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Child's counting blocks or sticks. An aid to counting for smaller children learning to get to grips with mathematics and numbers, addition and subtraction. four x 10, four x 9, four x 8, five x 7, three x 6, four x 5, five x 4, nine x 3, twelve x 2 and twenty two x 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-childs-counting-blocks-or-sticks-an-aid-to-counting-for-smaller-children-43530723.htmlRMCEPYTK–Child's counting blocks or sticks. An aid to counting for smaller children learning to get to grips with mathematics and numbers, addition and subtraction. four x 10, four x 9, four x 8, five x 7, three x 6, four x 5, five x 4, nine x 3, twelve x 2 and twenty two x 1
Art inspired by Dish, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 1 7/8 x 10 3/8 x 7 7/8 in. (4.8 x 26.4 x 20 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze that was developed in Staffordshire, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-dish-175075-made-in-west-yorkshire-leeds-england-british-earthenware-1-78-x-10-38-x-7-78-in-48-x-264-x-20-cm-ceramics-creamware-so-called-for-its-cream-colored-body-is-a-refined-earthenware-with-a-lead-based-glaze-that-was-developed-in-staffordshire-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462883109.htmlRF2HW243H–Art inspired by Dish, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 1 7/8 x 10 3/8 x 7 7/8 in. (4.8 x 26.4 x 20 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze that was developed in Staffordshire, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
crockery, metal, bronze, 44,9 x 10,3 x 8,7 cm, roman, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crockery-metal-bronze-449-x-103-x-87-cm-roman-spain-image344544619.htmlRM2B0FA4Y–crockery, metal, bronze, 44,9 x 10,3 x 8,7 cm, roman, Spain
Left Arm and Shoulders of a Man Seen from the Back early 19th century Johann Friedrich Overbeck German. Left Arm and Shoulders of a Man Seen from the Back 382513 Artist: Johann Friedrich Overbeck, German, L?beck 1789?1869 Rome, Left Arm and Shoulders of a Man Seen from the Back, early 19th century, Graphite, sheet: 10 3/8 x 7 7/8 in. (26.4 x 20 cm). The Metropolitan Museum of Art, New York. Purchase, Sotheby's Inc. Gift, 2008 (2008.490) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/left-arm-and-shoulders-of-a-man-seen-from-the-back-early-19th-century-johann-friedrich-overbeck-german-left-arm-and-shoulders-of-a-man-seen-from-the-back-382513-artist-johann-friedrich-overbeck-german-lbeck-17891869-rome-left-arm-and-shoulders-of-a-man-seen-from-the-back-early-19th-century-graphite-sheet-10-38-x-7-78-in-264-x-20-cm-the-metropolitan-museum-of-art-new-york-purchase-sothebys-inc-gift-2008-2008490-image458566935.htmlRM2HJ1EPF–Left Arm and Shoulders of a Man Seen from the Back early 19th century Johann Friedrich Overbeck German. Left Arm and Shoulders of a Man Seen from the Back 382513 Artist: Johann Friedrich Overbeck, German, L?beck 1789?1869 Rome, Left Arm and Shoulders of a Man Seen from the Back, early 19th century, Graphite, sheet: 10 3/8 x 7 7/8 in. (26.4 x 20 cm). The Metropolitan Museum of Art, New York. Purchase, Sotheby's Inc. Gift, 2008 (2008.490)
. English: Series Title: Shahnama Creation Date: ca. 1610 Display Dimensions: 8 5/32 in. x 4 3/4 in. (20.7 cm x 12.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.437.4 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 December 2009, 10:26:06. English: thesandiegomuseumofartcollection 1167 Text- Rustam counsels Kay Khusrau on combat with Afrasiyab (6125083338) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-shahnama-creation-date-ca-1610-display-dimensions-8-532-in-x-4-34-in-207-cm-x-121-cm-credit-line-edwin-binney-3rd-collection-accession-number-19904374-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-29-december-2009-102606-english-thesandiegomuseumofartcollection-1167-text-rustam-counsels-kay-khusrau-on-combat-with-afrasiyab-6125083338-image185693749.htmlRMMP327H–. English: Series Title: Shahnama Creation Date: ca. 1610 Display Dimensions: 8 5/32 in. x 4 3/4 in. (20.7 cm x 12.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.437.4 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 December 2009, 10:26:06. English: thesandiegomuseumofartcollection 1167 Text- Rustam counsels Kay Khusrau on combat with Afrasiyab (6125083338)
History of Germany. Middle Ages. 1200. From left to right, 1: knight, 2: physician, 3: falconer, 4: knight, 5-6: Jews, 7: Knight of the Teutonic Order, 8-9-10-11: noblewomen. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-germany-middle-ages-1200-from-left-to-right-1-knight-2-physician-3-falconer-4-knight-5-6-jews-7-knight-of-the-teutonic-order-8-9-10-11-noblewomen-chromolithography-historia-universal-by-csar-cant-volume-x-1881-image592832745.htmlRM2WCDT61–History of Germany. Middle Ages. 1200. From left to right, 1: knight, 2: physician, 3: falconer, 4: knight, 5-6: Jews, 7: Knight of the Teutonic Order, 8-9-10-11: noblewomen. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881.
Portrait of a Girl with her Deer; Unknown maker, American; about 1854; Daguerreotype; 1/4 plate, Image: 6.9 x 9 cm (2 11/16 x 3 9/16 in.), Plate: 8.1 x 10.7 cm (3 3/16 x 4 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-girl-with-her-deer-unknown-maker-american-about-1854-76531031.htmlRMECE833–Portrait of a Girl with her Deer; Unknown maker, American; about 1854; Daguerreotype; 1/4 plate, Image: 6.9 x 9 cm (2 11/16 x 3 9/16 in.), Plate: 8.1 x 10.7 cm (3 3/16 x 4 3/16 in.)
U. S. S. OREGON. 10,231 tons, 9,5oo h.p., 17.5 knots ; 348 x 69.3 x 24 feet ; 4 13-inch guns, in pairs, in turrets ; 8 8-inch, in pairs, in turrets, 2 on each beam ; 4 6-inch quick fire in sponsors ; 20 6-pdr and 6 1-pdr. quick fire ; 4 Gatlings ; 7 torpedo tubes. from the Article THE MONITOR, THE BATTLE-SHIP, THE CRUISER, AND THE DESTROYER. By G. W. Dickie, from The Engineering Magazine Devoted to Industrial Progress Volume XVII 1899 The Engineering Magazine Co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/u-s-s-oregon-10231-tons-95oo-hp-175-knots-348-x-693-x-24-feet-4-13-inch-guns-in-pairs-in-turrets-8-8-inch-in-pairs-in-turrets-2-on-each-beam-4-6-inch-quick-fire-in-sponsors-20-6-pdr-and-6-1-pdr-quick-fire-4-gatlings-7-torpedo-tubes-from-the-article-the-monitor-the-battle-ship-the-cruiser-and-the-destroyer-by-g-w-dickie-from-the-engineering-magazine-devoted-to-industrial-progress-volume-xvii-1899-the-engineering-magazine-co-image605099604.htmlRF2X4CJM4–U. S. S. OREGON. 10,231 tons, 9,5oo h.p., 17.5 knots ; 348 x 69.3 x 24 feet ; 4 13-inch guns, in pairs, in turrets ; 8 8-inch, in pairs, in turrets, 2 on each beam ; 4 6-inch quick fire in sponsors ; 20 6-pdr and 6 1-pdr. quick fire ; 4 Gatlings ; 7 torpedo tubes. from the Article THE MONITOR, THE BATTLE-SHIP, THE CRUISER, AND THE DESTROYER. By G. W. Dickie, from The Engineering Magazine Devoted to Industrial Progress Volume XVII 1899 The Engineering Magazine Co
The Dock of Deauville 1891 by Eugène Boudin (French, 1824-1898) France, 19th century. Oil on wood panel Framed: 80.5 x 116 x 10 cm (31 11/16 x 45 11/16 x 3 15/16 in.); Unframed: 46.7 x 37.8 cm (18 3/8 x 14 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dock-of-deauville-1891-by-eugne-boudin-french-1824-1898-france-19th-century-oil-on-wood-panel-framed-805-x-116-x-10-cm-31-1116-x-45-1116-x-3-1516-in-unframed-467-x-378-cm-18-38-x-14-78-in-image382904822.htmlRM2D6XR06–The Dock of Deauville 1891 by Eugène Boudin (French, 1824-1898) France, 19th century. Oil on wood panel Framed: 80.5 x 116 x 10 cm (31 11/16 x 45 11/16 x 3 15/16 in.); Unframed: 46.7 x 37.8 cm (18 3/8 x 14 7/8 in.)
Belt (Mexico); wool; Warp x Weft: 294.9 x 10.7 cm (9 ft. 8 1/8 in. x 4 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/belt-mexico-wool-warp-x-weft-2949-x-107-cm-9-ft-8-18-in-x-4-316-in-image546084697.htmlRM2PMC8GW–Belt (Mexico); wool; Warp x Weft: 294.9 x 10.7 cm (9 ft. 8 1/8 in. x 4 3/16 in.)
Bildnummer: 53513591 Datum: 04.10.2009 Copyright: imago/Xinhua (091004) -- ATHENS, Oct. 4, 2009 (Xinhua) -- Citizens with children prepare to cast their votes in a polling station in Great Athens area on Oct. 4, 2009. The general elections in Greece opened at 7 a.m. (0400 GMT) Sunday, and some 9.8 million eligible voters will choose the country s new government. (Xinhua/Marios Lolos) (clq) (3)GREECE-ELECTION-VOTE PUBLICATIONxNOTxINxCHN Politik Griechenland Athen Wahlen kbdig xcb 2009 quer o00 Wahllokal, wählen Bildnummer 53513591 Date 04 10 2009 Copyright Imago XINHUA Athens OCT 4 2009 X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-53513591-datum-04102009-copyright-imagoxinhua-091004-athens-oct-4-2009-xinhua-citizens-with-children-prepare-to-cast-their-votes-in-a-polling-station-in-great-athens-area-on-oct-4-2009-the-general-elections-in-greece-opened-at-7-am-0400-gmt-sunday-and-some-98-million-eligible-voters-will-choose-the-country-s-new-government-xinhuamarios-lolos-clq-3greece-election-vote-publicationxnotxinxchn-politik-griechenland-athen-wahlen-kbdig-xcb-2009-quer-o00-wahllokal-whlen-bildnummer-53513591-date-04-10-2009-copyright-imago-xinhua-athens-oct-4-2009-x-image562489317.htmlRM2RK3GT5–Bildnummer: 53513591 Datum: 04.10.2009 Copyright: imago/Xinhua (091004) -- ATHENS, Oct. 4, 2009 (Xinhua) -- Citizens with children prepare to cast their votes in a polling station in Great Athens area on Oct. 4, 2009. The general elections in Greece opened at 7 a.m. (0400 GMT) Sunday, and some 9.8 million eligible voters will choose the country s new government. (Xinhua/Marios Lolos) (clq) (3)GREECE-ELECTION-VOTE PUBLICATIONxNOTxINxCHN Politik Griechenland Athen Wahlen kbdig xcb 2009 quer o00 Wahllokal, wählen Bildnummer 53513591 Date 04 10 2009 Copyright Imago XINHUA Athens OCT 4 2009 X
On Nov. 9, 2022 this lot item sold for an estimated $117.2 million and became the most expensive Van Gogh painting to sell at auction. Vincent Van Gogh (1853-1890) Verger avec cyprès oil on canvas 25 3/4 x 31 7/8 in. (65.2 x 80.2 cm.) Painted in Arles in April 1888 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes mor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-nov-9-2022-this-lot-item-sold-for-an-estimated-1172-million-and-became-the-most-expensive-van-gogh-painting-to-sell-at-auction-vincent-van-gogh-1853-1890-verger-avec-cyprs-oil-on-canvas-25-34-x-31-78-in-652-x-802-cm-painted-in-arles-in-april-1888-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-mor-image490601459.htmlRM2KE4R4K–On Nov. 9, 2022 this lot item sold for an estimated $117.2 million and became the most expensive Van Gogh painting to sell at auction. Vincent Van Gogh (1853-1890) Verger avec cyprès oil on canvas 25 3/4 x 31 7/8 in. (65.2 x 80.2 cm.) Painted in Arles in April 1888 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes mor
Aquamanile in the Form of a Rooster MET LC 1989 292 s03 469920 German, Aquamanile in the Form of a Rooster, 13th century, Copper alloy, Overall: 9 15/16 x 9 9/16 x 3 9/16 in., 3.567lb. (25.2 x 24.3 x 9 cm, 1618g) Overall PD: 9 15/16 x 4 1/8 x 9 3/4 in. (25.2 x 10.5 x 24.7 cm) Thickness PD: 7/100-9/100 in. (0.18-0.24 cm). The Metropolitan Museum of Art, New York. The Cloisters Collection, 1989 (1989.292) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-aquamanile-in-the-form-of-a-rooster-met-lc-1989-292-s03-469920-german-168092443.htmlRMKND7HF–Aquamanile in the Form of a Rooster MET LC 1989 292 s03 469920 German, Aquamanile in the Form of a Rooster, 13th century, Copper alloy, Overall: 9 15/16 x 9 9/16 x 3 9/16 in., 3.567lb. (25.2 x 24.3 x 9 cm, 1618g) Overall PD: 9 15/16 x 4 1/8 x 9 3/4 in. (25.2 x 10.5 x 24.7 cm) Thickness PD: 7/100-9/100 in. (0.18-0.24 cm). The Metropolitan Museum of Art, New York. The Cloisters Collection, 1989 (1989.292)
Saint Andrew. Artist: Workshop of Simone Martini (Italian, Siena, active by 1315-died 1344 Avignon). Dimensions: Overall, with arched top and engaged frame, 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm); painted surface 10 3/8 x 7 7/8 in. (26.4 x 20 cm). Date: ca. 1317-19. Six other panels from the series are known. All were owned by the German painter and collector Johann Anton Ramboux in the nineteenth century, and they formed either the predella or a row of figures above the main panels of an altarpiece. The saints were originally painted on one panels are original, but have been painted an anomalou Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-andrew-artist-workshop-of-simone-martini-italian-siena-active-by-1315-died-1344-avignon-dimensions-overall-with-arched-top-and-engaged-frame-11-34-x-8-34-in-298-x-222-cm-painted-surface-10-38-x-7-78-in-264-x-20-cm-date-ca-1317-19-six-other-panels-from-the-series-are-known-all-were-owned-by-the-german-painter-and-collector-johann-anton-ramboux-in-the-nineteenth-century-and-they-formed-either-the-predella-or-a-row-of-figures-above-the-main-panels-of-an-altarpiece-the-saints-were-originally-painted-on-one-panels-are-original-but-have-been-painted-an-anomalou-image213501905.htmlRMPB9RT1–Saint Andrew. Artist: Workshop of Simone Martini (Italian, Siena, active by 1315-died 1344 Avignon). Dimensions: Overall, with arched top and engaged frame, 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm); painted surface 10 3/8 x 7 7/8 in. (26.4 x 20 cm). Date: ca. 1317-19. Six other panels from the series are known. All were owned by the German painter and collector Johann Anton Ramboux in the nineteenth century, and they formed either the predella or a row of figures above the main panels of an altarpiece. The saints were originally painted on one panels are original, but have been painted an anomalou
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849907.htmlRM2D56NCK–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Child's counting blocks or sticks. An aid to counting for smaller children learning to get to grips with mathematics and numbers, addition and subtraction. four x 10, four x 9, four x 8, five x 7, three x 6, four x 5, five x 4, nine x 3, twelve x 2 and twenty two x 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-childs-counting-blocks-or-sticks-an-aid-to-counting-for-smaller-children-43530688.htmlRMCEPYRC–Child's counting blocks or sticks. An aid to counting for smaller children learning to get to grips with mathematics and numbers, addition and subtraction. four x 10, four x 9, four x 8, five x 7, three x 6, four x 5, five x 4, nine x 3, twelve x 2 and twenty two x 1
Art inspired by Saint Andrew, ca. 1317–19, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm); painted surface 10 3/8 x 7 7/8 in. (26.4 x 20 cm), Paintings, Workshop of Simone Martini (Italian, Siena, active by 1315–died 1344, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-andrew-ca-131719-tempera-on-wood-gold-ground-overall-with-arched-top-and-engaged-frame-11-34-x-8-34-in-298-x-222-cm-painted-surface-10-38-x-7-78-in-264-x-20-cm-paintings-workshop-of-simone-martini-italian-siena-active-by-1315died-1344-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026294.htmlRF2HW8JNA–Art inspired by Saint Andrew, ca. 1317–19, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm); painted surface 10 3/8 x 7 7/8 in. (26.4 x 20 cm), Paintings, Workshop of Simone Martini (Italian, Siena, active by 1315–died 1344, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
ichneumon, standing, pedestal, bronze, animal, bronze, W 2.3 x D 10.8 cm (7 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ichneumon-standing-pedestal-bronze-animal-bronze-w-23-x-d-108-cm-7-image344553943.htmlRM2B0FP1Y–ichneumon, standing, pedestal, bronze, animal, bronze, W 2.3 x D 10.8 cm (7
Michel Paul sen. (1877-1938), sketchbook. 1896. Drawings of the high school student from 8 days in Berlin from July 10th. to July 17, 1896 (July 10, 1896): Miniature (small oil painting): rural scenery, frontispiece on intended sheet. Pencil and chalk on paper in sketch books (thread stitching), 12.3 x 16.4 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1896. Zeichnungen des Oberschülers aus 8 Tagen in Berlin vom 10.7. bis 17.7.1896 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michel-paul-sen-1877-1938-sketchbook-1896-drawings-of-the-high-school-student-from-8-days-in-berlin-from-july-10th-to-july-17-1896-july-10-1896-miniature-small-oil-painting-rural-scenery-frontispiece-on-intended-sheet-pencil-and-chalk-on-paper-in-sketch-books-thread-stitching-123-x-164-cm-including-scan-edges-michel-paul-sen-1877-1938-skizzenbuch-1896-zeichnungen-des-oberschlers-aus-8-tagen-in-berlin-vom-107-bis-1771896-image477530410.htmlRM2JMWAWE–Michel Paul sen. (1877-1938), sketchbook. 1896. Drawings of the high school student from 8 days in Berlin from July 10th. to July 17, 1896 (July 10, 1896): Miniature (small oil painting): rural scenery, frontispiece on intended sheet. Pencil and chalk on paper in sketch books (thread stitching), 12.3 x 16.4 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1896. Zeichnungen des Oberschülers aus 8 Tagen in Berlin vom 10.7. bis 17.7.1896
Twilight. Etching and drypoint, plate: 7 11/16 x 11 1/16 in. (19.5 x 28.1 cm); sheet: 10 7/16 x 13 3/8 in. (26.5 x 34 cm). 1878 222 Thomas Moran - Twilight Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twilight-etching-and-drypoint-plate-7-1116-x-11-116-in-195-x-281-cm-sheet-10-716-x-13-38-in-265-x-34-cm-1878-222-thomas-moran-twilight-image210958156.htmlRMP75Y7T–Twilight. Etching and drypoint, plate: 7 11/16 x 11 1/16 in. (19.5 x 28.1 cm); sheet: 10 7/16 x 13 3/8 in. (26.5 x 34 cm). 1878 222 Thomas Moran - Twilight
Portrait of a Laundress; Unknown maker, French; 1848 - 1850; Daguerreotype, hand-colored; Image: 13.5 x 10 cm (5 5/16 x 3 15/16 in.), Plate (Crudely cut-down whole plate to oval shape): 15.7 x 11.9 cm (6 3/16 x 4 11/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-laundress-unknown-maker-french-1848-1850-daguerreotype-76531013.htmlRMECE82D–Portrait of a Laundress; Unknown maker, French; 1848 - 1850; Daguerreotype, hand-colored; Image: 13.5 x 10 cm (5 5/16 x 3 15/16 in.), Plate (Crudely cut-down whole plate to oval shape): 15.7 x 11.9 cm (6 3/16 x 4 11/16 in.)
Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nubian-women-at-korti-kurti-sudan-on-the-nile-1847-from-egypt-and-nubia-volume-i-nubian-women-at-kortie-on-the-nile-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-375-x-43-cm-14-34-x-16-1516-in-image-255-x-353-cm-10-116-x-13-78-in-the-cleveland-museum-of-art-bequest-of-john-bonebrake-2012241-image349566147.htmlRM2B8M357–Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241
Bandbox (USA); block-printed paper on pasteboard support; 18 x 10 x 8 cm (7 1/16 x 3 15/16 x 3 1/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bandbox-usa-block-printed-paper-on-pasteboard-support-18-x-10-x-8-cm-7-116-x-3-1516-x-3-18-in-image546113547.htmlRM2PMDHB7–Bandbox (USA); block-printed paper on pasteboard support; 18 x 10 x 8 cm (7 1/16 x 3 15/16 x 3 1/8 in.)
Paul Signac (1863-1935) Concarneau, calme du matin (Opus no. 219, larghetto) signed and dated ‘P. Signac. 91' (lower left); inscribed with Opus number ‘Op 219' (lower right) oil on canvas 25? x 32 in. (65.7 x 81.3 cm.) Painted in 1891 Estimate: $28,000,000-35,000,000 hanging on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-signac-1863-1935-concarneau-calme-du-matin-opus-no-219-larghetto-signed-and-dated-p-signac-91-lower-left-inscribed-with-opus-number-op-219-lower-right-oil-on-canvas-25-x-32-in-657-x-813-cm-painted-in-1891-estimate-28000000-35000000-hanging-on-the-wall-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-i-image490427221.htmlRM2KDTTWW–Paul Signac (1863-1935) Concarneau, calme du matin (Opus no. 219, larghetto) signed and dated ‘P. Signac. 91' (lower left); inscribed with Opus number ‘Op 219' (lower right) oil on canvas 25? x 32 in. (65.7 x 81.3 cm.) Painted in 1891 Estimate: $28,000,000-35,000,000 hanging on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, i
Cameo Medallion MET DP248080 1111 British, Cameo Medallion, 1760?1800, Earthenware, 4 x 3 1/8 in. (10.2 x 7.9 cm). The Metropolitan Museum of Art, New York. Gift of William H. Huntington, 1883 (83.2.280) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cameo-medallion-met-dp248080-1111-british-cameo-medallion-17601800-168031416.htmlRMKNADP0–Cameo Medallion MET DP248080 1111 British, Cameo Medallion, 1760?1800, Earthenware, 4 x 3 1/8 in. (10.2 x 7.9 cm). The Metropolitan Museum of Art, New York. Gift of William H. Huntington, 1883 (83.2.280)
Dress (Pattern). Dated: c. 1936. Dimensions: overall: 26.4 x 20 cm (10 3/8 x 7 7/8 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jean Peszel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-pattern-dated-c-1936-dimensions-overall-264-x-20-cm-10-38-x-7-78-in-medium-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-jean-peszel-image225634927.htmlRMR32FJ7–Dress (Pattern). Dated: c. 1936. Dimensions: overall: 26.4 x 20 cm (10 3/8 x 7 7/8 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jean Peszel.
Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regensburg-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-regensburg-11102020-usage-worldwide-credit-dpaalamy-live-news-image381850321.htmlRM2D56NYD–Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by The Market at Gisors: Rue Cappeville, 1894–95, Etching and drypoint printed in color on laid paper; seventh state of seven; posthumous impression, sheet: 10 3/8 x 7 7/8 in. (26.3 x 20 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-market-at-gisors-rue-cappeville-189495-etching-and-drypoint-printed-in-color-on-laid-paper-seventh-state-of-seven-posthumous-impression-sheet-10-38-x-7-78-in-263-x-20-cm-prints-camille-pissarro-french-charlotte-amalie-saint-thomas-18301903-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961878.htmlRF2HW5MGP–Art inspired by The Market at Gisors: Rue Cappeville, 1894–95, Etching and drypoint printed in color on laid paper; seventh state of seven; posthumous impression, sheet: 10 3/8 x 7 7/8 in. (26.3 x 20 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fibula, metal, bronze, 10.7 x 3.6 x 2.8 cm, Hungary, unknown, unknown, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fibula-metal-bronze-107-x-36-x-28-cm-hungary-unknown-unknown-unknown-image344537046.htmlRM2B0F0EE–fibula, metal, bronze, 10.7 x 3.6 x 2.8 cm, Hungary, unknown, unknown, unknown
Karnak Vue du Milieu Antonio Beato (Italian and British, ca. 1825-ca.1903). Karnak Vue du Milieu, 19th century. Albumen silver photograph, image/sheet: 10 7/16 x 8 in. (26.5 x 20.3 cm). Photography 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karnak-vue-du-milieu-antonio-beato-italian-and-british-ca-1825-ca1903-karnak-vue-du-milieu-19th-century-albumen-silver-photograph-imagesheet-10-716-x-8-in-265-x-203-cm-photography-19th-century-image504726513.htmlRM2M947PW–Karnak Vue du Milieu Antonio Beato (Italian and British, ca. 1825-ca.1903). Karnak Vue du Milieu, 19th century. Albumen silver photograph, image/sheet: 10 7/16 x 8 in. (26.5 x 20.3 cm). Photography 19th century
Sailboats at Fehmarn. Woodcut with black wash additions, state aii/iii. Block: 16 1/2 x 15 7/8 in. (41.9 x 40.4 cm); sheet: 21 3/4 x 17 3/8 in. (55.2 x 44.1 cm). 1914 10 Ernst Ludwig Kirchner - Sailboats at Fehmarn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sailboats-at-fehmarn-woodcut-with-black-wash-additions-state-aiiiii-block-16-12-x-15-78-in-419-x-404-cm-sheet-21-34-x-17-38-in-552-x-441-cm-1914-10-ernst-ludwig-kirchner-sailboats-at-fehmarn-image210958141.htmlRMP75Y79–Sailboats at Fehmarn. Woodcut with black wash additions, state aii/iii. Block: 16 1/2 x 15 7/8 in. (41.9 x 40.4 cm); sheet: 21 3/4 x 17 3/8 in. (55.2 x 44.1 cm). 1914 10 Ernst Ludwig Kirchner - Sailboats at Fehmarn
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489962.htmlRF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Drawing, Candelabra, ca. 1755; Robert Adam (British, 1728–1792); England; graphite on paper; 25.8 x 17.5 cm (10 3/16 x 6 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-candelabra-ca-1755-robert-adam-british-17281792-england-graphite-on-paper-258-x-175-cm-10-316-x-6-78-in-image546106326.htmlRM2PMD85A–Drawing, Candelabra, ca. 1755; Robert Adam (British, 1728–1792); England; graphite on paper; 25.8 x 17.5 cm (10 3/16 x 6 7/8 in.)
Vincent Van Gogh (1853-1890) Verger avec cyprès oil on canvas 25 3/4 x 31 7/8 in. (65.2 x 80.2 cm.) Painted in Arles in April 1888 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. (Photo by TJ Roth/Sipa USA) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vincent-van-gogh-1853-1890-verger-avec-cyprs-oil-on-canvas-25-34-x-31-78-in-652-x-802-cm-painted-in-arles-in-april-1888-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-years-of-art-history-all-proceeds-will-go-to-philanthropy-photo-by-tj-rothsipa-usa-image490429809.htmlRM2KDW069–Vincent Van Gogh (1853-1890) Verger avec cyprès oil on canvas 25 3/4 x 31 7/8 in. (65.2 x 80.2 cm.) Painted in Arles in April 1888 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. (Photo by TJ Roth/Sipa USA)
Card Case MET 160267 2348 Card Case, ca. 1835, Tortoiseshell, 4 1/16 x 2 5/8 in. (10.3 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Paul Hammond, 1955 (55.203a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-card-case-met-160267-2348-card-case-ca-1835-tortoiseshell-4-116-x-168197611.htmlRMKNJ1NF–Card Case MET 160267 2348 Card Case, ca. 1835, Tortoiseshell, 4 1/16 x 2 5/8 in. (10.3 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Paul Hammond, 1955 (55.203a, b)
Togetsu Bridge at Arashiyama in Yamashiro, from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyo kiran). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 3/8 x 15 1/4 in. (26.4 x 38.7 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/togetsu-bridge-at-arashiyama-in-yamashiro-from-the-series-remarkable-views-of-bridges-in-various-provinces-shokoku-meikyo-kiran-artist-katsushika-hokusai-japanese-tokyo-edo-1760-1849-tokyo-edo-culture-japan-dimensions-10-38-x-15-14-in-264-x-387-cm-date-ca-1830-museum-metropolitan-museum-of-art-new-york-usa-image213151981.htmlRMPANWEN–Togetsu Bridge at Arashiyama in Yamashiro, from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyo kiran). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 3/8 x 15 1/4 in. (26.4 x 38.7 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.
Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regensburg-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-regensburg-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849875.htmlRM2D56NBF–Regensburg, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Regensburg, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Roman Arch at Orange, 1851, Salted paper print from paper negative, 35.3 x 26.2 cm (13 7/8 x 10 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), For the Missions Héliographiques, Baldus made two views of the Roman triumphal arch in the Provençal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-roman-arch-at-orange-1851-salted-paper-print-from-paper-negative-353-x-262-cm-13-78-x-10-516-in-photographs-douard-baldus-french-born-prussia-18131889-for-the-missions-hliographiques-baldus-made-two-views-of-the-roman-triumphal-arch-in-the-provenal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462791477.htmlRF2HTWY71–Art inspired by Roman Arch at Orange, 1851, Salted paper print from paper negative, 35.3 x 26.2 cm (13 7/8 x 10 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), For the Missions Héliographiques, Baldus made two views of the Roman triumphal arch in the Provençal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Old Europe, awl, organic, bone, 10.8 x 1.3 x 0.7 cm, Location, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-europe-awl-organic-bone-108-x-13-x-07-cm-location-france-image344541665.htmlRM2B0F6BD–Old Europe, awl, organic, bone, 10.8 x 1.3 x 0.7 cm, Location, France
Karnak Interieur de la Salle Antonio Beato (Italian and British, ca. 1825-ca.1903). Karnak Interieur de la Salle, 19th century. Albumen silver photograph, image/sheet: 10 7/16 x 8 in. (26.5 x 20.3 cm). Photography 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karnak-interieur-de-la-salle-antonio-beato-italian-and-british-ca-1825-ca1903-karnak-interieur-de-la-salle-19th-century-albumen-silver-photograph-imagesheet-10-716-x-8-in-265-x-203-cm-photography-19th-century-image504726534.htmlRM2M947RJ–Karnak Interieur de la Salle Antonio Beato (Italian and British, ca. 1825-ca.1903). Karnak Interieur de la Salle, 19th century. Albumen silver photograph, image/sheet: 10 7/16 x 8 in. (26.5 x 20.3 cm). Photography 19th century
by William Daniell, after George Dance, soft-ground etching, (17 November 1793) . English: John Yenn by William Daniell, after George Dance, soft-ground etching, (17 November 1793) 10 3/4 in. x 8 in. (272 mm x 202 mm) plate size; 17 1/2 in. x 10 7/8 in. (444 mm x 276 mm) paper size. Purchased, 1908. Reference Number: NPG D12111 . 17 November 1793. William Daniell 735 John Yenn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/by-william-daniell-after-george-dance-soft-ground-etching-17-november-1793-english-john-yenn-by-william-daniell-after-george-dance-soft-ground-etching-17-november-1793-10-34-in-x-8-in-272-mm-x-202-mm-plate-size-17-12-in-x-10-78-in-444-mm-x-276-mm-paper-size-purchased-1908-reference-number-npg-d12111-17-november-1793-william-daniell-735-john-yenn-image185711494.htmlRMMP3TWA–by William Daniell, after George Dance, soft-ground etching, (17 November 1793) . English: John Yenn by William Daniell, after George Dance, soft-ground etching, (17 November 1793) 10 3/4 in. x 8 in. (272 mm x 202 mm) plate size; 17 1/2 in. x 10 7/8 in. (444 mm x 276 mm) paper size. Purchased, 1908. Reference Number: NPG D12111 . 17 November 1793. William Daniell 735 John Yenn
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489957.htmlRF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.6 x 27.8 cm (3 x 10 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-elevation-of-mansion-architect-whitney-warren-jr-american-18641943-usa-graphite-brush-and-watercolor-on-paper-76-x-278-cm-3-x-10-1516-in-image546084642.htmlRM2PMC8EX–Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.6 x 27.8 cm (3 x 10 15/16 in.)
Paul Klee (1879-1940) Die Schlange auf der Leiter signed 'Klee' (lower right) oil, watercolor and pen and ink on paper laid down by the artist on board, nailed down by the artist on a stretcher and in the artist's frame 11 3/4 x 18 7/8 in. (29.8 x 47.8 cm.) Estimate USD 600,000 - USD 800,000 Executed in 1929 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-klee-1879-1940-die-schlange-auf-der-leiter-signed-klee-lower-right-oil-watercolor-and-pen-and-ink-on-paper-laid-down-by-the-artist-on-board-nailed-down-by-the-artist-on-a-stretcher-and-in-the-artists-frame-11-34-x-18-78-in-298-x-478-cm-estimate-usd-600000-usd-800000-executed-in-1929-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-a-image490429760.htmlRM2KDW04G–Paul Klee (1879-1940) Die Schlange auf der Leiter signed 'Klee' (lower right) oil, watercolor and pen and ink on paper laid down by the artist on board, nailed down by the artist on a stretcher and in the artist's frame 11 3/4 x 18 7/8 in. (29.8 x 47.8 cm.) Estimate USD 600,000 - USD 800,000 Executed in 1929 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. A
Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm), Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-eugnie-schlosser-et-coralli-1863-albumen-silver-print-from-glass-negative-168091838.htmlRMKND6RX–Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm), Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm).
Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/8 x 15 3/16 in. (25.7 x 38.6 cm). Date: ca. 1830-32. This simple frontal view of the Mannen Bridge admirably expresses the grand monumental character of the bridge. Indeed, as though it were the subject of a portrait, the bridge commands our attention with an impressive sense of dignity. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/under-the-mannen-bridge-at-fukagawa-fukagawa-mannenbashi-shita-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-artist-katsushika-hokusai-japanese-tokyo-edo-1760-1849-tokyo-edo-culture-japan-dimensions-10-18-x-15-316-in-257-x-386-cm-date-ca-1830-32-this-simple-frontal-view-of-the-mannen-bridge-admirably-expresses-the-grand-monumental-character-of-the-bridge-indeed-as-though-it-were-the-subject-of-a-portrait-the-bridge-commands-our-attention-with-an-impressive-sense-of-dignity-museum-metropolitan-museum-of-art-new-york-usa-image212875081.htmlRMPA989D–Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/8 x 15 3/16 in. (25.7 x 38.6 cm). Date: ca. 1830-32. This simple frontal view of the Mannen Bridge admirably expresses the grand monumental character of the bridge. Indeed, as though it were the subject of a portrait, the bridge commands our attention with an impressive sense of dignity. Museum: Metropolitan Museum of Art, New York, USA.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849825.htmlRM2D56N9N–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Inspired by View of Japan, Albumen silver photograph mounted on, Japan, late 19th-early 20th century, with mounting: 4 1/4 x 6 7/16 in., 10.8 x 16.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-of-japan-albumen-silver-photograph-mounted-on-japan-late-19th-early-20th-century-with-mounting-4-14-x-6-716-in-108-x-163-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266827.htmlRF2HK5BEK–Inspired by View of Japan, Albumen silver photograph mounted on, Japan, late 19th-early 20th century, with mounting: 4 1/4 x 6 7/16 in., 10.8 x 16.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Flint tool, tool, stone, flint, 10.5 x 4.7 x 3.8 cm, prehistoric, England, unknown, unknown, Swanscombe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flint-tool-tool-stone-flint-105-x-47-x-38-cm-prehistoric-england-unknown-unknown-swanscombe-image344561526.htmlRM2B0G3MP–Flint tool, tool, stone, flint, 10.5 x 4.7 x 3.8 cm, prehistoric, England, unknown, unknown, Swanscombe
Karnak Colonnes et Obelisque Antonio Beato (Italian and British, ca. 1825-ca.1903). Karnak Colonnes et Obelisque, 19th century. Albumen silver photograph, image/sheet: 10 3/16 x 7 13/16 in. (25.8 x 19.9 cm). Photography 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karnak-colonnes-et-obelisque-antonio-beato-italian-and-british-ca-1825-ca1903-karnak-colonnes-et-obelisque-19th-century-albumen-silver-photograph-imagesheet-10-316-x-7-1316-in-258-x-199-cm-photography-19th-century-image504726516.htmlRM2M947R0–Karnak Colonnes et Obelisque Antonio Beato (Italian and British, ca. 1825-ca.1903). Karnak Colonnes et Obelisque, 19th century. Albumen silver photograph, image/sheet: 10 3/16 x 7 13/16 in. (25.8 x 19.9 cm). Photography 19th century
. English: Series Title: Rama's Journey Creation Date: ca. 1800 Display Dimensions: 10 1/8 in. x 13 29/32 in. (25.7 cm x 35.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1282 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:09:00. English: thesandiegomuseumofartcollection 1172 The Demon Kumbhkaran finally wakes up and eats (6125069010) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ramas-journey-creation-date-ca-1800-display-dimensions-10-18-in-x-13-2932-in-257-cm-x-353-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901282-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140900-english-thesandiegomuseumofartcollection-1172-the-demon-kumbhkaran-finally-wakes-up-and-eats-6125069010-image185706279.htmlRMMP3J73–. English: Series Title: Rama's Journey Creation Date: ca. 1800 Display Dimensions: 10 1/8 in. x 13 29/32 in. (25.7 cm x 35.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1282 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:09:00. English: thesandiegomuseumofartcollection 1172 The Demon Kumbhkaran finally wakes up and eats (6125069010)
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.6 x 27.8 cm (3 x 10 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-elevation-of-mansion-architect-whitney-warren-jr-american-18641943-usa-graphite-brush-and-watercolor-on-paper-76-x-278-cm-3-x-10-1516-in-image546082707.htmlRM2PMC61R–Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.6 x 27.8 cm (3 x 10 15/16 in.)
Georges Seurat (1859-1891) Femme debout, en toilette de ville black Conté crayon on paper 12 3/8 x 7 3/8 in. (31.5 x 18.7 cm.) Drawn in 1884-1885 Estimate USD 1,000,000 - USD 1,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georges-seurat-1859-1891-femme-debout-en-toilette-de-ville-black-cont-crayon-on-paper-12-38-x-7-38-in-315-x-187-cm-drawn-in-1884-1885-estimate-usd-1000000-usd-1500000-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-years-of-art-history-all-proceeds-will-go-to-image490428296.htmlRM2KDTX88–Georges Seurat (1859-1891) Femme debout, en toilette de ville black Conté crayon on paper 12 3/8 x 7 3/8 in. (31.5 x 18.7 cm.) Drawn in 1884-1885 Estimate USD 1,000,000 - USD 1,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to
Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm) Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-eugnie-schlosser-et-coralli-1863-albumen-silver-print-from-glass-negative-168091837.htmlRMKND6RW–Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm) Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm).
The Virgin from an Annunciation. Culture: Austrian. Dimensions: Overall: 40 3/8 x 14 1/2 x 10 1/8 in. (102.6 x 36.8 x 25.7 cm) Overall (as a group with 22.60.1): 40 3/8 x 39 x 12 in. (102.6 x 99.1 x 30.5 cm). Date: ca. 1390. These sculptures of the angel Gabriel and the Virgin, carved in the so-called 'Beautiful Style' of central Europe, are related to works of the Master of Grosslobming, whose sculptures (now in Vienna and Frankfurt collections) originate from the Church of Saint Lambert in Grosslobming, Austria. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-from-an-annunciation-culture-austrian-dimensions-overall-40-38-x-14-12-x-10-18-in-1026-x-368-x-257-cm-overall-as-a-group-with-22601-40-38-x-39-x-12-in-1026-x-991-x-305-cm-date-ca-1390-these-sculptures-of-the-angel-gabriel-and-the-virgin-carved-in-the-so-called-beautiful-style-of-central-europe-are-related-to-works-of-the-master-of-grosslobming-whose-sculptures-now-in-vienna-and-frankfurt-collections-originate-from-the-church-of-saint-lambert-in-grosslobming-austria-museum-metropolitan-museum-of-art-new-york-usa-image213081500.htmlRMPAJKHG–The Virgin from an Annunciation. Culture: Austrian. Dimensions: Overall: 40 3/8 x 14 1/2 x 10 1/8 in. (102.6 x 36.8 x 25.7 cm) Overall (as a group with 22.60.1): 40 3/8 x 39 x 12 in. (102.6 x 99.1 x 30.5 cm). Date: ca. 1390. These sculptures of the angel Gabriel and the Virgin, carved in the so-called 'Beautiful Style' of central Europe, are related to works of the Master of Grosslobming, whose sculptures (now in Vienna and Frankfurt collections) originate from the Church of Saint Lambert in Grosslobming, Austria. Museum: Metropolitan Museum of Art, New York, USA.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849906.htmlRM2D56NCJ–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Naphtali, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 7/16 x 10 3/4 in. (21.5 x 27.3 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert (Netherlandish, Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-naphtali-from-the-series-the-twelve-patriarchs-1550-etching-second-state-sheet-8-716-x-10-34-in-215-x-273-cm-prints-after-maarten-van-heemskerck-netherlandish-heemskerck-14981574-haarlem-etched-by-dirk-volckertsz-coornhert-netherlandish-amsterdam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463005073.htmlRF2HW7KKD–Art inspired by Naphtali, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 7/16 x 10 3/4 in. (21.5 x 27.3 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert (Netherlandish, Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Netherlands Roman period, oil lamp, earthenware, 10 x 7.3 x 4.8 cm, roman, the Netherlands, Gelderland, Nijmegen, Nijmegen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-netherlands-roman-period-oil-lamp-earthenware-10-x-73-x-48-cm-roman-the-netherlands-gelderland-nijmegen-nijmegen-image344542647.htmlRM2B0F7JF–The Netherlands Roman period, oil lamp, earthenware, 10 x 7.3 x 4.8 cm, roman, the Netherlands, Gelderland, Nijmegen, Nijmegen
Phile Vue de Pylone avec les Colonnes (Temple of Isis pylon; view with columns looking North, Philae) Antonio Beato (Italian and British, ca. 1825-ca.1903). Phile Vue de Pylone avec les Colonnes (Temple of Isis pylon; view with columns looking North, Philae), late 19th century. Albumen silver photograph, image/sheet: 7 15/16 x 10 3/8 in. (20.2 x 26.4 cm). Photography late 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phile-vue-de-pylone-avec-les-colonnes-temple-of-isis-pylon-view-with-columns-looking-north-philae-antonio-beato-italian-and-british-ca-1825-ca1903-phile-vue-de-pylone-avec-les-colonnes-temple-of-isis-pylon-view-with-columns-looking-north-philae-late-19th-century-albumen-silver-photograph-imagesheet-7-1516-x-10-38-in-202-x-264-cm-photography-late-19th-century-image504724415.htmlRM2M9453Y–Phile Vue de Pylone avec les Colonnes (Temple of Isis pylon; view with columns looking North, Philae) Antonio Beato (Italian and British, ca. 1825-ca.1903). Phile Vue de Pylone avec les Colonnes (Temple of Isis pylon; view with columns looking North, Philae), late 19th century. Albumen silver photograph, image/sheet: 7 15/16 x 10 3/8 in. (20.2 x 26.4 cm). Photography late 19th century
. English: An Illustration from the Ramayana India, Bundi, early 18th century The two brothers walking through the forest with Sita seated in a pavillion at top, the landscape filled with trees, animals, and flowers, an inscription in the top border Opaque pigments and gold on wasli 10 3/8 x 7 3/8 in. (26.3 x 18.7 cm.) Pre-Lot Text Property from a New Jersey Collector . circa 1680. India, Rajasthan, Bundi 512 Rama, Sita, Lakshmana and Hanuman in the forest. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-an-illustration-from-the-ramayana-india-bundi-early-18th-century-the-two-brothers-walking-through-the-forest-with-sita-seated-in-a-pavillion-at-top-the-landscape-filled-with-trees-animals-and-flowers-an-inscription-in-the-top-border-opaque-pigments-and-gold-on-wasli-10-38-x-7-38-in-263-x-187-cm-pre-lot-text-property-from-a-new-jersey-collector-circa-1680-india-rajasthan-bundi-512-rama-sita-lakshmana-and-hanuman-in-the-forest-image188065921.htmlRMMWY401–. English: An Illustration from the Ramayana India, Bundi, early 18th century The two brothers walking through the forest with Sita seated in a pavillion at top, the landscape filled with trees, animals, and flowers, an inscription in the top border Opaque pigments and gold on wasli 10 3/8 x 7 3/8 in. (26.3 x 18.7 cm.) Pre-Lot Text Property from a New Jersey Collector . circa 1680. India, Rajasthan, Bundi 512 Rama, Sita, Lakshmana and Hanuman in the forest.
Print, The Small Horse; Albrecht Dürer (German, 1471–1528); Germany; engraving on cream laid paper; 16.3 x 10.8 cm (6 7/16 x 4 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-the-small-horse-albrecht-drer-german-14711528-germany-engraving-on-cream-laid-paper-163-x-108-cm-6-716-x-4-14-in-image546247985.htmlRM2PMKMTH–Print, The Small Horse; Albrecht Dürer (German, 1471–1528); Germany; engraving on cream laid paper; 16.3 x 10.8 cm (6 7/16 x 4 1/4 in.)
Alexander Calder (1898-1976) Untitled standing mobile-sheet metal, wire and paint 22 1/2 x 34 x 5 in. (57.2 x 86.4 x 12.7 cm.) Executed circa 1942 Estimate USD 2,500,000 - USD 3,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-calder-1898-1976-untitled-standing-mobile-sheet-metal-wire-and-paint-22-12-x-34-x-5-in-572-x-864-x-127-cm-executed-circa-1942-estimate-usd-2500000-usd-3500000-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-years-of-art-history-all-proceeds-will-go-image490427223.htmlRM2KDTTWY–Alexander Calder (1898-1976) Untitled standing mobile-sheet metal, wire and paint 22 1/2 x 34 x 5 in. (57.2 x 86.4 x 12.7 cm.) Executed circa 1942 Estimate USD 2,500,000 - USD 3,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go
Eugenie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm), Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-eugenie-schlosser-et-coralli-1863-albumen-silver-print-from-glass-168091840.htmlRMKND6T0–Eugenie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm), Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm).
La morgue, Paris (The Mortuary). Dated: 1854. Dimensions: plate: 23.2 x 20.7 cm (9 1/8 x 8 1/8 in.) sheet: 25.4 x 24.3 cm (10 x 9 9/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-morgue-paris-the-mortuary-dated-1854-dimensions-plate-232-x-207-cm-9-18-x-8-18-in-sheet-254-x-243-cm-10-x-9-916-in-medium-etching-and-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-charles-meryon-image233746725.htmlRMRG8299–La morgue, Paris (The Mortuary). Dated: 1854. Dimensions: plate: 23.2 x 20.7 cm (9 1/8 x 8 1/8 in.) sheet: 25.4 x 24.3 cm (10 x 9 9/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849895.htmlRM2D56NC7–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Bowl with Lioness, 1100–1300, Byzantine, Earthenware, Overall: 2 1/4 x 10 3/8 in. (5.7 x 26.3 cm), Ceramics, Images of lions were popular throughout the medieval world. Although lions were rare in Byzantium, they appear frequently in art—from illuminated manuscripts and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bowl-with-lioness-11001300-byzantine-earthenware-overall-2-14-x-10-38-in-57-x-263-cm-ceramics-images-of-lions-were-popular-throughout-the-medieval-world-although-lions-were-rare-in-byzantium-they-appear-frequently-in-artfrom-illuminated-manuscripts-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462833859.htmlRF2HTYW8K–Art inspired by Bowl with Lioness, 1100–1300, Byzantine, Earthenware, Overall: 2 1/4 x 10 3/8 in. (5.7 x 26.3 cm), Ceramics, Images of lions were popular throughout the medieval world. Although lions were rare in Byzantium, they appear frequently in art—from illuminated manuscripts and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Classical antiquity, statuette, bronze, 8.2 x 3.7 x ca. 1.7 cm, staff = 10 cm, Location, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/classical-antiquity-statuette-bronze-82-x-37-x-ca-17-cm-staff-=-10-cm-location-italy-image344528369.htmlRM2B0EHCH–Classical antiquity, statuette, bronze, 8.2 x 3.7 x ca. 1.7 cm, staff = 10 cm, Location, Italy
The Three Magi (?) 15th century French or South Netherlandish. The Three Magi (?) 464357 French or South Netherlandish, The Three Magi (?), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-three-magi-15th-century-french-or-south-netherlandish-the-three-magi-464357-french-or-south-netherlandish-the-three-magi-15th-century-wood-with-paint-and-gilding-overall-without-base-12-18-x-8-14-x-2-in-308-x-21-x-51-cm-overall-with-base-14-34-x-10-78-x-3-1116-in-374-x-276-x-93-cm-the-metropolitan-museum-of-art-new-york-gift-of-j-pierpont-morgan-1917-17190377-image458060227.htmlRM2HH6CDR–The Three Magi (?) 15th century French or South Netherlandish. The Three Magi (?) 464357 French or South Netherlandish, The Three Magi (?), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377)
. English: An Illustration from the Ramayana India, Bundi, early 18th century The two brothers walking through the forest with Sita seated in a pavillion at top, the landscape filled with trees, animals, and flowers, an inscription in the top border Opaque pigments and gold on wasli 10 3/8 x 7 3/8 in. (26.3 x 18.7 cm.) Pre-Lot Text Property from a New Jersey Collector . circa 1680. India, Rajasthan, Bundi 446 Rama, Sita, Lakshmana and Hanuman in the forest. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-an-illustration-from-the-ramayana-india-bundi-early-18th-century-the-two-brothers-walking-through-the-forest-with-sita-seated-in-a-pavillion-at-top-the-landscape-filled-with-trees-animals-and-flowers-an-inscription-in-the-top-border-opaque-pigments-and-gold-on-wasli-10-38-x-7-38-in-263-x-187-cm-pre-lot-text-property-from-a-new-jersey-collector-circa-1680-india-rajasthan-bundi-446-rama-sita-lakshmana-and-hanuman-in-the-forest-image188813528.htmlRMMY55G8–. English: An Illustration from the Ramayana India, Bundi, early 18th century The two brothers walking through the forest with Sita seated in a pavillion at top, the landscape filled with trees, animals, and flowers, an inscription in the top border Opaque pigments and gold on wasli 10 3/8 x 7 3/8 in. (26.3 x 18.7 cm.) Pre-Lot Text Property from a New Jersey Collector . circa 1680. India, Rajasthan, Bundi 446 Rama, Sita, Lakshmana and Hanuman in the forest.
Drawing, Girl with a Pail; Winslow Homer (American, 1836–1910); USA; carbon tracing, retouched on paper; 21.1 x 10.7 cm (8 5/16 x 4 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-girl-with-a-pail-winslow-homer-american-18361910-usa-carbon-tracing-retouched-on-paper-211-x-107-cm-8-516-x-4-316-in-image546128773.htmlRM2PME8R1–Drawing, Girl with a Pail; Winslow Homer (American, 1836–1910); USA; carbon tracing, retouched on paper; 21.1 x 10.7 cm (8 5/16 x 4 3/16 in.)
Alexander Calder (1898-1976) Untitled standing mobile-sheet metal, wire and paint 22 1/2 x 34 x 5 in. (57.2 x 86.4 x 12.7 cm.) Executed circa 1942 Estimate USD 2,500,000 - USD 3,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-calder-1898-1976-untitled-standing-mobile-sheet-metal-wire-and-paint-22-12-x-34-x-5-in-572-x-864-x-127-cm-executed-circa-1942-estimate-usd-2500000-usd-3500000-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-years-of-art-history-all-proceeds-will-go-image490427229.htmlRM2KDTTX5–Alexander Calder (1898-1976) Untitled standing mobile-sheet metal, wire and paint 22 1/2 x 34 x 5 in. (57.2 x 86.4 x 12.7 cm.) Executed circa 1942 Estimate USD 2,500,000 - USD 3,500,000 on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go
Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm) Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-eugnie-schlosser-et-coralli-1863-albumen-silver-print-from-glass-negative-168091835.htmlRMKND6RR–Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm) Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm).
Marseille. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: Image: 26.7 x 40 cm (10 1/2 x 15 3/4 in.) Mount: 46 x 60.5 cm (18 1/8 x 23 13/16 in.). Date: ca. 1861. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marseille-artist-douard-baldus-french-born-prussia-1813-1889-dimensions-image-267-x-40-cm-10-12-x-15-34-in-mount-46-x-605-cm-18-18-x-23-1316-in-date-ca-1861-museum-metropolitan-museum-of-art-new-york-usa-image213319978.htmlRMPB1FPJ–Marseille. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: Image: 26.7 x 40 cm (10 1/2 x 15 3/4 in.) Mount: 46 x 60.5 cm (18 1/8 x 23 13/16 in.). Date: ca. 1861. Museum: Metropolitan Museum of Art, New York, USA.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849905.htmlRM2D56NCH–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Escutcheon plate, 16th century, German, Iron, Overall: 3 15/16 x 2 5/8 x 5/16 in. (10 x 6.7 x 0.8 cm), Metalwork-Iron, The decoration of Gothic locks and keys was often elaborate and of the highest standard of workmanship. These examples offer a glimpse of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-escutcheon-plate-16th-century-german-iron-overall-3-1516-x-2-58-x-516-in-10-x-67-x-08-cm-metalwork-iron-the-decoration-of-gothic-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-these-examples-offer-a-glimpse-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462837360.htmlRF2HW01NM–Art inspired by Escutcheon plate, 16th century, German, Iron, Overall: 3 15/16 x 2 5/8 x 5/16 in. (10 x 6.7 x 0.8 cm), Metalwork-Iron, The decoration of Gothic locks and keys was often elaborate and of the highest standard of workmanship. These examples offer a glimpse of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Casting of a flint tool, cast, tool, plaster, 10.8 x 7.1 x 3 cm, France, unknown, unknown, St. Acheul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/casting-of-a-flint-tool-cast-tool-plaster-108-x-71-x-3-cm-france-unknown-unknown-st-acheul-image344538194.htmlRM2B0F1YE–Casting of a flint tool, cast, tool, plaster, 10.8 x 7.1 x 3 cm, France, unknown, unknown, St. Acheul
Phenix Bank, New York 1826–29 Anthony Imbert American. Phenix Bank, New York 381101 Lithographer: Anthony Imbert, American, born France, active New York 1825?ca. 1838, Artist: After Alexander Jackson Davis, American, New York 1803?1892 West Orange, New Jersey, Architect: Designed by Martin Euclid Thompson, American, 1786?1877 Glen Cove, New York, Phenix Bank, New York, 1826?29, Lithograph, sheet: 13 1/8 x 10 1/8 in. (33.3 x 25.7 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phenix-bank-new-york-182629-anthony-imbert-american-phenix-bank-new-york-381101-lithographer-anthony-imbert-american-born-france-active-new-york-1825ca-1838-artist-after-alexander-jackson-davis-american-new-york-18031892-west-orange-new-jersey-architect-designed-by-martin-euclid-thompson-american-17861877-glen-cove-new-york-phenix-bank-new-york-182629-lithograph-sheet-13-18-x-10-18-in-333-x-257-cm-the-metropolitan-museum-of-art-new-york-the-edward-w-c-arnold-collection-of-new-york-prints-maps-and-pictures-bequest-of-edward-w-c-arnold-1954-54901-image458043360.htmlRM2HH5JYC–Phenix Bank, New York 1826–29 Anthony Imbert American. Phenix Bank, New York 381101 Lithographer: Anthony Imbert, American, born France, active New York 1825?ca. 1838, Artist: After Alexander Jackson Davis, American, New York 1803?1892 West Orange, New Jersey, Architect: Designed by Martin Euclid Thompson, American, 1786?1877 Glen Cove, New York, Phenix Bank, New York, 1826?29, Lithograph, sheet: 13 1/8 x 10 1/8 in. (33.3 x 25.7 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.1
. English: An Illustration from the Ramayana India, Bundi, early 18th century The two brothers walking through the forest with Sita seated in a pavillion at top, the landscape filled with trees, animals, and flowers, an inscription in the top border Opaque pigments and gold on wasli 10 3/8 x 7 3/8 in. (26.3 x 18.7 cm.) Pre-Lot Text Property from a New Jersey Collector . circa 1680. India, Rajasthan, Bundi 511 Rama, Sita, Lakshmana and Hanuman in the forest. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-an-illustration-from-the-ramayana-india-bundi-early-18th-century-the-two-brothers-walking-through-the-forest-with-sita-seated-in-a-pavillion-at-top-the-landscape-filled-with-trees-animals-and-flowers-an-inscription-in-the-top-border-opaque-pigments-and-gold-on-wasli-10-38-x-7-38-in-263-x-187-cm-pre-lot-text-property-from-a-new-jersey-collector-circa-1680-india-rajasthan-bundi-511-rama-sita-lakshmana-and-hanuman-in-the-forest-image187538777.htmlRMMW33HD–. English: An Illustration from the Ramayana India, Bundi, early 18th century The two brothers walking through the forest with Sita seated in a pavillion at top, the landscape filled with trees, animals, and flowers, an inscription in the top border Opaque pigments and gold on wasli 10 3/8 x 7 3/8 in. (26.3 x 18.7 cm.) Pre-Lot Text Property from a New Jersey Collector . circa 1680. India, Rajasthan, Bundi 511 Rama, Sita, Lakshmana and Hanuman in the forest.
Mug; glass; 10 x 13.5 x 8.8 cm (3 15/16 x 5 5/16 x 3 7/16 in.); Bequest of Walter Phelps Warren; 1986-61-184 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-glass-10-x-135-x-88-cm-3-1516-x-5-516-x-3-716-in-bequest-of-walter-phelps-warren-1986-61-184-image546104250.htmlRM2PMD5F6–Mug; glass; 10 x 13.5 x 8.8 cm (3 15/16 x 5 5/16 x 3 7/16 in.); Bequest of Walter Phelps Warren; 1986-61-184
Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm) Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-eugnie-schlosser-et-coralli-1863-albumen-silver-print-from-glass-negative-168091839.htmlRMKND6RY–Eugénie Schlosser et Coralli, 1863, Albumen silver print from glass negative, Image: 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm) Album page: 10 3/8 x 13 3/4 in. (26.3 x 35 cm).
View of the Sacred Tank in the Great Pagoda. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 25.8 x 35.1 cm (10 3/16 x 13 13/16 in.) Mount: 45 x 57 cm (17 11/16 x 22 7/16 in.). Date: January-March 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-sacred-tank-in-the-great-pagoda-artist-linnaeus-tripe-british-devonport-plymouth-dock-1822-1902-devonport-dimensions-image-258-x-351-cm-10-316-x-13-1316-in-mount-45-x-57-cm-17-1116-x-22-716-in-date-january-march-1858-museum-metropolitan-museum-of-art-new-york-usa-image213502928.htmlRMPB9W4G–View of the Sacred Tank in the Great Pagoda. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 25.8 x 35.1 cm (10 3/16 x 13 13/16 in.) Mount: 45 x 57 cm (17 11/16 x 22 7/16 in.). Date: January-March 1858. Museum: Metropolitan Museum of Art, New York, USA.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Mssnchen, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-mssnchen-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849909.htmlRM2D56NCN–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Mssnchen, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Terracotta plaque, Classical, ca. 460–450 B.C., Greek, Melian, Terracotta, Overall: 7 3/8 x 10 15/16in. (18.7 x 27.8cm), Terracottas, Odysseus returning to Penelope. After years of trial and adventure—recounted in Homer's Odyssey—Odysseus returned to his native Ithaka, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-plaque-classical-ca-460450-bc-greek-melian-terracotta-overall-7-38-x-10-1516in-187-x-278cm-terracottas-odysseus-returning-to-penelope-after-years-of-trial-and-adventurerecounted-in-homers-odysseyodysseus-returned-to-his-native-ithaka-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789035.htmlRF2HTWT3R–Art inspired by Terracotta plaque, Classical, ca. 460–450 B.C., Greek, Melian, Terracotta, Overall: 7 3/8 x 10 15/16in. (18.7 x 27.8cm), Terracottas, Odysseus returning to Penelope. After years of trial and adventure—recounted in Homer's Odyssey—Odysseus returned to his native Ithaka, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Netherlands Roman period, oil lamp, earthenware, 10.7 x 7.8 x 3.9 cm, roman, the Netherlands, Utrecht, Bunnik, Vechten Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-netherlands-roman-period-oil-lamp-earthenware-107-x-78-x-39-cm-roman-the-netherlands-utrecht-bunnik-vechten-image344546046.htmlRM2B0FBYX–The Netherlands Roman period, oil lamp, earthenware, 10.7 x 7.8 x 3.9 cm, roman, the Netherlands, Utrecht, Bunnik, Vechten
Böhmer Franz (1907-1943), Statics 3 (June 21, 1931): iron concrete, reinforcement of the plate beam and the rib cut 1:10, 1:20. Ink, ink colored on cardboard, 51.8 x 73.7 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bhmer-franz-1907-1943-statics-3-june-21-1931-iron-concrete-reinforcement-of-the-plate-beam-and-the-rib-cut-110-120-ink-ink-colored-on-cardboard-518-x-737-cm-including-scan-edges-image477586867.htmlRM2JMYXWR–Böhmer Franz (1907-1943), Statics 3 (June 21, 1931): iron concrete, reinforcement of the plate beam and the rib cut 1:10, 1:20. Ink, ink colored on cardboard, 51.8 x 73.7 cm (including scan edges)
. English: Series Title: Shahnama Creation Date: ca. 1610 Display Dimensions: 8 5/32 in. x 4 3/4 in. (20.7 cm x 12.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.437.3 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 December 2009, 10:24:41. English: thesandiegomuseumofartcollection Garsivaz arrests Bizhan in Manizha's appartments (6124541229) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-shahnama-creation-date-ca-1610-display-dimensions-8-532-in-x-4-34-in-207-cm-x-121-cm-credit-line-edwin-binney-3rd-collection-accession-number-19904373-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-29-december-2009-102441-english-thesandiegomuseumofartcollection-garsivaz-arrests-bizhan-in-manizhas-appartments-6124541229-image184811706.htmlRMMMJW62–. English: Series Title: Shahnama Creation Date: ca. 1610 Display Dimensions: 8 5/32 in. x 4 3/4 in. (20.7 cm x 12.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.437.3 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 December 2009, 10:24:41. English: thesandiegomuseumofartcollection Garsivaz arrests Bizhan in Manizha's appartments (6124541229)
Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.8 x 27.8 cm (3 1/16 x 10 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-elevation-of-mansion-architect-whitney-warren-jr-american-18641943-usa-graphite-brush-and-watercolor-on-paper-78-x-278-cm-3-116-x-10-1516-in-image546083637.htmlRM2PMC771–Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.8 x 27.8 cm (3 1/16 x 10 15/16 in.)
Box MET 140857 933 American, Box, 1830?70, Parian porcelain, 2 1/8 x 4 x 2 7/8 in. (5.4 x 10.2 x 7.3 cm). The Metropolitan Museum of Art, New York. Gift of Dr. Charles W. Green, 1947 (47.90.110a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-box-met-140857-933-american-box-183070-parian-porcelain-2-18-x-4-x-168197485.htmlRMKNJ1H1–Box MET 140857 933 American, Box, 1830?70, Parian porcelain, 2 1/8 x 4 x 2 7/8 in. (5.4 x 10.2 x 7.3 cm). The Metropolitan Museum of Art, New York. Gift of Dr. Charles W. Green, 1947 (47.90.110a, b)
Ostrakon. Culture: Coptic. Dimensions: 3 7/16 x 4 in. (8.8 x 10.2 cm). Date: 7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ostrakon-culture-coptic-dimensions-3-716-x-4-in-88-x-102-cm-date-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image212906859.htmlRMPAAMTB–Ostrakon. Culture: Coptic. Dimensions: 3 7/16 x 4 in. (8.8 x 10.2 cm). Date: 7th century. Museum: Metropolitan Museum of Art, New York, USA.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849878.htmlRM2D56NBJ–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Limestone coffin model, Cypro-Geometric I, ca. 1050–950 B.C., Cypriot, Limestone, Overall: 4 3/16 x 4 1/4 x 3in. (10.6 x 10.8 x 7.6cm), Miscellaneous-Stone, This model is particularly elaborate, with the cutouts at the base and the decoration of the Great Goddess or her, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-limestone-coffin-model-cypro-geometric-i-ca-1050950-bc-cypriot-limestone-overall-4-316-x-4-14-x-3in-106-x-108-x-76cm-miscellaneous-stone-this-model-is-particularly-elaborate-with-the-cutouts-at-the-base-and-the-decoration-of-the-great-goddess-or-her-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462782892.htmlRF2HTWG8C–Art inspired by Limestone coffin model, Cypro-Geometric I, ca. 1050–950 B.C., Cypriot, Limestone, Overall: 4 3/16 x 4 1/4 x 3in. (10.6 x 10.8 x 7.6cm), Miscellaneous-Stone, This model is particularly elaborate, with the cutouts at the base and the decoration of the Great Goddess or her, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Netherlands Roman period, oil lamp, earthenware, 10.7 x 7.8 x 3.9 cm, roman, the Netherlands, Utrecht, Bunnik, Vechten Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-netherlands-roman-period-oil-lamp-earthenware-107-x-78-x-39-cm-roman-the-netherlands-utrecht-bunnik-vechten-image344545081.htmlRM2B0FAND–The Netherlands Roman period, oil lamp, earthenware, 10.7 x 7.8 x 3.9 cm, roman, the Netherlands, Utrecht, Bunnik, Vechten
Stübner Georg (born 1872), pedestrian bridge. Monthly competition February 1910 (02.1910): Variant I: site plan 1: 500; Riss side view 1: 100; Cross -section 1:10; 3 scale strips. Ink on paper, 58.7 x 91.8 cm (including scan edges) Stübner Georg (geb. 1872): Fußgängerbrücke. Monatskonkurrenz Februar 1910 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stbner-georg-born-1872-pedestrian-bridge-monthly-competition-february-1910-021910-variant-i-site-plan-1-500-riss-side-view-1-100-cross-section-110-3-scale-strips-ink-on-paper-587-x-918-cm-including-scan-edges-stbner-georg-geb-1872-fugngerbrcke-monatskonkurrenz-februar-1910-image477538936.htmlRM2JMWNP0–Stübner Georg (born 1872), pedestrian bridge. Monthly competition February 1910 (02.1910): Variant I: site plan 1: 500; Riss side view 1: 100; Cross -section 1:10; 3 scale strips. Ink on paper, 58.7 x 91.8 cm (including scan edges) Stübner Georg (geb. 1872): Fußgängerbrücke. Monatskonkurrenz Februar 1910
. The Lonely Tower. Etching, plate: 7 3/8 x 9 7/8 in. (18.7 x 25.1 cm); sheet: 8 1/4 x 10 15/16 in. (21 x 27.8 cm) . between 1878 and 1879. Samuel Palmer (1805–1881) Description English landscape painter, etcher, printmaker and writer Date of birth/death 27 January 1805 24 May 1881 Location of birth/death London Redhill (Surrey) Work location London, Kent Authority control : Q982251 VIAF: 7512746 ISNI: 0000 0000 8195 5140 ULAN: 500020452 LCCN: n50050276 NLA: 35407196 WorldCat 1089 Samuel Palmer - The Lonely Tower Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lonely-tower-etching-plate-7-38-x-9-78-in-187-x-251-cm-sheet-8-14-x-10-1516-in-21-x-278-cm-between-1878-and-1879-samuel-palmer-18051881-description-english-landscape-painter-etcher-printmaker-and-writer-date-of-birthdeath-27-january-1805-24-may-1881-location-of-birthdeath-london-redhill-surrey-work-location-london-kent-authority-control-q982251-viaf7512746-isni0000-0000-8195-5140-ulan500020452-lccnn50050276-nla35407196-worldcat-1089-samuel-palmer-the-lonely-tower-image185591124.htmlRMMNXBAC–. The Lonely Tower. Etching, plate: 7 3/8 x 9 7/8 in. (18.7 x 25.1 cm); sheet: 8 1/4 x 10 15/16 in. (21 x 27.8 cm) . between 1878 and 1879. Samuel Palmer (1805–1881) Description English landscape painter, etcher, printmaker and writer Date of birth/death 27 January 1805 24 May 1881 Location of birth/death London Redhill (Surrey) Work location London, Kent Authority control : Q982251 VIAF: 7512746 ISNI: 0000 0000 8195 5140 ULAN: 500020452 LCCN: n50050276 NLA: 35407196 WorldCat 1089 Samuel Palmer - The Lonely Tower
Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.8 x 27.8 cm (3 1/16 x 10 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-elevation-of-mansion-architect-whitney-warren-jr-american-18641943-usa-graphite-brush-and-watercolor-on-paper-78-x-278-cm-3-116-x-10-1516-in-image546084836.htmlRM2PMC8NT–Drawing, Elevation of Mansion; Architect: Whitney Warren Jr. (American, 1864–1943); USA; graphite, brush and watercolor on paper; 7.8 x 27.8 cm (3 1/16 x 10 15/16 in.)
Box MET 140851 929 American, Box, 1830?70, Parian porcelain, 3 1/4 x 4 x 2 7/8 in. (8.3 x 10.2 x 7.3 cm). The Metropolitan Museum of Art, New York. Gift of Dr. Charles W. Green, 1947 (47.90.104a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-box-met-140851-929-american-box-183070-parian-porcelain-3-14-x-4-x-168195273.htmlRMKNHXP1–Box MET 140851 929 American, Box, 1830?70, Parian porcelain, 3 1/4 x 4 x 2 7/8 in. (8.3 x 10.2 x 7.3 cm). The Metropolitan Museum of Art, New York. Gift of Dr. Charles W. Green, 1947 (47.90.104a, b)
Portrait of Benjamin Franklin. Dimensions: 5 3/8 x 4 in. (13.7 x 10.2 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-benjamin-franklin-dimensions-5-38-x-4-in-137-x-102-cm-date-1776-1883-museum-metropolitan-museum-of-art-new-york-usa-image212896228.htmlRMPAA78M–Portrait of Benjamin Franklin. Dimensions: 5 3/8 x 4 in. (13.7 x 10.2 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA.
Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/munich-deutschland-11th-oct-2020-bmw-bayerische-motoren-werke-as-the-main-brand-of-the-bmw-group-is-a-german-automobile-manufacturer-with-its-corporate-headquarters-in-munich-symbol-picture-theme-picture-munich-11102020-usage-worldwide-credit-dpaalamy-live-news-image381849868.htmlRM2D56NB8–Munich, Deutschland. 11th Oct, 2020. BMW (Bayerische Motoren Werke) as the main brand of the BMW Group is a German automobile manufacturer with its corporate headquarters in Munich. (Symbol picture, theme picture) Munich, 11.10.2020 | usage worldwide Credit: dpa/Alamy Live News
Art inspired by Hamlet and His Mother, 1849, Oil on canvas, 10 3/4 x 7 1/8 in. (27.3 x 18.1 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This painting depicts the moment in Shakespeare’s epic tragedy Hamlet in which the protagonist, who has been, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hamlet-and-his-mother-1849-oil-on-canvas-10-34-x-7-18-in-273-x-181-cm-paintings-eugne-delacroix-french-charenton-saint-maurice-17981863-paris-this-painting-depicts-the-moment-in-shakespeares-epic-tragedy-hamlet-in-which-the-protagonist-who-has-been-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814955.htmlRF2HTY15F–Art inspired by Hamlet and His Mother, 1849, Oil on canvas, 10 3/4 x 7 1/8 in. (27.3 x 18.1 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This painting depicts the moment in Shakespeare’s epic tragedy Hamlet in which the protagonist, who has been, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
