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Early cycladic ii Stock Photos and Images
Male Figurine possesses a sash and a small triangular dagger Early Cycladic II period 2800-2300 BC Museum Athens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/male-figurine-possesses-a-sash-and-a-small-triangular-dagger-early-cycladic-ii-period-2800-2300-bc-museum-athens-image592950310.htmlRM2WCK64P–Male Figurine possesses a sash and a small triangular dagger Early Cycladic II period 2800-2300 BC Museum Athens
Marble female figure. Cycladic, Early Cycladic II, late Spedos type, ca. 2600-2400 B.C. Namepiece of the Bastis Master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-female-figure-cycladic-early-cycladic-ii-late-spedos-type-ca-image69820419.htmlRME1GGJB–Marble female figure. Cycladic, Early Cycladic II, late Spedos type, ca. 2600-2400 B.C. Namepiece of the Bastis Master.
Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/double-flute-player-cycladic-statuette-marble-ca-2700-2300-bc-early-cycladic-ii-culture-from-keros-the-cyclades-greece-image179684585.htmlRMMC99EH–Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece.
Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-group-of-syros-female-statuette-early-cycladic-ii-2700-2300-bc-type-43780443.htmlRMCF6AB7–Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek
Female Cycladic Idol, attributed to Goulandris Master. Early Cycladic II. 2800-2300 BC. From Island of Amorgos (Cycladic Islands). National Archaeological Museum. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-cycladic-idol-attributed-to-goulandris-master-early-cycladic-ii-2800-2300-bc-from-island-of-amorgos-cycladic-islands-national-archaeological-museum-athens-greece-image342171529.htmlRM2ATK77N–Female Cycladic Idol, attributed to Goulandris Master. Early Cycladic II. 2800-2300 BC. From Island of Amorgos (Cycladic Islands). National Archaeological Museum. Athens, Greece.
Marble female figure, Early Cycladic II, 2700–2600 B.C., Cycladic, Marble, H. 14 5/8 in. (37.1 cm), Stone Sculpture, The figure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-female-figure-early-cycladic-ii-27002600-bc-cycladic-marble-162449130.htmlRMKC85EJ–Marble female figure, Early Cycladic II, 2700–2600 B.C., Cycladic, Marble, H. 14 5/8 in. (37.1 cm), Stone Sculpture, The figure
Female Head, Early Cycladic II, circa 2700-2400 B.C., France, Paris, Musee du Louvre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-female-head-early-cycladic-ii-circa-2700-2400-bc-france-paris-musee-30483266.htmlRMBNGHM2–Female Head, Early Cycladic II, circa 2700-2400 B.C., France, Paris, Musee du Louvre
Marble female figure, Early Cycladic II, 2600–2400 B.C., Cycladic, Marble, H. 24 3/4 in. (62.79 cm), Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-female-figure-early-cycladic-ii-26002400-bc-cycladic-marble-162432643.htmlRMKC7CDR–Marble female figure, Early Cycladic II, 2600–2400 B.C., Cycladic, Marble, H. 24 3/4 in. (62.79 cm), Stone Sculpture
Art inspired by Marble female figure, Early Cycladic II, 2700–2600 B.C., Cycladic, Marble, H. 14 5/8 in. (37.1 cm), Stone Sculpture, The figure is believed to have been found with the marble bowl and the fragment of a terracotta offering vessel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-female-figure-early-cycladic-ii-27002600-bc-cycladic-marble-h-14-58-in-371-cm-stone-sculpture-the-figure-is-believed-to-have-been-found-with-the-marble-bowl-and-the-fragment-of-a-terracotta-offering-vessel-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789221.htmlRF2HTWTAD–Art inspired by Marble female figure, Early Cycladic II, 2700–2600 B.C., Cycladic, Marble, H. 14 5/8 in. (37.1 cm), Stone Sculpture, The figure is believed to have been found with the marble bowl and the fragment of a terracotta offering vessel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marble male figure, Early Cycladic II, 2400–2300 B.C. or later, Cycladic, Marble, H. 14 1/8 in. (35.9 cm), Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-male-figure-early-cycladic-ii-24002300-bc-or-later-cycladic-162441698.htmlRMKC7T16–Marble male figure, Early Cycladic II, 2400–2300 B.C. or later, Cycladic, Marble, H. 14 1/8 in. (35.9 cm), Stone Sculpture
Art inspired by Marble bowl, Early Cycladic II, ca. 2800–2500 B.C., Cycladic, Marble, traces of red pigment on interior, 1 × 3 1/8 in. (2.6 × 8 cm), Miscellaneous-Stone Vases, Small bowl with evidence of red pigment, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-bowl-early-cycladic-ii-ca-28002500-bc-cycladic-marble-traces-of-red-pigment-on-interior-1-3-18-in-26-8-cm-miscellaneous-stone-vases-small-bowl-with-evidence-of-red-pigment-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462863659.htmlRF2HW178Y–Art inspired by Marble bowl, Early Cycladic II, ca. 2800–2500 B.C., Cycladic, Marble, traces of red pigment on interior, 1 × 3 1/8 in. (2.6 × 8 cm), Miscellaneous-Stone Vases, Small bowl with evidence of red pigment, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marble female figure, Early Cycladic II, 2300–2200 B.C., Cycladic, Marble, H. 10 3/4 in. (27.3 cm), Stone Sculpture, The remains Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-female-figure-early-cycladic-ii-23002200-bc-cycladic-marble-162538221.htmlRMKCC74D–Marble female figure, Early Cycladic II, 2300–2200 B.C., Cycladic, Marble, H. 10 3/4 in. (27.3 cm), Stone Sculpture, The remains
Figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figurine-early-cycladic-ii-period-c2800-c2300bc-artist-unknown-image186200985.htmlRMMPX575–Figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown.
Marble spouted bowl, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Marble, H. 3 5/8 in. (9.1 cm), Miscellaneous-Stone Vases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-spouted-bowl-early-cycladic-ii-ca-27002200-bc-cycladic-marble-162432639.htmlRMKC7CDK–Marble spouted bowl, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Marble, H. 3 5/8 in. (9.1 cm), Miscellaneous-Stone Vases
Cycladic Culture. Female figurine of the Dokathismata variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Creator: Ashmolean Master. Dimensions: h: 39,1 cm. Museum of Cycladic Art. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-culture-female-figurine-of-the-dokathismata-variety-early-cycladic-ii-syros-phase-2800-bc-2300-bc-marble-early-bronze-age-creator-ashmolean-master-dimensions-h-391-cm-museum-of-cycladic-art-athens-greece-image220180038.htmlRMPP61TP–Cycladic Culture. Female figurine of the Dokathismata variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Creator: Ashmolean Master. Dimensions: h: 39,1 cm. Museum of Cycladic Art. Athens, Greece.
Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 1 7/16 × 1 in. (3.7 × 2.6 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-shell-pestlepolisher-early-cycladic-ii-ca-27002400-bc-cycladic-spondylus-162449793.htmlRMKC86A9–Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 1 7/16 × 1 in. (3.7 × 2.6
Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/double-flute-player-cycladic-statuette-marble-ca-2700-2300-bc-early-cycladic-ii-culture-from-keros-the-cyclades-greece-image211234994.htmlRMP7JGAX–Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece.
CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-art-female-figurine-of-the-canonical-type-by-the-goulandris-master-spedos-variety-early-bronze-age-early-cycladic-ii-period-2800-2300-image609180881.htmlRM2XB2GC1–CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300
Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-bronze-spearhead-early-cycladic-ii-2800-2300-bc-amorgos-national-archaeological-museum-athens-image337214167.htmlRF2AGHC33–Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens.
Marble statuette of a standing male figure playing a musical instrument (the double flute) of the Early Cycladic II period (2800-2300 BC), Athens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statuette-of-a-standing-male-figure-playing-a-musical-instrument-the-double-flute-of-the-early-cycladic-ii-period-2800-2300-bc-athens-image407002418.htmlRM2EJ4FMJ–Marble statuette of a standing male figure playing a musical instrument (the double flute) of the Early Cycladic II period (2800-2300 BC), Athens.
Marble female figure. Cycladic, Early Cycladic II, late Spedos type, ca. 2600-2400 B.C. Namepiece of the Bastis Master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-female-figure-cycladic-early-cycladic-ii-late-spedos-type-ca-image69739757.htmlRME1CWNH–Marble female figure. Cycladic, Early Cycladic II, late Spedos type, ca. 2600-2400 B.C. Namepiece of the Bastis Master.
Female statue of the Early Cycladic folded-arm type; Parian marble. Amorgos, Early Cycladic II period (Keros-Syros Culture, 2800-2300 BC). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-statue-of-the-early-cycladic-folded-arm-type-parian-marble-amorgos-early-cycladic-ii-period-keros-syros-culture-2800-2300-bc-image433198732.htmlRM2G4NWB8–Female statue of the Early Cycladic folded-arm type; Parian marble. Amorgos, Early Cycladic II period (Keros-Syros Culture, 2800-2300 BC).
Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-group-of-syros-female-statuette-early-cycladic-ii-2700-2300-bc-type-43780412.htmlRMCF6AA4–Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek
Marble head from the figure of a woman 2700–2500 B.C. Cycladic The traces of eyes, in extremely low relief, indicate that they originally were rendered with pigment. The painted marble weathered less rapidly than the adjoining unpainted surfaces.. Marble head from the figure of a woman. Cycladic. 2700–2500 B.C.. Marble. Early Cycladic II. Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-head-from-the-figure-of-a-woman-27002500-bc-cycladic-the-traces-of-eyes-in-extremely-low-relief-indicate-that-they-originally-were-rendered-with-pigment-the-painted-marble-weathered-less-rapidly-than-the-adjoining-unpainted-surfaces-marble-head-from-the-figure-of-a-woman-cycladic-27002500-bc-marble-early-cycladic-ii-stone-sculpture-image458562058.htmlRM2HJ18GA–Marble head from the figure of a woman 2700–2500 B.C. Cycladic The traces of eyes, in extremely low relief, indicate that they originally were rendered with pigment. The painted marble weathered less rapidly than the adjoining unpainted surfaces.. Marble head from the figure of a woman. Cycladic. 2700–2500 B.C.. Marble. Early Cycladic II. Stone Sculpture
Ceramic Vessel, for domestic use, Early Cycladic II period, 2500 BC, Kastraki Polichniou on Naxos, National Archaeological Museum in Athens.Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceramic-vessel-for-domestic-use-early-cycladic-ii-period-2500-bc-kastraki-polichniou-on-naxos-national-archaeological-museum-in-athensgreece-image476171581.htmlRM2JJKDKW–Ceramic Vessel, for domestic use, Early Cycladic II period, 2500 BC, Kastraki Polichniou on Naxos, National Archaeological Museum in Athens.Greece.
Athens, Greece. 23rd May, 2018. Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/athens-greece-23rd-may-2018-marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185985723.htmlRMMPGAK7–Athens, Greece. 23rd May, 2018. Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
The “cup-bearer” (special figure type), Early Cycladic II period (ca. 2600 BC). Museum of Cycladic Art, Athens, Greece . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cup-bearer-special-figure-type-early-cycladic-ii-period-ca-2600-bc-museum-of-cycladic-art-athens-greece-image435316268.htmlRF2G86A9G–The “cup-bearer” (special figure type), Early Cycladic II period (ca. 2600 BC). Museum of Cycladic Art, Athens, Greece .
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170262.htmlRMMTE9G6–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Early Cycladic figurine in pre-canonical form, Cycladic, Early Cycladic I-II, c. 2800-2700 BC, Greek island marble Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/early-cycladic-figurine-in-pre-canonical-form-cycladic-early-cycladic-i-ii-c-2800-2700-bc-greek-island-marble-image265052186.htmlRMWB64NE–Early Cycladic figurine in pre-canonical form, Cycladic, Early Cycladic I-II, c. 2800-2700 BC, Greek island marble
Art inspired by Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 1 7/16 × 1 in. (3.7 × 2.6 cm), Miscellaneous-Shell, Pestle or polisher carved from a piece of shell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-shell-pestlepolisher-early-cycladic-ii-ca-27002400-bc-cycladic-spondylus-shell-aragonite-1-716-1-in-37-26-cm-miscellaneous-shell-pestle-or-polisher-carved-from-a-piece-of-shell-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462863664.htmlRF2HW1794–Art inspired by Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 1 7/16 × 1 in. (3.7 × 2.6 cm), Miscellaneous-Shell, Pestle or polisher carved from a piece of shell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Exhibit in the Middlebury College Museum of Art - Middlebury, Vermont, USA. 4 March 2017, 14:59:34. Daderot 491 Early Cycladic figurine in pre-canonical form, Cycladic, Early Cycladic I-II, c. 2800-2700 BC, Greek island marble - Middlebury College Museum of Art - Middlebury, VT - DSC08020 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-exhibit-in-the-middlebury-college-museum-of-art-middlebury-vermont-usa-4-march-2017-145934-daderot-491-early-cycladic-figurine-in-pre-canonical-form-cycladic-early-cycladic-i-ii-c-2800-2700-bc-greek-island-marble-middlebury-college-museum-of-art-middlebury-vt-dsc08020-image209968424.htmlRMP5GTT8–N/A. English: Exhibit in the Middlebury College Museum of Art - Middlebury, Vermont, USA. 4 March 2017, 14:59:34. Daderot 491 Early Cycladic figurine in pre-canonical form, Cycladic, Early Cycladic I-II, c. 2800-2700 BC, Greek island marble - Middlebury College Museum of Art - Middlebury, VT - DSC08020
Cycladic figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-figurine-early-cycladic-ii-period-c2800-c2300bc-artist-unknown-image186200986.htmlRMMPX576–Cycladic figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown.
Harpist of Keros, Parian Marble, Seated on Elephant Throne with Stringed Lyre or Harp, Found Island of Keros, From the Grave of Keros, 2800 - 2300 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harpist-of-keros-parian-marble-seated-on-elephant-throne-with-stringed-lyre-or-harp-found-island-of-keros-from-the-grave-of-keros-2800-2300-bc-image212176326.htmlRFP95D1X–Harpist of Keros, Parian Marble, Seated on Elephant Throne with Stringed Lyre or Harp, Found Island of Keros, From the Grave of Keros, 2800 - 2300 BC.
Cycladic Culture. Female figurine of the Spedos variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Dimensions: H: 35.5 cm. Object provenance from Naxos (?). The eyes, eyebrows, mouth and hair appear to have been modelled in low relief. Museum of Cycladic Art. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-culture-female-figurine-of-the-spedos-variety-early-cycladic-ii-syros-phase-2800-bc-2300-bc-marble-early-bronze-age-dimensions-h-355-cm-object-provenance-from-naxos-the-eyes-eyebrows-mouth-and-hair-appear-to-have-been-modelled-in-low-relief-museum-of-cycladic-art-athens-greece-image220180039.htmlRMPP61TR–Cycladic Culture. Female figurine of the Spedos variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Dimensions: H: 35.5 cm. Object provenance from Naxos (?). The eyes, eyebrows, mouth and hair appear to have been modelled in low relief. Museum of Cycladic Art. Athens, Greece.
Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 3/4 × 7/16 in. (2 × 1.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-shell-pestlepolisher-early-cycladic-ii-ca-27002400-bc-cycladic-spondylus-162449792.htmlRMKC86A8–Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 3/4 × 7/16 in. (2 × 1.1 cm
Cycladic Culture. Female figurine of the Dokathismata variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Creator: Ashmolean Master. Dimensions: h: 39,1 cm. Museum of Cycladic Art. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-culture-female-figurine-of-the-dokathismata-variety-early-cycladic-ii-syros-phase-2800-bc-2300-bc-marble-early-bronze-age-creator-ashmolean-master-dimensions-h-391-cm-museum-of-cycladic-art-athens-greece-image231229767.htmlRMRC5BWY–Cycladic Culture. Female figurine of the Dokathismata variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Creator: Ashmolean Master. Dimensions: h: 39,1 cm. Museum of Cycladic Art. Athens, Greece.
Upper part of a marble female figure, Cycladic, Early Cycladic II, Date 2300–2200 B.C., Cycladic, Marble, preserved H. 3 9/16 in. (9 cm), Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/upper-part-of-a-marble-female-figure-cycladic-early-cycladic-ii-date-23002200-bc-cycladic-marble-preserved-h-3-916-in-9-cm-stone-sculpture-image344590273.htmlRM2B0HCBD–Upper part of a marble female figure, Cycladic, Early Cycladic II, Date 2300–2200 B.C., Cycladic, Marble, preserved H. 3 9/16 in. (9 cm), Stone Sculpture
CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-art-female-figurine-of-the-canonical-type-by-the-goulandris-master-spedos-variety-early-bronze-age-early-cycladic-ii-period-2800-2300-image609180884.htmlRM2XB2GC4–CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300
Marble bowl, Early Cycladic II, ca. 2800–2500 B.C., Cycladic, Marble, traces of red pigment on interior, 1 × 3 1/8 in. (2.6 × 8 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-bowl-early-cycladic-ii-ca-28002500-bc-cycladic-marble-traces-162449795.htmlRMKC86AB–Marble bowl, Early Cycladic II, ca. 2800–2500 B.C., Cycladic, Marble, traces of red pigment on interior, 1 × 3 1/8 in. (2.6 × 8
Marble seated harp player. Cycladic, late Early Cycladic 1 - Early Cycladic II, ca, 2800-2700 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-seated-harp-player-cycladic-late-early-cycladic-1-early-cycladic-image69739756.htmlRME1CWNG–Marble seated harp player. Cycladic, late Early Cycladic 1 - Early Cycladic II, ca, 2800-2700 BC.
Head and neck from a marble figure, Cycladic, Early Cycladic II, Date 2700–2500 B.C., Cycladic, Marble, preserved H. 4 1/4 in. (10.8 cm), Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-and-neck-from-a-marble-figure-cycladic-early-cycladic-ii-date-27002500-bc-cycladic-marble-preserved-h-4-14-in-108-cm-stone-sculpture-image344589802.htmlRM2B0HBPJ–Head and neck from a marble figure, Cycladic, Early Cycladic II, Date 2700–2500 B.C., Cycladic, Marble, preserved H. 4 1/4 in. (10.8 cm), Stone Sculpture
Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Black background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-bronze-spearhead-early-cycladic-ii-2800-2300-bc-amorgos-national-archaeological-museum-athens-black-background-image337214168.htmlRF2AGHC34–Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Black background.
Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-bowl-early-cycladic-ii-ca-27002400-bc-cycladic-marble-overall-162379558.htmlRMKC50NX–Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous
Marble statuette ,male figure playing a musical instrument, lyre or harp, Keros, Early Cycladic II period, (Keros - Syros culture, 2800 - 2300 B.C. National Archaeological Museum in Athens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statuette-male-figure-playing-a-musical-instrument-lyre-or-harp-keros-early-cycladic-ii-period-keros-syros-culture-2800-2300-bc-national-archaeological-museum-in-athens-image476171580.htmlRM2JJKDKT–Marble statuette ,male figure playing a musical instrument, lyre or harp, Keros, Early Cycladic II period, (Keros - Syros culture, 2800 - 2300 B.C. National Archaeological Museum in Athens.
Obsidian blade, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Obsidian, 3/8 × 3 1/16 × 1/8 in. (1 × 7.7 × 0.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-obsidian-blade-early-cycladic-ii-ca-27002200-bc-cycladic-obsidian-162449797.htmlRMKC86AD–Obsidian blade, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Obsidian, 3/8 × 3 1/16 × 1/8 in. (1 × 7.7 × 0.3 cm
Head Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-head-group-of-syros-female-statuette-early-cycladic-ii-2700-2300-bc-43780433.htmlRMCF6AAW–Head Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek
Marble seated harp player, Late Early Cycladic I–Early Cycladic II, 2800–2700 B.C., Cycladic, Marble, H. with harp 11 1/2 in. (2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-seated-harp-player-late-early-cycladic-iearly-cycladic-ii-28002700-162432632.htmlRMKC7CDC–Marble seated harp player, Late Early Cycladic I–Early Cycladic II, 2800–2700 B.C., Cycladic, Marble, H. with harp 11 1/2 in. (2
Marble female figure Early Cycladic II 2300–2200 B.C.Cyclades Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-female-figure-early-cycladic-ii-23002200-bccyclades-greek-greece-50234671.htmlRMCWMARB–Marble female figure Early Cycladic II 2300–2200 B.C.Cyclades Greek Greece
Art inspired by Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 3/4 × 7/16 in. (2 × 1.1 cm), Miscellaneous-Shell, Small pestle or polisher carved from a piece of shell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-shell-pestlepolisher-early-cycladic-ii-ca-27002400-bc-cycladic-spondylus-shell-aragonite-34-716-in-2-11-cm-miscellaneous-shell-small-pestle-or-polisher-carved-from-a-piece-of-shell-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462863671.htmlRF2HW179B–Art inspired by Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 3/4 × 7/16 in. (2 × 1.1 cm), Miscellaneous-Shell, Small pestle or polisher carved from a piece of shell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Stylized idol of female figure. Arms folded for the chest. Oval face with vague indication of the eyes. Zog. Spade type., Sculpture, idol, marble, 11.4 cm, early Cycladic II -2500 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stylized-idol-of-female-figure-arms-folded-for-the-chest-oval-face-with-vague-indication-of-the-eyes-zog-spade-type-sculpture-idol-marble-114-cm-early-cycladic-ii-2500-image344529989.htmlRM2B0EKED–Stylized idol of female figure. Arms folded for the chest. Oval face with vague indication of the eyes. Zog. Spade type., Sculpture, idol, marble, 11.4 cm, early Cycladic II -2500
Art inspired by Marble male figure, Early Cycladic II, 2400–2300 B.C. or later, Cycladic, Marble, H. 14 1/8 in. (35.9 cm), Stone Sculpture, Several features of this work are unusual. Although male figures are rare, they tend to be characterized by an attribute or activity; that is not, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-male-figure-early-cycladic-ii-24002300-bc-or-later-cycladic-marble-h-14-18-in-359-cm-stone-sculpture-several-features-of-this-work-are-unusual-although-male-figures-are-rare-they-tend-to-be-characterized-by-an-attribute-or-activity-that-is-not-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790099.htmlRF2HTWWDR–Art inspired by Marble male figure, Early Cycladic II, 2400–2300 B.C. or later, Cycladic, Marble, H. 14 1/8 in. (35.9 cm), Stone Sculpture, Several features of this work are unusual. Although male figures are rare, they tend to be characterized by an attribute or activity; that is not, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marble female figure 2700–2600 B.C. Cycladic With head thrown back, bent at the hips and knees; a long trunk with legs somewhat separated by a deep groove; feet pointing out. She holds both arms across her chest, with the left arm placed above the right.. Marble female figure. Cycladic. 2700–2600 B.C.. Marble. Early Cycladic II. Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-female-figure-27002600-bc-cycladic-with-head-thrown-back-bent-at-the-hips-and-knees-a-long-trunk-with-legs-somewhat-separated-by-a-deep-groove-feet-pointing-out-she-holds-both-arms-across-her-chest-with-the-left-arm-placed-above-the-right-marble-female-figure-cycladic-27002600-bc-marble-early-cycladic-ii-stone-sculpture-image458590375.htmlRM2HJ2GKK–Marble female figure 2700–2600 B.C. Cycladic With head thrown back, bent at the hips and knees; a long trunk with legs somewhat separated by a deep groove; feet pointing out. She holds both arms across her chest, with the left arm placed above the right.. Marble female figure. Cycladic. 2700–2600 B.C.. Marble. Early Cycladic II. Stone Sculpture
Art inspired by Marble female figure, Early Cycladic II, 2600–2400 B.C., Cycladic, Marble, H. 24 3/4 in. (62.79 cm), Stone Sculpture, The recognition of distinct artistic personalities in Cycladic sculpture is based upon recurring systems of proportion and details of execution. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-female-figure-early-cycladic-ii-26002400-bc-cycladic-marble-h-24-34-in-6279-cm-stone-sculpture-the-recognition-of-distinct-artistic-personalities-in-cycladic-sculpture-is-based-upon-recurring-systems-of-proportion-and-details-of-execution-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790027.htmlRF2HTWWB7–Art inspired by Marble female figure, Early Cycladic II, 2600–2400 B.C., Cycladic, Marble, H. 24 3/4 in. (62.79 cm), Stone Sculpture, The recognition of distinct artistic personalities in Cycladic sculpture is based upon recurring systems of proportion and details of execution. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marble female figure 2300–2200 B.C. Cycladic The remains of an ancient repair are of special interest. The head had broken from the long thin neck. A channel was cut into the sides of the neck and the head and then filled with lead. This technique was an established means of joining pieces in the first millennium B.C. The repair thus may be contemporary with the piece or date from more than one thousand years later.. Marble female figure. Cycladic. 2300–2200 B.C.. Marble. Early Cycladic II. Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-female-figure-23002200-bc-cycladic-the-remains-of-an-ancient-repair-are-of-special-interest-the-head-had-broken-from-the-long-thin-neck-a-channel-was-cut-into-the-sides-of-the-neck-and-the-head-and-then-filled-with-lead-this-technique-was-an-established-means-of-joining-pieces-in-the-first-millennium-bc-the-repair-thus-may-be-contemporary-with-the-piece-or-date-from-more-than-one-thousand-years-later-marble-female-figure-cycladic-23002200-bc-marble-early-cycladic-ii-stone-sculpture-image458116199.htmlRM2HH8YTR–Marble female figure 2300–2200 B.C. Cycladic The remains of an ancient repair are of special interest. The head had broken from the long thin neck. A channel was cut into the sides of the neck and the head and then filled with lead. This technique was an established means of joining pieces in the first millennium B.C. The repair thus may be contemporary with the piece or date from more than one thousand years later.. Marble female figure. Cycladic. 2300–2200 B.C.. Marble. Early Cycladic II. Stone Sculpture
Cycladic Culture. Female figurine of the Spedos variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Dimensions: H: 35.5 cm. Object provenance from Naxos (?). The eyes, eyebrows, mouth and hair appear to have been modelled in low relief. Museum of Cycladic Art. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-culture-female-figurine-of-the-spedos-variety-early-cycladic-ii-syros-phase-2800-bc-2300-bc-marble-early-bronze-age-dimensions-h-355-cm-object-provenance-from-naxos-the-eyes-eyebrows-mouth-and-hair-appear-to-have-been-modelled-in-low-relief-museum-of-cycladic-art-athens-greece-image220341653.htmlRMPPDC0N–Cycladic Culture. Female figurine of the Spedos variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Dimensions: H: 35.5 cm. Object provenance from Naxos (?). The eyes, eyebrows, mouth and hair appear to have been modelled in low relief. Museum of Cycladic Art. Athens, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982486.htmlRMMPG6FJ–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
CYCLADIC ART. Female figurine of the canonical type attributed to the Naxos master. Spedos variety. Syros phase Early Bronze Age, Early Cycladic II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-art-female-figurine-of-the-canonical-type-attributed-to-the-naxos-master-spedos-variety-syros-phase-early-bronze-age-early-cycladic-ii-image609180887.htmlRM2XB2GC7–CYCLADIC ART. Female figurine of the canonical type attributed to the Naxos master. Spedos variety. Syros phase Early Bronze Age, Early Cycladic II
Zoomorphic (sheep) Kernos, Early Cycladic I Period, c3100-2800BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zoomorphic-sheep-kernos-early-cycladic-i-period-c3100-2800bc-artist-unknown-image186201042.htmlRMMPX596–Zoomorphic (sheep) Kernos, Early Cycladic I Period, c3100-2800BC. Artist: Unknown.
Marble seated harp player. Cycladic, late Early Cycladic 1 - Early Cycladic II, ca, 2800-2700 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-seated-harp-player-cycladic-late-early-cycladic-1-early-cycladic-image69739754.htmlRME1CWNE–Marble seated harp player. Cycladic, late Early Cycladic 1 - Early Cycladic II, ca, 2800-2700 BC.
Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-figurine-of-the-canonical-type-dokathismata-variety-early-cycladic-ii-period-ca-2400-bc-museum-of-cycladic-art-athens-greece-image435316195.htmlRF2G86A6Y–Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece.
Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. White background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-bronze-spearhead-early-cycladic-ii-2800-2300-bc-amorgos-national-archaeological-museum-athens-white-background-image337214164.htmlRF2AGHC30–Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. White background.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170289.htmlRMMTE9H5–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Ægean archæeology; an introduction to the archæeology of prehistoric Greece . to the islands and the mainland. Left to themselves the Melians had not been able,owing to greater poverty and lack of opportunity, tokeep up the impulse which had pushed their culture atfirst a little ahead of that of Crete. Their pottery ofthe later Early Cycladic period and the MiddleCycladic, corresponding in time to E.M.III-M.M.II,was, though characteristic, undistinguished, and ratherarchaic in comparison with that of Crete. There is stillan early character about it. Typical vases are big group-pots or kernoi ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gean-archeology-an-introduction-to-the-archeology-of-prehistoric-greece-to-the-islands-and-the-mainland-left-to-themselves-the-melians-had-not-been-ableowing-to-greater-poverty-and-lack-of-opportunity-tokeep-up-the-impulse-which-had-pushed-their-culture-atfirst-a-little-ahead-of-that-of-crete-their-pottery-ofthe-later-early-cycladic-period-and-the-middlecycladic-corresponding-in-time-to-emiii-mmiiwas-though-characteristic-undistinguished-and-ratherarchaic-in-comparison-with-that-of-crete-there-is-stillan-early-character-about-it-typical-vases-are-big-group-pots-or-kernoi-image338368839.htmlRM2AJE0WB–Ægean archæeology; an introduction to the archæeology of prehistoric Greece . to the islands and the mainland. Left to themselves the Melians had not been able,owing to greater poverty and lack of opportunity, tokeep up the impulse which had pushed their culture atfirst a little ahead of that of Crete. Their pottery ofthe later Early Cycladic period and the MiddleCycladic, corresponding in time to E.M.III-M.M.II,was, though characteristic, undistinguished, and ratherarchaic in comparison with that of Crete. There is stillan early character about it. Typical vases are big group-pots or kernoi (
Marble female figure Early Cycladic II 2700–2600 B.C. 37 cm Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-female-figure-early-cycladic-ii-27002600-bc-37-cm-greek-greece-50234679.htmlRMCWMARK–Marble female figure Early Cycladic II 2700–2600 B.C. 37 cm Greek Greece
Stylized idol of female figure. Arms folded across the chest. Spatula-shaped head with pronounced nose. Remains of painting. So-called Spedos type, which was common from 2700 to 2300 BC, sculpture, idol, marble, 20.8 cm, early Cycladic II 2700-2300 BC, Greece, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stylized-idol-of-female-figure-arms-folded-across-the-chest-spatula-shaped-head-with-pronounced-nose-remains-of-painting-so-called-spedos-type-which-was-common-from-2700-to-2300-bc-sculpture-idol-marble-208-cm-early-cycladic-ii-2700-2300-bc-greece-greece-image344529985.htmlRM2B0EKE9–Stylized idol of female figure. Arms folded across the chest. Spatula-shaped head with pronounced nose. Remains of painting. So-called Spedos type, which was common from 2700 to 2300 BC, sculpture, idol, marble, 20.8 cm, early Cycladic II 2700-2300 BC, Greece, Greece
Silver bowl, Early Cycladic I–II, ca. 3200–2200 B.C., Cycladic, Silver, diameter 8 1/16 in. (20.4 cm), Gold and Silver, The rim Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-silver-bowl-early-cycladic-iii-ca-32002200-bc-cycladic-silver-diameter-162538226.htmlRMKCC74J–Silver bowl, Early Cycladic I–II, ca. 3200–2200 B.C., Cycladic, Silver, diameter 8 1/16 in. (20.4 cm), Gold and Silver, The rim
Art inspired by Marble head from the figure of a woman, Early Cycladic II, 2700–2500 B.C., Cycladic, Marble, H. 9 15/16 in. (25.3 cm), Stone Sculpture, The traces of eyes, in extremely low relief, indicate that they originally were rendered with pigment. The painted marble weathered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-head-from-the-figure-of-a-woman-early-cycladic-ii-27002500-bc-cycladic-marble-h-9-1516-in-253-cm-stone-sculpture-the-traces-of-eyes-in-extremely-low-relief-indicate-that-they-originally-were-rendered-with-pigment-the-painted-marble-weathered-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462933699.htmlRF2HW4CJB–Art inspired by Marble head from the figure of a woman, Early Cycladic II, 2700–2500 B.C., Cycladic, Marble, H. 9 15/16 in. (25.3 cm), Stone Sculpture, The traces of eyes, in extremely low relief, indicate that they originally were rendered with pigment. The painted marble weathered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Silver bowl ca. 3200–2200 B.C. Cycladic With a band of linear decoration.. Silver bowl. Cycladic. ca. 3200–2200 B.C.. Silver. Early Cycladic I–II. Gold and Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-bowl-ca-32002200-bc-cycladic-with-a-band-of-linear-decoration-silver-bowl-cycladic-ca-32002200-bc-silver-early-cycladic-iii-gold-and-silver-image458098886.htmlRM2HH85PE–Silver bowl ca. 3200–2200 B.C. Cycladic With a band of linear decoration.. Silver bowl. Cycladic. ca. 3200–2200 B.C.. Silver. Early Cycladic I–II. Gold and Silver
Marble female figure. Culture: Cycladic. Dimensions: H. 24 3/4 in. (62.79 cm). Date: 2600-2400 B.C.. The recognition of distinct artistic personalities in Cycladic sculpture is based upon recurring systems of proportion and details of execution. The stylization of the human body that is elegant almost to the point of mannerism is characteristic of the Bastis Master. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-female-figure-culture-cycladic-dimensions-h-24-34-in-6279-cm-date-2600-2400-bc-the-recognition-of-distinct-artistic-personalities-in-cycladic-sculpture-is-based-upon-recurring-systems-of-proportion-and-details-of-execution-the-stylization-of-the-human-body-that-is-elegant-almost-to-the-point-of-mannerism-is-characteristic-of-the-bastis-master-museum-metropolitan-museum-of-art-new-york-usa-image213108922.htmlRMPAKXGX–Marble female figure. Culture: Cycladic. Dimensions: H. 24 3/4 in. (62.79 cm). Date: 2600-2400 B.C.. The recognition of distinct artistic personalities in Cycladic sculpture is based upon recurring systems of proportion and details of execution. The stylization of the human body that is elegant almost to the point of mannerism is characteristic of the Bastis Master. Museum: Metropolitan Museum of Art, New York, USA.
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982472.htmlRMMPG6F4–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
CYCLADIC ART. Female figurine of the canonical type attributed to the Naxos master. Spedos variety. Syros phase Early Bronze Age, Early Cycladic II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-art-female-figurine-of-the-canonical-type-attributed-to-the-naxos-master-spedos-variety-syros-phase-early-bronze-age-early-cycladic-ii-image609180885.htmlRM2XB2GC5–CYCLADIC ART. Female figurine of the canonical type attributed to the Naxos master. Spedos variety. Syros phase Early Bronze Age, Early Cycladic II
Cycladic figurine, Early Cycladic I Period, c3100-c2800BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-figurine-early-cycladic-i-period-c3100-c2800bc-artist-unknown-image186201119.htmlRMMPX5BY–Cycladic figurine, Early Cycladic I Period, c3100-c2800BC. Artist: Unknown.
Marble seated harp player. Cycladic, late Early Cycladic 1 - Early Cycladic II, ca, 2800-2700 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-seated-harp-player-cycladic-late-early-cycladic-1-early-cycladic-image69739755.htmlRME1CWNF–Marble seated harp player. Cycladic, late Early Cycladic 1 - Early Cycladic II, ca, 2800-2700 BC.
Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-figurine-of-the-canonical-type-dokathismata-variety-early-cycladic-ii-period-ca-2400-bc-museum-of-cycladic-art-athens-greece-image435316253.htmlRF2G86A91–Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece.
Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Gray background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-bronze-spearhead-early-cycladic-ii-2800-2300-bc-amorgos-national-archaeological-museum-athens-gray-background-image337214166.htmlRF2AGHC32–Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Gray background.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170218.htmlRMMTE9EJ–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Silver bowl ca. 3200–2200 B.C. Cycladic The rim is offset. Decorated on the outside with chevrons.. Silver bowl. Cycladic. ca. 3200–2200 B.C.. Silver. Early Cycladic I–II. Gold and Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-bowl-ca-32002200-bc-cycladic-the-rim-is-offset-decorated-on-the-outside-with-chevrons-silver-bowl-cycladic-ca-32002200-bc-silver-early-cycladic-iii-gold-and-silver-image458284688.htmlRM2HHGJP8–Silver bowl ca. 3200–2200 B.C. Cycladic The rim is offset. Decorated on the outside with chevrons.. Silver bowl. Cycladic. ca. 3200–2200 B.C.. Silver. Early Cycladic I–II. Gold and Silver
. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . 11,45 Fig. 70. Copper Weapons and Instruments from Mochlos (E. M. II) {^c)-Minoan Age that gold objects are more plentifully forthcoming fromthese tombs than silver, so frequent in contemporary Cycladic deposits.A cup and finger-ring of the latter metal were, however,- found at Mochlosand twosilver daggers, to be mentioned below, occurred at Kumasa. Triangular copper daggers now appear, often with an incurved base(Fig 70 II 45). As pointed out a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-palace-of-minos-a-comparative-account-of-the-successive-stages-of-the-early-cretan-civilization-as-illustrated-by-the-discoveries-at-knossos-1145-fig-70-copper-weapons-and-instruments-from-mochlos-e-m-ii-c-minoan-age-that-gold-objects-are-more-plentifully-forthcoming-fromthese-tombs-than-silver-so-frequent-in-contemporary-cycladic-depositsa-cup-and-finger-ring-of-the-latter-metal-were-however-found-at-mochlosand-twosilver-daggers-to-be-mentioned-below-occurred-at-kumasa-triangular-copper-daggers-now-appear-often-with-an-incurved-basefig-70-ii-45-as-pointed-out-a-image369837624.htmlRM2CDKFJG–. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . 11,45 Fig. 70. Copper Weapons and Instruments from Mochlos (E. M. II) {^c)-Minoan Age that gold objects are more plentifully forthcoming fromthese tombs than silver, so frequent in contemporary Cycladic deposits.A cup and finger-ring of the latter metal were, however,- found at Mochlosand twosilver daggers, to be mentioned below, occurred at Kumasa. Triangular copper daggers now appear, often with an incurved base(Fig 70 II 45). As pointed out a
Marble seated harp player Late Early Cycladic I–Early Cycladic II 2800–2700 B.C. Marble 29 cm Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-seated-harp-player-late-early-cycladic-iearly-cycladic-ii-28002700-50234662.htmlRMCWMAR2–Marble seated harp player Late Early Cycladic I–Early Cycladic II 2800–2700 B.C. Marble 29 cm Greek Greece
Silver bowl, Early Cycladic I–II, ca. 3200–2200 B.C., Cycladic, Silver, H. 2 1/4 in. (5.7 cm), Gold and Silver, With a band Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-silver-bowl-early-cycladic-iii-ca-32002200-bc-cycladic-silver-h-2-162536463.htmlRMKCC4WK–Silver bowl, Early Cycladic I–II, ca. 3200–2200 B.C., Cycladic, Silver, H. 2 1/4 in. (5.7 cm), Gold and Silver, With a band
Art inspired by Marble spouted bowl, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Marble, H. 3 5/8 in. (9.1 cm), Miscellaneous-Stone Vases, The artistry of Cycladic marble-workers is evident in the stone vases as well as in figures. This example is exceptional for the thinness of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-spouted-bowl-early-cycladic-ii-ca-27002200-bc-cycladic-marble-h-3-58-in-91-cm-miscellaneous-stone-vases-the-artistry-of-cycladic-marble-workers-is-evident-in-the-stone-vases-as-well-as-in-figures-this-example-is-exceptional-for-the-thinness-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790389.htmlRF2HTWWT5–Art inspired by Marble spouted bowl, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Marble, H. 3 5/8 in. (9.1 cm), Miscellaneous-Stone Vases, The artistry of Cycladic marble-workers is evident in the stone vases as well as in figures. This example is exceptional for the thinness of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marble leg from a statuette, Cycladic, Early Cycladic I or II, Date 3200–2200 B.C., Cycladic, Marble, H. 1 1/4 in. (3.2 cm), Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-leg-from-a-statuette-cycladic-early-cycladic-i-or-ii-date-32002200-bc-cycladic-marble-h-1-14-in-32-cm-stone-sculpture-image344587787.htmlRM2B0H96K–Marble leg from a statuette, Cycladic, Early Cycladic I or II, Date 3200–2200 B.C., Cycladic, Marble, H. 1 1/4 in. (3.2 cm), Stone Sculpture
Art inspired by Marble female figure, Early Cycladic II, 2300–2200 B.C., Cycladic, Marble, H. 10 3/4 in. (27.3 cm), Stone Sculpture, The remains of an ancient repair are of special interest. The head had broken from the long thin neck. A channel was cut into the sides of the neck and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-female-figure-early-cycladic-ii-23002200-bc-cycladic-marble-h-10-34-in-273-cm-stone-sculpture-the-remains-of-an-ancient-repair-are-of-special-interest-the-head-had-broken-from-the-long-thin-neck-a-channel-was-cut-into-the-sides-of-the-neck-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790126.htmlRF2HTWWEP–Art inspired by Marble female figure, Early Cycladic II, 2300–2200 B.C., Cycladic, Marble, H. 10 3/4 in. (27.3 cm), Stone Sculpture, The remains of an ancient repair are of special interest. The head had broken from the long thin neck. A channel was cut into the sides of the neck and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982478.htmlRMMPG6FA–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
Art inspired by Obsidian blade, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Obsidian, 3/8 × 3 1/16 × 1/8 in. (1 × 7.7 × 0.3 cm), Miscellaneous-Stone, A small blade; the lower surface is straight, the upper surface rises to a flattened ridge at top, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-obsidian-blade-early-cycladic-ii-ca-27002200-bc-cycladic-obsidian-38-3-116-18-in-1-77-03-cm-miscellaneous-stone-a-small-blade-the-lower-surface-is-straight-the-upper-surface-rises-to-a-flattened-ridge-at-top-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462863713.htmlRF2HW17AW–Art inspired by Obsidian blade, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Obsidian, 3/8 × 3 1/16 × 1/8 in. (1 × 7.7 × 0.3 cm), Miscellaneous-Stone, A small blade; the lower surface is straight, the upper surface rises to a flattened ridge at top, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
CYCLADIC ART, The cup bearer, figurine of the canonical type, Syros phase. Early Bronze Age, early Cycladic II period. 2800-2300 BC Syros, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-art-the-cup-bearer-figurine-of-the-canonical-type-syros-phase-early-bronze-age-early-cycladic-ii-period-2800-2300-bc-syros-greece-image609180876.htmlRM2XB2GBT–CYCLADIC ART, The cup bearer, figurine of the canonical type, Syros phase. Early Bronze Age, early Cycladic II period. 2800-2300 BC Syros, Greece.
Art inspired by Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous-Stone Vases, Handmade bowls such as this were among the most popular stone vessels in the Early Cycladic II period. Many examples with known, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-bowl-early-cycladic-ii-ca-27002400-bc-cycladic-marble-overall-2-14-x-5-34-in-57-x-146-cm-miscellaneous-stone-vases-handmade-bowls-such-as-this-were-among-the-most-popular-stone-vessels-in-the-early-cycladic-ii-period-many-examples-with-known-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790592.htmlRF2HTWX3C–Art inspired by Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous-Stone Vases, Handmade bowls such as this were among the most popular stone vessels in the Early Cycladic II period. Many examples with known, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Upper part of a marble female figure. Cycladic, Early Cycladic II. Chalandriani type, ca. 2300-2200 B.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/upper-part-of-a-marble-female-figure-cycladic-early-cycladic-ii-chalandriani-image69820422.htmlRME1GGJE–Upper part of a marble female figure. Cycladic, Early Cycladic II. Chalandriani type, ca. 2300-2200 B.C.
Art inspired by Marble seated harp player, Late Early Cycladic I–Early Cycladic II, 2800–2700 B.C., Cycladic, Marble, H. with harp 11 1/2 in. (29.21 cm), Stone, A male figure playing a stringed instrument sits on a high-backed chair. This work is one of the earliest of the small number, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marble-seated-harp-player-late-early-cycladic-iearly-cycladic-ii-28002700-bc-cycladic-marble-h-with-harp-11-12-in-2921-cm-stone-a-male-figure-playing-a-stringed-instrument-sits-on-a-high-backed-chair-this-work-is-one-of-the-earliest-of-the-small-number-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789662.htmlRF2HTWTX6–Art inspired by Marble seated harp player, Late Early Cycladic I–Early Cycladic II, 2800–2700 B.C., Cycladic, Marble, H. with harp 11 1/2 in. (29.21 cm), Stone, A male figure playing a stringed instrument sits on a high-backed chair. This work is one of the earliest of the small number, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Grey background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-bronze-spearhead-early-cycladic-ii-2800-2300-bc-amorgos-national-archaeological-museum-athens-grey-background-image337214159.htmlRF2AGHC2R–Cycladic bronze spearhead. Early Cycladic II (2800-2300 BC) , Amorgos. National Archaeological Museum Athens. Grey background.
Art inspired by Silver bowl, Early Cycladic I–II, ca. 3200–2200 B.C., Cycladic, Silver, H. 2 1/4 in. (5.7 cm), Gold and Silver, With a band of linear decoration, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-silver-bowl-early-cycladic-iii-ca-32002200-bc-cycladic-silver-h-2-14-in-57-cm-gold-and-silver-with-a-band-of-linear-decoration-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789607.htmlRF2HTWTT7–Art inspired by Silver bowl, Early Cycladic I–II, ca. 3200–2200 B.C., Cycladic, Silver, H. 2 1/4 in. (5.7 cm), Gold and Silver, With a band of linear decoration, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Head of a Cycladic figurine, EC II-III (if original), 2700-2300 BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-cycladic-figurine-ec-ii-iii-if-original-2700-2300-bc-artist-unknown-image186200977.htmlRMMPX56W–Head of a Cycladic figurine, EC II-III (if original), 2700-2300 BC. Artist: Unknown.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170238.htmlRMMTE9FA–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Shell pestle/polisher. Culture: Cycladic. Dimensions: 3/4 × 7/16 in. (2 × 1.1 cm). Date: ca. 2700-2400 B.C.. Small pestle or polisher carved from a piece of shell. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shell-pestlepolisher-culture-cycladic-dimensions-34-716-in-2-11-cm-date-ca-2700-2400-bc-small-pestle-or-polisher-carved-from-a-piece-of-shell-museum-metropolitan-museum-of-art-new-york-usa-image213083266.htmlRMPAJNTJ–Shell pestle/polisher. Culture: Cycladic. Dimensions: 3/4 × 7/16 in. (2 × 1.1 cm). Date: ca. 2700-2400 B.C.. Small pestle or polisher carved from a piece of shell. Museum: Metropolitan Museum of Art, New York, USA.
Marble head from the figure of a woman, 2700–2500 B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marble-head-from-the-figure-of-a-woman-27002500-bc-162432642.htmlRMKC7CDP–Marble head from the figure of a woman, 2700–2500 B.C
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982462.htmlRMMPG6EP–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
CYCLADIC ART, The cup bearer, figurine of the canonical type, Syros phase. Early Bronze Age, early Cycladic II period. 2800-2300 BC Syros, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-art-the-cup-bearer-figurine-of-the-canonical-type-syros-phase-early-bronze-age-early-cycladic-ii-period-2800-2300-bc-syros-greece-image609180877.htmlRM2XB2GBW–CYCLADIC ART, The cup bearer, figurine of the canonical type, Syros phase. Early Bronze Age, early Cycladic II period. 2800-2300 BC Syros, Greece.
Marble head from the figure of a woman. Cycladic, Early Cycladic II, early Spedos type, ca. 2700-2500 B.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-head-from-the-figure-of-a-woman-cycladic-early-cycladic-ii-image69820471.htmlRME1GGM7–Marble head from the figure of a woman. Cycladic, Early Cycladic II, early Spedos type, ca. 2700-2500 B.C.
The harpist of Keros of parian marble. Sealed in an elegant throne, holds a stringed instrument, a lute or a harp. Musicians are mainly harpists and rarely play wind instruments. Elaborate three-dimensional statuettes were carved in organised workshops equipped with bronze tools. Numerous artefacts of ritual significance (marble figurines and vessels) have been found on the island of Keros. The flutist and the harpist are thought to come from the same grave on Keros. Early Cycladic II. 2800-2900 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-harpist-of-keros-of-parian-marble-sealed-in-an-elegant-throne-57428847.htmlRMD9C327–The harpist of Keros of parian marble. Sealed in an elegant throne, holds a stringed instrument, a lute or a harp. Musicians are mainly harpists and rarely play wind instruments. Elaborate three-dimensional statuettes were carved in organised workshops equipped with bronze tools. Numerous artefacts of ritual significance (marble figurines and vessels) have been found on the island of Keros. The flutist and the harpist are thought to come from the same grave on Keros. Early Cycladic II. 2800-2900 BC.
Cycladic bronze dagger. Early Cycladic II (2800-2300 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 9337 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-bronze-dagger-early-cycladic-ii-2800-2300-bc-phylakopi-melos-national-archaeological-museum-athens-cat-no-9337-image337214065.htmlRF2AGHBYD–Cycladic bronze dagger. Early Cycladic II (2800-2300 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 9337
