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Titus arch etching Stock Photos and Images
Piranesi. Arco di Tito (Arch of Titus), etching by Giovanni Battista Piranesi, 1748 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piranesi-arco-di-tito-arch-of-titus-etching-by-giovanni-battista-piranesi-1748-image452074042.htmlRM2H7DN1E–Piranesi. Arco di Tito (Arch of Titus), etching by Giovanni Battista Piranesi, 1748
Artist: Giovanni Battista Piranesi, Italian, 1720–1778, Veduta dell’ Arco di Tito (View of the Arch of Titus), from Vedute di Roma, Etching, platemark: 40.5 × 61.6 cm (15 15/16 × 24 1/4 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-giovanni-battista-piranesi-italian-17201778-veduta-dell-arco-di-tito-view-of-the-arch-of-titus-from-vedute-diroma-etching-platemark-405-616-cm-15-1516-24-14-in-made-in-italy-italian-18thcentury-works-on-paper-prints-image393424271.htmlRM2DT20JR–Artist: Giovanni Battista Piranesi, Italian, 1720–1778, Veduta dell’ Arco di Tito (View of the Arch of Titus), from Vedute di Roma, Etching, platemark: 40.5 × 61.6 cm (15 15/16 × 24 1/4 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints
Art inspired by Speculum Romanae Magnificentiae: Arch of Titus, 1558, Engraving and etching, sheet: 18 7/8 x 14 5/8 in. (48 x 37.2 cm), Prints, Anonymous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-speculum-romanae-magnificentiae-arch-of-titus-1558-engraving-and-etching-sheet-18-78-x-14-58-in-48-x-372-cm-prints-anonymous-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004604.htmlRF2HW7K2M–Art inspired by Speculum Romanae Magnificentiae: Arch of Titus, 1558, Engraving and etching, sheet: 18 7/8 x 14 5/8 in. (48 x 37.2 cm), Prints, Anonymous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Giovanni Battista Piranesi - View of the Arch of Titus - Etching in black on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-piranesi-view-of-the-arch-of-titus-etching-in-black-on-ivory-laid-paper-image485498750.htmlRF2K5TAH2–Giovanni Battista Piranesi - View of the Arch of Titus - Etching in black on ivory laid paper
Art inspired by The Arch of Titus (Veduta dell'Arco di Tito), ca. 1760, Etching, Plate: 15 15/16 × 24 5/16 in. (40.5 × 61.8 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-arch-of-titus-veduta-dellarco-di-tito-ca-1760-etching-plate-15-1516-24-516-in-405-618-cm-prints-giovanni-battista-piranesi-italian-mogliano-veneto-17201778-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462964964.htmlRF2HW5TF0–Art inspired by The Arch of Titus (Veduta dell'Arco di Tito), ca. 1760, Etching, Plate: 15 15/16 × 24 5/16 in. (40.5 × 61.8 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A 19th Century view of the Arch of Titus, a 1st Century AD honorific arch, located on the Via Sacra, Rome, near the Roman Forum. It was constructed in c. 81 CE by the Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus's official deification or consecratio and the victory of Titus together with their father, Vespasian, over the Jewish rebellion in Judaea. The arch contains panels depicting the triumphal procession celebrated in 71 CE after the Roman victory culminating in the fall of Jerusalem. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-19th-century-view-of-the-arch-of-titus-a-1st-century-ad-honorific-arch-located-on-the-via-sacra-rome-near-the-roman-forum-it-was-constructed-in-c-81-ce-by-the-emperor-domitian-shortly-after-the-death-of-his-older-brother-titus-to-commemorate-tituss-official-deification-or-consecratio-and-the-victory-of-titus-together-with-their-father-vespasian-over-the-jewish-rebellion-in-judaea-the-arch-contains-panels-depicting-the-triumphal-procession-celebrated-in-71-ce-after-the-roman-victory-culminating-in-the-fall-of-jerusalem-image264582699.htmlRMWACNX3–A 19th Century view of the Arch of Titus, a 1st Century AD honorific arch, located on the Via Sacra, Rome, near the Roman Forum. It was constructed in c. 81 CE by the Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus's official deification or consecratio and the victory of Titus together with their father, Vespasian, over the Jewish rebellion in Judaea. The arch contains panels depicting the triumphal procession celebrated in 71 CE after the Roman victory culminating in the fall of Jerusalem.
Art inspired by Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-arch-of-titus-ca-1780-etching-with-watercolor-and-gouache-mat-31-78-23-116-in-809-585-cm-prints-giovanni-volpato-italian-bassano-17321803-rome-abraham-louis-rodolphe-ducros-swiss-yverdon-17481810-lausanne-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807910.htmlRF2HTXM5X–Art inspired by Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Arch of Titus, Italy, 1749. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-arch-of-titus-italy-1749-from-the-new-york-public-library-166683398.htmlRMKK52AE–Arch of Titus, Italy, 1749. From the New York Public Library.
Arch of Titus, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arch-of-titus-rome-50316114.htmlRFCWT2M2–Arch of Titus, Rome
arch titus detail Menorah Jewish prisoner captive Jew Jerusalem stone triumphal carved forum frieze roman Rome roma Italy Italia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-titus-detail-menorah-jewish-prisoner-captive-jew-jerusalem-stone-image6477108.htmlRMA5KDR5–arch titus detail Menorah Jewish prisoner captive Jew Jerusalem stone triumphal carved forum frieze roman Rome roma Italy Italia
Art inspired by Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o . . . ), ca. 1748, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-6-1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimus-severus-5-temple-of-peace-1-arco-di-tito-in-roma-2-villa-farnese-2-colone-del-temo-di-gve-stre-4-arco-di-seto-ca-1748-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462967009.htmlRF2HW5Y41–Art inspired by Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o . . . ), ca. 1748, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Arch of Titus on Via Sacra, Rome, Italy, during the 1890s, vintage engraving. Old engraved illustration of Arch of Titus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arch-of-titus-on-via-sacra-rome-italy-during-the-1890s-vintage-engraving-38992353.htmlRFC7C741–Arch of Titus on Via Sacra, Rome, Italy, during the 1890s, vintage engraving. Old engraved illustration of Arch of Titus.
![1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 130 x 265 mm (plate); 344 x 465 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo](https://c8.alamy.com/comp/RXMGRR/1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-giovanni-battista-piranesi-italian-1720-1778-date-1748-dimensions-130-x-265-mm-plate-344-x-465-mm-sheet-etching-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-RXMGRR.jpg "1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 130 x 265 mm (plate); 344 x 465 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo")
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 130 x 265 mm (plate); 344 x 465 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-giovanni-battista-piranesi-italian-1720-1778-date-1748-dimensions-130-x-265-mm-plate-344-x-465-mm-sheet-etching-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image240168091.htmlRMRXMGRR–1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 130 x 265 mm (plate); 344 x 465 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Arch of Titus on Via Sacra, Rome, Italy, during the 1890s, vintage engraving. Old engraved illustration of Arch of Titus. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arch-of-titus-on-via-sacra-rome-italy-during-the-1890s-vintage-engraving-84431116.htmlRFEWA4N0–Arch of Titus on Via Sacra, Rome, Italy, during the 1890s, vintage engraving. Old engraved illustration of Arch of Titus.
The Arch of Titus, etching by Laura Piranesi, c. 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-arch-of-titus-etching-by-laura-piranesi-c-1780-140716490.htmlRMJ4X58X–The Arch of Titus, etching by Laura Piranesi, c. 1780
The Arch of Titus (Veduta dell'Arco di Tito), ca. 1760. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-veduta-dellarco-di-tito-ca-1760-image349003406.htmlRM2B7PDBA–The Arch of Titus (Veduta dell'Arco di Tito), ca. 1760.
Old engraved reproduction of bas-relief from Arch of Titus. By unknowm author, published on Magasin Pittoresque, Paris, 1852 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-engraved-reproduction-of-bas-relief-from-arch-of-titus-by-unknowm-author-published-on-magasin-pittoresque-paris-1852-image600412020.htmlRF2WTR3JC–Old engraved reproduction of bas-relief from Arch of Titus. By unknowm author, published on Magasin Pittoresque, Paris, 1852
![A herdsman talks to two women and a boy who draw milk from a pail under an arch at the Baths of Titus, with a view of the ruins, convents and churches of Rome among trees in the background. Les Thermes de Tite. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.e. Language: French. Author: Ducros, Louis. Stock Photo](https://c8.alamy.com/comp/R5HRJE/a-herdsman-talks-to-two-women-and-a-boy-who-draw-milk-from-a-pail-under-an-arch-at-the-baths-of-titus-with-a-view-of-the-ruins-convents-and-churches-of-rome-among-trees-in-the-background-les-thermes-de-tite-rome-giovanni-volpato-between-1780-and-1790-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143e-language-french-author-ducros-louis-R5HRJE.jpg "A herdsman talks to two women and a boy who draw milk from a pail under an arch at the Baths of Titus, with a view of the ruins, convents and churches of Rome among trees in the background. Les Thermes de Tite. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.e. Language: French. Author: Ducros, Louis. Stock Photo")
A herdsman talks to two women and a boy who draw milk from a pail under an arch at the Baths of Titus, with a view of the ruins, convents and churches of Rome among trees in the background. Les Thermes de Tite. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.e. Language: French. Author: Ducros, Louis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-herdsman-talks-to-two-women-and-a-boy-who-draw-milk-from-a-pail-under-an-arch-at-the-baths-of-titus-with-a-view-of-the-ruins-convents-and-churches-of-rome-among-trees-in-the-background-les-thermes-de-tite-rome-giovanni-volpato-between-1780-and-1790-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143e-language-french-author-ducros-louis-image227199798.htmlRMR5HRJE–A herdsman talks to two women and a boy who draw milk from a pail under an arch at the Baths of Titus, with a view of the ruins, convents and churches of Rome among trees in the background. Les Thermes de Tite. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.e. Language: French. Author: Ducros, Louis.
Giovanni Battista Piranesi. View of the Arch of Titus, from Views of Rome. 1771. Italy. Etching on heavy ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-piranesi-view-of-the-arch-of-titus-from-views-of-rome-1771-italy-etching-on-heavy-ivory-laid-paper-image337983101.htmlRM2AHTCW1–Giovanni Battista Piranesi. View of the Arch of Titus, from Views of Rome. 1771. Italy. Etching on heavy ivory laid paper
Ruins of Ancient Rome, Temple of Saturn, Temple of Antoninus and Faustinam, Colosseum, Arch of Titus, Temple of Jupiter. 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-ancient-rome-temple-of-saturn-temple-of-antoninus-and-faustinam-colosseum-arch-of-titus-temple-of-jupiter-19th-century-image628901382.htmlRM2YF4X3J–Ruins of Ancient Rome, Temple of Saturn, Temple of Antoninus and Faustinam, Colosseum, Arch of Titus, Temple of Jupiter. 19th Century
Etcher: Giovanni Battista Piranesi, Italian, 1720–1778, Veduta dell’Arco di Tito (View of the Arch of Titus), from Vedute di Roma, Etching (restrike issued by Firmin-Didot, Paris), platemark: 40.3 × 62.4 cm (15 7/8 × 24 9/16 in.), Italian, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etcher-giovanni-battista-piranesi-italian-17201778-veduta-dellarco-di-tito-view-of-the-arch-of-titus-from-vedute-diroma-etching-restrike-issued-by-firmin-didot-paris-platemark-403-624-cm-15-78-24-916-in-italian-18thcentury-works-on-paper-prints-image393023827.htmlRM2DRBNW7–Etcher: Giovanni Battista Piranesi, Italian, 1720–1778, Veduta dell’Arco di Tito (View of the Arch of Titus), from Vedute di Roma, Etching (restrike issued by Firmin-Didot, Paris), platemark: 40.3 × 62.4 cm (15 7/8 × 24 9/16 in.), Italian, 18th century, Works on Paper - Prints
The Arch of Titus, etching by Laura Piranesi, c. 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-etching-by-laura-piranesi-c-1780-image477870477.htmlRM2JNCTJN–The Arch of Titus, etching by Laura Piranesi, c. 1780
The Arch of Titus in Rome, anonymous, 1790, print, colored etching, sheet: 71.7 x 49.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-in-rome-anonymous-1790-print-colored-etching-sheet-717-x-493-cm-image573353154.htmlRM2T8PDPA–The Arch of Titus in Rome, anonymous, 1790, print, colored etching, sheet: 71.7 x 49.3 cm
Anonym The titus arch in Rome. Etching, colored 1790 , 1790 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonym-the-titus-arch-in-rome-etching-colored-1790-1790-image572848000.htmlRM2T7YDD4–Anonym The titus arch in Rome. Etching, colored 1790 , 1790
The Arch of Titus and the Temple of Venus and Rome, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (paper size) 225 mm, Width (paper size) 340 mm, Graphic Design, European Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-and-the-temple-of-venus-and-rome-graphic-art-etching-paper-color-printers-ink-etching-printet-height-paper-size-225-mm-width-paper-size-340-mm-graphic-design-european-image573193870.htmlRM2T8F6HJ–The Arch of Titus and the Temple of Venus and Rome, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (paper size) 225 mm, Width (paper size) 340 mm, Graphic Design, European
![1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu Stock Photo](https://c8.alamy.com/comp/2B8YHCX/1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-1748-giovanni-battista-piranesi-italian-1720-1778-italy-etching-on-ivory-laid-paper-130-x-265-mm-plate-344-x-465-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cu-2B8YHCX.jpg "1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu Stock Photo")
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-1748-giovanni-battista-piranesi-italian-1720-1778-italy-etching-on-ivory-laid-paper-130-x-265-mm-plate-344-x-465-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cu-image349731002.htmlRF2B8YHCX–1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu
View of the Arch of Titus, Giovanni Battista Piranesi, 1771, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 470 mm, Height (paper size) 530 mm, Width (plate size) 700 mm, Width (paper size) 770 mm, Veduta dell' Arco di Tito, 1. Villa Farnese. 2. Avanni del Tempio detto di, Giove Statore. 3. Monte Capitolino. 4. Ruine, del Tempio detto della Pace. II.91, Cavalier Piranesi del. e inc., Graphic Design, European, Enlightenment (1690 - 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-giovanni-battista-piranesi-1771-graphic-art-copper-engraving-etching-paper-color-printers-ink-copper-engraving-etching-printet-height-plate-size-470-mm-height-paper-size-530-mm-width-plate-size-700-mm-width-paper-size-770-mm-veduta-dell-arco-di-tito-1-villa-farnese-2-avanni-del-tempio-detto-di-giove-statore-3-monte-capitolino-4-ruine-del-tempio-detto-della-pace-ii91-cavalier-piranesi-del-e-inc-graphic-design-european-enlightenment-1690-1800-image573195023.htmlRM2T8F82R–View of the Arch of Titus, Giovanni Battista Piranesi, 1771, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 470 mm, Height (paper size) 530 mm, Width (plate size) 700 mm, Width (paper size) 770 mm, Veduta dell' Arco di Tito, 1. Villa Farnese. 2. Avanni del Tempio detto di, Giove Statore. 3. Monte Capitolino. 4. Ruine, del Tempio detto della Pace. II.91, Cavalier Piranesi del. e inc., Graphic Design, European, Enlightenment (1690 - 1800
Section and elevation of the Colosseum, completed under Titus, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-section-and-elevation-of-the-colosseum-completed-under-titus-vintage-84305720.htmlRFEW4CPG–Section and elevation of the Colosseum, completed under Titus, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875.
Laura Piranesi, (artist), Italian, c. 1755 - 1785, Giovanni Battista Piranesi, (artist after), Venetian, 1720 - 1778, The Arch of Titus, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laura-piranesi-artist-italian-c-1755-1785-giovanni-battista-piranesi-artist-after-venetian-1720-1778-the-arch-of-titus-etching-image386281633.htmlRM2DCCJ4H–Laura Piranesi, (artist), Italian, c. 1755 - 1785, Giovanni Battista Piranesi, (artist after), Venetian, 1720 - 1778, The Arch of Titus, etching
Forum Rome coliseum Roman Italy Italian park Arch Titus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forum-rome-coliseum-roman-italy-italian-park-arch-titus-10538568.htmlRFA2JRCW–Forum Rome coliseum Roman Italy Italian park Arch Titus
Part of the Arch of Titus in Rome, vintage engraved illustration. Magasin Pittoresque 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-arch-of-titus-in-rome-vintage-engraved-illustration-magasin-pittoresque-1869-image363155128.htmlRF2C2R420–Part of the Arch of Titus in Rome, vintage engraved illustration. Magasin Pittoresque 1869.
The Arch of Titus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Laura Piranesi after Giovanni Battista Piranesi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-medium-etching-museum-national-gallery-of-art-washington-dc-author-laura-piranesi-after-giovanni-battista-piranesi-image225459228.htmlRMR2PFF8–The Arch of Titus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Laura Piranesi after Giovanni Battista Piranesi.
The terminal sweating the temple of Venus and Roma, the Arch of Titus, vintage engraved illustration. Magasin Pittoresque 1846. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-terminal-sweating-the-temple-of-venus-and-roma-the-arch-of-titus-vintage-engraved-illustration-magasin-pittoresque-1846-image363146061.htmlRF2C2PME5–The terminal sweating the temple of Venus and Roma, the Arch of Titus, vintage engraved illustration. Magasin Pittoresque 1846.
Old view of Meta Sudans fountain ruins in Rome (demolished in 1936). By unidentified author, publ. on Magasin Pittoresque, Paris, 1846 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-view-of-meta-sudans-fountain-ruins-in-rome-demolished-in-1936-by-unidentified-author-publ-on-magasin-pittoresque-paris-1846-image225546425.htmlRFR2XEND–Old view of Meta Sudans fountain ruins in Rome (demolished in 1936). By unidentified author, publ. on Magasin Pittoresque, Paris, 1846
Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o . . . ), ca. 1748. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-6-1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimus-severus-5-temple-of-peace-1-arco-di-tito-in-roma-2-villa-farnese-2-colone-del-temo-di-gve-stre-4-arco-di-seto-ca-1748-image349003133.htmlRM2B7PD1H–Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o . . . ), ca. 1748.
Porte Saint Denis Paris 1854 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/porte-saint-denis-paris-1854-image66106238.htmlRFDRFB52–Porte Saint Denis Paris 1854
![Giovanni Battista Piranesi. 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. 1748. Italy. Etching on ivory laid paper Stock Photo](https://c8.alamy.com/comp/2AHP9C7/giovanni-battista-piranesi-1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-1748-italy-etching-on-ivory-laid-paper-2AHP9C7.jpg "Giovanni Battista Piranesi. 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. 1748. Italy. Etching on ivory laid paper Stock Photo")
Giovanni Battista Piranesi. 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. 1748. Italy. Etching on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-piranesi-1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-1748-italy-etching-on-ivory-laid-paper-image337936487.htmlRM2AHP9C7–Giovanni Battista Piranesi. 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments. 1748. Italy. Etching on ivory laid paper
Noël Le Mire The titus arch in Rome. etching 1757-1801 , 1757/1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nol-le-mire-the-titus-arch-in-rome-etching-1757-1801-17571801-image572943858.htmlRM2T83RMJ–Noël Le Mire The titus arch in Rome. etching 1757-1801 , 1757/1801
Views of Rome: The Arch or Titus, 1776. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/views-of-rome-the-arch-or-titus-1776-giovanni-battista-piranesi-italian-1720-1778-etching-and-engraving-image448074901.htmlRM2H0YG31–Views of Rome: The Arch or Titus, 1776. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving;
View of the Bow of Titus, François Morel, 1796 - 1798 print Rome paper etching ruin of a building architecture. triumphal arch Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-bow-of-titus-franois-morel-1796-1798-print-rome-paper-etching-ruin-of-a-building-architecture-triumphal-arch-titus-bow-image593270658.htmlRM2WD5PNP–View of the Bow of Titus, François Morel, 1796 - 1798 print Rome paper etching ruin of a building architecture. triumphal arch Titus bow
View of the Arch of Titus, from Views of Rome, 1771, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 475 × 708 mm (image), 477 × 711 mm (plate), 533 × 759 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-from-views-of-rome-1771-giovanni-battista-piranesi-italian-1720-1778-italy-etching-on-heavy-ivory-laid-paper-475-708-mm-image-477-711-mm-plate-533-759-mm-sheet-image328617221.htmlRM2A2HPH9–View of the Arch of Titus, from Views of Rome, 1771, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 475 × 708 mm (image), 477 × 711 mm (plate), 533 × 759 mm (sheet
Section and elevation of the Colosseum, completed under Titus, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-section-and-elevation-of-the-colosseum-completed-under-titus-vintage-84305719.htmlRFEW4CPF–Section and elevation of the Colosseum, completed under Titus, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875.
View of the Arch of Titus, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1771. Dimensions: 475 × 708 mm (image); 477 × 711 mm (plate); 533 × 759 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-from-views-of-rome-giovanni-battista-piranesi-italian-1720-1778-date-1771-dimensions-475-708-mm-image-477-711-mm-plate-533-759-mm-sheet-etching-on-heavy-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image240002635.htmlRMRXD1PK–View of the Arch of Titus, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1771. Dimensions: 475 × 708 mm (image); 477 × 711 mm (plate); 533 × 759 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Views of Rome: The Arch or Titus, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/views-of-rome-the-arch-or-titus-1776-image330133921.htmlRM2A52W55–Views of Rome: The Arch or Titus, 1776.
Giovanni Battista Piranesi. View of the Arch of Titus, from Vedute di Roma (Views of Rome). 1750–1759. Italy. Etching in black on ivory laid paper Giovanni Battista Piranesi’s grand-scale prints are considered some of the most remarkable etchings of the 18th century. In over a thousand plates, he masterfully incorporated a broad range of lines, from delicately fine details to deep incisions that emboss the paper when printed.A self-proclaimed architect, the Venetian-born Piranesi moved to Rome when he was twenty and made a profitable livelihood selling his etchings of the city’s landmarks to t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-piranesi-view-of-the-arch-of-titus-from-vedute-di-roma-views-of-rome-17501759-italy-etching-in-black-on-ivory-laid-paper-giovanni-battista-piranesis-grand-scale-prints-are-considered-some-of-the-most-remarkable-etchings-of-the-18th-century-in-over-a-thousand-plates-he-masterfully-incorporated-a-broad-range-of-lines-from-delicately-fine-details-to-deep-incisions-that-emboss-the-paper-when-printeda-self-proclaimed-architect-the-venetian-born-piranesi-moved-to-rome-when-he-was-twenty-and-made-a-profitable-livelihood-selling-his-etchings-of-the-citys-landmarks-to-t-image337983249.htmlRM2AHTD29–Giovanni Battista Piranesi. View of the Arch of Titus, from Vedute di Roma (Views of Rome). 1750–1759. Italy. Etching in black on ivory laid paper Giovanni Battista Piranesi’s grand-scale prints are considered some of the most remarkable etchings of the 18th century. In over a thousand plates, he masterfully incorporated a broad range of lines, from delicately fine details to deep incisions that emboss the paper when printed.A self-proclaimed architect, the Venetian-born Piranesi moved to Rome when he was twenty and made a profitable livelihood selling his etchings of the city’s landmarks to t
Relief of the bow of Titus, Jan Luyken, 1682 print Amsterdam paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-of-the-bow-of-titus-jan-luyken-1682-print-amsterdam-paper-etching-triumphal-arch-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-titus-bow-image592919550.htmlRM2WCHPX6–Relief of the bow of Titus, Jan Luyken, 1682 print Amsterdam paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow
![1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet Stock Photo](https://c8.alamy.com/comp/2A2K95W/1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-1748-giovanni-battista-piranesi-italian-1720-1778-italy-etching-on-ivory-laid-paper-130-x-265-mm-plate-344-x-465-mm-sheet-2A2K95W.jpg "1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet Stock Photo")
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-jupiter-stator-the-supporter-4-arch-of-septimius-severus-5-temple-of-peace-plate-six-from-some-views-of-triumphal-arches-and-other-monuments-1748-giovanni-battista-piranesi-italian-1720-1778-italy-etching-on-ivory-laid-paper-130-x-265-mm-plate-344-x-465-mm-sheet-image328650613.htmlRM2A2K95W–1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 130 x 265 mm (plate), 344 x 465 mm (sheet
The Arch of Titus (Veduta dell'Arco di Tito), Giovanni Battista Piranesi, ca. 1760 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-arch-of-titus-veduta-dellarco-di-tito-giovanni-battista-piranesi-162497844.htmlRMKCABJC–The Arch of Titus (Veduta dell'Arco di Tito), Giovanni Battista Piranesi, ca. 1760
Architectural drawings of the Arch of Constantine and the Arch of Titus. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architectural-drawings-of-the-arch-of-constantine-and-the-arch-of-titus-copperplate-engraving-by-wilson-lowry-from-abraham-rees-cyclopedia-or-universal-dictionary-of-arts-sciences-and-literature-longman-hurst-rees-orme-and-brown-london-1820-image210536428.htmlRMP6ENA4–Architectural drawings of the Arch of Constantine and the Arch of Titus. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Arch of Titus, ca. 1780. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-of-titus-ca-1780-image365764273.htmlRM2C7201N–Arch of Titus, ca. 1780.
L'arc de Titus Rome (originele titel op object) Two standing figures for a triumphal arch in a landscape in the background the silhouette of a stad. Manufacturer : printmaker: Etienne Bosch (personally signed) Date: ca. 1873 - characteristics or 1931 Physical: etching and drypoint; first state material: paper printing ink Technique: etching / dry point measurements: plate edge: H 140 mm × W 184 mmblad: h 168 mm × W 212 mmOnderwerp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/larc-de-titus-rome-originele-titel-op-object-two-standing-figures-for-a-triumphal-arch-in-a-landscape-in-the-background-the-silhouette-of-a-stad-manufacturer-printmaker-etienne-bosch-personally-signed-date-ca-1873-characteristics-or-1931-physical-etching-and-drypoint-first-state-material-paper-printing-ink-technique-etching-dry-point-measurements-plate-edge-h-140-mm-w-184-mmblad-h-168-mm-w-212-mmonderwerp-image348533366.htmlRM2B711T6–L'arc de Titus Rome (originele titel op object) Two standing figures for a triumphal arch in a landscape in the background the silhouette of a stad. Manufacturer : printmaker: Etienne Bosch (personally signed) Date: ca. 1873 - characteristics or 1931 Physical: etching and drypoint; first state material: paper printing ink Technique: etching / dry point measurements: plate edge: H 140 mm × W 184 mmblad: h 168 mm × W 212 mmOnderwerp
Relief of the bow of Titus, Jan Luyken, 1682 print Amsterdam paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-of-the-bow-of-titus-jan-luyken-1682-print-amsterdam-paper-etching-triumphal-arch-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-titus-bow-image593840440.htmlRM2WE3NF4–Relief of the bow of Titus, Jan Luyken, 1682 print Amsterdam paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow
Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-plate-6-1-arch-of-titus-2-villa-farnese-3-columns-of-the-temple-of-162497407.htmlRMKCAB2R–Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus
View of the Arch of Titus, l'Arc de Tito Vespasianus, Rome. Copperplate engraving from Pietro Datri's New Collection of Principal Views of Rome Ancient and Modern with the ruins of war, Rome, 1849. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-larc-de-tito-vespasianus-rome-copperplate-engraving-from-pietro-datris-new-collection-of-principal-views-of-rome-ancient-and-modern-with-the-ruins-of-war-rome-1849-image359068371.htmlRM2BT4YAB–View of the Arch of Titus, l'Arc de Tito Vespasianus, Rome. Copperplate engraving from Pietro Datri's New Collection of Principal Views of Rome Ancient and Modern with the ruins of war, Rome, 1849.
View of the Roman Forum with the Arch of Titus and the Temple of Venus and Roma, print maker: Jean Jacques de Boissieu, France, 1773, paper, etching, height 264 mm × width 353 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-roman-forum-with-the-arch-of-titus-and-the-temple-of-venus-and-roma-print-maker-jean-jacques-de-boissieu-france-1773-paper-etching-height-264-mm-width-353-mm-print-image599534521.htmlRM2WRB4B5–View of the Roman Forum with the Arch of Titus and the Temple of Venus and Roma, print maker: Jean Jacques de Boissieu, France, 1773, paper, etching, height 264 mm × width 353 mm, print
View of the Arch of Titus, Views of Rome (series title), print maker: François Morel, publisher: Agapito Franzetti, Rome, 1796 - 1798, paper, etching, height 369 mm × width 474 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-views-of-rome-series-title-print-maker-franois-morel-publisher-agapito-franzetti-rome-1796-1798-paper-etching-height-369-mm-width-474-mm-print-image599456624.htmlRM2WR7H14–View of the Arch of Titus, Views of Rome (series title), print maker: François Morel, publisher: Agapito Franzetti, Rome, 1796 - 1798, paper, etching, height 369 mm × width 474 mm, print
Arch of Titus, Forum Romanum, Rome, 1786-1817. View before the restoration of the side aisles. Under the gate is a beggar. A man on horseback and a woman with two children walk through the gate. Two waxes walk towards the gate from the other side. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-of-titus-forum-romanum-rome-1786-1817-view-before-the-restoration-of-the-side-aisles-under-the-gate-is-a-beggar-a-man-on-horseback-and-a-woman-with-two-children-walk-through-the-gate-two-waxes-walk-towards-the-gate-from-the-other-side-image565268868.htmlRM2RRJ65T–Arch of Titus, Forum Romanum, Rome, 1786-1817. View before the restoration of the side aisles. Under the gate is a beggar. A man on horseback and a woman with two children walk through the gate. Two waxes walk towards the gate from the other side.
Relief of the Arch of Titus, Pierre antique de l'Arc de Triomphe de T. Vespasien (title on object), print, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, height, 84 mm × width, 144 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-of-the-arch-of-titus-pierre-antique-de-larc-de-triomphe-de-t-vespasien-title-on-object-print-print-maker-jan-luyken-publisher-pieter-mortier-i-amsterdam-1705-paper-etching-height-84-mm-width-144-mm-image623503589.htmlRM2Y6B159–Relief of the Arch of Titus, Pierre antique de l'Arc de Triomphe de T. Vespasien (title on object), print, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, height, 84 mm × width, 144 mm
Sheet Triumphal Procession of the menorah and Roman coins Left above the triumphal procession with the Menorah and other treasures from the temple of Jerusalem by the Romans after the destruction of the temple by emperor Titus. To the relief on the Arch of Titus in Rome. Additionally, 23 Roman coins with different emblems and currencies of Roman keizers. Manufacturer : printmaker: Theodoor van Thuldennaar design: Peter Paul Rubens (listed property) to print by: anonymous place manufacture: Antwerp Date: 1642 Physical features: etching and engra; pressed out of twelve plates; uncut sheet materi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-triumphal-procession-of-the-menorah-and-roman-coins-left-above-the-triumphal-procession-with-the-menorah-and-other-treasures-from-the-temple-of-jerusalem-by-the-romans-after-the-destruction-of-the-temple-by-emperor-titus-to-the-relief-on-the-arch-of-titus-in-rome-additionally-23-roman-coins-with-different-emblems-and-currencies-of-roman-keizers-manufacturer-printmaker-theodoor-van-thuldennaar-design-peter-paul-rubens-listed-property-to-print-by-anonymous-place-manufacture-antwerp-date-1642-physical-features-etching-and-engra-pressed-out-of-twelve-plates-uncut-sheet-materi-image348201686.htmlRM2B6DXPE–Sheet Triumphal Procession of the menorah and Roman coins Left above the triumphal procession with the Menorah and other treasures from the temple of Jerusalem by the Romans after the destruction of the temple by emperor Titus. To the relief on the Arch of Titus in Rome. Additionally, 23 Roman coins with different emblems and currencies of Roman keizers. Manufacturer : printmaker: Theodoor van Thuldennaar design: Peter Paul Rubens (listed property) to print by: anonymous place manufacture: Antwerp Date: 1642 Physical features: etching and engra; pressed out of twelve plates; uncut sheet materi
Relief of the bow of Titus, Jan Luyken, 1705 print Amsterdam paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-of-the-bow-of-titus-jan-luyken-1705-print-amsterdam-paper-etching-triumphal-arch-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-titus-bow-image593162568.htmlRM2WD0TWC–Relief of the bow of Titus, Jan Luyken, 1705 print Amsterdam paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow
View of the Arch of Titus, Arco di Tito, Rome, 1830. Copperplate engraving by A. Parboni after an illustration by Sylvestro Bossi from Achille Parboni's New Collection of Principal Views Ancient and Modern of the City of Rome, 1830. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-arco-di-tito-rome-1830-copperplate-engraving-by-a-parboni-after-an-illustration-by-sylvestro-bossi-from-achille-parbonis-new-collection-of-principal-views-ancient-and-modern-of-the-city-of-rome-1830-image359084493.htmlRM2BT5KX5–View of the Arch of Titus, Arco di Tito, Rome, 1830. Copperplate engraving by A. Parboni after an illustration by Sylvestro Bossi from Achille Parboni's New Collection of Principal Views Ancient and Modern of the City of Rome, 1830.
Titus's Arch, plate ten from the Ruins of Rome, published March 1, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tituss-arch-plate-ten-from-the-ruins-of-rome-published-march-1-1796-image457044074.htmlRM2HFG4AJ–Titus's Arch, plate ten from the Ruins of Rome, published March 1, 1796.
Relief of the Arch of Titus, ancient Stone, from the Triumphal Arch of T: Vespasian, displaying the shrines from the Jewish Temple brought to Rome (title on object), print, print maker: Jan Luyken, publisher: Willem Goeree, Amsterdam, 1682, paper, etching, height, 85 mm × width, 140 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-of-the-arch-of-titus-ancient-stone-from-the-triumphal-arch-of-t-vespasian-displaying-the-shrines-from-the-jewish-temple-brought-to-rome-title-on-object-print-print-maker-jan-luyken-publisher-willem-goeree-amsterdam-1682-paper-etching-height-85-mm-width-140-mm-image623504183.htmlRM2Y6B1XF–Relief of the Arch of Titus, ancient Stone, from the Triumphal Arch of T: Vespasian, displaying the shrines from the Jewish Temple brought to Rome (title on object), print, print maker: Jan Luyken, publisher: Willem Goeree, Amsterdam, 1682, paper, etching, height, 85 mm × width, 140 mm
The Arch of Titus in the Roman Forum View of the bow of Titus in the Roman Forum in Rome for the restoration and rehabilitation of the aisles. Under the gate is a beggar. A man on horseback and a woman with two children walking through the gate. Two washerwomen run from the other side to the gate af. Manufacturer : print maker: Daniel DupréPlaats manufacture: The Netherlands Date: 1786 - 1817 Physical characteristics: etching, with the hand colored in water color material: paper watercolor Technique: etching / hand-color measurements: sheet: h 443 mm × W 310 mm Subject: triumphal arch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-in-the-roman-forum-view-of-the-bow-of-titus-in-the-roman-forum-in-rome-for-the-restoration-and-rehabilitation-of-the-aisles-under-the-gate-is-a-beggar-a-man-on-horseback-and-a-woman-with-two-children-walking-through-the-gate-two-washerwomen-run-from-the-other-side-to-the-gate-af-manufacturer-print-maker-daniel-duprplaats-manufacture-the-netherlands-date-1786-1817-physical-characteristics-etching-with-the-hand-colored-in-water-color-material-paper-watercolor-technique-etching-hand-color-measurements-sheet-h-443-mm-w-310-mm-subject-triumphal-arch-image348288650.htmlRM2B6HWMA–The Arch of Titus in the Roman Forum View of the bow of Titus in the Roman Forum in Rome for the restoration and rehabilitation of the aisles. Under the gate is a beggar. A man on horseback and a woman with two children walking through the gate. Two washerwomen run from the other side to the gate af. Manufacturer : print maker: Daniel DupréPlaats manufacture: The Netherlands Date: 1786 - 1817 Physical characteristics: etching, with the hand colored in water color material: paper watercolor Technique: etching / hand-color measurements: sheet: h 443 mm × W 310 mm Subject: triumphal arch
Relief of the Bow of Titus, Anonymous, After Jan Luyken, 1682 - 1762 print paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-of-the-bow-of-titus-anonymous-after-jan-luyken-1682-1762-print-paper-etching-triumphal-arch-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-titus-bow-image594819892.htmlRM2WFMARG–Relief of the Bow of Titus, Anonymous, After Jan Luyken, 1682 - 1762 print paper etching triumphal arch. piece of sculpture, reproduction of a piece of sculpture Titus bow
Arch of triumph of Titus, staircases in Roman theatres, sun dial and vase placed under the terraces. Handcoloured copperplate engraving from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Chez Collignon, Metz, 1810. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-of-triumph-of-titus-staircases-in-roman-theatres-sun-dial-and-vase-placed-under-the-terraces-handcoloured-copperplate-engraving-from-robert-von-spalarts-historical-picture-of-the-costumes-of-the-principal-people-of-antiquity-and-of-the-middle-ages-chez-collignon-metz-1810-image210531054.htmlRMP6EEE6–Arch of triumph of Titus, staircases in Roman theatres, sun dial and vase placed under the terraces. Handcoloured copperplate engraving from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Chez Collignon, Metz, 1810.
Veuë du Colisée du Temple du Soleil, et de l'Arc de Titus a Rome, 1640-1660. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/veuxeb-du-colisxe9e-du-temple-du-soleil-et-de-larc-de-titus-a-rome-1640-1660-image506203270.htmlRM2MBFFC6–Veuë du Colisée du Temple du Soleil, et de l'Arc de Titus a Rome, 1640-1660.
Arch of Titus in Rome, Arch of the Emperor Titus Vespasian; sorely violated. (title on object), Views in Rome (series title), print, print maker: anonymous, publisher: Pieter Schenk (I), (mentioned on object), unknown, Amsterdam, 1675 - 1711, paper, etching, height, 165 mm × width, 189 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-of-titus-in-rome-arch-of-the-emperor-titus-vespasian-sorely-violated-title-on-object-views-in-rome-series-title-print-print-maker-anonymous-publisher-pieter-schenk-i-mentioned-on-object-unknown-amsterdam-1675-1711-paper-etching-height-165-mm-width-189-mm-image623509257.htmlRM2Y6B8BN–Arch of Titus in Rome, Arch of the Emperor Titus Vespasian; sorely violated. (title on object), Views in Rome (series title), print, print maker: anonymous, publisher: Pieter Schenk (I), (mentioned on object), unknown, Amsterdam, 1675 - 1711, paper, etching, height, 165 mm × width, 189 mm
View of the Arch of Titus and other ruins in the Roman Forum, Vue du Temple du Soleil de l'arc de Tite et fragment du palais des empereurs (title on object), print maker: Jean Jacques de Boissieu, France, 1773, paper, etching, height 261 mm × width 353 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-and-other-ruins-in-the-roman-forum-vue-du-temple-du-soleil-de-larc-de-tite-et-fragment-du-palais-des-empereurs-title-on-object-print-maker-jean-jacques-de-boissieu-france-1773-paper-etching-height-261-mm-width-353-mm-print-image599478075.htmlRM2WR8GB7–View of the Arch of Titus and other ruins in the Roman Forum, Vue du Temple du Soleil de l'arc de Tite et fragment du palais des empereurs (title on object), print maker: Jean Jacques de Boissieu, France, 1773, paper, etching, height 261 mm × width 353 mm, print
Ruin landscape with the Temple of Antonius and Faustina, the Arch of Titus and the Temple of Jupiter Optimus Maximus, Text in English in the bottom margin. In the background the Colosseum, the Basilica of Maxentius and on the right the Palatine Hill., print maker: Johann Sebastian Müller, after painting by: Giovanni Paolo Pannini, publisher: Arthur Pond, London, 1745, paper, etching, height 485 mm × width 614 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruin-landscape-with-the-temple-of-antonius-and-faustina-the-arch-of-titus-and-the-temple-of-jupiter-optimus-maximus-text-in-english-in-the-bottom-margin-in-the-background-the-colosseum-the-basilica-of-maxentius-and-on-the-right-the-palatine-hill-print-maker-johann-sebastian-mller-after-painting-by-giovanni-paolo-pannini-publisher-arthur-pond-london-1745-paper-etching-height-485-mm-width-614-mm-print-image599537290.htmlRM2WRB7X2–Ruin landscape with the Temple of Antonius and Faustina, the Arch of Titus and the Temple of Jupiter Optimus Maximus, Text in English in the bottom margin. In the background the Colosseum, the Basilica of Maxentius and on the right the Palatine Hill., print maker: Johann Sebastian Müller, after painting by: Giovanni Paolo Pannini, publisher: Arthur Pond, London, 1745, paper, etching, height 485 mm × width 614 mm, print
View of Titus's bow, in Rome, Anonymous, Pieter Schenk (I), 1705 print Numbered in the bottom right: 16. Amsterdam paper etching / engraving triumphal arch Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-tituss-bow-in-rome-anonymous-pieter-schenk-i-1705-print-numbered-in-the-bottom-right-16-amsterdam-paper-etching-engraving-triumphal-arch-titus-bow-image592816388.htmlRM2WCD39T–View of Titus's bow, in Rome, Anonymous, Pieter Schenk (I), 1705 print Numbered in the bottom right: 16. Amsterdam paper etching / engraving triumphal arch Titus bow
Composite order from the Arch of Titus, Rome. Richly ornamented frieze, capital with Corinthian acanthus and Ionic Echinus, cornice with Corinthian modillions and Ionic dentils. Copperplate engraving from Francis Fitzgeralds The Artists Repository and Drawing Magazine, Charles Taylor, London, 1785. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/composite-order-from-the-arch-of-titus-rome-richly-ornamented-frieze-capital-with-corinthian-acanthus-and-ionic-echinus-cornice-with-corinthian-modillions-and-ionic-dentils-copperplate-engraving-from-francis-fitzgeralds-the-artists-repository-and-drawing-magazine-charles-taylor-london-1785-image571826527.htmlRM2T68XFY–Composite order from the Arch of Titus, Rome. Richly ornamented frieze, capital with Corinthian acanthus and Ionic Echinus, cornice with Corinthian modillions and Ionic dentils. Copperplate engraving from Francis Fitzgeralds The Artists Repository and Drawing Magazine, Charles Taylor, London, 1785.
The Temple of Peace, plate nine from the Ruins of Rome, published March 1, 1796. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-temple-of-peace-plate-nine-from-the-ruins-of-rome-published-march-1-1796-image457044083.htmlRM2HFG4AY–The Temple of Peace, plate nine from the Ruins of Rome, published March 1, 1796.
View of the Arch of Titus, in Rome, Arch of the Emperor Titus Vespasianus; seer violated / Arcus imperatoris Titit Vespasiani temporis hostiumque (...) (title on object), Numbered bottom right: 16., print maker: anonymous, publisher: Pieter Schenk (I), Staten van Holland en West-Friesland, Amsterdam, 1705, paper, etching, engraving, height 167 mm × width 195 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-in-rome-arch-of-the-emperor-titus-vespasianus-seer-violated-arcus-imperatoris-titit-vespasiani-temporis-hostiumque-title-on-object-numbered-bottom-right-16-print-maker-anonymous-publisher-pieter-schenk-i-staten-van-holland-en-west-friesland-amsterdam-1705-paper-etching-engraving-height-167-mm-width-195-mm-print-image599505086.htmlRM2WR9PRX–View of the Arch of Titus, in Rome, Arch of the Emperor Titus Vespasianus; seer violated / Arcus imperatoris Titit Vespasiani temporis hostiumque (...) (title on object), Numbered bottom right: 16., print maker: anonymous, publisher: Pieter Schenk (I), Staten van Holland en West-Friesland, Amsterdam, 1705, paper, etching, engraving, height 167 mm × width 195 mm, print
View of the arch of Titus and other ruins on the Romanum forum, Jean Jacques de Boissieu, 1773 print paper etching landscape with ruins - II - ideal landscapes. triumphal arch Rome. Forum Romanum. Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-arch-of-titus-and-other-ruins-on-the-romanum-forum-jean-jacques-de-boissieu-1773-print-paper-etching-landscape-with-ruins-ii-ideal-landscapes-triumphal-arch-rome-forum-romanum-titus-bow-image594181112.htmlRM2WEK820–View of the arch of Titus and other ruins on the Romanum forum, Jean Jacques de Boissieu, 1773 print paper etching landscape with ruins - II - ideal landscapes. triumphal arch Rome. Forum Romanum. Titus bow
Arch of Titus. Artist: Giovanni Volpato (Italian, Bassano 1732-1803 Rome); Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748-1810 Lausanne). Dimensions: Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm) Image: 28 7/8 × 19 15/16 in. (73.4 × 50.7 cm). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-of-titus-artist-giovanni-volpato-italian-bassano-1732-1803-rome-abraham-louis-rodolphe-ducros-swiss-yverdon-1748-1810-lausanne-dimensions-mat-31-78-23-116-in-809-585-cm-image-28-78-19-1516-in-734-507-cm-date-ca-1780-museum-metropolitan-museum-of-art-new-york-usa-image213105217.htmlRMPAKNTH–Arch of Titus. Artist: Giovanni Volpato (Italian, Bassano 1732-1803 Rome); Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748-1810 Lausanne). Dimensions: Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm) Image: 28 7/8 × 19 15/16 in. (73.4 × 50.7 cm). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA.
L'arc de Titus Rome, Etienne Bosch, c. 1873 - in or before 1931, Two standing figures in front of a triumphal arch in a landscape with the silhouette of a city in the background., print maker: Etienne Bosch, (signed by artist), c. 1873 - in or before 1931, paper, etching, drypoint, h 140 mm × w 184 mm, h 168 mm × w 212 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/larc-de-titus-rome-etienne-bosch-c-1873-in-or-before-1931-two-standing-figures-in-front-of-a-triumphal-arch-in-a-landscape-with-the-silhouette-of-a-city-in-the-background-print-maker-etienne-bosch-signed-by-artist-c-1873-in-or-before-1931-paper-etching-drypoint-h-140-mm-w-184-mm-h-168-mm-w-212-mm-image473385625.htmlRM2JE4G5D–L'arc de Titus Rome, Etienne Bosch, c. 1873 - in or before 1931, Two standing figures in front of a triumphal arch in a landscape with the silhouette of a city in the background., print maker: Etienne Bosch, (signed by artist), c. 1873 - in or before 1931, paper, etching, drypoint, h 140 mm × w 184 mm, h 168 mm × w 212 mm
L'arc de Titus Rome, Etienne Bosch, c. 1873 - in or before 1931 print Two standing figures for a triumphal arch in a landscape with the silhouette of a city in the background. paper. printing ink etching / drypoint Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/larc-de-titus-rome-etienne-bosch-c-1873-in-or-before-1931-print-two-standing-figures-for-a-triumphal-arch-in-a-landscape-with-the-silhouette-of-a-city-in-the-background-paper-printing-ink-etching-drypoint-titus-bow-image593778687.htmlRM2WE0XNK–L'arc de Titus Rome, Etienne Bosch, c. 1873 - in or before 1931 print Two standing figures for a triumphal arch in a landscape with the silhouette of a city in the background. paper. printing ink etching / drypoint Titus bow
Speculum Romanae Magnificentiae: Arch of Titus. Artist: Anonymous. Dimensions: sheet: 18 7/8 x 14 5/8 in. (48 x 37.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1558. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/speculum-romanae-magnificentiae-arch-of-titus-artist-anonymous-dimensions-sheet-18-78-x-14-58-in-48-x-372-cm-publisher-antonio-lafreri-french-orgelet-franche-comte-ca-1512-1577-rome-seriesportfolio-speculum-romanae-magnificentiae-date-1558-this-print-comes-from-the-museums-copy-of-the-speculum-romanae-magnificentiae-the-mirror-of-roman-magnificence-the-speculum-found-its-origin-in-the-publishing-endeavors-of-antonio-salamanca-and-antonio-lafreri-during-their-roman-publishing-careers-the-two-foreign-publishers-who-worked-together-between-1553-and-1563-initiate-image213365792.htmlRMPB3J6T–Speculum Romanae Magnificentiae: Arch of Titus. Artist: Anonymous. Dimensions: sheet: 18 7/8 x 14 5/8 in. (48 x 37.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1558. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiate
Landscape with oxen grazing on a bank and the Arch of Titus, Prints after drawings by Claude Lorrain (series title), Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...) (series title), print maker: Richard Earlom, after drawing by: Claude Lorrain, publisher: John Boydell, London, 2-Sep-1776, paper, etching, height 207 mm × width 260 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-oxen-grazing-on-a-bank-and-the-arch-of-titus-prints-after-drawings-by-claude-lorrain-series-title-liber-veritatis-or-a-collection-of-two-hundred-prints-after-the-original-designs-of-claude-le-lorrain-series-title-print-maker-richard-earlom-after-drawing-by-claude-lorrain-publisher-john-boydell-london-2-sep-1776-paper-etching-height-207-mm-width-260-mm-print-image599529837.htmlRM2WRAXBW–Landscape with oxen grazing on a bank and the Arch of Titus, Prints after drawings by Claude Lorrain (series title), Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...) (series title), print maker: Richard Earlom, after drawing by: Claude Lorrain, publisher: John Boydell, London, 2-Sep-1776, paper, etching, height 207 mm × width 260 mm, print
Boog Van Titus Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the bow of Titus on the Romanum forum in Rome. Title and list of explanatory letters in STUDMARGE. Rome paper etching triumphal arch. ruin of a building architecture. landscape with ruins Rome. Titus bow. Forum Romanum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boog-van-titus-te-rome-giovanni-battista-piranesi-1748-1778-print-view-of-the-bow-of-titus-on-the-romanum-forum-in-rome-title-and-list-of-explanatory-letters-in-studmarge-rome-paper-etching-triumphal-arch-ruin-of-a-building-architecture-landscape-with-ruins-rome-titus-bow-forum-romanum-image594047681.htmlRM2WED5TH–Boog Van Titus Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the bow of Titus on the Romanum forum in Rome. Title and list of explanatory letters in STUDMARGE. Rome paper etching triumphal arch. ruin of a building architecture. landscape with ruins Rome. Titus bow. Forum Romanum
The Arch of Titus Speculum Romanae Magnificentiae). Artist: Anonymous. Dimensions: sheet: 17 15/16 x 13 1/4 in. (45.5 x 33.7 cm) mount: 22 1/16 x 16 7/8 in. (56 x 42.8 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1540-1560. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked tog Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-speculum-romanae-magnificentiae-artist-anonymous-dimensions-sheet-17-1516-x-13-14-in-455-x-337-cm-mount-22-116-x-16-78-in-56-x-428-cm-publisher-antonio-salamanca-salamanca-1478-1562-rome-seriesportfolio-speculum-romanae-magnificentiae-date-ca-1540-1560-this-print-comes-from-the-museums-copy-of-the-speculum-romanae-magnificentiae-the-mirror-of-roman-magnificence-the-speculum-found-its-origin-in-the-publishing-endeavors-of-antonio-salamanca-and-antonio-lafreri-during-their-roman-publishing-careers-the-two-foreign-publishers-who-worked-tog-image213502532.htmlRMPB9TJC–The Arch of Titus Speculum Romanae Magnificentiae). Artist: Anonymous. Dimensions: sheet: 17 15/16 x 13 1/4 in. (45.5 x 33.7 cm) mount: 22 1/16 x 16 7/8 in. (56 x 42.8 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1540-1560. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked tog
Landscape with oxen grazing on a bank and the Arch of Titus, Prints after drawings by Claude Lorrain (series title), Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...) (series title), print, print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John Boydell, (mentioned on object), London, 2-Sep-1776, paper, etching, height, 207 mm × width, 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-oxen-grazing-on-a-bank-and-the-arch-of-titus-prints-after-drawings-by-claude-lorrain-series-title-liber-veritatis-or-a-collection-of-two-hundred-prints-after-the-original-designs-of-claude-le-lorrain-series-title-print-print-maker-richard-earlom-mentioned-on-object-after-drawing-by-claude-lorrain-mentioned-on-object-publisher-john-boydell-mentioned-on-object-london-2-sep-1776-paper-etching-height-207-mm-width-260-mm-image606667353.htmlRM2X702B5–Landscape with oxen grazing on a bank and the Arch of Titus, Prints after drawings by Claude Lorrain (series title), Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...) (series title), print, print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John Boydell, (mentioned on object), London, 2-Sep-1776, paper, etching, height, 207 mm × width, 260 mm
Speculum Romanae Magnificentiae: Arch of Titus, Anonymous, 1558 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-speculum-romanae-magnificentiae-arch-of-titus-anonymous-1558-162553837.htmlRMKCCY25–Speculum Romanae Magnificentiae: Arch of Titus, Anonymous, 1558
Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-arch-of-titus-ca-1780-etching-with-watercolor-and-gouache-mat-31-78-162440042.htmlRMKC7NX2–Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni
View of the remains of the Temple of Vespasian and Titus in Rome (mentioned on print Temple of Jupiter Tonans). Title, caption and explanatory list with numbers in lower margin, Temple of Vespasian and Titus Veduta del Tempio di Giove Tonante, Faces of Rome (series title) Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano (series title), print maker: Giovanni Battista Piranesi, (mentioned on object), Giovanni Battista Piranesi, (mentioned on object), Rome, 1748 - 1778, paper, etching, h 400 mm × w 601 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-remains-of-the-temple-of-vespasian-and-titus-in-rome-mentioned-on-print-temple-of-jupiter-tonans-title-caption-and-explanatory-list-with-numbers-in-lower-margin-temple-of-vespasian-and-titus-veduta-del-tempio-di-giove-tonante-faces-of-rome-series-title-vedute-di-roma-disegnate-ed-incise-da-giambattista-piranesi-architetto-veneziano-series-title-print-maker-giovanni-battista-piranesi-mentioned-on-object-giovanni-battista-piranesi-mentioned-on-object-rome-1748-1778-paper-etching-h-400-mm-w-601-mm-image473395604.htmlRM2JE50WT–View of the remains of the Temple of Vespasian and Titus in Rome (mentioned on print Temple of Jupiter Tonans). Title, caption and explanatory list with numbers in lower margin, Temple of Vespasian and Titus Veduta del Tempio di Giove Tonante, Faces of Rome (series title) Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano (series title), print maker: Giovanni Battista Piranesi, (mentioned on object), Giovanni Battista Piranesi, (mentioned on object), Rome, 1748 - 1778, paper, etching, h 400 mm × w 601 mm
Boog Van Titus Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the bow of Titus on the Romanum forum in Rome. Title and list of explanatory letters in STUDMARGE. Rome paper etching triumphal arch. ruin of a building architecture. landscape with ruins Titus bow. Forum Romanum. Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boog-van-titus-te-rome-giovanni-battista-piranesi-1748-1778-print-view-of-the-bow-of-titus-on-the-romanum-forum-in-rome-title-and-list-of-explanatory-letters-in-studmarge-rome-paper-etching-triumphal-arch-ruin-of-a-building-architecture-landscape-with-ruins-titus-bow-forum-romanum-rome-image594928849.htmlRM2WFW9PW–Boog Van Titus Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the bow of Titus on the Romanum forum in Rome. Title and list of explanatory letters in STUDMARGE. Rome paper etching triumphal arch. ruin of a building architecture. landscape with ruins Titus bow. Forum Romanum. Rome
Titus Maccius Plautus (250-184). Latin playwright. Bacchides. Act I. Bacchides and Pistoclerus. Engraving. 1518. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titus-maccius-plautus-250-184-latin-playwright-bacchides-act-i-bacchides-and-pistoclerus-engraving-1518-colored-image220320108.htmlRMPPCCF8–Titus Maccius Plautus (250-184). Latin playwright. Bacchides. Act I. Bacchides and Pistoclerus. Engraving. 1518. Colored.
Ruinschap with the temple of Antonius and Faustina, the arch of Titus and the temple of Jupiter Optimus Maximus, Johann Sebastian Müller, after Giovanni Paolo Pannini, 1745 print Text in English in the lower margin. In the background the Colosseum, the Basilica of Maxentius and on the right the Palatijn. London paper etching landscape with ruins (+ city(-scape) with figures, staffage) Roman forum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruinschap-with-the-temple-of-antonius-and-faustina-the-arch-of-titus-and-the-temple-of-jupiter-optimus-maximus-johann-sebastian-mller-after-giovanni-paolo-pannini-1745-print-text-in-english-in-the-lower-margin-in-the-background-the-colosseum-the-basilica-of-maxentius-and-on-the-right-the-palatijn-london-paper-etching-landscape-with-ruins-city-scape-with-figures-staffage-roman-forum-image595259293.htmlRM2WGCB8D–Ruinschap with the temple of Antonius and Faustina, the arch of Titus and the temple of Jupiter Optimus Maximus, Johann Sebastian Müller, after Giovanni Paolo Pannini, 1745 print Text in English in the lower margin. In the background the Colosseum, the Basilica of Maxentius and on the right the Palatijn. London paper etching landscape with ruins (+ city(-scape) with figures, staffage) Roman forum
Priscilla Hopkins as Lavinia in 'Titus Andronicus.'. . Dressed in 18th century hooped skirt, she holds a bow and arrow.. Hopkins married John Philip Kemble in 1787, after the death of her first husband William Brereton. Her career as actress and soubrette lasted from 1775 to 1796.. . Copperplate engraving from 'Bell's Shakespeare' published by John Bell, London, from 1776. Drawn by James Roberts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/priscilla-hopkins-as-lavinia-in-titus-andronicus-dressed-in-18th-century-hooped-skirt-she-holds-a-bow-and-arrow-hopkins-married-john-philip-kemble-in-1787-after-the-death-of-her-first-husband-william-brereton-her-career-as-actress-and-soubrette-lasted-from-1775-to-1796-copperplate-engraving-from-bells-shakespeare-published-by-john-bell-london-from-1776-drawn-by-james-roberts-image209837636.htmlRMP5AX18–Priscilla Hopkins as Lavinia in 'Titus Andronicus.'. . Dressed in 18th century hooped skirt, she holds a bow and arrow.. Hopkins married John Philip Kemble in 1787, after the death of her first husband William Brereton. Her career as actress and soubrette lasted from 1775 to 1796.. . Copperplate engraving from 'Bell's Shakespeare' published by John Bell, London, from 1776. Drawn by James Roberts.
Boog Van Titus Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the bow of Titus on the Romanum forum in Rome. In the background, among other things, the Capitolheuvel and the Basilica of Maxentius (called Della Pace at the Prent Tempio). Rome paper etching landscape with ruins. ruin of a building architecture. triumphal arch Titus bow. Forum Romanum. Basilica of Maxentius. Temple of Jupiter Stator. Capitol. Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boog-van-titus-te-rome-giovanni-battista-piranesi-1748-1778-print-view-of-the-bow-of-titus-on-the-romanum-forum-in-rome-in-the-background-among-other-things-the-capitolheuvel-and-the-basilica-of-maxentius-called-della-pace-at-the-prent-tempio-rome-paper-etching-landscape-with-ruins-ruin-of-a-building-architecture-triumphal-arch-titus-bow-forum-romanum-basilica-of-maxentius-temple-of-jupiter-stator-capitol-rome-image594932778.htmlRM2WFWER6–Boog Van Titus Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the bow of Titus on the Romanum forum in Rome. In the background, among other things, the Capitolheuvel and the Basilica of Maxentius (called Della Pace at the Prent Tempio). Rome paper etching landscape with ruins. ruin of a building architecture. triumphal arch Titus bow. Forum Romanum. Basilica of Maxentius. Temple of Jupiter Stator. Capitol. Rome
Arco di Tito. Dated: 1748. Dimensions: plate: 13 x 26.5 cm (5 1/8 x 10 7/16 in.) overall: 37 x 52.9 cm (14 9/16 x 20 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arco-di-tito-dated-1748-dimensions-plate-13-x-265-cm-5-18-x-10-716-in-overall-37-x-529-cm-14-916-x-20-1316-in-medium-etching-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-giovanni-battista-piranesi-image225696562.htmlRMR35A7E–Arco di Tito. Dated: 1748. Dimensions: plate: 13 x 26.5 cm (5 1/8 x 10 7/16 in.) overall: 37 x 52.9 cm (14 9/16 x 20 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.
Titus's bow on the Romanum forum, Daniël Dupré, 1786 - 1817 print View of the arch of Titus on the Romanum forum in Rome for the restoration and restoration of the side aisles. Under the gate is a beggar. A man on horseback and a woman with two children walk through the gate. Two waxes walk towards the gate from the other side. Netherlands paper. watercolor (paint) etching triumphal arch Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tituss-bow-on-the-romanum-forum-danil-dupr-1786-1817-print-view-of-the-arch-of-titus-on-the-romanum-forum-in-rome-for-the-restoration-and-restoration-of-the-side-aisles-under-the-gate-is-a-beggar-a-man-on-horseback-and-a-woman-with-two-children-walk-through-the-gate-two-waxes-walk-towards-the-gate-from-the-other-side-netherlands-paper-watercolor-paint-etching-triumphal-arch-titus-bow-image594010155.htmlRM2WEBE0B–Titus's bow on the Romanum forum, Daniël Dupré, 1786 - 1817 print View of the arch of Titus on the Romanum forum in Rome for the restoration and restoration of the side aisles. Under the gate is a beggar. A man on horseback and a woman with two children walk through the gate. Two waxes walk towards the gate from the other side. Netherlands paper. watercolor (paint) etching triumphal arch Titus bow
Sack of Rome by the Visigoths led by Alaric I in 410, during the reign of Emperor Honorius. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sack-of-rome-by-the-visigoths-led-by-alaric-i-in-410-during-the-reign-of-emperor-honorius-engraving-image209565529.htmlRMP4XEY5–Sack of Rome by the Visigoths led by Alaric I in 410, during the reign of Emperor Honorius. Engraving.
Forum Romanum Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Romanum forum in Rome. In the foreground the remains of the Tempio di Giove Statore. In the background, among others, the Basilica of Maxentius and the Colosseum. Title and explanatory list of songs in STUDMARGE. Rome paper etching ruin of a building architecture. landscape with ruins. triumphal arch. temple, shrine Roman religion Forum Romanum. Colosseum. Temple of Jupiter Stator. Basilica of Maxentius. Titus bow. Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/forum-romanum-te-rome-giovanni-battista-piranesi-1748-1778-print-view-of-the-romanum-forum-in-rome-in-the-foreground-the-remains-of-the-tempio-di-giove-statore-in-the-background-among-others-the-basilica-of-maxentius-and-the-colosseum-title-and-explanatory-list-of-songs-in-studmarge-rome-paper-etching-ruin-of-a-building-architecture-landscape-with-ruins-triumphal-arch-temple-shrine-roman-religion-forum-romanum-colosseum-temple-of-jupiter-stator-basilica-of-maxentius-titus-bow-rome-image594933309.htmlRM2WFWFE5–Forum Romanum Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Romanum forum in Rome. In the foreground the remains of the Tempio di Giove Statore. In the background, among others, the Basilica of Maxentius and the Colosseum. Title and explanatory list of songs in STUDMARGE. Rome paper etching ruin of a building architecture. landscape with ruins. triumphal arch. temple, shrine Roman religion Forum Romanum. Colosseum. Temple of Jupiter Stator. Basilica of Maxentius. Titus bow. Rome
Sack of Rome by the Visigoths led by Alaric I in 410, during the reign of Emperor Honorius. Colored engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sack-of-rome-by-the-visigoths-led-by-alaric-i-in-410-during-the-reign-of-emperor-honorius-colored-engraving-image209734914.htmlRMP5670J–Sack of Rome by the Visigoths led by Alaric I in 410, during the reign of Emperor Honorius. Colored engraving.
Boog of Constantijn in Rome, Etienne Dupérac, 1575 View of the arch of Constantijn in Rome. In the background on the right the bow of Titus. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Arch of Constantine. Titus bow View of the arch of Constantijn in Rome. In the background on the right the bow of Titus. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Arch of Constantine. Titus bow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boog-of-constantijn-in-rome-etienne-duprac-1575-view-of-the-arch-of-constantijn-in-rome-in-the-background-on-the-right-the-bow-of-titus-caption-in-italian-print-is-part-of-an-album-maker-italypublisher-romevaticaanstaditaly-paper-engraving-etching-arch-of-constantine-titus-bow-view-of-the-arch-of-constantijn-in-rome-in-the-background-on-the-right-the-bow-of-titus-caption-in-italian-print-is-part-of-an-album-maker-italypublisher-romevaticaanstaditaly-paper-engraving-etching-arch-of-constantine-titus-bow-image576576784.htmlRM2TE19G0–Boog of Constantijn in Rome, Etienne Dupérac, 1575 View of the arch of Constantijn in Rome. In the background on the right the bow of Titus. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Arch of Constantine. Titus bow View of the arch of Constantijn in Rome. In the background on the right the bow of Titus. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Arch of Constantine. Titus bow
Roman empire. Sack of Rome by the Visigoths led by Alaric I in 410, during the reign of Emperor Honorius. His sister, Gala Placidia, was captured and taken captive.. Engraving. Las Glorias Nacionales. Volume II. Madrid-Barcelona edition, 1853. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-empire-sack-of-rome-by-the-visigoths-led-by-alaric-i-in-410-during-the-reign-of-emperor-honorius-his-sister-gala-placidia-was-captured-and-taken-captive-engraving-las-glorias-nacionales-volume-ii-madrid-barcelona-edition-1853-image441410531.htmlRM2GJ3YHR–Roman empire. Sack of Rome by the Visigoths led by Alaric I in 410, during the reign of Emperor Honorius. His sister, Gala Placidia, was captured and taken captive.. Engraving. Las Glorias Nacionales. Volume II. Madrid-Barcelona edition, 1853.
Forum Romanum Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Romanum forum in Rome. In the foreground the remains of the Tempio di Giove Statore. In the background, among others, the Basilica of Maxentius and the Colosseum. Title and explanatory list of songs in STUDMARGE. Rome paper etching ruin of a building architecture. landscape with ruins. triumphal arch. temple, shrine Roman religion Rome. Forum Romanum. Colosseum. Titus bow. Temple of Jupiter Stator. Basilica of Maxentius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/forum-romanum-te-rome-giovanni-battista-piranesi-1748-1778-print-view-of-the-romanum-forum-in-rome-in-the-foreground-the-remains-of-the-tempio-di-giove-statore-in-the-background-among-others-the-basilica-of-maxentius-and-the-colosseum-title-and-explanatory-list-of-songs-in-studmarge-rome-paper-etching-ruin-of-a-building-architecture-landscape-with-ruins-triumphal-arch-temple-shrine-roman-religion-rome-forum-romanum-colosseum-titus-bow-temple-of-jupiter-stator-basilica-of-maxentius-image594070441.htmlRM2WEE6WD–Forum Romanum Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Romanum forum in Rome. In the foreground the remains of the Tempio di Giove Statore. In the background, among others, the Basilica of Maxentius and the Colosseum. Title and explanatory list of songs in STUDMARGE. Rome paper etching ruin of a building architecture. landscape with ruins. triumphal arch. temple, shrine Roman religion Rome. Forum Romanum. Colosseum. Titus bow. Temple of Jupiter Stator. Basilica of Maxentius
Arch of Septimius Severus and Temple of Saturn, Giuseppe Vasi, 1747 - 1761 print View of the Romanum forum (then known as Campo Vaccino) with the arch of Septimius Severus and the remains of the temple of Saturn (on the print confused with the remains of the Temple of Concordia). Numbered below: 31. Title and explanatory list of numbers in STUDMARGE. Italy paper etching temple, shrine Roman religion. ruin of a building architecture. triumphal arch Roman forum. Boog van Constantine. Tempel van Saturn. Tempel Vespasian en Titus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arch-of-septimius-severus-and-temple-of-saturn-giuseppe-vasi-1747-1761-print-view-of-the-romanum-forum-then-known-as-campo-vaccino-with-the-arch-of-septimius-severus-and-the-remains-of-the-temple-of-saturn-on-the-print-confused-with-the-remains-of-the-temple-of-concordia-numbered-below-31-title-and-explanatory-list-of-numbers-in-studmarge-italy-paper-etching-temple-shrine-roman-religion-ruin-of-a-building-architecture-triumphal-arch-roman-forum-boog-van-constantine-tempel-van-saturn-tempel-vespasian-en-titus-image593038560.htmlRM2WCR6MG–Arch of Septimius Severus and Temple of Saturn, Giuseppe Vasi, 1747 - 1761 print View of the Romanum forum (then known as Campo Vaccino) with the arch of Septimius Severus and the remains of the temple of Saturn (on the print confused with the remains of the Temple of Concordia). Numbered below: 31. Title and explanatory list of numbers in STUDMARGE. Italy paper etching temple, shrine Roman religion. ruin of a building architecture. triumphal arch Roman forum. Boog van Constantine. Tempel van Saturn. Tempel Vespasian en Titus
