Page 1 of 2
1 5 x 2 5 1 44 Black & White Stock Photos
Portrait of a Man, Oil on canvas, 22 x 17 1/2 in. (55.9 x 44.5 cm), Paintings, Attributed to Gaspare Traversi (Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-a-man-oil-on-canvas-22-x-17-12-in-559-x-445-cm-paintings-162537451.htmlRMKCC64Y–Portrait of a Man, Oil on canvas, 22 x 17 1/2 in. (55.9 x 44.5 cm), Paintings, Attributed to Gaspare Traversi (Italian
Sampler. Culture: British. Dimensions: H. 20 1/4 x W. 17 1/2 inches (51.4 x 44.5 cm). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sampler-culture-british-dimensions-h-20-14-x-w-17-12-inches-514-x-445-cm-date-1817-museum-metropolitan-museum-of-art-new-york-usa-image212910986.htmlRMPAAX3P–Sampler. Culture: British. Dimensions: H. 20 1/4 x W. 17 1/2 inches (51.4 x 44.5 cm). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA.
Sampler, 1817, British, Silk on wool canvas, H. 20 1/4 x W. 17 1/2 inches (51.4 x 44.5 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sampler-1817-british-silk-on-wool-canvas-h-20-14-x-w-17-12-inches-162334532.htmlRMKC2Y9T–Sampler, 1817, British, Silk on wool canvas, H. 20 1/4 x W. 17 1/2 inches (51.4 x 44.5 cm), Textiles-Embroidered
Our Lady of Mercy Unknown. Our Lady of Mercy. Oil on panel, 17 5/16 x 14 1/2 in. (44.0 x 36.8 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-lady-of-mercy-unknown-our-lady-of-mercy-oil-on-panel-17-516-x-14-12-in-440-x-368-cm-european-art-image504722902.htmlRM2M9435X–Our Lady of Mercy Unknown. Our Lady of Mercy. Oil on panel, 17 5/16 x 14 1/2 in. (44.0 x 36.8 cm). European Art
Zeichen-Mahler u. Stickerbuch..., 1795, plates: engraving, hand colored engraving, Overall: 11 x 17 1/2 in. (28 x 44.5 cm), Book Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-zeichen-mahler-u-stickerbuch-1795-plates-engraving-hand-colored-engraving-162569105.htmlRMKCDJFD–Zeichen-Mahler u. Stickerbuch..., 1795, plates: engraving, hand colored engraving, Overall: 11 x 17 1/2 in. (28 x 44.5 cm), Book
Chest-with-drawer MET 98672 2035 American, Chest-with-drawer, 1700?1730, Pine, 36 3/4 x 40 x 17 1/2 in. (93.3 x 101.6 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1934 (34.128) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chest-with-drawer-met-98672-2035-american-chest-with-drawer-17001730-168197207.htmlRMKNJ173–Chest-with-drawer MET 98672 2035 American, Chest-with-drawer, 1700?1730, Pine, 36 3/4 x 40 x 17 1/2 in. (93.3 x 101.6 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1934 (34.128)
Chair seat, mid-18th century, French, German or Spanish, Silk, 17 1/2 x 25 inches (44.5 x 63.5 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chair-seat-mid-18th-century-french-german-or-spanish-silk-17-12-x-162337808.htmlRMKC33ET–Chair seat, mid-18th century, French, German or Spanish, Silk, 17 1/2 x 25 inches (44.5 x 63.5 cm), Textiles-Woven
Armchair MET 61554 182 American, Armchair, ca. 1755, Mahogany, 44 x 33 1/4 x 21 1/2 in. (111.8 x 84.5 x 54.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1925 (25.115.18) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-61554-182-american-armchair-ca-1755-mahogany-44-x-33-168098615.htmlRMKNDFDY–Armchair MET 61554 182 American, Armchair, ca. 1755, Mahogany, 44 x 33 1/4 x 21 1/2 in. (111.8 x 84.5 x 54.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1925 (25.115.18)
Elements of mineralogy, crystallography and blowpipe analysis from a practical standpoint .. . Fig. 583. 1 /1/ X—- Fig. 586.. Optically—, with weak refraction and double refraction. Axialplane usually normal to b. In thin sections rarely shows multi-ple twinning and is frequently turbid from kaolin. Physical Characters. H., 6 to 6.5. Sp. gr. 2.44 to 2.62.Lustre, vitreous or pearly. Transparent to opaque. Streak, white Tenacity, brittle. Color, flesh-red, yellowish, white, colorless, gray, green.Cleavage, parallel to c and b, hence at right angles. Before Blowpipe, Etc.—Fuses in thin splinters Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elements-of-mineralogy-crystallography-and-blowpipe-analysis-from-a-practical-standpoint-fig-583-1-1-x-fig-586-optically-with-weak-refraction-and-double-refraction-axialplane-usually-normal-to-b-in-thin-sections-rarely-shows-multi-ple-twinning-and-is-frequently-turbid-from-kaolin-physical-characters-h-6-to-65-sp-gr-244-to-262lustre-vitreous-or-pearly-transparent-to-opaque-streak-white-tenacity-brittle-color-flesh-red-yellowish-white-colorless-gray-greencleavage-parallel-to-c-and-b-hence-at-right-angles-before-blowpipe-etcfuses-in-thin-splinters-image338445287.htmlRM2AJHEBK–Elements of mineralogy, crystallography and blowpipe analysis from a practical standpoint .. . Fig. 583. 1 /1/ X—- Fig. 586.. Optically—, with weak refraction and double refraction. Axialplane usually normal to b. In thin sections rarely shows multi-ple twinning and is frequently turbid from kaolin. Physical Characters. H., 6 to 6.5. Sp. gr. 2.44 to 2.62.Lustre, vitreous or pearly. Transparent to opaque. Streak, white Tenacity, brittle. Color, flesh-red, yellowish, white, colorless, gray, green.Cleavage, parallel to c and b, hence at right angles. Before Blowpipe, Etc.—Fuses in thin splinters
. The mushroom book. A popular guide to the identification and study of our commoner Fungi, with special emphasis on the edible varieties. Mushrooms; Cookery (Mushrooms); cbk. 2 E S ^ V-- 1^ y rrt OS 5^ E â¢- 3 â 11 cx o T3 -t-» OS a. o 00 CU. 2 *- c 4J <U o 0- X rt E o. o 0) 3 C 3 O â o 44. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Marshall, Nina L. (Nina Lovering). New York, Doubleday, Page & Co. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mushroom-book-a-popular-guide-to-the-identification-and-study-of-our-commoner-fungi-with-special-emphasis-on-the-edible-varieties-mushrooms-cookery-mushrooms-cbk-2-e-s-v-1-y-rrt-os-5-e-3-11-cx-o-t3-t-os-a-o-00-cu-2-c-4j-ltu-o-0-x-rt-e-o-o-0-3-c-3-o-o-44-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-marshall-nina-l-nina-lovering-new-york-doubleday-page-amp-co-image216450486.htmlRMPG44PE–. The mushroom book. A popular guide to the identification and study of our commoner Fungi, with special emphasis on the edible varieties. Mushrooms; Cookery (Mushrooms); cbk. 2 E S ^ V-- 1^ y rrt OS 5^ E â¢- 3 â 11 cx o T3 -t-» OS a. o 00 CU. 2 *- c 4J <U o 0- X rt E o. o 0) 3 C 3 O â o 44. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Marshall, Nina L. (Nina Lovering). New York, Doubleday, Page & Co.
Cambyses Appointing Otanes Judge. Artist: Copy after Peter Paul Rubens (probably 18th century). Dimensions: 18 x 17 1/2 in. (45.7 x 44.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cambyses-appointing-otanes-judge-artist-copy-after-peter-paul-rubens-probably-18th-century-dimensions-18-x-17-12-in-457-x-445-cm-museum-metropolitan-museum-of-art-new-york-usa-image212870427.htmlRMPA92B7–Cambyses Appointing Otanes Judge. Artist: Copy after Peter Paul Rubens (probably 18th century). Dimensions: 18 x 17 1/2 in. (45.7 x 44.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Our Lady of Mercy Unknown. Our Lady of Mercy. Oil on panel, 17 5/16 x 14 1/2 in. (44.0 x 36.8 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-lady-of-mercy-unknown-our-lady-of-mercy-oil-on-panel-17-516-x-14-12-in-440-x-368-cm-european-art-image504722931.htmlRM2M9436Y–Our Lady of Mercy Unknown. Our Lady of Mercy. Oil on panel, 17 5/16 x 14 1/2 in. (44.0 x 36.8 cm). European Art
Woman Reading Henri- Joseph Castaing (French, 1860-1918).. Pastel, 17 1/2 x 12 7/8 in. (44.5 x 32.7 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-reading-henri-joseph-castaing-french-1860-1918-pastel-17-12-x-12-78-in-445-x-327-cm-european-art-image504726140.htmlRM2M9479G–Woman Reading Henri- Joseph Castaing (French, 1860-1918).. Pastel, 17 1/2 x 12 7/8 in. (44.5 x 32.7 cm). European Art
Map sampler, 1822, British, Silk embroidery on wool, H. 17 1/2 x W. 15 inches (44.5 x 38.1 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-map-sampler-1822-british-silk-embroidery-on-wool-h-17-12-x-w-15-inches-162334567.htmlRMKC2YB3–Map sampler, 1822, British, Silk embroidery on wool, H. 17 1/2 x W. 15 inches (44.5 x 38.1 cm), Textiles-Embroidered
Candlestand MET 17654 1161 American, Candlestand, 1795?1805, Mahogany, birch, 28 1/2 x 17 1/2 x 17 1/2 in. (72.4 x 44.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.149) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestand-met-17654-1161-american-candlestand-17951805-mahogany-168109117.htmlRMKNE0W1–Candlestand MET 17654 1161 American, Candlestand, 1795?1805, Mahogany, birch, 28 1/2 x 17 1/2 x 17 1/2 in. (72.4 x 44.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.149)
Biedermeier frame, 1830–40, German, Munich, Pine with bird's eye maple cross-grain veneer., 44.3 x 35.1, 40.2 x 31, 41.6 x 32.5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-biedermeier-frame-183040-german-munich-pine-with-birds-eye-maple-cross-162384812.htmlRMKC57DG–Biedermeier frame, 1830–40, German, Munich, Pine with bird's eye maple cross-grain veneer., 44.3 x 35.1, 40.2 x 31, 41.6 x 32.5
Armchair MET 134933 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-134933-218-maker-attributed-to-henry-connelly-17701826-167905938.htmlRMKN4NMJ–Armchair MET 134933 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106)
Side chair, third quarter 18th century, Italian, Walnut, painted and gilded; damask, Overall: H. 34 1/2 x W. 20 1/2 x D. 17 1/2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-side-chair-third-quarter-18th-century-italian-walnut-painted-and-gilded-162332793.htmlRMKC2W3N–Side chair, third quarter 18th century, Italian, Walnut, painted and gilded; damask, Overall: H. 34 1/2 x W. 20 1/2 x D. 17 1/2
Armchair MET 184637 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-184637-218-maker-attributed-to-henry-connelly-17701826-168196554.htmlRMKNJ0BP–Armchair MET 184637 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106)
Morceaux de Caprice (1er - 20ième Livre) (Sammelwerk, 2. Reihe), François de Cuvilliés the Younger, 1745–56 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-morceaux-de-caprice-1er-20ime-livre-sammelwerk-2-reihe-franois-de-162569136.htmlRMKCDJGG–Morceaux de Caprice (1er - 20ième Livre) (Sammelwerk, 2. Reihe), François de Cuvilliés the Younger, 1745–56
![. School survey, Grand Rapids, Michigan, 1916. and 90%. TABLE LIIShowing the number of high-school teachers who failed certainpercentages of students last semester. Teachers NotSCHOOL Reporting Number of Teachers Failing: Over 0% 1-5% 6-10% 11-15% 16-20% 21-30% 30%Central 5 1 15 15 9 2 1 0 unon ..::::::..: 2 2 ^ 5 2 S I ? South 49770521 Junior 7 4 8 7 3 4 0 0 Totals 21 21 44 38 15 11 4 1 Percentages 13.6 13.6 28.4 24.5 9.7 7.1 2.6 .6 Median: Between 6-10%. 292 SCHOOL SURVEY, GRAND RAPIDS, MICHIGAN x — ^ —|[|J||fl|| ^r :::i::::::::::|s];J;rll| -? ?y-Tf^lr1 ---^^^^?*3-EF-fc-:l- rr :::: ::::: Stock Photo](https://c8.alamy.com/comp/2AG8WP4/school-survey-grand-rapids-michigan-1916-and-90-table-liishowing-the-number-of-high-school-teachers-who-failed-certainpercentages-of-students-last-semester-teachers-notschool-reporting-number-of-teachers-failing-over-0-1-5-6-10-11-15-16-20-21-30-30central-5-1-15-15-9-2-1-0-unon-2-2-5-2-s-i-south-49770521-junior-7-4-8-7-3-4-0-0-totals-21-21-44-38-15-11-4-1-percentages-136-136-284-245-97-71-26-6-median-between-6-10-292-school-survey-grand-rapids-michigan-x-jfl-r-is-jrll-y-tflr1-3-ef-fc-l-rr-2AG8WP4.jpg ". School survey, Grand Rapids, Michigan, 1916. and 90%. TABLE LIIShowing the number of high-school teachers who failed certainpercentages of students last semester. Teachers NotSCHOOL Reporting Number of Teachers Failing: Over 0% 1-5% 6-10% 11-15% 16-20% 21-30% 30%Central 5 1 15 15 9 2 1 0 unon ..::::::..: 2 2 ^ 5 2 S I ? South 49770521 Junior 7 4 8 7 3 4 0 0 Totals 21 21 44 38 15 11 4 1 Percentages 13.6 13.6 28.4 24.5 9.7 7.1 2.6 .6 Median: Between 6-10%. 292 SCHOOL SURVEY, GRAND RAPIDS, MICHIGAN x — ^ —|[|J||fl|| ^r :::i::::::::::|s];J;rll| -? ?y-Tf^lr1 ---^^^^?*3-EF-fc-:l- rr :::: ::::: Stock Photo")
. School survey, Grand Rapids, Michigan, 1916. and 90%. TABLE LIIShowing the number of high-school teachers who failed certainpercentages of students last semester. Teachers NotSCHOOL Reporting Number of Teachers Failing: Over 0% 1-5% 6-10% 11-15% 16-20% 21-30% 30%Central 5 1 15 15 9 2 1 0 unon ..::::::..: 2 2 ^ 5 2 S I ? South 49770521 Junior 7 4 8 7 3 4 0 0 Totals 21 21 44 38 15 11 4 1 Percentages 13.6 13.6 28.4 24.5 9.7 7.1 2.6 .6 Median: Between 6-10%. 292 SCHOOL SURVEY, GRAND RAPIDS, MICHIGAN x — ^ —|[|J||fl|| ^r :::i::::::::::|s];J;rll| -? ?y-Tf^lr1 ---^^^^?*3-EF-fc-:l- rr :::: ::::: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/school-survey-grand-rapids-michigan-1916-and-90-table-liishowing-the-number-of-high-school-teachers-who-failed-certainpercentages-of-students-last-semester-teachers-notschool-reporting-number-of-teachers-failing-over-0-1-5-6-10-11-15-16-20-21-30-30central-5-1-15-15-9-2-1-0-unon-2-2-5-2-s-i-south-49770521-junior-7-4-8-7-3-4-0-0-totals-21-21-44-38-15-11-4-1-percentages-136-136-284-245-97-71-26-6-median-between-6-10-292-school-survey-grand-rapids-michigan-x-jfl-r-is-jrll-y-tflr1-3-ef-fc-l-rr-image337027324.htmlRM2AG8WP4–. School survey, Grand Rapids, Michigan, 1916. and 90%. TABLE LIIShowing the number of high-school teachers who failed certainpercentages of students last semester. Teachers NotSCHOOL Reporting Number of Teachers Failing: Over 0% 1-5% 6-10% 11-15% 16-20% 21-30% 30%Central 5 1 15 15 9 2 1 0 unon ..::::::..: 2 2 ^ 5 2 S I ? South 49770521 Junior 7 4 8 7 3 4 0 0 Totals 21 21 44 38 15 11 4 1 Percentages 13.6 13.6 28.4 24.5 9.7 7.1 2.6 .6 Median: Between 6-10%. 292 SCHOOL SURVEY, GRAND RAPIDS, MICHIGAN x — ^ —|[|J||fl|| ^r :::i::::::::::|s];J;rll| -? ?y-Tf^lr1 ---^^^^?*3-EF-fc-:l- rr :::: :::::
Cambyses Appointing Otanes Judge, Copy after Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cambyses-appointing-otanes-judge-copy-after-peter-paul-rubens-162537309.htmlRMKCC5YW–Cambyses Appointing Otanes Judge, Copy after Peter Paul Rubens
Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662, 1670 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-courses-de-testes-et-de-bagues-faittes-par-roy-et-par-les-princes-162569151.htmlRMKCDJH3–Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662, 1670
Portrait of a Man. Artist: Attributed to Gaspare Traversi (Italian, Neapolitan, ca. 1722-1770); Fraudulent Imitation of Goya. Dimensions: 22 x 17 1/2 in. (55.9 x 44.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-artist-attributed-to-gaspare-traversi-italian-neapolitan-ca-1722-1770-fraudulent-imitation-of-goya-dimensions-22-x-17-12-in-559-x-445-cm-museum-metropolitan-museum-of-art-new-york-usa-image212894984.htmlRMPAA5M8–Portrait of a Man. Artist: Attributed to Gaspare Traversi (Italian, Neapolitan, ca. 1722-1770); Fraudulent Imitation of Goya. Dimensions: 22 x 17 1/2 in. (55.9 x 44.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Still Life American. Still Life, n.d. Pastel on paper mounted to canvas, 21 3/4 x 17 1/2 in. (55.2 x 44.5 cm). American Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/still-life-american-still-life-nd-pastel-on-paper-mounted-to-canvas-21-34-x-17-12-in-552-x-445-cm-american-art-nd-image504724207.htmlRM2M944TF–Still Life American. Still Life, n.d. Pastel on paper mounted to canvas, 21 3/4 x 17 1/2 in. (55.2 x 44.5 cm). American Art n.d.
Armchair MET 133253 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-133253-218-maker-attributed-to-henry-connelly-17701826-168196545.htmlRMKNJ0BD–Armchair MET 133253 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106)
Armchair MET 134786 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-134786-218-maker-attributed-to-henry-connelly-17701826-168098668.htmlRMKNDFFT–Armchair MET 134786 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106)
![Harmony, its theory and practice . Chap. XII.] Chord of the Dominant Ninth. -f-v. I I I 9 7 J15117 6 6 44 2 6 S4 6 $4 6I 3 8 7 (VII) Andante. *=r =f=F=t l=t: 8 16 — 6 J4 6 S65 4 3 4 3— 3 6 6 4t| 6 (? 240) t{6 65 9 77 5 7 8 4 7 6 Jl,4 6 — l?6 114 — 6 5 —4 3I|2 114l> 432 4 — 23 J2 — (VIII) Double Chant. 6 bV JI6 l?5 5 6 6 7 5 4 5 J). 1.^ ^] .J 1^ i-.^-W-44J =^=b^ , 9 87b7 6 4 I74 b 7 4 3 6 6 98 4 7 — (X) Hymn Tune. m^ J Ji^^r rir cr*- ru J -lj 17a Harmony. [Chap. XIII. CHAPTER XIII. THE CHORD OF THE DOMINANT ELEVENTH. 394. If above the chord of the ninth, spoken of in the lastchapter, another Stock Photo](https://c8.alamy.com/comp/2AWNMKN/harmony-its-theory-and-practice-chap-xii-chord-of-the-dominant-ninth-f-v-i-i-i-9-7-j15117-6-6-44-2-6-s4-6-4-6i-3-8-7-vii-andante-=r-=f=f=t-l=t-8-16-6-j4-6-s65-4-3-4-3-3-6-6-4t-6-240-t6-65-9-77-5-7-8-4-7-6-jl4-6-l6-114-6-5-4-3i2-114lgt-432-4-23-j2-viii-double-chant-6-bv-ji6-l5-5-6-6-7-5-4-5-j-1-j-1-i-w-44j-==b-9-87b7-6-4-i74-b-7-4-3-6-6-98-4-7-x-hymn-tune-m-j-jir-rir-cr-ru-j-lj-17a-harmony-chap-xiii-chapter-xiii-the-chord-of-the-dominant-eleventh-394-if-above-the-chord-of-the-ninth-spoken-of-in-the-lastchapter-another-2AWNMKN.jpg "Harmony, its theory and practice . Chap. XII.] Chord of the Dominant Ninth. -f-v. I I I 9 7 J15117 6 6 44 2 6 S4 6 $4 6I 3 8 7 (VII) Andante. *=r =f=F=t l=t: 8 16 — 6 J4 6 S65 4 3 4 3— 3 6 6 4t| 6 (? 240) t{6 65 9 77 5 7 8 4 7 6 Jl,4 6 — l?6 114 — 6 5 —4 3I|2 114l> 432 4 — 23 J2 — (VIII) Double Chant. 6 bV JI6 l?5 5 6 6 7 5 4 5 J). 1.^ ^] .J 1^ i-.^-W-44J =^=b^ , 9 87b7 6 4 I74 b 7 4 3 6 6 98 4 7 — (X) Hymn Tune. m^ J Ji^^r rir cr*- ru J -lj 17a Harmony. [Chap. XIII. CHAPTER XIII. THE CHORD OF THE DOMINANT ELEVENTH. 394. If above the chord of the ninth, spoken of in the lastchapter, another Stock Photo")
Harmony, its theory and practice . Chap. XII.] Chord of the Dominant Ninth. -f-v. I I I 9 7 J15117 6 6 44 2 6 S4 6 $4 6I 3 8 7 (VII) Andante. *=r =f=F=t l=t: 8 16 — 6 J4 6 S65 4 3 4 3— 3 6 6 4t| 6 (? 240) t{6 65 9 77 5 7 8 4 7 6 Jl,4 6 — l?6 114 — 6 5 —4 3I|2 114l> 432 4 — 23 J2 — (VIII) Double Chant. 6 bV JI6 l?5 5 6 6 7 5 4 5 J). 1.^ ^] .J 1^ i-.^-W-44J =^=b^ , 9 87b7 6 4 I74 b 7 4 3 6 6 98 4 7 — (X) Hymn Tune. m^ J Ji^^r rir cr*- ru J -lj 17a Harmony. [Chap. XIII. CHAPTER XIII. THE CHORD OF THE DOMINANT ELEVENTH. 394. If above the chord of the ninth, spoken of in the lastchapter, another Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harmony-its-theory-and-practice-chap-xii-chord-of-the-dominant-ninth-f-v-i-i-i-9-7-j15117-6-6-44-2-6-s4-6-4-6i-3-8-7-vii-andante-=r-=f=f=t-l=t-8-16-6-j4-6-s65-4-3-4-3-3-6-6-4t-6-240-t6-65-9-77-5-7-8-4-7-6-jl4-6-l6-114-6-5-4-3i2-114lgt-432-4-23-j2-viii-double-chant-6-bv-ji6-l5-5-6-6-7-5-4-5-j-1-j-1-i-w-44j-==b-9-87b7-6-4-i74-b-7-4-3-6-6-98-4-7-x-hymn-tune-m-j-jir-rir-cr-ru-j-lj-17a-harmony-chap-xiii-chapter-xiii-the-chord-of-the-dominant-eleventh-394-if-above-the-chord-of-the-ninth-spoken-of-in-the-lastchapter-another-image342840617.htmlRM2AWNMKN–Harmony, its theory and practice . Chap. XII.] Chord of the Dominant Ninth. -f-v. I I I 9 7 J15117 6 6 44 2 6 S4 6 $4 6I 3 8 7 (VII) Andante. *=r =f=F=t l=t: 8 16 — 6 J4 6 S65 4 3 4 3— 3 6 6 4t| 6 (? 240) t{6 65 9 77 5 7 8 4 7 6 Jl,4 6 — l?6 114 — 6 5 —4 3I|2 114l> 432 4 — 23 J2 — (VIII) Double Chant. 6 bV JI6 l?5 5 6 6 7 5 4 5 J). 1.^ ^] .J 1^ i-.^-W-44J =^=b^ , 9 87b7 6 4 I74 b 7 4 3 6 6 98 4 7 — (X) Hymn Tune. m^ J Ji^^r rir cr*- ru J -lj 17a Harmony. [Chap. XIII. CHAPTER XIII. THE CHORD OF THE DOMINANT ELEVENTH. 394. If above the chord of the ninth, spoken of in the lastchapter, another
Side Chair. Culture: American. Dimensions: 32 3/4 x 19 1/2 x 17 1/2 in. (83.2 x 49.5 x 44.5 cm). Date: 1805-15. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-32-34-x-19-12-x-17-12-in-832-x-495-x-445-cm-date-1805-15-museum-metropolitan-museum-of-art-new-york-usa-image212848909.htmlRMPA82XN–Side Chair. Culture: American. Dimensions: 32 3/4 x 19 1/2 x 17 1/2 in. (83.2 x 49.5 x 44.5 cm). Date: 1805-15. Museum: Metropolitan Museum of Art, New York, USA.
Landscape Watanabe Shiko (Japanese, 1683-1755). Landscape, 18th century. Hanging scroll, ink on paper, Image: 13 x 17 1/2 in. (33 x 44.5 cm). Asian Art 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-watanabe-shiko-japanese-1683-1755-landscape-18th-century-hanging-scroll-ink-on-paper-image-13-x-17-12-in-33-x-445-cm-asian-art-18th-century-image504698785.htmlRM2M930CH–Landscape Watanabe Shiko (Japanese, 1683-1755). Landscape, 18th century. Hanging scroll, ink on paper, Image: 13 x 17 1/2 in. (33 x 44.5 cm). Asian Art 18th century
Bench MET 11876 454 Dutch, probably, Bench, ca. 1700, Spruce, white oak, 17 1/2 x 33 1/2 x 14 in. (44.5 x 85.1 x 35.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.19) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bench-met-11876-454-dutch-probably-bench-ca-1700-spruce-white-oak-168098886.htmlRMKNDFRJ–Bench MET 11876 454 Dutch, probably, Bench, ca. 1700, Spruce, white oak, 17 1/2 x 33 1/2 x 14 in. (44.5 x 85.1 x 35.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.19)
. The small rock garden. 5 ^ ; - : . ^ .?JPs p p -33 -vp - p i; ^ 3 P g 3 3 i;. r s (i( 1—)i—) »—it—1 t—» 1—, 1—1 1—i< ;; . 3 ^ ? 0„0 3 3 >.0< Ir. fl owo 6 2 .2 .tl o 44 o . ^-G (1Sffla3^ 0 -% Bi -.d „ . S ts - ; ; = ? :; oj o o ^ - ^j • a, O rin . m o o l^ ^?^s^ t g ?? ^ S = = . = - H* 0 * u . rt 0 >. >? >,SS c . S f^ d . c^-, c < • 3 - - - Q. g - - - - 3 i5 0 ^ ^ 0 ; i/i Ot/3 O cfiHO 0 (D 3 ? . . a -*-i -tJ ? . • -^^ . O W u . -M . i-I . --^ . 3 t -*-» +J 4J mi;;!; ii±;ii3 =Sia,3iii ?*^ 1n ^ ^ *^ S****^^ a.j» x-^ ••?•:=!? * -M • d 0 -—^..-i ? -gs ? • •g ?-T- • w< Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-small-rock-garden-5-jps-p-p-33-vp-p-i-3-p-g-3-3-i-r-s-i-1i-it1-t-1-11-1ilt-3-00-3-3-gt0lt-ir-fl-owo-6-2-2-tl-o-44-o-g-1sffla3-0-bi-d-s-ts-=-oj-o-o-j-a-o-rin-m-o-o-l-s-t-g-s-=-=-=-h-0-u-rt-0-gt-gt-gtss-c-s-f-d-c-c-lt-3-q-g-3-i5-0-0-ii-ot3-o-cfiho-0-d-3-a-i-tj-o-w-u-m-i-i-3-t-j-4j-mi!-iiii3-=sia3iii-1n-s-aj-x-=!-m-d-0-i-gs-g-t-wlt-image336948368.htmlRM2AG5928–. The small rock garden. 5 ^ ; - : . ^ .?JPs p p -33 -vp - p i; ^ 3 P g 3 3 i;. r s (i( 1—)i—) »—it—1 t—» 1—, 1—1 1—i< ;; . 3 ^ ? 0„0 3 3 >.0< Ir. fl owo 6 2 .2 .tl o 44 o . ^-G (1Sffla3^ 0 -% Bi -.d „ . S ts - ; ; = ? :; oj o o ^ - ^j • a, O rin . m o o l^ ^?^s^ t g ?? ^ S = = . = - H* 0 * u . rt 0 >. >? >,SS c . S f^ d . c^-, c < • 3 - - - Q. g - - - - 3 i5 0 ^ ^ 0 ; i/i Ot/3 O cfiHO 0 (D 3 ? . . a -*-i -tJ ? . • -^^ . O W u . -M . i-I . --^ . 3 t -*-» +J 4J mi;;!; ii±;ii3 =Sia,3iii ?*^ 1n ^ ^ *^ S****^^ a.j» x-^ ••?•:=!? * -M • d 0 -—^..-i ? -gs ? • •g ?-T- • w<
Stencil from Trading Room of the Chicago Stock Exchange, Chicago. Culture: American. Designer: Designed by Adler and Sullivan. Dimensions: 17 1/2 x 75 1/2 in. (44.5 x 191.8 cm). Date: 1893-94. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-from-trading-room-of-the-chicago-stock-exchange-chicago-culture-american-designer-designed-by-adler-and-sullivan-dimensions-17-12-x-75-12-in-445-x-1918-cm-date-1893-94-museum-metropolitan-museum-of-art-new-york-usa-image212862674.htmlRMPA8MEA–Stencil from Trading Room of the Chicago Stock Exchange, Chicago. Culture: American. Designer: Designed by Adler and Sullivan. Dimensions: 17 1/2 x 75 1/2 in. (44.5 x 191.8 cm). Date: 1893-94. Museum: Metropolitan Museum of Art, New York, USA.
Head of a Wild Boar Gustave Courbet (French, 1819-1877). Head of a Wild Boar. Oil on canvas, 17 1/2 x 24 1/2 in. (44.5 x 62.2 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-wild-boar-gustave-courbet-french-1819-1877-head-of-a-wild-boar-oil-on-canvas-17-12-x-24-12-in-445-x-622-cm-european-art-image504722425.htmlRM2M942GW–Head of a Wild Boar Gustave Courbet (French, 1819-1877). Head of a Wild Boar. Oil on canvas, 17 1/2 x 24 1/2 in. (44.5 x 62.2 cm). European Art
Armchair MET 184638 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-184638-218-maker-attributed-to-henry-connelly-17701826-168098669.htmlRMKNDFFW–Armchair MET 184638 218 Maker: Attributed to Henry Connelly, 1770?1826, Armchair, 1800?1810, Mahogany, ash, 35 1/2 x 22 1/2 x 19 1/2 in. (90.2 x 57.2 x 49.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.106)
![. Miller's planters' & merchants' state rights almanac, for the year of our Lord 1862 [electronic resource]: being the second after leap year : and 2nd of Southern independence : calculated for the meridian of Carolina & Georgia, containing the usual astronomical calculations, with the time of high water, and a new tide table . 9251381450 X T U MoonR. S. 9101011 HWa H. M. 12 10 8 2571051.11Morn. Morn.44; 0 2034-21. 3!43| 1953 59 0 270 0 3N. 200 4311I2233 1 2 3 4 5 6 7 8 9 lo! 311 4 731541841 5285115 233 45Sh D rise 6 57 8 7. 9 17; 8 10 26 9 11 3410Morn.11 mz 64521 5841 38 17 in vs K 1815 8564 Stock Photo](https://c8.alamy.com/comp/2CJ357A/millers-planters-merchants-state-rights-almanac-for-the-year-of-our-lord-1862-electronic-resource-being-the-second-after-leap-year-and-2nd-of-southern-independence-calculated-for-the-meridian-of-carolina-georgia-containing-the-usual-astronomical-calculations-with-the-time-of-high-water-and-a-new-tide-table-9251381450-x-t-u-moonr-s-9101011-hwa-h-m-12-10-8-257105111morn-morn44-0-2034-21-3!43-1953-59-0-270-0-3n-200-4311i2233-1-2-3-4-5-6-7-8-9-lo!-311-4-731541841-5285115-233-45sh-d-rise-6-57-8-7-9-17-8-10-26-9-11-3410morn11-mz-64521-5841-38-17-in-vs-k-1815-8564-2CJ357A.jpg ". Miller's planters' & merchants' state rights almanac, for the year of our Lord 1862 [electronic resource]: being the second after leap year : and 2nd of Southern independence : calculated for the meridian of Carolina & Georgia, containing the usual astronomical calculations, with the time of high water, and a new tide table . 9251381450 X T U MoonR. S. 9101011 HWa H. M. 12 10 8 2571051.11Morn. Morn.44; 0 2034-21. 3!43| 1953 59 0 270 0 3N. 200 4311I2233 1 2 3 4 5 6 7 8 9 lo! 311 4 731541841 5285115 233 45Sh D rise 6 57 8 7. 9 17; 8 10 26 9 11 3410Morn.11 mz 64521 5841 38 17 in vs K 1815 8564 Stock Photo")
. Miller's planters' & merchants' state rights almanac, for the year of our Lord 1862 [electronic resource]: being the second after leap year : and 2nd of Southern independence : calculated for the meridian of Carolina & Georgia, containing the usual astronomical calculations, with the time of high water, and a new tide table . 9251381450 X T U MoonR. S. 9101011 HWa H. M. 12 10 8 2571051.11Morn. Morn.44; 0 2034-21. 3!43| 1953 59 0 270 0 3N. 200 4311I2233 1 2 3 4 5 6 7 8 9 lo! 311 4 731541841 5285115 233 45Sh D rise 6 57 8 7. 9 17; 8 10 26 9 11 3410Morn.11 mz 64521 5841 38 17 in vs K 1815 8564 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/millers-planters-merchants-state-rights-almanac-for-the-year-of-our-lord-1862-electronic-resource-being-the-second-after-leap-year-and-2nd-of-southern-independence-calculated-for-the-meridian-of-carolina-georgia-containing-the-usual-astronomical-calculations-with-the-time-of-high-water-and-a-new-tide-table-9251381450-x-t-u-moonr-s-9101011-hwa-h-m-12-10-8-257105111morn-morn44-0-2034-21-3!43-1953-59-0-270-0-3n-200-4311i2233-1-2-3-4-5-6-7-8-9-lo!-311-4-731541841-5285115-233-45sh-d-rise-6-57-8-7-9-17-8-10-26-9-11-3410morn11-mz-64521-5841-38-17-in-vs-k-1815-8564-image372551518.htmlRM2CJ357A–. Miller's planters' & merchants' state rights almanac, for the year of our Lord 1862 [electronic resource]: being the second after leap year : and 2nd of Southern independence : calculated for the meridian of Carolina & Georgia, containing the usual astronomical calculations, with the time of high water, and a new tide table . 9251381450 X T U MoonR. S. 9101011 HWa H. M. 12 10 8 2571051.11Morn. Morn.44; 0 2034-21. 3!43| 1953 59 0 270 0 3N. 200 4311I2233 1 2 3 4 5 6 7 8 9 lo! 311 4 731541841 5285115 233 45Sh D rise 6 57 8 7. 9 17; 8 10 26 9 11 3410Morn.11 mz 64521 5841 38 17 in vs K 1815 8564
Cabinet MET 189198 1873 Maker: L?on Marcotte, 1824?1887, Side Chair, ca. 1860, Maple, pine, 37 3/4 x 20 3/4 x 17 1/2 in. (95.9 x 52.7 x 44.5 cm). The Metropolitan Museum of Art, New York. Gift of D. Chester Noyes, 1968 (68.69.7) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cabinet-met-189198-1873-maker-lon-marcotte-18241887-side-chair-ca-168195332.htmlRMKNHXT4–Cabinet MET 189198 1873 Maker: L?on Marcotte, 1824?1887, Side Chair, ca. 1860, Maple, pine, 37 3/4 x 20 3/4 x 17 1/2 in. (95.9 x 52.7 x 44.5 cm). The Metropolitan Museum of Art, New York. Gift of D. Chester Noyes, 1968 (68.69.7)
Armchair MET 86156 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-86156-233-artist-charles-honor-lannuier-france-17791819-167906293.htmlRMKN4P59–Armchair MET 86156 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Bench MET 193005 460 Maker: John McLean, active 1882/3?1900, Bench, 1850?1900, Cast iron, 37 1/4 x 34 1/2 x 17 1/2 in. (94.6 x 87.6 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.158.7) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bench-met-193005-460-maker-john-mclean-active-188231900-bench-18501900-168196485.htmlRMKNJ099–Bench MET 193005 460 Maker: John McLean, active 1882/3?1900, Bench, 1850?1900, Cast iron, 37 1/4 x 34 1/2 x 17 1/2 in. (94.6 x 87.6 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.158.7)
Side Chair. Culture: American. Dimensions: 35 3/4 x 21 x 17 1/2 in. (90.8 x 53.3 x 44.5 cm). Maker: Attributed to Léon Marcotte (1824-1887). Date: 1865-70. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-35-34-x-21-x-17-12-in-908-x-533-x-445-cm-maker-attributed-to-lon-marcotte-1824-1887-date-1865-70-museum-metropolitan-museum-of-art-new-york-usa-image213327076.htmlRMPB1TT4–Side Chair. Culture: American. Dimensions: 35 3/4 x 21 x 17 1/2 in. (90.8 x 53.3 x 44.5 cm). Maker: Attributed to Léon Marcotte (1824-1887). Date: 1865-70. Museum: Metropolitan Museum of Art, New York, USA.
Armchair MET 265140 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-265140-233-artist-charles-honor-lannuier-france-17791819-168098702.htmlRMKNDFH2–Armchair MET 265140 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Dante Dante Gabriel Rossetti (British, 1828-1882). Dante, ca. 1879. Charcoal on wove paper, 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm). European Art ca. 1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dante-dante-gabriel-rossetti-british-1828-1882-dante-ca-1879-charcoal-on-wove-paper-17-12-x-14-12-in-445-x-368-cm-european-art-ca-1879-image504705075.htmlRM2M938D7–Dante Dante Gabriel Rossetti (British, 1828-1882). Dante, ca. 1879. Charcoal on wove paper, 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm). European Art ca. 1879
![. Richardson's Virginia & North Carolina almanac, for the year of Our Lord 1864 [electronic resource]: being bissextile or leap year, the eighty-eighth of American independence, and the third of the Confederate States . 757 57 58 59 590(71.6 16J221612215|2215J2215|22142214:2213i2213J2212 21 1211 10 10 9 i 6554 oO 3211 059 !1 2121212020202020191919191918181818 5 nl4i 0 27^55 5311 50i 22:44 SI 4 16 271 3832 2 45,1 U 3 38:10 4 34,11 i ■ ait1 sets 25,tr)j 9 9 9 181 2140 10- 8il0 2 15111 54 2741 59295826552556 21 45:11^10: morn 36271765645332210 58 V4532195 23f 6 20 *3 4 18 MV *? 17; X 2! 17| 1 01 Stock Photo](https://c8.alamy.com/comp/2CHM40K/richardsons-virginia-north-carolina-almanac-for-the-year-of-our-lord-1864-electronic-resource-being-bissextile-or-leap-year-the-eighty-eighth-of-american-independence-and-the-third-of-the-confederate-states-757-57-58-59-590716-16j2216122152215j2215221422142213i2213j2212-21-1211-10-10-9-i-6554-oo-3211-059-!1-2121212020202020191919191918181818-5-nl4i-0-2755-5311-50i-2244-si-4-16-271-3832-2-451-u-3-3810-4-3411-i-ait1-sets-25trj-9-9-9-181-2140-10-8il0-2-15111-54-2741-59295826552556-21-451110-morn-36271765645332210-58-v4532195-23f-6-20-3-4-18-mv-17-x-2!-17-1-01-2CHM40K.jpg ". Richardson's Virginia & North Carolina almanac, for the year of Our Lord 1864 [electronic resource]: being bissextile or leap year, the eighty-eighth of American independence, and the third of the Confederate States . 757 57 58 59 590(71.6 16J221612215|2215J2215|22142214:2213i2213J2212 21 1211 10 10 9 i 6554 oO 3211 059 !1 2121212020202020191919191918181818 5 nl4i 0 27^55 5311 50i 22:44 SI 4 16 271 3832 2 45,1 U 3 38:10 4 34,11 i ■ ait1 sets 25,tr)j 9 9 9 181 2140 10- 8il0 2 15111 54 2741 59295826552556 21 45:11^10: morn 36271765645332210 58 V4532195 23f 6 20 *3 4 18 MV *? 17; X 2! 17| 1 01 Stock Photo")
. Richardson's Virginia & North Carolina almanac, for the year of Our Lord 1864 [electronic resource]: being bissextile or leap year, the eighty-eighth of American independence, and the third of the Confederate States . 757 57 58 59 590(71.6 16J221612215|2215J2215|22142214:2213i2213J2212 21 1211 10 10 9 i 6554 oO 3211 059 !1 2121212020202020191919191918181818 5 nl4i 0 27^55 5311 50i 22:44 SI 4 16 271 3832 2 45,1 U 3 38:10 4 34,11 i ■ ait1 sets 25,tr)j 9 9 9 181 2140 10- 8il0 2 15111 54 2741 59295826552556 21 45:11^10: morn 36271765645332210 58 V4532195 23f 6 20 *3 4 18 MV *? 17; X 2! 17| 1 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richardsons-virginia-north-carolina-almanac-for-the-year-of-our-lord-1864-electronic-resource-being-bissextile-or-leap-year-the-eighty-eighth-of-american-independence-and-the-third-of-the-confederate-states-757-57-58-59-590716-16j2216122152215j2215221422142213i2213j2212-21-1211-10-10-9-i-6554-oo-3211-059-!1-2121212020202020191919191918181818-5-nl4i-0-2755-5311-50i-2244-si-4-16-271-3832-2-451-u-3-3810-4-3411-i-ait1-sets-25trj-9-9-9-181-2140-10-8il0-2-15111-54-2741-59295826552556-21-451110-morn-36271765645332210-58-v4532195-23f-6-20-3-4-18-mv-17-x-2!-17-1-01-image372309075.htmlRM2CHM40K–. Richardson's Virginia & North Carolina almanac, for the year of Our Lord 1864 [electronic resource]: being bissextile or leap year, the eighty-eighth of American independence, and the third of the Confederate States . 757 57 58 59 590(71.6 16J221612215|2215J2215|22142214:2213i2213J2212 21 1211 10 10 9 i 6554 oO 3211 059 !1 2121212020202020191919191918181818 5 nl4i 0 27^55 5311 50i 22:44 SI 4 16 271 3832 2 45,1 U 3 38:10 4 34,11 i ■ ait1 sets 25,tr)j 9 9 9 181 2140 10- 8il0 2 15111 54 2741 59295826552556 21 45:11^10: morn 36271765645332210 58 V4532195 23f 6 20 *3 4 18 MV *? 17; X 2! 17| 1 01
Morceaux de Caprice (1er - 20ième Livre) (Sammelwerk, 2. Reihe). Artist: François de Cuvilliés the Younger (German, 1731-1777). Dimensions: 17 1/2 x 11 13/16 x 1 9/16 in. (44.5 x 30 x 4 cm). Engraver: Johann Gottfried Haid (German, Augsburg 1714-1776 Vienna); Georg Sigmund Roesch (German, died 1766); Carl Albert von Lespilliez (German, Nymphenburg 1723-1796 Munich). Published in: Munich. Date: 1745-56. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morceaux-de-caprice-1er-20ime-livre-sammelwerk-2-reihe-artist-franois-de-cuvillis-the-younger-german-1731-1777-dimensions-17-12-x-11-1316-x-1-916-in-445-x-30-x-4-cm-engraver-johann-gottfried-haid-german-augsburg-1714-1776-vienna-georg-sigmund-roesch-german-died-1766-carl-albert-von-lespilliez-german-nymphenburg-1723-1796-munich-published-in-munich-date-1745-56-museum-metropolitan-museum-of-art-new-york-usa-image213262909.htmlRMPAXY0D–Morceaux de Caprice (1er - 20ième Livre) (Sammelwerk, 2. Reihe). Artist: François de Cuvilliés the Younger (German, 1731-1777). Dimensions: 17 1/2 x 11 13/16 x 1 9/16 in. (44.5 x 30 x 4 cm). Engraver: Johann Gottfried Haid (German, Augsburg 1714-1776 Vienna); Georg Sigmund Roesch (German, died 1766); Carl Albert von Lespilliez (German, Nymphenburg 1723-1796 Munich). Published in: Munich. Date: 1745-56. Museum: Metropolitan Museum of Art, New York, USA.
Fragment of a terracotta loutrophoros (ceremonial vase for water) MET 95895 247950 : Attributed to the Painter of Bologna 228, Fragment of a terracotta loutrophoros (ceremonial vase for water), ca. 460 B.C., Terracotta, H.: 17 1/2 x 12 in. (44.5 x 30.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.286.70) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fragment-of-a-terracotta-loutrophoros-ceremonial-vase-for-water-met-168287926.htmlRMKNP4Y2–Fragment of a terracotta loutrophoros (ceremonial vase for water) MET 95895 247950 : Attributed to the Painter of Bologna 228, Fragment of a terracotta loutrophoros (ceremonial vase for water), ca. 460 B.C., Terracotta, H.: 17 1/2 x 12 in. (44.5 x 30.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.286.70)
Head of a Wild Boar Gustave Courbet (French, 1819-1877). Head of a Wild Boar. Oil on canvas, 17 1/2 x 24 1/2 in. (44.5 x 62.2 cm). European Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-wild-boar-gustave-courbet-french-1819-1877-head-of-a-wild-boar-oil-on-canvas-17-12-x-24-12-in-445-x-622-cm-european-art-image504722450.htmlRM2M942HP–Head of a Wild Boar Gustave Courbet (French, 1819-1877). Head of a Wild Boar. Oil on canvas, 17 1/2 x 24 1/2 in. (44.5 x 62.2 cm). European Art
. Material handling cyclopedia; a reference book covering definitions, descriptions, illustrations and methods of use of material handling machines employed in industry . Form 1 Hoist with Geared Trolley CAPACITIES AND DIMENSIONS Hi o w » 03 as Hoistingspeed,f.p.m. oo +^4-1 6JS Dimensions A X W A2 A4 B6 BIO C12 C20 %, 1. 21, 2, 3 3, 4, 5 4, 5,66, 7%, 10 7%, 10, 12M! 40, 20, 1040, 20, 1320, 15, 1225, 20, 1728, 17, 1330, 24, 20 222222 20202222232^ S4%3 4W4 2^44 3%5 5%55% 1 9%1 9%2 5%2 6%3232 1 7%IlO21 2 5%2 7% yl% 3-1%1 11%2Si^»2 eVi26% 109011402350266042204470 SHEPARD ELECTRIC CRANE & HOIST CO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/material-handling-cyclopedia-a-reference-book-covering-definitions-descriptions-illustrations-and-methods-of-use-of-material-handling-machines-employed-in-industry-form-1-hoist-with-geared-trolley-capacities-and-dimensions-hi-o-w-03-as-hoistingspeedfpm-oo-4-1-6js-dimensions-a-x-w-a2-a4-b6-bio-c12-c20-1-21-2-3-3-4-5-4-566-7-10-7-10-12m!-40-20-1040-20-1320-15-1225-20-1728-17-1330-24-20-222222-20202222232-s43-4w4-244-35-555-1-91-92-52-63232-1-7ilo21-2-52-7-yl-3-11-112si2-evi26-109011402350266042204470-shepard-electric-crane-hoist-co-image369702620.htmlRM2CDDBD0–. Material handling cyclopedia; a reference book covering definitions, descriptions, illustrations and methods of use of material handling machines employed in industry . Form 1 Hoist with Geared Trolley CAPACITIES AND DIMENSIONS Hi o w » 03 as Hoistingspeed,f.p.m. oo +^4-1 6JS Dimensions A X W A2 A4 B6 BIO C12 C20 %, 1. 21, 2, 3 3, 4, 5 4, 5,66, 7%, 10 7%, 10, 12M! 40, 20, 1040, 20, 1320, 15, 1225, 20, 1728, 17, 1330, 24, 20 222222 20202222232^ S4%3 4W4 2^44 3%5 5%55% 1 9%1 9%2 5%2 6%3232 1 7%IlO21 2 5%2 7% yl% 3-1%1 11%2Si^»2 eVi26% 109011402350266042204470 SHEPARD ELECTRIC CRANE & HOIST CO.
Bench. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: 17 1/2 x 27 1/2 x 16 11/16 in. (44.5 x 69.9 x 42.4 cm). Maker: Tiffany Studios (1902-32). Date: 1916. Thomas Chippendale's influential book of furniture designs, 'The Gentleman and Cabinetmaker's Director' (London, 1754), tapped into the growing interest in Chinese ornament in England and the colonies. More than one hundred years later, Chippendale's furniture forms again saw a resurgence in popularity, as exemplified by this Tiffany Studios bench. The right angles, fretw Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bench-culture-american-designer-designed-by-louis-comfort-tiffany-american-new-york-1848-1933-new-york-dimensions-17-12-x-27-12-x-16-1116-in-445-x-699-x-424-cm-maker-tiffany-studios-1902-32-date-1916-thomas-chippendales-influential-book-of-furniture-designs-the-gentleman-and-cabinetmakers-director-london-1754-tapped-into-the-growing-interest-in-chinese-ornament-in-england-and-the-colonies-more-than-one-hundred-years-later-chippendales-furniture-forms-again-saw-a-resurgence-in-popularity-as-exemplified-by-this-tiffany-studios-bench-the-right-angles-fretw-image213297713.htmlRMPB0FBD–Bench. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: 17 1/2 x 27 1/2 x 16 11/16 in. (44.5 x 69.9 x 42.4 cm). Maker: Tiffany Studios (1902-32). Date: 1916. Thomas Chippendale's influential book of furniture designs, 'The Gentleman and Cabinetmaker's Director' (London, 1754), tapped into the growing interest in Chinese ornament in England and the colonies. More than one hundred years later, Chippendale's furniture forms again saw a resurgence in popularity, as exemplified by this Tiffany Studios bench. The right angles, fretw
Fragment of a terracotta loutrophoros (ceremonial vase for water) MET 95895 247950 : Attributed to the Painter of Bologna 228, Fragment of a terracotta loutrophoros (ceremonial vase for water), ca. 460 B.C., Terracotta, H.: 17 1/2 x 12 in. (44.5 x 30.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.286.70) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fragment-of-a-terracotta-loutrophoros-ceremonial-vase-for-water-met-168456016.htmlRMKP1RA8–Fragment of a terracotta loutrophoros (ceremonial vase for water) MET 95895 247950 : Attributed to the Painter of Bologna 228, Fragment of a terracotta loutrophoros (ceremonial vase for water), ca. 460 B.C., Terracotta, H.: 17 1/2 x 12 in. (44.5 x 30.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.286.70)
Landscape Fujimoto Tesseki (Japanese, 1817-1863). Landscape, 19th century. Hanging scroll, ink and light color on paper, 67 1/2 x 17 11/16in. (171.5 x 44.9cm). Asian Art 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-fujimoto-tesseki-japanese-1817-1863-landscape-19th-century-hanging-scroll-ink-and-light-color-on-paper-67-12-x-17-1116in-1715-x-449cm-asian-art-19th-century-image504720359.htmlRM2M93YY3–Landscape Fujimoto Tesseki (Japanese, 1817-1863). Landscape, 19th century. Hanging scroll, ink and light color on paper, 67 1/2 x 17 11/16in. (171.5 x 44.9cm). Asian Art 19th century
. A Register of the Weather for the Year 1692, Kept at Oates in Essex. By Mr John Locke. 30.5 4| 48 |W N i ffiote, with a imie Fog. Very fair all*the atter- 30. 8 41 noon, now ctofe. 2. 7J 9! 44 j TV 1 i Mifty. 13 91i 94 46 1 icrofe. 1415 13 I 914i6j 9;4 7l 48 |E 1 [Fog. 17 10 181 8 415! 6 31 [E ijFog, Froft. al 45 IN ilFair, hard Froit. 4. 1 29. 18 43 N E aClofe, hard Froft. 12 35 NWa *w Fair, Rain and Snow foran hour about 16. u (1922 ) DH ITher.jBar. |Hyg.iV¥md jWeather. January, 1692.. «***-*«***., .srjmsn -**^^x*.w%m--***m* M>i».i aiiu»m<—Bo»e j 9I 44.UN W QjSnow u!l 135 43 IN W 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-register-of-the-weather-for-the-year-1692-kept-at-oates-in-essex-by-mr-john-locke-305-4-48-w-n-i-ffiote-with-a-imie-fog-very-fair-allthe-atter-30-8-41-noon-now-ctofe-2-7j-9!-44-j-tv-1-i-mifty-13-91i-94-46-1-icrofe-1415-13-i-914i6j-94-7l-48-e-1-fog-17-10-181-8-415!-6-31-e-ijfog-froft-al-45-in-ilfair-hard-froit-4-1-29-18-43-n-e-aclofe-hard-froft-12-35-nwa-w-fair-rain-and-snow-foran-hour-about-16-u-1922-dh-itherjbar-hygivmd-jweather-january-1692-srjmsn-xwm-m-mgtii-aiiumltboe-j-9i-44un-w-qjsnow-u!l-135-43-in-w-1-image370613918.htmlRM2CEXWRA–. A Register of the Weather for the Year 1692, Kept at Oates in Essex. By Mr John Locke. 30.5 4| 48 |W N i ffiote, with a imie Fog. Very fair all*the atter- 30. 8 41 noon, now ctofe. 2. 7J 9! 44 j TV 1 i Mifty. 13 91i 94 46 1 icrofe. 1415 13 I 914i6j 9;4 7l 48 |E 1 [Fog. 17 10 181 8 415! 6 31 [E ijFog, Froft. al 45 IN ilFair, hard Froit. 4. 1 29. 18 43 N E aClofe, hard Froft. 12 35 NWa *w Fair, Rain and Snow foran hour about 16. u (1922 ) DH ITher.jBar. |Hyg.iV¥md jWeather. January, 1692.. «***-*«***., .srjmsn -**^^x*.w%m--***m* M>i».i aiiu»m<—Bo»e j 9I 44.UN W QjSnow u!l 135 43 IN W 1
Side Chair. Culture: American. Dimensions: 37 3/4 x 20 3/4 x 17 1/2 in. (95.9 x 52.7 x 44.5 cm). Maker: Léon Marcotte (1824-1887). Date: ca. 1860. This side chair is part of a suite of Louis XVI-style furniture that John Taylor Johnston (1820-1893) purchased from the firm of Ringuet-Leprince and L. Marcotte in about 1856. This international firm had showrooms in both Paris and New York, and it is believed that at least some of the pieces of the suite were made in Paris for the New York commission. Johnston, a railroad executive and the first president of The Metropolitan Museum of Art, used t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-37-34-x-20-34-x-17-12-in-959-x-527-x-445-cm-maker-lon-marcotte-1824-1887-date-ca-1860-this-side-chair-is-part-of-a-suite-of-louis-xvi-style-furniture-that-john-taylor-johnston-1820-1893-purchased-from-the-firm-of-ringuet-leprince-and-l-marcotte-in-about-1856-this-international-firm-had-showrooms-in-both-paris-and-new-york-and-it-is-believed-that-at-least-some-of-the-pieces-of-the-suite-were-made-in-paris-for-the-new-york-commission-johnston-a-railroad-executive-and-the-first-president-of-the-metropolitan-museum-of-art-used-t-image212876984.htmlRMPA9ANC–Side Chair. Culture: American. Dimensions: 37 3/4 x 20 3/4 x 17 1/2 in. (95.9 x 52.7 x 44.5 cm). Maker: Léon Marcotte (1824-1887). Date: ca. 1860. This side chair is part of a suite of Louis XVI-style furniture that John Taylor Johnston (1820-1893) purchased from the firm of Ringuet-Leprince and L. Marcotte in about 1856. This international firm had showrooms in both Paris and New York, and it is believed that at least some of the pieces of the suite were made in Paris for the New York commission. Johnston, a railroad executive and the first president of The Metropolitan Museum of Art, used t
Armchair MET 265142 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-265142-233-artist-charles-honor-lannuier-france-17791819-168098703.htmlRMKNDFH3–Armchair MET 265142 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Winter Landscape John Henry Twachtman (American, 1853-1902). Winter Landscape, ca. 1883. Oil on canvas, 15 15/16 x 17 1/2 in. (40.5 x 44.5 cm). American Art ca. 1883 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winter-landscape-john-henry-twachtman-american-1853-1902-winter-landscape-ca-1883-oil-on-canvas-15-1516-x-17-12-in-405-x-445-cm-american-art-ca-1883-image504723991.htmlRM2M944GR–Winter Landscape John Henry Twachtman (American, 1853-1902). Winter Landscape, ca. 1883. Oil on canvas, 15 15/16 x 17 1/2 in. (40.5 x 44.5 cm). American Art ca. 1883
. Ordovician fossils of north China. Paleontology; Paleontology. (in) 12 Palxontologia Sinica Ser. B. Measurements: Greatest width = 13 mm Hinge line =10 ,, Height = 9 ,, Proportion of height to width = 1.44 A second exterior impression of a Brachial valve (Ser. No. X 216 PI. I, Fig. 8a) is of a smaller specimen as compared with No. X 218. Its measurements are as follows: Greatest width — 8 mm Hinge line =7 ,, Height =5 ,, Proportion of height to width = 1.60 The sinal depression is very clear and the arrangement of the sinal plica- tions is shown in Text-Figure 2.. Text-Fig. 2. Arrangement of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ordovician-fossils-of-north-china-paleontology-paleontology-in-12-palxontologia-sinica-ser-b-measurements-greatest-width-=-13-mm-hinge-line-=10-height-=-9-proportion-of-height-to-width-=-144-a-second-exterior-impression-of-a-brachial-valve-ser-no-x-216-pi-i-fig-8a-is-of-a-smaller-specimen-as-compared-with-no-x-218-its-measurements-are-as-follows-greatest-width-8-mm-hinge-line-=7-height-=5-proportion-of-height-to-width-=-160-the-sinal-depression-is-very-clear-and-the-arrangement-of-the-sinal-plica-tions-is-shown-in-text-figure-2-text-fig-2-arrangement-of-image232156307.htmlRMRDKHMK–. Ordovician fossils of north China. Paleontology; Paleontology. (in) 12 Palxontologia Sinica Ser. B. Measurements: Greatest width = 13 mm Hinge line =10 ,, Height = 9 ,, Proportion of height to width = 1.44 A second exterior impression of a Brachial valve (Ser. No. X 216 PI. I, Fig. 8a) is of a smaller specimen as compared with No. X 218. Its measurements are as follows: Greatest width — 8 mm Hinge line =7 ,, Height =5 ,, Proportion of height to width = 1.60 The sinal depression is very clear and the arrangement of the sinal plica- tions is shown in Text-Figure 2.. Text-Fig. 2. Arrangement of
Card table. Culture: American. Dimensions: 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). Maker: Charles-Honoré Lannuier (France 1779-1819 New York). Date: 1805-12. The latest styles in European furniture arrived in colonial and Federal America by three principal means: pattern books of engraved furniture designs, imported high-style objects, and skilled immigrant craftsmen. This exquisite table, a nearly pure rendition of French Consulate (1799-1804) design, was made in New York by one of the most important of these immigrant craftsmen, Charles-Honoré Lannuier. Trained as a cabinetmaker i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-table-culture-american-dimensions-30-x-35-14-x-17-12-in-762-x-895-x-445-cm-maker-charles-honor-lannuier-france-1779-1819-new-york-date-1805-12-the-latest-styles-in-european-furniture-arrived-in-colonial-and-federal-america-by-three-principal-means-pattern-books-of-engraved-furniture-designs-imported-high-style-objects-and-skilled-immigrant-craftsmen-this-exquisite-table-a-nearly-pure-rendition-of-french-consulate-1799-1804-design-was-made-in-new-york-by-one-of-the-most-important-of-these-immigrant-craftsmen-charles-honor-lannuier-trained-as-a-cabinetmaker-i-image213251587.htmlRMPAXCG3–Card table. Culture: American. Dimensions: 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). Maker: Charles-Honoré Lannuier (France 1779-1819 New York). Date: 1805-12. The latest styles in European furniture arrived in colonial and Federal America by three principal means: pattern books of engraved furniture designs, imported high-style objects, and skilled immigrant craftsmen. This exquisite table, a nearly pure rendition of French Consulate (1799-1804) design, was made in New York by one of the most important of these immigrant craftsmen, Charles-Honoré Lannuier. Trained as a cabinetmaker i
Bench MET 230823 460 Maker: John McLean, active 1882/3?1900, Bench, 1850?1900, Cast iron, 37 1/4 x 34 1/2 x 17 1/2 in. (94.6 x 87.6 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.158.7) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bench-met-230823-460-maker-john-mclean-active-188231900-bench-18501900-168098887.htmlRMKNDFRK–Bench MET 230823 460 Maker: John McLean, active 1882/3?1900, Bench, 1850?1900, Cast iron, 37 1/4 x 34 1/2 x 17 1/2 in. (94.6 x 87.6 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.158.7)
Snow Harbor Charles Henry Fromuth (American, 1861-1937). , 1931. Pastel and goauche (?) on gray paper mounted on composition board, 29 x 17 1/2 in. (73.7 x 44.5 cm). American Art 1931 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/snow-harbor-charles-henry-fromuth-american-1861-1937-1931-pastel-and-goauche-on-gray-paper-mounted-on-composition-board-29-x-17-12-in-737-x-445-cm-american-art-1931-image504722785.htmlRM2M9431N–Snow Harbor Charles Henry Fromuth (American, 1861-1937). , 1931. Pastel and goauche (?) on gray paper mounted on composition board, 29 x 17 1/2 in. (73.7 x 44.5 cm). American Art 1931
. The mushroom book. A popular guide to the identification and study of our commoner Fungi, with special emphasis on the edible varieties. Mushrooms; Cookery (Mushrooms); cbk. 2 E S ^ V-- 1^ y rrt OS 5^ E â¢- 3 â 11 cx o T3 -t-» OS a. o 00 CU. 2 *- c 4J <U o 0- X rt E o. o 0) 3 C 3 O â o 44. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Marshall, Nina L. (Nina Lovering). New York, Doubleday, Page & Co. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mushroom-book-a-popular-guide-to-the-identification-and-study-of-our-commoner-fungi-with-special-emphasis-on-the-edible-varieties-mushrooms-cookery-mushrooms-cbk-2-e-s-v-1-y-rrt-os-5-e-3-11-cx-o-t3-t-os-a-o-00-cu-2-c-4j-ltu-o-0-x-rt-e-o-o-0-3-c-3-o-o-44-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-marshall-nina-l-nina-lovering-new-york-doubleday-page-amp-co-image232034282.htmlRMRDE22J–. The mushroom book. A popular guide to the identification and study of our commoner Fungi, with special emphasis on the edible varieties. Mushrooms; Cookery (Mushrooms); cbk. 2 E S ^ V-- 1^ y rrt OS 5^ E â¢- 3 â 11 cx o T3 -t-» OS a. o 00 CU. 2 *- c 4J <U o 0- X rt E o. o 0) 3 C 3 O â o 44. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Marshall, Nina L. (Nina Lovering). New York, Doubleday, Page & Co.
Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662. Author: Written by Charles Perrault (French, Paris 1628-1703 Paris). Designer: Designed by Israel Silvestre (French, Nancy 1621-1691 Paris); Designed by François Chauveau (French, Paris 1613-1676 Paris). Dimensions: Overall: 22 13/16 x 17 5/16 x 1 1/8 in. (58 x 44 x 2.8 cm). Engraver: Engraved by Gilles Rousselet (French, Paris 1614-1686 Paris). Publisher: Published by L'Imprimerie Royale , Paris. Sitter: Portrait of Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Vers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courses-de-testes-et-de-bagues-faittes-par-roy-et-par-les-princes-et-seigneurs-de-sa-cour-en-lanne-1662-author-written-by-charles-perrault-french-paris-1628-1703-paris-designer-designed-by-israel-silvestre-french-nancy-1621-1691-paris-designed-by-franois-chauveau-french-paris-1613-1676-paris-dimensions-overall-22-1316-x-17-516-x-1-18-in-58-x-44-x-28-cm-engraver-engraved-by-gilles-rousselet-french-paris-1614-1686-paris-publisher-published-by-limprimerie-royale-paris-sitter-portrait-of-louis-xiv-king-of-france-french-saint-germain-en-laye-1638-1715-vers-image213324737.htmlRMPB1NTH–Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662. Author: Written by Charles Perrault (French, Paris 1628-1703 Paris). Designer: Designed by Israel Silvestre (French, Nancy 1621-1691 Paris); Designed by François Chauveau (French, Paris 1613-1676 Paris). Dimensions: Overall: 22 13/16 x 17 5/16 x 1 1/8 in. (58 x 44 x 2.8 cm). Engraver: Engraved by Gilles Rousselet (French, Paris 1614-1686 Paris). Publisher: Published by L'Imprimerie Royale , Paris. Sitter: Portrait of Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Vers
Armchair MET 265143 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-265143-233-artist-charles-honor-lannuier-france-17791819-168098700.htmlRMKNDFH0–Armchair MET 265143 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Card table MET 175894 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-175894-1442-maker-charles-honor-lannuier-france-17791819-167905921.htmlRMKN4NM1–Card table MET 175894 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24)
Hibiscus Tawaraya Sotatsu (Japanese, active 1600-1643). Hibiscus, 17th century. Hanging scroll, ink on paper, Image: 33 1/2 x 17 5/8 in. (85.1 x 44.8 cm). Asian Art 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hibiscus-tawaraya-sotatsu-japanese-active-1600-1643-hibiscus-17th-century-hanging-scroll-ink-on-paper-image-33-12-x-17-58-in-851-x-448-cm-asian-art-17th-century-image504717643.htmlRM2M93TE3–Hibiscus Tawaraya Sotatsu (Japanese, active 1600-1643). Hibiscus, 17th century. Hanging scroll, ink on paper, Image: 33 1/2 x 17 5/8 in. (85.1 x 44.8 cm). Asian Art 17th century
Card table MET 175895 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-175895-1442-maker-charles-honor-lannuier-france-17791819-167905858.htmlRMKN4NHP–Card table MET 175895 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24)
Card table MET 137118 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-137118-1442-maker-charles-honor-lannuier-france-17791819-167905815.htmlRMKN4NG7–Card table MET 137118 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24)
Card table MET 137117 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-137117-1442-maker-charles-honor-lannuier-france-17791819-168109245.htmlRMKNE11H–Card table MET 137117 1442 Maker: Charles-Honor? Lannuier, France 1779?1819 New York, Card table, 1805?12, Mahogany, mahogany veneer, gilded brass with white pine, mahogany, 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1946 (46.24)
Card Table MET 194005 1439 Maker: Attributed to John Finlay, active ca. 1799?1833, Maker: Attributed to Hugh Finlay, active ca. 1800?37, Card Table, 1800?1810, Maple, oak, tulip, 28 7/8 x 36 x 17 1/2 in. (73.3 x 91.4 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, Mrs. Russell Sage Gift, 1970 (1970.189) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-194005-1439-maker-attributed-to-john-finlay-active-167905653.htmlRMKN4NAD–Card Table MET 194005 1439 Maker: Attributed to John Finlay, active ca. 1799?1833, Maker: Attributed to Hugh Finlay, active ca. 1800?37, Card Table, 1800?1810, Maple, oak, tulip, 28 7/8 x 36 x 17 1/2 in. (73.3 x 91.4 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, Mrs. Russell Sage Gift, 1970 (1970.189)
Card Table MET 197618 1439 Maker: Attributed to John Finlay, active ca. 1799?1833, Maker: Attributed to Hugh Finlay, active ca. 1800?37, Card Table, 1800?1810, Maple, oak, tulip, 28 7/8 x 36 x 17 1/2 in. (73.3 x 91.4 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, Mrs. Russell Sage Gift, 1970 (1970.189) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-197618-1439-maker-attributed-to-john-finlay-active-168197369.htmlRMKNJ1CW–Card Table MET 197618 1439 Maker: Attributed to John Finlay, active ca. 1799?1833, Maker: Attributed to Hugh Finlay, active ca. 1800?37, Card Table, 1800?1810, Maple, oak, tulip, 28 7/8 x 36 x 17 1/2 in. (73.3 x 91.4 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, Mrs. Russell Sage Gift, 1970 (1970.189)
![. A voyage round the world in the years 1785, 1786, 1787 and 1788 [microform]. Boussole (Frigate); Astrolabe (Frigate); Boussole (Frégate); Astrolabe (Frégate); Voyages around the world; Scientific expeditions; Voyages autour du monde; Expéditions scientifiques. lA peroose's voyage *-S ^w- 5r.pl, I7H5. 21 12 24 27 29 l.ofij!. compute;! hy '.he Time J ircc. I). ^1. D. M. 10 3> — I19 44 - £ D. M. 4 42 3 4>j»9 *' 2 54;:8 4? X 22il8 »0 I 391I8 46 I I7II9 24 I o 50'2o li l.iinK. V. I I.onc 'iV. I bythrDif. of the I Mn. (rom the :>iiii. D. M. 16 ic O." 30 M 48 «5 3 17 31 It 21 Dec -J. Stock Photo](https://c8.alamy.com/comp/RJ0FGW/a-voyage-round-the-world-in-the-years-1785-1786-1787-and-1788-microform-boussole-frigate-astrolabe-frigate-boussole-frgate-astrolabe-frgate-voyages-around-the-world-scientific-expeditions-voyages-autour-du-monde-expditions-scientifiques-la-perooses-voyage-s-w-5rpl-i7h5-21-12-24-27-29-lofij!-compute!-hy-he-time-j-ircc-i-1-d-m-10-3gt-i19-44-d-m-4-42-3-4gtj9-2-548-4-x-22il8-0-i-391i8-46-i-i7ii9-24-i-o-502o-li-liink-v-i-ionc-iv-i-bythrdif-of-the-i-mn-rom-the-gtiiii-d-m-16-ic-oquot-30-m-48-5-3-17-31-it-21-dec-j-RJ0FGW.jpg ". A voyage round the world in the years 1785, 1786, 1787 and 1788 [microform]. Boussole (Frigate); Astrolabe (Frigate); Boussole (Frégate); Astrolabe (Frégate); Voyages around the world; Scientific expeditions; Voyages autour du monde; Expéditions scientifiques. lA peroose's voyage *-S ^w- 5r.pl, I7H5. 21 12 24 27 29 l.ofij!. compute;! hy '.he Time J ircc. I). ^1. D. M. 10 3> — I19 44 - £ D. M. 4 42 3 4>j»9 *' 2 54;:8 4? X 22il8 »0 I 391I8 46 I I7II9 24 I o 50'2o li l.iinK. V. I I.onc 'iV. I bythrDif. of the I Mn. (rom the :>iiii. D. M. 16 ic O." 30 M 48 «5 3 17 31 It 21 Dec -J. Stock Photo")
. A voyage round the world in the years 1785, 1786, 1787 and 1788 [microform]. Boussole (Frigate); Astrolabe (Frigate); Boussole (Frégate); Astrolabe (Frégate); Voyages around the world; Scientific expeditions; Voyages autour du monde; Expéditions scientifiques. lA peroose's voyage *-S ^w- 5r.pl, I7H5. 21 12 24 27 29 l.ofij!. compute;! hy '.he Time J ircc. I). ^1. D. M. 10 3> — I19 44 - £ D. M. 4 42 3 4>j»9 *' 2 54;:8 4? X 22il8 »0 I 391I8 46 I I7II9 24 I o 50'2o li l.iinK. V. I I.onc 'iV. I bythrDif. of the I Mn. (rom the :>iiii. D. M. 16 ic O." 30 M 48 «5 3 17 31 It 21 Dec -J. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-voyage-round-the-world-in-the-years-1785-1786-1787-and-1788-microform-boussole-frigate-astrolabe-frigate-boussole-frgate-astrolabe-frgate-voyages-around-the-world-scientific-expeditions-voyages-autour-du-monde-expditions-scientifiques-la-perooses-voyage-s-w-5rpl-i7h5-21-12-24-27-29-lofij!-compute!-hy-he-time-j-ircc-i-1-d-m-10-3gt-i19-44-d-m-4-42-3-4gtj9-2-548-4-x-22il8-0-i-391i8-46-i-i7ii9-24-i-o-502o-li-liink-v-i-ionc-iv-i-bythrdif-of-the-i-mn-rom-the-gtiiii-d-m-16-ic-oquot-30-m-48-5-3-17-31-it-21-dec-j-image234810825.htmlRMRJ0FGW–. A voyage round the world in the years 1785, 1786, 1787 and 1788 [microform]. Boussole (Frigate); Astrolabe (Frigate); Boussole (Frégate); Astrolabe (Frégate); Voyages around the world; Scientific expeditions; Voyages autour du monde; Expéditions scientifiques. lA peroose's voyage *-S ^w- 5r.pl, I7H5. 21 12 24 27 29 l.ofij!. compute;! hy '.he Time J ircc. I). ^1. D. M. 10 3> — I19 44 - £ D. M. 4 42 3 4>j»9 *' 2 54;:8 4? X 22il8 »0 I 391I8 46 I I7II9 24 I o 50'2o li l.iinK. V. I I.onc 'iV. I bythrDif. of the I Mn. (rom the :>iiii. D. M. 16 ic O." 30 M 48 «5 3 17 31 It 21 Dec -J.
Card Table MET 197617 1439 Maker: Attributed to John Finlay, active ca. 1799?1833, Maker: Attributed to Hugh Finlay, active ca. 1800?37, Card Table, 1800?1810, Maple, oak, tulip, 28 7/8 x 36 x 17 1/2 in. (73.3 x 91.4 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, Mrs. Russell Sage Gift, 1970 (1970.189) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-card-table-met-197617-1439-maker-attributed-to-john-finlay-active-168197195.htmlRMKNJ16K–Card Table MET 197617 1439 Maker: Attributed to John Finlay, active ca. 1799?1833, Maker: Attributed to Hugh Finlay, active ca. 1800?37, Card Table, 1800?1810, Maple, oak, tulip, 28 7/8 x 36 x 17 1/2 in. (73.3 x 91.4 x 44.5 cm). The Metropolitan Museum of Art, New York. Purchase, Mrs. Russell Sage Gift, 1970 (1970.189)
Bench MET 183822 462 Designer: Designed by Louis Comfort Tiffany, American, New York 1848?1933 New York, Maker: Tiffany Studios, 1902?32, Bench, 1916, Mahogany, upholstery, 17 1/2 x 27 1/2 x 16 11/16 in. (44.5 x 69.9 x 42.4 cm). The Metropolitan Museum of Art, New York. Gift of Alfred M. F. Kiddle, 1965 (65.231) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bench-met-183822-462-designer-designed-by-louis-comfort-tiffany-american-168196293.htmlRMKNJ02D–Bench MET 183822 462 Designer: Designed by Louis Comfort Tiffany, American, New York 1848?1933 New York, Maker: Tiffany Studios, 1902?32, Bench, 1916, Mahogany, upholstery, 17 1/2 x 27 1/2 x 16 11/16 in. (44.5 x 69.9 x 42.4 cm). The Metropolitan Museum of Art, New York. Gift of Alfred M. F. Kiddle, 1965 (65.231)
Coffeepot. Culture: American. Dimensions: Overall: 9 7/8 x 13 5/16 x 6 5/8 in. (25.1 x 33.8 x 16.8 cm); 44 oz. 12 dwt. (1387 g) Foot: Diam. 4 13/16 in. (12.2 cm). Maker: Harvey Lewis (ca. 1783-1835). Date: 1827. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coffeepot-culture-american-dimensions-overall-9-78-x-13-516-x-6-58-in-251-x-338-x-168-cm-44-oz-12-dwt-1387-g-foot-diam-4-1316-in-122-cm-maker-harvey-lewis-ca-1783-1835-date-1827-museum-metropolitan-museum-of-art-new-york-usa-image212901793.htmlRMPAAEBD–Coffeepot. Culture: American. Dimensions: Overall: 9 7/8 x 13 5/16 x 6 5/8 in. (25.1 x 33.8 x 16.8 cm); 44 oz. 12 dwt. (1387 g) Foot: Diam. 4 13/16 in. (12.2 cm). Maker: Harvey Lewis (ca. 1783-1835). Date: 1827. Museum: Metropolitan Museum of Art, New York, USA.
Creamer MET 133360 2716 Retailer: Ball, Tompkins and Black, active 1839?51, Maker: Charters, Cann & Dunn, active 1848?1854, Creamer, 1848?51, Silver, 7 3/16 x 5 11/16 x 4 1/2 in. (18.3 x 14.4 x 11.4 cm); 14 oz. 1 dwt. (437.3 g). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Henry Mali, 1944 (44.117.5) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-creamer-met-133360-2716-retailer-ball-tompkins-and-black-active-183951-168109742.htmlRMKNE1KA–Creamer MET 133360 2716 Retailer: Ball, Tompkins and Black, active 1839?51, Maker: Charters, Cann & Dunn, active 1848?1854, Creamer, 1848?51, Silver, 7 3/16 x 5 11/16 x 4 1/2 in. (18.3 x 14.4 x 11.4 cm); 14 oz. 1 dwt. (437.3 g). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Henry Mali, 1944 (44.117.5)
The Portrait Painter and His Model Carl Koepping (German, 1848-1914). The Portrait Painter and His Model, 1882. Etching on machine made Japan paper, 17 1/2 x 22 1/4 in. (44.5 x 56.5 cm). European Art 1882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-portrait-painter-and-his-model-carl-koepping-german-1848-1914-the-portrait-painter-and-his-model-1882-etching-on-machine-made-japan-paper-17-12-x-22-14-in-445-x-565-cm-european-art-1882-image504722440.htmlRM2M942HC–The Portrait Painter and His Model Carl Koepping (German, 1848-1914). The Portrait Painter and His Model, 1882. Etching on machine made Japan paper, 17 1/2 x 22 1/4 in. (44.5 x 56.5 cm). European Art 1882
. On the water relations of the coconut palm. Coconut palm; Trees. Skriks X. — Ten iintx (nun <i {tlh' nf 1,000 (akrn fnmt trnn nenv the sea. Nnl minus husk. Moat.. 45.4 29.2 48.0 44.7 43.3 42.1 50.4 31. 5 40.8 42.3 41.8 1,705 1.532 1,310 1,932 1,300 1,800 1,380 1,720 1,920 1,595 S ! ^ 54.6 70.8 52. 0 55. 3 5(5. 7 57.9 49.0 08. 5 59.2 57. 7 310 285 301 425 300 359 291 340 380 202 1,025 58.2 j 325 9.9 13.2 12.0 12.1 13.1 11.2 10.5 13.5 11.7 9.5 11.7 745 027 549 775 008 701 594 738 I 23. 8 29.0 21.8 22.2 20. 5 21.8 21.3 29.4 24.1 24.7 54.3 59.1 54.8 45.0 57.8 49.8 42.2 57.3 51.5 49. 7 52.2 45 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-the-water-relations-of-the-coconut-palm-coconut-palm-trees-skriks-x-ten-iintx-nun-lti-tlh-nf-1000-akrn-fnmt-trnn-nenv-the-sea-nnl-minus-husk-moat-454-292-480-447-433-421-504-31-5-408-423-418-1705-1532-1310-1932-1300-1800-1380-1720-1920-1595-s-!-546-708-52-0-55-3-55-7-579-490-08-5-592-57-7-310-285-301-425-300-359-291-340-380-202-1025-582-j-325-99-132-120-121-131-112-105-135-117-95-117-745-027-549-775-008-701-594-738-i-23-8-290-218-222-20-5-218-213-294-241-247-543-591-548-450-578-498-422-573-515-49-7-522-45-image237922846.htmlRMRR290E–. On the water relations of the coconut palm. Coconut palm; Trees. Skriks X. — Ten iintx (nun <i {tlh' nf 1,000 (akrn fnmt trnn nenv the sea. Nnl minus husk. Moat.. 45.4 29.2 48.0 44.7 43.3 42.1 50.4 31. 5 40.8 42.3 41.8 1,705 1.532 1,310 1,932 1,300 1,800 1,380 1,720 1,920 1,595 S ! ^ 54.6 70.8 52. 0 55. 3 5(5. 7 57.9 49.0 08. 5 59.2 57. 7 310 285 301 425 300 359 291 340 380 202 1,025 58.2 j 325 9.9 13.2 12.0 12.1 13.1 11.2 10.5 13.5 11.7 9.5 11.7 745 027 549 775 008 701 594 738 I 23. 8 29.0 21.8 22.2 20. 5 21.8 21.3 29.4 24.1 24.7 54.3 59.1 54.8 45.0 57.8 49.8 42.2 57.3 51.5 49. 7 52.2 45
Piece. Culture: French. Dimensions: 17 1/2 x 19 inches (44.5 x 48.3 cm). Date: 1735-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-17-12-x-19-inches-445-x-483-cm-date-1735-50-museum-metropolitan-museum-of-art-new-york-usa-image212936003.htmlRMPAC217–Piece. Culture: French. Dimensions: 17 1/2 x 19 inches (44.5 x 48.3 cm). Date: 1735-50. Museum: Metropolitan Museum of Art, New York, USA.
Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-ep07225251abwr-dancing-children-168279921.htmlRMKNNPN5–Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a)
The Gypsies (Les Gitanos) Édouard Manet (French, 1832-1883). The Gypsies (Les Gitanos), 1862. Etching on Chine colle paper, Sheet: 17 1/2 x 13 5/8 in. (44.5 x 34.6 cm). European Art 1862 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gypsies-les-gitanos-douard-manet-french-1832-1883-the-gypsies-les-gitanos-1862-etching-on-chine-colle-paper-sheet-17-12-x-13-58-in-445-x-346-cm-european-art-1862-image504709481.htmlRM2M93E2H–The Gypsies (Les Gitanos) Édouard Manet (French, 1832-1883). The Gypsies (Les Gitanos), 1862. Etching on Chine colle paper, Sheet: 17 1/2 x 13 5/8 in. (44.5 x 34.6 cm). European Art 1862
Piece. Culture: French. Dimensions: Overall: 27 x 17 1/2 in. (68.6 x 44.5 cm). Date: ca. 1735. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-overall-27-x-17-12-in-686-x-445-cm-date-ca-1735-museum-metropolitan-museum-of-art-new-york-usa-image212901643.htmlRMPAAE63–Piece. Culture: French. Dimensions: Overall: 27 x 17 1/2 in. (68.6 x 44.5 cm). Date: ca. 1735. Museum: Metropolitan Museum of Art, New York, USA.
Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-ep07225251abwr-dancing-children-168438678.htmlRMKP1172–Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a)
At a Hot Springs Inn Hashiguchi Goyo (Japanese, 1880-1921). At a Hot Springs Inn, July, 1920. Color woodblock print on paper, 17 1/2 x 10 3/8in. (44.5 x 26.4cm). Asian Art July, 1920 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/at-a-hot-springs-inn-hashiguchi-goyo-japanese-1880-1921-at-a-hot-springs-inn-july-1920-color-woodblock-print-on-paper-17-12-x-10-38in-445-x-264cm-asian-art-july-1920-image504711841.htmlRM2M93H2W–At a Hot Springs Inn Hashiguchi Goyo (Japanese, 1880-1921). At a Hot Springs Inn, July, 1920. Color woodblock print on paper, 17 1/2 x 10 3/8in. (44.5 x 26.4cm). Asian Art July, 1920
Piece. Culture: American. Dimensions: 17 1/2 x 24 7/8 in. (44.5 x 63.2 cm). Date: 1892. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-american-dimensions-17-12-x-24-78-in-445-x-632-cm-date-1892-museum-metropolitan-museum-of-art-new-york-usa-image213114392.htmlRMPAM5G8–Piece. Culture: American. Dimensions: 17 1/2 x 24 7/8 in. (44.5 x 63.2 cm). Date: 1892. Museum: Metropolitan Museum of Art, New York, USA.
Gold Necklace with Gold Cross, Two Amethysts, and an Emerald Plasma MET temp171901660 464066 Byzantine, Gold Necklace with Gold Cross, Two Amethysts, and an Emerald Plasma, 6th?7th century, Gold, amethyst, emerald plasma, Overall (chain): 17 5/8 x 1/2 x 3/16 in. (44.8 x 1.2 x 0.4 cm) Overall (pendant): 1 x 13/16 x 1/4 in. (2.5 x 2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.1660) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-necklace-with-gold-cross-two-amethysts-and-an-emerald-plasma-168399467.htmlRMKNY76K–Gold Necklace with Gold Cross, Two Amethysts, and an Emerald Plasma MET temp171901660 464066 Byzantine, Gold Necklace with Gold Cross, Two Amethysts, and an Emerald Plasma, 6th?7th century, Gold, amethyst, emerald plasma, Overall (chain): 17 5/8 x 1/2 x 3/16 in. (44.8 x 1.2 x 0.4 cm) Overall (pendant): 1 x 13/16 x 1/4 in. (2.5 x 2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.1660)
Landscape - Lake Scene William Morris Hunt (American, 1824-1879). Landscape - Lake Scene, n.d. Charcoal and chalk on paper, Sheet: 11 5/16 x 17 1/2 in. (28.7 x 44.5 cm). American Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-lake-scene-william-morris-hunt-american-1824-1879-landscape-lake-scene-nd-charcoal-and-chalk-on-paper-sheet-11-516-x-17-12-in-287-x-445-cm-american-art-nd-image504705619.htmlRM2M9394K–Landscape - Lake Scene William Morris Hunt (American, 1824-1879). Landscape - Lake Scene, n.d. Charcoal and chalk on paper, Sheet: 11 5/16 x 17 1/2 in. (28.7 x 44.5 cm). American Art n.d.
Piece. Culture: French. Dimensions: Overall: 25 x 17 1/2 in. (63.5 x 44.5 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-overall-25-x-17-12-in-635-x-445-cm-date-1750-60-museum-metropolitan-museum-of-art-new-york-usa-image213332575.htmlRMPB23TF–Piece. Culture: French. Dimensions: Overall: 25 x 17 1/2 in. (63.5 x 44.5 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699211.htmlRM2M930YR–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Piece. Culture: French. Dimensions: 17 1/2 x 10 3/4 inches (44.5 x 27.3 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-17-12-x-10-34-inches-445-x-273-cm-date-1750-60-museum-metropolitan-museum-of-art-new-york-usa-image213211570.htmlRMPATHEX–Piece. Culture: French. Dimensions: 17 1/2 x 10 3/4 inches (44.5 x 27.3 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699209.htmlRM2M930YN–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Piece. Culture: French. Dimensions: L. 17 1/2 x W. 11 inches 44.5 x 27.9 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-l-17-12-x-w-11-inches-445-x-279-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213198983.htmlRMPAT1DB–Piece. Culture: French. Dimensions: L. 17 1/2 x W. 11 inches 44.5 x 27.9 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699216.htmlRM2M93100–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Piece. Culture: French. Dimensions: L. 35 x W. 17 1/2 inches (88.9 x 44.5 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-l-35-x-w-17-12-inches-889-x-445-cm-date-1750-60-museum-metropolitan-museum-of-art-new-york-usa-image213112703.htmlRMPAM3BY–Piece. Culture: French. Dimensions: L. 35 x W. 17 1/2 inches (88.9 x 44.5 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699220.htmlRM2M93104–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Piece. Culture: French. Dimensions: 6 x 17 1/2 inches (15.2 x 44.5 cm). Date: last quarter 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-6-x-17-12-inches-152-x-445-cm-date-last-quarter-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213207474.htmlRMPATC8J–Piece. Culture: French. Dimensions: 6 x 17 1/2 inches (15.2 x 44.5 cm). Date: last quarter 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699210.htmlRM2M930YP–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Piece. Culture: French. Dimensions: Overall: 17 3/8 x 19 1/2 in. (44.1 x 49.5 cm). Date: 1775-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-overall-17-38-x-19-12-in-441-x-495-cm-date-1775-80-museum-metropolitan-museum-of-art-new-york-usa-image213295321.htmlRMPB0CA1–Piece. Culture: French. Dimensions: Overall: 17 3/8 x 19 1/2 in. (44.1 x 49.5 cm). Date: 1775-80. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699219.htmlRM2M93103–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Sampler. Culture: British. Dimensions: H. 17 1/2 x W. 19 1/2 inches (44.5 x 49.5 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sampler-culture-british-dimensions-h-17-12-x-w-19-12-inches-445-x-495-cm-date-1821-museum-metropolitan-museum-of-art-new-york-usa-image212873601.htmlRMPA96CH–Sampler. Culture: British. Dimensions: H. 17 1/2 x W. 19 1/2 inches (44.5 x 49.5 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.
Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elderly-gentleman-after-domnikos-theotokpoulos-called-el-greco-greek-born-crete-active-in-spain-1541-1614-elderly-gentleman-nd-oil-on-canvas-20-x-17-12-in-508-x-445-cm-european-art-nd-image504699218.htmlRM2M93102–Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.
Piece. Culture: French. Dimensions: L. 20 1/2 x W. 17 1/2 inches 52.1 x 44.5 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-l-20-12-x-w-17-12-inches-521-x-445-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212909159.htmlRMPAARPF–Piece. Culture: French. Dimensions: L. 20 1/2 x W. 17 1/2 inches 52.1 x 44.5 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Calligraphy Having Sixteen Vertical Lines of Script Jiang Shijie (Chinese, 1647-1709). Calligraphy Having Sixteen Vertical Lines of Script, 1644-1911. Ink on folded double page, 11 x 17 1/2 in. (27.9 x 44.5 cm). Asian Art 1644-1911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calligraphy-having-sixteen-vertical-lines-of-script-jiang-shijie-chinese-1647-1709-calligraphy-having-sixteen-vertical-lines-of-script-1644-1911-ink-on-folded-double-page-11-x-17-12-in-279-x-445-cm-asian-art-1644-1911-image504717544.htmlRM2M93TAG–Calligraphy Having Sixteen Vertical Lines of Script Jiang Shijie (Chinese, 1647-1709). Calligraphy Having Sixteen Vertical Lines of Script, 1644-1911. Ink on folded double page, 11 x 17 1/2 in. (27.9 x 44.5 cm). Asian Art 1644-1911
Search Results for 1 5 x 2 5 1 44 Black & White Stock Photos and Images (143)
Page 1 of 2