10 x 10 cm Black & White Stock Photos
Ghetidenboec, 1494–95 or 1498 (?), 5 x 4 in. (12.7 x 10.2 cm), Books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ghetidenboec-149495-or-1498-5-x-4-in-127-x-102-cm-books-162569088.htmlRMKCDJET–Ghetidenboec, 1494–95 or 1498 (?), 5 x 4 in. (12.7 x 10.2 cm), Books
Andrea Appiani - 1754 - 1817 : Vincenzo Monti , 1805 -10 oil on canvas 29 1/2 x 23 5/8 inches 75 x 60 cm. The National Gallery of Modern Art , Rome , Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-appiani-1754-1817-vincenzo-monti-1805-10-oil-on-canvas-29-12-x-23-58-inches-75-x-60-cm-the-national-gallery-of-modern-art-rome-italy-image268854952.htmlRMWHBB6G–Andrea Appiani - 1754 - 1817 : Vincenzo Monti , 1805 -10 oil on canvas 29 1/2 x 23 5/8 inches 75 x 60 cm. The National Gallery of Modern Art , Rome , Italy.
Rembrandt, Harmensz van Rijn, 15.7.1606 - 4.10.1669, Dutch painter, painting, 'Self-portrait with red hat', circa 1660, oil on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rembrandt-harmensz-van-rijn-1571606-4101669-dutch-painter-painting-58305953.htmlRMDAT1RD–Rembrandt, Harmensz van Rijn, 15.7.1606 - 4.10.1669, Dutch painter, painting, 'Self-portrait with red hat', circa 1660, oil on
Concrete or cobble gray pavement slabs or stones for floor, wall or path. Traditional fence, court, backyard or road paving. Dimension 10 x 10 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-concrete-or-cobble-gray-pavement-slabs-or-stones-for-floor-wall-or-133082925.htmlRFHMECHH–Concrete or cobble gray pavement slabs or stones for floor, wall or path. Traditional fence, court, backyard or road paving. Dimension 10 x 10 cm
Knocker. Dimensions: 10 x 5 1/2 in. (25.4 x 14 cm). Date: 1800-1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knocker-dimensions-10-x-5-12-in-254-x-14-cm-date-1800-1830-museum-metropolitan-museum-of-art-new-york-usa-image213109932.htmlRMPAKYW0–Knocker. Dimensions: 10 x 5 1/2 in. (25.4 x 14 cm). Date: 1800-1830. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Reproduction numérique de l’œuvre Les Sarcleuses, réalisée par Félix Arnaudin à Lüe Grué le 10 juin 1894 selon la technique du gélatino bromure d'argent sur plaque de verre (13 x 18 cm) . Taken on 10 June 1894. Félix Arnaudin 57 Arnaudin Les Sarcleuses 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-reproduction-numrique-de-luvre-les-sarcleuses-ralise-par-flix-arnaudin-le-gru-le-10-juin-1894-selon-la-technique-du-glatino-bromure-dargent-sur-plaque-de-verre-13-x-18-cm-taken-on10-june-1894-flix-arnaudin-57-arnaudin-les-sarcleuses-1894-image188183878.htmlRMMX4ECP–. Français : Reproduction numérique de l’œuvre Les Sarcleuses, réalisée par Félix Arnaudin à Lüe Grué le 10 juin 1894 selon la technique du gélatino bromure d'argent sur plaque de verre (13 x 18 cm) . Taken on 10 June 1894. Félix Arnaudin 57 Arnaudin Les Sarcleuses 1894
Franz Liszt - portrait in ink and sepia. Created in Paris, c. 1926. 10 cm x 8 cm. Hungarian pianist and composer, 22 October 1811 - 31 July 1886. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-franz-liszt-portrait-in-ink-and-sepia-created-in-paris-c-1926-10-cm-164626633.htmlRMKFRAXH–Franz Liszt - portrait in ink and sepia. Created in Paris, c. 1926. 10 cm x 8 cm. Hungarian pianist and composer, 22 October 1811 - 31 July 1886.
Grinding corn Abstract/medium: 1 photographic print : gelatin silver 12.5 x 10 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grinding-corn-abstractmedium-1-photographic-print-gelatin-silver-125-x-10-cm-image266662728.htmlRMWDRF0T–Grinding corn Abstract/medium: 1 photographic print : gelatin silver 12.5 x 10 cm.
Falun Sweden 19670121 skiing, cross country. The Swedish Skidspelen in Falun became a great Norwegian success. Norway won x 10 km relay 70 cm in front of Sweden. Gjermund Eggen (TV) with laurel wreath, together with Assar Rønnlund. Photo: NTB / SCANPIXIX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/falun-sweden-19670121-skiing-cross-country-the-swedish-skidspelen-in-falun-became-a-great-norwegian-success-norway-won-x-10-km-relay-70-cm-in-front-of-sweden-gjermund-eggen-tv-with-laurel-wreath-together-with-assar-rnnlund-photo-ntb-scanpixix-image487238374.htmlRM2K8KHEE–Falun Sweden 19670121 skiing, cross country. The Swedish Skidspelen in Falun became a great Norwegian success. Norway won x 10 km relay 70 cm in front of Sweden. Gjermund Eggen (TV) with laurel wreath, together with Assar Rønnlund. Photo: NTB / SCANPIXIX
377601 Artist: After David Vinckboons, Netherlandish, Mechelen 1576?1629 Amsterdam, A Kitchen Scene, n.d., Engraving, sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/377601-artist-after-david-vinckboons-netherlandish-mechelen-15761629-amsterdam-a-kitchen-scene-nd-engraving-sheet-10-18-x-13-78-in-257-x-352-cm-image231052245.htmlRMRBW9DW–377601 Artist: After David Vinckboons, Netherlandish, Mechelen 1576?1629 Amsterdam, A Kitchen Scene, n.d., Engraving, sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm).
Projection für Alle - Die Eroberung Serbiens. Serie 57. No 10. Beschiessung eines Fliegers. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-die-eroberung-serbiens-serie-57-no-10-beschiessung-eines-fliegers-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-stdte-lnder-landschaften-mrchen-und-sagen-das-alte-testament-u-den-1-weltkrieg-image430152453.htmlRF2FYR3RH–Projection für Alle - Die Eroberung Serbiens. Serie 57. No 10. Beschiessung eines Fliegers. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg.
The Combat Unknown.. Oil on canvas, 8 11/16 x 10 in. (22.1 x 25.4 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-combat-unknown-oil-on-canvas-8-1116-x-10-in-221-x-254-cm-european-art-image504727513.htmlRM2M9492H–The Combat Unknown.. Oil on canvas, 8 11/16 x 10 in. (22.1 x 25.4 cm). European Art
Print, Portrait of J. A. Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Nicolas Dauphin Beauvais; Published by Gabriel Huquier (French, 1695–1772); France; engraving on white laid paper; Platemark: 37.4 x 27.1 cm (14 3/4 x 10 11/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-portrait-of-j-a-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-engraved-by-nicolas-dauphin-beauvais-published-by-gabriel-huquier-french-16951772-france-engraving-on-white-laid-paper-platemark-374-x-271-cm-14-34-x-10-1116-in-image546080394.htmlRM2PMC336–Print, Portrait of J. A. Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Nicolas Dauphin Beauvais; Published by Gabriel Huquier (French, 1695–1772); France; engraving on white laid paper; Platemark: 37.4 x 27.1 cm (14 3/4 x 10 11/16 in.)
Card MET 37721 1414 American, Card, 1809, Paper, 4 x 2 in. (10.2 x 5.1 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.203.24) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-card-met-37721-1414-american-card-1809-paper-4-x-2-in-102-x-51-cm-168109201.htmlRMKNE101–Card MET 37721 1414 American, Card, 1809, Paper, 4 x 2 in. (10.2 x 5.1 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.203.24)
. Fossil plants : for students of botany and geology . Paleobotany. 284 CORDAITEAB [CH. xxxin is often torn into strips (fig. 485, A); the approximately rectangular leaf has a broad eUiptical base 9—10 x 3—4 cm.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Seward, A. C. (Albert Charles), 1863-1941. Cambridge : University Press Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fossil-plants-for-students-of-botany-and-geology-paleobotany-284-cordaiteab-ch-xxxin-is-often-torn-into-strips-fig-485-a-the-approximately-rectangular-leaf-has-a-broad-euiptical-base-910-x-34-cm-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-seward-a-c-albert-charles-1863-1941-cambridge-university-press-image216369131.htmlRMPG0D0Y–. Fossil plants : for students of botany and geology . Paleobotany. 284 CORDAITEAB [CH. xxxin is often torn into strips (fig. 485, A); the approximately rectangular leaf has a broad eUiptical base 9—10 x 3—4 cm.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Seward, A. C. (Albert Charles), 1863-1941. Cambridge : University Press
Sampler, 1754, American, Silk on linen, H. 16 1/2 x W. 10 inches (41.9 x 25.4 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sampler-1754-american-silk-on-linen-h-16-12-x-w-10-inches-419-x-254-162334555.htmlRMKC2YAK–Sampler, 1754, American, Silk on linen, H. 16 1/2 x W. 10 inches (41.9 x 25.4 cm), Textiles-Embroidered
Portable wooden equatorial dial circa 1700 . French . Length , 4 5/8 x 4 2/8 inches or 11.8 x 10.6 cm. The British Museum , London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portable-wooden-equatorial-dial-circa-1700-french-length-4-58-x-4-28-inches-or-118-x-106-cm-the-british-museum-london-image268854401.htmlRMWHBAEW–Portable wooden equatorial dial circa 1700 . French . Length , 4 5/8 x 4 2/8 inches or 11.8 x 10.6 cm. The British Museum , London
Wilkes, John, 17.10.1727 - 26.12.1797, English author / writer, journalist, half length, sitting, copper engraving, by I. G. Friedrich, circa 14.5 x 20 cm, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wilkes-john-17101727-26121797-english-author-writer-journalist-half-23528589.htmlRMBA7PXN–Wilkes, John, 17.10.1727 - 26.12.1797, English author / writer, journalist, half length, sitting, copper engraving, by I. G. Friedrich, circa 14.5 x 20 cm, Artist's Copyright has not to be cleared
Card. Culture: American. Dimensions: 4 x 2 in. (10.2 x 5.1 cm). Date: 1809. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-culture-american-dimensions-4-x-2-in-102-x-51-cm-date-1809-museum-metropolitan-museum-of-art-new-york-usa-image213195256.htmlRMPARTM8–Card. Culture: American. Dimensions: 4 x 2 in. (10.2 x 5.1 cm). Date: 1809. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Reproduction numérique de l’œuvre Les Sarcleuses, réalisée par Félix Arnaudin à Lüe Grué le 10 juin 1894 selon la technique du gélatino bromure d'argent sur plaque de verre (13 x 18 cm) . Taken on 10 June 1894. Félix Arnaudin 50 Arnaudin Les Sarcleuses 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-reproduction-numrique-de-luvre-les-sarcleuses-ralise-par-flix-arnaudin-le-gru-le-10-juin-1894-selon-la-technique-du-glatino-bromure-dargent-sur-plaque-de-verre-13-x-18-cm-taken-on10-june-1894-flix-arnaudin-50-arnaudin-les-sarcleuses-1894-image188914703.htmlRMMY9PHK–. Français : Reproduction numérique de l’œuvre Les Sarcleuses, réalisée par Félix Arnaudin à Lüe Grué le 10 juin 1894 selon la technique du gélatino bromure d'argent sur plaque de verre (13 x 18 cm) . Taken on 10 June 1894. Félix Arnaudin 50 Arnaudin Les Sarcleuses 1894
Elizabeth Kortright Monroe Abstract/medium: 1 photograph : black and white, gelatin silver print ; 21 x 26 cm. (8 x 10 in. format) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-kortright-monroe-abstractmedium-1-photograph-black-and-white-gelatin-silver-print-21-x-26-cm-8-x-10-in-format-image265030642.htmlRMWB5582–Elizabeth Kortright Monroe Abstract/medium: 1 photograph : black and white, gelatin silver print ; 21 x 26 cm. (8 x 10 in. format)
Falun Sweden 19670121 skiing, cross country. The Swedish Skidspelen in Falun became a great Norwegian success. Here Norway wins at Gjermund Eggen (th) 4 x 10 km relay 70 cm in front of Sweden's Assar Rønnlund. The two as they go over the finish. Photo: NTB / NTB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/falun-sweden-19670121-skiing-cross-country-the-swedish-skidspelen-in-falun-became-a-great-norwegian-success-here-norway-wins-at-gjermund-eggen-th-4-x-10-km-relay-70-cm-in-front-of-swedens-assar-rnnlund-the-two-as-they-go-over-the-finish-photo-ntb-ntb-image487262780.htmlRM2K8MMJ4–Falun Sweden 19670121 skiing, cross country. The Swedish Skidspelen in Falun became a great Norwegian success. Here Norway wins at Gjermund Eggen (th) 4 x 10 km relay 70 cm in front of Sweden's Assar Rønnlund. The two as they go over the finish. Photo: NTB / NTB
Projection für Alle: Weltkrieg Serie 53 Kolonial-, See- und Landkämpfe No. 10. Scarborough. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-weltkrieg-serie-53-kolonial-see-und-landkmpfe-no-10-scarborough-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-vor-allem-stdte-lnder-landschaften-aber-auch-mrchen-und-sagen-das-alte-testament-und-den-ersten-weltkrieg-image341195142.htmlRF2AR2NTP–Projection für Alle: Weltkrieg Serie 53 Kolonial-, See- und Landkämpfe No. 10. Scarborough. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
The Knight's Return Unknown.. Oil on canvas, 8 11/16 x 10 in. (22.1 x 25.4 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-knights-return-unknown-oil-on-canvas-8-1116-x-10-in-221-x-254-cm-european-art-image504727496.htmlRM2M94920–The Knight's Return Unknown.. Oil on canvas, 8 11/16 x 10 in. (22.1 x 25.4 cm). European Art
The outlines of physics: an elementary text-book . g friction. 83. Experiment 17. — Laws of Sliding Friction. Apparatus : (1) An inclined plane of soft wood, about 100 cm. long. At oneend this plane is hinged to a substantial base. The other end playsbetween two stiff uprights to which it can readily be clamped at anydesired angle. The upper surface of the plane is to be freshly sand-papered before the beginning of the measurements. (2) A wooden block 20 cm. x 10 cm. x 5 cm., also freshly sand-papered. In the middle of one of the broader sides is bored a hole, COHESION, ADHESION, AND FRICTION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-outlines-of-physics-an-elementary-text-book-g-friction-83-experiment-17-laws-of-sliding-friction-apparatus-1-an-inclined-plane-of-soft-wood-about-100-cm-long-at-oneend-this-plane-is-hinged-to-a-substantial-base-the-other-end-playsbetween-two-stiff-uprights-to-which-it-can-readily-be-clamped-at-anydesired-angle-the-upper-surface-of-the-plane-is-to-be-freshly-sand-papered-before-the-beginning-of-the-measurements-2-a-wooden-block-20-cm-x-10-cm-x-5-cm-also-freshly-sand-papered-in-the-middle-of-one-of-the-broader-sides-is-bored-a-hole-cohesion-adhesion-and-friction-image340222336.htmlRM2ANED1M–The outlines of physics: an elementary text-book . g friction. 83. Experiment 17. — Laws of Sliding Friction. Apparatus : (1) An inclined plane of soft wood, about 100 cm. long. At oneend this plane is hinged to a substantial base. The other end playsbetween two stiff uprights to which it can readily be clamped at anydesired angle. The upper surface of the plane is to be freshly sand-papered before the beginning of the measurements. (2) A wooden block 20 cm. x 10 cm. x 5 cm., also freshly sand-papered. In the middle of one of the broader sides is bored a hole, COHESION, ADHESION, AND FRICTION
Candlestand MET 17301 1165 American, Candlestand, 1700?1800, Maple, 32 x 14 in. (81.3 x 35.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.631) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestand-met-17301-1165-american-candlestand-17001800-maple-32-168109115.htmlRMKNE0TY–Candlestand MET 17301 1165 American, Candlestand, 1700?1800, Maple, 32 x 14 in. (81.3 x 35.6 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.631)
. Laboratory work in bacteriology. Bacteriology. 172 BACTERIOLOGY. from which transplantations can be readily made. Colon- ies of bacteria which would escape detection when growing- on the surface of a potato, because they are invisible, are easily seen in the solid, transparent layer of gelatin. Pure cultures, of the different kinds of bacteria, are thus ob- tained. Method.—First, sterilize six glass plates (13 X 10 cm.) by placing them in an iron box, and heating this in the dry- heat sterilizer, at a temperature of 150-175°, for ^i-^i of an hour. A temperature of 170° maintained for 15 min- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laboratory-work-in-bacteriology-bacteriology-172-bacteriology-from-which-transplantations-can-be-readily-made-colon-ies-of-bacteria-which-would-escape-detection-when-growing-on-the-surface-of-a-potato-because-they-are-invisible-are-easily-seen-in-the-solid-transparent-layer-of-gelatin-pure-cultures-of-the-different-kinds-of-bacteria-are-thus-ob-tained-methodfirst-sterilize-six-glass-plates-13-x-10-cm-by-placing-them-in-an-iron-box-and-heating-this-in-the-dry-heat-sterilizer-at-a-temperature-of-150-175-for-i-i-of-an-hour-a-temperature-of-170-maintained-for-15-min-image216420984.htmlRMPG2R4T–. Laboratory work in bacteriology. Bacteriology. 172 BACTERIOLOGY. from which transplantations can be readily made. Colon- ies of bacteria which would escape detection when growing- on the surface of a potato, because they are invisible, are easily seen in the solid, transparent layer of gelatin. Pure cultures, of the different kinds of bacteria, are thus ob- tained. Method.—First, sterilize six glass plates (13 X 10 cm.) by placing them in an iron box, and heating this in the dry- heat sterilizer, at a temperature of 150-175°, for ^i-^i of an hour. A temperature of 170° maintained for 15 min-
The Trinity, Tempera on wood, 12 7/8 x 10 5/8 in. (32.7 x 27 cm), Paintings, Russian Painter (possibly 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-trinity-tempera-on-wood-12-78-x-10-58-in-327-x-27-cm-paintings-162537375.htmlRMKCC627–The Trinity, Tempera on wood, 12 7/8 x 10 5/8 in. (32.7 x 27 cm), Paintings, Russian Painter (possibly 17th century
Analemnatic dial circa 1700 , by Thomas Tuttell of London - the lower dial acts as a sun compass to orient the dial . Length , 4 x 3 1/3 inches or 10 x 8 cm. The British Museum , London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/analemnatic-dial-circa-1700-by-thomas-tuttell-of-london-the-lower-dial-acts-as-a-sun-compass-to-orient-the-dial-length-4-x-3-13-inches-or-10-x-8-cm-the-british-museum-london-image268854379.htmlRMWHBAE3–Analemnatic dial circa 1700 , by Thomas Tuttell of London - the lower dial acts as a sun compass to orient the dial . Length , 4 x 3 1/3 inches or 10 x 8 cm. The British Museum , London
Rembrandt, Harmensz van Rijn, (1606 - 1669), etching, 'The Persian', 1632, 10,8 x 7,9 cm, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rembrandt-harmensz-van-rijn-1606-1669-etching-the-persian-1632-108-58398127.htmlRMDB07BB–Rembrandt, Harmensz van Rijn, (1606 - 1669), etching, 'The Persian', 1632, 10,8 x 7,9 cm, Additional-Rights-Clearences-Not Available
Portrait of Benjamin Franklin. Dimensions: 11 3/4 x 10 in. (29.8 x 25.4 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-benjamin-franklin-dimensions-11-34-x-10-in-298-x-254-cm-date-1800-1883-museum-metropolitan-museum-of-art-new-york-usa-image212910903.htmlRMPAAX0R–Portrait of Benjamin Franklin. Dimensions: 11 3/4 x 10 in. (29.8 x 25.4 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Reproduction numérique de l’œuvre Les Sarcleuses, réalisée par Félix Arnaudin à Lüe Grué le 10 juin 1894 selon la technique du gélatino bromure d'argent sur plaque de verre (13 x 18 cm) . Taken on 10 June 1894. Félix Arnaudin 57 Arnaudin Les Sarcleuses 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-reproduction-numrique-de-luvre-les-sarcleuses-ralise-par-flix-arnaudin-le-gru-le-10-juin-1894-selon-la-technique-du-glatino-bromure-dargent-sur-plaque-de-verre-13-x-18-cm-taken-on10-june-1894-flix-arnaudin-57-arnaudin-les-sarcleuses-1894-image187650272.htmlRMMW85RC–. Français : Reproduction numérique de l’œuvre Les Sarcleuses, réalisée par Félix Arnaudin à Lüe Grué le 10 juin 1894 selon la technique du gélatino bromure d'argent sur plaque de verre (13 x 18 cm) . Taken on 10 June 1894. Félix Arnaudin 57 Arnaudin Les Sarcleuses 1894
General Washington Abstract/medium: 1 print : engraving, stipple 16.5 x 10 cm (plate), 20.8 x 12.4 cm (sheet) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/general-washington-abstractmedium-1-print-engraving-stipple-165-x-10-cm-plate-208-x-124-cm-sheet-image266462921.htmlRMWDEC4W–General Washington Abstract/medium: 1 print : engraving, stipple 16.5 x 10 cm (plate), 20.8 x 12.4 cm (sheet)
Projection für Alle - Der Weltkrieg: An der Türkischen Front. Serie 58. No. 10. Türkische Kavallerie. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-der-weltkrieg-an-der-trkischen-front-serie-58-no-10-trkische-kavallerie-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-stdte-lnder-landschaften-mrchen-und-sagen-das-alte-testament-u-den-1-weltkrieg-image365600530.htmlRF2C6PF5P–Projection für Alle - Der Weltkrieg: An der Türkischen Front. Serie 58. No. 10. Türkische Kavallerie. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg
Bishop Georg (1558). Text page and illustration from the Codex Chronicon episcoporum VerdenSium. Handwriting and paintings / parchment; 10 x 6 cm, 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bishop-georg-1558-text-page-and-illustration-from-the-codex-chronicon-episcoporum-verdensium-handwriting-and-paintings-parchment-10-x-6-cm-16th-century-image416218143.htmlRM2F54ADK–Bishop Georg (1558). Text page and illustration from the Codex Chronicon episcoporum VerdenSium. Handwriting and paintings / parchment; 10 x 6 cm, 16th century
The outlines of physics: an elementary text-book . fficiently sensitive notonly to perform the various experi-ments described in this book, but forwork of much greater delicacy. Suchan instrument, made in the very sim-plest manner, is shown in Fig. 403. To construct it take a pine block5 cm. X 10 cm. x 20 cm. From thesame material cut out a wooden base20 cm. square and 5 cm. in thickness.For the coils, of which in the formof instrument under considerationthere are two, one above the other,take silk-covered copper wire. The Pjq ^q3 size of the wire wUl depend upon the uses to which the galvano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-outlines-of-physics-an-elementary-text-book-fficiently-sensitive-notonly-to-perform-the-various-experi-ments-described-in-this-book-but-forwork-of-much-greater-delicacy-suchan-instrument-made-in-the-very-sim-plest-manner-is-shown-in-fig-403-to-construct-it-take-a-pine-block5-cm-x-10-cm-x-20-cm-from-thesame-material-cut-out-a-wooden-base20-cm-square-and-5-cm-in-thicknessfor-the-coils-of-which-in-the-formof-instrument-under-considerationthere-are-two-one-above-the-othertake-silk-covered-copper-wire-the-pjq-q3-size-of-the-wire-wul-depend-upon-the-uses-to-which-the-galvano-image340172042.htmlRM2ANC4WE–The outlines of physics: an elementary text-book . fficiently sensitive notonly to perform the various experi-ments described in this book, but forwork of much greater delicacy. Suchan instrument, made in the very sim-plest manner, is shown in Fig. 403. To construct it take a pine block5 cm. X 10 cm. x 20 cm. From thesame material cut out a wooden base20 cm. square and 5 cm. in thickness.For the coils, of which in the formof instrument under considerationthere are two, one above the other,take silk-covered copper wire. The Pjq ^q3 size of the wire wUl depend upon the uses to which the galvano
Funerary relief MET 51583 322373 Funerary relief, ca. 50?150, Limestone, 10.55 x 9.57 in. (26.8 x 24.31 cm). The Metropolitan Museum of Art, New York. Purchase, 1901 (01.25.7) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-funerary-relief-met-51583-322373-funerary-relief-ca-50150-limestone-168092025.htmlRMKND72H–Funerary relief MET 51583 322373 Funerary relief, ca. 50?150, Limestone, 10.55 x 9.57 in. (26.8 x 24.31 cm). The Metropolitan Museum of Art, New York. Purchase, 1901 (01.25.7)
. Device physics for engineering design of heavily doped regions in pn-junction silicon solar cells. Solar batteries. 61 O Q. 0.8 vV- (^m) £ Figure 5.5 T+ versus UV for S = 5 x 10 cm/sec. Fermi-Dirac statistics and bandgap narrowing are included: (A) Lanyon-Tuft, (B) Hauser, and (C) Slotbocn-DeGraaff. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Shibib, Muhammed Ayman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/device-physics-for-engineering-design-of-heavily-doped-regions-in-pn-junction-silicon-solar-cells-solar-batteries-61-o-q-08-vv-m-figure-55-t-versus-uv-for-s-=-5-x-10-cmsec-fermi-dirac-statistics-and-bandgap-narrowing-are-included-a-lanyon-tuft-b-hauser-and-c-slotbocn-degraaff-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-shibib-muhammed-ayman-image215968753.htmlRMPFA69N–. Device physics for engineering design of heavily doped regions in pn-junction silicon solar cells. Solar batteries. 61 O Q. 0.8 vV- (^m) £ Figure 5.5 T+ versus UV for S = 5 x 10 cm/sec. Fermi-Dirac statistics and bandgap narrowing are included: (A) Lanyon-Tuft, (B) Hauser, and (C) Slotbocn-DeGraaff. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Shibib, Muhammed Ayman.
Cremona Fedelissima, 1585, 16 5/16 x 10 11/16 x 1 9/16 in. (41.5 x 27.2 x 4 cm), Books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cremona-fedelissima-1585-16-516-x-10-1116-x-1-916-in-415-x-272-x-4-162569004.htmlRMKCDJBT–Cremona Fedelissima, 1585, 16 5/16 x 10 11/16 x 1 9/16 in. (41.5 x 27.2 x 4 cm), Books
religion, angel and devil, 'Die eitle Frau' (The Vain Woman), woodcut, by Albrecht Duerer (1471 - 1528), 10 x 12.5 cm, from: 'Der Ritter vom Turn', print: Michael Furter, Basel, 1493, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/religion-angel-and-devil-die-eitle-frau-the-vain-woman-woodcut-by-albrecht-duerer-1471-1528-10-x-125-cm-from-der-ritter-vom-turn-print-michael-furter-basel-1493-artists-copyright-has-not-to-be-cleared-image241782005.htmlRMT1A3BH–religion, angel and devil, 'Die eitle Frau' (The Vain Woman), woodcut, by Albrecht Duerer (1471 - 1528), 10 x 12.5 cm, from: 'Der Ritter vom Turn', print: Michael Furter, Basel, 1493, Artist's Copyright has not to be cleared
Portrait of Benjamin Franklin. Dimensions: 5 3/8 x 4 in. (13.7 x 10.2 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-benjamin-franklin-dimensions-5-38-x-4-in-137-x-102-cm-date-1776-1883-museum-metropolitan-museum-of-art-new-york-usa-image212896228.htmlRMPAA78M–Portrait of Benjamin Franklin. Dimensions: 5 3/8 x 4 in. (13.7 x 10.2 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Strasbourg, Les Tanneries - gravure de Charles Pinet (34,5 x 43 cm) . 7 December 2013, 18:10:24. Charles Pinet (1867–1932) Alternative names Charles F. Pinet Description French painter Date of birth/death 22 January 1867 10 August 1932 Location of birth/death Paris, France Paris, France Work location Netherlands (1900 - 1925); Haarlem (1900 - 1925) Authority control : Q2960017 VIAF: 220256210 SUDOC: 111639557 RKD: 95906 505 STRASBOURG - les Tanneries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-strasbourg-les-tanneries-gravure-de-charles-pinet-345-x-43-cm-7-december-2013-181024-charles-pinet-18671932-alternative-names-charles-f-pinet-description-french-painter-date-of-birthdeath-22-january-1867-10-august-1932-location-of-birthdeath-paris-france-paris-france-work-location-netherlands-1900-1925-haarlem-1900-1925-authority-control-q2960017-viaf220256210-sudoc111639557-rkd95906-505-strasbourg-les-tanneries-image188748594.htmlRMMY26N6–. Français : Strasbourg, Les Tanneries - gravure de Charles Pinet (34,5 x 43 cm) . 7 December 2013, 18:10:24. Charles Pinet (1867–1932) Alternative names Charles F. Pinet Description French painter Date of birth/death 22 January 1867 10 August 1932 Location of birth/death Paris, France Paris, France Work location Netherlands (1900 - 1925); Haarlem (1900 - 1925) Authority control : Q2960017 VIAF: 220256210 SUDOC: 111639557 RKD: 95906 505 STRASBOURG - les Tanneries
Eating chocolate Abstract/medium: 1 photographic print on cabinet card mount ; image 13 x 10 cm, on mount 17 x 11 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eating-chocolate-abstractmedium-1-photographic-print-on-cabinet-card-mount-image-13-x-10-cm-on-mount-17-x-11-cm-image265017941.htmlRMWB4H2D–Eating chocolate Abstract/medium: 1 photographic print on cabinet card mount ; image 13 x 10 cm, on mount 17 x 11 cm.
Projection für Alle - Der Weltkrieg: Die Ostfront. Serie 51. No. 10. Ortelsburg nach dem Kampf. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-der-weltkrieg-die-ostfront-serie-51-no-10-ortelsburg-nach-dem-kampf-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-vor-allem-stdte-lnder-landschaften-aber-auch-mrchen-und-sagen-das-alte-testament-und-den-ersten-weltkrieg-image343977980.htmlRF2AYHFBT–Projection für Alle - Der Weltkrieg: Die Ostfront. Serie 51. No. 10. Ortelsburg nach dem Kampf. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
S. Angelo Custode Unknown.. Woodcut, 13 15/16 x 10 3/4 in. (35.4 x 27.3 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/s-angelo-custode-unknown-woodcut-13-1516-x-10-34-in-354-x-273-cm-european-art-image504727422.htmlRM2M948YA–S. Angelo Custode Unknown.. Woodcut, 13 15/16 x 10 3/4 in. (35.4 x 27.3 cm). European Art
Report of progress 1874-1889, A-Z .. . ^ (D g o ^ aT ^ of of OIL WELL RECORDS. V. 177 QOCQQoeocococooicqoaicic COW ?*-*««»-OOQOOSO^H<MC^CSlCNcoMeOTf^*^,**T-liHiHTHHiHr-|t-li-IrH<HiHrHrH 303050530^03330053 OOOSOOO^^MKMOtOt-flOI woowm^oosH ioh« ctimi-iH b a CO 00 i-t CDCOIOiH 00 0 a 3 O 3 s t- 3 00 10 cq * * M ATS .3 SI. ?d I ?a fa as -8fl«as -8fa H fr -a ?sasse fa ao 3 r-J r-j rl 12 V. X! ?3 £1 ?s ft oT P. C3 178 V- REPORT OF PROGRESS. H. M. CHANCE. CO)M<MCeoCOT* NNHHOOOOOOOOJOOaW HCqiOOO^ffiOJOJlNCOHiOCO i> ri 11 <n <m cq <N CM CM CO CO ?* -«*i ??# CO oooqooooooo o •SS-23S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/report-of-progress-1874-1889-a-z-d-g-o-at-of-of-oil-well-records-v-177-qocqqoeocococooicqoaicic-cow-ooqoosohltmccslcncomeotft-lihihthhihr-t-li-irhlthihrhrh-30305053003330053-ooosooomkmotot-floi-woowmoosh-ioh-ctimi-ih-b-a-co-00-i-t-cdcoioih-00-0-a-3-o-3-s-t-3-00-10-cq-m-ats-3-si-d-i-a-fa-as-8flas-8fa-h-fr-a-sasse-fa-ao-3-r-j-r-j-rl-12-v-x!-3-1-s-ft-ot-p-c3-178-v-report-of-progress-h-m-chance-comltmceocot-nnhhoooooooojooaw-hcqioooffiojojlncohioco-igt-ri-11-ltn-ltm-cq-ltn-cm-cm-co-co-i-co-oooqooooooo-o-ss-23s-image343398021.htmlRM2AXK3K1–Report of progress 1874-1889, A-Z .. . ^ (D g o ^ aT ^ of of OIL WELL RECORDS. V. 177 QOCQQoeocococooicqoaicic COW ?*-*««»-OOQOOSO^H<MC^CSlCNcoMeOTf^*^,**T-liHiHTHHiHr-|t-li-IrH<HiHrHrH 303050530^03330053 OOOSOOO^^MKMOtOt-flOI woowm^oosH ioh« ctimi-iH b a CO 00 i-t CDCOIOiH 00 0 a 3 O 3 s t- 3 00 10 cq * * M ATS .3 SI. ?d I ?a fa as -8fl«as -8fa H fr -a ?sasse fa ao 3 r-J r-j rl 12 V. X! ?3 £1 ?s ft oT P. C3 178 V- REPORT OF PROGRESS. H. M. CHANCE. CO)M<MCeoCOT* NNHHOOOOOOOOJOOaW HCqiOOO^ffiOJOJlNCOHiOCO i> ri 11 <n <m cq <N CM CM CO CO ?* -«*i ??# CO oooqooooooo o •SS-23S
Chest MET 12024 1992 American, Chest, 1650?1700, Oak, chestnut, 30 x 49 in. (76.2 x 124.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.668) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chest-met-12024-1992-american-chest-16501700-oak-chestnut-30-x-49-168109405.htmlRMKNE179–Chest MET 12024 1992 American, Chest, 1650?1700, Oak, chestnut, 30 x 49 in. (76.2 x 124.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.668)
. Fossil plants : for students of botany and geology . Paleobotany. 114 MEDULLOSEAE [OH. knowledge of the morphology of Medullosan sporophylls. Speci- mens from the ironstone balls (Coal Measures) of Coseley near Dudley showed seeds attached to portions of pinnae bearing pinnules of Neuropteris heterofhylla. The seeds are approximately 3 cm. long and from 1-10 to 1-40 cm. broad; oblong and gradually. Fig. 422. Neuropterocarpus Kidstoni (Arber). (After Kidston; x 3.) tapering from the middle to a slightly curved and obtuse apical snout (fig. 422). The outer surface shows numerous longitudinal r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fossil-plants-for-students-of-botany-and-geology-paleobotany-114-medulloseae-oh-knowledge-of-the-morphology-of-medullosan-sporophylls-speci-mens-from-the-ironstone-balls-coal-measures-of-coseley-near-dudley-showed-seeds-attached-to-portions-of-pinnae-bearing-pinnules-of-neuropteris-heterofhylla-the-seeds-are-approximately-3-cm-long-and-from-1-10-to-1-40-cm-broad-oblong-and-gradually-fig-422-neuropterocarpus-kidstoni-arber-after-kidston-x-3-tapering-from-the-middle-to-a-slightly-curved-and-obtuse-apical-snout-fig-422-the-outer-surface-shows-numerous-longitudinal-r-image216384512.htmlRMPG14J8–. Fossil plants : for students of botany and geology . Paleobotany. 114 MEDULLOSEAE [OH. knowledge of the morphology of Medullosan sporophylls. Speci- mens from the ironstone balls (Coal Measures) of Coseley near Dudley showed seeds attached to portions of pinnae bearing pinnules of Neuropteris heterofhylla. The seeds are approximately 3 cm. long and from 1-10 to 1-40 cm. broad; oblong and gradually. Fig. 422. Neuropterocarpus Kidstoni (Arber). (After Kidston; x 3.) tapering from the middle to a slightly curved and obtuse apical snout (fig. 422). The outer surface shows numerous longitudinal r
Strip, 18th century, Flemish, Bobbin lace, L. 10 1/2 x W. 3 1/2 inches (26.7 x 8.9 cm), Textiles-Laces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-strip-18th-century-flemish-bobbin-lace-l-10-12-x-w-3-12-inches-267-162572753.htmlRMKCDR5N–Strip, 18th century, Flemish, Bobbin lace, L. 10 1/2 x W. 3 1/2 inches (26.7 x 8.9 cm), Textiles-Laces
Keg. Dimensions: 20 1/2 x 10 1/2 in. (52.1 x 26.7 cm). Date: 1700-1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/keg-dimensions-20-12-x-10-12-in-521-x-267-cm-date-1700-1800-museum-metropolitan-museum-of-art-new-york-usa-image213250737.htmlRMPAXBDN–Keg. Dimensions: 20 1/2 x 10 1/2 in. (52.1 x 26.7 cm). Date: 1700-1800. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Strasbourg, Les Tanneries - gravure de Charles Pinet (34,5 x 43 cm) . 7 December 2013, 18:10:24. Charles Pinet (1867–1932) Alternative names Charles F. Pinet Description French painter Date of birth/death 22 January 1867 10 August 1932 Location of birth/death Paris, France Paris, France Work location Netherlands (1900 - 1925); Haarlem (1900 - 1925) Authority control : Q2960017 VIAF: 220256210 SUDOC: 111639557 RKD: 95906 578 STRASBOURG - les Tanneries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-strasbourg-les-tanneries-gravure-de-charles-pinet-345-x-43-cm-7-december-2013-181024-charles-pinet-18671932-alternative-names-charles-f-pinet-description-french-painter-date-of-birthdeath-22-january-1867-10-august-1932-location-of-birthdeath-paris-france-paris-france-work-location-netherlands-1900-1925-haarlem-1900-1925-authority-control-q2960017-viaf220256210-sudoc111639557-rkd95906-578-strasbourg-les-tanneries-image188002741.htmlRMMWT7BH–. Français : Strasbourg, Les Tanneries - gravure de Charles Pinet (34,5 x 43 cm) . 7 December 2013, 18:10:24. Charles Pinet (1867–1932) Alternative names Charles F. Pinet Description French painter Date of birth/death 22 January 1867 10 August 1932 Location of birth/death Paris, France Paris, France Work location Netherlands (1900 - 1925); Haarlem (1900 - 1925) Authority control : Q2960017 VIAF: 220256210 SUDOC: 111639557 RKD: 95906 578 STRASBOURG - les Tanneries
H. Clay / Brady, N.Y. Abstract/medium: 1 photographic print on carte de visite mount : albumen mount 10.5 x 6.5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/h-clay-brady-ny-abstractmedium-1-photographic-print-on-carte-de-visite-mount-albumen-mount-105-x-65-cm-image266713951.htmlRMWDWTA7–H. Clay / Brady, N.Y. Abstract/medium: 1 photographic print on carte de visite mount : albumen mount 10.5 x 6.5 cm.
Projection für Alle - Der Weltkrieg: Siegreiche Führer. Serie 60. No. 10. Generalfeldmarschall v. Hindenburg. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-der-weltkrieg-siegreiche-fhrer-serie-60-no-10-generalfeldmarschall-v-hindenburg-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-vor-allem-stdte-lnder-landschaften-aber-auch-mrchen-und-sagen-das-alte-testament-und-den-ersten-weltkrieg-image344899246.htmlRF2B13EE6–Projection für Alle - Der Weltkrieg: Siegreiche Führer. Serie 60. No. 10. Generalfeldmarschall v. Hindenburg. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten vor allem Städte, Länder, Landschaften aber auch Märchen und Sagen, das Alte Testament und den Ersten Weltkrieg.
Painting Showing the Crucifixion Unknown. , 1842. Paint on tin, 14 x 10 in. (35.6 x 25.4 cm). American Art 1842 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-showing-the-crucifixion-unknown-1842-paint-on-tin-14-x-10-in-356-x-254-cm-american-art-1842-image504707993.htmlRM2M93C5D–Painting Showing the Crucifixion Unknown. , 1842. Paint on tin, 14 x 10 in. (35.6 x 25.4 cm). American Art 1842
The nucleation of the uncontaminated atmosphere . *7cm.. sp.fs.yLpu.r- I iff it— (Sic? W Jal.ZI.Siadhm. MuupMiud.Jkcmdaih.$adwiubwiA.Sb= 0HSp°m. no ?. nunc* J/X6-R6. Miorp-^Ttiiiplale./OSom,. $°5CT. tfadcaudqbtt$og7<£. 86 /asFigs. 83-87.—Illustrating tables 47, 51, 53, 54. PENETRATION OF X-RAYS. 83 Table 52.—Distance effect of X-rays. Glass fog chamber. 8^=22 cm. (fog limitof air). No lead casket. Walls, 0.3 cm. Bottom 1 cm. thick. Distance. S. ?S2- MX10-3. iVaXio-3. cm. 200 4.6 *i.6 51.6 3-0 4-3 1-7 41.0 3-2 10 5-° ^•5 67.0 2.6 S-o 1-5 67.0 600 3-4 i-5 20.4 3-5 1-3 22.6 200 3-7 r 27.6 4.4 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nucleation-of-the-uncontaminated-atmosphere-7cm-spfsylpur-i-iff-it-sic-w-jalzisiadhm-muupmiudjkcmdaihadwiubwiasb=-0hspm-no-nunc-jx6-r6-miorp-ttiiiplaleosom-5ct-tfadcaudqbttog7lt-86-asfigs-83-87illustrating-tables-47-51-53-54-penetration-of-x-rays-83-table-52distance-effect-of-x-rays-glass-fog-chamber-8=22-cm-fog-limitof-air-no-lead-casket-walls-03-cm-bottom-1-cm-thick-distance-s-s2-mx10-3-ivaxio-3-cm-200-46-i6-516-3-0-4-3-1-7-410-3-2-10-5-5-670-26-s-o-1-5-670-600-3-4-i-5-204-3-5-1-3-226-200-3-7-r-276-44-image340048005.htmlRM2AN6EKH–The nucleation of the uncontaminated atmosphere . *7cm.. sp.fs.yLpu.r- I iff it— (Sic? W Jal.ZI.Siadhm. MuupMiud.Jkcmdaih.$adwiubwiA.Sb= 0HSp°m. no ?. nunc* J/X6-R6. Miorp-^Ttiiiplale./OSom,. $°5CT. tfadcaudqbtt$og7<£. 86 /asFigs. 83-87.—Illustrating tables 47, 51, 53, 54. PENETRATION OF X-RAYS. 83 Table 52.—Distance effect of X-rays. Glass fog chamber. 8^=22 cm. (fog limitof air). No lead casket. Walls, 0.3 cm. Bottom 1 cm. thick. Distance. S. ?S2- MX10-3. iVaXio-3. cm. 200 4.6 *i.6 51.6 3-0 4-3 1-7 41.0 3-2 10 5-° ^•5 67.0 2.6 S-o 1-5 67.0 600 3-4 i-5 20.4 3-5 1-3 22.6 200 3-7 r 27.6 4.4
A Kitchen Scene Artist: After David Vinckboons, Netherlandish, Mechelen 1576?1629 Amsterdam, A Kitchen Scene, n.d., Engraving, sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-kitchen-scene-artist-after-david-vinckboons-netherlandish-mechelen-168115008.htmlRMKNE8BC–A Kitchen Scene Artist: After David Vinckboons, Netherlandish, Mechelen 1576?1629 Amsterdam, A Kitchen Scene, n.d., Engraving, sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm).
. Minnesota mushrooms ... Botany; Mushrooms. GILL FUNGI the hands, hemispheric to plane; stem tall, 8-20 cm. by 8-12 mm., white, solid, bulbous, with a root-like extension, more or less scaly like the cap, ring torn, more or less appressed, v o 1 v a scaly, disappearing; gills free or touching, white; spores elliptic, 10 X 7m- '''he name refers to its habit of growing solitary, though this is not universal. Common in woodland and grassland from July to October; said to bi- ediljle, but it is dangerous on account of its re- semblance to poisonous Amanitas and every one should avoiil all risk bv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-gill-fungi-the-hands-hemispheric-to-plane-stem-tall-8-20-cm-by-8-12-mm-white-solid-bulbous-with-a-root-like-extension-more-or-less-scaly-like-the-cap-ring-torn-more-or-less-appressed-v-o-1-v-a-scaly-disappearing-gills-free-or-touching-white-spores-elliptic-10-x-7m-he-name-refers-to-its-habit-of-growing-solitary-though-this-is-not-universal-common-in-woodland-and-grassland-from-july-to-october-said-to-bi-ediljle-but-it-is-dangerous-on-account-of-its-re-semblance-to-poisonous-amanitas-and-every-one-should-avoiil-all-risk-bv-image216455932.htmlRMPG4BN0–. Minnesota mushrooms ... Botany; Mushrooms. GILL FUNGI the hands, hemispheric to plane; stem tall, 8-20 cm. by 8-12 mm., white, solid, bulbous, with a root-like extension, more or less scaly like the cap, ring torn, more or less appressed, v o 1 v a scaly, disappearing; gills free or touching, white; spores elliptic, 10 X 7m- '''he name refers to its habit of growing solitary, though this is not universal. Common in woodland and grassland from July to October; said to bi- ediljle, but it is dangerous on account of its re- semblance to poisonous Amanitas and every one should avoiil all risk bv
Sampler, 1809, British, Silk on wool, H. 10 3/8 x W. 13 3/4 inches (26.4 x 34.9 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sampler-1809-british-silk-on-wool-h-10-38-x-w-13-34-inches-264-x-349-162334566.htmlRMKC2YB2–Sampler, 1809, British, Silk on wool, H. 10 3/8 x W. 13 3/4 inches (26.4 x 34.9 cm), Textiles-Embroidered
Portrait of Benjamin Franklin. Dimensions: 13 3/8 x 10 7/8 in. (34 x 27.6 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-benjamin-franklin-dimensions-13-38-x-10-78-in-34-x-276-cm-date-1776-1883-museum-metropolitan-museum-of-art-new-york-usa-image212848579.htmlRMPA82EY–Portrait of Benjamin Franklin. Dimensions: 13 3/8 x 10 7/8 in. (34 x 27.6 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Strasbourg, Les Tanneries - gravure de Charles Pinet (34,5 x 43 cm) . 7 December 2013, 18:10:24. Charles Pinet (1867–1932) Alternative names Charles F. Pinet Description French painter Date of birth/death 22 January 1867 10 August 1932 Location of birth/death Paris, France Paris, France Work location Netherlands (1900 - 1925); Haarlem (1900 - 1925) Authority control : Q2960017 VIAF: 220256210 SUDOC: 111639557 RKD: 95906 577 STRASBOURG - les Tanneries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-strasbourg-les-tanneries-gravure-de-charles-pinet-345-x-43-cm-7-december-2013-181024-charles-pinet-18671932-alternative-names-charles-f-pinet-description-french-painter-date-of-birthdeath-22-january-1867-10-august-1932-location-of-birthdeath-paris-france-paris-france-work-location-netherlands-1900-1925-haarlem-1900-1925-authority-control-q2960017-viaf220256210-sudoc111639557-rkd95906-577-strasbourg-les-tanneries-image187488846.htmlRMMW0RX6–. Français : Strasbourg, Les Tanneries - gravure de Charles Pinet (34,5 x 43 cm) . 7 December 2013, 18:10:24. Charles Pinet (1867–1932) Alternative names Charles F. Pinet Description French painter Date of birth/death 22 January 1867 10 August 1932 Location of birth/death Paris, France Paris, France Work location Netherlands (1900 - 1925); Haarlem (1900 - 1925) Authority control : Q2960017 VIAF: 220256210 SUDOC: 111639557 RKD: 95906 577 STRASBOURG - les Tanneries
George Washington, head-and-shoulders portrait, facing left Abstract/medium: 1 photograph : black and white, gelatin silver print 21 x 26 cm. (8 x 10 in. format) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-washington-head-and-shoulders-portrait-facing-left-abstractmedium-1-photograph-black-and-white-gelatin-silver-print-21-x-26-cm-8-x-10-in-format-image266523601.htmlRMWDH5G1–George Washington, head-and-shoulders portrait, facing left Abstract/medium: 1 photograph : black and white, gelatin silver print 21 x 26 cm. (8 x 10 in. format)
Projection für Alle - Der Weltkrieg: An der Türkischen Front. Serie 58. No. 8. Erobertes französisches Unterseeboot. Die Aufnahme entstand wahrscheinlich im Hafen von Ulgadere, etwa 10 Meilen nördlich von Kilitbahir. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-der-weltkrieg-an-der-trkischen-front-serie-58-no-8-erobertes-franzsisches-unterseeboot-die-aufnahme-entstand-wahrscheinlich-im-hafen-von-ulgadere-etwa-10-meilen-nrdlich-von-kilitbahir-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-stdte-lnder-landschaften-mrchen-und-sagen-das-alte-testament-u-den-1-weltkrieg-image365571209.htmlRF2C6N5PH–Projection für Alle - Der Weltkrieg: An der Türkischen Front. Serie 58. No. 8. Erobertes französisches Unterseeboot. Die Aufnahme entstand wahrscheinlich im Hafen von Ulgadere, etwa 10 Meilen nördlich von Kilitbahir. - Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg
Pair of Bookcovers Pair of Bookcovers. Lacquered, 6 1/2 x 3 15/16 in. (16.5 x 10 cm) each. Arts of the Islamic World Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-bookcovers-pair-of-bookcovers-lacquered-6-12-x-3-1516-in-165-x-10-cm-each-arts-of-the-islamic-world-image504721514.htmlRM2M941CA–Pair of Bookcovers Pair of Bookcovers. Lacquered, 6 1/2 x 3 15/16 in. (16.5 x 10 cm) each. Arts of the Islamic World
. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-viscosity-of-the-blood-pressure-corr-time-ofoutflow-pressurecorr-time-ofoutflow-rn-plasma-36-x-106-corpuscles-per-cubic-millimetre-cm-hg-sees-cgrs-units-cm-hg-sees-i-cg-s-units-15-613-511-3-8-04-62-6-22-827-433-44728031417-0-01380-01430-01450-0145001420-0139-12-810-1-7-750-2-2-65-885-0112-168-410-0-03320-03380-03420-03320-0347-6-x-106-corpuscles-per-cubic-millimetre-96-x-106-corpuscles-per-cubic-millimetre-16-0-14-4-10-4-73-850-952-134-0-188-0-0-05380-0550-0-05520-0545-176-15-6-10-8-8-2-5-6-138-0158-0229-4306-0306-0-0-09640-image336713143.htmlRM2AFPH1B–. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640
Chest MET 198005 1992 American, Chest, 1650?1700, Oak, chestnut, 30 x 49 in. (76.2 x 124.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.668) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chest-met-198005-1992-american-chest-16501700-oak-chestnut-30-x-49-168109406.htmlRMKNE17A–Chest MET 198005 1992 American, Chest, 1650?1700, Oak, chestnut, 30 x 49 in. (76.2 x 124.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.668)
. Minnesota mushrooms ... Botany; Mushrooms. 1+2 MINNESOTA MUSHROOMS. disagree seriously -ivitli some people; jNIcIlvaine has found it enjoyable, however. The name refers to the folded cap. Gyromitra Infula Cap 4-10 cm. wide and high, 3'ellow brown to dark brown or chest- nut, occasionally saddle-shaped, but usually irregular, much folded and swollen, with the edge attached to the stem; stem 3-7 cm. by 1-3 cm., yel- lowish or pinkish, hairy at base, hol- low ; spores clear, elliptic, smooth, 18-24 X 8-12/t. The name refers to the folded cap. On the ground in woods; edible. This species grades Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-12-minnesota-mushrooms-disagree-seriously-ivitli-some-people-jnicilvaine-has-found-it-enjoyable-however-the-name-refers-to-the-folded-cap-gyromitra-infula-cap-4-10-cm-wide-and-high-3ellow-brown-to-dark-brown-or-chest-nut-occasionally-saddle-shaped-but-usually-irregular-much-folded-and-swollen-with-the-edge-attached-to-the-stem-stem-3-7-cm-by-1-3-cm-yel-lowish-or-pinkish-hairy-at-base-hol-low-spores-clear-elliptic-smooth-18-24-x-8-12t-the-name-refers-to-the-folded-cap-on-the-ground-in-woods-edible-this-species-grades-image216455258.htmlRMPG4ATX–. Minnesota mushrooms ... Botany; Mushrooms. 1+2 MINNESOTA MUSHROOMS. disagree seriously -ivitli some people; jNIcIlvaine has found it enjoyable, however. The name refers to the folded cap. Gyromitra Infula Cap 4-10 cm. wide and high, 3'ellow brown to dark brown or chest- nut, occasionally saddle-shaped, but usually irregular, much folded and swollen, with the edge attached to the stem; stem 3-7 cm. by 1-3 cm., yel- lowish or pinkish, hairy at base, hol- low ; spores clear, elliptic, smooth, 18-24 X 8-12/t. The name refers to the folded cap. On the ground in woods; edible. This species grades
Head of a Man, Oil on canvas, 14 x 10 3/4 in. (35.6 x 27.3 cm), Paintings, Spanish (Castilian) Painter (mid-17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-head-of-a-man-oil-on-canvas-14-x-10-34-in-356-x-273-cm-paintings-spanish-162537457.htmlRMKCC655–Head of a Man, Oil on canvas, 14 x 10 3/4 in. (35.6 x 27.3 cm), Paintings, Spanish (Castilian) Painter (mid-17th century
Vase. Culture: China. Dimensions: 10 1/8 x 4 3/8 in. (25.7 x 11.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-culture-china-dimensions-10-18-x-4-38-in-257-x-111-cm-museum-metropolitan-museum-of-art-new-york-usa-image213214145.htmlRMPATMPW–Vase. Culture: China. Dimensions: 10 1/8 x 4 3/8 in. (25.7 x 11.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
. English: Friedrich von Ribbentrop, General Director of the Royal Prussian Army, artist unknown (1838). Lithograph, 73.5 x 58 cm. Privately owned. Ribbentrop is propping himself on the saber of Ferdinand von Schill, which he carried from 1812-1815. Deutsch: Friedrich von Ribbentrop, General Intendant der Königlich Preußischen Armee, 1838, unbekannt, Lithographie, 73,5 x 58 cm, Privatbesitz. Ribbentrop stützt sich auf den Säbel Schills, den er von 1812-1815 trug. artwork: 1838; file: 2009-10-14. artwork: unknown; file James Steakley 229 Friedrich-Ribbentrop (1838) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-friedrich-von-ribbentrop-general-director-of-the-royal-prussian-army-artist-unknown-1838-lithograph-735-x-58-cm-privately-owned-ribbentrop-is-propping-himself-on-the-saber-of-ferdinand-von-schill-which-he-carried-from-1812-1815-deutsch-friedrich-von-ribbentrop-general-intendant-der-kniglich-preuischen-armee-1838-unbekannt-lithographie-735-x-58-cm-privatbesitz-ribbentrop-sttzt-sich-auf-den-sbel-schills-den-er-von-1812-1815-trug-artwork-1838-file-2009-10-14-artwork-unknown-file-james-steakley-229-friedrich-ribbentrop-1838-image187536522.htmlRMMW30MX–. English: Friedrich von Ribbentrop, General Director of the Royal Prussian Army, artist unknown (1838). Lithograph, 73.5 x 58 cm. Privately owned. Ribbentrop is propping himself on the saber of Ferdinand von Schill, which he carried from 1812-1815. Deutsch: Friedrich von Ribbentrop, General Intendant der Königlich Preußischen Armee, 1838, unbekannt, Lithographie, 73,5 x 58 cm, Privatbesitz. Ribbentrop stützt sich auf den Säbel Schills, den er von 1812-1815 trug. artwork: 1838; file: 2009-10-14. artwork: unknown; file James Steakley 229 Friedrich-Ribbentrop (1838)
Grover Cleveland, bust portrait, seated, facing right Abstract/medium: 1 photograph : black and white, gelatin silver print 21 x 26 cm. (8 x 10 in. format) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grover-cleveland-bust-portrait-seated-facing-right-abstractmedium-1-photograph-black-and-white-gelatin-silver-print-21-x-26-cm-8-x-10-in-format-image266701131.htmlRMWDW80B–Grover Cleveland, bust portrait, seated, facing right Abstract/medium: 1 photograph : black and white, gelatin silver print 21 x 26 cm. (8 x 10 in. format)
Projection für Alle - Die Eroberung Serbiens. Serie 57. No 3. Der deutschen Armee gelang bereits zu Beginn des Serbienfeldzugs am 6. 10. 1915 der Übergang über die Donau. Auch in den folgenden Tagen gelang an mehreren Stellen der Übergang. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/projection-fr-alle-die-eroberung-serbiens-serie-57-no-3-der-deutschen-armee-gelang-bereits-zu-beginn-des-serbienfeldzugs-am-6-10-1915-der-bergang-ber-die-donau-auch-in-den-folgenden-tagen-gelang-an-mehreren-stellen-der-bergang-die-firma-projection-fr-alle-wurde-1905-von-max-skladanowsky-1861-1939-gegrndet-sie-produzierte-bis-1928-fast-100-serien-zu-je-24-glasdias-im-format-83-x-83-cm-im-sog-bromsilber-gelatine-trockenplatten-verfahren-die-serien-umfassten-stdte-lnder-landschaften-mrchen-und-sagen-das-alte-testament-u-den-1-weltkrieg-image431982096.htmlRF2G2PDG0–Projection für Alle - Die Eroberung Serbiens. Serie 57. No 3. Der deutschen Armee gelang bereits zu Beginn des Serbienfeldzugs am 6. 10. 1915 der Übergang über die Donau. Auch in den folgenden Tagen gelang an mehreren Stellen der Übergang. Die Firma „Projection für Alle“ wurde 1905 von Max Skladanowsky (1861-1939) gegründet. Sie produzierte bis 1928 fast 100 Serien zu je 24 Glasdias im Format 8,3 x 8,3 cm im sog. Bromsilber-Gelatine-Trockenplatten Verfahren. Die Serien umfassten Städte, Länder, Landschaften, Märchen und Sagen, das Alte Testament u. den 1. Weltkrieg.
Pair of Bookcovers Pair of Bookcovers. Lacquered, 6 1/2 x 3 15/16 in. (16.5 x 10 cm) each. Arts of the Islamic World Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-bookcovers-pair-of-bookcovers-lacquered-6-12-x-3-1516-in-165-x-10-cm-each-arts-of-the-islamic-world-image504721503.htmlRM2M941BY–Pair of Bookcovers Pair of Bookcovers. Lacquered, 6 1/2 x 3 15/16 in. (16.5 x 10 cm) each. Arts of the Islamic World
![. Bearing arms in the Twenty-seventh Massachusetts Regiment of Volunteer Infantry during the Civil War, 1861-1865 [electronic resource] . co-— c x o o -t ci -c ^ x r. c o w cm -f x K-f » o h. 10 r- m » o r-1 o 1^ o co o ccioic>irici--H--c>icici?i^ccrecic>itNec)Ci--«irHmMccccicOrH(MMtN^i(mrHrt. Stock Photo](https://c8.alamy.com/comp/2CGJY6X/bearing-arms-in-the-twenty-seventh-massachusetts-regiment-of-volunteer-infantry-during-the-civil-war-1861-1865-electronic-resource-co-c-x-o-o-t-ci-c-x-r-c-o-w-cm-f-x-k-f-o-h-10-r-m-o-r-1-o-1-o-co-o-ccioicgtirici-h-cgticiciiccrecicgtitnecci-irhmmccccicorhmmtnimrhrt-2CGJY6X.jpg ". Bearing arms in the Twenty-seventh Massachusetts Regiment of Volunteer Infantry during the Civil War, 1861-1865 [electronic resource] . co-— c x o o -t ci -c ^ x r. c o w cm -f x K-f » o h. 10 r- m » o r-1 o 1^ o co o ccioic>irici--H--c>icici?i^ccrecic>itNec)Ci--«irHmMccccicOrH(MMtN^i(mrHrt. Stock Photo")
. Bearing arms in the Twenty-seventh Massachusetts Regiment of Volunteer Infantry during the Civil War, 1861-1865 [electronic resource] . co-— c x o o -t ci -c ^ x r. c o w cm -f x K-f » o h. 10 r- m » o r-1 o 1^ o co o ccioic>irici--H--c>icici?i^ccrecic>itNec)Ci--«irHmMccccicOrH(MMtN^i(mrHrt. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bearing-arms-in-the-twenty-seventh-massachusetts-regiment-of-volunteer-infantry-during-the-civil-war-1861-1865-electronic-resource-co-c-x-o-o-t-ci-c-x-r-c-o-w-cm-f-x-k-f-o-h-10-r-m-o-r-1-o-1-o-co-o-ccioicgtirici-h-cgticiciiccrecicgtitnecci-irhmmccccicorhmmtnimrhrt-image371668722.htmlRM2CGJY6X–. Bearing arms in the Twenty-seventh Massachusetts Regiment of Volunteer Infantry during the Civil War, 1861-1865 [electronic resource] . co-— c x o o -t ci -c ^ x r. c o w cm -f x K-f » o h. 10 r- m » o r-1 o 1^ o co o ccioic>irici--H--c>icici?i^ccrecic>itNec)Ci--«irHmMccccicOrH(MMtN^i(mrHrt.
Candlestick MET 110150 1190 Candlestick, 1700?1800, Steel, brass, 10 x 5 x 5 in. (25.4 x 12.7 x 12.7 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1936 (36.164) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestick-met-110150-1190-candlestick-17001800-steel-brass-10-x-168197462.htmlRMKNJ1G6–Candlestick MET 110150 1190 Candlestick, 1700?1800, Steel, brass, 10 x 5 x 5 in. (25.4 x 12.7 x 12.7 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1936 (36.164)
. Minnesota mushrooms ... Botany; Mushrooms. 100 MINNESOTA MUSHROOMS Polystictus hirsutus Hairy Polystictus Cap 2-10 cm. wide, uniformly of one color, white, whitish or grayish, leathery, coarsely hairy, concentricallv zoned, shelf-like, imbricated ; pores white to darkish ; spores elliptic, 4-5 X 2ju,. Common on stumps and logs. FAVOLrS Distinguished by the beautifully diamond-like radiating pores. The texture is leathery or papery, and the stem lateral or absent. Closely related to Polystictus and P o 1 V p o r u s. The name refers to the honey-comb appearance of the pores.. Figure 63. PoL^p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-100-minnesota-mushrooms-polystictus-hirsutus-hairy-polystictus-cap-2-10-cm-wide-uniformly-of-one-color-white-whitish-or-grayish-leathery-coarsely-hairy-concentricallv-zoned-shelf-like-imbricated-pores-white-to-darkish-spores-elliptic-4-5-x-2ju-common-on-stumps-and-logs-favolrs-distinguished-by-the-beautifully-diamond-like-radiating-pores-the-texture-is-leathery-or-papery-and-the-stem-lateral-or-absent-closely-related-to-polystictus-and-p-o-1-v-p-o-r-u-s-the-name-refers-to-the-honey-comb-appearance-of-the-pores-figure-63-polp-image216455512.htmlRMPG4B60–. Minnesota mushrooms ... Botany; Mushrooms. 100 MINNESOTA MUSHROOMS Polystictus hirsutus Hairy Polystictus Cap 2-10 cm. wide, uniformly of one color, white, whitish or grayish, leathery, coarsely hairy, concentricallv zoned, shelf-like, imbricated ; pores white to darkish ; spores elliptic, 4-5 X 2ju,. Common on stumps and logs. FAVOLrS Distinguished by the beautifully diamond-like radiating pores. The texture is leathery or papery, and the stem lateral or absent. Closely related to Polystictus and P o 1 V p o r u s. The name refers to the honey-comb appearance of the pores.. Figure 63. PoL^p
Scarf, 1809–10, Austrian, Linen, silk and metal thread, L. 52 x W. 52 inches (132.1 x 132.1 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-scarf-180910-austrian-linen-silk-and-metal-thread-l-52-x-w-52-inches-162359223.htmlRMKC42RK–Scarf, 1809–10, Austrian, Linen, silk and metal thread, L. 52 x W. 52 inches (132.1 x 132.1 cm), Textiles-Embroidered
Lamp. Culture: American. Dimensions: 10 1/4 x 4 7/8 in. (26 x 12.4 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lamp-culture-american-dimensions-10-14-x-4-78-in-26-x-124-cm-date-1850-museum-metropolitan-museum-of-art-new-york-usa-image213320778.htmlRMPB1GR6–Lamp. Culture: American. Dimensions: 10 1/4 x 4 7/8 in. (26 x 12.4 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.
. English: Friedrich von Ribbentrop, General Director of the Royal Prussian Army, artist unknown (1838). Lithograph, 73.5 x 58 cm. Privately owned. Ribbentrop is propping himself on the saber of Ferdinand von Schill, which he carried from 1812-1815. Deutsch: Friedrich von Ribbentrop, General Intendant der Königlich Preußischen Armee, 1838, unbekannt, Lithographie, 73,5 x 58 cm, Privatbesitz. Ribbentrop stützt sich auf den Säbel Schills, den er von 1812-1815 trug. artwork: 1838; file: 2009-10-14. artwork: unknown; file James Steakley 198 Friedrich-Ribbentrop (1838) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-friedrich-von-ribbentrop-general-director-of-the-royal-prussian-army-artist-unknown-1838-lithograph-735-x-58-cm-privately-owned-ribbentrop-is-propping-himself-on-the-saber-of-ferdinand-von-schill-which-he-carried-from-1812-1815-deutsch-friedrich-von-ribbentrop-general-intendant-der-kniglich-preuischen-armee-1838-unbekannt-lithographie-735-x-58-cm-privatbesitz-ribbentrop-sttzt-sich-auf-den-sbel-schills-den-er-von-1812-1815-trug-artwork-1838-file-2009-10-14-artwork-unknown-file-james-steakley-198-friedrich-ribbentrop-1838-image188812249.htmlRMMY53XH–. English: Friedrich von Ribbentrop, General Director of the Royal Prussian Army, artist unknown (1838). Lithograph, 73.5 x 58 cm. Privately owned. Ribbentrop is propping himself on the saber of Ferdinand von Schill, which he carried from 1812-1815. Deutsch: Friedrich von Ribbentrop, General Intendant der Königlich Preußischen Armee, 1838, unbekannt, Lithographie, 73,5 x 58 cm, Privatbesitz. Ribbentrop stützt sich auf den Säbel Schills, den er von 1812-1815 trug. artwork: 1838; file: 2009-10-14. artwork: unknown; file James Steakley 198 Friedrich-Ribbentrop (1838)
Ely, Cathedral: late afternoon across the Octagon Abstract/medium: 1 photographic print : platinum ; 10 1/8 x 8 1/8 in. (25.8 x 20.7 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ely-cathedral-late-afternoon-across-the-octagon-abstractmedium-1-photographic-print-platinum-10-18-x-8-18-in-258-x-207-cm-image265033171.htmlRMWB58EB–Ely, Cathedral: late afternoon across the Octagon Abstract/medium: 1 photographic print : platinum ; 10 1/8 x 8 1/8 in. (25.8 x 20.7 cm.)
Oshi-e, Daikoku , 19th century. Cloth and cardboard, 14 x 10 in. (35.6 x 25.4 cm). Asian Art 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oshi-e-daikoku-19th-century-cloth-and-cardboard-14-x-10-in-356-x-254-cm-asian-art-19th-century-image504721621.htmlRM2M941G5–Oshi-e, Daikoku , 19th century. Cloth and cardboard, 14 x 10 in. (35.6 x 25.4 cm). Asian Art 19th century
. On the Thermal Conductivities of Single and Mixed Solids and Liquids and their Variation with Temperature . DiOiOrH ■ Oj 00 00 rH CO iO iO 10 CO CO CM OCO co CO OS 10 co 0 CO CO CO CMJlO xO xO xO iO CO iO CO o> CM CM IN CO CM CMCM CO ^ CMCM • as cm co co0 00 ip as 00 cb cb -^CM -^ 10 co GO HO CO ^P INCO iO iO IN CO CO O CO IN rHCM ^H iO CO CO •t—-i ^ 04 CO CO r-0 GO In ip jn cb cb cb 00 •H rH rH rH r—< •suii^tioo ssetqprqj, 10 CMrH • CM •• O IN O rH i O •4-3 O ^ 10 -{-co d 11 Ph • trj ^ « a CO ||<» P-l O • *• H <j • go l°o r—* ,. &a • • S 0-o II A ^ O X ^y 428 DR. C. H. LEES ON T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-thermal-conductivities-of-single-and-mixed-solids-and-liquids-and-their-variation-with-temperature-dioiorh-oj-00-00-rh-co-io-io-10-co-co-cm-oco-co-co-os-10-co-0-co-co-co-cmjlo-xo-xo-xo-io-co-io-co-ogt-cm-cm-in-co-cm-cmcm-co-cmcm-as-cm-co-co0-00-ip-as-00-cb-cb-cm-10-co-go-ho-co-p-inco-io-io-in-co-co-o-co-in-rhcm-h-io-co-co-t-i-04-co-co-r-0-go-in-ip-jn-cb-cb-cb-00-h-rh-rh-rh-rlt-suiitioo-ssetqprqj-10-cmrh-cm-o-in-o-rh-i-o-4-3-o-10-co-d-11-ph-trj-a-co-lt-p-l-o-h-ltj-go-lo-r-a-s-0-o-ii-a-o-x-y-428-dr-c-h-lees-on-t-image372452686.htmlRM2CHXK5J–. On the Thermal Conductivities of Single and Mixed Solids and Liquids and their Variation with Temperature . DiOiOrH ■ Oj 00 00 rH CO iO iO 10 CO CO CM OCO co CO OS 10 co 0 CO CO CO CMJlO xO xO xO iO CO iO CO o> CM CM IN CO CM CMCM CO ^ CMCM • as cm co co0 00 ip as 00 cb cb -^CM -^ 10 co GO HO CO ^P INCO iO iO IN CO CO O CO IN rHCM ^H iO CO CO •t—-i ^ 04 CO CO r-0 GO In ip jn cb cb cb 00 •H rH rH rH r—< •suii^tioo ssetqprqj, 10 CMrH • CM •• O IN O rH i O •4-3 O ^ 10 -{-co d 11 Ph • trj ^ « a CO ||<» P-l O • *• H <j • go l°o r—* ,. &a • • S 0-o II A ^ O X ^y 428 DR. C. H. LEES ON T
Curtain Tieback MET 190195 3022 Curtain Tieback, ca. 1825, Brass, 10 x 4 3/4 in. (25.4 x 12.1 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.169.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-curtain-tieback-met-190195-3022-curtain-tieback-ca-1825-brass-10-x-167905792.htmlRMKN4NFC–Curtain Tieback MET 190195 3022 Curtain Tieback, ca. 1825, Brass, 10 x 4 3/4 in. (25.4 x 12.1 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.169.1)
. Minnesota mushrooms ... Botany; Mushrooms. 58 MINNESOTA MUSHROOMS Clitopilus prunulus Plum Top Cap medium, 5-12 cm. wide, white or somewhat grayish, more or less powdered, not sticky when wet, convex to plane, then depressed; stem 3-7 cm. by 6-14 mm., white, striate, solid ; gills long decurrent, rosy ; spores rosy or greenish, ovoid- elliptic, pointed at one end, 10-16 b/x. Common on ground in woods, from spring to frost; this species also occurs in the abortive form. Both forms are delicious, ECCILIA This genus resembles Clitopilus closely, but is distinguished by the tough cartilage-lik Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-58-minnesota-mushrooms-clitopilus-prunulus-plum-top-cap-medium-5-12-cm-wide-white-or-somewhat-grayish-more-or-less-powdered-not-sticky-when-wet-convex-to-plane-then-depressed-stem-3-7-cm-by-6-14-mm-white-striate-solid-gills-long-decurrent-rosy-spores-rosy-or-greenish-ovoid-elliptic-pointed-at-one-end-10-16-bx-common-on-ground-in-woods-from-spring-to-frost-this-species-also-occurs-in-the-abortive-form-both-forms-are-delicious-eccilia-this-genus-resembles-clitopilus-closely-but-is-distinguished-by-the-tough-cartilage-lik-image216455713.htmlRMPG4BD5–. Minnesota mushrooms ... Botany; Mushrooms. 58 MINNESOTA MUSHROOMS Clitopilus prunulus Plum Top Cap medium, 5-12 cm. wide, white or somewhat grayish, more or less powdered, not sticky when wet, convex to plane, then depressed; stem 3-7 cm. by 6-14 mm., white, striate, solid ; gills long decurrent, rosy ; spores rosy or greenish, ovoid- elliptic, pointed at one end, 10-16 b/x. Common on ground in woods, from spring to frost; this species also occurs in the abortive form. Both forms are delicious, ECCILIA This genus resembles Clitopilus closely, but is distinguished by the tough cartilage-lik
Mother and Child, Oil on wood, 10 5/8 x 8 5/8 in. (27 x 21.9 cm), Paintings, Antoine-Émile Plassan (French, Bordeaux 1817–1903 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-mother-and-child-oil-on-wood-10-58-x-8-58-in-27-x-219-cm-paintings-162537317.htmlRMKCC605–Mother and Child, Oil on wood, 10 5/8 x 8 5/8 in. (27 x 21.9 cm), Paintings, Antoine-Émile Plassan (French, Bordeaux 1817–1903
Helmet (Hachi). Culture: Japanese. Dimensions: 10 in. (25.4 cm) x 12 in. (30.5 cm).. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/helmet-hachi-culture-japanese-dimensions-10-in-254-cm-x-12-in-305-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213132477.htmlRMPAN0J5–Helmet (Hachi). Culture: Japanese. Dimensions: 10 in. (25.4 cm) x 12 in. (30.5 cm).. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Friedrich von Ribbentrop, General Director of the Royal Prussian Army, artist unknown (1838). Lithograph, 73.5 x 58 cm. Privately owned. Ribbentrop is propping himself on the saber of Ferdinand von Schill, which he carried from 1812-1815. Deutsch: Friedrich von Ribbentrop, General Intendant der Königlich Preußischen Armee, 1838, unbekannt, Lithographie, 73,5 x 58 cm, Privatbesitz. Ribbentrop stützt sich auf den Säbel Schills, den er von 1812-1815 trug. artwork: 1838; file: 2009-10-14. artwork: unknown; file James Steakley 230 Friedrich-Ribbentrop (1838) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-friedrich-von-ribbentrop-general-director-of-the-royal-prussian-army-artist-unknown-1838-lithograph-735-x-58-cm-privately-owned-ribbentrop-is-propping-himself-on-the-saber-of-ferdinand-von-schill-which-he-carried-from-1812-1815-deutsch-friedrich-von-ribbentrop-general-intendant-der-kniglich-preuischen-armee-1838-unbekannt-lithographie-735-x-58-cm-privatbesitz-ribbentrop-sttzt-sich-auf-den-sbel-schills-den-er-von-1812-1815-trug-artwork-1838-file-2009-10-14-artwork-unknown-file-james-steakley-230-friedrich-ribbentrop-1838-image188027286.htmlRMMWWAM6–. English: Friedrich von Ribbentrop, General Director of the Royal Prussian Army, artist unknown (1838). Lithograph, 73.5 x 58 cm. Privately owned. Ribbentrop is propping himself on the saber of Ferdinand von Schill, which he carried from 1812-1815. Deutsch: Friedrich von Ribbentrop, General Intendant der Königlich Preußischen Armee, 1838, unbekannt, Lithographie, 73,5 x 58 cm, Privatbesitz. Ribbentrop stützt sich auf den Säbel Schills, den er von 1812-1815 trug. artwork: 1838; file: 2009-10-14. artwork: unknown; file James Steakley 230 Friedrich-Ribbentrop (1838)
Emily Tennessee Donalson, niece of President Jackson and White House hostess Abstract/medium: 1 photograph : black and white, gelatin silver print ; 21 x 26 cm. (8 x 10 in. format) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emily-tennessee-donalson-niece-of-president-jackson-and-white-house-hostess-abstractmedium-1-photograph-black-and-white-gelatin-silver-print-21-x-26-cm-8-x-10-in-format-image265034890.htmlRMWB5AKP–Emily Tennessee Donalson, niece of President Jackson and White House hostess Abstract/medium: 1 photograph : black and white, gelatin silver print ; 21 x 26 cm. (8 x 10 in. format)
Virgin of Mercy Unknown. , 18th century. Oil on canvas, 13 x 10 1/4 in. (33 x 26 cm). American Art 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-of-mercy-unknown-18th-century-oil-on-canvas-13-x-10-14-in-33-x-26-cm-american-art-18th-century-image504710030.htmlRM2M93EP6–Virgin of Mercy Unknown. , 18th century. Oil on canvas, 13 x 10 1/4 in. (33 x 26 cm). American Art 18th century
. calcomp :: H-84-0045B vistagraphic DR11W DR11B DR11C and DR11B parallel interface users manual Nov1984 . Z o 5 ii ft! CI.. --.5 pa QO J i j k5 i 1 i II ! i i J: y H3 I i i 1^ I! I i 1 %1 : 1 ; j ! i cm! J; 10 §1 -1 i V9; VS CM ! ! i! ! Ii i Of. ! Mi II I ! : I I i! ! I ; I V9 N o I «0 I I .:4 I il i 5 OH O KON g K 8 Ov I 2: z s z g 8 S o S z i - s 5 i ^ i i ffi 2 2 s p a «« § ^° S5 1 ^ 2 6= O Sg 33 0^ > S 6U ^ * E ® ui X 1 CM Q i Q A3» ttZdO 42 K Change I I 1 WIRE LIST 1 & Ul X«l 1 tu1-O z 1 ( ■ i DC Urn i Mi»» zo 6^2^ UlUl Ik Ul « •c Ul i z i 8 Ul Z 18 m i Ul Ul 1z Sz Ul m a ! i i cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calcomp-h-84-0045b-vistagraphic-dr11w-dr11b-dr11c-and-dr11b-parallel-interface-users-manual-nov1984-z-o-5-ii-ft!-ci-5-pa-qo-j-i-j-k5-i-1-i-ii-!-i-i-j-y-h3-i-i-i-1-i!-i-i-1-1-1-j-!-i-cm!-j-10-1-1-i-v9-vs-cm-!-!-i!-!-ii-i-of-!-mi-ii-i-!-i-i-i!-!-i-i-v9-n-o-i-0-i-i-4-i-il-i-5-oh-o-kon-g-k-8-ov-i-2-z-s-z-g-8-s-o-s-z-i-s-5-i-i-i-ffi-2-2-s-p-a-s5-1-2-6=-o-sg-33-0-gt-s-6u-e-ui-x-1-cm-q-i-q-a3-ttzdo-42-k-change-i-i-1-wire-list-1-ul-xl-1-tu1-o-z-1-i-dc-urn-i-mi-zo-62-ulul-ik-ul-c-ul-i-z-i-8-ul-z-18-m-i-ul-ul-1z-sz-ul-m-a-!-i-i-cm-image372659081.htmlRM2CJ82CW–. calcomp :: H-84-0045B vistagraphic DR11W DR11B DR11C and DR11B parallel interface users manual Nov1984 . Z o 5 ii ft! CI.. --.5 pa QO J i j k5 i 1 i II ! i i J: y H3 I i i 1^ I! I i 1 %1 : 1 ; j ! i cm! J; 10 §1 -1 i V9; VS CM ! ! i! ! Ii i Of. ! Mi II I ! : I I i! ! I ; I V9 N o I «0 I I .:4 I il i 5 OH O KON g K 8 Ov I 2: z s z g 8 S o S z i - s 5 i ^ i i ffi 2 2 s p a «« § ^° S5 1 ^ 2 6= O Sg 33 0^ > S 6U ^ * E ® ui X 1 CM Q i Q A3» ttZdO 42 K Change I I 1 WIRE LIST 1 & Ul X«l 1 tu1-O z 1 ( ■ i DC Urn i Mi»» zo 6^2^ UlUl Ik Ul « •c Ul i z i 8 Ul Z 18 m i Ul Ul 1z Sz Ul m a ! i i cm
Curtain Tieback MET 190197 3024 Curtain Tieback, ca. 1825, Brass, 10 x 4 3/4 in. (25.4 x 12.1 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.169.3) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-curtain-tieback-met-190197-3024-curtain-tieback-ca-1825-brass-10-x-168196528.htmlRMKNJ0AT–Curtain Tieback MET 190197 3024 Curtain Tieback, ca. 1825, Brass, 10 x 4 3/4 in. (25.4 x 12.1 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.169.3)
. The fungi which cause plant disease . Plant diseases; Fungi. 428 THE FUNGI WHICH CAUSE PLANT DISEASE Fomes Fries (p. 417) Sporophore sessile, ungulate or applanate; surface varnished, encrusted, sulcate, vinose, or anoderm, rarely zonate; context corky to punky; tubes cylindric, stratiose; spores smooth, hyaline or brown. A genus of some three hundred species. T, . . /T /-111 88, 67, 78, 79 F. igmanus (L.) Gill. Pileus woody, ungulate, sessile, 6-7 x 8-10 x 5-12 cm.; surface smooth, encrusted, opaque, velvety to glabrous, ferruginous to. Fig. 307.—Fomes igniarius, from maple. After Atkinso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fungi-which-cause-plant-disease-plant-diseases-fungi-428-the-fungi-which-cause-plant-disease-fomes-fries-p-417-sporophore-sessile-ungulate-or-applanate-surface-varnished-encrusted-sulcate-vinose-or-anoderm-rarely-zonate-context-corky-to-punky-tubes-cylindric-stratiose-spores-smooth-hyaline-or-brown-a-genus-of-some-three-hundred-species-t-t-111-88-67-78-79-f-igmanus-l-gill-pileus-woody-ungulate-sessile-6-7-x-8-10-x-5-12-cm-surface-smooth-encrusted-opaque-velvety-to-glabrous-ferruginous-to-fig-307fomes-igniarius-from-maple-after-atkinso-image216377388.htmlRMPG0RFT–. The fungi which cause plant disease . Plant diseases; Fungi. 428 THE FUNGI WHICH CAUSE PLANT DISEASE Fomes Fries (p. 417) Sporophore sessile, ungulate or applanate; surface varnished, encrusted, sulcate, vinose, or anoderm, rarely zonate; context corky to punky; tubes cylindric, stratiose; spores smooth, hyaline or brown. A genus of some three hundred species. T, . . /T /-111 88, 67, 78, 79 F. igmanus (L.) Gill. Pileus woody, ungulate, sessile, 6-7 x 8-10 x 5-12 cm.; surface smooth, encrusted, opaque, velvety to glabrous, ferruginous to. Fig. 307.—Fomes igniarius, from maple. After Atkinso
Unknown (Indian), Kalpa Sutra, middle 17th Century, Ink, gouache, and gold on paper, Each page: 10 1/4 x 4 1/8 in. (26.0 x 10.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-indian-kalpa-sutra-middle-17th-century-ink-gouache-and-gold-on-paper-each-page-10-14-x-4-18-in-260-x-102-cm-image328734878.htmlRM2A2R4KA–Unknown (Indian), Kalpa Sutra, middle 17th Century, Ink, gouache, and gold on paper, Each page: 10 1/4 x 4 1/8 in. (26.0 x 10.2 cm
Sampler. Culture: American. Dimensions: H. 16 1/2 x W. 10 inches (41.9 x 25.4 cm). Date: 1754. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sampler-culture-american-dimensions-h-16-12-x-w-10-inches-419-x-254-cm-date-1754-museum-metropolitan-museum-of-art-new-york-usa-image213182213.htmlRMPAR82D–Sampler. Culture: American. Dimensions: H. 16 1/2 x W. 10 inches (41.9 x 25.4 cm). Date: 1754. Museum: Metropolitan Museum of Art, New York, USA.
Willem van de Velde the Elder (1611-1793) *engraving *24 x 18 cm (original sheet) *18th century . Willem van de Velde the Elder (1611-1793) . 15 July 2012, 10:09 (UTC). Gerard Sibelius After Godfrey Kneller (1646–1723) Alternative names Gottfried Kneller, Birth name: Gottfried Kniller Description German painter, draughtsman, engraver and miniaturist Date of birth/death 8 August 1646 7 November 1723 Location of birth/death Lübeck London Work period between circa 1660 and circa 1723 Work location Leiden (circa 1660–1665), Rome, Venice (1672–1675), Nuremberg, Hamburg (1674–1676 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/willem-van-de-velde-the-elder-1611-1793-engraving-24-x-18-cm-original-sheet-18th-century-willem-van-de-velde-the-elder-1611-1793-15-july-2012-1009-utc-gerard-sibelius-after-godfrey-kneller-16461723-alternative-names-gottfried-kneller-birth-name-gottfried-kniller-description-german-painter-draughtsman-engraver-and-miniaturist-date-of-birthdeath-8-august-1646-7-november-1723-location-of-birthdeath-lbeck-london-work-period-between-circa-1660-and-circa-1723-work-location-leiden-circa-16601665-rome-venice-16721675-nuremberg-hamburg-16741676-image185712589.htmlRMMP3X8D–Willem van de Velde the Elder (1611-1793) *engraving *24 x 18 cm (original sheet) *18th century . Willem van de Velde the Elder (1611-1793) . 15 July 2012, 10:09 (UTC). Gerard Sibelius After Godfrey Kneller (1646–1723) Alternative names Gottfried Kneller, Birth name: Gottfried Kniller Description German painter, draughtsman, engraver and miniaturist Date of birth/death 8 August 1646 7 November 1723 Location of birth/death Lübeck London Work period between circa 1660 and circa 1723 Work location Leiden (circa 1660–1665), Rome, Venice (1672–1675), Nuremberg, Hamburg (1674–1676
Federal-Abolition-Whig trap, to catch voters in Abstract/medium: 1 print : woodcut on wove paper ; 10.6 x 11.5 cm. (image), 32.1 x 19.2 cm. (sheet) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/federal-abolition-whig-trap-to-catch-voters-in-abstractmedium-1-print-woodcut-on-wove-paper-106-x-115-cm-image-321-x-192-cm-sheet-image265073501.htmlRMWB73XN–Federal-Abolition-Whig trap, to catch voters in Abstract/medium: 1 print : woodcut on wove paper ; 10.6 x 11.5 cm. (image), 32.1 x 19.2 cm. (sheet)
Children Fishing Theodore Robinson (American, 1852-1896). , 1881. Watercolor, 10 x 14 in. (25.4 x 35.6 cm). American Art 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/children-fishing-theodore-robinson-american-1852-1896-1881-watercolor-10-x-14-in-254-x-356-cm-american-art-1881-image504725529.htmlRM2M946FN–Children Fishing Theodore Robinson (American, 1852-1896). , 1881. Watercolor, 10 x 14 in. (25.4 x 35.6 cm). American Art 1881
. Fossil plants : for students of botany and geology . Paleobotany. 284 CORDAITEAB [CH. xxxin is often torn into strips (fig. 485, A); the approximately rectangular leaf has a broad eUiptical base 9—10 x 3—4 cm.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Seward, A. C. (Albert Charles), 1863-1941. Cambridge : University Press Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fossil-plants-for-students-of-botany-and-geology-paleobotany-284-cordaiteab-ch-xxxin-is-often-torn-into-strips-fig-485-a-the-approximately-rectangular-leaf-has-a-broad-euiptical-base-910-x-34-cm-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-seward-a-c-albert-charles-1863-1941-cambridge-university-press-image232065385.htmlRMRDFDND–. Fossil plants : for students of botany and geology . Paleobotany. 284 CORDAITEAB [CH. xxxin is often torn into strips (fig. 485, A); the approximately rectangular leaf has a broad eUiptical base 9—10 x 3—4 cm.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Seward, A. C. (Albert Charles), 1863-1941. Cambridge : University Press
Cup MET 2498 189288 Maker: Richard Williams, Cup, 1774, Silver, Overall: 7 x 10 1/4 x 5 1/4 in. (13.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.204.3) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cup-met-2498-189288-maker-richard-williams-cup-1774-silver-overall-167999703.htmlRMKN919B–Cup MET 2498 189288 Maker: Richard Williams, Cup, 1774, Silver, Overall: 7 x 10 1/4 x 5 1/4 in. (13.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1907 (07.204.3)
. Minnesota mushrooms ... Botany; Mushrooms. ;6 MINNESOTA MUSHROOMS Stropharia aeruginosa Green Stropharia Cap 7-11 cm, -ivide, bluegreen with a sticky slime, yellowish as the latter dis- appears, conyex to plane, more or less umbonate ; stem 5-8 cm. by 6-12 mm., blue- green, sticky, hollow, ring more or less torn, superior ; gills adnate. dark pur- ple ; spores purplish brown, elliptic. S-10 X 4-5/i. The name refers to the green slimy coyering. On the ground in grassland, summer and autumn : suspected of being poisonous, but this is not preyed. Stropharia stercoraria Yellow Stropharia Cap 1-3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-6-minnesota-mushrooms-stropharia-aeruginosa-green-stropharia-cap-7-11-cm-ivide-bluegreen-with-a-sticky-slime-yellowish-as-the-latter-dis-appears-conyex-to-plane-more-or-less-umbonate-stem-5-8-cm-by-6-12-mm-blue-green-sticky-hollow-ring-more-or-less-torn-superior-gills-adnate-dark-pur-ple-spores-purplish-brown-elliptic-s-10-x-4-5i-the-name-refers-to-the-green-slimy-coyering-on-the-ground-in-grassland-summer-and-autumn-suspected-of-being-poisonous-but-this-is-not-preyed-stropharia-stercoraria-yellow-stropharia-cap-1-3-image216455625.htmlRMPG4BA1–. Minnesota mushrooms ... Botany; Mushrooms. ;6 MINNESOTA MUSHROOMS Stropharia aeruginosa Green Stropharia Cap 7-11 cm, -ivide, bluegreen with a sticky slime, yellowish as the latter dis- appears, conyex to plane, more or less umbonate ; stem 5-8 cm. by 6-12 mm., blue- green, sticky, hollow, ring more or less torn, superior ; gills adnate. dark pur- ple ; spores purplish brown, elliptic. S-10 X 4-5/i. The name refers to the green slimy coyering. On the ground in grassland, summer and autumn : suspected of being poisonous, but this is not preyed. Stropharia stercoraria Yellow Stropharia Cap 1-3
Unknown (Indian), Kalpa Sutra, middle 17th Century, Ink, gouache, and gold on paper, Each page: 10 1/4 x 4 1/8 in. (26.0 x 10.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-indian-kalpa-sutra-middle-17th-century-ink-gouache-and-gold-on-paper-each-page-10-14-x-4-18-in-260-x-102-cm-image328734987.htmlRM2A2R4R7–Unknown (Indian), Kalpa Sutra, middle 17th Century, Ink, gouache, and gold on paper, Each page: 10 1/4 x 4 1/8 in. (26.0 x 10.2 cm
