Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels ( fusuma ) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, e

Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels ( fusuma ) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, e Stock Photo

RMID:2A520DK

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Contributor:

Heritage Image Partnership Ltd / Alamy Stock Photo

Image ID:

2A520DK

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95.8 MB (2.5 MB Compressed download)

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4285 x 7816 px | 36.3 x 66.2 cm | 14.3 x 26.1 inches | 300dpi

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Heritage Art/Heritage Images

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This image could have imperfections as it’s either historical or reportage.

Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels ( fusuma ) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, each surrounded by a dark halo of embedded dirt and finger oils indicate the location of the door "catches."

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1615-1868 edo period fusuma panel mounted as a hanging scroll heritage art ink and slight colour on paper japan painting the cleveland museum of art unknown

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