Sketches of great painters for young people (1902)

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HE15JR

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1356 x 1843 px | 23 x 31.2 cm | 9 x 12.3 inches | 150dpi

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RMHE0H6W–Sketches of great painters for young people (1902)

RM2AHYXWD–Sketches of great painters for young people . Correggio. Holy Night. SKETCHES OF GREATPAINTERS FOR YOUNG PEOPLE BY COLONNA MURRAY DALLIN WITH MANY ILLUSTRATIONSFROM THE GREAT MASTERSsketchesofgreatp00dall

RM2AGEDNC–. Sketches of great painters for young people. meto give them comfort. All the mysterious sense of aweand dread that filled the hearts of the disciples as theyrecognized their Master, whom they knew to have beenplaced in the tomb, is expressed in the faces of thesemen. One looks with faith and adoration as theMaster is revealed to him ; the other looks with ques-tioning eyes ; and the servant is filled with wonder tosee such emotion on the faces of those whom he is serv-ing. The figure of Christ is surrounded by a mysteriousradiance, which helps to render it deeply impressive,and it seems as t

RM2AGEA4X–. Sketches of great painters for young people. s in the work,due to visits and fetes ; but in August, 1623, it wasfinished. Unfortunately this portrait was lost, butthere is a sketch for the picture at Madrid. The painter occupied various positions at the court,which required his constant attendance on the king.When Philip set out on a hunting trip, or on militaryexpeditions, Velasquez accompanied him. If a royalguest was to be entertained, it was Velasquez whoplanned the fetes and superintended the ceremonies ofthe household. If buildings were to be restored orbuilt, it was his duty to superi

RM2AGEK1N–. Sketches of great painters for young people. as it was vacant,notwithstanding previous promises or claims. Also, heasked that the state should allow him two assistants forhis work, as well as the materials necessary for it.Though he did not get all he asked for, he decided toremain at Venice. In 1516 he obtained the broker-ship, though not without a great deal of trouble.Eager as he was to get this office, which required him topaint the portraits of the doges and finish the decora-tive paintings in the Council Hall, he was so neglectfulof his duties that the Venetians threatened to deprivehi

RM2AGEGMM–. Sketches of great painters for young people. perhaps the sister-in-law of Rubens, who alsoserved as a model for the celebrated picture called theStraw Hat. Besides the pictures already mentioned, Rubenspainted landscapes, animals, and mythological subjects.In his pictures on mythological subjects the types offigures are such as he saw about him, and they possessthe sort of beauty that most appealed to him. Theyare large and sumptuous, and full of vigor ; but theyare wholly earthly and lack the charm of the delicateand spirituelle, those elements which characterized theItalian conceptions. Th

RM2AGEBN9–. Sketches of great painters for young people. ntlyemployed there in wall-painting, engraving, designingfor glass, and in illustrating books. He also began aseries of decorations for the Town Hall, which havebeen destroyed. In 1521 Luthers translation of theNew Testament was published, and Holbein designedthe title-page. He also designed the title-page for thesecond edition, though the work had been condemnedby the Pope. Holbein was an artist of the new faith,and his work bears upon it the spirit of the Reforma-tion. The most celebrated religious pictures painted byHolbein are the Solothum Mad

RM2AGEFJ7–. Sketches of great painters for young people. tions,the penetrating eye, and the sensitiveness to individualqualities that are among the distinctive characteristicsof a great portrait painter. Although Van Dyck was constantly employed inpainting portraits, he also painted many religious pic-tures. The Holy Family and the Repose in Egypt givean idea of the spirit of his religious paintings, and ofthe type of his Madonnas, among which the most cele-brated are the Madonna and Donors, and the Madonnawith the Partridges. All his life Van Dyck longed to undertake somegreat decorative work, but the

RM2AHYXAA–Sketches of great painters for young people . ine artists were employed by theChristians to decorate their first churches, and thepictures they painted became the models which werefollowed in all early Christian art. At first, when Giotto went into the churches andthe chapels decorated by the Byzantine painters, hemust have been awed by the grandeur and gorgeous-ness which seemed to pervade everything. The colorsused in the decorations were all dark and rich, and thepictures were made splendid by the use of a great dealof gold on the backgrounds, draperies, and halos aroundthe heads of saints.

RM2AGE6C4–. Sketches of great painters for young people. 90, when he first began to exhibit at theAcademy, and 1802, when he became a member, Turnerexhibited seventy-three pictures, and during this timeforty-four engravings were made from his works.These facts show how productive he had been, and howgreat an interest his pictures had excited. Throughouthis life he worked incessantly, making multitudes ofsketches, of which he took little care, rolling them upin his pocket or tucking them away in any odd corner.He was rewarded for his industry, for every year hegrew more masterly and his imagination had f

RM2AGE6NJ–. Sketches of great painters for young people. d him on his appointment.Sir Joshua replied, No honor in the world could havegiven me more pleasure. Fortunately he rememberedat once the title recently conferred on him by theking, and hastened to add, except that conferred onme by your Majesty. Sir Joshua worked on without interruption until1781, when he made a journey to the Netherlands. Thenext year his work was again interrupted by a slightattack of paralysis, from which he soon rallied so thathe was able to go again to the Netherlands. The recordof his travels and of his impressions of the c

RM2AGEB2R–. Sketches of great painters for young people. edding. Suddenly she looked up, and her eyesmet a portrait of the condemned man painted by Hol-bein. It looked so lifelike that the queen was enraged,and, seizing it, she threw it out of a window, crying, That man seems still to be alive ! He also painted portraits of Mores friends, Sir ThomasWyatt, the Archbishop of Canterbury, and Sir HenryGuilford. Two other celebrated portraits are those of SirBryan Tuke and of Nicholas Kratzer, who was the astron-omer of Henry VIII. The latter picture is at the Louvre,and it represents the astronomer surround

Sketches of great painters for young people (1902)

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