Marches Ancona Fabriano S. Agostino. Hutzel, Max 1960-1990 Medieval: Architecture (begun early 13th century): restored in 1768, 1938, and recently. Exterior: sculpted portal (early 14th century) and traces of ogival arches; 14th century frescos: Fabriano-Riminese school (restored 1933); late gothic frescos. Post-medieval: Richly decorated late baroque nave; 14th century frescos of the Fabriano-Riminese school (restored 1933); stucco work; works on canvas by Cades (18th century) Object Notes: Church was formerly known as S. Maria Nova [TCI/Marches] German-born photographer and scholar Max Hutze

Marches Ancona Fabriano S. Agostino. Hutzel, Max 1960-1990 Medieval: Architecture (begun early 13th century): restored in 1768, 1938, and recently. Exterior: sculpted portal (early 14th century) and traces of ogival arches; 14th century frescos: Fabriano-Riminese school (restored 1933); late gothic frescos. Post-medieval: Richly decorated late baroque nave; 14th century frescos of the Fabriano-Riminese school (restored 1933); stucco work; works on canvas by Cades (18th century) Object Notes: Church was formerly known as S. Maria Nova [TCI/Marches] German-born photographer and scholar Max Hutze Stock Photo
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Contributor:

piemags/GB24 / Alamy Stock Photo

Image ID:

2WT62GP

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70.3 MB (2.6 MB Compressed download)

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Dimensions:

4325 x 5678 px | 36.6 x 48.1 cm | 14.4 x 18.9 inches | 300dpi

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This image could have imperfections as it’s either historical or reportage.

Marches Ancona Fabriano S. Agostino. Hutzel, Max 1960-1990 Medieval: Architecture (begun early 13th century): restored in 1768, 1938, and recently. Exterior: sculpted portal (early 14th century) and traces of ogival arches; 14th century frescos: Fabriano-Riminese school (restored 1933); late gothic frescos. Post-medieval: Richly decorated late baroque nave; 14th century frescos of the Fabriano-Riminese school (restored 1933); stucco work; works on canvas by Cades (18th century) Object Notes: Church was formerly known as S. Maria Nova [TCI/Marches] German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.