Examples of household taste . Mirror Frame, Damascened Iron: Zuloaga &> Son, Madrid. enameled faience with a lustre, if any, obtained by the use of lead. During the INDUSTRIAL ART 157 Exhibition this vase was given the place of honor on the stand in the nave ofthe Main Building and attracted attention by the richness of coloring and the. Lace Window Curtain : Simon, May & Co., Nottingham spirit displayed in the modelling of its figures. The color of the body of thevase and the prevailing hue of the whole piece is a clear, dark blue. Thefigured zones are of different colors—white, green, yel

Examples of household taste . Mirror Frame, Damascened Iron: Zuloaga &> Son, Madrid. enameled faience with a lustre, if any, obtained by the use of lead. During the INDUSTRIAL ART 157 Exhibition this vase was given the place of honor on the stand in the nave ofthe Main Building and attracted attention by the richness of coloring and the. Lace Window Curtain : Simon, May & Co., Nottingham spirit displayed in the modelling of its figures. The color of the body of thevase and the prevailing hue of the whole piece is a clear, dark blue. Thefigured zones are of different colors—white, green, yel Stock Photo
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The Reading Room / Alamy Stock Photo

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2AKYMX4

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7.1 MB (791.3 KB Compressed download)

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1316 x 1898 px | 22.3 x 32.1 cm | 8.8 x 12.7 inches | 150dpi

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Examples of household taste . Mirror Frame, Damascened Iron: Zuloaga &> Son, Madrid. enameled faience with a lustre, if any, obtained by the use of lead. During the INDUSTRIAL ART 157 Exhibition this vase was given the place of honor on the stand in the nave ofthe Main Building and attracted attention by the richness of coloring and the. Lace Window Curtain : Simon, May & Co., Nottingham spirit displayed in the modelling of its figures. The color of the body of thevase and the prevailing hue of the whole piece is a clear, dark blue. Thefigured zones are of different colors—white, green, yellow, and chocolate brown, 158 THE INTERNATIONAL EXHIBITION, 1876. with relief ornamentation of diapered pattern in complimentary colors. At eitherend of the body of the vase, which is of an oval shape, are elephants heads, the trunks wound round and under so as to form handles. Crouched on theseheads are child figures—genii, partially clad—bending under the weight ofhammock-ropes crossed over their shoulders. The hammocks themselves, fourin number, quarter the vase at the sides, and are upheld at their otherextremity by female figures twice the size of the genii. In the hammocksrepose nude male and female figures, posed in the relaxed and nervelesspositions peculiar to rest in one of these swinging-couches. The female figur