The Deposition, Raphael, circa 1507 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-raphael-circa-1507-image185081183.html
RMMN34X7–The Deposition, Raphael, circa 1507
Raphael, painting, The Deposition, 1507 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-painting-the-deposition-1507-image274086995.html
RMWWWMN7–Raphael, painting, The Deposition, 1507
The Deposition of Christ, Raphael, Raffaello S., 1510. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-deposition-of-christ-raphael-raffaello-s-1510-176206933.html
RMM6JWMN–The Deposition of Christ, Raphael, Raffaello S., 1510.
Raphael, The Deposition of Christ (The Entombment) 1507–1508 Oil on wood. Galleria Borghese, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphael-the-deposition-of-christ-the-entombment-15071508-oil-on-wood-54003482.html
RMD3T1YP–Raphael, The Deposition of Christ (The Entombment) 1507–1508 Oil on wood. Galleria Borghese, Rome
Painting titled 'The Deposition' by Raphael. Raffaello Sanzio da Urbino (1483-1520) an Italian painter and architect. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-the-deposition-by-raphael-raffaello-sanzio-da-urbino-1483-1520-an-italian-painter-and-architect-image328352802.html
RM2A25N9P–Painting titled 'The Deposition' by Raphael. Raffaello Sanzio da Urbino (1483-1520) an Italian painter and architect.
The Deposition by Raphael. Galleria Borghese,Rome,Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-by-raphael-galleria-borgheseromeitaly-image245638981.html
RMT7HR0N–The Deposition by Raphael. Galleria Borghese,Rome,Italy
Rome. Italy. Galleria Borghese. The Deposition of Christ, 1507–1508 by Raphael, Oil on wood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rome-italy-galleria-borghese-the-deposition-of-christ-15071508-by-88258649.html
RMF3GEPH–Rome. Italy. Galleria Borghese. The Deposition of Christ, 1507–1508 by Raphael, Oil on wood.
The Deposition, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on laid paper, Christ taken from Cross by four disciples; his right hand is still nailed to Cross. Below, three women consoling the Virgin Mary. In background, a town and mountains behind it., Italy, ca. 1520, religion, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-marc-antonio-raimondi-italian-1483-1527-raphael-italian-14831520-engraving-on-laid-paper-christ-taken-from-cross-by-four-disciples-his-right-hand-is-still-nailed-to-cross-below-three-women-consoling-the-virgin-mary-in-background-a-town-and-mountains-behind-it-italy-ca-1520-religion-print-image391300531.html
RM2DMH7PY–The Deposition, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on laid paper, Christ taken from Cross by four disciples; his right hand is still nailed to Cross. Below, three women consoling the Virgin Mary. In background, a town and mountains behind it., Italy, ca. 1520, religion, Print
Deposition of Christ, 1507, by Raphael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deposition-of-christ-1507-by-raphael-image499960646.html
RM2M1B4WA–Deposition of Christ, 1507, by Raphael
GRENADA GRENADINES - CIRCA 1976: A stamp printed in Grenada Grenadines, Easter issue, shown the Deposition, by Raphael, circa 1976 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grenada-grenadines-circa-1976-a-stamp-printed-in-grenada-grenadines-easter-issue-shown-the-deposition-by-raphael-circa-1976-image414475922.html
RF2F2907E–GRENADA GRENADINES - CIRCA 1976: A stamp printed in Grenada Grenadines, Easter issue, shown the Deposition, by Raphael, circa 1976
Guided visit, tour guide explaining to a group of tourists The Deposition of Christ Renaissance painting, by Raphael, Galleria Borghese, Rome, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guided-visit-tour-guide-explaining-to-a-group-of-tourists-the-deposition-of-christ-renaissance-painting-by-raphael-galleria-borghese-rome-italy-image338602735.html
RM2AJTK6R–Guided visit, tour guide explaining to a group of tourists The Deposition of Christ Renaissance painting, by Raphael, Galleria Borghese, Rome, Italy
Raphael - Raffaello Sanzio da Urbino (1483-1520), The Deposition of Christ, 1507–1508. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphael-raffaello-sanzio-da-urbino-1483-1520-the-deposition-of-christ-122155009.html
RMH2MHXW–Raphael - Raffaello Sanzio da Urbino (1483-1520), The Deposition of Christ, 1507–1508.
Entombment and Deposition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entombment-and-deposition-image184282318.html
RMMKPNYA–Entombment and Deposition
Studies for a Deposition, early 16th century. Artist: Raphael. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studies-for-a-deposition-early-16th-century-artist-raphael-image186157516.html
RMMPT5PM–Studies for a Deposition, early 16th century. Artist: Raphael.
The Deposition of Christ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-of-christ-image184283046.html
RMMKPPWA–The Deposition of Christ
Wood Engraving of The Descent from the Cross (Gospels) - Raphael New Testament from Antique 19th Century Illustrated Family Bible Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-engraving-of-the-descent-from-the-cross-gospels-raphael-new-testament-from-antique-19th-century-illustrated-family-bible-image608755366.html
RM2XAB5K2–Wood Engraving of The Descent from the Cross (Gospels) - Raphael New Testament from Antique 19th Century Illustrated Family Bible
Raphael / 'The Deposition (Pala Baglione)', 1507, Oil on wood, 184 x 176 cm. Museum: GALLERIA BORGHESE, Roma, ITALIA. JESUS. MARY MAGDALENE. VIRGIN MARY. JUAN EL BAUTISTA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-the-deposition-pala-baglione-1507-oil-on-wood-184-x-176-cm-museum-galleria-borghese-roma-italia-jesus-mary-magdalene-virgin-mary-juan-el-bautista-image630861482.html
RM2YJA676–Raphael / 'The Deposition (Pala Baglione)', 1507, Oil on wood, 184 x 176 cm. Museum: GALLERIA BORGHESE, Roma, ITALIA. JESUS. MARY MAGDALENE. VIRGIN MARY. JUAN EL BAUTISTA.
The Deposition by Raphael, showing a distressed, reddish-blond-haired Mary Magdalene dressed in fine clothes clutching the hand of Jesus's body as he is carried to the tomb. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-by-raphael-showing-a-distressed-reddish-blond-haired-mary-magdalene-dressed-in-fine-clothes-clutching-the-hand-of-jesuss-body-as-he-is-carried-to-the-tomb-image470957883.html
RM2JA5YGB–The Deposition by Raphael, showing a distressed, reddish-blond-haired Mary Magdalene dressed in fine clothes clutching the hand of Jesus's body as he is carried to the tomb.
Engraving of The Descent from the Cross (Gospels) - Raphael New Testament from Antique 19th Century Imperial Illustrated Bible Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-the-descent-from-the-cross-gospels-raphael-new-testament-from-antique-19th-century-imperial-illustrated-bible-image612031227.html
RM2XFMC23–Engraving of The Descent from the Cross (Gospels) - Raphael New Testament from Antique 19th Century Imperial Illustrated Bible
The Sybils receiving instruction from Angels by Raphael - the Chigi Chapel - Santa Maria della Pace - Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-sybils-receiving-instruction-from-angels-by-raphael-the-chigi-176629902.html
RMM7A56P–The Sybils receiving instruction from Angels by Raphael - the Chigi Chapel - Santa Maria della Pace - Rome
The Deposition (Pala Baglioni), 1507. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-pala-baglioni-1507-image186155385.html
RMMPT32H–The Deposition (Pala Baglioni), 1507.
The Deposition 1507 by Raphael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-1507-by-raphael-image557825188.html
RM2RBF3M4–The Deposition 1507 by Raphael
The Deposition by Raphael. Galleria Borghese,Rome,Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-by-raphael-galleria-borgheseromeitaly-image245638806.html
RMT7HPPE–The Deposition by Raphael. Galleria Borghese,Rome,Italy
The Descent from the Cross, 1760s. Artist: Mengs, Anton Raphael (1728-1779) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-descent-from-the-cross-1760s-artist-mengs-anton-raphael-1728-1779-image60389035.html
RMDE6XR7–The Descent from the Cross, 1760s. Artist: Mengs, Anton Raphael (1728-1779)
The Entombment of Christ, Peter von Cornelius, 1783-1867, 1816 - 1825, Painting, Historical Painting, The picture is a recreation of, Raphael’s The Deposition, from 1507 in, the Galleria Borghese, at Rome. Raphael was considered the greatest artist of all time, but Cornelius, who arrived in Rome in 1811 and joined Overbeck and the Nazarenes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-entombment-of-christ-peter-von-cornelius-1783-1867-1816-1825-painting-historical-painting-the-picture-is-a-recreation-of-raphaels-the-deposition-from-1507-in-the-galleria-borghese-at-rome-raphael-was-considered-the-greatest-artist-of-all-time-but-cornelius-who-arrived-in-rome-in-1811-and-joined-overbeck-and-the-nazarenes-image573186328.html
RM2T8EW08–The Entombment of Christ, Peter von Cornelius, 1783-1867, 1816 - 1825, Painting, Historical Painting, The picture is a recreation of, Raphael’s The Deposition, from 1507 in, the Galleria Borghese, at Rome. Raphael was considered the greatest artist of all time, but Cornelius, who arrived in Rome in 1811 and joined Overbeck and the Nazarenes
Raphael, Deposition of Christ, 1507, drawing from Roman sarcophagi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphael-deposition-of-christ-1507-drawing-from-roman-sarcophagi-173929849.html
RMM2Y589–Raphael, Deposition of Christ, 1507, drawing from Roman sarcophagi
RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) The Entombment 1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome Among the figurative components which Raphael drew from his Florentine experience, those which derive from Michelangelo seem most prevalent in his last Florentine works. The work in which Michelangelo's importance to Raphael becomes most evident is the Deposition (Entombment). The panel was painted in 1507 in Perugia for Atalanta Baglioni as a votive offering in memory of her son, Grifonetto, killed in a piazza in Perugia in the course of a family feud. The artist detaches Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzio-b-1483-urbino-d-1520-roma-the-entombment-1507-oil-on-wood-184-x-176-cm-galleria-borghese-rome-among-the-figurative-components-which-raphael-drew-from-his-florentine-experience-those-which-derive-from-michelangelo-seem-most-prevalent-in-his-last-florentine-works-the-work-in-which-michelangelos-importance-to-raphael-becomes-most-evident-is-the-deposition-entombment-the-panel-was-painted-in-1507-in-perugia-for-atalanta-baglioni-as-a-votive-offering-in-memory-of-her-son-grifonetto-killed-in-a-piazza-in-perugia-in-the-course-of-a-family-feud-the-artist-detaches-image604710149.html
RM2X3PWY1–RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) The Entombment 1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome Among the figurative components which Raphael drew from his Florentine experience, those which derive from Michelangelo seem most prevalent in his last Florentine works. The work in which Michelangelo's importance to Raphael becomes most evident is the Deposition (Entombment). The panel was painted in 1507 in Perugia for Atalanta Baglioni as a votive offering in memory of her son, Grifonetto, killed in a piazza in Perugia in the course of a family feud. The artist detaches
Italian art, The Deposition of Christ Renaissance painting, by Raffaello Sanzio da Urbino, Raphael, Galleria Borghese Museum, Rome, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-art-the-deposition-of-christ-renaissance-painting-by-raffaello-sanzio-da-urbino-raphael-galleria-borghese-museum-rome-italy-image338602727.html
RM2AJTK6F–Italian art, The Deposition of Christ Renaissance painting, by Raffaello Sanzio da Urbino, Raphael, Galleria Borghese Museum, Rome, Italy
Raphael - Studies for a Deposition, WA1846.172. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-studies-for-a-deposition-wa1846172-image416554356.html
RM2F5KK98–Raphael - Studies for a Deposition, WA1846.172.
Federico Barocci. Head of the Swooning Virgin Study for the Deposition (recot) Base of Column (verso). 1568–1569. Italy. Black chalk and charcoal, with stumping and traces of white chalk, on tan laid paper, pieced and incised After Raphael, Federico Barocci was the most important painter from Urbino; like Raphael, Barocci prepared for his painted compositions with an elaborate series of drawings. One of thirty-six known studies for his Deposition, painted c. 1568 / 69 for the Chapel of San Bernardino in the Cathedral of Perugia, this is one of three life-sized drawings, or cartoons, from which Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/federico-barocci-head-of-the-swooning-virgin-study-for-the-deposition-recot-base-of-column-verso-15681569-italy-black-chalk-and-charcoal-with-stumping-and-traces-of-white-chalk-on-tan-laid-paper-pieced-and-incised-after-raphael-federico-barocci-was-the-most-important-painter-from-urbino-like-raphael-barocci-prepared-for-his-painted-compositions-with-an-elaborate-series-of-drawings-one-of-thirty-six-known-studies-for-his-deposition-painted-c-1568-69-for-the-chapel-of-san-bernardino-in-the-cathedral-of-perugia-this-is-one-of-three-life-sized-drawings-or-cartoons-from-which-image337926824.html
RM2AHNW34–Federico Barocci. Head of the Swooning Virgin Study for the Deposition (recot) Base of Column (verso). 1568–1569. Italy. Black chalk and charcoal, with stumping and traces of white chalk, on tan laid paper, pieced and incised After Raphael, Federico Barocci was the most important painter from Urbino; like Raphael, Barocci prepared for his painted compositions with an elaborate series of drawings. One of thirty-six known studies for his Deposition, painted c. 1568 / 69 for the Chapel of San Bernardino in the Cathedral of Perugia, this is one of three life-sized drawings, or cartoons, from which
The Chigi Chapel in Santa Maria della Pace, Rome, features Raphael's Sibyls fresco and Fancelli's bronze Deposition. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-chigi-chapel-in-santa-maria-della-pace-rome-features-raphaels-sibyls-fresco-and-fancellis-bronze-deposition-image627196324.html
RF2YCB78M–The Chigi Chapel in Santa Maria della Pace, Rome, features Raphael's Sibyls fresco and Fancelli's bronze Deposition.
Print, The Deposition, ca. 1520; Print Maker: Marc Antonio Raimondi (Italian, 1483 – 1527); After Raphael (Italian, 1483 - 1520); Italy; engraving on laid paper; 40.8 × 28.3 cm (16 1/16 × 11 1/8 in.); Bequest of George Campbell Cooper; 1896-3-51 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-the-deposition-ca-1520-print-maker-marc-antonio-raimondi-italian-1483-1527-after-raphael-italian-1483-1520-italy-engraving-on-laid-paper-408-283-cm-16-116-11-18-in-bequest-of-george-campbell-cooper-1896-3-51-image546218425.html
RM2PMJB4W–Print, The Deposition, ca. 1520; Print Maker: Marc Antonio Raimondi (Italian, 1483 – 1527); After Raphael (Italian, 1483 - 1520); Italy; engraving on laid paper; 40.8 × 28.3 cm (16 1/16 × 11 1/8 in.); Bequest of George Campbell Cooper; 1896-3-51
santa maria della pace church, capella chigi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-maria-della-pace-church-capella-chigi-image156319343.html
RMK28XWK–santa maria della pace church, capella chigi
The Entombment - 1507. Author: RAPHAEL. Location: GALERIA BORGHESE. Rome. ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-entombment-1507-author-raphael-location-galeria-borghese-rome-italia-image219857183.html
The Sybils receiving instruction from Angels by Raphael and the Chigi Chapel - Santa Maria della Pace - Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-sybils-receiving-instruction-from-angels-by-raphael-and-the-chigi-176629941.html
RMM7A585–The Sybils receiving instruction from Angels by Raphael and the Chigi Chapel - Santa Maria della Pace - Rome
RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) The Entombment 1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome Among the figurative components which Raphael drew from his Florentine experience, those which derive from Michelangelo seem most prevalent in his last Florentine works. The work in which Michelangelo's importance to Raphael becomes most evident is the Deposition (Entombment). The panel was painted in 1507 in Perugia for Atalanta Baglioni as a votive offering in memory of her son, Grifonetto, killed in a piazza in Perugia in the course of a family feud. The artist detaches Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzio-b-1483-urbino-d-1520-roma-the-entombment-1507-oil-on-wood-184-x-176-cm-galleria-borghese-rome-among-the-figurative-components-which-raphael-drew-from-his-florentine-experience-those-which-derive-from-michelangelo-seem-most-prevalent-in-his-last-florentine-works-the-work-in-which-michelangelos-importance-to-raphael-becomes-most-evident-is-the-deposition-entombment-the-panel-was-painted-in-1507-in-perugia-for-atalanta-baglioni-as-a-votive-offering-in-memory-of-her-son-grifonetto-killed-in-a-piazza-in-perugia-in-the-course-of-a-family-feud-the-artist-detaches-image604797931.html
RM2X3XWX3–RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) The Entombment 1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome Among the figurative components which Raphael drew from his Florentine experience, those which derive from Michelangelo seem most prevalent in his last Florentine works. The work in which Michelangelo's importance to Raphael becomes most evident is the Deposition (Entombment). The panel was painted in 1507 in Perugia for Atalanta Baglioni as a votive offering in memory of her son, Grifonetto, killed in a piazza in Perugia in the course of a family feud. The artist detaches
Italian art, detail of The Deposition of Christ Renaissance painting, by Raffaello Sanzio da Urbino, Raphael, Galleria Borghese Museum, Rome, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-art-detail-of-the-deposition-of-christ-renaissance-painting-by-raffaello-sanzio-da-urbino-raphael-galleria-borghese-museum-rome-italy-image338602732.html
RM2AJTK6M–Italian art, detail of The Deposition of Christ Renaissance painting, by Raffaello Sanzio da Urbino, Raphael, Galleria Borghese Museum, Rome, Italy
Kruisafneming van Christus Deposition of Christ Property Type: picture Item number: RP-P-OB-12.110Catalogusreferentie: Bartsch 32 Inscriptions / Brands: collector's mark, verso lower left, stamped: Lugt 240 Manufacturer : printmaker: Marcantonio Raimondi (listed property) designed by : Raphael Date: 1520 - 1521 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 410 mm × W 286 mmToelichtingPrent to design Raphael. Subject: descent from the cross: Christ is taken down from the cross Benthic, usually by Nicodemus and Joseph of Arimathaea who are s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kruisafneming-van-christus-deposition-of-christ-property-type-picture-item-number-rp-p-ob-12110catalogusreferentie-bartsch-32-inscriptions-brands-collectors-mark-verso-lower-left-stamped-lugt-240-manufacturer-printmaker-marcantonio-raimondi-listed-property-designed-by-raphael-date-1520-1521-physical-features-car-material-paper-technique-engra-printing-process-dimensions-plate-edge-h-410-mm-w-286-mmtoelichtingprent-to-design-raphael-subject-descent-from-the-cross-christ-is-taken-down-from-the-cross-benthic-usually-by-nicodemus-and-joseph-of-arimathaea-who-are-s-image348529762.html
RM2B70W7E–Kruisafneming van Christus Deposition of Christ Property Type: picture Item number: RP-P-OB-12.110Catalogusreferentie: Bartsch 32 Inscriptions / Brands: collector's mark, verso lower left, stamped: Lugt 240 Manufacturer : printmaker: Marcantonio Raimondi (listed property) designed by : Raphael Date: 1520 - 1521 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 410 mm × W 286 mmToelichtingPrent to design Raphael. Subject: descent from the cross: Christ is taken down from the cross Benthic, usually by Nicodemus and Joseph of Arimathaea who are s
. Guide to Italy and Sicily. Sarto, HolyFamily. 82 Van Dyck, Portrait ofCard. Bentivoglio. Sala di Apollo. 58 A. delSarto, Deposition. 63 Murillo,Virgin and Child. 40 Raphael,Leo x. 67 Titian, Magdalen. Sala di Venere. 15 and 4Salvator Rosa, Marine pictures.1 and 20 Albert Diirer (copies), Eveand Adam. 437 Van Dyck, Flightinto Egypt. 272 A. del Sarto, Johnthe Baptist. 14 Rubens, Returnfrom Hay - making. 9 Rubens,Ulysses and Nausicaa, with finelandscape. 79 Raphael, Julius n.The head only is by Raphael. 92Titian, so-called Duke of Norfolk. We now return to the Sala diGiove, and pass through the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guide-to-italy-and-sicily-sarto-holyfamily-82-van-dyck-portrait-ofcard-bentivoglio-sala-di-apollo-58-a-delsarto-deposition-63-murillovirgin-and-child-40-raphaelleo-x-67-titian-magdalen-sala-di-venere-15-and-4salvator-rosa-marine-pictures1-and-20-albert-diirer-copies-eveand-adam-437-van-dyck-flightinto-egypt-272-a-del-sarto-johnthe-baptist-14-rubens-returnfrom-hay-making-9-rubensulysses-and-nausicaa-with-finelandscape-79-raphael-julius-nthe-head-only-is-by-raphael-92titian-so-called-duke-of-norfolk-we-now-return-to-the-sala-digiove-and-pass-through-the-image370508222.html
RM2CEP30E–. Guide to Italy and Sicily. Sarto, HolyFamily. 82 Van Dyck, Portrait ofCard. Bentivoglio. Sala di Apollo. 58 A. delSarto, Deposition. 63 Murillo,Virgin and Child. 40 Raphael,Leo x. 67 Titian, Magdalen. Sala di Venere. 15 and 4Salvator Rosa, Marine pictures.1 and 20 Albert Diirer (copies), Eveand Adam. 437 Van Dyck, Flightinto Egypt. 272 A. del Sarto, Johnthe Baptist. 14 Rubens, Returnfrom Hay - making. 9 Rubens,Ulysses and Nausicaa, with finelandscape. 79 Raphael, Julius n.The head only is by Raphael. 92Titian, so-called Duke of Norfolk. We now return to the Sala diGiove, and pass through the
Descent. Date/Period: Ca. 1761-1769. Painting. Oil on mahogany and walnut. Height: 4,478 mm (14.69 ft); Width: 2,253 mm (88.70 in). Author: ANTON RAPHAEL MENGS. MENGS, ANTON RAPHAEL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descent-dateperiod-ca-1761-1769-painting-oil-on-mahogany-and-walnut-height-4478-mm-1469-ft-width-2253-mm-8870-in-author-anton-raphael-mengs-mengs-anton-raphael-image219107969.html
RMPMD6CH–Descent. Date/Period: Ca. 1761-1769. Painting. Oil on mahogany and walnut. Height: 4,478 mm (14.69 ft); Width: 2,253 mm (88.70 in). Author: ANTON RAPHAEL MENGS. MENGS, ANTON RAPHAEL.
LOTTO, Lorenzo (b. ca. 1480, Venezia, d. 1556, Loreto) Deposition 1512 Oil on wood, 298 x 197 cm Pinacoteca Civica, Iesi The painting was commissioned for the church of San Flaviano by the Minorite Order. It is a homage to Raphael, to his Deposition of 1507 (now in the Galleria Borghese, Rome). --- Keywords: -------------- Author: LOTTO, Lorenzo Title: Deposition Time-line: 1501-1550 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lotto-lorenzo-b-ca-1480-venezia-d-1556-loreto-deposition-1512-oil-on-wood-298-x-197-cm-pinacoteca-civica-iesi-the-painting-was-commissioned-for-the-church-of-san-flaviano-by-the-minorite-order-it-is-a-homage-to-raphael-to-his-deposition-of-1507-now-in-the-galleria-borghese-rome-keywords-author-lotto-lorenzo-title-deposition-time-line-1501-1550-school-italian-form-painting-type-religious-image625177696.html
RM2Y938ET–LOTTO, Lorenzo (b. ca. 1480, Venezia, d. 1556, Loreto) Deposition 1512 Oil on wood, 298 x 197 cm Pinacoteca Civica, Iesi The painting was commissioned for the church of San Flaviano by the Minorite Order. It is a homage to Raphael, to his Deposition of 1507 (now in the Galleria Borghese, Rome). --- Keywords: -------------- Author: LOTTO, Lorenzo Title: Deposition Time-line: 1501-1550 School: Italian Form: painting Type: religious
Kruisafneming van Christus Deposition of Christ Property Type: picture Item number: RP-P-1955-480Catalogusreferentie: Bartsch 32 Inscriptions / Brands: collector's mark, recto lower right, stamped: Lugt 1912 collector's mark , recto lower right, stamped: Lugt 2184 collector's mark , recto lower right, stamped: monogram with two hard legibly in black collector's mark, verso lower left, stamped: Lugt 547 collector's mark , verso center, stamped: Lugt 2228 Manufacturer : printmaker: Marcantonio Raimondi (listed property) designed by: Raphael Date: 1520 - 1521 Physical features: car material: pape Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kruisafneming-van-christus-deposition-of-christ-property-type-picture-item-number-rp-p-1955-480catalogusreferentie-bartsch-32-inscriptions-brands-collectors-mark-recto-lower-right-stamped-lugt-1912-collectors-mark-recto-lower-right-stamped-lugt-2184-collectors-mark-recto-lower-right-stamped-monogram-with-two-hard-legibly-in-black-collectors-mark-verso-lower-left-stamped-lugt-547-collectors-mark-verso-center-stamped-lugt-2228-manufacturer-printmaker-marcantonio-raimondi-listed-property-designed-by-raphael-date-1520-1521-physical-features-car-material-pape-image348529757.html
RM2B70W79–Kruisafneming van Christus Deposition of Christ Property Type: picture Item number: RP-P-1955-480Catalogusreferentie: Bartsch 32 Inscriptions / Brands: collector's mark, recto lower right, stamped: Lugt 1912 collector's mark , recto lower right, stamped: Lugt 2184 collector's mark , recto lower right, stamped: monogram with two hard legibly in black collector's mark, verso lower left, stamped: Lugt 547 collector's mark , verso center, stamped: Lugt 2228 Manufacturer : printmaker: Marcantonio Raimondi (listed property) designed by: Raphael Date: 1520 - 1521 Physical features: car material: pape
Deposición. Litografía de Tommaso Madiona (1803-1864) según Raffaello Sanzio. Museo Nacional de Bellas Artes. La Valeta. Malta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deposicin-litografa-de-tommaso-madiona-1803-1864-segn-raffaello-sanzio-museo-nacional-de-bellas-artes-la-valeta-malta-image350748753.html
RM2BAHYH5–Deposición. Litografía de Tommaso Madiona (1803-1864) según Raffaello Sanzio. Museo Nacional de Bellas Artes. La Valeta. Malta.
Kruisafneming van Christus Deposition of Christ Property Type: picture Item number: RP-PH 203Catalogusreferentie: Bartsch 32 B Inscriptions / Brands: inscription verso, handwritten: 'B 25 f 65-67' Manufacturer : to print by Marc Antonio Raimondi ( listed on object) to design: Rafael print Author: anonymous date: 1520 - 1571 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 395 mm × W 289 mmToelichtingKopie to print by Marcantonio Raimondi. Raimondi was based on a design by Raphael. Subject: descent from the cross: Christ is taken down from the cros Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kruisafneming-van-christus-deposition-of-christ-property-type-picture-item-number-rp-ph-203catalogusreferentie-bartsch-32-b-inscriptions-brands-inscription-verso-handwritten-b-25-f-65-67-manufacturer-to-print-by-marc-antonio-raimondi-listed-on-object-to-design-rafael-print-author-anonymous-date-1520-1571-physical-features-car-material-paper-technique-engra-printing-process-dimensions-sheet-h-395-mm-w-289-mmtoelichtingkopie-to-print-by-marcantonio-raimondi-raimondi-was-based-on-a-design-by-raphael-subject-descent-from-the-cross-christ-is-taken-down-from-the-cros-image348529756.html
RM2B70W78–Kruisafneming van Christus Deposition of Christ Property Type: picture Item number: RP-PH 203Catalogusreferentie: Bartsch 32 B Inscriptions / Brands: inscription verso, handwritten: 'B 25 f 65-67' Manufacturer : to print by Marc Antonio Raimondi ( listed on object) to design: Rafael print Author: anonymous date: 1520 - 1571 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 395 mm × W 289 mmToelichtingKopie to print by Marcantonio Raimondi. Raimondi was based on a design by Raphael. Subject: descent from the cross: Christ is taken down from the cros
The Descent from the Cross. Museum: Museu Nacional d'Art de Catalunya, Barcelona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-descent-from-the-cross-museum-museu-nacional-dart-de-catalunya-barcelona-image211653977.html
RMP89JPH–The Descent from the Cross. Museum: Museu Nacional d'Art de Catalunya, Barcelona.
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