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Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Apostle Andrew, Anonymous (dating unknown), wood engraver Anton Maria Zanetti (1680 - 1767), after, Apostle Andrew, origin of print medium: after 1722, chiaroscuro cut of three woodblocks (black, brown, light brown) on paper vergé, sheet size: 21. 2 x 13.0 cm Print area woodblock: 16.1 x 8.9 cm, Verso inscribed in pen and black lower right 'Parmesan Image details File size:
29.1 MB (1.7 MB Compressed download)
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Dimensions:
2478 x 4110 px | 21 x 34.8 cm | 8.3 x 13.7 inches | 300dpi
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This image could have imperfections as it’s either historical or reportage.
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Prints Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Apostle Andrew, origin of the print medium: 1722, chiaroscuro cut of three woodblocks (black, gray, yellow) on paper vergé, sheet size: 15.7 x 7.9 cm, center right monogrammed and dated 'P., AMZ, 1722', verso lower gray Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/anton-maria-zanetti-1680-1767-artist-francesco-parmigianino-1503-1540-after-apostle-andrew-origin-of-the-print-medium-1722-chiaroscuro-cut-of-three-woodblocks-black-gray-yellow-on-paper-verg-sheet-size-157-x-79-cm-center-right-monogrammed-and-dated-p-amz-1722-verso-lower-gray-image573212276.html RM 2T8G230 – Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Apostle Andrew, origin of the print medium: 1722, chiaroscuro cut of three woodblocks (black, gray, yellow) on paper vergé, sheet size: 15.7 x 7.9 cm, center right monogrammed and dated 'P., AMZ, 1722', verso lower gray An Apostle, 1740, Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in black and gray on ivory laid paper, 170 x 100 mm (image/sheet, trimmed to block), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/an-apostle-1740-conte-anton-maria-zanetti-italian-16801767-italy-chiaroscuro-woodcut-in-black-and-gray-on-ivory-laid-paper-170-x-100-mm-imagesheet-trimmed-to-block-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349789568.html RF 2B9284G – An Apostle, 1740, Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in black and gray on ivory laid paper, 170 x 100 mm (image/sheet, trimmed to block), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Frontispiece before 1749 Anton Maria Zanetti the Elder. Frontispiece. Anton Maria Zanetti the Elder (Italian, Venice 1680–1767 Venice). before 1749. Chiaroscuro woodcut printed from two blocks in blue and black. Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore). Prints Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/frontispiece-before-1749-anton-maria-zanetti-the-elder-frontispiece-anton-maria-zanetti-the-elder-italian-venice-16801767-venice-before-1749-chiaroscuro-woodcut-printed-from-two-blocks-in-blue-and-black-parmigianino-girolamo-francesco-maria-mazzola-italian-parma-15031540-casalmaggiore-prints-image457778360.html RM 2HGNGY4 – Frontispiece before 1749 Anton Maria Zanetti the Elder. Frontispiece. Anton Maria Zanetti the Elder (Italian, Venice 1680–1767 Venice). before 1749. Chiaroscuro woodcut printed from two blocks in blue and black. Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore). Prints Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Madonna and Child, print medium: 1722, chiaroscuro cut of three woodblocks (yellow, green, brown) on vergé paper, sheet size: 14.0 x 18.8 cm, monogrammed and dated lower left 'P., AMZ, 1722', verso lower left brown Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/anton-maria-zanetti-1680-1767-artist-francesco-parmigianino-1503-1540-after-madonna-and-child-print-medium-1722-chiaroscuro-cut-of-three-woodblocks-yellow-green-brown-on-verg-paper-sheet-size-140-x-188-cm-monogrammed-and-dated-lower-left-p-amz-1722-verso-lower-left-brown-image573212269.html RM 2T8G22N – Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Madonna and Child, print medium: 1722, chiaroscuro cut of three woodblocks (yellow, green, brown) on vergé paper, sheet size: 14.0 x 18.8 cm, monogrammed and dated lower left 'P., AMZ, 1722', verso lower left brown An Apostle, 1740, Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in gray and black on ivory laid paper, 170 x 100 mm (image/sheet, trimmed to block), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/an-apostle-1740-conte-anton-maria-zanetti-italian-16801767-italy-chiaroscuro-woodcut-in-gray-and-black-on-ivory-laid-paper-170-x-100-mm-imagesheet-trimmed-to-block-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349789569.html RF 2B9284H – An Apostle, 1740, Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in gray and black on ivory laid paper, 170 x 100 mm (image/sheet, trimmed to block), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.