Portugal, first Cistercian Philip II (died 1545), anonym 1896 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spanish-costume-1550-1600-spain-since-1522-left-charles-v-reigned-1516-1556-middle-don-juan-daustria-c-1570-right-maria-of-portugal-first-cistercian-philip-ii-died-1545-anonym-1896-image220193910.html
RMPP6KG6–Spanish Costume (1550-1600), Spain, since 1522, left: Charles V (reigned 1516-1556), middle: Don Juan d'Austria (c. 1570), right: Maria of Portugal, first Cistercian Philip II (died 1545), anonym 1896
Jean Duvet, (artist), French, 1485 - c. 1570, The Triumph of the Unicorn, The Unicorn, (series), probably 1561, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-duvet-artist-french-1485-c-1570-the-triumph-of-the-unicorn-the-unicorn-series-probably-1561-engraving-image386342666.html
RM2DCFC0A–Jean Duvet, (artist), French, 1485 - c. 1570, The Triumph of the Unicorn, The Unicorn, (series), probably 1561, engraving
Movie poster for the Russian 1943 film 'Giorgi Saakadze' the Grand Mouravi ' (c. 1570 - October 3, 1629) about a Georgian politician and military commander who played an important but contradictory role in the politics of the early 17th-century Georgia. He was also known as Grand Mouravi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/movie-poster-for-the-russian-1943-film-giorgi-saakadze-the-grand-mouravi-c-1570-october-3-1629-about-a-georgian-politician-and-military-commander-who-played-an-important-but-contradictory-role-in-the-politics-of-the-early-17th-century-georgia-he-was-also-known-as-grand-mouravi-image377039072.html
RM2CWBH54–Movie poster for the Russian 1943 film 'Giorgi Saakadze' the Grand Mouravi ' (c. 1570 - October 3, 1629) about a Georgian politician and military commander who played an important but contradictory role in the politics of the early 17th-century Georgia. He was also known as Grand Mouravi
Inspired by Footed Bowl (tazza), Ottoman period, 1281–1924, c.1570–90, Glazed fritware with underglaze painted decoration, Made in Iznik, Marmara, Anatolia, Turkey, Asia, Ceramics, height: 6 1/4 in. (15.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-footed-bowl-tazza-ottoman-period-12811924-c157090-glazed-fritware-with-underglaze-painted-decoration-made-in-iznik-marmara-anatolia-turkey-asia-ceramics-height-6-14-in-159-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459275122.html
RF2HK5P2X–Inspired by Footed Bowl (tazza), Ottoman period, 1281–1924, c.1570–90, Glazed fritware with underglaze painted decoration, Made in Iznik, Marmara, Anatolia, Turkey, Asia, Ceramics, height: 6 1/4 in. (15.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Japanese painting: Two Geese Flying. By Tawaraya Sotatsu. Reproduction of book illustration of 1912 Tawaraya Sōtatsu (c. 1570 – c. 1640) was a Japanes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japanese-painting-two-geese-flying-by-tawaraya-sotatsu-reproduction-of-book-illustration-of-1912-tawaraya-statsu-c-1570-c-1640-was-a-japanes-image457381667.html
RM2HG3EYF–Japanese painting: Two Geese Flying. By Tawaraya Sotatsu. Reproduction of book illustration of 1912 Tawaraya Sōtatsu (c. 1570 – c. 1640) was a Japanes
Sebastian I (1554-1578). King of Portugal (1557-1578). House of Aviz. Portrait by the Portuguese court painter Cristóvao de Morais (active 1539-1580). Oil on canvas (100 x 85 cm), c. 1570-1575. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sebastian-i-1554-1578-king-of-portugal-1557-1578-house-of-aviz-portrait-by-the-portuguese-court-painter-cristvao-de-morais-active-1539-1580-oil-on-canvas-100-x-85-cm-c-1570-1575-national-museum-of-ancient-art-lisbon-portugal-image464944075.html
RM2J0C0WF–Sebastian I (1554-1578). King of Portugal (1557-1578). House of Aviz. Portrait by the Portuguese court painter Cristóvao de Morais (active 1539-1580). Oil on canvas (100 x 85 cm), c. 1570-1575. National Museum of Ancient Art. Lisbon, Portugal.
The Seven Deadly Sins: Greed, c. 1570. Found in the Collection of the Museo di Capodimonte, Naples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seven-deadly-sins-greed-c-1570-found-in-the-collection-of-the-museo-di-capodimonte-naples-image462499681.html
RM2HTCK1N–The Seven Deadly Sins: Greed, c. 1570. Found in the Collection of the Museo di Capodimonte, Naples.
Belgium: 'God Blesses Noah and his Family'. Wool and silk tapestry by Willem de Pannemaker (c. 1512/1514-1581) and Michiel Coxie (14 March 1499 - 10 March 1592), c. 1570. In this tale from the Hebrew Bible, or the Old Testament of the Christian Bible, God was dissatisfied with the sins of mankind and he decided to purge the earth of every person except the righteous Noah and his wife. God instructed Noah to build an ark and to save two of each earthly creature on board. Noah complied, and as soon as the ark was built, God flooded the earth and killed everyone except Noah and his wife. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/belgium-god-blesses-noah-and-his-family-wool-and-silk-tapestry-by-willem-de-pannemaker-c-15121514-1581-and-michiel-coxie-14-march-1499-10-march-1592-c-1570-in-this-tale-from-the-hebrew-bible-or-the-old-testament-of-the-christian-bible-god-was-dissatisfied-with-the-sins-of-mankind-and-he-decided-to-purge-the-earth-of-every-person-except-the-righteous-noah-and-his-wife-god-instructed-noah-to-build-an-ark-and-to-save-two-of-each-earthly-creature-on-board-noah-complied-and-as-soon-as-the-ark-was-built-god-flooded-the-earth-and-killed-everyone-except-noah-and-his-wife-image491410764.html
RM2KFDKCC–Belgium: 'God Blesses Noah and his Family'. Wool and silk tapestry by Willem de Pannemaker (c. 1512/1514-1581) and Michiel Coxie (14 March 1499 - 10 March 1592), c. 1570. In this tale from the Hebrew Bible, or the Old Testament of the Christian Bible, God was dissatisfied with the sins of mankind and he decided to purge the earth of every person except the righteous Noah and his wife. God instructed Noah to build an ark and to save two of each earthly creature on board. Noah complied, and as soon as the ark was built, God flooded the earth and killed everyone except Noah and his wife.
Jacopo Robusti a.K.a Tintoretto - Last Supper C 1570 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacopo-robusti-aka-tintoretto-last-supper-c-1570-image431985469.html
RF2G2PHTD–Jacopo Robusti a.K.a Tintoretto - Last Supper C 1570
RMMNX0AP–Poppaea Sabina circa 1570. 1082 Sabina Poppaea, Fontainebleau school, c.1570
Concert (oil on canvas) by Honthorst, Gerrit van (1590-1656); Galleria Borghese, Rome, Lazio, Italy; Dutch, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/concert-oil-on-canvas-by-honthorst-gerrit-van-1590-1656-galleria-borghese-rome-lazio-italy-dutch-out-of-copyright-image469980350.html
RM2J8HCME–Concert (oil on canvas) by Honthorst, Gerrit van (1590-1656); Galleria Borghese, Rome, Lazio, Italy; Dutch, out of copyright.
Giuseppe Arcimboldo (1527-1593). Italian painter. The Cook, c. 1570. National Museum. Stockholm. Sweden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-arcimboldo-1527-1593-italian-painter-the-cook-c-1570-national-museum-stockholm-sweden-image220220800.html
RMPP7WTG–Giuseppe Arcimboldo (1527-1593). Italian painter. The Cook, c. 1570. National Museum. Stockholm. Sweden.
Château de Saint-Cloud, France. Palace on bank of the Seine river, near Paris. C. 1570 - 1891 (demolished). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chteau-de-saint-cloud-france-palace-on-bank-of-the-seine-river-near-83343536.html
RMERGHET–Château de Saint-Cloud, France. Palace on bank of the Seine river, near Paris. C. 1570 - 1891 (demolished).
The Baptism of Christ by Paolo Veronese (1528-1588), oil on canvas, c.1570-80 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-baptism-of-christ-by-paolo-veronese-1528-1588-oil-on-canvas-c1570-163169905.html
RMKDD0TH–The Baptism of Christ by Paolo Veronese (1528-1588), oil on canvas, c.1570-80
Prayer Book, c. 1570 1580 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-prayer-book-c-1570-1580-132443360.html
RMHKD8T0–Prayer Book, c. 1570 1580
Catherine of Sweden (1552) c 1570 by unknown (crop). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catherine-of-sweden-1552-c-1570-by-unknown-crop-image237180639.html
RMRNTE93–Catherine of Sweden (1552) c 1570 by unknown (crop).
Basket, Egypt, New Kingdom, c. 1570 1070 BC Oriental Institute Museum, University of Chicago DSC07891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basket-egypt-new-kingdom-c-1570-1070-bc-oriental-institute-museum-170060657.html
RMKTJX2W–Basket, Egypt, New Kingdom, c. 1570 1070 BC Oriental Institute Museum, University of Chicago DSC07891
'The Consert' - unsigned series of French woodcuts, c. 1570. Renaissance female Lute-player. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-consert-unsigned-series-of-french-woodcuts-c-1570-renaissance-164627330.html
RMKFRBRE–'The Consert' - unsigned series of French woodcuts, c. 1570. Renaissance female Lute-player.
Effigy of Mary, Countess of Buckingham, c.1570-1632. Second wife of Sir George Villiers, c. 1544-1606. In veil, coronet, ruff collar, ermine-lined robe. Mislabeled Elizabeth, Countess of Buckingham. From her monument by Nicholas Stone in Westminster Abbey. Copperplate engraving by Edward Harding from John Adolphus’ The British Cabinet, containing Portraits of Illustrious Personages, printed by T. Bensley for E. Harding, 98 Pall Mall, London, 1799. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effigy-of-mary-countess-of-buckingham-c1570-1632-second-wife-of-sir-george-villiers-c-1544-1606-in-veil-coronet-ruff-collar-ermine-lined-robe-mislabeled-elizabeth-countess-of-buckingham-from-her-monument-by-nicholas-stone-in-westminster-abbey-copperplate-engraving-by-edward-harding-from-john-adolphus-the-british-cabinet-containing-portraits-of-illustrious-personages-printed-by-t-bensley-for-e-harding-98-pall-mall-london-1799-image477773131.html
RM2JN8CE3–Effigy of Mary, Countess of Buckingham, c.1570-1632. Second wife of Sir George Villiers, c. 1544-1606. In veil, coronet, ruff collar, ermine-lined robe. Mislabeled Elizabeth, Countess of Buckingham. From her monument by Nicholas Stone in Westminster Abbey. Copperplate engraving by Edward Harding from John Adolphus’ The British Cabinet, containing Portraits of Illustrious Personages, printed by T. Bensley for E. Harding, 98 Pall Mall, London, 1799.
Aegidius Sadeler II, (artist), Flemish, c. 1570 - 1629, Head of an Apostle with Beard and Cap, 1597, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aegidius-sadeler-ii-artist-flemish-c-1570-1629-head-of-an-apostle-with-beard-and-cap-1597-engraving-image386207441.html
RM2DC97EW–Aegidius Sadeler II, (artist), Flemish, c. 1570 - 1629, Head of an Apostle with Beard and Cap, 1597, engraving
James Stewart, 1st Earl of Moray, c. 1531-1570, was Regent of Scotland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-stewart-1st-earl-of-moray-c-1531-1570-was-regent-of-scotland-103745540.html
RMG0P0DT–James Stewart, 1st Earl of Moray, c. 1531-1570, was Regent of Scotland
Inspired by Christ Shown to the People (Ecce Homo), Titian (Tiziano Vecellio), Italian, c.1485-90–1576, c.1570–76, Oil on canvas, Made in Venice, Veneto, Italy, Europe, Paintings, 43 x 37 5/16 in. (109.2 x 94.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-christ-shown-to-the-people-ecce-homo-titian-tiziano-vecellio-italian-c1485-901576-c157076-oil-on-canvas-made-in-venice-veneto-italy-europe-paintings-43-x-37-516-in-1092-x-948-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459272551.html
RF2HK5JR3–Inspired by Christ Shown to the People (Ecce Homo), Titian (Tiziano Vecellio), Italian, c.1485-90–1576, c.1570–76, Oil on canvas, Made in Venice, Veneto, Italy, Europe, Paintings, 43 x 37 5/16 in. (109.2 x 94.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
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