. English: Design for a Stained Glass Window with Two Swiss Mercenaries. Pen and ink and brush, grey wash, over chalk underdrawing, 43.6 × 32.3 cm, Kunstmuseum Basel. Art historian Christian Müller detects a 'pieced-together' quality in this drawing, pointing, for example, to the lack of room for the tops of the weapons. He finds the penwork 'cumbersome' and the washes patchy. Holbein's design is nonetheless of high quality and was probably executed by an assistant (Müller, 312). c. 1525–25. Workshop of Hans Holbein the Younger 618 Two Swiss Mercenaries, design for a Stained Glass Window, work

. English: Design for a Stained Glass Window with Two Swiss Mercenaries. Pen and ink and brush, grey wash, over chalk underdrawing, 43.6 × 32.3 cm, Kunstmuseum Basel. Art historian Christian Müller detects a 'pieced-together' quality in this drawing, pointing, for example, to the lack of room for the tops of the weapons. He finds the penwork 'cumbersome' and the washes patchy. Holbein's design is nonetheless of high quality and was probably executed by an assistant (Müller, 312). c. 1525–25. Workshop of Hans Holbein the Younger 618 Two Swiss Mercenaries, design for a Stained Glass Window, work Stock Photo
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The Picture Art Collection / Alamy Stock Photo

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MWW7MN

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14.3 MB (2 MB Compressed download)

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1925 x 2596 px | 16.3 x 22 cm | 6.4 x 8.7 inches | 300dpi

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. English: Design for a Stained Glass Window with Two Swiss Mercenaries. Pen and ink and brush, grey wash, over chalk underdrawing, 43.6 × 32.3 cm, Kunstmuseum Basel. Art historian Christian Müller detects a 'pieced-together' quality in this drawing, pointing, for example, to the lack of room for the tops of the weapons. He finds the penwork 'cumbersome' and the washes patchy. Holbein's design is nonetheless of high quality and was probably executed by an assistant (Müller, 312). c. 1525–25. Workshop of Hans Holbein the Younger 618 Two Swiss Mercenaries, design for a Stained Glass Window, workshop of Hans Holbein the Younger