Modern harmony, its explanation and application . Scriabine, Ex. 398. 43. Analyse the following pieces :- (a) Scriabines Seventh Pf. Sonata. (Belaieff). (b) Debussy8LApres-midi dun faune! (Fromont). (c) Schonbergs Five Pieces for Orchestra, Op. 16. (Petersh (d) Ravels Gaspard de la nuit (Durand). (e) Strauss Ein Heldenleben! (Leuckart). (f) Delius Appalachia Variations. (Sarmonie). (g) Cyril Scotts Impressions from the Jungle Book. (SckoW.(h) Florent Schmitt Crepuscules (Avgener). 44. Compose 6 representative themes for tone-poems on each,of the following subjects :- (a) Shakespeares Cymbeline
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Modern harmony, its explanation and application . Scriabine, Ex. 398. 43. Analyse the following pieces :- (a) Scriabines Seventh Pf. Sonata. (Belaieff). (b) Debussy8LApres-midi dun faune! (Fromont). (c) Schonbergs Five Pieces for Orchestra, Op. 16. (Petersh (d) Ravels Gaspard de la nuit (Durand). (e) Strauss Ein Heldenleben! (Leuckart). (f) Delius Appalachia Variations. (Sarmonie). (g) Cyril Scotts Impressions from the Jungle Book. (SckoW.(h) Florent Schmitt Crepuscules (Avgener). 44. Compose 6 representative themes for tone-poems on each, of the following subjects :- (a) Shakespeares Cymbeline (b) Shelleys Atalanta. ic) EuripidesHippolytus (d) Euripide^ Iphigenia in Tauris. (e) Tennysons In Memoriam! (f) The Song of Solomon. (g) Omar Khayyam. (h) Longfellows Hiawatha? e<c. EXERCISES 211 V ORCHESTRATION 45. Invent some eleven-part chords in orchestral tone-colour, simi-lar to that in SchonbergsErwartung, given in Example N9403. 46. Analyse the following passage from DeliusAppalachia, thenorches. trate it. „ . , , Mysterioso lento. 16 APPENDIX II GLOSSARY OF TECHNICAL TERMS Absolute musiCj music without pro-gramme ; non-descriptive. Absolute pitcli, the definition ofpitch by a fixed number of vibra-tions— for instance. Middle C256 per second. Absolute pitch, gift of, the abilityto name notes merely by hearingthem. Absolute rate, a fixed number ofbeats to the minute; thus * = 120. Absolutists, the followers of abso-lute music as opposed to pro-gramme music (q.v.). Acoustic, relating to the influenceof a building on the conduct ofsound. Adagio, very slowly. Added sixth, a major commonchord phis the sixth. Ad libitum (Italian), at the per-formers pleasure. .Solian mode, a modal scale, fromC to C on the pianoforte. Allegretto, rather quick. Allegretto ben moderate, not tooquick; well in hand. Allegretto cantabile, rather quicklyand in a singing manner. Allegretto con dolezza, lively, butwith some sadness. Allegretto semplice, rather quick, and simple in feeling. Allegr