L 125 cm hi-res stock photography and images

Rapier, c. 1610/30, German, probably Solingen, Solingen, Steel, silver, and wood, Overall L. 125 cm (49 1/4 in Stock Photo

RM2A2K9A1–Rapier, c. 1610/30, German, probably Solingen, Solingen, Steel, silver, and wood, Overall L. 125 cm (49 1/4 in

Art inspired by Chasuble, 16th century, French, Canvas, silk and metal thread, L. 49 1/2 in. (125.7 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW90D–Art inspired by Chasuble, 16th century, French, Canvas, silk and metal thread, L. 49 1/2 in. (125.7 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragment van een tafellaken van linnendamast met voorstelling geschiedenis van Susanna rand met muzikanten en vrouwen Op paneel. Manufacturer : Plaats manufacture: Zuidelijke Nederlanden Dating: ca. 1531 - ca. 1540 Material: linnen Techniek: damast Dimensions: l 125 cm. × b 124,2 cm. paneel: h 135 cm. × b 126 cm. × d 1 cm. Stock Photo

RM2B6N9PJ–Fragment van een tafellaken van linnendamast met voorstelling geschiedenis van Susanna rand met muzikanten en vrouwen Op paneel. Manufacturer : Plaats manufacture: Zuidelijke Nederlanden Dating: ca. 1531 - ca. 1540 Material: linnen Techniek: damast Dimensions: l 125 cm. × b 124,2 cm. paneel: h 135 cm. × b 126 cm. × d 1 cm.

Percussion Target Rifle. Culture: American, New Bedford, Massachusetts. Dimensions: L. 49 1/4 in. (125.1 cm). Gunsmith: Julius Grudchos (American, active ca. 1856-1860); Selmar Eggers (American, active ca. 1856-1860). Date: ca. 1855-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB67WF–Percussion Target Rifle. Culture: American, New Bedford, Massachusetts. Dimensions: L. 49 1/4 in. (125.1 cm). Gunsmith: Julius Grudchos (American, active ca. 1856-1860); Selmar Eggers (American, active ca. 1856-1860). Date: ca. 1855-60. Museum: Metropolitan Museum of Art, New York, USA.

Deutsch: An der Oberalster. Öl auf Leinwand, 32 x 35 cm, l. u. stempelsign. Friedrichs. before 1928 125 Fritz Friedrichs An der Oberalster Stock Photo

RMP75WKN–Deutsch: An der Oberalster. Öl auf Leinwand, 32 x 35 cm, l. u. stempelsign. Friedrichs. before 1928 125 Fritz Friedrichs An der Oberalster

Knife (possibly Scotland); agate, silver, steel; cm: L: 21.1 x W:2 (8 5/16 x 13/16 in.); The Robert L. Metzenberg Collection, gift of Eleanor L. Metzenberg; 1985-103-125 Stock Photo

RM2PMDW4D–Knife (possibly Scotland); agate, silver, steel; cm: L: 21.1 x W:2 (8 5/16 x 13/16 in.); The Robert L. Metzenberg Collection, gift of Eleanor L. Metzenberg; 1985-103-125

Poelzig Hans (1869-1936), Castle and Parish Church Oels. Conversion (1903-1905): Longitudinal section W-O 1: 125. Ink on transparent, 37 x 65.2 cm (including scan edges) Stock Photo

RM2JMM597–Poelzig Hans (1869-1936), Castle and Parish Church Oels. Conversion (1903-1905): Longitudinal section W-O 1: 125. Ink on transparent, 37 x 65.2 cm (including scan edges)

Bottle MET SF83 7 125 186397 possibly Spanish, Bottle, 18th century, Glass, H. 6 5/8 in. (16.8 cm); L. 9 1/2 in. (24.1 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.125) Stock Photo

RMKNAKNF–Bottle MET SF83 7 125 186397 possibly Spanish, Bottle, 18th century, Glass, H. 6 5/8 in. (16.8 cm); L. 9 1/2 in. (24.1 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.125)

. Dansk botanisk arkiv. Plants; Plants -- Denmark. 272 Dansk Botanisk Arkiv, Bd. 3. Nr. 1. The plant forms small low tufts about 1—l'/g cm high; it was found near the surface of the sea, where is was constantly- washed by the waves. It has four pericentral cells (Fig. 267 6). The base consists of creeping decumbent filaments fastened to the substratum by means of rhizoids breaking out from the lowermost cells in the fila- ment, sometimes two from the same cell (Fig. 267 a). The thicker basal cells are about 150^«, sometimes up to 200/^ thick and the length of the cells about 125//; but these f Stock Photo

RMPFGKJ3–. Dansk botanisk arkiv. Plants; Plants -- Denmark. 272 Dansk Botanisk Arkiv, Bd. 3. Nr. 1. The plant forms small low tufts about 1—l'/g cm high; it was found near the surface of the sea, where is was constantly- washed by the waves. It has four pericentral cells (Fig. 267 6). The base consists of creeping decumbent filaments fastened to the substratum by means of rhizoids breaking out from the lowermost cells in the fila- ment, sometimes two from the same cell (Fig. 267 a). The thicker basal cells are about 150^«, sometimes up to 200/^ thick and the length of the cells about 125//; but these f

Archive image from page 94 of Die Säugthiere Deutsch-Ost-Afrikas (1895). Die Säugthiere Deutsch-Ost-Afrikas diesugthierede00mats Year: 1895 - 63 - 125. Lycaon pictiis reniiii. — Hyänenhund. Temminck, Ann. gener. des Scienc. phys. III. 1821, p. 54. Ä* -'' Fig. 33. Lycaon pictus. L. 95; c. 40 cm. Schwarzweiss, ockergelb und grau gescheckt; Schnauze und ein Feld auf dem Schwänze hinter der ockerfarbigen Schwanzwurzel, zu- weilen auch ein schmaler Stirnstreif schwarz. .Schwanzspitze w'eiss. Ugogo (Speke); Unyanyembe (Burton); Muhonera am Kingani (Burton); Ugalla-Fluss in Ugunda (Böhm). Kisua Stock Photo

RMT3WN39–Archive image from page 94 of Die Säugthiere Deutsch-Ost-Afrikas (1895). Die Säugthiere Deutsch-Ost-Afrikas diesugthierede00mats Year: 1895 - 63 - 125. Lycaon pictiis reniiii. — Hyänenhund. Temminck, Ann. gener. des Scienc. phys. III. 1821, p. 54. Ä* -'' Fig. 33. Lycaon pictus. L. 95; c. 40 cm. Schwarzweiss, ockergelb und grau gescheckt; Schnauze und ein Feld auf dem Schwänze hinter der ockerfarbigen Schwanzwurzel, zu- weilen auch ein schmaler Stirnstreif schwarz. .Schwanzspitze w'eiss. Ugogo (Speke); Unyanyembe (Burton); Muhonera am Kingani (Burton); Ugalla-Fluss in Ugunda (Böhm). Kisua

Curtain of the Lit à la Polonaise, Curtain of silk damask of the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm Stock Photo

RMW54T6A–Curtain of the Lit à la Polonaise, Curtain of silk damask of the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm

Art inspired by Shroud, Roman Period, ca. A.D. 125, From Egypt, Linen, paint, L 160 × W. 101.4 cm (63 × 39 15/16 in.), Viewed vertically this shroud has an architectural structure with a frieze of uraeus-cobras and a winged sun disk across the top, and registers of scenes down either, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0NHM–Art inspired by Shroud, Roman Period, ca. A.D. 125, From Egypt, Linen, paint, L 160 × W. 101.4 cm (63 × 39 15/16 in.), Viewed vertically this shroud has an architectural structure with a frieze of uraeus-cobras and a winged sun disk across the top, and registers of scenes down either, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fichu of pelerine van naaldkant Fichu of pelerine van naaldkant met afgeronde rug. Het patroon heeft op de midden-achteras een bloemtak in een cartouche van C-voluten. Daar omheen C-voluten en bloemslingers. De halsdoek is afgezet met een rand die is versierd met golvende banen die over de breedte van de rand lopen; deze zijn gevuld met siersteken. De rand is geschulpt en afgezet met picots. Manufacturer : vervaardiger: anoniemPlaats manufacture: Frankrijk Dating: ca. 1750 - ca. 1775 Material: kant (materiaal) Techniek: Alençon-kant / festonsteek Dimensions: l 125 cm. × b 46 cm. Stock Photo

RM2B6MCRB–Fichu of pelerine van naaldkant Fichu of pelerine van naaldkant met afgeronde rug. Het patroon heeft op de midden-achteras een bloemtak in een cartouche van C-voluten. Daar omheen C-voluten en bloemslingers. De halsdoek is afgezet met een rand die is versierd met golvende banen die over de breedte van de rand lopen; deze zijn gevuld met siersteken. De rand is geschulpt en afgezet met picots. Manufacturer : vervaardiger: anoniemPlaats manufacture: Frankrijk Dating: ca. 1750 - ca. 1775 Material: kant (materiaal) Techniek: Alençon-kant / festonsteek Dimensions: l 125 cm. × b 46 cm.

Sheet, linen mark, medium spin, medium weave. Dimensions: L. 492 cm (193 11/16 in); w. 125 cm (49 3/16 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA94KM–Sheet, linen mark, medium spin, medium weave. Dimensions: L. 492 cm (193 11/16 in); w. 125 cm (49 3/16 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Comtesse d’Yanville and Her Four Children *pastel *135.1 x 125.73 cm *signed b.l.: JJ Tissot *circa 1895 374 Comtesse d’Yanville and Her Four Children, by James Tissot Stock Photo

RMP5GWD4–Comtesse d’Yanville and Her Four Children *pastel *135.1 x 125.73 cm *signed b.l.: JJ Tissot *circa 1895 374 Comtesse d’Yanville and Her Four Children, by James Tissot

L'illustration : journal universel . d« Cûrpert nv/CM.Ov. Quand il Joue à la bjUle. Il ponMt une Irlui Jeet une fliade incomparables. LILLUSTRATION, JOLRN.L UNIVERSEL. 125 -f=ss^^?^. Stock Photo

RM2AWE561–L'illustration : journal universel . d« Cûrpert nv/CM.Ov. Quand il Joue à la bjUle. Il ponMt une Irlui Jeet une fliade incomparables. LILLUSTRATION, JOLRN.L UNIVERSEL. 125 -f=ss^^?^.

Poelzig Hans (1869-1936), Castle and Parish Church Oels. Conversion (1903-1905): Longitudinal section W-O 1: 125 (from Inv.No. 2510). Light break on paper, 41 x 66.2 cm (including scan edges) Stock Photo

RM2JMM59B–Poelzig Hans (1869-1936), Castle and Parish Church Oels. Conversion (1903-1905): Longitudinal section W-O 1: 125 (from Inv.No. 2510). Light break on paper, 41 x 66.2 cm (including scan edges)

Armchair MET 208579 170 American, Armchair, 1750?75, Hickory, pine, 38 1/4 x 25 1/2 x 15 in. (97.2 x 64.8 x 38.1 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.666 L) Stock Photo

RMKN4PN3–Armchair MET 208579 170 American, Armchair, 1750?75, Hickory, pine, 38 1/4 x 25 1/2 x 15 in. (97.2 x 64.8 x 38.1 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.666 L)

Curtain of the Lit à la Polonaise, Curtain of silk damask from the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm Stock Photo

RMW54T67–Curtain of the Lit à la Polonaise, Curtain of silk damask from the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm

Art inspired by Rapier, ca. 1650, Brescia, Italian, Brescia, Steel, wood, L. 57 1/8 in. (145.1 cm); L. of blade 49 1/2 in. (125.7 cm); W. 5 in. (12.7 cm); D. 4 3/4 in. (12.1 cm); Wt. 1 lb. 12 oz. (793.8 g), Swords, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2YGM–Art inspired by Rapier, ca. 1650, Brescia, Italian, Brescia, Steel, wood, L. 57 1/8 in. (145.1 cm); L. of blade 49 1/2 in. (125.7 cm); W. 5 in. (12.7 cm); D. 4 3/4 in. (12.1 cm); Wt. 1 lb. 12 oz. (793.8 g), Swords, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Doek Carpets Doek met amoeboiden. Manufacturer : wever: anoniemPlaats manufacture: Sumatra Dating: 1900 - 1999 Physical kenmerken: geweven katoen en zijde met spiegeltjes Material: katoen zijde Techniek: weven Dimensions: l 134 cm. × b 125 cm. Stock Photo

RM2B6JWWY–Doek Carpets Doek met amoeboiden. Manufacturer : wever: anoniemPlaats manufacture: Sumatra Dating: 1900 - 1999 Physical kenmerken: geweven katoen en zijde met spiegeltjes Material: katoen zijde Techniek: weven Dimensions: l 134 cm. × b 125 cm.

Shroud of Ahmose Penhet, Son of Ahhotep. Dimensions: l. 106 cm (41 3/4 in); w. 125 cm (49 3/16 in) framed: l. 42.9 cm (16 7/8 in); w. 36.2 cm (14 1/4 in). Dynasty: Dynasty 17-18. Date: ca. 1580-1479 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0P01–Shroud of Ahmose Penhet, Son of Ahhotep. Dimensions: l. 106 cm (41 3/4 in); w. 125 cm (49 3/16 in) framed: l. 42.9 cm (16 7/8 in); w. 36.2 cm (14 1/4 in). Dynasty: Dynasty 17-18. Date: ca. 1580-1479 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

. English: Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) oil on canvas 125.5 x 100 cm each signed c.l. on her portrait: J.R. Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) Henry Peckwell (1746-1787) (cropped) Stock Photo

RMMMJ3WY–. English: Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) oil on canvas 125.5 x 100 cm each signed c.l. on her portrait: J.R. Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) Henry Peckwell (1746-1787) (cropped)

L'illustration : journal universel . ^ox eml.Vino.Ç^T^. nuit, Itmps oii Fm trra,R.G.Élude du loir — Quand il ne sait comment puwrle temps, il repasse son canif, et loujoun avec im nou-veau plaisir.. d« Cûrpert nv/CM.Ov. Quand il Joue à la bjUle. Il ponMt une Irlui Jeet une fliade incomparables. LILLUSTRATION, JOLRN.L UNIVERSEL. 125 -f=ss^^?^ Stock Photo

RM2AWE5G9–L'illustration : journal universel . ^ox eml.Vino.Ç^T^. nuit, Itmps oii Fm trra,R.G.Élude du loir — Quand il ne sait comment puwrle temps, il repasse son canif, et loujoun avec im nou-veau plaisir.. d« Cûrpert nv/CM.Ov. Quand il Joue à la bjUle. Il ponMt une Irlui Jeet une fliade incomparables. LILLUSTRATION, JOLRN.L UNIVERSEL. 125 -f=ss^^?^

Armchair MET 208547 170 American, Armchair, 1750?75, Hickory, pine, 38 1/4 x 25 1/2 x 15 in. (97.2 x 64.8 x 38.1 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.666 L) Stock Photo

RMKNDFDJ–Armchair MET 208547 170 American, Armchair, 1750?75, Hickory, pine, 38 1/4 x 25 1/2 x 15 in. (97.2 x 64.8 x 38.1 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.666 L)

Lit à la Polonaise curtain, Silk damask curtain from the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm Stock Photo

RMW54T5Y–Lit à la Polonaise curtain, Silk damask curtain from the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm

Rapier, c. 1610/30, German, probably Solingen, Solingen, Steel, silver, and wood, Overall L. 125 cm (49 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8YHF7–Rapier, c. 1610/30, German, probably Solingen, Solingen, Steel, silver, and wood, Overall L. 125 cm (49 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RM2B6N9MJ–Fragment van een tafellaken van linnendamast met voorstelling geschiedenis van Susanna rand met muzikanten en vrouwen Op paneel. Manufacturer : Plaats manufacture: Zuidelijke Nederlanden Dating: ca. 1531 - ca. 1540 Material: linnen Techniek: damast Dimensions: l 123,9 cm. × b 125,8 cm. paneel: h 135 cm. × b 126 cm. × d 1 cm.

Jeweled Snuffbox. Culture: German, Berlin. Dimensions: H. 6 cm, L. 10 cm, D. 8.8 cm. Date: ca. 1765. Elaborately jeweled in multi-colored floral motifs, this snuffbox was probably commissioned by Frederick II of Prussia (1712-87), along with a group of 125 works of similar design known as the 'Potsdam boxes.' This is the only glass-bodied piece. The design of all of the boxes have been attributed to the English-born artist Guillaume George Krüger, who was active in Berlin between 1753 and 1774. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATM14–Jeweled Snuffbox. Culture: German, Berlin. Dimensions: H. 6 cm, L. 10 cm, D. 8.8 cm. Date: ca. 1765. Elaborately jeweled in multi-colored floral motifs, this snuffbox was probably commissioned by Frederick II of Prussia (1712-87), along with a group of 125 works of similar design known as the 'Potsdam boxes.' This is the only glass-bodied piece. The design of all of the boxes have been attributed to the English-born artist Guillaume George Krüger, who was active in Berlin between 1753 and 1774. Museum: Metropolitan Museum of Art, New York, USA.

RMMMJ3X0–. English: Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) oil on canvas 125.5 x 100 cm each signed c.l. on her portrait: J.R. Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) Henry Peckwell (1746-1787) and his wife Isabella Blosset (d 1816) by Johm Russell

Southern field crops (exclusive of forage plants) . -^ -3 SO 124 SOUTTJERN FIELD CROPS. aQ &o OJ ^ O o > ° S L.,D .2 C? ^ o Cm •5 s cony VARIETIES 125 Among the early-maturing varieties, but not extremely earlyand better suited to the South than most early varieties, arethe following : — Hickory King St. Charles Blount Prolific Cooke (some strains) ^Mexican June corn is in a class bj itself. It is chieflyvalualjle because of its strong root and leaf systems and itsnotable endurance of the heat and drought of late summer.The stalk grows to immense size, usuallj- 11 to 1.5 feet.The stem is of Stock Photo

RM2AKFEC3–Southern field crops (exclusive of forage plants) . -^ -3 SO 124 SOUTTJERN FIELD CROPS. aQ &o OJ ^ O o > ° S L.,D .2 C? ^ o Cm •5 s cony VARIETIES 125 Among the early-maturing varieties, but not extremely earlyand better suited to the South than most early varieties, arethe following : — Hickory King St. Charles Blount Prolific Cooke (some strains) ^Mexican June corn is in a class bj itself. It is chieflyvalualjle because of its strong root and leaf systems and itsnotable endurance of the heat and drought of late summer.The stalk grows to immense size, usuallj- 11 to 1.5 feet.The stem is of

Iron support for the sky of the Lit à la Polonaise, Four iron S-shaped supports for the sky, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm Stock Photo

RMW54T64–Iron support for the sky of the Lit à la Polonaise, Four iron S-shaped supports for the sky, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm

Art inspired by Ladle, 1745–1760, Made in Boston, Massachusetts, United States, American, Silver, Overall: L. 15 1/2 in. (39.4 cm); 4 oz. (125.1 g), Silver, Samuel Edwards (1705–1762, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW26R4–Art inspired by Ladle, 1745–1760, Made in Boston, Massachusetts, United States, American, Silver, Overall: L. 15 1/2 in. (39.4 cm); 4 oz. (125.1 g), Silver, Samuel Edwards (1705–1762, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2B6N9MX–Fragment van een tafellaken van linnendamast met voorstelling geschiedenis van Susanna rand met muzikanten en vrouwen Op paneel. Manufacturer : Plaats manufacture: Zuidelijke Nederlanden Dating: ca. 1531 - ca. 1540 Material: linnen Techniek: damast Dimensions: l 123,5 cm. × b 125,1 cm. paneel: h 135 cm. × b 126 cm. × d 1 cm.

Rapier with Scabbard. Culture: French or Italian. Dimensions: L. 49 1/4 in. (125.1 cm); W. 8 3/4 in. (22.2 cm); Wt. of scabbard 7.5 oz. (212.6 g). Goldsmith: Decoration attributed to Gasparo Mola (Italian, Coldre ca. 1580-1640 Rome). Date: ca. 1620-30. The hilt decoration includes the coat of arms of the Albani family, possibly Orazio Albani (1576-1653), ambassador from Urbino to the papal court. While clearly influenced by French ornament, the decoration has been attributed to Gasparo Mola (1567-1640), a medalist and goldsmith working in Rome between about 1620 and 1630. Museum: Metropolitan Stock Photo

RMPB0FTG–Rapier with Scabbard. Culture: French or Italian. Dimensions: L. 49 1/4 in. (125.1 cm); W. 8 3/4 in. (22.2 cm); Wt. of scabbard 7.5 oz. (212.6 g). Goldsmith: Decoration attributed to Gasparo Mola (Italian, Coldre ca. 1580-1640 Rome). Date: ca. 1620-30. The hilt decoration includes the coat of arms of the Albani family, possibly Orazio Albani (1576-1653), ambassador from Urbino to the papal court. While clearly influenced by French ornament, the decoration has been attributed to Gasparo Mola (1567-1640), a medalist and goldsmith working in Rome between about 1620 and 1630. Museum: Metropolitan

Título: RETRATO DE SOROR JOANNA ANGÉLICA Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-157-175-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Soror Joanna Angélica, Acervo do Museu Paulista da USP Stock Photo

RMP8RRAP–Título: RETRATO DE SOROR JOANNA ANGÉLICA Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-157-175-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Soror Joanna Angélica, Acervo do Museu Paulista da USP

Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . 35 519 263 580 e (9-686 137 301 168 369 197 43 4 225 497 252 556 66 21-326 131 289 161 354 189 41 7 216 477 242 534 1 22-966 125 275 153 337 180 397 206 454 230 508 76 24606 119 263 147 323 172 373 196 433 220 485 a 26247 114 250 139 307 164 360 187 413 210 462 8-6 27887 108 238 133 292 156 344 178 393 200 440 l s? Allowed stresses in Kilos per sf cm.factor of Safety 8. a- diam. in metres.L- length in metres. ^ * Stock Photo

RM2AM580D–Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . 35 519 263 580 e (9-686 137 301 168 369 197 43 4 225 497 252 556 66 21-326 131 289 161 354 189 41 7 216 477 242 534 1 22-966 125 275 153 337 180 397 206 454 230 508 76 24606 119 263 147 323 172 373 196 433 220 485 a 26247 114 250 139 307 164 360 187 413 210 462 8-6 27887 108 238 133 292 156 344 178 393 200 440 l s? Allowed stresses in Kilos per sf cm.factor of Safety 8. a- diam. in metres.L- length in metres. ^ *

Lining fragments of Lit à la Polonaise, In box four fragments of silk damask of the covering / fall of the bed, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm Stock Photo

RMW54T68–Lining fragments of Lit à la Polonaise, In box four fragments of silk damask of the covering / fall of the bed, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm

Art inspired by Carpet, 18th century, Attributed to Azerbaijan, Kuba, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 125 1/8 in. (317.8 cm), Textiles-Rugs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY8F0–Art inspired by Carpet, 18th century, Attributed to Azerbaijan, Kuba, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 125 1/8 in. (317.8 cm), Textiles-Rugs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2B6N9P4–Fragment van een tafellaken van linnendamast met voorstelling geschiedenis van Susanna rand met muzikanten en vrouwen Op paneel. Manufacturer : Plaats manufacture: Zuidelijke Nederlanden Dating: ca. 1531 - ca. 1540 Material: linnen Techniek: damast Dimensions: l 124,5 cm. × b 125,6 cm. paneel: h 135 cm. × b 126 cm. × d 1 cm.

Hunting Sword. Culture: Austrian, Hall. Dimensions: L. 49 1/2 in. (125.7 cm); L. of blade 40 in. (101.6 cm); W. of blade 1 7/16 in. (3.6 cm); Wt. 3 ls. 9 oz. (1615.9 g). Sword maker: Attributed to Hans Sumersperger (Austrian, Hall, active 1492-1498). Date: ca. 1500. Designed as a defense against large game, such as bear and boar, swords of this type were also worn as civilian sidearms. This example is related in form and decoration to two hunting swords made for Emperor Maximilian I by Hans Sumersperger and therefore may have been intended for a member of the imperial court. Museum: Metropoli Stock Photo

RMPANTAN–Hunting Sword. Culture: Austrian, Hall. Dimensions: L. 49 1/2 in. (125.7 cm); L. of blade 40 in. (101.6 cm); W. of blade 1 7/16 in. (3.6 cm); Wt. 3 ls. 9 oz. (1615.9 g). Sword maker: Attributed to Hans Sumersperger (Austrian, Hall, active 1492-1498). Date: ca. 1500. Designed as a defense against large game, such as bear and boar, swords of this type were also worn as civilian sidearms. This example is related in form and decoration to two hunting swords made for Emperor Maximilian I by Hans Sumersperger and therefore may have been intended for a member of the imperial court. Museum: Metropoli

Título: RETRATO DE ANTÔNIO PEREIRA REBOUÇAS Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-150-250-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Antônio Pereira Rebouças, Acervo do Museu Paulista da USP Stock Photo

RMP8RRAX–Título: RETRATO DE ANTÔNIO PEREIRA REBOUÇAS Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-150-250-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Antônio Pereira Rebouças, Acervo do Museu Paulista da USP

The Boston Musical Education Society's collection of church music : consisting of original psalm and hymn tunes, select pieces, chants, &c.; including compositions adapted to the service of the Protestant Episcopal Church . 124 52 f GIMEL, CM, 1 1— : J- o 0 r— - 1 J —p — —I© ]S>— f -* <&**-! =t=f i F 4 -f f—8—J^^F-^p See! the bright i j! -ei- ° mon - - arch lj -Jl of the T—1 1— day In —1 h- i i o - - - cean dips his beams, 1 f 1J 1 i t—s* si— P P «t L 4—^ pi T | P r*-p—^—i 4- T— 1 1 1 ^7 —ffi <s ?— —si o1 si H 1 tf=BS 63 P LOWELL. CM, 8. P. STEVENS. 125 m Lift up to God the voice of Stock Photo

RM2AX8CGG–The Boston Musical Education Society's collection of church music : consisting of original psalm and hymn tunes, select pieces, chants, &c.; including compositions adapted to the service of the Protestant Episcopal Church . 124 52 f GIMEL, CM, 1 1— : J- o 0 r— - 1 J —p — —I© ]S>— f -* <&**-! =t=f i F 4 -f f—8—J^^F-^p See! the bright i j! -ei- ° mon - - arch lj -Jl of the T—1 1— day In —1 h- i i o - - - cean dips his beams, 1 f 1J 1 i t—s* si— P P «t L 4—^ pi T | P r*-p—^—i 4- T— 1 1 1 ^7 —ffi <s ?— —si o1 si H 1 tf=BS 63 P LOWELL. CM, 8. P. STEVENS. 125 m Lift up to God the voice of

Rapier, c. 1620/30, Southern European, Europe, southern, Steel, Overall L. 125.7 cm (49 1/2 in Stock Photo

RM2A2KAFW–Rapier, c. 1620/30, Southern European, Europe, southern, Steel, Overall L. 125.7 cm (49 1/2 in

Art inspired by Percussion Target Rifle, ca. 1855–60, New Bedford, Massachusetts, American, New Bedford, Massachusetts, Wood (walnut), steel, silver, gold, baleen, ivory, L. 49 1/4 in. (125.1 cm), Firearms-Guns-Percussion, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTT727–Art inspired by Percussion Target Rifle, ca. 1855–60, New Bedford, Massachusetts, American, New Bedford, Massachusetts, Wood (walnut), steel, silver, gold, baleen, ivory, L. 49 1/4 in. (125.1 cm), Firearms-Guns-Percussion, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Joodse begrafenis, SK-A-1805 A Jewish funeral. A funeral procession passes through the streets, in front of a man with a collectebus. Manufacturer : painter: Hein Citizens Date: 1860 - 1899 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 170 cm. B × 125 cm. external dimensions: 11 cm d. (Including carrier SK-L-4961.) Stock Photo

RM2B6X4T9–Joodse begrafenis, SK-A-1805 A Jewish funeral. A funeral procession passes through the streets, in front of a man with a collectebus. Manufacturer : painter: Hein Citizens Date: 1860 - 1899 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 170 cm. B × 125 cm. external dimensions: 11 cm d. (Including carrier SK-L-4961.)

Piece. Culture: British. Dimensions: L. 38 1/2 x W. 49 1/4 inches (loom width 25 3/4 inches) 97.8 x 125.1 cm. Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANRHX–Piece. Culture: British. Dimensions: L. 38 1/2 x W. 49 1/4 inches (loom width 25 3/4 inches) 97.8 x 125.1 cm. Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.

Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP Stock Photo

RMP8RR90–Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP

RM2AX8DKJ–The Boston Musical Education Society's collection of church music : consisting of original psalm and hymn tunes, select pieces, chants, &c.; including compositions adapted to the service of the Protestant Episcopal Church . 124 52 f GIMEL, CM, 1 1— : J- o 0 r— - 1 J —p — —I© ]S>— f -* <&**-! =t=f i F 4 -f f—8—J^^F-^p See! the bright i j! -ei- ° mon - - arch lj -Jl of the T—1 1— day In —1 h- i i o - - - cean dips his beams, 1 f 1J 1 i t—s* si— P P «t L 4—^ pi T | P r*-p—^—i 4- T— 1 1 1 ^7 —ffi <s ?— —si o1 si H 1 tf=BS 63 P LOWELL. CM, 8. P. STEVENS. 125 m Lift up to God the voice of

Piece, Spanish, 16th century, Spanish, Silk, L. 49 1/2 x W. 20 inches (125.7 x 50.8 cm), Textiles-Woven Stock Photo

RM2B0H234–Piece, Spanish, 16th century, Spanish, Silk, L. 49 1/2 x W. 20 inches (125.7 x 50.8 cm), Textiles-Woven

Art inspired by Sash (Patka) with a Floral Border, second half 17th century, Attributed to India, Cotton, silk; plain weave, embroidered, Textile: L. 125 in. (317.5 cm), Textiles-Costumes, Men’s sashes, called patkas, were wrapped two or three times around the wearer’s waist and tied, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8P7D–Art inspired by Sash (Patka) with a Floral Border, second half 17th century, Attributed to India, Cotton, silk; plain weave, embroidered, Textile: L. 125 in. (317.5 cm), Textiles-Costumes, Men’s sashes, called patkas, were wrapped two or three times around the wearer’s waist and tied, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2B6NWT0–Gesneden en vergulde lijst, SK-L-1592 Carved table with slightly convex profile with bay leaf bundles with ribbon wrapped and tied in the corners and in the centers of rules and stijlen.Vervaardiging Dating: ca . 1701 Material: wood Technique: cutting / gold-plated dimensions: outside dimension: h 146 cm. B × 123.8 cm. D × 3.2 cm. clear width: h 125.3 cm. B × 104.5 cm.

Panel in two pieces. Culture: Italian. Dimensions: L. 45 x W. 8 1/4 inches 114.3 x 21.0 cm Together with panel: Gr. L. 49 1/2 x Gr. W. 30 1/4 inches 125.7 x 76.8 cm. Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANYK8–Panel in two pieces. Culture: Italian. Dimensions: L. 45 x W. 8 1/4 inches 114.3 x 21.0 cm Together with panel: Gr. L. 49 1/2 x Gr. W. 30 1/4 inches 125.7 x 76.8 cm. Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Título: VISTA DE CUBATÃO, 1826 Autor: JESUS, BENEDITO CALIXTO DE Data: 1922 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 85,3-81-125-120 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Vista de Cubatão, 1826, Acervo do Museu Paulista da USP Stock Photo

RMP8RR9Y–Título: VISTA DE CUBATÃO, 1826 Autor: JESUS, BENEDITO CALIXTO DE Data: 1922 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 85,3-81-125-120 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Vista de Cubatão, 1826, Acervo do Museu Paulista da USP

Handbook of thermodynamic tables and diagrams; a selection of tables and diagrams from Engineering thermodynamics . 29030 3 31Ct 38 42 1 r 1 r 4C 50 33054 - ?r , . ^ 11-70 ^^ iL ^^ y* 1 ^ 1 1075 li m. u il I Guide Curve-- 30 l;iO 210 300 Temperature. Fahrenheifr 250 270 290 21 22 23 24 25 26 27 28 29 29.8 1162 £0 60 70 0.1 0.125 0.15 cm 1156 1 Il 1[ 1 1 1 1 Il 1 il [ijIl.1 i^ ,,—-^ rtf^ rf-Y^ ^ ^^ U- p ^ -^i ^^ n lS5w 1400 1450 1574= -•s V 1180 ^ N S V ;> .. 1 11.5g 80 59 0 60U 1080 J075. 230 240 250 1152 1200 1250 1300 1359 .14,15 , 16 17, 18, 19,20, 1195 1155 1150 Stock Photo

RM2AJEE74–Handbook of thermodynamic tables and diagrams; a selection of tables and diagrams from Engineering thermodynamics . 29030 3 31Ct 38 42 1 r 1 r 4C 50 33054 - ?r , . ^ 11-70 ^^ iL ^^ y* 1 ^ 1 1075 li m. u il I Guide Curve-- 30 l;iO 210 300 Temperature. Fahrenheifr 250 270 290 21 22 23 24 25 26 27 28 29 29.8 1162 £0 60 70 0.1 0.125 0.15 cm 1156 1 Il 1[ 1 1 1 1 Il 1 il [ijIl.1 i^ ,,—-^ rtf^ rf-Y^ ^ ^^ U- p ^ -^i ^^ n lS5w 1400 1450 1574= -•s V 1180 ^ N S V ;> .. 1 11.5g 80 59 0 60U 1080 J075. 230 240 250 1152 1200 1250 1300 1359 .14,15 , 16 17, 18, 19,20, 1195 1155 1150

Flounce, Flemish, early 18th century, Flemish, Needle lace, L. 125 1/2 x W. 6 inches (318.8 x 15.2 cm), Textiles-Laces Stock Photo

RM2B0JM33–Flounce, Flemish, early 18th century, Flemish, Needle lace, L. 125 1/2 x W. 6 inches (318.8 x 15.2 cm), Textiles-Laces

Art inspired by Xiangpu’s Treasure' Qin, mid 19th century, Hebei, China, Chinese, wutong wood, lacquer, mother-of-pearl, silk, Greatest W. 7 5/8 × D. 3 7/8 × L. 49 3/16 in. (19.3 × 9.8 × 125 cm), Chordophone-Zither-plucked-long zither, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW19MA–Art inspired by Xiangpu’s Treasure' Qin, mid 19th century, Hebei, China, Chinese, wutong wood, lacquer, mother-of-pearl, silk, Greatest W. 7 5/8 × D. 3 7/8 × L. 49 3/16 in. (19.3 × 9.8 × 125 cm), Chordophone-Zither-plucked-long zither, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Deep Lead Dieplood met strop. Het bovendeel is van ijzer en heeft een gleuf en gaten voor de bevestiging van een telwerk. Onder in een gat voor het nemen van bodemmonsters. Manufacturer : vervaardiger: anoniemPlaats manufacture: Nederland (mogelijk) Dating: ca. 1810 Physical kenmerken: lood, ijzer en touw Material: lood ijzer touw Dimensions: l 125,5 cm. ToelichtingEdward Masseys dieplood, het eerste commercieel succesvolle mechanische dieplood, werd in 1802 gepatenteerd. Het was gebaseerd op de werking van Masseys mechanisch log. Stock Photo

RM2B6JRNM–Deep Lead Dieplood met strop. Het bovendeel is van ijzer en heeft een gleuf en gaten voor de bevestiging van een telwerk. Onder in een gat voor het nemen van bodemmonsters. Manufacturer : vervaardiger: anoniemPlaats manufacture: Nederland (mogelijk) Dating: ca. 1810 Physical kenmerken: lood, ijzer en touw Material: lood ijzer touw Dimensions: l 125,5 cm. ToelichtingEdward Masseys dieplood, het eerste commercieel succesvolle mechanische dieplood, werd in 1802 gepatenteerd. Het was gebaseerd op de werking van Masseys mechanisch log.

Rapier. Southern European. Date: 1610-1640. Dimensions: Overall L. 125.7 cm (49 1/2 in.). Steel. Origin: Europe, southern. Museum: The Chicago Art Institute. Stock Photo

RMRXHJTB–Rapier. Southern European. Date: 1610-1640. Dimensions: Overall L. 125.7 cm (49 1/2 in.). Steel. Origin: Europe, southern. Museum: The Chicago Art Institute.

Título: RETRATO DE HIPÓLITO JOSÉ DA COSTA Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-155-184-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Hipólito José da Costa, Acervo do Museu Paulista da USP Stock Photo

RMP8RRA7–Título: RETRATO DE HIPÓLITO JOSÉ DA COSTA Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-155-184-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Hipólito José da Costa, Acervo do Museu Paulista da USP

Handbook of thermodynamic tables and diagrams; a selection of tables and diagrams from Engineering thermodynamics . 1100 90 100 110 0.3750.4 0,45 0.5 0.55 0.6 0.71100 ^095 K0901090 £:: •70 80 90 0 2 0.25 0.3 0.35. 29030 3 31Ct 38 42 1 r 1 r 4C 50 33054 - ?r , . ^ 11-70 ^^ iL ^^ y* 1 ^ 1 1075 li m. u il I Guide Curve-- 30 l;iO 210 300 Temperature. Fahrenheifr 250 270 290 21 22 23 24 25 26 27 28 29 29.8 1162 £0 60 70 0.1 0.125 0.15 cm 1156 1 Il 1[ 1 1 1 1 Il 1 il [ijIl.1 i^ ,,—-^ rtf^ rf-Y^ ^ ^^ U- p ^ -^i ^^ n lS5w 1400 1450 1574= -•s V 1180 ^ N S V ;> .. 1 11.5g 80 59 0 60U 1080 J075 Stock Photo

RM2AJEEB0–Handbook of thermodynamic tables and diagrams; a selection of tables and diagrams from Engineering thermodynamics . 1100 90 100 110 0.3750.4 0,45 0.5 0.55 0.6 0.71100 ^095 K0901090 £:: •70 80 90 0 2 0.25 0.3 0.35. 29030 3 31Ct 38 42 1 r 1 r 4C 50 33054 - ?r , . ^ 11-70 ^^ iL ^^ y* 1 ^ 1 1075 li m. u il I Guide Curve-- 30 l;iO 210 300 Temperature. Fahrenheifr 250 270 290 21 22 23 24 25 26 27 28 29 29.8 1162 £0 60 70 0.1 0.125 0.15 cm 1156 1 Il 1[ 1 1 1 1 Il 1 il [ijIl.1 i^ ,,—-^ rtf^ rf-Y^ ^ ^^ U- p ^ -^i ^^ n lS5w 1400 1450 1574= -•s V 1180 ^ N S V ;> .. 1 11.5g 80 59 0 60U 1080 J075

Floral print, French, Nantes, ca. 1788, French, Nantes, Cotton, L. 125 1/2 x W. 66 inches, 318.8 x 167.6 cm, Textiles-Printed Stock Photo

RM2B0J24T–Floral print, French, Nantes, ca. 1788, French, Nantes, Cotton, L. 125 1/2 x W. 66 inches, 318.8 x 167.6 cm, Textiles-Printed

Art inspired by Shroud of Ahmose Penhet, Son of Ahhotep, Second Intermediate Period–Early New Kingdom, Dynasty 17–18, ca. 1580–1479 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Unfinished Temple Area, Pit 1013, 1920–22, Linen, l. 106 cm (41 3/4 in); w. 125 cm (49 3/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9531–Art inspired by Shroud of Ahmose Penhet, Son of Ahhotep, Second Intermediate Period–Early New Kingdom, Dynasty 17–18, ca. 1580–1479 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Unfinished Temple Area, Pit 1013, 1920–22, Linen, l. 106 cm (41 3/4 in); w. 125 cm (49 3/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

St. Bonaventure, SK-A-3391 St. Bonaventure. Standing with a staff, a cardinal's hat and beaten an open book in his left hand, the Lignum Vitae in the right hand. The edge of his cloak is decorated with images of apostles. Pendant of SK-A-3390. Manufacturer : painter: Vittore Crivelli Dating: 1481 - 1502 Physical characteristics: tempera on panel material: panel tempera Dimensions: carrier: h 125.5 cm. B × 40 cm. external dimensions: d 5 cm. (Including carrier SK-L-2464.) Subject: Bonaventura, cardinal bishop of Albano and Minister General of the Franciscan Order; possible attributes: book, ca Stock Photo

RM2B6J03D–St. Bonaventure, SK-A-3391 St. Bonaventure. Standing with a staff, a cardinal's hat and beaten an open book in his left hand, the Lignum Vitae in the right hand. The edge of his cloak is decorated with images of apostles. Pendant of SK-A-3390. Manufacturer : painter: Vittore Crivelli Dating: 1481 - 1502 Physical characteristics: tempera on panel material: panel tempera Dimensions: carrier: h 125.5 cm. B × 40 cm. external dimensions: d 5 cm. (Including carrier SK-L-2464.) Subject: Bonaventura, cardinal bishop of Albano and Minister General of the Franciscan Order; possible attributes: book, ca

Piece. Culture: French. Dimensions: L. 49 1/2 x W. 22 inches 125.7 x 55.9 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA98C8–Piece. Culture: French. Dimensions: L. 49 1/2 x W. 22 inches 125.7 x 55.9 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

RMP8RRA6–Título: RETRATO DE HIPÓLITO JOSÉ DA COSTA Autor: FAILUTTI, DOMENICO Data: 1925 Técnica: ÓLEO SOBRE TELA - MAROUFLAGE Dimensões (a cm, a sm X l cm, l sm): 278-155-184-125 Coleção:FUNDO MUSEU PAULISTA - FMP Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 260 Domenico Failutti - Retrato de Hipólito José da Costa, Acervo do Museu Paulista da USP (cropped)

Michigan official directory and legislative manual for the years .. . B mm 9SSSCSSS&E S â¢ 1 : : 1 ;! CO | IQ CO-* â¢ CO CO â¢ i-l CM a CM â¢ â¢ â |i II â â 00 1 CO N H 1C N -CO 1 CO I i 11311 SISalsa lS*3 1 CO 1 SKS*5iE39SS CMCO co CO fÂ«3E i : : : 1 : : CO i â CO CO â¢ iH (M a <M : â¢ CO : : : â â¢ CM S CO CM rH SS 38SSÂ§ 1 co 1 suss iH tH iH iH iH *H CO iH i sjjllgjH88H. 1 â 1,708 2,139 1,125 1,438 1 1,528 Marathon North Branch Oregon Rich Lapeer city 1st ward 2d ward s e ii ? 6- Leelanau County. Bingham Centerville Empire Glen Arbor Kasson a â¢ â¢ sis : | r iI I > 1 i 91 C2 ELECTION Stock Photo

RM2AKMN1P–Michigan official directory and legislative manual for the years .. . B mm 9SSSCSSS&E S â¢ 1 : : 1 ;! CO | IQ CO-* â¢ CO CO â¢ i-l CM a CM â¢ â¢ â |i II â â 00 1 CO N H 1C N -CO 1 CO I i 11311 SISalsa lS*3 1 CO 1 SKS*5iE39SS CMCO co CO fÂ«3E i : : : 1 : : CO i â CO CO â¢ iH (M a <M : â¢ CO : : : â â¢ CM S CO CM rH SS 38SSÂ§ 1 co 1 suss iH tH iH iH iH *H CO iH i sjjllgjH88H. 1 â 1,708 2,139 1,125 1,438 1 1,528 Marathon North Branch Oregon Rich Lapeer city 1st ward 2d ward s e ii ? 6- Leelanau County. Bingham Centerville Empire Glen Arbor Kasson a â¢ â¢ sis : | r iI I > 1 i 91 C2 ELECTION

Border, Italian, Venice, 17th century, Italian, Venice, Needle lace, point plat, L. 49 1/2 x W. 3 inches, 125.7 x 7.6 cm, Textiles-Laces Stock Photo

RM2B0HYP7–Border, Italian, Venice, 17th century, Italian, Venice, Needle lace, point plat, L. 49 1/2 x W. 3 inches, 125.7 x 7.6 cm, Textiles-Laces

Art inspired by Sheet, linen mark, medium spin, medium weave, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), location not recorded, 1935–36, Linen, L. 492 cm (193 11/16 in); w. 125 cm (49 3/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW956E–Art inspired by Sheet, linen mark, medium spin, medium weave, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), location not recorded, 1935–36, Linen, L. 492 cm (193 11/16 in); w. 125 cm (49 3/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bronzen canon VOC E, A-360 Bronzen kanon met vijf geprofileerde banden. Kulasband met gegoten opschrift. Tussen eerste en tweede band bovenop loop cartouche in hoogreliëf met initialen. Mond iets uitlopend. Ronde druif met gepunt uiteinde en band. Voorzien van twee tappen. Rondom zundgat rechthoek met concave zijden. Manufacturer : geschutgieter: J. Steen & J.C BorchhardtPlaats manufacture: Enkhuizen Dating: 1757 Material: brons Techniek: gieten Dimensions: geheel: l 125,5 cm. druif-stootbodem: l 10,5 cm. stootbodem-tromp: l 115 cm. kaliber: d 54 mmbreedste: d 25 cm. g 136,2 kgToelichtingGesch Stock Photo

RM2B6FEEC–Bronzen canon VOC E, A-360 Bronzen kanon met vijf geprofileerde banden. Kulasband met gegoten opschrift. Tussen eerste en tweede band bovenop loop cartouche in hoogreliëf met initialen. Mond iets uitlopend. Ronde druif met gepunt uiteinde en band. Voorzien van twee tappen. Rondom zundgat rechthoek met concave zijden. Manufacturer : geschutgieter: J. Steen & J.C BorchhardtPlaats manufacture: Enkhuizen Dating: 1757 Material: brons Techniek: gieten Dimensions: geheel: l 125,5 cm. druif-stootbodem: l 10,5 cm. stootbodem-tromp: l 115 cm. kaliber: d 54 mmbreedste: d 25 cm. g 136,2 kgToelichtingGesch

Piece. Culture: British, London, Spitalfields. Dimensions: L. 49 1/4 x W. 23 inches (125.1 x 58.4 cm). Date: 1780-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAR8PG–Piece. Culture: British, London, Spitalfields. Dimensions: L. 49 1/4 x W. 23 inches (125.1 x 58.4 cm). Date: 1780-90. Museum: Metropolitan Museum of Art, New York, USA.

. English: George Booth (1622-1684), 1st Baron Delamer of Dunham Massey oil on canvas 125.1 x 112.2 cm inscribed l.l.: George Ld Delamer / ob: 1684 George Booth (1622-1684), 1st Baron Delamer of Dunham Massey *oil on canvas *125.1 x 112.2 cm *inscribed l.l.: George Ld Delamer / ob: 1684 George Booth (1622-1684), 1st Baron Delamer of Dunham Massey, Circle of Godfrey Kneller Stock Photo

RMMMKWMR–. English: George Booth (1622-1684), 1st Baron Delamer of Dunham Massey oil on canvas 125.1 x 112.2 cm inscribed l.l.: George Ld Delamer / ob: 1684 George Booth (1622-1684), 1st Baron Delamer of Dunham Massey *oil on canvas *125.1 x 112.2 cm *inscribed l.l.: George Ld Delamer / ob: 1684 George Booth (1622-1684), 1st Baron Delamer of Dunham Massey, Circle of Godfrey Kneller

Agricultural bulletin of the Straits and Federated Malay StatesNew series . 00 O rat u re. — •tuniuiui]/[• o vo Tempei •iunuiixi3p[ CO o 00 tin b o *ung ui luniuixBj^r b b O *J> £ 00 .5 CN cq District. inC PCQ .5 Q ?On *33 $ CO O On O— ^ o to 125 o *2 2 ?sjnoqfz Suunp Cm Tt CT O O JiN iriroCm m Cm lOO ^-i-Tj-M L, | ^ m CO o CO^tVO cm Cm *h in ^ in toO VO CO Cm h C0. • O O Q> O O cn» n c 5 t; £^ > = c u u D CLi vH c 3 Ch Tj- t> lO^O • CO ^ tN. 00 C> ocooooocoo : cc X) x x x rr> Q G O > CO CO O CM do vb t>> i->. K u-> O N >» - ; K p i^n h o» t> Stock Photo

RM2AWDD6B–Agricultural bulletin of the Straits and Federated Malay StatesNew series . 00 O rat u re. — •tuniuiui]/[• o vo Tempei •iunuiixi3p[ CO o 00 tin b o *ung ui luniuixBj^r b b O *J> £ 00 .5 CN cq District. inC PCQ .5 Q ?On *33 $ CO O On O— ^ o to 125 o *2 2 ?sjnoqfz Suunp Cm Tt CT O O JiN iriroCm m Cm lOO ^-i-Tj-M L, | ^ m CO o CO^tVO cm Cm *h in ^ in toO VO CO Cm h C0. • O O Q> O O cn» n c 5 t; £^ > = c u u D CLi vH c 3 Ch Tj- t> lO^O • CO ^ tN. 00 C> ocooooocoo : cc X) x x x rr> Q G O > CO CO O CM do vb t>> i->. K u-> O N >» - ; K p i^n h o» t>

Panel, Belgian, Brussels, mid-19th century, Belgian, Brussels, Bobbin lace, needle lace, Point de Gaze, L. 49 1/2 x W. 35 1/2 inches, 125.7 x 90.2 cm, Textiles-Laces Stock Photo

RM2B0J2F0–Panel, Belgian, Brussels, mid-19th century, Belgian, Brussels, Bobbin lace, needle lace, Point de Gaze, L. 49 1/2 x W. 35 1/2 inches, 125.7 x 90.2 cm, Textiles-Laces

Art inspired by Rapier with Scabbard, ca. 1620–30, French or Italian, Steel, gold, silver, leather, wood, L. 49 1/4 in. (125.1 cm); W. 8 3/4 in. (22.2 cm); Wt. of scabbard 7.5 oz. (212.6 g), Swords, The hilt decoration includes the coat of arms of the Albani family, possibly Orazio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2TAK–Art inspired by Rapier with Scabbard, ca. 1620–30, French or Italian, Steel, gold, silver, leather, wood, L. 49 1/4 in. (125.1 cm); W. 8 3/4 in. (22.2 cm); Wt. of scabbard 7.5 oz. (212.6 g), Swords, The hilt decoration includes the coat of arms of the Albani family, possibly Orazio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bed cover. Culture: Italian, Genoa. Dimensions: Greatest L. 124 x W. 125 inches (315.0 x 317.5 cm) (loom W. 22 inches). Date: 1730-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKY22–Bed cover. Culture: Italian, Genoa. Dimensions: Greatest L. 124 x W. 125 inches (315.0 x 317.5 cm) (loom W. 22 inches). Date: 1730-60. Museum: Metropolitan Museum of Art, New York, USA.

RMP8RR79–Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP (detalhe do mercado)

. Olcott's land values blue book of Chicago . cm izzi cm cm c iiiDD. Pag« 94 -IIIl-CZD-cm-IIZI-. [IZIcoO- CH-CZI-^ ^^?5= T5e ? =135^ 1 w= TS; =»? = ? 78= • WST.-V W^-TSS!. 150 OLCOTTS LAND VALUES BLUE BOOK MEMORANDA 85 P«g» 75 CHICAGO Tm LIMITS ^^E^H3»Ejn^EnD,[Em^izza,Einf dL !? !5 !$ S oIf) JL in - s Ifi L 14IH 75 100 160 150 125 75 ST Stock Photo

RM2CE54X8–. Olcott's land values blue book of Chicago . cm izzi cm cm c iiiDD. Pag« 94 -IIIl-CZD-cm-IIZI-. [IZIcoO- CH-CZI-^ ^^?5= T5e ? =135^ 1 w= TS; =»? = ? 78= • WST.-V W^-TSS!. 150 OLCOTTS LAND VALUES BLUE BOOK MEMORANDA 85 P«g» 75 CHICAGO Tm LIMITS ^^E^H3»Ejn^EnD,[Em^izza,Einf dL !? !5 !$ S oIf) JL in - s Ifi L 14IH 75 100 160 150 125 75 ST

Fragment of a tablecloth of linen damask with representation: history of Susanna, border with musicians and women, on panel., Southern Netherlands, c. 1531 - c. 1540, linen (material), damask, l 125 cm × w 124.2 cm h 135 cm × w 126 cm × d 1 cm Stock Photo

RMW55J3J–Fragment of a tablecloth of linen damask with representation: history of Susanna, border with musicians and women, on panel., Southern Netherlands, c. 1531 - c. 1540, linen (material), damask, l 125 cm × w 124.2 cm h 135 cm × w 126 cm × d 1 cm

Art inspired by Hunting Sword, ca. 1500, Hall, Tyrol, Austrian, Hall, Steel, copper alloy, horn, bone, L. 49 1/2 in. (125.7 cm); L. of blade 40 in. (101.6 cm); W. of blade 1 7/16 in. (3.6 cm); Wt. 3 ls. 9 oz. (1615.9 g), Swords, Designed as a defense against large game, such as bear, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2WRA–Art inspired by Hunting Sword, ca. 1500, Hall, Tyrol, Austrian, Hall, Steel, copper alloy, horn, bone, L. 49 1/2 in. (125.7 cm); L. of blade 40 in. (101.6 cm); W. of blade 1 7/16 in. (3.6 cm); Wt. 3 ls. 9 oz. (1615.9 g), Swords, Designed as a defense against large game, such as bear, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Funerary Papyrus (Amduat) Belonging to the Singer Tiye. Dimensions: Papyrus: L.121 × H. 23.5 cm (47 5/8 × 9 1/4 in.); Framed: L.125.3 × H. 28 × D. 2.5 cm (49 5/16 in. × 11 in. × 1 in.). Dynasty: Dynasty 21, late. Date: ca. 975-945 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAN03–Funerary Papyrus (Amduat) Belonging to the Singer Tiye. Dimensions: Papyrus: L.121 × H. 23.5 cm (47 5/8 × 9 1/4 in.); Framed: L.125.3 × H. 28 × D. 2.5 cm (49 5/16 in. × 11 in. × 1 in.). Dynasty: Dynasty 21, late. Date: ca. 975-945 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

RMP8RR8M–Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP - Detalhe (Ponte do Gasômetro)

. Olcott's land values blue book of Chicago . Pag« 94 -IIIl-CZD-cm-IIZI-. [IZIcoO- CH-CZI-^ ^^?5= T5e ? =135^ 1 w= TS; =»? = ? 78= • WST.-V W^-TSS!. 150 OLCOTTS LAND VALUES BLUE BOOK MEMORANDA 85 P«g» 75 CHICAGO Tm LIMITS ^^E^H3»Ejn^EnD,[Em^izza,Einf dL !? !5 !$ S oIf) JL in - s Ifi L 14IH 75 100 160 150 125 75 ST. Page 95 OLCOTTS LAND VALUES BLUE BOOK MEMORANDA 86 PaRe 76 050—150- -225—225 -350:^400-—600- LD^nJ, 1IZ1>CZ]=.IZZ1>1ZI]:.LZI1=. Stock Photo

RM2CE54TE–. Olcott's land values blue book of Chicago . Pag« 94 -IIIl-CZD-cm-IIZI-. [IZIcoO- CH-CZI-^ ^^?5= T5e ? =135^ 1 w= TS; =»? = ? 78= • WST.-V W^-TSS!. 150 OLCOTTS LAND VALUES BLUE BOOK MEMORANDA 85 P«g» 75 CHICAGO Tm LIMITS ^^E^H3»Ejn^EnD,[Em^izza,Einf dL !? !5 !$ S oIf) JL in - s Ifi L 14IH 75 100 160 150 125 75 ST. Page 95 OLCOTTS LAND VALUES BLUE BOOK MEMORANDA 86 PaRe 76 050—150- -225—225 -350:^400-—600- LD^nJ, 1IZ1>CZ]=.IZZ1>1ZI]:.LZI1=.

Strip of bobbin lace with clovers, On a coarse mesh foundation (square mesh) is a row of 'sequins' and two rows of clovers. The scallops are flat and smooth. Valenciennes side., anonymous, Netherlands (possibly), c. 1910, linen (material), Valenciennes lace, l 125 cm × w 6 cm ×, 2 cm Stock Photo

RMW55JXX–Strip of bobbin lace with clovers, On a coarse mesh foundation (square mesh) is a row of 'sequins' and two rows of clovers. The scallops are flat and smooth. Valenciennes side., anonymous, Netherlands (possibly), c. 1910, linen (material), Valenciennes lace, l 125 cm × w 6 cm ×, 2 cm

Art inspired by Rapier, ca. 1625, hilt, Italian; blade, German, Solingen, Steel, silver, wood, copper alloy, L. 49 1/2 in. (125.7 cm); L. of blade 43 in. (109.2 cm); W. 8 1/2 in. (21.6 cm); D. 5 in. (12.7 cm); Wt. 2 lb. 10 oz. (1190.7 g), Swords, This rapier is typical of the weapons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW191Y–Art inspired by Rapier, ca. 1625, hilt, Italian; blade, German, Solingen, Steel, silver, wood, copper alloy, L. 49 1/2 in. (125.7 cm); L. of blade 43 in. (109.2 cm); W. 8 1/2 in. (21.6 cm); D. 5 in. (12.7 cm); Wt. 2 lb. 10 oz. (1190.7 g), Swords, This rapier is typical of the weapons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Velvet panels from a chasuble. Culture: Italian. Dimensions: a) Gr. L. 49 1/2 x Gr. W. 11 3/8 inches 125.7 x 28.9 cm b) Gr. L. 48 x Gr. W. 11 inches 121.9 x 27.9 cm Together with orphrey: Gr. L. 49 1/2 x Gr. W. 30 1/4 inches 125.7 x 76.8 cm. Date: mid-15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA81XE–Velvet panels from a chasuble. Culture: Italian. Dimensions: a) Gr. L. 49 1/2 x Gr. W. 11 3/8 inches 125.7 x 28.9 cm b) Gr. L. 48 x Gr. W. 11 inches 121.9 x 27.9 cm Together with orphrey: Gr. L. 49 1/2 x Gr. W. 30 1/4 inches 125.7 x 76.8 cm. Date: mid-15th century. Museum: Metropolitan Museum of Art, New York, USA.

RMP8RR83–Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP - Detalhe (edifício historicista)

. Archives of physical medicine and rehabilitation . Erythena Dos€ in 3cm. space in water ortissueproduceti by Soac Mij-ffa-El. hrs.fill figures are reduced to loo« Frythen^adose orSOOo Mcj-Ra-d. firs-. ...}. /1 ^y^ // F/C, /3 Frylbema Dose in 3cfn space in water ertissueproduced by Sooo l^a-lfo-Et hrs. RIt fiquresore i-educed to ICO Erytherrya Dose orloop nij-Ra-EI hrs. FiC. 14 Combined ffoente^en-ray-radiun. treafr>.rntFields:Front back 24 t.iB cm ? rig/it,/f/t24x9cn.Focus.skin distance 3o cm.fijisorphon coefficient O.I49 MijRo.-fl-3i.iooo FiC.IS^ QttQtSrtfion.lliru Aidomen 125 Stock Photo

RM2CRT61R–. Archives of physical medicine and rehabilitation . Erythena Dos€ in 3cm. space in water ortissueproduceti by Soac Mij-ffa-El. hrs.fill figures are reduced to loo« Frythen^adose orSOOo Mcj-Ra-d. firs-. ...}. /1 ^y^ // F/C, /3 Frylbema Dose in 3cfn space in water ertissueproduced by Sooo l^a-lfo-Et hrs. RIt fiquresore i-educed to ICO Erytherrya Dose orloop nij-Ra-EI hrs. FiC. 14 Combined ffoente^en-ray-radiun. treafr>.rntFields:Front back 24 t.iB cm ? rig/it,/f/t24x9cn.Focus.skin distance 3o cm.fijisorphon coefficient O.I49 MijRo.-fl-3i.iooo FiC.IS^ QttQtSrtfion.lliru Aidomen 125

Measuring Rod, Wooden measuring or dipstick of four Rhineland feet, finished with iron stripes. One foot is divided into twelve thumbs, the other three indicate half the foot., anonymous, Netherlands, 1750 - 1825, wood (plant material), iron (metal), l 125 cm × w 3.5 cm × d 2.5 cm Stock Photo

RMW56WX5–Measuring Rod, Wooden measuring or dipstick of four Rhineland feet, finished with iron stripes. One foot is divided into twelve thumbs, the other three indicate half the foot., anonymous, Netherlands, 1750 - 1825, wood (plant material), iron (metal), l 125 cm × w 3.5 cm × d 2.5 cm

RF2B99J3P–Curtain of the Lit à la Polonaise, Curtain of silk damask of the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shroud. Dimensions: L 160 × W. 101.4 cm (63 × 39 15/16 in.) Framed: H. 164.5 × W. 104.5 × D. 5.1 cm (64 3/4 in. × 41 1/8 in. × 2 in.). Date: ca. A.D. 125. Viewed vertically this shroud has an architectural structure with a frieze of uraeus-cobras and a winged sun disk across the top, and registers of scenes down either side of the female figure as if she stood in a doorway. Placed over the supine mummy the naturalistic painted bust would lie over the face, and the panels of gods would have been draped along its sides. The woman's rosy face and large eyes are striking. A long bone or ivory p Stock Photo

RMPA97BK–Shroud. Dimensions: L 160 × W. 101.4 cm (63 × 39 15/16 in.) Framed: H. 164.5 × W. 104.5 × D. 5.1 cm (64 3/4 in. × 41 1/8 in. × 2 in.). Date: ca. A.D. 125. Viewed vertically this shroud has an architectural structure with a frieze of uraeus-cobras and a winged sun disk across the top, and registers of scenes down either side of the female figure as if she stood in a doorway. Placed over the supine mummy the naturalistic painted bust would lie over the face, and the panels of gods would have been draped along its sides. The woman's rosy face and large eyes are striking. A long bone or ivory p

RMP8RR8W–Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP - Detalhe (Rua Lourenço Gnecco)

RMRD2EB9–. Dansk botanisk arkiv. Plants; Plants -- Denmark. 272 Dansk Botanisk Arkiv, Bd. 3. Nr. 1. The plant forms small low tufts about 1—l'/g cm high; it was found near the surface of the sea, where is was constantly- washed by the waves. It has four pericentral cells (Fig. 267 6). The base consists of creeping decumbent filaments fastened to the substratum by means of rhizoids breaking out from the lowermost cells in the fila- ment, sometimes two from the same cell (Fig. 267 a). The thicker basal cells are about 150^«, sometimes up to 200/^ thick and the length of the cells about 125//; but these f

Needle lace strip with strawberry twigs, A broad margin shows curved twigs in pairs, with hanging strawberry flowers and fruits, forming deep scallops. There are scattered double leaves on the floor. Alençon side., anonymous, France, c. 1825, linen (material), Alençon lace, l 125 cm × w 9 cm ×, 3.5 cm Stock Photo

RMW55KRK–Needle lace strip with strawberry twigs, A broad margin shows curved twigs in pairs, with hanging strawberry flowers and fruits, forming deep scallops. There are scattered double leaves on the floor. Alençon side., anonymous, France, c. 1825, linen (material), Alençon lace, l 125 cm × w 9 cm ×, 3.5 cm

RF2B99J3B–Lit à la Polonaise curtain, Silk damask curtain from the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Bartolomé Esteban Murillo / 'The Annunciation', ca. 1660, Spanish School, Oil on canvas, 125 cm x 103 cm, P00970. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Stock Photo

RM2YJAM2E–Bartolomé Esteban Murillo / 'The Annunciation', ca. 1660, Spanish School, Oil on canvas, 125 cm x 103 cm, P00970. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

RMP8RR7T–Título: INUNDAÇÃO DA VÁRZEA DO CARMO, 1892 Autor: JESUS, BENEDITO CALIXTO DE Data: 1892 Técnica: ÓLEO SOBRE TELA Dimensões (a cm, a sm X l cm, l sm): 169-125-442-400 Coleção:BENEDITO CALIXTO DE JESUS - CBCJ Foto: José Rosael-Hélio Nobre-Museu Paulista da USP Acervo: Museu Paulista da USPDomínio Público 55 Benedito Calixto de Jesus - Inundação da Várzea do Carmo, 1892, Acervo do Museu Paulista da USP - Detalhe (Chafariz do Pátio do Colégio)

. The algae. Algae. Fig. 113 Fucus. Aj transverse section 'female' conceptacle of F. spiralis var. platycarpus. B, transverse section 'male' conceptacle of F. vesiculosus. C, portion of thallus of F. spiralis to show structure ( X 125). D, origin of hyphae i cm. below apex, F. spiralis ( x 235). E, antheridia (microsporangia). F, young, and G, old oogonium (megasporangium).H, liberated ova. e =endochiton,m =mesochiton. I, ova being liberated, e =^ endochiton, w =mesochiton. J, empty sporangium showing torn exochiton. K, ovum being fertilized. L, antherozoid. (C, D, after Pennington; rest after Stock Photo

RMRPWP04–. The algae. Algae. Fig. 113 Fucus. Aj transverse section 'female' conceptacle of F. spiralis var. platycarpus. B, transverse section 'male' conceptacle of F. vesiculosus. C, portion of thallus of F. spiralis to show structure ( X 125). D, origin of hyphae i cm. below apex, F. spiralis ( x 235). E, antheridia (microsporangia). F, young, and G, old oogonium (megasporangium).H, liberated ova. e =endochiton,m =mesochiton. I, ova being liberated, e =^ endochiton, w =mesochiton. J, empty sporangium showing torn exochiton. K, ovum being fertilized. L, antherozoid. (C, D, after Pennington; rest after

Strip of needle lace with falling blossoms, On the field there are circular flowers placed in oblique rows with a hanging twig. Standing arches, supported by round medallions, form a border together with a triple arch sling. Alençon side, anonymous, France, c. 1780 - c. 1790, linen (material), Alençon lace, l 125 cm × w 8 cm Stock Photo

RMW55JK6–Strip of needle lace with falling blossoms, On the field there are circular flowers placed in oblique rows with a hanging twig. Standing arches, supported by round medallions, form a border together with a triple arch sling. Alençon side, anonymous, France, c. 1780 - c. 1790, linen (material), Alençon lace, l 125 cm × w 8 cm

RF2B99J3N–Curtain of the Lit à la Polonaise, Curtain of silk damask from the bed in box, bed, anonymous, France, c. 1775, wood (plant material), walnut (hardwood), beech (wood), iron (metal), silk, satin, copper (metal), paint (coating), damask, l 125 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

L 125 cm Stock Photos and Images

L 125 cm Stock Photos and Images

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