1 91 x 2 54 cm hi-res stock photography and images

Belt buckle, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Bronze, 0.75 x 1 in. (1.91 x 2.54 cm), Metalwork-Ornaments Stock Photo

RM2B0MXAF–Belt buckle, Sasanian, Sasanian, Date ca. 3rd–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Bronze, 0.75 x 1 in. (1.91 x 2.54 cm), Metalwork-Ornaments

Art inspired by Boy in a Striped Sweater, 1918, Oil on canvas, 36 x 21 1/2 in. (91.4 x 54.6 cm), Paintings, Amedeo Modigliani (Italian, Livorno 1884–1920 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0ETK–Art inspired by Boy in a Striped Sweater, 1918, Oil on canvas, 36 x 21 1/2 in. (91.4 x 54.6 cm), Paintings, Amedeo Modigliani (Italian, Livorno 1884–1920 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Incised furniture plaque with a kneeling bull. Culture: Assyrian. Dimensions: 1.54 x 2.13 x 0.16 in. (3.91 x 5.41 x 0.41 cm). Date: ca. 9th-8th century B.C.. This trapezoidal plaque was found in a room that has been identified as part of the royal residency at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. Ivories with incised decoration like this one have been attributed to an Assyrian style similar to the large reliefs lining the walls of the Northwest Palace. The kneeling bull depicted on Stock Photo

RMPB3T20–Incised furniture plaque with a kneeling bull. Culture: Assyrian. Dimensions: 1.54 x 2.13 x 0.16 in. (3.91 x 5.41 x 0.41 cm). Date: ca. 9th-8th century B.C.. This trapezoidal plaque was found in a room that has been identified as part of the royal residency at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. Ivories with incised decoration like this one have been attributed to an Assyrian style similar to the large reliefs lining the walls of the Northwest Palace. The kneeling bull depicted on

Painting; oil on canvas; overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.); 54 George Bellows - The Lone Tenement (1909) Stock Photo

RMP8TAXN–Painting; oil on canvas; overall: 91.8 x 122.3 cm (36 1/8 x 48 1/8 in.) framed: 123.2 x 153.4 x 12.7 cm (48 1/2 x 60 3/8 x 5 in.); 54 George Bellows - The Lone Tenement (1909)

HOOK TOWER at the Entrance of Waterford. Author Phillips, Thomas 55.43. Date of publication: [about 1680] Item type: 1 drawing Medium: pen and black ink with watercolour over pencil Dimensions: sheet 32.2 x 91.4 x 32 cm, on support sheet 54.8 x 95.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F6RW–HOOK TOWER at the Entrance of Waterford. Author Phillips, Thomas 55.43. Date of publication: [about 1680] Item type: 1 drawing Medium: pen and black ink with watercolour over pencil Dimensions: sheet 32.2 x 91.4 x 32 cm, on support sheet 54.8 x 95.3 cm Former owner: George III, King of Great Britain, 1738-1820

Print, View of Venice from the Grand Canal; Thomas Moran (American, b. Britain, 1837–1926); Italy; etching in black ink on paper; Platemark: 54.6 x 89.2 cm (21 1/2 x 35 1/8 in.) Sheet: 63.7 x 91.1 cm (25 1/16 x 35 7/8 in.); Bequest of Ruth B. Moran; 1948-71-5 Stock Photo

RM2PMH5C7–Print, View of Venice from the Grand Canal; Thomas Moran (American, b. Britain, 1837–1926); Italy; etching in black ink on paper; Platemark: 54.6 x 89.2 cm (21 1/2 x 35 1/8 in.) Sheet: 63.7 x 91.1 cm (25 1/16 x 35 7/8 in.); Bequest of Ruth B. Moran; 1948-71-5

Chest of Drawers MET 198001 2001 American, Chest of Drawers, ca. 1700, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.37) Stock Photo

RMKNJ1CD–Chest of Drawers MET 198001 2001 American, Chest of Drawers, ca. 1700, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.37)

Chest of Drawers MET 198002 2001 American, Chest of Drawers, ca. 1700, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.37) Stock Photo

RMKNJ18H–Chest of Drawers MET 198002 2001 American, Chest of Drawers, ca. 1700, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.37)

Chest of Drawers MET 85J ACF3111R7 2001 American, Chest of Drawers, ca. 1700, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.37) Stock Photo

RMKNE17N–Chest of Drawers MET 85J ACF3111R7 2001 American, Chest of Drawers, ca. 1700, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.37)

Earrings MET DP-1109-002 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b) Stock Photo

RMKND645–Earrings MET DP-1109-002 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b)

Pin, Iran, Iron Age III, Date ca. 8th–7th century B.C., Iran, probably from Luristan, Iran, Bronze, 1.26 x 1.54 in. (3.2 x 3.91 cm), Metalwork-Ornaments Stock Photo

RM2B0MX84–Pin, Iran, Iron Age III, Date ca. 8th–7th century B.C., Iran, probably from Luristan, Iran, Bronze, 1.26 x 1.54 in. (3.2 x 3.91 cm), Metalwork-Ornaments

Art inspired by Still Life No. 2, ca. 1921–23, Oil on canvas, 21 1/2 x 36 1/8 in. (54.6 x 91.8 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0EFA–Art inspired by Still Life No. 2, ca. 1921–23, Oil on canvas, 21 1/2 x 36 1/8 in. (54.6 x 91.8 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

St. Gervais, Paris. Dated: 1887. Dimensions: plate: 21.91 × 13.97 cm (8 5/8 × 5 1/2 in.) sheet: 28.26 × 22.54 cm (11 1/8 × 8 7/8 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles Platt A.Charles Adams Platt. Stock Photo

RMR2TY8M–St. Gervais, Paris. Dated: 1887. Dimensions: plate: 21.91 × 13.97 cm (8 5/8 × 5 1/2 in.) sheet: 28.26 × 22.54 cm (11 1/8 × 8 7/8 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles Platt A.Charles Adams Platt.

Art inspired by Platform Rocking Chair, patented 1872, Made in New York, United States, American, Walnut, plywood, cast iron, 36 x 21 1/2 x 25 3/4 in. (91.4 x 54.6 x 65.4 cm), Furniture, Gardner and Company (1863–1888, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9H4T–Art inspired by Platform Rocking Chair, patented 1872, Made in New York, United States, American, Walnut, plywood, cast iron, 36 x 21 1/2 x 25 3/4 in. (91.4 x 54.6 x 65.4 cm), Furniture, Gardner and Company (1863–1888, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on canvas; overall: 99.54 × 91.76 cm (39 3/16 × 36 1/8 in.) framed: 53 3/8 x 50 1/2 x 2 3/16 in. (135.57 x 128.27 x 5.56 cm); 417 Willard Leroy Metcalf - May Night (1906) Stock Photo

RMP926KA–Painting; oil on canvas; overall: 99.54 × 91.76 cm (39 3/16 × 36 1/8 in.) framed: 53 3/8 x 50 1/2 x 2 3/16 in. (135.57 x 128.27 x 5.56 cm); 417 Willard Leroy Metcalf - May Night (1906)

NOVA TOTIUS WESTPHALIAE DESCRIPTIO Author Visscher, Claes Jansz. 91.4. Place of publication: [Amsterdam] Publisher: per Nicolaum Janssonium Visscher ant Piscatorem, Date of publication: [after 1625.] Item type: 1 map on 2 sheets Medium: joined, copperplate engraving, hand colour Dimensions: 58 x 54 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FY58–NOVA TOTIUS WESTPHALIAE DESCRIPTIO Author Visscher, Claes Jansz. 91.4. Place of publication: [Amsterdam] Publisher: per Nicolaum Janssonium Visscher ant Piscatorem, Date of publication: [after 1625.] Item type: 1 map on 2 sheets Medium: joined, copperplate engraving, hand colour Dimensions: 58 x 54 cm Former owner: George III, King of Great Britain, 1738-1820

. Bulletin. Ethnology. Vol. 6] ANTHROP OMETRY—D' AVILA 77 Table 5.—Anthropometric data on five Cayap6 men, two Cayap6 women, and one Sherente (from Ehrenreich, 1897 a) Measurements (mm.) and indices Male (6) and female (2) Stature (cm.) Thoracic perimeter.— Head: Diam. anteroposterior ma.x Diam. transverse max Auricular height Horizontal perimeter Length-breadth index Length-height index Nose: Height of nose- Breadth of nose Nasal index 168.0 91.5 18.4 13.8 12.9 54.2 75.0 70.1 4.7 3.6 .0 The Bororo (Handbook, vol. 1, p. 419), the tallest Indians of the intertropical zone, living in and wanderi Stock Photo

RMRGWWGX–. Bulletin. Ethnology. Vol. 6] ANTHROP OMETRY—D' AVILA 77 Table 5.—Anthropometric data on five Cayap6 men, two Cayap6 women, and one Sherente (from Ehrenreich, 1897 a) Measurements (mm.) and indices Male (6) and female (2) Stature (cm.) Thoracic perimeter.— Head: Diam. anteroposterior ma.x Diam. transverse max Auricular height Horizontal perimeter Length-breadth index Length-height index Nose: Height of nose- Breadth of nose Nasal index 168.0 91.5 18.4 13.8 12.9 54.2 75.0 70.1 4.7 3.6 .0 The Bororo (Handbook, vol. 1, p. 419), the tallest Indians of the intertropical zone, living in and wanderi

Earrings MET DP-1109-004 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b) Stock Photo

RMKND643–Earrings MET DP-1109-004 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b)

Rectangular plaque seal, Jemdet Nasr, Date ca. 3100–2900 B.C., Mesopotamia or Syria, Chlorite, black, 0.37 x 1.2 x 1.54 in. (0.94 x 3.05 x 3.91 cm), Stone-Stamp Seals Stock Photo

RM2B0N73B–Rectangular plaque seal, Jemdet Nasr, Date ca. 3100–2900 B.C., Mesopotamia or Syria, Chlorite, black, 0.37 x 1.2 x 1.54 in. (0.94 x 3.05 x 3.91 cm), Stone-Stamp Seals

Panel. Italy. Date: 1601-1700. Dimensions: 137.1 x 91.2 cm (54 x 35 7/8 in.). Origin: Italy. Museum: The Chicago Art Institute. Stock Photo

RMRXHCTM–Panel. Italy. Date: 1601-1700. Dimensions: 137.1 x 91.2 cm (54 x 35 7/8 in.). Origin: Italy. Museum: The Chicago Art Institute.

Art inspired by Pitcher, 1883–91, Made in New York, New York, United States, American, Silver, Overall: 21 1/2 x 10 1/4 x 7 3/8 in. (54.6 x 26 x 18.7 cm); 95 oz. 19 dwt. (2984.6 g), Silver, Tiffany & Co. (1837–present), This pitcher, inspired by classical and Renaissance models, is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW24K9–Art inspired by Pitcher, 1883–91, Made in New York, New York, United States, American, Silver, Overall: 21 1/2 x 10 1/4 x 7 3/8 in. (54.6 x 26 x 18.7 cm); 95 oz. 19 dwt. (2984.6 g), Silver, Tiffany & Co. (1837–present), This pitcher, inspired by classical and Renaissance models, is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on panel; overall: 54.3 x 91.5 cm (21 3/8 x 36 in.) framed: 71.1 x 107.6 x 5.7 cm (28 x 42 3/8 x 2 1/4 in.); Landscape with the Flight into Egypt 1624. 791 Landscape with the Flight into Egypt-1624-Roelandt Savery Stock Photo

RMMP90G0–Painting; oil on panel; overall: 54.3 x 91.5 cm (21 3/8 x 36 in.) framed: 71.1 x 107.6 x 5.7 cm (28 x 42 3/8 x 2 1/4 in.); Landscape with the Flight into Egypt 1624. 791 Landscape with the Flight into Egypt-1624-Roelandt Savery

Art inspired by Earrings, Parthian, ca. 1st–2nd century A.D, Mesopotamia or Iran, Parthian, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm), Metalwork-Ornaments, This gold earring is formed of a hoop with five circles inlaid with red glass or garnet and other, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX99M–Art inspired by Earrings, Parthian, ca. 1st–2nd century A.D, Mesopotamia or Iran, Parthian, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm), Metalwork-Ornaments, This gold earring is formed of a hoop with five circles inlaid with red glass or garnet and other, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

PLAN of the TOWN and HARBOUR of CARTAGENA in the PRIVINCE of MURCIA in OLD SPAIN with Its DOCK YARD and Bason FORTS and BATTERIES as they stood in the Month of October 1767. Author Debbieg, Hugh 73.54.a.2 TAB. Place of publication: [Cartagena?] Publisher: [Hugh Debbieg] Date of publication: [1767.] Item type: 1 map Medium: hand coloured Dimensions: 80 x 91 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FG5P–PLAN of the TOWN and HARBOUR of CARTAGENA in the PRIVINCE of MURCIA in OLD SPAIN with Its DOCK YARD and Bason FORTS and BATTERIES as they stood in the Month of October 1767. Author Debbieg, Hugh 73.54.a.2 TAB. Place of publication: [Cartagena?] Publisher: [Hugh Debbieg] Date of publication: [1767.] Item type: 1 map Medium: hand coloured Dimensions: 80 x 91 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Chest of Drawers, ca. 1700, Probably made in Boston, Massachusetts, United States, American, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW208D–Art inspired by Chest of Drawers, ca. 1700, Probably made in Boston, Massachusetts, United States, American, Oak, pine, 36 x 40 x 21 1/2 in. (91.4 x 101.6 x 54.6 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Cuneiform tablet: fragment, Neo-Babylonian, ca. 568 B.C., Mesopotamia, probably from Sippar (modern Tell Abu Habba), Babylonian, Clay, 0.91 x 1.06 x 1.54 in. (2.31 x 2.69 x 3.91 cm), Clay-Tablets-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX8PD–Art inspired by Cuneiform tablet: fragment, Neo-Babylonian, ca. 568 B.C., Mesopotamia, probably from Sippar (modern Tell Abu Habba), Babylonian, Clay, 0.91 x 1.06 x 1.54 in. (2.31 x 2.69 x 3.91 cm), Clay-Tablets-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Cuneiform tablet: fragment, Ebabbar archive, Neo-Babylonian or Achaemenid, ca. 7th–4th century B.C., Mesopotamia, probably from Sippar (modern Tell Abu Habba), Babylonian or Achaemenid, Clay, 0.79 x 1.54 x 1.89 in. (2.01 x 3.91 x 4.8 cm), Clay-Tablets-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4X88–Art inspired by Cuneiform tablet: fragment, Ebabbar archive, Neo-Babylonian or Achaemenid, ca. 7th–4th century B.C., Mesopotamia, probably from Sippar (modern Tell Abu Habba), Babylonian or Achaemenid, Clay, 0.79 x 1.54 x 1.89 in. (2.01 x 3.91 x 4.8 cm), Clay-Tablets-Inscribed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Earrings MET DP-1109-003 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b) Stock Photo

RMKND640–Earrings MET DP-1109-003 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b)

Art inspired by Incised furniture plaque with a kneeling bull, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.54 x 2.13 x 0.16 in. (3.91 x 5.41 x 0.41 cm), Ivory/Bone-Reliefs, This trapezoidal plaque was found in a room that has been, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4XTC–Art inspired by Incised furniture plaque with a kneeling bull, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.54 x 2.13 x 0.16 in. (3.91 x 5.41 x 0.41 cm), Ivory/Bone-Reliefs, This trapezoidal plaque was found in a room that has been, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Summer Imperial Court Robe, China, Qing dynasty (1644–1911), Qianlong period (1736–95), Culture: China, Silk, metallic thread, 54 1/2 x 91 in. (138.43 x 231.14 cm), Costumes-Embroidered Stock Photo

RM2B0N0KB–Summer Imperial Court Robe, China, Qing dynasty (1644–1911), Qianlong period (1736–95), Culture: China, Silk, metallic thread, 54 1/2 x 91 in. (138.43 x 231.14 cm), Costumes-Embroidered

Spindle Whorl, from a group of thirteen, 3/4 x 1 in. (1.91 x 2.54 cm), Earthenware, Mexico Stock Photo

RM2T91PYT–Spindle Whorl, from a group of thirteen, 3/4 x 1 in. (1.91 x 2.54 cm), Earthenware, Mexico

Lodovico Widmann. Dated: probably 1637. Dimensions: overall: 206.1 x 137.5 cm (81 1/8 x 54 1/8 in.) framed: 232.4 x 164.1 cm (91 1/2 x 64 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Tiberio Tinelli. Stock Photo

RMPKN9PC–Lodovico Widmann. Dated: probably 1637. Dimensions: overall: 206.1 x 137.5 cm (81 1/8 x 54 1/8 in.) framed: 232.4 x 164.1 cm (91 1/2 x 64 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Tiberio Tinelli.

Carte de Dunkerque avec ses environs. Map information: Title: Carte de Dunkerque avec ses environs. 61.56.2 tab. Place of publication: [France] Publisher: [producer not identified] Date of publication: [ca. 1701] Item type: 1 map on 2 sheets Medium: hand coloured Dimensions: 91 x 107 cm, sheets 91 x 54 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FA38–Carte de Dunkerque avec ses environs. Map information: Title: Carte de Dunkerque avec ses environs. 61.56.2 tab. Place of publication: [France] Publisher: [producer not identified] Date of publication: [ca. 1701] Item type: 1 map on 2 sheets Medium: hand coloured Dimensions: 91 x 107 cm, sheets 91 x 54 cm Former owner: George III, King of Great Britain, 1738-1820

N.N., Hausgarten Mererbusch (without date): planting plan 1:50. Light break on paper, 54 x 91.2 cm (including scan edges) N.N. : Hausgarten Mererbusch Stock Photo

RM2JN0TAM–N.N., Hausgarten Mererbusch (without date): planting plan 1:50. Light break on paper, 54 x 91.2 cm (including scan edges) N.N. : Hausgarten Mererbusch

Madonna of Humility, late 1370s. Caterino Veneziano (Italian). Tempera and gold on wood panel; framed: 91.5 x 70 x 4 cm (36 x 27 9/16 x 1 9/16 in.); unframed: 79.6 x 54.6 cm (31 5/16 x 21 1/2 in.). Stock Photo

RM2H10K5K–Madonna of Humility, late 1370s. Caterino Veneziano (Italian). Tempera and gold on wood panel; framed: 91.5 x 70 x 4 cm (36 x 27 9/16 x 1 9/16 in.); unframed: 79.6 x 54.6 cm (31 5/16 x 21 1/2 in.).

Earrings MET DP-1109-001 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b) Stock Photo

RMKND644–Earrings MET DP-1109-001 326937 Parthian, Earrings, ca. 1st?2nd century A.D, Gold, garnet (pyrope), 1.5 x 0.83 x 1.54 in. (3.81 x 2.11 x 3.91 cm). The Metropolitan Museum of Art, New York. Bequest of Lester Wolfe, 1983 (1984.175.38a, b)

RM2T91R24–Spindle Whorl, from a group of thirteen, 3/4 x 1 in. (1.91 x 2.54 cm), Earthenware, Mexico

Landscape with the Flight into Egypt. Dated: 1624. Dimensions: overall: 54.3 x 91.5 cm (21 3/8 x 36 in.) framed: 71.1 x 107.6 x 5.7 cm (28 x 42 3/8 x 2 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Roelandt Savery. Stock Photo

RMPM05FK–Landscape with the Flight into Egypt. Dated: 1624. Dimensions: overall: 54.3 x 91.5 cm (21 3/8 x 36 in.) framed: 71.1 x 107.6 x 5.7 cm (28 x 42 3/8 x 2 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Roelandt Savery.

Goldweight Bird, 19th-20th century, 1 1/2 x 3/4 x 1 in. (3.81 x 1.91 x 2.54 cm), Brass, Ghana, 19th-20th century Stock Photo

RM2T9180M–Goldweight Bird, 19th-20th century, 1 1/2 x 3/4 x 1 in. (3.81 x 1.91 x 2.54 cm), Brass, Ghana, 19th-20th century

Grand Canyon of the Yellowstone and Falls. Dated: c. 1884. Dimensions: image: 41.91 x 54.29 cm (16 1/2 x 21 3/8 in.) sheet: 42.23 x 54.61 cm (16 5/8 x 21 1/2 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: F. Jay Haynes. Frank Jay Haynes. Stock Photo

RMR2PKHR–Grand Canyon of the Yellowstone and Falls. Dated: c. 1884. Dimensions: image: 41.91 x 54.29 cm (16 1/2 x 21 3/8 in.) sheet: 42.23 x 54.61 cm (16 5/8 x 21 1/2 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: F. Jay Haynes. Frank Jay Haynes.

Still Life No. 2, ca. 1921–23, Oil on canvas, 21 1/2 x 36 1/8 in. (54.6 x 91.8 cm), Paintings, Marsden Hartley (American Stock Photo

RMKC7BY8–Still Life No. 2, ca. 1921–23, Oil on canvas, 21 1/2 x 36 1/8 in. (54.6 x 91.8 cm), Paintings, Marsden Hartley (American

Pitcher, 1883–91, Made in New York, New York, United States, American, Silver, Overall: 21 1/2 x 10 1/4 x 7 3/8 in. (54.6 x 26 Stock Photo

RMKC33E6–Pitcher, 1883–91, Made in New York, New York, United States, American, Silver, Overall: 21 1/2 x 10 1/4 x 7 3/8 in. (54.6 x 26

Boy in a Striped Sweater, 1918, Oil on canvas, 36 x 21 1/2 in. (91.4 x 54.6 cm), Paintings, Amedeo Modigliani (Italian, Livorno Stock Photo

RMKCD62W–Boy in a Striped Sweater, 1918, Oil on canvas, 36 x 21 1/2 in. (91.4 x 54.6 cm), Paintings, Amedeo Modigliani (Italian, Livorno

Zhou Wenjing, Rustic Retreat among Fishermen, China, Ming dynasty (1368–1644), Zhou Wenjing (Chinese, active ca. 1430–after 1463), China, Hanging scroll; ink and color on silk, Image: 35 15/16 x 16 1/2 in. (91.3 x 41.9 cm), Overall with mounting: 79 1/2 x 21 5/16 in. (201.9 x 54.1 cm), Overall with knobs: 79 1/2 x 23 1/8 in. (201.9 x 58.7 cm), Paintings Stock Photo

RM2B0HDJH–Zhou Wenjing, Rustic Retreat among Fishermen, China, Ming dynasty (1368–1644), Zhou Wenjing (Chinese, active ca. 1430–after 1463), China, Hanging scroll; ink and color on silk, Image: 35 15/16 x 16 1/2 in. (91.3 x 41.9 cm), Overall with mounting: 79 1/2 x 21 5/16 in. (201.9 x 54.1 cm), Overall with knobs: 79 1/2 x 23 1/8 in. (201.9 x 58.7 cm), Paintings

Street Fight [recto]. Dated: 1907. Dimensions: image: 54.61 × 61.91 cm (21 1/2 × 24 3/8 in.) framed: 73 x 82.5 x 4.5 cm (28 3/4 x 32 1/2 x 1 3/4 in.). Medium: conté crayon, pastel, graphite, and brush and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows. Stock Photo

RMPKR41F–Street Fight [recto]. Dated: 1907. Dimensions: image: 54.61 × 61.91 cm (21 1/2 × 24 3/8 in.) framed: 73 x 82.5 x 4.5 cm (28 3/4 x 32 1/2 x 1 3/4 in.). Medium: conté crayon, pastel, graphite, and brush and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Tiberio Tinelli, (artist), Venetian, 1586 - 1638, Lodovico Widmann, probably 1637, oil on canvas, overall: 206.1 x 137.5 cm (81 1/8 x 54 1/8 in.), framed: 232.4 x 164.1 cm (91 1/2 x 64 5/8 in Stock Photo

RM2DCAPPT–Tiberio Tinelli, (artist), Venetian, 1586 - 1638, Lodovico Widmann, probably 1637, oil on canvas, overall: 206.1 x 137.5 cm (81 1/8 x 54 1/8 in.), framed: 232.4 x 164.1 cm (91 1/2 x 64 5/8 in

Roelandt Savery, (artist), Dutch, 1576 - 1639, Landscape with the Flight into Egypt, 1624, oil on panel, overall: 54.3 x 91.5 cm (21 3/8 x 36 in.), framed: 71.1 x 107.6 x 5.7 cm (28 x 42 3/8 x 2 1/4 in Stock Photo

RM2DC9XF4–Roelandt Savery, (artist), Dutch, 1576 - 1639, Landscape with the Flight into Egypt, 1624, oil on panel, overall: 54.3 x 91.5 cm (21 3/8 x 36 in.), framed: 71.1 x 107.6 x 5.7 cm (28 x 42 3/8 x 2 1/4 in

Pope Liberius Baptizing the Neophytes, 1647–49, Alessandro Algardi, Italian, (Rome), 1602–1654, 21 1/2 x 36 x 1 in. (54.61 x 91.44 x 2.54 cm), Terracotta, Italy, 17th century, This terra-cotta relief is the only known study in clay for a sculpture decorating the marble fountain of Saint Damasus in the Vatican. The fountain was erected in the 17th century by Pope Innocent X to mark his restoration of aqueducts built for Pope Damasus in the 4th century. The relief shows Damasus’ predecessor, Liberius, baptizing new converts to Christianity. Damasus stands behind him, lifting his mantle Stock Photo

RM2T90KC9–Pope Liberius Baptizing the Neophytes, 1647–49, Alessandro Algardi, Italian, (Rome), 1602–1654, 21 1/2 x 36 x 1 in. (54.61 x 91.44 x 2.54 cm), Terracotta, Italy, 17th century, This terra-cotta relief is the only known study in clay for a sculpture decorating the marble fountain of Saint Damasus in the Vatican. The fountain was erected in the 17th century by Pope Innocent X to mark his restoration of aqueducts built for Pope Damasus in the 4th century. The relief shows Damasus’ predecessor, Liberius, baptizing new converts to Christianity. Damasus stands behind him, lifting his mantle

Woman's blouse (Huipil), c. 1990, 21 1/2 x 36 in. (54.61 x 91.44 cm), Cotton; embroidery, Guatemala, 20th century Stock Photo

RM2T91H74–Woman's blouse (Huipil), c. 1990, 21 1/2 x 36 in. (54.61 x 91.44 cm), Cotton; embroidery, Guatemala, 20th century

Plate, c. 1760, 1 x 8 5/8 x 8 5/8 in. (2.54 x 21.91 x 21.91 cm), Glazed ceramic, England, 18th century Stock Photo

RM2T90A95–Plate, c. 1760, 1 x 8 5/8 x 8 5/8 in. (2.54 x 21.91 x 21.91 cm), Glazed ceramic, England, 18th century

Goldweight Bird, 19th-20th century, 1 x 1 1/4 x 3/4 in. (2.54 x 3.18 x 1.91 cm), Brass, Ghana, 19th-20th century Stock Photo

RM2T9181X–Goldweight Bird, 19th-20th century, 1 x 1 1/4 x 3/4 in. (2.54 x 3.18 x 1.91 cm), Brass, Ghana, 19th-20th century

Coffer, 1873, Giovanni Battista Gatti, Italian (Rome), Italian (Rome), active 1850-1880, 12 5/8 x 21 3/8 x 16 1/2 in. (32.07 x 54.29 x 41.91 cm) (closed), Ebony inlaid with ivory; agate, lapis lazuli and bloodstone cabochons with burlwood interior and brass mounts, Italy, 19th century Stock Photo

RM2T91F7T–Coffer, 1873, Giovanni Battista Gatti, Italian (Rome), Italian (Rome), active 1850-1880, 12 5/8 x 21 3/8 x 16 1/2 in. (32.07 x 54.29 x 41.91 cm) (closed), Ebony inlaid with ivory; agate, lapis lazuli and bloodstone cabochons with burlwood interior and brass mounts, Italy, 19th century

Portrait of Adriaen Hanneman, c. 1630, Circle of Anthony van Dyck; Artist: attributed to Adriaan Hanneman, Dutch, 1601–1671, 24 1/2 x 21 1/2 in. (62.23 x 54.61 cm) (canvas)33 1/2 x 29 3/4 x 3/4 in. (85.09 x 75.57 x 1.91 cm) (outer frame), Oil on canvas, Netherlands, 17th century Stock Photo

RM2T90KJK–Portrait of Adriaen Hanneman, c. 1630, Circle of Anthony van Dyck; Artist: attributed to Adriaan Hanneman, Dutch, 1601–1671, 24 1/2 x 21 1/2 in. (62.23 x 54.61 cm) (canvas)33 1/2 x 29 3/4 x 3/4 in. (85.09 x 75.57 x 1.91 cm) (outer frame), Oil on canvas, Netherlands, 17th century

Ruins of Paestum, 1858, Albert Bierstadt, American, 1830 - 1902, 22 x 36 in. (55.88 x 91.44 cm) (canvas)21 1/2 x 35 5/8 in. (54.61 x 90.49 cm) (sight)39 5/8 x 25 1/2 x 2 in. (100.65 x 64.77 x 5.08 cm) (outer frame), Oil on canvas, United States, 19th century Stock Photo

RM2T90TTF–Ruins of Paestum, 1858, Albert Bierstadt, American, 1830 - 1902, 22 x 36 in. (55.88 x 91.44 cm) (canvas)21 1/2 x 35 5/8 in. (54.61 x 90.49 cm) (sight)39 5/8 x 25 1/2 x 2 in. (100.65 x 64.77 x 5.08 cm) (outer frame), Oil on canvas, United States, 19th century

The Harbor, 1769, Jean-Baptiste Le Prince, French, 1734 - 1781, 2 1/2 x 3 15/16 in. (6.35 x 10 cm) (image)3 5/16 x 4 15/16 in. (8.41 x 12.54 cm) (plate)4 11/16 x 6 7/16 in. (11.91 x 16.35 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photo

RM2T91JW4–The Harbor, 1769, Jean-Baptiste Le Prince, French, 1734 - 1781, 2 1/2 x 3 15/16 in. (6.35 x 10 cm) (image)3 5/16 x 4 15/16 in. (8.41 x 12.54 cm) (plate)4 11/16 x 6 7/16 in. (11.91 x 16.35 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century

View of Mont Blanc, Seen from La Faucille, c. 1865, Théodore Rousseau, French, 1812 - 1867, 36 x 46 5/8 in. (91.44 x 118.43 cm)35 1/4 x 46 1/4 in. (89.54 x 117.48 cm) (sight)51 1/2 x 62 x 6 1/4 in. (130.81 x 157.48 x 15.88 cm) (outer frame), Oil on canvas, France, 19th century Stock Photo

RM2T91GJ2–View of Mont Blanc, Seen from La Faucille, c. 1865, Théodore Rousseau, French, 1812 - 1867, 36 x 46 5/8 in. (91.44 x 118.43 cm)35 1/4 x 46 1/4 in. (89.54 x 117.48 cm) (sight)51 1/2 x 62 x 6 1/4 in. (130.81 x 157.48 x 15.88 cm) (outer frame), Oil on canvas, France, 19th century

In the Valromey Valley, near the Rhône River, 1868, Adolphe Appian, French, Lyon 1818–Lyon 1898, 27 1/8 x 50 3/4 in. (68.9 x 128.91 cm) (image)41 1/8 x 64 15/16 x 1 in. (104.46 x 164.94 x 2.54 cm) (outer frame), Charcoal, black and white chalk, with touches of cream-colored pastel, on beige paper, France, 19th century, Adolphe Appian was renowned for his charcoals, and the immense In the Valromey Valley shows his mastery of the medium. Stock Photo

RM2T91AWT–In the Valromey Valley, near the Rhône River, 1868, Adolphe Appian, French, Lyon 1818–Lyon 1898, 27 1/8 x 50 3/4 in. (68.9 x 128.91 cm) (image)41 1/8 x 64 15/16 x 1 in. (104.46 x 164.94 x 2.54 cm) (outer frame), Charcoal, black and white chalk, with touches of cream-colored pastel, on beige paper, France, 19th century, Adolphe Appian was renowned for his charcoals, and the immense In the Valromey Valley shows his mastery of the medium.

Belt Case, 14th century, 13 3/4 x 1 x 3/4 in. (34.93 x 2.54 x 1.91 cm), Iron with gold inlay, China, 14th century, This exquisitely crafted case would have been suspended from the belt, a custom introduced to China by the peoples of the northern steppes. The design is different on each of the two faces. One side shows octagonal cartouches decorated with lotus flowers and scrolling leaves. The opposite side has oval panels decorated with a wealth of Buddhist images such as the conch shell and the wheel of the law. The Mongols, who ruled China from 1280-1368, adopted the Tibetan style Stock Photo

RM2T91DY9–Belt Case, 14th century, 13 3/4 x 1 x 3/4 in. (34.93 x 2.54 x 1.91 cm), Iron with gold inlay, China, 14th century, This exquisitely crafted case would have been suspended from the belt, a custom introduced to China by the peoples of the northern steppes. The design is different on each of the two faces. One side shows octagonal cartouches decorated with lotus flowers and scrolling leaves. The opposite side has oval panels decorated with a wealth of Buddhist images such as the conch shell and the wheel of the law. The Mongols, who ruled China from 1280-1368, adopted the Tibetan style

Modello for a neoclassical design for boiserie decoration, 18th century, Francesco Bolgiè, Italian, 1752–1834, 39 3/4 x 16 1/2 x 1 in. (100.97 x 41.91 x 2.54 cm), Wax on wood panel, France or Italy, 18th century, Francesco Bolgiè created delicate neoclassical reliefs that reference ancient Greek and Roman painting and sculpture. Wax models such as this one served as patterns for intricately carved designs destined to grace a wooden wall panel, picture frame, or piece of furniture. Bolgiè worked with the better-known designer Giuseppe Maria Bonzanigo to decorate and furnish complete rooms Stock Photo

RM2T90TB8–Modello for a neoclassical design for boiserie decoration, 18th century, Francesco Bolgiè, Italian, 1752–1834, 39 3/4 x 16 1/2 x 1 in. (100.97 x 41.91 x 2.54 cm), Wax on wood panel, France or Italy, 18th century, Francesco Bolgiè created delicate neoclassical reliefs that reference ancient Greek and Roman painting and sculpture. Wax models such as this one served as patterns for intricately carved designs destined to grace a wooden wall panel, picture frame, or piece of furniture. Bolgiè worked with the better-known designer Giuseppe Maria Bonzanigo to decorate and furnish complete rooms

Landscape by the Lez River, 1870, Jean-Frédéric Bazille, French, 1841–1870, 54 x 79 in. (137.16 x 200.66 cm) (sight)66 1/4 x 91 1/2 x 4 in. (168.28 x 232.41 x 10.16 cm) (outer frame), Oil on canvas, France, 19th century, In June 1870, Bazille informed his father 'I have just about finished a large landscape (eclogue).' Two weeks later he enlisted in the French army to serve during the Franco–Prussian War and died in combat near Orléans in November. Landscape by the River Lez is the 'large landscape' mentioned in Bazille’s correspondence, and his specific reference to it as an 'eclogue' Stock Photo

RM2T90RPC–Landscape by the Lez River, 1870, Jean-Frédéric Bazille, French, 1841–1870, 54 x 79 in. (137.16 x 200.66 cm) (sight)66 1/4 x 91 1/2 x 4 in. (168.28 x 232.41 x 10.16 cm) (outer frame), Oil on canvas, France, 19th century, In June 1870, Bazille informed his father 'I have just about finished a large landscape (eclogue).' Two weeks later he enlisted in the French army to serve during the Franco–Prussian War and died in combat near Orléans in November. Landscape by the River Lez is the 'large landscape' mentioned in Bazille’s correspondence, and his specific reference to it as an 'eclogue'