London 04 April 2023 Dante Gabriel Rossetti, Ecce Ancilla Domini! (The Annunciation) 1849-50, oil paint on canvas, in spite of holding one of the prime collections of the work of Dante Gabriel Rossetti, Tate has never held a Rossetti exhibition before now. The present survey highlights the synergies and overlaps between Gabriel and other, just as radical artists and writers of the Rossetti family. Credit: Paul Quezada-Neiman/Alamy Live News

London 04 April 2023 Dante Gabriel Rossetti, Ecce Ancilla Domini! (The Annunciation) 1849-50, oil paint on canvas, in spite of holding one of the prime collections of the work of Dante Gabriel Rossetti, Tate has never held a Rossetti exhibition before now. The present survey highlights the synergies and overlaps between Gabriel and other, just as radical artists and writers of the Rossetti family. Credit: Paul Quezada-Neiman/Alamy Live News Stock Photo
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Contributor:

Paul Quezada-Neiman / Alamy Stock Photo

Image ID:

2PJW7XC

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19.9 MB (589.8 KB Compressed download)

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2607 x 2673 px | 22.1 x 22.6 cm | 8.7 x 8.9 inches | 300dpi

Date taken:

4 April 2023

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This image could have imperfections as it’s either historical or reportage.

London 04 April 2023 Dante Gabriel Rossetti, Ecce Ancilla Domini! (The Annunciation) 1849–50, oil paint on canvas, in spite of holding one of the prime collections of the work of Dante Gabriel Rossetti, Tate has never held a Rossetti exhibition before now. The present survey highlights the synergies and overlaps between Gabriel and other, just as radical artists and writers of the Rossetti family. Paul Quezada-Neiman/Alamy Live News  In spite of holding one of the prime collections of the work of Dante Gabriel Rossetti, Tate has never held a Rossetti exhibition before now. The present survey highlights the synergies and overlaps between Gabriel and other, just as radical artists and writers of the Rossetti family. Paul Quezada-Neiman/Alamy Live News

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