A Brazilian Family drawing by Sir Henry Chamberlain, 2nd Baronet engraver: John Heaviside Clark. John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832. He was the author of A practical essay on the art of Colouring and Painting Landscapes, with illustrations, published in 1807, and A practical Illustration of Gilpin's Day, with thirty colour plates, bas

A Brazilian Family drawing by Sir Henry Chamberlain, 2nd Baronet engraver: John Heaviside Clark. John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832. He was the author of A practical essay on the art of Colouring and Painting Landscapes, with illustrations, published in 1807, and A practical Illustration of Gilpin's Day, with thirty colour plates, bas Stock Photo
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Image details

Contributor:

Historic Illustrations / Alamy Stock Photo

Image ID:

2JK0MDT

File size:

27.8 MB (1.2 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

3610 x 2689 px | 30.6 x 22.8 cm | 12 x 9 inches | 300dpi

Date taken:

28 November 2012

Location:

Brazil

More information:

This image could have imperfections as it’s either historical or reportage.

A Brazilian Family drawing by Sir Henry Chamberlain, 2nd Baronet engraver: John Heaviside Clark. John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832. He was the author of A practical essay on the art of Colouring and Painting Landscapes, with illustrations, published in 1807, and A practical Illustration of Gilpin's Day, with thirty colour plates, based on monochrome studies representing different times of day by William Gilpin, in 1824.