"Two centuries of costume in America, MDCXX-MDCCCXX" (1903)

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FLHC 22 / Alamy Stock Photo

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M2368F

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6.9 MB (250.5 KB Compressed download)

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1647 x 1456 px | 27.9 x 24.7 cm | 11 x 9.7 inches | 150dpi

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This image could have imperfections as it’s either historical or reportage.

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RMM2368M–'Two centuries of costume in America, MDCXX-MDCCCXX' (1903)

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RM2CGGJAX–. Two centuries of costume in America, MDCXX-MDCCCXX .

RMM23687–'Two centuries of costume in America, MDCXX-MDCCCXX' (1903)

RM2CGGWD8–. Two centuries of costume in America, MDCXX-MDCCCXX . ds of his first writing intosimpler ones. Thus he changedpreter time to formerages ; auditory to bearers; prostrated to humbled; con-summate to ended; and of course this was to thebooks advantage. Unusual words still linger, how-ever, but we must believe they are not intentionally outlandish, as was the term of the day for suchwords. The attitude of Stubbes toward dress and dresswearers is of great interest, for he was certainly oneof the most severe, most determined, most conscien-tious of Puritans ; yet his hatred of corruptionsdesiring

RMM2368P–'Two centuries of costume in America, MDCXX-MDCCCXX' (1903)

RM2CJ3HYH–. Two centuries of costume in America, MDCXX-MDCCCXX . t if manycarriages and coaches were used, shoemakers wouldsuffer because so few shoes would be worn out. From the statutes which are rehearsed we learn thatthe footwear of the day was boots, shoes, buskins,startups, slippers, or pantofles. Stubbes said: — They have korked shooes puisnets pantoffles, some ofblack velvet, some of white some of green, some of yel-low, some of Spanish leather, some of English leatherstitched with Silke and embroidered with Gold & Silver allover the foot. A very interesting book has been published bythe British

RMM2368W–'Two centuries of costume in America, MDCXX-MDCCCXX' (1903)

RM2CGGW66–. Two centuries of costume in America, MDCXX-MDCCCXX . s was it —it would be absurd if it were not so true and so deepin its sentiment of regret. She and her husband hadset their hearts too much in affection upon a littledog that they had loved well, and she found nowthat it was a vanitye ; and she repented of it, andbade them bear the dog from her bedside. KnowingStubbess love for this little dog (and knowing itmust have been a spaniel, for they were then beingwell known and beloved and were called Spaniel-gentles or comforters—a wonderfully appropriatename), I do not much mind the fierce wor

RMM23678–'Two centuries of costume in America, MDCXX-MDCCCXX' (1903)

RM2CJ6DFM–. Two centuries of costume in America, MDCXX-MDCCCXX . going into action, hurriedlytwisted their lace cravats about their necks andpulled them through a buttonhole, simply to fixthem safely in place. The fashionable world eagerlyfollowed their example. It is curious that theSteinkirk should have been popular in England,where the name might rather have been a bitteravoidance. The battle of Steinkirk took place in 1694. Anearly English allusion to the neckwear thus namedis in The Relapse^ which was acted in 1697. In itthe Semstress says, I hope your Lordship ispleased with your Steenkirk. His Lo

RMM23695–'Two centuries of costume in America, MDCXX-MDCCCXX' (1903)

RM2CGGN6C–. Two centuries of costume in America, MDCXX-MDCCCXX . The whisk was a very interesting and to us apuzzling article of attire, through the lack of pre-cise description. It was at first called the falling-whisk, and is believed to have been simply thehandsome, lace-edged, stiff, standing collar turneddown over the shoulders. This collar had beenboth worn with the ruff and worn after it, and hadbeen called a fall. Quicherat tells that the whiskcame into universal use in 1644, when very low-necked gowns were worn, and that it was simply akerchief or fichu to cover the neck. We have a few side-lig

"Two centuries of costume in America, MDCXX-MDCCCXX" (1903)

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