Courtesan Reading a Letter mid-18th century Ishikawa Toyonobu The seated women in elegant red tie-dyed robes with a white over-cloak decorated with budding willows has her obi sash tied in front, identifying her as a courtesan of the pleasure quarters. She holds two sheets of paper of a variety that can be used for letters, poems, and drawings. In front of her is arrayed a lacquer box with writing implements and a lit candle, indicating a nocturnal setting. The mythical beast called a hakutaku (Chinese: baize), shown in the painting in the alcove signed “Toyonobu,” derives from Chinese legend.

Courtesan Reading a Letter mid-18th century Ishikawa Toyonobu The seated women in elegant red tie-dyed robes with a white over-cloak decorated with budding willows has her obi sash tied in front, identifying her as a courtesan of the pleasure quarters. She holds two sheets of paper of a variety that can be used for letters, poems, and drawings. In front of her is arrayed a lacquer box with writing implements and a lit candle, indicating a nocturnal setting. The mythical beast called a hakutaku (Chinese: baize), shown in the painting in the alcove signed “Toyonobu,” derives from Chinese legend. Stock Photo
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Image details

Contributor:

MET/BOT / Alamy Stock Photo

Image ID:

2HGXJ50

File size:

34.3 MB (1,020.2 KB Compressed download)

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Dimensions:

3000 x 4000 px | 25.4 x 33.9 cm | 10 x 13.3 inches | 300dpi

Date taken:

20 January 2022

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This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

Courtesan Reading a Letter mid-18th century Ishikawa Toyonobu The seated women in elegant red tie-dyed robes with a white over-cloak decorated with budding willows has her obi sash tied in front, identifying her as a courtesan of the pleasure quarters. She holds two sheets of paper of a variety that can be used for letters, poems, and drawings. In front of her is arrayed a lacquer box with writing implements and a lit candle, indicating a nocturnal setting. The mythical beast called a hakutaku (Chinese: baize), shown in the painting in the alcove signed “Toyonobu, ” derives from Chinese legend. Above it is an excerpt from the Japanese encyclopedia Records of the Four Seas (Kairoku) stating that the Yellow Emperor encountered this fantastical beast while on a tour of eastern regions and that it dictated to him accounts of supernatural creatures in the world and how to avoid being haunted or harmed by them. Thus images of the hakutaku were said to ward off disease and harmful influences. The signature “Toyonobu” and the miniature seals in the painting identify the artist as Ishikawa Toyonobu, who became famous for his “lacquer prints” (urushi-e) of kabuki actors and courtesans of the pleasure quarter.. Courtesan Reading a Letter. Ishikawa Toyonobu (Japanese, 1711–1785). Japan. mid-18th century. Hanging scroll; ink and color on paper. Edo period (1615–1868). Paintings