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1600 1650 Stock Photos and Images
Annunciation 1635-1640 Matthias Stomer 1600-1650,Dutch, The Netherlands.Annunciation, blessed, Virgin Mary, the announcement by the ,angel Gabriel, Mary that she would conceive, bear a son through a, virgin birth, become the, mother of Jesus Christ, Christian Messiah and Son of God, Incarnation, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annunciation-1635-1640-matthias-stomer-1600-1650dutch-the-netherlandsannunciation-blessed-virgin-mary-the-announcement-by-the-angel-gabriel-mary-that-she-would-conceive-bear-a-son-through-a-virgin-birth-become-the-mother-of-jesus-christ-christian-messiah-and-son-of-god-incarnation-image179416832.htmlRMMBW400–Annunciation 1635-1640 Matthias Stomer 1600-1650,Dutch, The Netherlands.Annunciation, blessed, Virgin Mary, the announcement by the ,angel Gabriel, Mary that she would conceive, bear a son through a, virgin birth, become the, mother of Jesus Christ, Christian Messiah and Son of God, Incarnation,
Portrait of Nicolas Chrystin, bourgeois from Antwerp. 1600 Engraving by Jean Morin (France, 1600 – 1650) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-nicolas-chrystin-bourgeois-from-antwerp-1600-engraving-by-jean-morin-france-1600-1650-image455693450.htmlRF2HDAHJ2–Portrait of Nicolas Chrystin, bourgeois from Antwerp. 1600 Engraving by Jean Morin (France, 1600 – 1650)
House of Spangen, The Netherlands, I. Baudouin, 1600 - 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/house-of-spangen-the-netherlands-i-baudouin-1600-1650-image240637132.htmlRMRYDY38–House of Spangen, The Netherlands, I. Baudouin, 1600 - 1650
Inspired by Six-piece screen, Six-piece screen depicting a flight of herons over water and rocks, Japan, 1600 - 1650, gold (metal), dye, height 156 cm × width 61 cm × depth 10 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-six-piece-screen-six-piece-screen-depicting-a-flight-of-herons-over-water-and-rocks-japan-1600-1650-gold-metal-dye-height-156-cm-width-61-cm-depth-10-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459359453.htmlRF2HK9HJN–Inspired by Six-piece screen, Six-piece screen depicting a flight of herons over water and rocks, Japan, 1600 - 1650, gold (metal), dye, height 156 cm × width 61 cm × depth 10 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sampler 1600–1650. 1088 Sampler - Google Art Project (6712600) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sampler-16001650-1088-sampler-google-art-project-6712600-image185583718.htmlRMMNX1WX–Sampler 1600–1650. 1088 Sampler - Google Art Project (6712600)
German School, The Protestant Reformers, portrait painting, 1600-1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-school-the-protestant-reformers-portrait-painting-1600-1650-image248442731.htmlRMTC5F6K–German School, The Protestant Reformers, portrait painting, 1600-1650
Anonymous / 'The Emperor Hadrian'. 1600 - 1650. Marble. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-the-emperor-hadrian-1600-1650-marble-museum-museo-del-prado-madrid-espaa-image213566710.htmlRMPBCPEE–Anonymous / 'The Emperor Hadrian'. 1600 - 1650. Marble. Museum: Museo del Prado, Madrid, España.
The Seven Acts of Mercy, copy after, or by the workshop of, Pieter Brueghel the Younger (1564-1638), oil on oak panel, 1600-1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seven-acts-of-mercy-copy-after-or-by-the-workshop-of-pieter-brueghel-the-younger-1564-1638-oil-on-oak-panel-1600-1650-image219720820.htmlRMPND444–The Seven Acts of Mercy, copy after, or by the workshop of, Pieter Brueghel the Younger (1564-1638), oil on oak panel, 1600-1650
Gezicht op de priorij van Groenendaal bij Brussel, anoniem, 1600 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gezicht-op-de-priorij-van-groenendaal-bij-brussel-anoniem-1600-1650-142962233.htmlRMJ8GDP1–Gezicht op de priorij van Groenendaal bij Brussel, anoniem, 1600 1650
Fashion, clothing in Europe, war costumes of the Thirty Years War, circa 1600-1650, from left, two musketeers around 1609, two pikemen or jokers and a captain around 1615, with partisan, the weapon of the Pikemen officers, digital improved reproduction from an original from the year 1900 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fashion-clothing-in-europe-war-costumes-of-the-thirty-years-war-circa-174496572.htmlRFM3W04C–Fashion, clothing in Europe, war costumes of the Thirty Years War, circa 1600-1650, from left, two musketeers around 1609, two pikemen or jokers and a captain around 1615, with partisan, the weapon of the Pikemen officers, digital improved reproduction from an original from the year 1900
Drawing, Saint Magdalen Repenting, 1600–1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-saint-magdalen-repenting-16001650-image264827817.htmlRMWARXG9–Drawing, Saint Magdalen Repenting, 1600–1650
Partisan, c. 1600-1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partisan-c-1600-1650-image330111392.htmlRM2A51TCG–Partisan, c. 1600-1650.
Age of the 30-year war (1600-1650), 1630-1640, anonym 1896 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/age-of-the-30-year-war-1600-1650-1630-1640-anonym-1896-image220193933.htmlRMPP6KH1–Age of the 30-year war (1600-1650), 1630-1640, anonym 1896
Sara and Abraham and Hagar by Matthias Stomer, 1600-1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sara-and-abraham-and-hagar-by-matthias-stomer-1600-1650-image482313673.htmlRM2K0K809–Sara and Abraham and Hagar by Matthias Stomer, 1600-1650
Fashion, clothing in Europe, war costumes of the Thirty Years War, circa 1600-1650, illustration, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashion-clothing-in-europe-war-costumes-of-the-thirty-years-war-circa-1600-1650-illustration-germany-image226954154.htmlRMR56J9E–Fashion, clothing in Europe, war costumes of the Thirty Years War, circa 1600-1650, illustration, Germany
Matthias Stom (1600-1650). Dutch Golden Age painter. Young man reading by candlelight, ca.1630. National Museum. Stockholm. Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-matthias-stom-1600-1650-dutch-golden-age-painter-young-man-reading-124496733.htmlRMH6F8RW–Matthias Stom (1600-1650). Dutch Golden Age painter. Young man reading by candlelight, ca.1630. National Museum. Stockholm. Sweden.
The figures represented here are all Germans in the 1600s. From left to right, they are: a man of rank, a woman of rank in mourning (1600-1650), and a man of rank (around 1650). The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-figures-represented-here-are-all-germans-in-the-1600s-from-left-118763367.htmlRFGW63TR–The figures represented here are all Germans in the 1600s. From left to right, they are: a man of rank, a woman of rank in mourning (1600-1650), and a man of rank (around 1650). The illustration dates to 1882.
Oxen (Bartsch 27) Herman van Swanevelt (1600-1650). 'Les boeufs (Bartsch 27)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oxen-bartsch-27-herman-van-swanevelt-1600-1650-les-boeufs-bartsch-27-eau-forte-17e-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349515183.htmlRM2B8HP53–Oxen (Bartsch 27) Herman van Swanevelt (1600-1650). 'Les boeufs (Bartsch 27)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Pendant 1600-1650 by Unidentified Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendant-1600-1650-by-unidentified-image555906418.htmlRM2R8BM8J–Pendant 1600-1650 by Unidentified
Allegorical presentation of the war 1600 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-allegorical-presentation-of-the-war-1600-1650-17791820.htmlRMB0XDJ4–Allegorical presentation of the war 1600 1650
'Head of Saint John the Baptist' by an anonymous Spanish painter, c. 1600 1650, Cleveland Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-saint-john-the-baptist-by-an-anonymous-spanish-painter-c-1600-114765895.htmlRMGJM11Y–'Head of Saint John the Baptist' by an anonymous Spanish painter, c. 1600 1650, Cleveland Museum of Art
House of Spangen, The Netherlands, I. Baudouin, 1600 - 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-house-of-spangen-the-netherlands-i-baudouin-1600-1650-123334417.htmlRMH4JA8H–House of Spangen, The Netherlands, I. Baudouin, 1600 - 1650
Art inspired by Six-piece screen, Six-piece screen depicting a flight of herons over water and rocks, Japan, 1600 - 1650, gold (metal), dye, height 156 cm × width 61 cm × depth 10 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-six-piece-screen-six-piece-screen-depicting-a-flight-of-herons-over-water-and-rocks-japan-1600-1650-gold-metal-dye-height-156-cm-width-61-cm-depth-10-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459710685.htmlRF2HKWHJN–Art inspired by Six-piece screen, Six-piece screen depicting a flight of herons over water and rocks, Japan, 1600 - 1650, gold (metal), dye, height 156 cm × width 61 cm × depth 10 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
English: Basket of Flowers 1600/1650. 948 Osias Beert - Basket of Flowers - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-basket-of-flowers-16001650-948-osias-beert-basket-of-flowers-google-art-project-image185496920.htmlRMMNP360–English: Basket of Flowers 1600/1650. 948 Osias Beert - Basket of Flowers - Google Art Project
René Descartes (1596-1650), portrait painting, 1600-1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ren-descartes-1596-1650-portrait-painting-1600-1650-image264105419.htmlRMW9K14B–René Descartes (1596-1650), portrait painting, 1600-1650
Anonymous / 'Agate goblet with lid'. 1600 - 1650. Agate, Chalcedony, Enamel, Gold. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-agate-goblet-with-lid-1600-1650-agate-chalcedony-enamel-gold-museum-museo-del-prado-madrid-espaa-image241823055.htmlRMT1BYNK–Anonymous / 'Agate goblet with lid'. 1600 - 1650. Agate, Chalcedony, Enamel, Gold. Museum: Museo del Prado, Madrid, España.
Bigorne, anonymous, 1600 - 1650 Bigorne, c. 1550. A fat monster eating a man. Before Bigorne kneels a man called 'Good brother' next to him his wife r Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bigorne-anonymous-1600-1650-bigorne-c-1550-a-fat-monster-eating-a-man-before-bigorne-kneels-a-man-called-good-brother-next-to-him-his-wife-r-image488043781.htmlRF2KA08R1–Bigorne, anonymous, 1600 - 1650 Bigorne, c. 1550. A fat monster eating a man. Before Bigorne kneels a man called 'Good brother' next to him his wife r
'Head of Saint John the Baptist' by an anonymous Spanish painter, c. 1600-1650, Cleveland Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-saint-john-the-baptist-by-an-anonymous-spanish-painter-c-1600-141289541.htmlRMJ5T871–'Head of Saint John the Baptist' by an anonymous Spanish painter, c. 1600-1650, Cleveland Museum of Art
River Bank, Jan Brueghel (I) (copy after), 1600 - 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/river-bank-jan-brueghel-i-copy-after-1600-1650-image565387018.htmlRF2RRRGWE–River Bank, Jan Brueghel (I) (copy after), 1600 - 1650
Drawing, Study of a Tree, 1600–1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-of-a-tree-16001650-image264831448.htmlRMWAT360–Drawing, Study of a Tree, 1600–1650
Silk and Gold Brocade Fragments, 1600-1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silk-and-gold-brocade-fragments-1600-1650-image330118778.htmlRM2A525TA–Silk and Gold Brocade Fragments, 1600-1650.
Age of the Thirty Years' War (1600-1650), left: noble people, right: citizen woman, anonym 1896 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/age-of-the-thirty-years-war-1600-1650-left-noble-people-right-citizen-woman-anonym-1896-image220193926.htmlRMPP6KGP–Age of the Thirty Years' War (1600-1650), left: noble people, right: citizen woman, anonym 1896
Mirror 1600–1650 French. Mirror 196705 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mirror-16001650-french-mirror-196705-image458136588.htmlRM2HH9WW0–Mirror 1600–1650 French. Mirror 196705
Samurai attacking. The Life Of Yoshitsune. Japan, c.1600-1650. Samurai besieging the battlements from an illuminated manuscript depicting the life of the Japanese military leader Minamoto no Yoshitsune (1159-1189). Image taken from The Life Of Yoshitsune. Originally published/produced in Japan, c.1600-1650. . Source: Or. 2346, ff.524v-525. Language: Japanese. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samurai-attacking-the-life-of-yoshitsune-japan-c1600-1650-samurai-besieging-the-battlements-from-an-illuminated-manuscript-depicting-the-life-of-the-japanese-military-leader-minamoto-no-yoshitsune-1159-1189-image-taken-from-the-life-of-yoshitsune-originally-publishedproduced-in-japan-c1600-1650-source-or-2346-ff524v-525-language-japanese-image226966435.htmlRMR57603–Samurai attacking. The Life Of Yoshitsune. Japan, c.1600-1650. Samurai besieging the battlements from an illuminated manuscript depicting the life of the Japanese military leader Minamoto no Yoshitsune (1159-1189). Image taken from The Life Of Yoshitsune. Originally published/produced in Japan, c.1600-1650. . Source: Or. 2346, ff.524v-525. Language: Japanese.
Mattheus Stomer (1600-1650). Dutch golden age painter. Death of Seneca, 1640-45. Roman Stoic philosopher. Italy. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mattheus-stomer-1600-1650-dutch-golden-age-painter-death-of-seneca-140425210.htmlRMJ4CWP2–Mattheus Stomer (1600-1650). Dutch golden age painter. Death of Seneca, 1640-45. Roman Stoic philosopher. Italy. National Museum of Capodimonte. Naples. Italy.
The figures represented here are all Germans in the 1600s. From left to right, they are: a man of rank, a woman of rank (1600-1650), a man of rank (around 1650), a woman of rank in mourning (1650-1700), and a man of rank (1690-1700). The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-figures-represented-here-are-all-germans-in-the-1600s-from-left-118763365.htmlRFGW63TN–The figures represented here are all Germans in the 1600s. From left to right, they are: a man of rank, a woman of rank (1600-1650), a man of rank (around 1650), a woman of rank in mourning (1650-1700), and a man of rank (1690-1700). The illustration dates to 1882.
Camels (Bartsch 26) Herman van Swanevelt (1600-1650). 'Les chameaux (Bartsch 26)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camels-bartsch-26-herman-van-swanevelt-1600-1650-les-chameaux-bartsch-26-eau-forte-17e-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349529772.htmlRM2B8JCP4–Camels (Bartsch 26) Herman van Swanevelt (1600-1650). 'Les chameaux (Bartsch 26)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Portrait of a Man ca. 1600-1650 by Unidentified (Dutch) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-ca-1600-1650-by-unidentified-dutch-image555982286.htmlRM2R8F526–Portrait of a Man ca. 1600-1650 by Unidentified (Dutch)
Allegorical presentation of the war 1600 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-allegorical-presentation-of-the-war-1600-1650-17792770.htmlRMB0XET2–Allegorical presentation of the war 1600 1650
Portrait of a Man with a Lace Collar, oil on metal, circa 1600 - 1650. Unknown arist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-with-a-lace-collar-oil-on-metal-circa-1600-1650-unknown-arist-image558972891.htmlRM2RDBBHF–Portrait of a Man with a Lace Collar, oil on metal, circa 1600 - 1650. Unknown arist.
Jean Morin, French (c. 1600-1650), Nicolas Chrystin, engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-morin-french-c-1600-1650-nicolas-chrystin-engraving-77442660.htmlRMEDYPW8–Jean Morin, French (c. 1600-1650), Nicolas Chrystin, engraving
Art inspired by Two Young Page-Boys, 1600–1650, Pen and brown ink, brush and brown wash, 4 x 2-1/2 in. (10.1 x 6.4 cm), Drawings, Bernardino Rodriguez ('Bernardino Siciliano') (Italian, documented (?) Sicily 1600–1650, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-two-young-page-boys-16001650-pen-and-brown-ink-brush-and-brown-wash-4-x-2-12-in-101-x-64-cm-drawings-bernardino-rodriguez-bernardino-siciliano-italian-documented-sicily-16001650-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953570.htmlRF2HW5A02–Art inspired by Two Young Page-Boys, 1600–1650, Pen and brown ink, brush and brown wash, 4 x 2-1/2 in. (10.1 x 6.4 cm), Drawings, Bernardino Rodriguez ('Bernardino Siciliano') (Italian, documented (?) Sicily 1600–1650, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragment of a Saf Carpet (1600 - 1650). 1215 Unknown, India - Fragment of a Saf Carpet - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-saf-carpet-1600-1650-1215-unknown-india-fragment-of-a-saf-carpet-google-art-project-image185605813.htmlRMMNY231–Fragment of a Saf Carpet (1600 - 1650). 1215 Unknown, India - Fragment of a Saf Carpet - Google Art Project
Chinese Emperor Xuanzong of Tang (685-762) and his Concubine Yang Guifei (719-756), painting by Kano School, 1600-1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chineseemperor-xuanzong-of-tang-685-762-and-his-concubine-yang-guifei-719-756-painting-by-kano-school-1600-1650-image425453219.htmlRM2FM51WR–Chinese Emperor Xuanzong of Tang (685-762) and his Concubine Yang Guifei (719-756), painting by Kano School, 1600-1650
Anonymous / 'Agate goblet crowned by a bust'. 1600 - 1650. Agate, Enamel, Gold. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-agate-goblet-crowned-by-a-bust-1600-1650-agate-enamel-gold-museum-museo-del-prado-madrid-espaa-image241820245.htmlRMT1BT59–Anonymous / 'Agate goblet crowned by a bust'. 1600 - 1650. Agate, Enamel, Gold. Museum: Museo del Prado, Madrid, España.
Portrait of the painter Joos van Cleve, Wierix (rejected attribution), 1600 - 1650 Above the person portrayed a line with biographical information in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-painter-joos-van-cleve-wierix-rejected-attribution-1600-1650-above-the-person-portrayed-a-line-with-biographical-information-in-image570304054.htmlRF2T3RGHX–Portrait of the painter Joos van Cleve, Wierix (rejected attribution), 1600 - 1650 Above the person portrayed a line with biographical information in
Bust of a bad tempered boy, circle of Hendrik de Keyser, 1600 1650, alabaster Bode Museum DSC03054 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bust-of-a-bad-tempered-boy-circle-of-hendrik-de-keyser-1600-1650-alabaster-142546443.htmlRMJ7WFCB–Bust of a bad tempered boy, circle of Hendrik de Keyser, 1600 1650, alabaster Bode Museum DSC03054
Visitors discuss 'Head of an ox on a tree trunk' from Italy, dated 1650-1700, during a photo call for the Victoria and Albert museum's newly transformed suite of galleries dedicated to Europe 1600-1815, ahead of their reopening to the public on December 9. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-visitors-discuss-head-of-an-ox-on-a-tree-trunk-from-italy-dated-1650-108559186.htmlRMG8H89P–Visitors discuss 'Head of an ox on a tree trunk' from Italy, dated 1650-1700, during a photo call for the Victoria and Albert museum's newly transformed suite of galleries dedicated to Europe 1600-1815, ahead of their reopening to the public on December 9.
Drawing, Crest of a Processional Staff, 1600–1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-crest-of-a-processional-staff-16001650-image264809050.htmlRMWAR2J2–Drawing, Crest of a Processional Staff, 1600–1650
Silk and Gold Brocade Fragments, 1600-1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silk-and-gold-brocade-fragments-1600-1650-image330118773.htmlRM2A525T5–Silk and Gold Brocade Fragments, 1600-1650.
Age of the Thirty Years' War (1600-1650), (1630-1640), left: Rubens with wife and child, right: nobleman, anonym 1896 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/age-of-the-thirty-years-war-1600-1650-1630-1640-left-rubens-with-wife-and-child-right-nobleman-anonym-1896-image220193929.htmlRMPP6KGW–Age of the Thirty Years' War (1600-1650), (1630-1640), left: Rubens with wife and child, right: nobleman, anonym 1896
Piece 1600–1650 French. Piece 222255 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-16001650-french-piece-222255-image458004075.htmlRM2HH3TTB–Piece 1600–1650 French. Piece 222255
Draw-leaf table made from oak with carved friezes, made in England c.1600-1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-draw-leaf-table-made-from-oak-with-carved-friezes-made-in-england-104041155.htmlRMG17DFF–Draw-leaf table made from oak with carved friezes, made in England c.1600-1650.
Mattheus Stomer (1600-1650). Dutch golden age painter. Death of Seneca, 1640-45. Roman Stoic philosopher. Italy. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mattheus-stomer-1600-1650-dutch-golden-age-painter-death-of-seneca-140425211.htmlRMJ4CWP3–Mattheus Stomer (1600-1650). Dutch golden age painter. Death of Seneca, 1640-45. Roman Stoic philosopher. Italy. National Museum of Capodimonte. Naples. Italy.
objects found in two deep cists to the south of the throne room probably represent a foundation deposit (1650-1600 BC). Snake goddess, Knossos, Crete. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-objects-found-in-two-deep-cists-to-the-south-of-the-throne-room-probably-57349743.htmlRMD98E53–objects found in two deep cists to the south of the throne room probably represent a foundation deposit (1650-1600 BC). Snake goddess, Knossos, Crete.
Oxen (Bartsch 27) Herman van Swanevelt (1600-1650). 'Les boeufs (Bartsch 27)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oxen-bartsch-27-herman-van-swanevelt-1600-1650-les-boeufs-bartsch-27-eau-forte-17e-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349529781.htmlRM2B8JCPD–Oxen (Bartsch 27) Herman van Swanevelt (1600-1650). 'Les boeufs (Bartsch 27)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Charles I, 1600-1649, King of England, Scotland and Ireland. Possibly after a work by Richard Gaywood, active 1650–1680. From Woodburn’s Gallery of Rare Portraits, published 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-i-1600-1649-king-of-england-scotland-and-ireland-possibly-177315894.htmlRMM8DC6E–Charles I, 1600-1649, King of England, Scotland and Ireland. Possibly after a work by Richard Gaywood, active 1650–1680. From Woodburn’s Gallery of Rare Portraits, published 1816.
Allegorical presentation of the war 1600 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-allegorical-presentation-of-the-war-1600-1650-17795347.htmlRMB0XJ43–Allegorical presentation of the war 1600 1650
Karl von Utenhove, Flemish humanistic scholar and poet who lived in Basel, Paris, London and on the Lower Rhine, 1536-1600. Carolus Utenhovius Neochtho Caroli Filius. Copperplate engraving by Johann Theodore de Bry from Jean-Jacques Boissard’s Bibliotheca Chalcographica, Johann Ammonius, Frankfurt, 1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karl-von-utenhove-flemish-humanistic-scholar-and-poet-who-lived-in-basel-paris-london-and-on-the-lower-rhine-1536-1600-carolus-utenhovius-neochtho-caroli-filius-copperplate-engraving-by-johann-theodore-de-bry-from-jean-jacques-boissards-bibliotheca-chalcographica-johann-ammonius-frankfurt-1650-image337654363.htmlRM2AH9DGB–Karl von Utenhove, Flemish humanistic scholar and poet who lived in Basel, Paris, London and on the Lower Rhine, 1536-1600. Carolus Utenhovius Neochtho Caroli Filius. Copperplate engraving by Johann Theodore de Bry from Jean-Jacques Boissard’s Bibliotheca Chalcographica, Johann Ammonius, Frankfurt, 1650.
Jean Morin, French (c. 1600-1650), Nicolas Chrystin, engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-morin-french-c-1600-1650-nicolas-chrystin-engraving-123360217.htmlRMH4KF61–Jean Morin, French (c. 1600-1650), Nicolas Chrystin, engraving
Art inspired by Left Half of the Design for an Altar, ca. 1600–1650, Pen and dark brown ink, point of brush and brown wash, over traces of black chalk, 9-11/16 x 3-7/8 in. (24.6 x 9.8 cm), Anonymous, Spanish, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-left-half-of-the-design-for-an-altar-ca-16001650-pen-and-dark-brown-ink-point-of-brush-and-brown-wash-over-traces-of-black-chalk-9-1116-x-3-78-in-246-x-98-cm-anonymous-spanish-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949795.htmlRF2HW5557–Art inspired by Left Half of the Design for an Altar, ca. 1600–1650, Pen and dark brown ink, point of brush and brown wash, over traces of black chalk, 9-11/16 x 3-7/8 in. (24.6 x 9.8 cm), Anonymous, Spanish, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Nederlands: Leone Battista Alberti . 1600-1650 ca. Florentine School. Original uploader was Carolus at nl.wikipedia 367 Leone Batista Alberti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-leone-battista-alberti-1600-1650-ca-florentine-school-original-uploader-was-carolus-at-nlwikipedia-367-leone-batista-alberti-image188119340.htmlRMMX1G3T–. Nederlands: Leone Battista Alberti . 1600-1650 ca. Florentine School. Original uploader was Carolus at nl.wikipedia 367 Leone Batista Alberti
Charles I (1600-1649), King of England, Allegorical painting circa 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-i-1600-1649-king-of-england-allegorical-painting-circa-1650-image368906182.htmlRM2CC53GP–Charles I (1600-1649), King of England, Allegorical painting circa 1650
Anonymous / 'Rock crystal vessel with spout and trefoiled handle'. 1600 - 1650. Rock crystal / Hyaline quartz, Enamel, Gold. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-rock-crystal-vessel-with-spout-and-trefoiled-handle-1600-1650-rock-crystal-hyaline-quartz-enamel-gold-museum-museo-del-prado-madrid-espaa-image241821213.htmlRMT1BWBW–Anonymous / 'Rock crystal vessel with spout and trefoiled handle'. 1600 - 1650. Rock crystal / Hyaline quartz, Enamel, Gold. Museum: Museo del Prado, Madrid, España.
Portrait of the painter Lucas van Leyden, Johannes Wierix (attributed to), after Albrecht Durer, 1600 - 1650 Above the person portrayed a line with bi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-painter-lucas-van-leyden-johannes-wierix-attributed-to-after-albrecht-durer-1600-1650-above-the-person-portrayed-a-line-with-bi-image570307167.htmlRF2T3RMH3–Portrait of the painter Lucas van Leyden, Johannes Wierix (attributed to), after Albrecht Durer, 1600 - 1650 Above the person portrayed a line with bi
Bust of a bad-tempered boy, circle of Hendrik de Keyser, 1600-1650, alabaster - Bode-Museum - DSC03054 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bust-of-a-bad-tempered-boy-circle-of-hendrik-de-keyser-1600-1650-alabaster-172209562.htmlRMM04R1E–Bust of a bad-tempered boy, circle of Hendrik de Keyser, 1600-1650, alabaster - Bode-Museum - DSC03054
Paysage avec étang between 1600 and 1650 by Alexander Keirincx Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paysage-avec-tang-between-1600-and-1650-by-alexander-keirincx-image562398745.htmlRM2RJYD9D–Paysage avec étang between 1600 and 1650 by Alexander Keirincx
Drawing, Design for Two Decorative Vases, 1600–1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-two-decorative-vases-16001650-image264816947.htmlRMWARCM3–Drawing, Design for Two Decorative Vases, 1600–1650
Silk and Gold Brocade Fragments, 1600-1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silk-and-gold-brocade-fragments-1600-1650-image330118783.htmlRM2A525TF–Silk and Gold Brocade Fragments, 1600-1650.
Age of the Thirty Years' War (1600-1650), on the right: the commoner, mid-century, on the right: Kavalier, 1646, anonym 1896 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/age-of-the-thirty-years-war-1600-1650-on-the-right-the-commoner-mid-century-on-the-right-kavalier-1646-anonym-1896-image220193947.htmlRMPP6KHF–Age of the Thirty Years' War (1600-1650), on the right: the commoner, mid-century, on the right: Kavalier, 1646, anonym 1896
Bag 1600–1650 French or British. Bag 222501 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bag-16001650-french-or-british-bag-222501-image458282784.htmlRM2HHGGA8–Bag 1600–1650 French or British. Bag 222501
geography / travel, Greece, Crete, Phaistos, Minoan palace area, 20th - 14th century BC, new palace, built around 1600 BC, ruin, Phaestos, Phaestus, Festos, built shortly after 2000 BC, destroyed by fire, new building burned down approx. 1650 BC, antiquity, excavations, archaeology, tourists, historical, Minoans, twentieth, fourteenth, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-greece-crete-phaistos-minoan-palace-area-20th-14th-11694963.htmlRMA71N3G–geography / travel, Greece, Crete, Phaistos, Minoan palace area, 20th - 14th century BC, new palace, built around 1600 BC, ruin, Phaestos, Phaestus, Festos, built shortly after 2000 BC, destroyed by fire, new building burned down approx. 1650 BC, antiquity, excavations, archaeology, tourists, historical, Minoans, twentieth, fourteenth, ,
Charles I (1600-1649). King of England, Scotland and Ireland. Portrait of Charles I in three positions, ca.1636-1650. Anton van Dyck (1599-1641). Copy. Museum of Fine Arts. A Coruña, Galicia, Spain. (On loan, Prado Museum, Madrid). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-i-1600-1649-king-of-england-scotland-and-ireland-portrait-of-charles-i-in-three-positions-ca1636-1650-anton-van-dyck-1599-1641-copy-museum-of-fine-arts-a-corua-galicia-spain-on-loan-prado-museum-madrid-image343443587.htmlRM2AXN5PB–Charles I (1600-1649). King of England, Scotland and Ireland. Portrait of Charles I in three positions, ca.1636-1650. Anton van Dyck (1599-1641). Copy. Museum of Fine Arts. A Coruña, Galicia, Spain. (On loan, Prado Museum, Madrid).
objects found in two deep cists to the south of the throne room probably represent a foundation deposit (1650-1600 BC). Snake goddess, Knossos, Crete. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-objects-found-in-two-deep-cists-to-the-south-of-the-throne-room-probably-57349782.htmlRMD98E6E–objects found in two deep cists to the south of the throne room probably represent a foundation deposit (1650-1600 BC). Snake goddess, Knossos, Crete.
The Donkeys (Bartsch 28) Herman van Swanevelt (1600-1650). 'Les Ânes (Bartsch 28)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-donkeys-bartsch-28-herman-van-swanevelt-1600-1650-les-nes-bartsch-28-eau-forte-17e-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349529775.htmlRM2B8JCP7–The Donkeys (Bartsch 28) Herman van Swanevelt (1600-1650). 'Les Ânes (Bartsch 28)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Aelbert Cuyp The Maas at Dordrecht c. 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aelbert-cuyp-the-maas-at-dordrecht-c-1650-image526817394.htmlRF2NH2GXX–Aelbert Cuyp The Maas at Dordrecht c. 1650
The Adoration of the Shepherds by Matthias Stomer, 1600-1650, Dutch, The Netherlands. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-by-matthias-stomer-1600-1650-dutch-the-netherlands-image453707674.htmlRM2HA44NE–The Adoration of the Shepherds by Matthias Stomer, 1600-1650, Dutch, The Netherlands.
Ewer decorated with moulded decoration of flowers and stems. Turquoise, aubergine, white and yellow glaze. Iran 1600-1650. Lid: 19th century metal . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ewer-decorated-with-moulded-decoration-of-flowers-and-stems-turquoise-aubergine-white-and-yellow-glaze-iran-1600-1650-lid-19th-century-metal-image242664864.htmlRMT2P9E8–Ewer decorated with moulded decoration of flowers and stems. Turquoise, aubergine, white and yellow glaze. Iran 1600-1650. Lid: 19th century metal .
Jean Baptiste de Vignerod. Jean Morin (French, 1600-1650). Etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-de-vignerod-jean-morin-french-1600-1650-etching-image240459030.htmlRMRY5RXE–Jean Baptiste de Vignerod. Jean Morin (French, 1600-1650). Etching
Art inspired by Siege Helmet, ca. 1600–1650, French, Steel, H. 11 7/8 in. (30.16 cm); W. 9 7/8 in. (25.08 cm); D. 11 1/2 in. (29.2 cm); Wt. 20 lb. 9 oz (9.34 kg), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-siege-helmet-ca-16001650-french-steel-h-11-78-in-3016-cm-w-9-78-in-2508-cm-d-11-12-in-292-cm-wt-20-lb-9-oz-934-kg-helmets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462753695.htmlRF2HTT71K–Art inspired by Siege Helmet, ca. 1600–1650, French, Steel, H. 11 7/8 in. (30.16 cm); W. 9 7/8 in. (25.08 cm); D. 11 1/2 in. (29.2 cm); Wt. 20 lb. 9 oz (9.34 kg), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Nederlands: Leone Battista Alberti . 1600-1650 ca. Florentine School. Original uploader was Carolus at nl.wikipedia 367 Leone Batista Alberti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-leone-battista-alberti-1600-1650-ca-florentine-school-original-uploader-was-carolus-at-nlwikipedia-367-leone-batista-alberti-image187589364.htmlRMMW5C44–. Nederlands: Leone Battista Alberti . 1600-1650 ca. Florentine School. Original uploader was Carolus at nl.wikipedia 367 Leone Batista Alberti
Anthony van Dyck, Charles I (1600-1649), King of England, portrait painting, 1625-1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anthony-van-dyck-charles-i-1600-1649-king-of-england-portrait-painting-1625-1650-image562273007.htmlRM2RJNMXR–Anthony van Dyck, Charles I (1600-1649), King of England, portrait painting, 1625-1650
Anonymous; François I Roberday / 'Cylindrical crystal jar with lid'. 1600 - 1650. Rock crystal / Hyaline quartz, Silver-gilt. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-franois-i-roberday-cylindrical-crystal-jar-with-lid-1600-1650-rock-crystal-hyaline-quartz-silver-gilt-museum-museo-del-prado-madrid-espaa-image213549062.htmlRMPBC006–Anonymous; François I Roberday / 'Cylindrical crystal jar with lid'. 1600 - 1650. Rock crystal / Hyaline quartz, Silver-gilt. Museum: Museo del Prado, Madrid, España.
Portrait of the painter Jan van Eyck, Wierix (rejected attribution), 1600 - 1650 Above the person portrayed a line with biographical information in La Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-painter-jan-van-eyck-wierix-rejected-attribution-1600-1650-above-the-person-portrayed-a-line-with-biographical-information-in-la-image570300435.htmlRF2T3RC0K–Portrait of the painter Jan van Eyck, Wierix (rejected attribution), 1600 - 1650 Above the person portrayed a line with biographical information in La
Sultan Daniyal Mirza 1600 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sultan-daniyal-mirza-1600-1650-143406034.htmlRMJ98KT2–Sultan Daniyal Mirza 1600 1650
Country farm with pots. between 1600 and 1650 by François Ryckhals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/country-farm-with-pots-between-1600-and-1650-by-franois-ryckhals-image563809908.htmlRM2RN7N84–Country farm with pots. between 1600 and 1650 by François Ryckhals
Ivory work, by Lorenz Zick, Nuremberg, 1600-1650, ivory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-work-by-lorenz-zick-nuremberg-1600-1650-ivory-image367319844.htmlRM2C9GT5T–Ivory work, by Lorenz Zick, Nuremberg, 1600-1650, ivory
Spanner for a Wheel-Lock Gun, c. 1600-1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spanner-for-a-wheel-lock-gun-c-1600-1650-image330120755.htmlRM2A528AY–Spanner for a Wheel-Lock Gun, c. 1600-1650.
Age of the 30-year war (1600-1650), left: Lady (1630-1640), middle and right: Lady and officer (1640-1650), anonym 1896 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/age-of-the-30-year-war-1600-1650-left-lady-1630-1640-middle-and-right-lady-and-officer-1640-1650-anonym-1896-image220193944.htmlRMPP6KHC–Age of the 30-year war (1600-1650), left: Lady (1630-1640), middle and right: Lady and officer (1640-1650), anonym 1896
Flight into Egypt. Artist: Claas Pauwelszoon, Dutch, active 1600–1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flight-intoegypt-artist-claas-pauwelszoon-dutch-active-16001650-image463150132.htmlRM2HWE8M4–Flight into Egypt. Artist: Claas Pauwelszoon, Dutch, active 1600–1650
geography / travel, Greece, Crete, Phaistos, Minoan palace plant, 20th - 14th century B.C, new palace, built at 1600 BC, ruin, stairway Phaestos, Phaestos, Festos, built shortly after 2000 BC, by fire destroyed, new building burned down at 1650 BC, antiquity, archaeology, architecture, archaeology, stairs, tourists, historical, historic, archaeology, ancient, Minoer, people, ancient world, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-greece-crete-phaistos-minoan-palace-plant-20th-14th-11694695.htmlRMA71M8T–geography / travel, Greece, Crete, Phaistos, Minoan palace plant, 20th - 14th century B.C, new palace, built at 1600 BC, ruin, stairway Phaestos, Phaestos, Festos, built shortly after 2000 BC, by fire destroyed, new building burned down at 1650 BC, antiquity, archaeology, architecture, archaeology, stairs, tourists, historical, historic, archaeology, ancient, Minoer, people, ancient world,
King Charles I of England and Scotland (1600-1649). Sir Edward Walker (1612-1677). Walker wearing his badge as Garter King-of-Arms, is depicted as the King's Secretary at War. Portrait by unknown artist. Oil on canvas (151,1 x 226,1 cm), ca. 1650. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-i-of-england-and-scotland-1600-1649-sir-edward-walker-1612-1677-walker-wearing-his-badge-as-garter-king-of-arms-is-depicted-as-the-kings-secretary-at-war-portrait-by-unknown-artist-oil-on-canvas-1511-x-2261-cm-ca-1650-national-portrait-gallery-london-england-united-kingdom-image435475374.htmlRM2G8DH7X–King Charles I of England and Scotland (1600-1649). Sir Edward Walker (1612-1677). Walker wearing his badge as Garter King-of-Arms, is depicted as the King's Secretary at War. Portrait by unknown artist. Oil on canvas (151,1 x 226,1 cm), ca. 1650. National Portrait Gallery. London, England, United Kingdom.
objects found in two deep cists to the south of the throne room probably represent a foundation deposit (1650-1600 BC). Snake goddess, Knossos, Crete. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-objects-found-in-two-deep-cists-to-the-south-of-the-throne-room-probably-57349746.htmlRMD98E56–objects found in two deep cists to the south of the throne room probably represent a foundation deposit (1650-1600 BC). Snake goddess, Knossos, Crete.
Rams (Bartsch 29) Herman van Swanevelt (1600-1650). 'Les béliers (Bartsch 29)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rams-bartsch-29-herman-van-swanevelt-1600-1650-les-bliers-bartsch-29-eau-forte-17e-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349529779.htmlRM2B8JCPB–Rams (Bartsch 29) Herman van Swanevelt (1600-1650). 'Les béliers (Bartsch 29)'. Eau-forte. 17e siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Jan Both An Italianate Evening Landscape c. 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-both-an-italianate-evening-landscape-c-1650-image526816800.htmlRF2NH2G5M–Jan Both An Italianate Evening Landscape c. 1650
The Adoration of the Shepherds by Matthias Stomer, 1600-1650, Dutch, The Netherlands. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-by-matthias-stomer-1600-1650-dutch-the-netherlands-image453707667.htmlRM2HA44N7–The Adoration of the Shepherds by Matthias Stomer, 1600-1650, Dutch, The Netherlands.
Neanderthal. Homo. Europe, Asia. -1600.000-28.000. Pleistocene. Brain size: 1300-1650 cm3. Technology: Mode 3 (Mousterian). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-neanderthal-homo-europe-asia-1600000-28000-pleistocene-brain-size-102306338.htmlRMFXCCNP–Neanderthal. Homo. Europe, Asia. -1600.000-28.000. Pleistocene. Brain size: 1300-1650 cm3. Technology: Mode 3 (Mousterian).
Jean Morin, (artist), French, c. 1600 - 1650, Christophe de Thou, etching and engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-morin-artist-french-c-1600-1650-christophe-de-thou-etching-and-engraving-image386362045.htmlRM2DCG8MD–Jean Morin, (artist), French, c. 1600 - 1650, Christophe de Thou, etching and engraving
Art inspired by Pellet Crossbow, ca. 1600–1650, German, Steel, wood (probably maple), gold, iron alloy, L. 28 5/8 in. (72.6 cm); W. 17 5/8 in. (44.7 cm); Wt. 6 lb. 8 oz. (2,944 g), Archery Equipment-Crossbows, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pellet-crossbow-ca-16001650-german-steel-wood-probably-maple-gold-iron-alloy-l-28-58-in-726-cm-w-17-58-in-447-cm-wt-6-lb-8-oz-2944-g-archery-equipment-crossbows-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462755855.htmlRF2HTT9PR–Art inspired by Pellet Crossbow, ca. 1600–1650, German, Steel, wood (probably maple), gold, iron alloy, L. 28 5/8 in. (72.6 cm); W. 17 5/8 in. (44.7 cm); Wt. 6 lb. 8 oz. (2,944 g), Archery Equipment-Crossbows, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Nederlands: Leone Battista Alberti . 1600-1650 ca. Florentine School. Original uploader was Carolus at nl.wikipedia 320 Leone Batista Alberti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-leone-battista-alberti-1600-1650-ca-florentine-school-original-uploader-was-carolus-at-nlwikipedia-320-leone-batista-alberti-image188889469.htmlRMMY8JCD–. Nederlands: Leone Battista Alberti . 1600-1650 ca. Florentine School. Original uploader was Carolus at nl.wikipedia 320 Leone Batista Alberti
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