. Florence and her treasures. > i ■Fv.3 ^S^^t^ J THE UFFIZI GALLERY 171 No. 144. Van Dyck. Portrait ofthe Artist SustermansMother. An interesting study. Nos. 143, 146. Mierevelt. Portraits of a Lady andGentleman. The pleasing features are rendered with marked distinction. No. 216. Rubens. Bacchanalia. A replica of the painting at St. Petersburg. Formerly inthe collection of Queen Christina of Sweden and afterwardsin that of the Duke of Orleans. No. 148. Gerard Hondhorst. The Revellers. A good example of this artists fantastic colour-scheme.He imitated Caravaggio in his night effects. No. 14
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. Florence and her treasures. > i ■Fv.3 ^S^^t^ J THE UFFIZI GALLERY 171 No. 144. Van Dyck. Portrait ofthe Artist SustermansMother. An interesting study. Nos. 143, 146. Mierevelt. Portraits of a Lady andGentleman. The pleasing features are rendered with marked distinction. No. 216. Rubens. Bacchanalia. A replica of the painting at St. Petersburg. Formerly inthe collection of Queen Christina of Sweden and afterwardsin that of the Duke of Orleans. No. 148. Gerard Hondhorst. The Revellers. A good example of this artists fantastic colour-scheme.He imitated Caravaggio in his night effects. No. 147. Rubens. The Entry of Henri IV into Paris. Companion painting to No. 140, and the finer of the two.The Kings portrait is the best likeness known of thismonarch. No. 3400. Sustermans. S. Margaret. We recognize the familiar likeness of the artists patron, the Grand Duchess Vittoria della Rovere. No. 3415. Pourbus. Portrait of Louis XIII, King ofFrance. Finely coloured. The King wears the green scarf of themilitary Order of S