Leaf from a Book of Hours: Presentation in the Temple, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in

RMID:RY42J3

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Contributor:

Penta Springs Limited / Alamy Stock Photo

Image ID:

RY42J3

File size:

72.5 MB (5.8 MB Compressed download)

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Dimensions:

4339 x 5844 px | 36.7 x 49.5 cm | 14.5 x 19.5 inches | 300dpi

Date taken:

14 February 2019

Photographer:

Artokoloro

More information:

This image could have imperfections as it’s either historical or reportage.

Leaf from a Book of Hours: Presentation in the Temple, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in

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1454-1481 1470-1480 book flemish grisaille guillaume vrelant hours leaf liquid gold presentation sheet tempera temple vellum

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RM2H1117C–Leaf from a Book of Hours: Presentation in the Temple, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.).

RM2YJXA3Y–The Presentation in the Temple, 1498-1499. Additional Info:This leaf depicting the Presentation in the Temple originally comes from a manuscript known as the Hours of Louis XII. Mary is seen in half-length, situated at the front of the space, close to the viewer. We seem to peer over her shoulder at the scene of the presentation of her infant son at the altar of the priest Simeon. The purpose of compositions such as this one, which were increasingly popular in the second half of the 1400s, was to bring viewers physically closer to the narrative and actively engage them in the event being port

RMRY6KE2–Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pietà (None, Office of the Virgin), c. 1460-70. Follower of Master of Adélaïde de Savoie (French). Ink, tempera and gold on vellum; each leaf: 11.2 x 9 cm (4 7/16 x 3 9/16 in

RM2H110GN–Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pietà (None, Office of the Virgin), c. 1460-70. Follower of Master of Adélaïde de Savoie (French, active c. 1450-70). Ink, tempera and gold on vellum; each leaf: 11.2 x 9 cm (4 7/16 x 3 9/16 in.).

RM2YJX7JM–Decorated Text Page, 1498-1499. Additional Info:This leaf depicting the Presentation in the Temple originally comes from a manuscript known as the Hours of Louis XII. Mary is seen in half-length, situated at the front of the space, close to the viewer. We seem to peer over her shoulder at the scene of the presentation of her infant son at the altar of the priest Simeon. The purpose of compositions such as this one--which were increasingly popular in the second half of the 1400s, was to bring viewers physically closer to the narrative and actively engage them in the event being portrayed. The

RM2YBCPNJ–The Presentation in the Temple; Book of Hours, about 1440-1450. Additional Info:The Virgin Mary presents the Christ child to the rabbi Simeon in a place that resembles a church interior. The space features a rib-vaulted ceiling painted a celestial blue with stars, and round clerestory windows high on the walls. The archway framing the event is rendered in sparkling gold leaf, setting it off from the rest of the building. Recalling ancient Roman imperial architecture, it becomes a kind of triumphal arch around the most important figures, especially Christ, who is situated in the center.

Leaf from a Book of Hours: Presentation in the Temple, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in

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