1 3 16 Cut Out Stock Images
Disk bead, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, Diam. 3 cm (1 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/disk-bead-late-period-dynasty-2630-664332-bc-from-egypt-faience-diam-3-cm-1-316-in-image344607296.htmlRM2B0J63C–Disk bead, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, Diam. 3 cm (1 3/16 in
Bertreville-Saint-Ouen, Seine-Maritime, FR, France, Normandy, N 49 48' 24'', N 1 3' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bertreville-saint-ouen-seine-maritime-fr-france-normandy-n-49-48-24-n-1-3-16-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614324970.htmlRM2XKCWNE–Bertreville-Saint-Ouen, Seine-Maritime, FR, France, Normandy, N 49 48' 24'', N 1 3' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Fibula, Bronze, Other: 1 3/16 in. (3 cm), Bronzes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fibula-bronze-other-1-316-in-3-cm-bronzes-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784492.htmlRF2HTWJ9G–Art inspired by Fibula, Bronze, Other: 1 3/16 in. (3 cm), Bronzes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mold for Cornflower Pendant. Dimensions: L. 3 cm (1 3/16 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mold-for-cornflower-pendant-dimensions-l-3-cm-1-316-in-dynasty-dynasty-18-reign-reign-of-akhenaten-date-ca-1353-1336-bc-museum-metropolitan-museum-of-art-new-york-usa-image213315135.htmlRMPB19HK–Mold for Cornflower Pendant. Dimensions: L. 3 cm (1 3/16 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Edna Wallace Hopper, 1-3-16 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edna-wallace-hopper-1-3-16-image265064904.htmlRMWB6MYM–Edna Wallace Hopper, 1-3-16
Edna Wallace Hopper, 1/3/16 Abstract/medium: 1 negative : glass ; 5 x 7 in. or smaller. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edna-wallace-hopper-1316-abstractmedium-1-negative-glass-5-x-7-in-or-smaller-image265020586.htmlRMWB4MCX–Edna Wallace Hopper, 1/3/16 Abstract/medium: 1 negative : glass ; 5 x 7 in. or smaller.
Tunic?, Fragment or Mantle?, Border, Fragment Chimú. , 1000-1532. Cotton, camelid fiber, 1 3/16 × 16 1/4 in. (3 × 41.3 cm). Arts of the Americas 1000-1532 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tunic-fragment-or-mantle-border-fragment-chim-1000-1532-cotton-camelid-fiber-1-316-16-14-in-3-413-cm-arts-of-the-americas-1000-1532-image504728196.htmlRM2M949Y0–Tunic?, Fragment or Mantle?, Border, Fragment Chimú. , 1000-1532. Cotton, camelid fiber, 1 3/16 × 16 1/4 in. (3 × 41.3 cm). Arts of the Americas 1000-1532
Cylindrical Pendant MET sf17-193-31,32s1 465655 Frankish, Cylindrical Pendant, 6th?7th century, Bone, Overall: 1 3/16 x 3/8 in. (3 x 0.9 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.32) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cylindrical-pendant-met-sf17-193-3132s1-465655-frankish-cylindrical-168408554.htmlRMKNYJR6–Cylindrical Pendant MET sf17-193-31,32s1 465655 Frankish, Cylindrical Pendant, 6th?7th century, Bone, Overall: 1 3/16 x 3/8 in. (3 x 0.9 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.32)
Portrait of boy standing jumping with trophy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-boy-standing-jumping-with-trophy-37680736.htmlRMC58E4G–Portrait of boy standing jumping with trophy
16 th anniversary numbers. 16 years old coloured congrats. Cute congratulation concept. Isolated abstract graphic design template. 3 D art white digit Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/16-th-anniversary-numbers-16-years-old-coloured-congrats-cute-congratulation-concept-isolated-abstract-graphic-design-template-3-d-art-white-digit-image453427194.htmlRF2H9KB0A–16 th anniversary numbers. 16 years old coloured congrats. Cute congratulation concept. Isolated abstract graphic design template. 3 D art white digit
. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 21 A Model of Parental Deportment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-model-of-parental-deportment-by-phiz-hablot-knight-browne-for-bleak-house-p-232-ch-23-esthers-narrative-5-12-x-3-34-inches-6-february-2012-151600-hablot-knight-browne-phiz-21-a-model-of-parental-deportment-image188121171.htmlRMMX1JD7–. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 21 A Model of Parental Deportment
A drawing in The Sphere, showing the exact status of the fleet of dreadnought battleships belonging to Germany in 1911. The picture shows 8 in commission, 1 on trials, 3 completed and 4 on slips, a total of 16 compared to Britain's 25 at the time. There was a huge growth in the building of dreadnoughts (all-big-gun battleships) since the first built by Britain in 1905 - the trigger for a naval arms race among the major powers in the years leading up to World War I. Date: 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-drawing-in-the-sphere-showing-the-exact-status-of-the-fleet-of-dreadnought-battleships-belonging-to-germany-in-1911-the-picture-shows-8-in-commission-1-on-trials-3-completed-and-4-on-slips-a-total-of-16-compared-to-britains-25-at-the-time-there-was-a-huge-growth-in-the-building-of-dreadnoughts-all-big-gun-battleships-since-the-first-built-by-britain-in-1905-the-trigger-for-a-naval-arms-race-among-the-major-powers-in-the-years-leading-up-to-world-war-i-date-1911-image501424322.htmlRM2M3NRRE–A drawing in The Sphere, showing the exact status of the fleet of dreadnought battleships belonging to Germany in 1911. The picture shows 8 in commission, 1 on trials, 3 completed and 4 on slips, a total of 16 compared to Britain's 25 at the time. There was a huge growth in the building of dreadnoughts (all-big-gun battleships) since the first built by Britain in 1905 - the trigger for a naval arms race among the major powers in the years leading up to World War I. Date: 1911
Weapons and tools from the age of pile dwellings. 1) Corner pile head, 2, 3) Wooden mallets for ramming in the piles. 4) Stone wedge. 5) Holmaxt. 6) Stone hammer. 7) Stone axe. 8) Axe hammer. 9) Stone saw. 10) Flint saw. 11) Deer horn hammer. 12) Bear tooth (puncturing tool). 13) Two yew wood knives. 14) Hunting bow and war bow made of yew wood. 15) Spearheads. 16) Throwing spear, , (anthropology book, 1874) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weapons-and-tools-from-the-age-of-pile-dwellings-1-corner-pile-head-2-3-wooden-mallets-for-ramming-in-the-piles-4-stone-wedge-5-holmaxt-6-stone-hammer-7-stone-axe-8-axe-hammer-9-stone-saw-10-flint-saw-11-deer-horn-hammer-12-bear-tooth-puncturing-tool-13-two-yew-wood-knives-14-hunting-bow-and-war-bow-made-of-yew-wood-15-spearheads-16-throwing-spear-anthropology-book-1874-image255301252.htmlRMTR9Y9T–Weapons and tools from the age of pile dwellings. 1) Corner pile head, 2, 3) Wooden mallets for ramming in the piles. 4) Stone wedge. 5) Holmaxt. 6) Stone hammer. 7) Stone axe. 8) Axe hammer. 9) Stone saw. 10) Flint saw. 11) Deer horn hammer. 12) Bear tooth (puncturing tool). 13) Two yew wood knives. 14) Hunting bow and war bow made of yew wood. 15) Spearheads. 16) Throwing spear, , (anthropology book, 1874)
12/21/1925. Madrid. More Graced with El 'Gordo' de Navidad. 1 and 2, Mr. Bernardo Mozo and Mr. Ramón Celador, Postal Officers. 3 and 4, Joaquin Campillo and Antonia Ros, Banana Sellers. 5, 6 and 7, Waiters at a 'Bar' in Plaza del Angel. 8, Francisca Corera, Doorkeeper on Recoletos Street. 9, Palace servitude. 10 and 11, Mr. Joaquin and Mr. Eliseo Rodríguez, Antiquarians. 12, 13 and 14, Manuel Goldi, Miguel Ibirricu and Bonifacio Pampliego, Servants of the novitiate of the Daughters of Charity of Mary. 15, Pura Laguna, Servant. 16, 17 and 18, Justo Carmona, his son Francisco and Isidoro San Rom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/12211925-madrid-more-graced-with-el-gordo-de-navidad-1-and-2-mr-bernardo-mozo-and-mr-ramn-celador-postal-officers-3-and-4-joaquin-campillo-and-antonia-ros-banana-sellers-5-6-and-7-waiters-at-a-bar-in-plaza-del-angel-8-francisca-corera-doorkeeper-on-recoletos-street-9-palace-servitude-10-and-11-mr-joaquin-and-mr-eliseo-rodrguez-antiquarians-12-13-and-14-manuel-goldi-miguel-ibirricu-and-bonifacio-pampliego-servants-of-the-novitiate-of-the-daughters-of-charity-of-mary-15-pura-laguna-servant-16-17-and-18-justo-carmona-his-son-francisco-and-isidoro-san-rom-image575799966.htmlRM2TCNXME–12/21/1925. Madrid. More Graced with El 'Gordo' de Navidad. 1 and 2, Mr. Bernardo Mozo and Mr. Ramón Celador, Postal Officers. 3 and 4, Joaquin Campillo and Antonia Ros, Banana Sellers. 5, 6 and 7, Waiters at a 'Bar' in Plaza del Angel. 8, Francisca Corera, Doorkeeper on Recoletos Street. 9, Palace servitude. 10 and 11, Mr. Joaquin and Mr. Eliseo Rodríguez, Antiquarians. 12, 13 and 14, Manuel Goldi, Miguel Ibirricu and Bonifacio Pampliego, Servants of the novitiate of the Daughters of Charity of Mary. 15, Pura Laguna, Servant. 16, 17 and 18, Justo Carmona, his son Francisco and Isidoro San Rom
The Indian Frontier rising - from sketches by officers of the Malakand Field Force . 1. Top left ; Village held by Brigadier - General Jeffrey , with four guns and some sappers and miners, on the night of 16 September , against unceasing enemy attack. 2. Top right ; The 2nd Brigade , Malakand Field Force , burning the village of Damadolah , in the Mohmand Valley. 3. Middle left ; The 2nd Brigade , Malakand Field Force , burning the village of Zagai , the property of Umra Khan. 4. Middle right ; The hill on which the two Companies of the 35th Sikhs were cut off during the action at the head Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-indian-frontier-rising-from-sketches-by-officers-of-the-malakand-field-force-1-top-left-village-held-by-brigadier-general-jeffrey-with-four-guns-and-some-sappers-and-miners-on-the-night-of-16-september-against-unceasing-enemy-attack-2-top-right-the-2nd-brigade-malakand-field-force-burning-the-village-of-damadolah-in-the-mohmand-valley-3-middle-left-the-2nd-brigade-malakand-field-force-burning-the-village-of-zagai-the-property-of-umra-khan-4-middle-right-the-hill-on-which-the-two-companies-of-the-35th-sikhs-were-cut-off-during-the-action-at-the-head-image623381262.htmlRM2Y65D4E–The Indian Frontier rising - from sketches by officers of the Malakand Field Force . 1. Top left ; Village held by Brigadier - General Jeffrey , with four guns and some sappers and miners, on the night of 16 September , against unceasing enemy attack. 2. Top right ; The 2nd Brigade , Malakand Field Force , burning the village of Damadolah , in the Mohmand Valley. 3. Middle left ; The 2nd Brigade , Malakand Field Force , burning the village of Zagai , the property of Umra Khan. 4. Middle right ; The hill on which the two Companies of the 35th Sikhs were cut off during the action at the head
number 16 gold silver 3d glass crystal anniversary render illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/number-16-gold-silver-3d-glass-crystal-anniversary-render-illustration-image477054785.htmlRF2JM3M6W–number 16 gold silver 3d glass crystal anniversary render illustration
Projection für Alle - Der Weltkrieg: Die Ostfront. Serie 51. No. 16. Russische Kanonen. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-der-weltkrieg-die-ostfront-serie-51-no-16-russische-kanonen-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-vor-allem-stdte-lnder-landschaften-aber-auch-mrchen-und-sagen-das-alte-testament-und-den-ersten-weltkrieg-image344191307.htmlRF2AYY7EK–Projection für Alle - Der Weltkrieg: Die Ostfront. Serie 51. No. 16. Russische Kanonen. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
Hand und Fuß verschiedener Affen. 1,2 Gorilla, 3-8 Schimpanse, 9-10 Orang Utan 11-13 Gibbom, 14-15 Stummelaffe, 16-18 Hutaffe, 19-20 Pavia, 21-22 Krallenaffe, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-und-fu-verschiedener-affen-12-gorilla-3-8-schimpanse-9-10-orang-utan-11-13-gibbom-14-15-stummelaffe-16-18-hutaffe-19-20-pavia-21-22-krallenaffe-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-image512791354.htmlRF2MP7JGX–Hand und Fuß verschiedener Affen. 1,2 Gorilla, 3-8 Schimpanse, 9-10 Orang Utan 11-13 Gibbom, 14-15 Stummelaffe, 16-18 Hutaffe, 19-20 Pavia, 21-22 Krallenaffe, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt
set of delivery service time icons on white background. flat style. clock arrow 1, 3, 6, 9, 12, 16, 24, 48, 72 hours icon for your web site design, lo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-delivery-service-time-icons-on-white-background-flat-style-clock-arrow-1-3-6-9-12-16-24-48-72-hours-icon-for-your-web-site-design-lo-image408286706.htmlRF2EM71T2–set of delivery service time icons on white background. flat style. clock arrow 1, 3, 6, 9, 12, 16, 24, 48, 72 hours icon for your web site design, lo
Ring, Sumerian, Early Dynastic IIIa, Date ca. 2600–2500 B.C., Mesopotamia, Ur (modern Tell al-Muqayyar), Sumerian, Silver, 1 3/16 in. (3 cm), Metalwork-Ornaments Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ring-sumerian-early-dynastic-iiia-date-ca-26002500-bc-mesopotamia-ur-modern-tell-al-muqayyar-sumerian-silver-1-316-in-3-cm-metalwork-ornaments-image344667069.htmlRM2B0MXA5–Ring, Sumerian, Early Dynastic IIIa, Date ca. 2600–2500 B.C., Mesopotamia, Ur (modern Tell al-Muqayyar), Sumerian, Silver, 1 3/16 in. (3 cm), Metalwork-Ornaments
Vigueron, Tarn-et-Garonne, France, Occitanie, N 43 53' 2'', E 1 3' 16'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vigueron-tarn-et-garonne-france-occitanie-n-43-53-2-e-1-3-16-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image444963652.htmlRM2GRWRK0–Vigueron, Tarn-et-Garonne, France, Occitanie, N 43 53' 2'', E 1 3' 16'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
Art inspired by Jar Sealing, 4th–7th century, Found Egypt, el-Bahnasa, H. 1 3/16 in. (3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jar-sealing-4th7th-century-found-egypt-el-bahnasa-h-1-316-in-3-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462818791.htmlRF2HTY62F–Art inspired by Jar Sealing, 4th–7th century, Found Egypt, el-Bahnasa, H. 1 3/16 in. (3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bead with Interlocked Spirals. China. Date: 1600 BC-1050 BC. Dimensions: 2 1/16 × 1 3/16 × 1/2 in. Jade. Origin: China. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bead-with-interlocked-spirals-china-date-1600-bc-1050-bc-dimensions-2-116-1-316-12-in-jade-origin-china-museum-the-chicago-art-institute-image239739976.htmlRMRX12P0–Bead with Interlocked Spirals. China. Date: 1600 BC-1050 BC. Dimensions: 2 1/16 × 1 3/16 × 1/2 in. Jade. Origin: China. Museum: The Chicago Art Institute.
Rock band Chicago four album covers 1,2,3 &16. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-rock-band-chicago-four-album-covers-123-16-166812088.htmlRFKKAXEG–Rock band Chicago four album covers 1,2,3 &16.
![German Ships, Hoboken, 3/30/16 [VATERLAND] Abstract/medium: 1 negative : glass 5 x 7 in. or smaller. Stock Photo](https://c8.alamy.com/comp/WDHRFT/german-ships-hoboken-33016-vaterland-abstractmedium-1-negative-glass-5-x-7-in-or-smaller-WDHRFT.jpg "German Ships, Hoboken, 3/30/16 [VATERLAND] Abstract/medium: 1 negative : glass 5 x 7 in. or smaller. Stock Photo")
German Ships, Hoboken, 3/30/16 [VATERLAND] Abstract/medium: 1 negative : glass 5 x 7 in. or smaller. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-ships-hoboken-33016-vaterland-abstractmedium-1-negative-glass-5-x-7-in-or-smaller-image266537708.htmlRMWDHRFT–German Ships, Hoboken, 3/30/16 [VATERLAND] Abstract/medium: 1 negative : glass 5 x 7 in. or smaller.
Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (January 16, 1936): Preliminary stage Type B3, double house 3 rooms, garden view 1:50, sheet divided into Inv.No. 23209 and 23210. Pencil, coal on transparent, 29.4 x 68.7 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-ankara-cooperifi-house-types-january-16-1936-preliminary-stage-type-b3-double-house-3-rooms-garden-view-150-sheet-divided-into-invno-23209-and-23210-pencil-coal-on-transparent-294-x-687-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-ankara-kooperatifi-haustypen-image477496993.htmlRM2JMRT81–Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (January 16, 1936): Preliminary stage Type B3, double house 3 rooms, garden view 1:50, sheet divided into Inv.No. 23209 and 23210. Pencil, coal on transparent, 29.4 x 68.7 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen
Cylindrical Pendant MET sf17-193-31,32s1 465655 Frankish, Cylindrical Pendant, 6th?7th century, Bone, Overall: 1 3/16 x 3/8 in. (3 x 0.9 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.32) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cylindrical-pendant-met-sf17-193-3132s1-465655-frankish-cylindrical-168258666.htmlRMKNMRJ2–Cylindrical Pendant MET sf17-193-31,32s1 465655 Frankish, Cylindrical Pendant, 6th?7th century, Bone, Overall: 1 3/16 x 3/8 in. (3 x 0.9 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.32)
Portrait of boy standing jumping with trophy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-boy-standing-jumping-with-trophy-37680844.htmlRMC58E8C–Portrait of boy standing jumping with trophy
Set of buttons with calendar dates for the month of November. For planning important days. Banners for holidays and special days. Illustration with white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-buttons-with-calendar-dates-for-the-month-of-november-for-planning-important-days-banners-for-holidays-and-special-days-illustration-with-white-background-image333862488.htmlRF2AB4N08–Set of buttons with calendar dates for the month of November. For planning important days. Banners for holidays and special days. Illustration with white background.
. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 20 A Model of Parental Deportment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-model-of-parental-deportment-by-phiz-hablot-knight-browne-for-bleak-house-p-232-ch-23-esthers-narrative-5-12-x-3-34-inches-6-february-2012-151600-hablot-knight-browne-phiz-20-a-model-of-parental-deportment-image187566270.htmlRMMW4AKA–. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 20 A Model of Parental Deportment
The antiquities found at Hissarlik (Hisarlik, modern Turkey), on the plains of Troy, by Heinrich Schliemann during his remarkable excavations, on view at the South Kensington Museum (now the Victoria and Albert Museum) in 1877. 1, 2 and 3: gold headdresses; 4, 5, 6: gold earrings; 7: silver vase; 8: cup, mixture of gold and silver; 9: gold bottle; 10: gold cup; 11: silver vase; 12: silver cup; 13: gold drinking-vessel; 14: copper key of box containing the treasure; 15: silver pieces; 16: gold ornaments; 17: gold object. Date: 1877 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-antiquities-found-at-hissarlik-hisarlik-modern-turkey-on-the-plains-of-troy-by-heinrich-schliemann-during-his-remarkable-excavations-on-view-at-the-south-kensington-museum-now-the-victoria-and-albert-museum-in-1877-1-2-and-3-gold-headdresses-4-5-6-gold-earrings-7-silver-vase-8-cup-mixture-of-gold-and-silver-9-gold-bottle-10-gold-cup-11-silver-vase-12-silver-cup-13-gold-drinking-vessel-14-copper-key-of-box-containing-the-treasure-15-silver-pieces-16-gold-ornaments-17-gold-object-date-1877-image501470176.htmlRM2M3RX94–The antiquities found at Hissarlik (Hisarlik, modern Turkey), on the plains of Troy, by Heinrich Schliemann during his remarkable excavations, on view at the South Kensington Museum (now the Victoria and Albert Museum) in 1877. 1, 2 and 3: gold headdresses; 4, 5, 6: gold earrings; 7: silver vase; 8: cup, mixture of gold and silver; 9: gold bottle; 10: gold cup; 11: silver vase; 12: silver cup; 13: gold drinking-vessel; 14: copper key of box containing the treasure; 15: silver pieces; 16: gold ornaments; 17: gold object. Date: 1877
oriental cockroach, internal organs: Under the lifted back cover 1 the heart and 2 muscles, which cause the blood circulation. 3 Respiratory opening (stigma). 4 Main longitudinal trunk of the respiratory tubes (trachea). 5 Salivary glands and 6 collection space for secreted saliva. 7 Goiter. 8 Stomach. 9 Midgut with blind tubes (10). 11 Rectum. 12 Excretory tools. 13 Ovaries. 14 Fallopian tubes and 15 space into which they open. 16 Upper gavage node. 17 Abdominal medulla. 18 Pectoral muscles, Blatta orientalis, anonym (zoology book, 1928), Gemeine Küchenschabe, innere Organe: Unter der abgehob Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oriental-cockroach-internal-organs-under-the-lifted-back-cover-1-the-heart-and-2-muscles-which-cause-the-blood-circulation-3-respiratory-opening-stigma-4-main-longitudinal-trunk-of-the-respiratory-tubes-trachea-5-salivary-glands-and-6-collection-space-for-secreted-saliva-7-goiter-8-stomach-9-midgut-with-blind-tubes-10-11-rectum-12-excretory-tools-13-ovaries-14-fallopian-tubes-and-15-space-into-which-they-open-16-upper-gavage-node-17-abdominal-medulla-18-pectoral-muscles-blatta-orientalis-anonym-zoology-book-1928-gemeine-kchenschabe-innere-organe-unter-der-abgehob-image464925257.htmlRM2J0B4WD–oriental cockroach, internal organs: Under the lifted back cover 1 the heart and 2 muscles, which cause the blood circulation. 3 Respiratory opening (stigma). 4 Main longitudinal trunk of the respiratory tubes (trachea). 5 Salivary glands and 6 collection space for secreted saliva. 7 Goiter. 8 Stomach. 9 Midgut with blind tubes (10). 11 Rectum. 12 Excretory tools. 13 Ovaries. 14 Fallopian tubes and 15 space into which they open. 16 Upper gavage node. 17 Abdominal medulla. 18 Pectoral muscles, Blatta orientalis, anonym (zoology book, 1928), Gemeine Küchenschabe, innere Organe: Unter der abgehob
Fragments; silk, metallic yarns; A/ H x W: 520 × 25.5 cm (17 ft. 3/4 in. × 10 1/16 in.) B/ H x W: 520 × 25.5 cm (17 ft. 3/4 in. × 10 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-silk-metallic-yarns-a-h-x-w-520-255-cm-17-ft-34-in-10-116-in-b-h-x-w-520-255-cm-17-ft-34-in-10-116-in-image546096523.htmlRM2PMCRK7–Fragments; silk, metallic yarns; A/ H x W: 520 × 25.5 cm (17 ft. 3/4 in. × 10 1/16 in.) B/ H x W: 520 × 25.5 cm (17 ft. 3/4 in. × 10 1/16 in.)
Set of delivery service time icons clock arrow 1, 3, 6, 9, 12, 16, 24, 48, 72 hours for design, stock vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-delivery-service-time-icons-clock-arrow-1-3-6-9-12-16-24-48-72-hours-for-design-stock-vector-illustration-image446075640.htmlRF2GWME0T–Set of delivery service time icons clock arrow 1, 3, 6, 9, 12, 16, 24, 48, 72 hours for design, stock vector illustration.
number 16 gold silver 3d glass crystal anniversary render illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/number-16-gold-silver-3d-glass-crystal-anniversary-render-illustration-image477054970.htmlRF2JM3MDE–number 16 gold silver 3d glass crystal anniversary render illustration
Projection für Alle: Weltkrieg Serie 53 Kolonial-, See- und Landkämpfe No. 16. Gefangenentransport und Ständchen. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-weltkrieg-serie-53-kolonial-see-und-landkmpfe-no-16-gefangenentransport-und-stndchen-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-vor-allem-stdte-lnder-landschaften-aber-auch-mrchen-und-sagen-das-alte-testament-und-den-ersten-weltkrieg-image340470221.htmlRF2ANWN6N–Projection für Alle: Weltkrieg Serie 53 Kolonial-, See- und Landkämpfe No. 16. Gefangenentransport und Ständchen. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
Types of mediaeval weapons 1. Voulge (pole cleaver); 2. Halbard; 3. Glaive; 4. Ranseur or Spetum; 5. Partizan; 6. Spontoon; 7. Gisarme; 8. Pike; 9. Mace; 10. Lockaber axe; 11. Pole axe; 12. Holy Water Sprinkler; 13. Bill; 14. Lance and Vamplate; 15. Lance points for war and joust; 16. Section of Lance shafts from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/types-of-mediaeval-weapons-1-voulge-pole-cleaver-2-halbard-3-glaive-4-ranseur-or-spetum-5-partizan-6-spontoon-7-gisarme-8-pike-9-mace-10-lockaber-axe-11-pole-axe-12-holy-water-sprinkler-13-bill-14-lance-and-vamplate-15-lance-points-for-war-and-joust-16-section-of-lance-shafts-from-the-book-armour-weapons-by-charles-john-ffoulkes-publisher-oxford-clarendon-press-1909-image467712472.htmlRF2J4X40T–Types of mediaeval weapons 1. Voulge (pole cleaver); 2. Halbard; 3. Glaive; 4. Ranseur or Spetum; 5. Partizan; 6. Spontoon; 7. Gisarme; 8. Pike; 9. Mace; 10. Lockaber axe; 11. Pole axe; 12. Holy Water Sprinkler; 13. Bill; 14. Lance and Vamplate; 15. Lance points for war and joust; 16. Section of Lance shafts from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909
Set of arrows clock and time icons. 1, 3, 6, 9, 12, 16, 24 48 72 hours Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-arrows-clock-and-time-icons-1-3-6-9-12-16-24-48-72-hours-image476836016.htmlRF2JKNN5M–Set of arrows clock and time icons. 1, 3, 6, 9, 12, 16, 24 48 72 hours
Necklace; Italy; 550 - 400 B.C; Gold and Amber; 35.5 × 3 × 3 cm, 14 × 1 3,16 × 1 3,16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/necklace-italy-550-400-bc-gold-and-amber-355-3-3-cm-14-1-316-1-316-in-image220621623.htmlRMPPX53K–Necklace; Italy; 550 - 400 B.C; Gold and Amber; 35.5 × 3 × 3 cm, 14 × 1 3,16 × 1 3,16 in
Saint-Gervais, Tarn-et-Garonne, France, Occitanie, N 44 17' 9'', E 1 3' 16'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-gervais-tarn-et-garonne-france-occitanie-n-44-17-9-e-1-3-16-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image445015769.htmlRM2GT0649–Saint-Gervais, Tarn-et-Garonne, France, Occitanie, N 44 17' 9'', E 1 3' 16'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
Art inspired by Cup, 1777, Russian (Moscow), Silver, H. 1 3/16 in. (4.6 cm.), Metalwork-Silver, F.G, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cup-1777-russian-moscow-silver-h-1-316-in-46-cm-metalwork-silver-fg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776437.htmlRF2HTW81W–Art inspired by Cup, 1777, Russian (Moscow), Silver, H. 1 3/16 in. (4.6 cm.), Metalwork-Silver, F.G, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plaque. China. Date: 700 BC-500 BC. Dimensions: 5.7 × 3.0 cm (2 1/4 × 1 3/16 in.). Jade. Origin: China. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-china-date-700-bc-500-bc-dimensions-57-30-cm-2-14-1-316-in-jade-origin-china-museum-the-chicago-art-institute-image239830222.htmlRMRX55W2–Plaque. China. Date: 700 BC-500 BC. Dimensions: 5.7 × 3.0 cm (2 1/4 × 1 3/16 in.). Jade. Origin: China. Museum: The Chicago Art Institute.
'Paul Gavarni, Self-Portrait with a Cigarette, 1842, lithograph in black on chine collé, image: 22.5 x 15.5 cm (8 7/8 x 6 1/8 in.) sheet: 32.3 x 25.9 cm (12 11/16 x 10 3/16 in.), Ailsa Mellon Bruce Fund, 1996.74.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gavarni-self-portrait-with-a-cigarette-1842-lithograph-in-black-on-chine-coll-image-225-x-155-cm-8-78-x-6-18-in-sheet-323-x-259-cm-12-1116-x-10-316-in-ailsa-mellon-bruce-fund-1996741-image559763413.htmlRM2REKBXD–'Paul Gavarni, Self-Portrait with a Cigarette, 1842, lithograph in black on chine collé, image: 22.5 x 15.5 cm (8 7/8 x 6 1/8 in.) sheet: 32.3 x 25.9 cm (12 11/16 x 10 3/16 in.), Ailsa Mellon Bruce Fund, 1996.74.1'
![Gen. Frier tries out chlorine gas chamber at Vet. Bureau, [3/16/25] Abstract/medium: 1 negative : glass ; 4 x 5 in. or smaller Stock Photo](https://c8.alamy.com/comp/WBF10M/gen-frier-tries-out-chlorine-gas-chamber-at-vet-bureau-31625-abstractmedium-1-negative-glass-4-x-5-in-or-smaller-WBF10M.jpg "Gen. Frier tries out chlorine gas chamber at Vet. Bureau, [3/16/25] Abstract/medium: 1 negative : glass ; 4 x 5 in. or smaller Stock Photo")
Gen. Frier tries out chlorine gas chamber at Vet. Bureau, [3/16/25] Abstract/medium: 1 negative : glass ; 4 x 5 in. or smaller Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gen-frier-tries-out-chlorine-gas-chamber-at-vet-bureau-31625-abstractmedium-1-negative-glass-4-x-5-in-or-smaller-image265246820.htmlRMWBF10M–Gen. Frier tries out chlorine gas chamber at Vet. Bureau, [3/16/25] Abstract/medium: 1 negative : glass ; 4 x 5 in. or smaller
Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (January 16, 1936): Preliminary stage type B3, double house 3 rooms, floor plan ground floor and upper floor 1:50, sheet divided into Inv.No. 23209 and 23210. Pencil, colored pencil, coal on transparent, 30.8 x 69 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-ankara-cooperifi-house-types-january-16-1936-preliminary-stage-type-b3-double-house-3-rooms-floor-plan-ground-floor-and-upper-floor-150-sheet-divided-into-invno-23209-and-23210-pencil-colored-pencil-coal-on-transparent-308-x-69-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-ankara-kooperatifi-haustypen-image477496962.htmlRM2JMRT6X–Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (January 16, 1936): Preliminary stage type B3, double house 3 rooms, floor plan ground floor and upper floor 1:50, sheet divided into Inv.No. 23209 and 23210. Pencil, colored pencil, coal on transparent, 30.8 x 69 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen
Alaska Yukon Pacific Exposition Seattle, June 1 October 16, 1909 Page 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-alaska-yukon-pacific-exposition-seattle-june-1-october-16-1909-page-162730609.htmlRMKCN0FD–Alaska Yukon Pacific Exposition Seattle, June 1 October 16, 1909 Page 3
Bildnummer: 59689954 Datum: 24.05.2013 Copyright: imago/Xinhua (130524) -- SHANGHAI, May 24, 2013 (Xinhua) -- This is a rendering of the interior view of a castle at the Shanghai Disney Resort in Shanghai, east China. Intended to open at the end of 2015, the resort will initially be comprised of Shanghai Disneyland, a Magic-Kingdom-style park as well as two themed hotels, a large retail, dining and entertainment venue, recreational facilities, a lake and transportation hubs. Covering an area of 1.16 square km, the theme park inside the 3.9-square-km Shanghai Disney Resort will be the world s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-59689954-datum-24052013-copyright-imagoxinhua-130524-shanghai-may-24-2013-xinhua-this-is-a-rendering-of-the-interior-view-of-a-castle-at-the-shanghai-disney-resort-in-shanghai-east-china-intended-to-open-at-the-end-of-2015-the-resort-will-initially-be-comprised-of-shanghai-disneyland-a-magic-kingdom-style-park-as-well-as-two-themed-hotels-a-large-retail-dining-and-entertainment-venue-recreational-facilities-a-lake-and-transportation-hubs-covering-an-area-of-116-square-km-the-theme-park-inside-the-39-square-km-shanghai-disney-resort-will-be-the-world-s-image563072305.htmlRM2RM24D5–Bildnummer: 59689954 Datum: 24.05.2013 Copyright: imago/Xinhua (130524) -- SHANGHAI, May 24, 2013 (Xinhua) -- This is a rendering of the interior view of a castle at the Shanghai Disney Resort in Shanghai, east China. Intended to open at the end of 2015, the resort will initially be comprised of Shanghai Disneyland, a Magic-Kingdom-style park as well as two themed hotels, a large retail, dining and entertainment venue, recreational facilities, a lake and transportation hubs. Covering an area of 1.16 square km, the theme park inside the 3.9-square-km Shanghai Disney Resort will be the world s
Set of buttons with calendar dates for the month of November. For planning important days. Banners for holidays and special days. Vector Illustration with white background. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-buttons-with-calendar-dates-for-the-month-of-november-for-planning-important-days-banners-for-holidays-and-special-days-vector-illustration-with-white-background-image333862696.htmlRF2AB4N7M–Set of buttons with calendar dates for the month of November. For planning important days. Banners for holidays and special days. Vector Illustration with white background.
. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 18 A Model of Parental Deportment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-model-of-parental-deportment-by-phiz-hablot-knight-browne-for-bleak-house-p-232-ch-23-esthers-narrative-5-12-x-3-34-inches-6-february-2012-151600-hablot-knight-browne-phiz-18-a-model-of-parental-deportment-image188840542.htmlRMMY6C12–. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 18 A Model of Parental Deportment
* NOTE - FULL FILE IS A LONG PANORAMA - Preview split into 3 sections for ease of viewing * Chaucer’s Canterbury Pilgrims on the road – reproduction of a painting by Stephen Reid (1873-1948) – (from left) 1. The Miller 2. The Host 3. The Merchant 4. The Doctor of Physic 5. Chaucer, the Poet 6. The Franklin 7. The Knight 8. The Sergeant of the Law 9. The Manciple, or Steward 10. The Oxford Scholar 11. The Squire 12. The Nun 13. The Prioress 14. The Nun’s Priest 15. The Pardoner 16. The Summoner 17. The Poor Parson 18. The Yeoman 19. The Ploughman 20. The Wife of Bath 21. The Carpenter 22. Th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/note-full-file-is-a-long-panorama-preview-split-into-3-sections-for-ease-of-viewing-chaucers-canterbury-pilgrims-on-the-road-reproduction-of-a-painting-by-stephen-reid-1873-1948-from-left-1-the-miller-2-the-host-3-the-merchant-4-the-doctor-of-physic-5-chaucer-the-poet-6-the-franklin-7-the-knight-8-the-sergeant-of-the-law-9-the-manciple-or-steward-10-the-oxford-scholar-11-the-squire-12-the-nun-13-the-prioress-14-the-nuns-priest-15-the-pardoner-16-the-summoner-17-the-poor-parson-18-the-yeoman-19-the-ploughman-20-the-wife-of-bath-21-the-carpenter-22-th-image504841285.htmlRM2M99E5W–* NOTE - FULL FILE IS A LONG PANORAMA - Preview split into 3 sections for ease of viewing * Chaucer’s Canterbury Pilgrims on the road – reproduction of a painting by Stephen Reid (1873-1948) – (from left) 1. The Miller 2. The Host 3. The Merchant 4. The Doctor of Physic 5. Chaucer, the Poet 6. The Franklin 7. The Knight 8. The Sergeant of the Law 9. The Manciple, or Steward 10. The Oxford Scholar 11. The Squire 12. The Nun 13. The Prioress 14. The Nun’s Priest 15. The Pardoner 16. The Summoner 17. The Poor Parson 18. The Yeoman 19. The Ploughman 20. The Wife of Bath 21. The Carpenter 22. Th
Skeleton and internal organs of a cow. HW Cervical Vertebrae, BrW Thoracic Vertebrae, LW Lumbar Vertebrae, BW Pelvic Vertebrae, SW Cervical Vertebrae, OS Femoral Bones, US Lower Limb, FW Tarsal Bones, MK Metatarsal Bones, Z Toe Bones, 1 Esophagus, 2 Trachea, 2a Tracheal Fibula, 3 Heart, 4 Body Artery, 5 Liver, 6 Spleen (Outline dashed, obscured by the liver), 7 rumen, 8 leaves (mostly obscured), 9 reticulum, 10 abomasum, 11 small intestine, 12 cecum, 13 small intestine into the colon, 14 kidney, 15 bladder, 16 rectum. (Lungs not shown), 1941 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skeleton-and-internal-organs-of-a-cow-hw-cervical-vertebrae-brw-thoracic-vertebrae-lw-lumbar-vertebrae-bw-pelvic-vertebrae-sw-cervical-vertebrae-os-femoral-bones-us-lower-limb-fw-tarsal-bones-mk-metatarsal-bones-z-toe-bones-1-esophagus-2-trachea-2a-tracheal-fibula-3-heart-4-body-artery-5-liver-6-spleen-outline-dashed-obscured-by-the-liver-7-rumen-8-leaves-mostly-obscured-9-reticulum-10-abomasum-11-small-intestine-12-cecum-13-small-intestine-into-the-colon-14-kidney-15-bladder-16-rectum-lungs-not-shown-1941-image242715538.htmlRMT2TJ42–Skeleton and internal organs of a cow. HW Cervical Vertebrae, BrW Thoracic Vertebrae, LW Lumbar Vertebrae, BW Pelvic Vertebrae, SW Cervical Vertebrae, OS Femoral Bones, US Lower Limb, FW Tarsal Bones, MK Metatarsal Bones, Z Toe Bones, 1 Esophagus, 2 Trachea, 2a Tracheal Fibula, 3 Heart, 4 Body Artery, 5 Liver, 6 Spleen (Outline dashed, obscured by the liver), 7 rumen, 8 leaves (mostly obscured), 9 reticulum, 10 abomasum, 11 small intestine, 12 cecum, 13 small intestine into the colon, 14 kidney, 15 bladder, 16 rectum. (Lungs not shown), 1941
Border (England); block-printed; 84 x 10 cm (33 1/16 x 3 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-england-block-printed-84-x-10-cm-33-116-x-3-1516-in-image546073815.htmlRM2PMBPM7–Border (England); block-printed; 84 x 10 cm (33 1/16 x 3 15/16 in.)
MEDALS,SIEGE-PIECES, OTHER MEMORIALS OF CHARLES 1. The shown arc sisc of originals. 1417 1313 16 and! (acrymis Drawn and Engraved by 7. L. several objects. 3, a. Bristol Siege-piece 2. Silver-gilt Medal: Portrait Charles I. and Houses of Parliament. 1. Coronation Medal of Gold. 8—9, 10—11. Fourpenny Siege-pieces (silver: 6, 7. Newark Half-crown (silver). 5. Pontefract Siege-piece (silver). (copper). 13. One Shilling Piece (siege of 12. One Shilling and fourpence (siccme of Bceston Castle). where coined not known). 16. Gold Ten-shilling 15. Sevenpenny Piece (Beeston Castle), 14. Fourpenny piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medalssiege-pieces-other-memorials-of-charles-1-the-shown-arc-sisc-of-originals-1417-1313-16-and!-acrymis-drawn-and-engraved-by-7-l-several-objects-3-a-bristol-siege-piece-2-silver-gilt-medal-portrait-charles-i-and-houses-of-parliament-1-coronation-medal-of-gold-89-1011-fourpenny-siege-pieces-silver-6-7-newark-half-crown-silver-5-pontefract-siege-piece-silver-copper-13-one-shilling-piece-siege-of-12-one-shilling-and-fourpence-siccme-of-bceston-castle-where-coined-not-known-16-gold-ten-shilling-15-sevenpenny-piece-beeston-castle-14-fourpenny-piece-image459886051.htmlRF2HM5H9R–MEDALS,SIEGE-PIECES, OTHER MEMORIALS OF CHARLES 1. The shown arc sisc of originals. 1417 1313 16 and! (acrymis Drawn and Engraved by 7. L. several objects. 3, a. Bristol Siege-piece 2. Silver-gilt Medal: Portrait Charles I. and Houses of Parliament. 1. Coronation Medal of Gold. 8—9, 10—11. Fourpenny Siege-pieces (silver: 6, 7. Newark Half-crown (silver). 5. Pontefract Siege-piece (silver). (copper). 13. One Shilling Piece (siege of 12. One Shilling and fourpence (siccme of Bceston Castle). where coined not known). 16. Gold Ten-shilling 15. Sevenpenny Piece (Beeston Castle), 14. Fourpenny piece
number 16 gold silver 3d glass crystal anniversary render illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/number-16-gold-silver-3d-glass-crystal-anniversary-render-illustration-image477054959.htmlRF2JM3MD3–number 16 gold silver 3d glass crystal anniversary render illustration
Projection für Alle - Die Eroberung Serbiens. Serie 57. No 16. Quartiere deutscher Soldaten. Nach dem Scheitern des Serbienfeldzugs der k.u.k. Armee im Jahr 1914 wurde im Oktober 1915 mit massiver deutscher Unterstützung ein neuer Feldzug durchgeführt. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-die-eroberung-serbiens-serie-57-no-16-quartiere-deutscher-soldaten-nach-dem-scheitern-des-serbienfeldzugs-der-kuk-armee-im-jahr-1914-wurde-im-oktober-1915-mit-massiver-deutscher-untersttzung-ein-neuer-feldzug-durchgefhrt-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-stdte-lnder-landschaften-mrchen-und-sagen-das-alte-testament-u-den-1-weltkrieg-image382680697.htmlRF2D6GH3N–Projection für Alle - Die Eroberung Serbiens. Serie 57. No 16. Quartiere deutscher Soldaten. Nach dem Scheitern des Serbienfeldzugs der k.u.k. Armee im Jahr 1914 wurde im Oktober 1915 mit massiver deutscher Unterstützung ein neuer Feldzug durchgeführt. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Clock arrow 1, 3, 6, 9, 12, 16, 24, 48 72 hours Set of delivery service time icons Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clock-arrow-1-3-6-9-12-16-24-48-72-hours-set-of-delivery-service-time-icons-image472627339.htmlRF2JCX0YR–Clock arrow 1, 3, 6, 9, 12, 16, 24, 48 72 hours Set of delivery service time icons
Necklace; Italy; 550 - 400 B.C; Gold and Amber; 49.5 × 3 × 3 cm, 19 1,2 × 1 3,16 × 1 3,16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/necklace-italy-550-400-bc-gold-and-amber-495-3-3-cm-19-12-1-316-1-316-in-image220621622.htmlRMPPX53J–Necklace; Italy; 550 - 400 B.C; Gold and Amber; 49.5 × 3 × 3 cm, 19 1,2 × 1 3,16 × 1 3,16 in
Maupertuis, Manche, FR, France, Normandy, N 48 57' 16'', S 1 12' 3'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maupertuis-manche-fr-france-normandy-n-48-57-16-s-1-12-3-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614311196.htmlRM2XKC85G–Maupertuis, Manche, FR, France, Normandy, N 48 57' 16'', S 1 12' 3'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Pendant, 16th–18th century, Peru, Colonial (?), Gold, Overall: 1 3/16 in. (3.02 cm), Metal-Ornaments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pendant-16th18th-century-peru-colonial-gold-overall-1-316-in-302-cm-metal-ornaments-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793898.htmlRF2HTX29E–Art inspired by Pendant, 16th–18th century, Peru, Colonial (?), Gold, Overall: 1 3/16 in. (3.02 cm), Metal-Ornaments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Toe of a Shoe. England. Date: 1501-1600. Dimensions: 14 × 6.5 × 3 cm (5 1/2 × 2 9/16 × 1 3/16 in.). Leather. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toe-of-a-shoe-england-date-1501-1600-dimensions-14-65-3-cm-5-12-2-916-1-316-in-leather-origin-england-museum-the-chicago-art-institute-image239825361.htmlRMRX4YKD–Toe of a Shoe. England. Date: 1501-1600. Dimensions: 14 × 6.5 × 3 cm (5 1/2 × 2 9/16 × 1 3/16 in.). Leather. Origin: England. Museum: The Chicago Art Institute.
Anhui, Anhui, CHN. 16th June, 2016. Anhui, China - June 16 2016: (EDITORIAL USE ONLY. CHINA OUT) Coal miners in the North Anhui. 1.3 million worders may be laid off due to the reform of the industry in 2016. © SIPA Asia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anhui-anhui-chn-16th-june-2016-anhui-china-june-16-2016-editorial-105705047.htmlRMG3Y7T7–Anhui, Anhui, CHN. 16th June, 2016. Anhui, China - June 16 2016: (EDITORIAL USE ONLY. CHINA OUT) Coal miners in the North Anhui. 1.3 million worders may be laid off due to the reform of the industry in 2016. © SIPA Asia/ZUMA Wire/Alamy Live News
![Defends actions. Washington, D.C., March 16. J.J. Pelley, President of American Railroads, denied before the Senate Rail Finance Inquiry today charges of Fred Sargent, President of the Northwestern Railroad, that the Association had used unfair tactics in squeezing the trunk line railroads of the middle west. Pelley told the committee his association afforded [...] cooperation to all the railroads, 3/1/38 Stock Photo](https://c8.alamy.com/comp/WAPR7F/defends-actions-washington-dc-march-16-jj-pelley-president-of-american-railroads-denied-before-the-senate-rail-finance-inquiry-today-charges-of-fred-sargent-president-of-the-northwestern-railroad-that-the-association-had-used-unfair-tactics-in-squeezing-the-trunk-line-railroads-of-the-middle-west-pelley-told-the-committee-his-association-afforded-cooperation-to-all-the-railroads-3138-WAPR7F.jpg "Defends actions. Washington, D.C., March 16. J.J. Pelley, President of American Railroads, denied before the Senate Rail Finance Inquiry today charges of Fred Sargent, President of the Northwestern Railroad, that the Association had used unfair tactics in squeezing the trunk line railroads of the middle west. Pelley told the committee his association afforded [...] cooperation to all the railroads, 3/1/38 Stock Photo")
Defends actions. Washington, D.C., March 16. J.J. Pelley, President of American Railroads, denied before the Senate Rail Finance Inquiry today charges of Fred Sargent, President of the Northwestern Railroad, that the Association had used unfair tactics in squeezing the trunk line railroads of the middle west. Pelley told the committee his association afforded [...] cooperation to all the railroads, 3/1/38 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/defends-actions-washington-dc-march-16-jj-pelley-president-of-american-railroads-denied-before-the-senate-rail-finance-inquiry-today-charges-of-fred-sargent-president-of-the-northwestern-railroad-that-the-association-had-used-unfair-tactics-in-squeezing-the-trunk-line-railroads-of-the-middle-west-pelley-told-the-committee-his-association-afforded-cooperation-to-all-the-railroads-3138-image264803267.htmlRMWAPR7F–Defends actions. Washington, D.C., March 16. J.J. Pelley, President of American Railroads, denied before the Senate Rail Finance Inquiry today charges of Fred Sargent, President of the Northwestern Railroad, that the Association had used unfair tactics in squeezing the trunk line railroads of the middle west. Pelley told the committee his association afforded [...] cooperation to all the railroads, 3/1/38
Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (January 16, 1936): (Light break from Inv.No. 23209 and 23210), Prefate type B3, double house 3 rooms, floor plan ground floor and upper floor 1:50. Colored pencil over a break on paper, 66.7 x 77.2 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-ankara-cooperifi-house-types-january-16-1936-light-break-from-invno-23209-and-23210-prefate-type-b3-double-house-3-rooms-floor-plan-ground-floor-and-upper-floor-150-colored-pencil-over-a-break-on-paper-667-x-772-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-ankara-kooperatifi-haustypen-image477496992.htmlRM2JMRT80–Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (January 16, 1936): (Light break from Inv.No. 23209 and 23210), Prefate type B3, double house 3 rooms, floor plan ground floor and upper floor 1:50. Colored pencil over a break on paper, 66.7 x 77.2 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen
Mini-Sudoku vector set. Reflexive symmetries. Very easy (3), super easy (1). 12, 12, 12, 16 clues. MK II Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mini-sudoku-vector-set-reflexive-symmetries-very-easy-3-super-easy-1-12-12-12-16-clues-mk-ii-image627001879.htmlRF2YC2B87–Mini-Sudoku vector set. Reflexive symmetries. Very easy (3), super easy (1). 12, 12, 12, 16 clues. MK II
The Counterfeiters. Charles Jacque (French, Paris 1813-1894 Paris) Date: 1843. Drypoint on chine colle. Sheet: 12 3/16 Ч 9 1/4 in. (31 Ч 23.5 cm) Plat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-counterfeiters-charles-jacque-french-paris-1813-1894-paris-date-1843-drypoint-on-chine-colle-sheet-12-316-9-14-in-31-235-cm-plat-image574127309.htmlRF2TA1N6N–The Counterfeiters. Charles Jacque (French, Paris 1813-1894 Paris) Date: 1843. Drypoint on chine colle. Sheet: 12 3/16 Ч 9 1/4 in. (31 Ч 23.5 cm) Plat
Vector illustration of analog alarm clocks with handwritten numbers. 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-illustration-of-analog-alarm-clocks-with-handwritten-numbers-0-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-image626635353.htmlRF2YBDKP1–Vector illustration of analog alarm clocks with handwritten numbers. 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22,
108 Alaska-Yukon-Pacific Exposition - Seattle, June 1-October 16, 1909 - Page 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/108-alaska-yukon-pacific-exposition-seattle-june-1-october-16-1909-page-3-image212508814.htmlRMP9MH4E–108 Alaska-Yukon-Pacific Exposition - Seattle, June 1-October 16, 1909 - Page 3
Buttons with calendar dates month of November. 1, 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 11 12 13 14 15 1617 18 19 20 21 22 23 24 25 26 27 28 29 30. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttons-with-calendar-dates-month-of-november-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-11-12-13-14-15-1617-18-19-20-21-22-23-24-25-26-27-28-29-30-image333862487.htmlRF2AB4N07–Buttons with calendar dates month of November. 1, 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 11 12 13 14 15 1617 18 19 20 21 22 23 24 25 26 27 28 29 30.
Present costumes of the rural population of France. Original drawing by Alb. Kretschemer. 1 Surroundings of Paris. 2, 9, 10, 13, 14, 16, 18 Normandy. 3, 7 Brittany. 4, 5, 8 Upper Pyrenees. 6 Upper Alps. 11, 12 Shepherds in Champagne (pouilleuse). 15, 17 Orleans. 19 Provence. 20 Languedoc. 21 Surroundings of Lyon. 22 Marche, , (encyclopedia, 1893), Gegenwärtige Trachten der Landbevölkerung von Frankreich. Orginazeichnung von Alb. Kretschemer. 1 Umgegend von Paris. 2, 9, 10, 13, 14, 16, 18 Normandie. 3, 7 Bretagne. 4, 5, 8 Oberpyrenäen. 6 Oberalpen. 11, 12 Hirten in der Champagne (pouilleuse). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/present-costumes-of-the-rural-population-of-france-original-drawing-by-alb-kretschemer-1-surroundings-of-paris-2-9-10-13-14-16-18-normandy-3-7-brittany-4-5-8-upper-pyrenees-6-upper-alps-11-12-shepherds-in-champagne-pouilleuse-15-17-orleans-19-provence-20-languedoc-21-surroundings-of-lyon-22-marche-encyclopedia-1893-gegenwrtige-trachten-der-landbevlkerung-von-frankreich-orginazeichnung-von-alb-kretschemer-1-umgegend-von-paris-2-9-10-13-14-16-18-normandie-3-7-bretagne-4-5-8-oberpyrenen-6-oberalpen-11-12-hirten-in-der-champagne-pouilleuse-image463333791.htmlRM2HWPJYB–Present costumes of the rural population of France. Original drawing by Alb. Kretschemer. 1 Surroundings of Paris. 2, 9, 10, 13, 14, 16, 18 Normandy. 3, 7 Brittany. 4, 5, 8 Upper Pyrenees. 6 Upper Alps. 11, 12 Shepherds in Champagne (pouilleuse). 15, 17 Orleans. 19 Provence. 20 Languedoc. 21 Surroundings of Lyon. 22 Marche, , (encyclopedia, 1893), Gegenwärtige Trachten der Landbevölkerung von Frankreich. Orginazeichnung von Alb. Kretschemer. 1 Umgegend von Paris. 2, 9, 10, 13, 14, 16, 18 Normandie. 3, 7 Bretagne. 4, 5, 8 Oberpyrenäen. 6 Oberalpen. 11, 12 Hirten in der Champagne (pouilleuse).
Sidewall - Sample (USA); machine-printed; 69 x 47 cm (27 3/16 x 18 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-sample-usa-machine-printed-69-x-47-cm-27-316-x-18-12-in-image546140516.htmlRM2PMERPC–Sidewall - Sample (USA); machine-printed; 69 x 47 cm (27 3/16 x 18 1/2 in.)
Cream Jug MET 17399 2596 American or British, Cream Jug, 1780?1820, Blown pattern-molded lead blue glass, H. 3 1/2 in. (8.9 cm). The Metropolitan Museum of Art, New York. Gift of Frederick W. Hunter, 1913 (13.120.16) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cream-jug-met-17399-2596-american-or-british-cream-jug-17801820-blown-168109690.htmlRMKNE1HE–Cream Jug MET 17399 2596 American or British, Cream Jug, 1780?1820, Blown pattern-molded lead blue glass, H. 3 1/2 in. (8.9 cm). The Metropolitan Museum of Art, New York. Gift of Frederick W. Hunter, 1913 (13.120.16)
Food truck icons High-Quality Vector Icons Collection with Editable Stroke. Ideal for Professional and Creative Projects. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/food-truck-icons-high-quality-vector-icons-collection-with-editable-stroke-ideal-for-professional-and-creative-projects-image620569745.htmlRF2Y1HB15–Food truck icons High-Quality Vector Icons Collection with Editable Stroke. Ideal for Professional and Creative Projects.
Projection für Alle - Die Eroberung Serbiens. Serie 57. No 16. Quartiere deutscher Soldaten. Nach dem Scheitern des Serbienfeldzugs der k.u.k. Armee im Jahr 1914 wurde im Oktober 1915 mit massiver deutscher Unterstützung ein neuer Feldzug durchgeführt. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-die-eroberung-serbiens-serie-57-no-16-quartiere-deutscher-soldaten-nach-dem-scheitern-des-serbienfeldzugs-der-kuk-armee-im-jahr-1914-wurde-im-oktober-1915-mit-massiver-deutscher-untersttzung-ein-neuer-feldzug-durchgefhrt-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-stdte-lnder-landschaften-mrchen-und-sagen-das-alte-testament-u-den-1-weltkrieg-image382691065.htmlRF2D6H2A1–Projection für Alle - Die Eroberung Serbiens. Serie 57. No 16. Quartiere deutscher Soldaten. Nach dem Scheitern des Serbienfeldzugs der k.u.k. Armee im Jahr 1914 wurde im Oktober 1915 mit massiver deutscher Unterstützung ein neuer Feldzug durchgeführt. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg.
West Ham United football programme, priced at 10 pence, for the first division match against Ipswich Town 16 October 1976 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-west-ham-united-football-programme-priced-at-10-pence-for-the-first-30727531.htmlRMBNYN7R–West Ham United football programme, priced at 10 pence, for the first division match against Ipswich Town 16 October 1976
Zeiss Ikon Konta Camera Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-zeiss-ikon-konta-camera-39360162.htmlRMC81082–Zeiss Ikon Konta Camera
Glass Fragment, 11th century, French, Colorless glass, Overall: 1 3/16 x 1 in. (3 x 2.5 cm), Glass-Stained Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-fragment-11th-century-french-colorless-glass-overall-1-316-x-162367872.htmlRMKC4DTG–Glass Fragment, 11th century, French, Colorless glass, Overall: 1 3/16 x 1 in. (3 x 2.5 cm), Glass-Stained
Vabres, Gard, FR, France, Occitanie, N 44 1' 56'', N 3 53' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vabres-gard-fr-france-occitanie-n-44-1-56-n-3-53-16-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614323098.htmlRM2XKCRAJ–Vabres, Gard, FR, France, Occitanie, N 44 1' 56'', N 3 53' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Pilgrim's Badge, 14th–16th century, French, Lead, Overall: 1 3/16 x 1in. (3 x 2.5cm), Metalwork-Lead, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pilgrims-badge-14th16th-century-french-lead-overall-1-316-x-1in-3-x-25cm-metalwork-lead-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462840750.htmlRF2HW062P–Art inspired by Pilgrim's Badge, 14th–16th century, French, Lead, Overall: 1 3/16 x 1in. (3 x 2.5cm), Metalwork-Lead, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Taweret Amulet. Dimensions: H. 3.9 cm (1 9/16 in.). Dynasty: Dynasty 26-30. Date: 664-30 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taweret-amulet-dimensions-h-39-cm-1-916-in-dynasty-dynasty-26-30-date-664-30-bc-museum-metropolitan-museum-of-art-new-york-usa-image213326876.htmlRMPB1TH0–Taweret Amulet. Dimensions: H. 3.9 cm (1 9/16 in.). Dynasty: Dynasty 26-30. Date: 664-30 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Anhui, Anhui, CHN. 16th June, 2016. Anhui, China - June 16 2016: (EDITORIAL USE ONLY. CHINA OUT) Coal miners in the North Anhui. 1.3 million worders may be laid off due to the reform of the industry in 2016. © SIPA Asia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anhui-anhui-chn-16th-june-2016-anhui-china-june-16-2016-editorial-105705024.htmlRMG3Y7RC–Anhui, Anhui, CHN. 16th June, 2016. Anhui, China - June 16 2016: (EDITORIAL USE ONLY. CHINA OUT) Coal miners in the North Anhui. 1.3 million worders may be laid off due to the reform of the industry in 2016. © SIPA Asia/ZUMA Wire/Alamy Live News
(Artist) James McNeill Whistler; United States; 1879-1880; Etching on paper; H x W (overall): 30.3 x 23.5 cm (11 15/16 x 9 1/4 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1879-1880-etching-on-paper-h-x-w-overall-303-x-235-cm-11-1516-x-9-14-in-gift-of-charles-lang-freer-image353506640.htmlRM2BF3H94–(Artist) James McNeill Whistler; United States; 1879-1880; Etching on paper; H x W (overall): 30.3 x 23.5 cm (11 15/16 x 9 1/4 in); Gift of Charles Lang Freer
Unknown architect, government building in Stralsund. Warm water heating system (April 16, 1890): floor plan KG 1: 100. Lithograph on cardboard, 67.3 x 50.6 cm (including scan edges) N.N. : Regierungsgebäude, Stralsund. Warmwasserheizanlage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-architect-government-building-in-stralsund-warm-water-heating-system-april-16-1890-floor-plan-kg-1-100-lithograph-on-cardboard-673-x-506-cm-including-scan-edges-nn-regierungsgebude-stralsund-warmwasserheizanlage-image477502782.htmlRM2JMT3JP–Unknown architect, government building in Stralsund. Warm water heating system (April 16, 1890): floor plan KG 1: 100. Lithograph on cardboard, 67.3 x 50.6 cm (including scan edges) N.N. : Regierungsgebäude, Stralsund. Warmwasserheizanlage
Karl Wilhelm Meixner, auch Carl Meixner (16. November 1815 - 5. September 1888 in Wien) war ein deutscher Schauspieler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karl-wilhelm-meixner-auch-carl-meixner-16-november-1815-5-september-1888-in-wien-war-ein-deutscher-schauspieler-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image539075920.htmlRF2P910RC–Karl Wilhelm Meixner, auch Carl Meixner (16. November 1815 - 5. September 1888 in Wien) war ein deutscher Schauspieler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
Under age signs, restriction symbols from 1 to 21 plus in black red circles. Isolated vector set caution media symbols for content rating, website compliance, age verification, regulation and safety Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/under-age-signs-restriction-symbols-from-1-to-21-plus-in-black-red-circles-isolated-vector-set-caution-media-symbols-for-content-rating-website-compliance-age-verification-regulation-and-safety-image621513034.htmlRF2Y34A62–Under age signs, restriction symbols from 1 to 21 plus in black red circles. Isolated vector set caution media symbols for content rating, website compliance, age verification, regulation and safety
Red numbers set from 1 to 24 - represents Christmas calendar - isolated on white background, three-dimensional rendering, 3D illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-numbers-set-from-1-to-24-represents-christmas-calendar-isolated-on-white-background-three-dimensional-rendering-3d-illustration-image452154319.htmlRF2H7HBCF–Red numbers set from 1 to 24 - represents Christmas calendar - isolated on white background, three-dimensional rendering, 3D illustration
. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. . 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 20 A Model of Parental Deportment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-model-of-parental-deportment-by-phiz-hablot-knight-browne-for-bleak-house-p-232-ch-23-esthers-narrative-5-12-x-3-34-inches-6-february-2012-151600-hablot-knight-browne-phiz-20-a-model-of-parental-deportment-image184834973.htmlRMMMKXW1–. English: A model of parental deportment by 'Phiz' (Hablot Knight Browne) for Bleak House, p. 232 (ch. 23, 'Esther's Narrative'). 5 1/2 x 3 3/4 inches. . 6 February 2012, 15:16:00. Hablot Knight Browne (Phiz) 20 A Model of Parental Deportment
Buttons with calendar dates month of November. 1, 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 11 12 13 14 15 1617 18 19 20 21 22 23 24 25 26 27 28 29 30 Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttons-with-calendar-dates-month-of-november-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-11-12-13-14-15-1617-18-19-20-21-22-23-24-25-26-27-28-29-30-image333862634.htmlRF2AB4N5E–Buttons with calendar dates month of November. 1, 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 11 12 13 14 15 1617 18 19 20 21 22 23 24 25 26 27 28 29 30
Type of castle: 1 way to the castle, 2 covered armory, 3 drawbridge, 4 moat, 5 portcullis, 6 gate towers, 7 ramp, 8 outer castle courtyard, 9 servants' dwellings, 10 battlements, 11 drawbridge, 12 inner castle gate, 13 defense tower, 14 inner castle courtyard, 15 pallas, 16 battlements, 17 keep, , (encyclopedia, 1889), Typus einer Burg: 1 Weg zur Burg, 2 gedeckter Waffenplatz, 3 Zugbrücke, 4 Graben, 5 Fallgatter, 6 Tortürme, 7 Rampe, 8 äußerer Schloßhof, 9 Wohnungen der Dienstleute ec., 10 Wehrgang, 11 Zugbrücke, 12 inneres Burgtor, 13 Wehrturm, 14 innerer Burghof, 15 Pallas, 16 Wehrgänge, 17 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/type-of-castle-1-way-to-the-castle-2-covered-armory-3-drawbridge-4-moat-5-portcullis-6-gate-towers-7-ramp-8-outer-castle-courtyard-9-servants-dwellings-10-battlements-11-drawbridge-12-inner-castle-gate-13-defense-tower-14-inner-castle-courtyard-15-pallas-16-battlements-17-keep-encyclopedia-1889-typus-einer-burg-1-weg-zur-burg-2-gedeckter-waffenplatz-3-zugbrcke-4-graben-5-fallgatter-6-tortrme-7-rampe-8-uerer-schlohof-9-wohnungen-der-dienstleute-ec-10-wehrgang-11-zugbrcke-12-inneres-burgtor-13-wehrturm-14-innerer-burghof-15-pallas-16-wehrgnge-17-image453860504.htmlRM2HAB3KM–Type of castle: 1 way to the castle, 2 covered armory, 3 drawbridge, 4 moat, 5 portcullis, 6 gate towers, 7 ramp, 8 outer castle courtyard, 9 servants' dwellings, 10 battlements, 11 drawbridge, 12 inner castle gate, 13 defense tower, 14 inner castle courtyard, 15 pallas, 16 battlements, 17 keep, , (encyclopedia, 1889), Typus einer Burg: 1 Weg zur Burg, 2 gedeckter Waffenplatz, 3 Zugbrücke, 4 Graben, 5 Fallgatter, 6 Tortürme, 7 Rampe, 8 äußerer Schloßhof, 9 Wohnungen der Dienstleute ec., 10 Wehrgang, 11 Zugbrücke, 12 inneres Burgtor, 13 Wehrturm, 14 innerer Burghof, 15 Pallas, 16 Wehrgänge, 17
Border (France); block-printed on handmade paper; 23 x 12 cm (9 1/16 x 4 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-france-block-printed-on-handmade-paper-23-x-12-cm-9-116-x-4-34-in-image546219103.htmlRM2PMJC13–Border (France); block-printed on handmade paper; 23 x 12 cm (9 1/16 x 4 3/4 in.)
Bowl MET 113559 691 British, Bowl, 1750?60, Tin-enameled earthenware, H. 5 5/8 in. (14.3 cm); Diam. 13 13/16 in. (35.1 cm). The Metropolitan Museum of Art, New York. Purchase, Anita M. Linzee Bequest, 1937 (37.169) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bowl-met-113559-691-british-bowl-175060-tin-enameled-earthenware-h-168196387.htmlRMKNJ05R–Bowl MET 113559 691 British, Bowl, 1750?60, Tin-enameled earthenware, H. 5 5/8 in. (14.3 cm); Diam. 13 13/16 in. (35.1 cm). The Metropolitan Museum of Art, New York. Purchase, Anita M. Linzee Bequest, 1937 (37.169)
Set of colorful round graphic pie charts icons. Segment of circle infographic collection Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-colorful-round-graphic-pie-charts-icons-segment-of-circle-infographic-collection-image469099406.htmlRF2J75926–Set of colorful round graphic pie charts icons. Segment of circle infographic collection
Projection für Alle - Der Weltkrieg: Siegreiche Führer. Serie 60. No. 16. Vice-Admiral Hipper mit Stab. Franz Hipper (1863 - 1932) war ein deutscher Marineoffizier, zuletzt Admiral in der Kaiserlichen Marine im Ersten Weltkrieg. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-der-weltkrieg-siegreiche-fhrer-serie-60-no-16-vice-admiral-hipper-mit-stab-franz-hipper-1863-1932-war-ein-deutscher-marineoffizier-zuletzt-admiral-in-der-kaiserlichen-marine-im-ersten-weltkrieg-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-vor-allem-stdte-lnder-landschaften-aber-auch-mrchen-und-sagen-das-alte-testament-und-den-ersten-weltkrieg-image348106474.htmlRF2B69HA2–Projection für Alle - Der Weltkrieg: Siegreiche Führer. Serie 60. No. 16. Vice-Admiral Hipper mit Stab. Franz Hipper (1863 - 1932) war ein deutscher Marineoffizier, zuletzt Admiral in der Kaiserlichen Marine im Ersten Weltkrieg. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
Segment slice icons set. Vector round 20 section. Pie charts icon. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/segment-slice-icons-set-vector-round-20-section-pie-charts-icon-image491364161.htmlRF2KFBG01–Segment slice icons set. Vector round 20 section. Pie charts icon.
Improvements in Sawing Machinery. 1'i:9. 3 PATENT SAWING MACHINERY. I 2 7'.16.1 CND., scientific american, 1855-03-17 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/improvements-in-sawing-machinery-1i9-3-patent-sawing-machinery-i-2-7161-cnd-scientific-american-1855-03-17-image334302565.htmlRM2ABTP99–Improvements in Sawing Machinery. 1'i:9. 3 PATENT SAWING MACHINERY. I 2 7'.16.1 CND., scientific american, 1855-03-17
Glass Fragment, 14th century, Made in Reims, France, French, Colorless glass, Overall: 1 3/16 x 13/16 in. (3 x 2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-fragment-14th-century-made-in-reims-france-french-colorless-162367914.htmlRMKC4DX2–Glass Fragment, 14th century, Made in Reims, France, French, Colorless glass, Overall: 1 3/16 x 13/16 in. (3 x 2 cm
Brookvale, Benalla, AU, Australia, Victoria, S 36 35' 3'', N 146 1' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brookvale-benalla-au-australia-victoria-s-36-35-3-n-146-1-16-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image625672193.htmlRM2Y9WR7D–Brookvale, Benalla, AU, Australia, Victoria, S 36 35' 3'', N 146 1' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Nail Plate, 15th century, German, Iron, Overall: 1 3/16 x 1/4 in. (3 x 0.6 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-nail-plate-15th-century-german-iron-overall-1-316-x-14-in-3-x-06-cm-metalwork-iron-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462837678.htmlRF2HW0252–Art inspired by Nail Plate, 15th century, German, Iron, Overall: 1 3/16 x 1/4 in. (3 x 0.6 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fish hook. Dimensions: l. 8.1 cm (3 3/16 in). Dynasty: Dynasty 19-20. Date: ca. 1295-1070 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fish-hook-dimensions-l-81-cm-3-316-in-dynasty-dynasty-19-20-date-ca-1295-1070-bc-museum-metropolitan-museum-of-art-new-york-usa-image213330993.htmlRMPB21T1–Fish hook. Dimensions: l. 8.1 cm (3 3/16 in). Dynasty: Dynasty 19-20. Date: ca. 1295-1070 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Anhui, Anhui, CHN. 16th June, 2016. Anhui, China - June 16 2016: (EDITORIAL USE ONLY. CHINA OUT) Coal miners in the North Anhui. 1.3 million worders may be laid off due to the reform of the industry in 2016. © SIPA Asia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anhui-anhui-chn-16th-june-2016-anhui-china-june-16-2016-editorial-105705023.htmlRMG3Y7RB–Anhui, Anhui, CHN. 16th June, 2016. Anhui, China - June 16 2016: (EDITORIAL USE ONLY. CHINA OUT) Coal miners in the North Anhui. 1.3 million worders may be laid off due to the reform of the industry in 2016. © SIPA Asia/ZUMA Wire/Alamy Live News
