A View Near the Arco Scuro, Looking Towards the Villa Medici, Rome. Artist: Francis Towne (British, Isleworth, Middlesex 1739-1816 Exeter). Dimensions: sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm). Date: 1785. Towne left Exeter, in southwestern England, to visit Italy in 1780-81. After his return, a former student commissioned this Roman view showing a steep road falling away over a hill toward the Villa Medici (now the Académie Française). Towne made a series of sketches along the rural road behind the villa in November 1780 and used one as the basis of the later composition. His interest lay

A View Near the Arco Scuro, Looking Towards the Villa Medici, Rome. Artist: Francis Towne (British, Isleworth, Middlesex 1739-1816 Exeter). Dimensions: sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm). Date: 1785.  Towne left Exeter, in southwestern England, to visit Italy in 1780-81. After his return, a former student commissioned this Roman view showing a steep road falling away over a hill toward the Villa Medici (now the Académie Française). Towne made a series of sketches along the rural road behind the villa in November 1780 and used one as the basis of the later composition. His interest lay Stock Photo
Preview

Image details

Contributor:

Album / Alamy Stock Photo

Image ID:

RFE1YD

File size:

29.6 MB (940.8 KB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

3875 x 2668 px | 32.8 x 22.6 cm | 12.9 x 8.9 inches | 300dpi

Photographer:

Album

More information:

This image could have imperfections as it’s either historical or reportage.

A View Near the Arco Scuro, Looking Towards the Villa Medici, Rome. Artist: Francis Towne (British, Isleworth, Middlesex 1739-1816 Exeter). Dimensions: sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm). Date: 1785. Towne left Exeter, in southwestern England, to visit Italy in 1780-81. After his return, a former student commissioned this Roman view showing a steep road falling away over a hill toward the Villa Medici (now the Académie Française). Towne made a series of sketches along the rural road behind the villa in November 1780 and used one as the basis of the later composition. His interest lay not in famous landmarks but in capturing effects of light falling across overgrown foliage, contrasted with patches of deep shade. Employing an innovative method to create tone, he began with layers of pure color then moved on to pigments mixed with brown or black. This reversal of the traditional order allowed greater subtlety, particularly in the darks. Museum: Metropolitan Museum of Art, New York, USA.