Fan, French, ca. 1730, French, Kid and ivory, 11 1/2 x 20 1/4 in. (29.2 x 51.4 cm), Fans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fan-french-ca-1730-french-kid-and-ivory-11-12-x-20-14-in-292-x-514-cm-fans-image344582345.html
RM2B0H289–Fan, French, ca. 1730, French, Kid and ivory, 11 1/2 x 20 1/4 in. (29.2 x 51.4 cm), Fans
Inspired by The Arrival of the Body of Citizen General Manuel Gonzales, Jose Guadelupe Posada, Mexican, 1852-1913, Relief engraving on type metal, 4 1/2 x 7 7/8 in., 11.4 x 20 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-arrival-of-the-body-of-citizen-general-manuel-gonzales-jose-guadelupe-posada-mexican-1852-1913-relief-engraving-on-type-metal-4-12-x-7-78-in-114-x-20-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265986.html
RF2HK5ACJ–Inspired by The Arrival of the Body of Citizen General Manuel Gonzales, Jose Guadelupe Posada, Mexican, 1852-1913, Relief engraving on type metal, 4 1/2 x 7 7/8 in., 11.4 x 20 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Panel with Heraldic Shield. Culture: British. Dimensions: Overall: 11 1/2 x 9 3/4 in. (29.2 x 24.8 cm). Date: 1300-20. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-with-heraldic-shield-culture-british-dimensions-overall-11-12-x-9-34-in-292-x-248-cm-date-1300-20-museum-metropolitan-museum-of-art-new-york-usa-image212863608.html
RMPA8NKM–Panel with Heraldic Shield. Culture: British. Dimensions: Overall: 11 1/2 x 9 3/4 in. (29.2 x 24.8 cm). Date: 1300-20. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 26.1 x 20.2 cm (10 1/4 x 7 15/16 in.) framed: 45 x 38.1 x 7.6 cm (17 11/16 x 15 x 3 in.); 15 Man with Pipe A34852 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-261-x-202-cm-10-14-x-7-1516-in-framed-45-x-381-x-76-cm-17-1116-x-15-x-3-in-15-man-with-pipe-a34852-image206554334.html
RMP01A4E–Painting; oil on canvas; overall: 26.1 x 20.2 cm (10 1/4 x 7 15/16 in.) framed: 45 x 38.1 x 7.6 cm (17 11/16 x 15 x 3 in.); 15 Man with Pipe A34852
Ashbourn . Visual Material information: Title: [Ashbourn]. 11.4.b. Place of publication: [London] Publisher: [unidentified publisher] Date of publication: [1730-1800 c.] Item type: 1 print Medium: etching Dimensions: sheet 37.2 x 20.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ashbourn-visual-material-information-title-ashbourn-114b-place-of-publication-london-publisher-unidentified-publisher-date-of-publication-1730-1800-c-item-type-1-print-medium-etching-dimensions-sheet-372-x-205-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401722731.html
RM2E9G1CB–Ashbourn . Visual Material information: Title: [Ashbourn]. 11.4.b. Place of publication: [London] Publisher: [unidentified publisher] Date of publication: [1730-1800 c.] Item type: 1 print Medium: etching Dimensions: sheet 37.2 x 20.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Group of Union officers who escaped from Confed. prison at Columbia, S.C., in the fall of '64 also three guides procured in the mountains of Tennessee No. 1. Capt. M.M. Bassett, Co. E 53rd Ills. Inf. No. 7. Capt. T.P. Young & A.S. Stewart, 4th Kty. who with six others attempted to escape by running the guard at two o'clock a.m. Nov. 10th 1864. The other 6 were recaptured & killed. No. 2. Col. W.S. Marshall. No. 3. Capt. Dobbs. No. 4. Fowler. No. 5. M. Hoffman. No. 6. Page. No. 9 Jno. McAdams. Nos. 10, 11, & 12 guides. Abstract/medium: 1 photographic print : albumen 20.1 x 25.3 cm (mount) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-of-union-officers-who-escaped-from-confed-prison-at-columbia-sc-in-the-fall-of-64-also-three-guides-procured-in-the-mountains-of-tennessee-no-1-capt-mm-bassett-co-e-53rd-ills-inf-no-7-capt-tp-young-as-stewart-4th-kty-who-with-six-others-attempted-to-escape-by-running-the-guard-at-two-oclock-am-nov-10th-1864-the-other-6-were-recaptured-killed-no-2-col-ws-marshall-no-3-capt-dobbs-no-4-fowler-no-5-m-hoffman-no-6-page-no-9-jno-mcadams-nos-10-11-12-guides-abstractmedium-1-photographic-print-albumen-201-x-253-cm-mount-image266678953.html
RMWDT7M9–Group of Union officers who escaped from Confed. prison at Columbia, S.C., in the fall of '64 also three guides procured in the mountains of Tennessee No. 1. Capt. M.M. Bassett, Co. E 53rd Ills. Inf. No. 7. Capt. T.P. Young & A.S. Stewart, 4th Kty. who with six others attempted to escape by running the guard at two o'clock a.m. Nov. 10th 1864. The other 6 were recaptured & killed. No. 2. Col. W.S. Marshall. No. 3. Capt. Dobbs. No. 4. Fowler. No. 5. M. Hoffman. No. 6. Page. No. 9 Jno. McAdams. Nos. 10, 11, & 12 guides. Abstract/medium: 1 photographic print : albumen 20.1 x 25.3 cm (mount)
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.html
RMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.html
RM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
'Sir Leslie Ward, Whistler, 0, watercolor and graphite on blue paper, Overall: 30.5 x 18.2 cm (12 x 7 3/16 in.) support: 52.6 x 38.7 cm (20 11/16 x 15 1/4 in.), Rosenwald Collection, 1949.5.521' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-leslie-ward-whistler-0-watercolor-and-graphite-on-blue-paper-overall-305-x-182-cm-12-x-7-316-in-support-526-x-387-cm-20-1116-x-15-14-in-rosenwald-collection-19495521-image559275166.html
RM2RDW552–'Sir Leslie Ward, Whistler, 0, watercolor and graphite on blue paper, Overall: 30.5 x 18.2 cm (12 x 7 3/16 in.) support: 52.6 x 38.7 cm (20 11/16 x 15 1/4 in.), Rosenwald Collection, 1949.5.521'
Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karnak-from-egypt-and-nubia-volume-ii-karnak-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-435-x-602-cm-17-18-x-23-1116-in-image-326-x-489-cm-12-1316-x-19-14-in-image349564225.html
RM2B8M0MH–Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.)
Border (France); block-printed and flocked; 53 x 11.5 cm (20 7/8 x 4 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-france-block-printed-and-flocked-53-x-115-cm-20-78-x-4-12-in-image546088217.html
RM2PMCD2H–Border (France); block-printed and flocked; 53 x 11.5 cm (20 7/8 x 4 1/2 in.)
Europa, Österreich, Wien, Rationierungskarte für Seife ( Seifenkarte ) für weibliche Personen über 1 Jahr und männliche Personen über 1 Jahr bis 18 Jahre , gültig ab 1. 4. 1949 , Größe : 11,8 cm x 7 cm , Rechte werden nicht vertreten . / Europe, Austria, Vienna, ration stamp for soap for female persons older than 1 year and male persons older than 1 year up to 18 years, valid from 1. 04. 1949 , size : 11,8 cm x 7 cm , there are no rights . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europa-sterreich-wien-rationierungskarte-fr-seife-seifenkarte-fr-weibliche-personen-ber-1-jahr-und-mnnliche-personen-ber-1-jahr-bis-18-jahre-gltig-ab-1-4-1949-gre-118-cm-x-7-cm-rechte-werden-nicht-vertreten-europe-austria-vienna-ration-stamp-for-soap-for-female-persons-older-than-1-year-and-male-persons-older-than-1-year-up-to-18-years-valid-from-1-04-1949-size-118-cm-x-7-cm-there-are-no-rights-image395886884.html
RM2E025N8–Europa, Österreich, Wien, Rationierungskarte für Seife ( Seifenkarte ) für weibliche Personen über 1 Jahr und männliche Personen über 1 Jahr bis 18 Jahre , gültig ab 1. 4. 1949 , Größe : 11,8 cm x 7 cm , Rechte werden nicht vertreten . / Europe, Austria, Vienna, ration stamp for soap for female persons older than 1 year and male persons older than 1 year up to 18 years, valid from 1. 04. 1949 , size : 11,8 cm x 7 cm , there are no rights .
Andiron MET 126248 89 Andiron, 1770?1800, Brass, 20 3/4 x 19 1/2 x 11 3/4 in. (52.7 x 49.5 x 29.8 cm). The Metropolitan Museum of Art, New York. Bequest of W. Gedney Beatty, 1941 (41.160.347) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-andiron-met-126248-89-andiron-17701800-brass-20-34-x-19-12-x-11-34-168098565.html
RMKNDFC5–Andiron MET 126248 89 Andiron, 1770?1800, Brass, 20 3/4 x 19 1/2 x 11 3/4 in. (52.7 x 49.5 x 29.8 cm). The Metropolitan Museum of Art, New York. Bequest of W. Gedney Beatty, 1941 (41.160.347)
Eurofighter Typhoon FGR4 on a QRA call out RAF Lossiemouth in Moray, Scotland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eurofighter-typhoon-fgr4-on-a-qra-call-out-raf-lossiemouth-in-moray-scotland-image380820319.html
RM2D3FT5K–Eurofighter Typhoon FGR4 on a QRA call out RAF Lossiemouth in Moray, Scotland.
. Icones plantarum formosanarum nec non et contributiones ad floram formosanam; or, Icones of the plants of Formosa, and materials for a flora of the island, based on a study of the collections of the Botanical survey of the Government of Formosa. Botany. 122 MELASTOMACE^.. Fig. 20. Bredia Oldhami Hook, f. 1, a branch; 2, a flower, stamens and petals taken ofE; 3, u petal; 4, 5, 6, stamens of one kind, seen from difierent sides; 7, 8, 9, stamens of the other kind, seen from different sides; 10, an ovary, in vertical section; 11, 12, seeds, seen from difEerent sides. 1, x §; 2-12 more or less m Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icones-plantarum-formosanarum-nec-non-et-contributiones-ad-floram-formosanam-or-icones-of-the-plants-of-formosa-and-materials-for-a-flora-of-the-island-based-on-a-study-of-the-collections-of-the-botanical-survey-of-the-government-of-formosa-botany-122-melastomace-fig-20-bredia-oldhami-hook-f-1-a-branch-2-a-flower-stamens-and-petals-taken-ofe-3-u-petal-4-5-6-stamens-of-one-kind-seen-from-difierent-sides-7-8-9-stamens-of-the-other-kind-seen-from-different-sides-10-an-ovary-in-vertical-section-11-12-seeds-seen-from-difeerent-sides-1-x-2-12-more-or-less-m-image216445386.html
RMPG3X8A–. Icones plantarum formosanarum nec non et contributiones ad floram formosanam; or, Icones of the plants of Formosa, and materials for a flora of the island, based on a study of the collections of the Botanical survey of the Government of Formosa. Botany. 122 MELASTOMACE^.. Fig. 20. Bredia Oldhami Hook, f. 1, a branch; 2, a flower, stamens and petals taken ofE; 3, u petal; 4, 5, 6, stamens of one kind, seen from difierent sides; 7, 8, 9, stamens of the other kind, seen from different sides; 10, an ovary, in vertical section; 11, 12, seeds, seen from difEerent sides. 1, x §; 2-12 more or less m
Fan, French, ca. 1785, French, Silk, ivory, 11 1/4 x 20 1/2 in. (28.6 x 52.1 cm), Fans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fan-french-ca-1785-french-silk-ivory-11-14-x-20-12-in-286-x-521-cm-fans-image344582364.html
RM2B0H290–Fan, French, ca. 1785, French, Silk, ivory, 11 1/4 x 20 1/2 in. (28.6 x 52.1 cm), Fans
Inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 11 1/2 x 8 1/4 in., 29.2 x 20.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-apocalypse-de-saint-jean-odilon-redon-french-1840-1916-lithograph-on-china-paper-laid-down-1899-11-12-x-8-14-in-292-x-209-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253504.html
RF2HK4PET–Inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 11 1/2 x 8 1/4 in., 29.2 x 20.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Malmesbury. Artist: Alfred Capel Cure (British, 1826-1896). Dimensions: 20.9 x 27.2 cm. (8 1/4 x 10 11/16 in.). Date: 1850s-60s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/malmesbury-artist-alfred-capel-cure-british-1826-1896-dimensions-209-x-272-cm-8-14-x-10-1116-in-date-1850s-60s-museum-metropolitan-museum-of-art-new-york-usa-image212855864.html
RMPA8BR4–Malmesbury. Artist: Alfred Capel Cure (British, 1826-1896). Dimensions: 20.9 x 27.2 cm. (8 1/4 x 10 11/16 in.). Date: 1850s-60s. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 32.2 x 25.3 cm (12 11/16 x 9 15/16 in.) framed: 52.7 x 43.2 x 5.7 cm (20 3/4 x 17 x 2 1/4 in.); 8 Divertissement A13430 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-322-x-253-cm-12-1116-x-9-1516-in-framed-527-x-432-x-57-cm-20-34-x-17-x-2-14-in-8-divertissement-a13430-image206560280.html
RMP01HMT–Painting; oil on canvas; overall: 32.2 x 25.3 cm (12 11/16 x 9 15/16 in.) framed: 52.7 x 43.2 x 5.7 cm (20 3/4 x 17 x 2 1/4 in.); 8 Divertissement A13430
Effigy to Sir Thomas Ellis (Elys) and his wife Margaret, in St Peter's Church, Sandwich Author Maxwell, G. 17.11.2.b. Date of publication: 1785. Item type: 1 drawing Medium: pen with black and brown ink and monochrome wash Dimensions: sheet 20.8 x 39.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effigy-to-sir-thomas-ellis-elys-and-his-wife-margaret-in-st-peters-church-sandwich-author-maxwell-g-17112b-date-of-publication-1785-item-type-1-drawing-medium-pen-with-black-and-brown-ink-and-monochrome-wash-dimensions-sheet-208-x-394-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401749100.html
RM2E9H724–Effigy to Sir Thomas Ellis (Elys) and his wife Margaret, in St Peter's Church, Sandwich Author Maxwell, G. 17.11.2.b. Date of publication: 1785. Item type: 1 drawing Medium: pen with black and brown ink and monochrome wash Dimensions: sheet 20.8 x 39.4 cm Former owner: George III, King of Great Britain, 1738-1820
Ganda peoples; Uganda; Late 19th century; Plant fiber, reed; H x W x D: 52.4 x 1.6 x 11.4 cm (20 5/8 x 5/8 x 4 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganda-peoples-uganda-late-19th-century-plant-fiber-reed-h-x-w-x-d-524-x-16-x-114-cm-20-58-x-58-x-4-12-in-image353574010.html
RM2BF6K76–Ganda peoples; Uganda; Late 19th century; Plant fiber, reed; H x W x D: 52.4 x 1.6 x 11.4 cm (20 5/8 x 5/8 x 4 1/2 in.)
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.html
RM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
'Hubert François Gravelot, Calmine, quel objet vient Effrayer ma vue?, 0, graphite on laid paper, overall (approximate): 28.5 x 20.2 cm (11 1/4 x 7 15/16 in.), Rosenwald Collection, 1980.45.630' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-franois-gravelot-calmine-quel-objet-vient-effrayer-ma-vue-0-graphite-on-laid-paper-overall-approximate-285-x-202-cm-11-14-x-7-1516-in-rosenwald-collection-198045630-image559640726.html
RM2REDRCP–'Hubert François Gravelot, Calmine, quel objet vient Effrayer ma vue?, 0, graphite on laid paper, overall (approximate): 28.5 x 20.2 cm (11 1/4 x 7 15/16 in.), Rosenwald Collection, 1980.45.630'
Fragment (France); silk, metallic; Warp x Weft: 20.2 x 11.5 cm (7 15/16 x 4 1/2 in.); 1896-2-63 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-france-silk-metallic-warp-x-weft-202-x-115-cm-7-1516-x-4-12-in-1896-2-63-image546081172.html
RM2PMC430–Fragment (France); silk, metallic; Warp x Weft: 20.2 x 11.5 cm (7 15/16 x 4 1/2 in.); 1896-2-63
Hairpin MET DP30078 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hairpin-met-dp30078-465311-frankish-hairpin-1886-gold-overall-8-18-168407546.html
RMKNYHF6–Hairpin MET DP30078 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242)
. Fungous diseases of plants : with chapters on physiology, culture methods and technique . Fungi in agriculture. PROTOBASIDIOMYCETES 403 X. ASPARAGUS RUST Puccinia Asparagi De C. Halsted, B. D. The Asparagus Rust; Its Treatment and Natural Enemies. N. J. Agl. Exp. Sta. Built. 129: 1-20. pi. 1-2. 1898. Halsted, B. D. Experiments with Asparagus Rust. N. J. Agl. Exp. Sta. Rept. 11: 343-347. 1898. Sirrine, F. A. Spraying for Asparagus Rust. N. Y. Agl. Exp. Sta. Built. 188: 122-166. 1900. Smith, Ralph E. The Water-Relation of Puccinia Asparagi. Bot. Gaz. 38: 19-43- fig*- 1-21- I9°4- Smith, Ralph E Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fungous-diseases-of-plants-with-chapters-on-physiology-culture-methods-and-technique-fungi-in-agriculture-protobasidiomycetes-403-x-asparagus-rust-puccinia-asparagi-de-c-halsted-b-d-the-asparagus-rust-its-treatment-and-natural-enemies-n-j-agl-exp-sta-built-129-1-20-pi-1-2-1898-halsted-b-d-experiments-with-asparagus-rust-n-j-agl-exp-sta-rept-11-343-347-1898-sirrine-f-a-spraying-for-asparagus-rust-n-y-agl-exp-sta-built-188-122-166-1900-smith-ralph-e-the-water-relation-of-puccinia-asparagi-bot-gaz-38-19-43-fig-1-21-i94-smith-ralph-e-image216441846.html
RMPG3NNX–. Fungous diseases of plants : with chapters on physiology, culture methods and technique . Fungi in agriculture. PROTOBASIDIOMYCETES 403 X. ASPARAGUS RUST Puccinia Asparagi De C. Halsted, B. D. The Asparagus Rust; Its Treatment and Natural Enemies. N. J. Agl. Exp. Sta. Built. 129: 1-20. pi. 1-2. 1898. Halsted, B. D. Experiments with Asparagus Rust. N. J. Agl. Exp. Sta. Rept. 11: 343-347. 1898. Sirrine, F. A. Spraying for Asparagus Rust. N. Y. Agl. Exp. Sta. Built. 188: 122-166. 1900. Smith, Ralph E. The Water-Relation of Puccinia Asparagi. Bot. Gaz. 38: 19-43- fig*- 1-21- I9°4- Smith, Ralph E
Hand, Central Asia, 3rd–7th century, Central Asia, Red clay, 8 x 4 1/2 in. (20.3 x 11.4 cm), Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-central-asia-3rd7th-century-central-asia-red-clay-8-x-4-12-in-203-x-114-cm-sculpture-image344599686.html
RM2B0HTBJ–Hand, Central Asia, 3rd–7th century, Central Asia, Red clay, 8 x 4 1/2 in. (20.3 x 11.4 cm), Sculpture
Art inspired by Knife, Figures, 16th–18th century, Peru, Quechua (?), Bronze, Overall: 4 1/2 x 7 7/8 in. (11.43 x 20 cm), Metal-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-knife-figures-16th18th-century-peru-quechua-bronze-overall-4-12-x-7-78-in-1143-x-20-cm-metal-implements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793917.html
RF2HTX2A5–Art inspired by Knife, Figures, 16th–18th century, Peru, Quechua (?), Bronze, Overall: 4 1/2 x 7 7/8 in. (11.43 x 20 cm), Metal-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
An Officer Holding a Ceremonial Sword. Artist: School of Rembrandt van Rijn (Dutch, 1606-1669). Culture: Dutch. Dimensions: 7 7/8 x 4 1/2 in. (20 x 11.5 cm). Date: 1640s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-officer-holding-a-ceremonial-sword-artist-school-of-rembrandt-van-rijn-dutch-1606-1669-culture-dutch-dimensions-7-78-x-4-12-in-20-x-115-cm-date-1640s-museum-metropolitan-museum-of-art-new-york-usa-image213329544.html
RMPB2008–An Officer Holding a Ceremonial Sword. Artist: School of Rembrandt van Rijn (Dutch, 1606-1669). Culture: Dutch. Dimensions: 7 7/8 x 4 1/2 in. (20 x 11.5 cm). Date: 1640s. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on cardboard; overall: 36.4 x 26 cm (14 5/16 x 10 1/4 in.) framed: 51.4 x 41.2 x 3.1 cm (20 1/4 x 16 1/4 x 1 1/4 in.); 11 Husband C16532 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-cardboard-overall-364-x-26-cm-14-516-x-10-14-in-framed-514-x-412-x-31-cm-20-14-x-16-14-x-1-14-in-11-husband-c16532-image206560713.html
RMP01J89–Painting; oil on cardboard; overall: 36.4 x 26 cm (14 5/16 x 10 1/4 in.) framed: 51.4 x 41.2 x 3.1 cm (20 1/4 x 16 1/4 x 1 1/4 in.); 11 Husband C16532
Brick Tower at Repton. Visual Material information: Title: Brick Tower at Repton. 11.49.c. Place of publication: [London] Publisher: [Robson and Clarke, New Bond Street, and J. Walker] Date of publication: [1790 c.] Item type: 1 print Medium: etching Dimensions: sheet 20.2 x 10.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brick-tower-at-repton-visual-material-information-title-brick-tower-at-repton-1149c-place-of-publication-london-publisher-robson-and-clarke-new-bond-street-and-j-walker-date-of-publication-1790-c-item-type-1-print-medium-etching-dimensions-sheet-202-x-104-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401722727.html
RM2E9G1C7–Brick Tower at Repton. Visual Material information: Title: Brick Tower at Repton. 11.49.c. Place of publication: [London] Publisher: [Robson and Clarke, New Bond Street, and J. Walker] Date of publication: [1790 c.] Item type: 1 print Medium: etching Dimensions: sheet 20.2 x 10.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.html
RMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
'Paul Gavarni, C'etais 'pour se donner des forces', c. 1845, pen and brown, blue and red ink, heightened with white, on brown prepared paper, overall: 28.2 x 20.9 cm (11 1/8 x 8 1/4 in.), Rosenwald Collection, 1943.3.4601' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gavarni-cetais-pour-se-donner-des-forces-c-1845-pen-and-brown-blue-and-red-ink-heightened-with-white-on-brown-prepared-paper-overall-282-x-209-cm-11-18-x-8-14-in-rosenwald-collection-194334601-image559763292.html
RM2REKBP4–'Paul Gavarni, C'etais 'pour se donner des forces', c. 1845, pen and brown, blue and red ink, heightened with white, on brown prepared paper, overall: 28.2 x 20.9 cm (11 1/8 x 8 1/4 in.), Rosenwald Collection, 1943.3.4601'
Drawing, Mountain Landscape, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; graphite on gray paper; 11.5 x 20 cm (4 1/2 x 7 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-mountain-landscape-jamaica-frederic-edwin-church-american-18261900-jamaica-graphite-on-gray-paper-115-x-20-cm-4-12-x-7-78-in-image546118952.html
RM2PMDT88–Drawing, Mountain Landscape, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; graphite on gray paper; 11.5 x 20 cm (4 1/2 x 7 7/8 in.)
Hairpin MET DP30078 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hairpin-met-dp30078-465311-frankish-hairpin-1886-gold-overall-8-18-168257678.html
RMKNMPAP–Hairpin MET DP30078 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242)
Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebD Year: 18uu UNION PLANT TUB. Union Plant Tubs. Made of cyprr-ss, painted green, with Iron hoops and feet and handles; perforated bottom; very strong. No. 1. iyi/„ inch diameter, 11 inch high each, $0 85 ' 2 14 ' ' 12 ' ... 1 25 ' 3. 16 ' ' 14 ' •« 1 75 ' 4. 20 ' ' I6I/2 ' 2 25 ' f5. 24 ' ' 181/a ' •« 8 00 WIRE ,r Folding Plafit Stands Trays 7 1-2 x 30. —miy . ,'l3y?WDN These stands i?JiN,i.(?'>«AM. JsL-. can be opened or folded in a f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-76-of-descriptive-catalogue-of-vegetable-flower-descriptive-catalogue-of-vegetable-flower-and-farm-seeds-descriptivecata00weebd-year-18uu-union-plant-tub-union-plant-tubs-made-of-cyprr-ss-painted-green-with-iron-hoops-and-feet-and-handles-perforated-bottom-very-strong-no-1-iyi-inch-diameter-11-inch-high-each-0-85-2-14-12-1-25-3-16-14-1-75-4-20-i6i2-2-25-f5-24-181a-8-00-wire-r-folding-plafit-stands-trays-7-1-2-x-30-miy-l3ywdn-these-stands-ijinigtam-jsl-can-be-opened-or-folded-in-a-f-image258653672.html
RMW0PKB4–Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebD Year: 18uu UNION PLANT TUB. Union Plant Tubs. Made of cyprr-ss, painted green, with Iron hoops and feet and handles; perforated bottom; very strong. No. 1. iyi/„ inch diameter, 11 inch high each, $0 85 ' 2 14 ' ' 12 ' ... 1 25 ' 3. 16 ' ' 14 ' •« 1 75 ' 4. 20 ' ' I6I/2 ' 2 25 ' f5. 24 ' ' 181/a ' •« 8 00 WIRE ,r Folding Plafit Stands Trays 7 1-2 x 30. —miy . ,'l3y?WDN These stands i?JiN,i.(?'>«AM. JsL-. can be opened or folded in a f
. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-image216349104.html
RMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
Piece, China, 17th–18th century, China, Silk, 14 1/4 x 4 1/2 in. (36.20 x 11.43 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-china-17th18th-century-china-silk-14-14-x-4-12-in-3620-x-1143-cm-textiles-woven-image344584946.html
RM2B0H5H6–Piece, China, 17th–18th century, China, Silk, 14 1/4 x 4 1/2 in. (36.20 x 11.43 cm), Textiles-Woven
Art inspired by Panel with Heraldic Shield, 1300–20, British, Stained glass, Overall: 11 1/2 x 9 3/4 in. (29.2 x 24.8 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-panel-with-heraldic-shield-130020-british-stained-glass-overall-11-12-x-9-34-in-292-x-248-cm-glass-stained-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462828300.html
RF2HTYJ64–Art inspired by Panel with Heraldic Shield, 1300–20, British, Stained glass, Overall: 11 1/2 x 9 3/4 in. (29.2 x 24.8 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Procession of figures. Artist: Carlo Urbino (Italian, Crema ca. 1510/20-after 1585 Crema). Dimensions: 4 1/2 x 8 11/16in. (11.4 x 22.1cm). Date: 1510-85. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/procession-of-figures-artist-carlo-urbino-italian-crema-ca-151020-after-1585-crema-dimensions-4-12-x-8-1116in-114-x-221cm-date-1510-85-museum-metropolitan-museum-of-art-new-york-usa-image213195053.html
RMPARTD1–Procession of figures. Artist: Carlo Urbino (Italian, Crema ca. 1510/20-after 1585 Crema). Dimensions: 4 1/2 x 8 11/16in. (11.4 x 22.1cm). Date: 1510-85. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: 1567-1599 Display Dimensions: 8 1/16 in. x 4 23/32 in. (20.5 cm x 12 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.266 Collection: The San Diego Museum of Art . 2 October 2001, 11:24:42. English: thesandiegomuseumofartcollection A group of men outside a bakery (6124528837) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-1567-1599-display-dimensions-8-116-in-x-4-2332-in-205-cm-x-12-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990266-collection-the-san-diego-museum-of-art-2-october-2001-112442-english-thesandiegomuseumofartcollection-a-group-of-men-outside-a-bakery-6124528837-image184772338.html
RMMMH302–. English: Creation Date: 1567-1599 Display Dimensions: 8 1/16 in. x 4 23/32 in. (20.5 cm x 12 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.266 Collection: The San Diego Museum of Art . 2 October 2001, 11:24:42. English: thesandiegomuseumofartcollection A group of men outside a bakery (6124528837)
NORTH end from HAMPSTEAD HEATH near LONDON Author Jukes, Francis 30.11.2. Place of publication: London Publisher: Pubd June 20 1799 by F. Jukes Howland Street, Date of publication: [June 20 1799] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 28 x 33.9 cm, on sheet 29.7 x 37.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/north-end-from-hampstead-heath-near-london-author-jukes-francis-30112-place-of-publication-london-publisher-pubd-june-20-1799-by-f-jukes-howland-street-date-of-publication-june-20-1799-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-plate-28-x-339-cm-on-sheet-297-x-374-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758695.html
RM2E9HK8R–NORTH end from HAMPSTEAD HEATH near LONDON Author Jukes, Francis 30.11.2. Place of publication: London Publisher: Pubd June 20 1799 by F. Jukes Howland Street, Date of publication: [June 20 1799] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 28 x 33.9 cm, on sheet 29.7 x 37.4 cm Former owner: George III, King of Great Britain, 1738-1820
'Francis Place after Gerard Soest, Richard Tompson, c. 1680, mezzotint on laid paper, plate: 26.2 x 20.9 cm (10 5/16 x 8 1/4 in.) sheet: 28.5 x 23 cm (11 1/4 x 9 1/16 in.), Paul Mellon Fund, 2001.118.39' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-place-after-gerard-soest-richard-tompson-c-1680-mezzotint-on-laid-paper-plate-262-x-209-cm-10-516-x-8-14-in-sheet-285-x-23-cm-11-14-x-9-116-in-paul-mellon-fund-200111839-image559651942.html
RM2REE9NA–'Francis Place after Gerard Soest, Richard Tompson, c. 1680, mezzotint on laid paper, plate: 26.2 x 20.9 cm (10 5/16 x 8 1/4 in.) sheet: 28.5 x 23 cm (11 1/4 x 9 1/16 in.), Paul Mellon Fund, 2001.118.39'
Mug (England); 4.8 x 6.5 x 5 cm (1 7/8 x 2 9/16 x 1 15/16 in.); Bequest of Jane M. Epstine; 2006-20-11 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-england-48-x-65-x-5-cm-1-78-x-2-916-x-1-1516-in-bequest-of-jane-m-epstine-2006-20-11-image546099602.html
RM2PMCYH6–Mug (England); 4.8 x 6.5 x 5 cm (1 7/8 x 2 9/16 x 1 15/16 in.); Bequest of Jane M. Epstine; 2006-20-11
Finding of the bodies of Saints Peter and Paul MET DP816382 393508 Artist: Giovanni Benedetto Castiglione (Il Grechetto), Italian, Genoa 1609?1664 Mantua, Finding of the bodies of Saints Peter and Paul, ca. 1647?51, Etching, sheet: 11 3/4 x 8 1/8 in. (29.8 x 20.7 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1973 (1973.500.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-finding-of-the-bodies-of-saints-peter-and-paul-met-dp816382-393508-168032319.html
RMKNAEX7–Finding of the bodies of Saints Peter and Paul MET DP816382 393508 Artist: Giovanni Benedetto Castiglione (Il Grechetto), Italian, Genoa 1609?1664 Mantua, Finding of the bodies of Saints Peter and Paul, ca. 1647?51, Etching, sheet: 11 3/4 x 8 1/8 in. (29.8 x 20.7 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1973 (1973.500.2)
Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebA Year: 18uu Flower Pots, Tubs, Etc. 76 WEEBER y DON ROUND SEED PANS EARTHENWARE Eeight Width - Price per doz. 3 x 6 .. $ 1 00 4. x 1 25, 5 x 10 2 50 6 x 12 3 00 7 x 14 5 00 8 x 16 -10 00 UNION PLANT TUBS Made of cypress, painted greeii, with iron hoops and feet and handles; perforated bottom, very strong. No. 1. 13 inch diameter, 11 inch high ..each $1 00 2. 14 3. 16 ' 4 20 ' 5. 24 ' 6. 28 Outside Measurement.; 15i 18 20 22 . 1, 50 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-76-of-descriptive-catalogue-of-vegetable-flower-descriptive-catalogue-of-vegetable-flower-and-farm-seeds-descriptivecata00weeba-year-18uu-flower-pots-tubs-etc-76-weeber-y-don-round-seed-pans-earthenware-eeight-width-price-per-doz-3-x-6-1-00-4-x-1-25-5-x-10-2-50-6-x-12-3-00-7-x-14-5-00-8-x-16-10-00-union-plant-tubs-made-of-cypress-painted-greeii-with-iron-hoops-and-feet-and-handles-perforated-bottom-very-strong-no-1-13-inch-diameter-11-inch-high-each-1-00-2-14-3-16-4-20-5-24-6-28-outside-measurement-15i-18-20-22-1-50-image258653673.html
RMW0PKB5–Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebA Year: 18uu Flower Pots, Tubs, Etc. 76 WEEBER y DON ROUND SEED PANS EARTHENWARE Eeight Width - Price per doz. 3 x 6 .. $ 1 00 4. x 1 25, 5 x 10 2 50 6 x 12 3 00 7 x 14 5 00 8 x 16 -10 00 UNION PLANT TUBS Made of cypress, painted greeii, with iron hoops and feet and handles; perforated bottom, very strong. No. 1. 13 inch diameter, 11 inch high ..each $1 00 2. 14 3. 16 ' 4 20 ' 5. 24 ' 6. 28 Outside Measurement.; 15i 18 20 22 . 1, 50
. Deutsche excursions-mollusken-fauna. Mollusks. 410 9. Planorbis contortttSy Linne. Helix contortus, Linne, syst. nat. ed. X. I. p. 770: — Gmelin, syst. nat. I. p. 3624. — — Chemnitz, Conch.-Cab. IX, 2 p. 98 t. 127 fig. 1126. Planorbis — Müller, Verm. bist. ü. p. 162. — C. Pfeiffer, Naturg. I. p. 81 t. 4 fig. 11. — — Sturm, Fauna VI. 3 t. 4. — Eossm., Icon. fig. 117. — — Drap., hist. moll. p. 42 t. 1 fig. 39—41. — Stein, Berlin p. 82 t. 2 fig. 25. — — Kobelt; Nassau p. 193 t, 5 fig. 10. — Slavik, Böhmen p. 115 t. 3 fig. 19-20. — — Lehmann, Stettin p. 213 t. 17 fig. 74. Anatomie: Lehmann 1, c. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-excursions-mollusken-fauna-mollusks-410-9-planorbis-contortttsy-linne-helix-contortus-linne-syst-nat-ed-x-i-p-770-gmelin-syst-nat-i-p-3624-chemnitz-conch-cab-ix-2-p-98-t-127-fig-1126-planorbis-mller-verm-bist-p-162-c-pfeiffer-naturg-i-p-81-t-4-fig-11-sturm-fauna-vi-3-t-4-eossm-icon-fig-117-drap-hist-moll-p-42-t-1-fig-3941-stein-berlin-p-82-t-2-fig-25-kobelt-nassau-p-193-t-5-fig-10-slavik-bhmen-p-115-t-3-fig-19-20-lehmann-stettin-p-213-t-17-fig-74-anatomie-lehmann-1-c-image215976762.html
RMPFAGFP–. Deutsche excursions-mollusken-fauna. Mollusks. 410 9. Planorbis contortttSy Linne. Helix contortus, Linne, syst. nat. ed. X. I. p. 770: — Gmelin, syst. nat. I. p. 3624. — — Chemnitz, Conch.-Cab. IX, 2 p. 98 t. 127 fig. 1126. Planorbis — Müller, Verm. bist. ü. p. 162. — C. Pfeiffer, Naturg. I. p. 81 t. 4 fig. 11. — — Sturm, Fauna VI. 3 t. 4. — Eossm., Icon. fig. 117. — — Drap., hist. moll. p. 42 t. 1 fig. 39—41. — Stein, Berlin p. 82 t. 2 fig. 25. — — Kobelt; Nassau p. 193 t, 5 fig. 10. — Slavik, Böhmen p. 115 t. 3 fig. 19-20. — — Lehmann, Stettin p. 213 t. 17 fig. 74. Anatomie: Lehmann 1, c.
Dress border, French, early 19th century, French, Silk, H. 4 1/2 x W. 8 inches, 11.4 x 20.3 cm, Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-border-french-early-19th-century-french-silk-h-4-12-x-w-8-inches-114-x-203-cm-textiles-embroidered-image344616257.html
RM2B0JHFD–Dress border, French, early 19th century, French, Silk, H. 4 1/2 x W. 8 inches, 11.4 x 20.3 cm, Textiles-Embroidered
Inspired by One of 274 Vintage Photographs, Photograph, late 19th-early 20th century, Qajar, Qajar Period, 4 7/16 x 8 1/16 in., 11.2 x 20.5 cm, 19th century, crowd, Iran, Islamic architecture, landscape, Persia, photograph, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-one-of-274-vintage-photographs-photograph-late-19th-early-20th-century-qajar-qajar-period-4-716-x-8-116-in-112-x-205-cm-19th-century-crowd-iran-islamic-architecture-landscape-persia-photograph-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248015.html
RF2HK4FER–Inspired by One of 274 Vintage Photographs, Photograph, late 19th-early 20th century, Qajar, Qajar Period, 4 7/16 x 8 1/16 in., 11.2 x 20.5 cm, 19th century, crowd, Iran, Islamic architecture, landscape, Persia, photograph, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Knife, Figures. Culture: Quechua (?). Dimensions: Overall: 4 1/2 x 7 7/8 in. (11.43 x 20 cm) Other: 4 1/2 in. (11.43 cm). Date: 16th-18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knife-figures-culture-quechua-dimensions-overall-4-12-x-7-78-in-1143-x-20-cm-other-4-12-in-1143-cm-date-16th-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213249068.html
RMPAX9A4–Knife, Figures. Culture: Quechua (?). Dimensions: Overall: 4 1/2 x 7 7/8 in. (11.43 x 20 cm) Other: 4 1/2 in. (11.43 cm). Date: 16th-18th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: The Goddess Ambika Leading the Eight Mother Goddesses in Battle Against the Demon Raktabija, Folio from a Devimahatmya (Glory of the Goddess), early 18th century Book/manuscript; Painting; Watercolor, Opaque watercolor and ink on paper, 4 1/2 x 8 in. (11.43 x 20.32 cm) Made in: Nepal Gift of Paul F. Walter (M.70.70) to en:LACMA . 18th century. Ashta-Matrika Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-goddess-ambika-leading-the-eight-mother-goddesses-in-battle-against-the-demon-raktabija-folio-from-a-devimahatmya-glory-of-the-goddess-early-18th-century-bookmanuscript-painting-watercolor-opaque-watercolor-and-ink-on-paper-4-12-x-8-in-1143-x-2032-cm-made-in-nepal-gift-of-paul-f-walter-m7070-to-enlacma-18th-century-ashta-matrika-image184777220.html
RMMMH96C–. English: The Goddess Ambika Leading the Eight Mother Goddesses in Battle Against the Demon Raktabija, Folio from a Devimahatmya (Glory of the Goddess), early 18th century Book/manuscript; Painting; Watercolor, Opaque watercolor and ink on paper, 4 1/2 x 8 in. (11.43 x 20.32 cm) Made in: Nepal Gift of Paul F. Walter (M.70.70) to en:LACMA . 18th century. Ashta-Matrika
VUE DU PORTAIL DE ST SULPICE A PARIS. Author Janinet, Jean-FrancÃßois 65.4.2.20. Place of publication: A Paris Publisher: chez Esnauts et Rapilly, rue St Jacques, aÃÄ la Ville de Coutances, Avec Priv. du Roi., Date of publication: [between 1785-1792] Item type: 1 print Medium: etching with hand-colouring Dimensions: sheet 13.7 x 11.9 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-du-portail-de-st-sulpice-a-paris-author-janinet-jean-francois-654220-place-of-publication-a-paris-publisher-chez-esnauts-et-rapilly-rue-st-jacques-a-la-ville-de-coutances-avec-priv-du-roi-date-of-publication-between-1785-1792-item-type-1-print-medium-etching-with-hand-colouring-dimensions-sheet-137-x-119-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708980.html
RM2E9FBW8–VUE DU PORTAIL DE ST SULPICE A PARIS. Author Janinet, Jean-FrancÃßois 65.4.2.20. Place of publication: A Paris Publisher: chez Esnauts et Rapilly, rue St Jacques, aÃÄ la Ville de Coutances, Avec Priv. du Roi., Date of publication: [between 1785-1792] Item type: 1 print Medium: etching with hand-colouring Dimensions: sheet 13.7 x 11.9 cm. Former owner: George III, King of Great Britain, 1738-1820
'Hubert François Gravelot, An Ornamental Trophy, 0, graphite, incised for transfer on laid paper; laid down, sheet: 7.4 x 5.3 cm (2 15/16 x 2 1/16 in.) support: 27.9 x 20 cm (11 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.17' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-franois-gravelot-an-ornamental-trophy-0-graphite-incised-for-transfer-on-laid-paper-laid-down-sheet-74-x-53-cm-2-1516-x-2-116-in-support-279-x-20-cm-11-x-7-78-in-gift-of-arthur-l-liebman-19928717-image559640800.html
RM2REDRFC–'Hubert François Gravelot, An Ornamental Trophy, 0, graphite, incised for transfer on laid paper; laid down, sheet: 7.4 x 5.3 cm (2 15/16 x 2 1/16 in.) support: 27.9 x 20 cm (11 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.17'
Fragments (England); silk and metallic thread; Repeat H: 45 cm (17 11/16 in.) Warp x Weft: 97.8 x 51.4 cm (38 1/2 x 20 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-england-silk-and-metallic-thread-repeat-h-45-cm-17-1116-in-warp-x-weft-978-x-514-cm-38-12-x-20-14-in-image546177805.html
RM2PMGFA5–Fragments (England); silk and metallic thread; Repeat H: 45 cm (17 11/16 in.) Warp x Weft: 97.8 x 51.4 cm (38 1/2 x 20 1/4 in.)
Creampot MET DP156313 2674 Maker: William W. Gilbert, 1746?1832, Creampot, 1790?1800, Silver, Overall: 6 1/2 x 4 5/16 in. (16.5 x 11 cm); 4 oz. 16 dwt. (148.6 g) Foot: Diam. 2 7/16 in. (6.2 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. William A. Moore, 1923 (23.80.20) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creampot-met-dp156313-2674-maker-william-w-gilbert-17461832-creampot-168194018.html
RMKNHW56–Creampot MET DP156313 2674 Maker: William W. Gilbert, 1746?1832, Creampot, 1790?1800, Silver, Overall: 6 1/2 x 4 5/16 in. (16.5 x 11 cm); 4 oz. 16 dwt. (148.6 g) Foot: Diam. 2 7/16 in. (6.2 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. William A. Moore, 1923 (23.80.20)
Archive image from page 594 of Denkschriften - Österreichische Akademie der. Denkschriften - Ãsterreichische Akademie der Wissenschaften denkschriftens701900akad Year: 1850 K.Koss und E.Graf Thun-HohensteiniKünmüefeiv-BeobacMungeii zu Verudella. TafXI. a 3 1D 1 1J Aliuair 4-'-' 3 4 5 1 -- â 42 W 38 36 Vt 11 30 28 26 22 20 18 16 là -. â 2.) /-' â >> s y S y f s. ? -'lA . - -- r / hâ ,â N /- u â 1â â â , k- y / k; ' â ' ' â â â 1â f / / . f â / f ' 1â J.n.L -- f 'X 1 1 -0 / i . , â OD '-' X, , tV-j- â .â - J Is -- / â fz - -/+' V â - â -' â - â 1â;-03| - / Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-594-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens701900akad-year-1850-kkoss-und-egraf-thun-hohensteiniknmefeiv-beobacmungeii-zu-verudella-tafxi-a-3-1d-1-1j-aliuair-4-3-4-5-1-42-w-38-36-vt-11-30-28-26-22-20-18-16-l-2-gtgt-s-y-s-y-f-s-la-r-h-n-u-1-k-y-k-1-f-f-f-1-jnl-f-x-1-1-0-i-od-x-tv-j-j-is-fz-v-1-03-image259324800.html
RMW1W7C0–Archive image from page 594 of Denkschriften - Österreichische Akademie der. Denkschriften - Ãsterreichische Akademie der Wissenschaften denkschriftens701900akad Year: 1850 K.Koss und E.Graf Thun-HohensteiniKünmüefeiv-BeobacMungeii zu Verudella. TafXI. a 3 1D 1 1J Aliuair 4-'-' 3 4 5 1 -- â 42 W 38 36 Vt 11 30 28 26 22 20 18 16 là -. â 2.) /-' â >> s y S y f s. ? -'lA . - -- r / hâ ,â N /- u â 1â â â , k- y / k; ' â ' ' â â â 1â f / / . f â / f ' 1â J.n.L -- f 'X 1 1 -0 / i . , â OD '-' X, , tV-j- â .â - J Is -- / â fz - -/+' V â - â -' â - â 1â;-03| - /
. Dansk ornithologisk forenings tidsskrift. Birds -- Periodicals; Birds -- Denmark Periodicals. 142. Billede 3. Kortskitse med Angivelse af de Steder, hvorfra de mærkede Spids- ænder er meldt. (De opførte Numre er de samme som S. 118—138. Tidsangivelserne for Rus- lands Vedkommende er efter saakaldt »ny Stil«, altsaa samme Datum, som vi an- giver her i Danmark). ^ (Fanø og den lige overfor liggende Kyst af Jylland): 1, 2, 3, 8, 9, 15, 20, 55, 57, 58. F (Andre Frisiske Øer og Slesvigs Kyst): 4, 5, 6, 7, 11, 64. M (Egne ved Maas): 12, 16, 30, 46, 47. S (Soliana): 10, 24, 29. 1 * X 1908 21 3 1909 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dansk-ornithologisk-forenings-tidsskrift-birds-periodicals-birds-denmark-periodicals-142-billede-3-kortskitse-med-angivelse-af-de-steder-hvorfra-de-mrkede-spids-nder-er-meldt-de-opfrte-numre-er-de-samme-som-s-118138-tidsangivelserne-for-rus-lands-vedkommende-er-efter-saakaldt-ny-stil-altsaa-samme-datum-som-vi-an-giver-her-i-danmark-fan-og-den-lige-overfor-liggende-kyst-af-jylland-1-2-3-8-9-15-20-55-57-58-f-andre-frisiske-er-og-slesvigs-kyst-4-5-6-7-11-64-m-egne-ved-maas-12-16-30-46-47-s-soliana-10-24-29-1-x-1908-21-3-1909-image216111309.html
RMPFGM51–. Dansk ornithologisk forenings tidsskrift. Birds -- Periodicals; Birds -- Denmark Periodicals. 142. Billede 3. Kortskitse med Angivelse af de Steder, hvorfra de mærkede Spids- ænder er meldt. (De opførte Numre er de samme som S. 118—138. Tidsangivelserne for Rus- lands Vedkommende er efter saakaldt »ny Stil«, altsaa samme Datum, som vi an- giver her i Danmark). ^ (Fanø og den lige overfor liggende Kyst af Jylland): 1, 2, 3, 8, 9, 15, 20, 55, 57, 58. F (Andre Frisiske Øer og Slesvigs Kyst): 4, 5, 6, 7, 11, 64. M (Egne ved Maas): 12, 16, 30, 46, 47. S (Soliana): 10, 24, 29. 1 * X 1908 21 3 1909
Piece, Japan, late 19th–early 20th century, Japan, Silk, 46 1/2 x 14 1/4 in. (118.11 x 36.20 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-japan-late-19thearly-20th-century-japan-silk-46-12-x-14-14-in-11811-x-3620-cm-textiles-woven-image344587784.html
RM2B0H96G–Piece, Japan, late 19th–early 20th century, Japan, Silk, 46 1/2 x 14 1/4 in. (118.11 x 36.20 cm), Textiles-Woven
Art inspired by Andiron, 1770–1800, Brass, 20 3/4 x 19 1/2 x 11 3/4 in. (52.7 x 49.5 x 29.8 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-andiron-17701800-brass-20-34-x-19-12-x-11-34-in-527-x-495-x-298-cm-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462894489.html
RF2HW2JJ1–Art inspired by Andiron, 1770–1800, Brass, 20 3/4 x 19 1/2 x 11 3/4 in. (52.7 x 49.5 x 29.8 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bird Vessel. Culture: Chimú. Dimensions: H x W x D: 4 1/2 x 3 1/2 x 8 in. (11.4 x 8.9 x 20.3 cm). Date: 12th-15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bird-vessel-culture-chim-dimensions-h-x-w-x-d-4-12-x-3-12-x-8-in-114-x-89-x-203-cm-date-12th-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image212914632.html
RMPAB2P0–Bird Vessel. Culture: Chimú. Dimensions: H x W x D: 4 1/2 x 3 1/2 x 8 in. (11.4 x 8.9 x 20.3 cm). Date: 12th-15th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: 10th century-11th century Display Dimensions: 20 1/4 in. x 11 1/2 in. x 14 1/4 in. (51.44 cm x 29.21 cm x 36.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1492 Collection: The San Diego Museum of Art . 19 July 2005, 17:25:26. English: thesandiegomuseumofartcollection Attendants of Vishnu (with Gada) (6125038438) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-10th-century-11th-century-display-dimensions-20-14-in-x-11-12-in-x-14-14-in-5144-cm-x-2921-cm-x-362-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901492-collection-the-san-diego-museum-of-art-19-july-2005-172526-english-thesandiegomuseumofartcollection-attendants-of-vishnu-with-gada-6125038438-image184772125.html
RMMMH2MD–. English: Creation Date: 10th century-11th century Display Dimensions: 20 1/4 in. x 11 1/2 in. x 14 1/4 in. (51.44 cm x 29.21 cm x 36.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1492 Collection: The San Diego Museum of Art . 19 July 2005, 17:25:26. English: thesandiegomuseumofartcollection Attendants of Vishnu (with Gada) (6125038438)
Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Administrative building (November 12, 1929): farm building - dining room: window, tearing, cut 1:20. Pencil on transparent, 59.2 x 85.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poelzig-hans-1869-1936-ig-colors-in-frankfurtmain-administrative-building-november-12-1929-farm-building-dining-room-window-tearing-cut-120-pencil-on-transparent-592-x-854-cm-including-scan-edges-image477414317.html
RM2JMM2R9–Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Administrative building (November 12, 1929): farm building - dining room: window, tearing, cut 1:20. Pencil on transparent, 59.2 x 85.4 cm (including scan edges)
'Jean-Auguste-Dominique Ingres, Mademoiselle Mary de Borderieux(?), 1857, Graphite and watercolor with white highlights, Overall: 35.2 x 27.1 cm (13 7/8 x 10 11/16 in.) framed: 51.4 x 42.9 cm (20 1/4 x 16 7/8 in.), Woodner Collection, Gift of Dian Woodner, 2011.42.6' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-auguste-dominique-ingres-mademoiselle-mary-de-borderieux-1857-graphite-and-watercolor-with-white-highlights-overall-352-x-271-cm-13-78-x-10-1116-in-framed-514-x-429-cm-20-14-x-16-78-in-woodner-collection-gift-of-dian-woodner-2011426-image559706741.html
RM2REGRJD–'Jean-Auguste-Dominique Ingres, Mademoiselle Mary de Borderieux(?), 1857, Graphite and watercolor with white highlights, Overall: 35.2 x 27.1 cm (13 7/8 x 10 11/16 in.) framed: 51.4 x 42.9 cm (20 1/4 x 16 7/8 in.), Woodner Collection, Gift of Dian Woodner, 2011.42.6'
Mug (England); silver resist; 9 x 9 x 11.5 cm (3 9/16 x 3 9/16 x 4 1/2 in.); Bequest of Jane M. Epstine; 2006-20-5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-england-silver-resist-9-x-9-x-115-cm-3-916-x-3-916-x-4-12-in-bequest-of-jane-m-epstine-2006-20-5-image546119538.html
RM2PMDW16–Mug (England); silver resist; 9 x 9 x 11.5 cm (3 9/16 x 3 9/16 x 4 1/2 in.); Bequest of Jane M. Epstine; 2006-20-5
Creampot MET DP156312 2674 Maker: William W. Gilbert, 1746?1832, Creampot, 1790?1800, Silver, Overall: 6 1/2 x 4 5/16 in. (16.5 x 11 cm); 4 oz. 16 dwt. (148.6 g) Foot: Diam. 2 7/16 in. (6.2 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. William A. Moore, 1923 (23.80.20) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creampot-met-dp156312-2674-maker-william-w-gilbert-17461832-creampot-168193805.html
RMKNHTWH–Creampot MET DP156312 2674 Maker: William W. Gilbert, 1746?1832, Creampot, 1790?1800, Silver, Overall: 6 1/2 x 4 5/16 in. (16.5 x 11 cm); 4 oz. 16 dwt. (148.6 g) Foot: Diam. 2 7/16 in. (6.2 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. William A. Moore, 1923 (23.80.20)
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.html
RMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
. Das Süsswasserplankton; Methode und Resultate der quantitativen Untersuchung. Freshwater animals; Freshwater plankton. f) Die Organismen des Planktons. 151 2. VIII. 30. VIII. 20. IX. 4. X. 11. X. a 14060000 2 318000 1 768 840 16 568 0 b 9157 424 2 812000 1778 400 66 576 8360 e 842 000 1225120 3 040000 49 856 0 a und b nehmen also ab. während c bis zum September stark zunimmt, um dann auch gegen den Winter hin spärlicher zu werden und schliesslich zu verschwinden. Im Plöner See fand ich im Anfang April die ganz schlanke Form, wie ich sie in Fig. 49 aus dem Ratzeburger See abbilde, bei weitem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/das-ssswasserplankton-methode-und-resultate-der-quantitativen-untersuchung-freshwater-animals-freshwater-plankton-f-die-organismen-des-planktons-151-2-viii-30-viii-20-ix-4-x-11-x-a-14060000-2-318000-1-768-840-16-568-0-b-9157-424-2-812000-1778-400-66-576-8360-e-842-000-1225120-3-040000-49-856-0-a-und-b-nehmen-also-ab-whrend-c-bis-zum-september-stark-zunimmt-um-dann-auch-gegen-den-winter-hin-sprlicher-zu-werden-und-schliesslich-zu-verschwinden-im-plner-see-fand-ich-im-anfang-april-die-ganz-schlanke-form-wie-ich-sie-in-fig-49-aus-dem-ratzeburger-see-abbilde-bei-weitem-image216099994.html
RMPFG5MX–. Das Süsswasserplankton; Methode und Resultate der quantitativen Untersuchung. Freshwater animals; Freshwater plankton. f) Die Organismen des Planktons. 151 2. VIII. 30. VIII. 20. IX. 4. X. 11. X. a 14060000 2 318000 1 768 840 16 568 0 b 9157 424 2 812000 1778 400 66 576 8360 e 842 000 1225120 3 040000 49 856 0 a und b nehmen also ab. während c bis zum September stark zunimmt, um dann auch gegen den Winter hin spärlicher zu werden und schliesslich zu verschwinden. Im Plöner See fand ich im Anfang April die ganz schlanke Form, wie ich sie in Fig. 49 aus dem Ratzeburger See abbilde, bei weitem
Fragment, Bohemian or Moravian, 16th–17th century, Bohemian or Moravian, Cutwork, L. 20 x W. 4 1/2 inches, 50.8 x 11.4 cm, Textiles-Laces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-bohemian-or-moravian-16th17th-century-bohemian-or-moravian-cutwork-l-20-x-w-4-12-inches-508-x-114-cm-textiles-laces-image344617520.html
RM2B0JK4G–Fragment, Bohemian or Moravian, 16th–17th century, Bohemian or Moravian, Cutwork, L. 20 x W. 4 1/2 inches, 50.8 x 11.4 cm, Textiles-Laces
Art inspired by Von der Kunnst Perspectiva, 1540, Woodcut, 11 7/8 x 8 1/16 x 1/4 in. (30.2 x 20.5 x 0.7 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-von-der-kunnst-perspectiva-1540-woodcut-11-78-x-8-116-x-14-in-302-x-205-x-07-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802738.html
RF2HTXDH6–Art inspired by Von der Kunnst Perspectiva, 1540, Woodcut, 11 7/8 x 8 1/16 x 1/4 in. (30.2 x 20.5 x 0.7 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Paolo and Francesca (Paolo und Francesca groß, Hochformat). Artist: Wilhelm Lehmbruck (German, Duisburg 1881-1919 Berlin). Dimensions: plate: 11 1/2 x 7 3/4 inches (29 x 20 cm). Date: 1913. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paolo-and-francesca-paolo-und-francesca-gro-hochformat-artist-wilhelm-lehmbruck-german-duisburg-1881-1919-berlin-dimensions-plate-11-12-x-7-34-inches-29-x-20-cm-date-1913-museum-metropolitan-museum-of-art-new-york-usa-image212897476.html
RMPAA8W8–Paolo and Francesca (Paolo und Francesca groß, Hochformat). Artist: Wilhelm Lehmbruck (German, Duisburg 1881-1919 Berlin). Dimensions: plate: 11 1/2 x 7 3/4 inches (29 x 20 cm). Date: 1913. Museum: Metropolitan Museum of Art, New York, USA.
. English: Series Title: Kathakalpataru Suite Name: Ashtashasrika Prajnaparamita Creation Date: 1616 Display Dimensions: 4 21/32 in. x 9 29/32 in. (11.8 cm x 25.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.202 Collection: The San Diego Museum of Art . 1 October 2001, 16:29:20. English: thesandiegomuseumofartcollection A pujari worshipping a lingam with three other worshippers (6125061376) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-kathakalpataru-suite-name-ashtashasrika-prajnaparamita-creation-date-1616-display-dimensions-4-2132-in-x-9-2932-in-118-cm-x-252-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990202-collection-the-san-diego-museum-of-art-1-october-2001-162920-english-thesandiegomuseumofartcollection-a-pujari-worshipping-a-lingam-with-three-other-worshippers-6125061376-image184772237.html
RMMMH2TD–. English: Series Title: Kathakalpataru Suite Name: Ashtashasrika Prajnaparamita Creation Date: 1616 Display Dimensions: 4 21/32 in. x 9 29/32 in. (11.8 cm x 25.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.202 Collection: The San Diego Museum of Art . 1 October 2001, 16:29:20. English: thesandiegomuseumofartcollection A pujari worshipping a lingam with three other worshippers (6125061376)
Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Test laboratory (September 11, 1929): Cut V-V 1st and 2nd floor 1:20. Pencil on transparent, 59.4 x 53.8 cm (including scan edges) Poelzig Hans (1869-1936): I.G.-Farben, Frankfurt/Main. Versuchslaboratorium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poelzig-hans-1869-1936-ig-colors-in-frankfurtmain-test-laboratory-september-11-1929-cut-v-v-1st-and-2nd-floor-120-pencil-on-transparent-594-x-538-cm-including-scan-edges-poelzig-hans-1869-1936-ig-farben-frankfurtmain-versuchslaboratorium-image477460438.html
RM2JMP5JE–Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Test laboratory (September 11, 1929): Cut V-V 1st and 2nd floor 1:20. Pencil on transparent, 59.4 x 53.8 cm (including scan edges) Poelzig Hans (1869-1936): I.G.-Farben, Frankfurt/Main. Versuchslaboratorium
'Hubert François Gravelot, Coat of Arms with Three Putti, 0, graphite, incised for transfer on laid paper; laid down, sheet: 6.4 x 8.9 cm (2 1/2 x 3 1/2 in.) support: 28.1 x 19.5 cm (11 1/16 x 7 11/16 in.), Gift of Arthur L. Liebman, 1992.87.20' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-franois-gravelot-coat-of-arms-with-three-putti-0-graphite-incised-for-transfer-on-laid-paper-laid-down-sheet-64-x-89-cm-2-12-x-3-12-in-support-281-x-195-cm-11-116-x-7-1116-in-gift-of-arthur-l-liebman-19928720-image559640832.html
RM2REDRGG–'Hubert François Gravelot, Coat of Arms with Three Putti, 0, graphite, incised for transfer on laid paper; laid down, sheet: 6.4 x 8.9 cm (2 1/2 x 3 1/2 in.) support: 28.1 x 19.5 cm (11 1/16 x 7 11/16 in.), Gift of Arthur L. Liebman, 1992.87.20'
Mug (England); red transfer; 6.4 x 9 x 6.9 cm (2 1/2 x 3 9/16 x 2 11/16 in.); Bequest of Jane M. Epstine; 2006-20-52 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-england-red-transfer-64-x-9-x-69-cm-2-12-x-3-916-x-2-1116-in-bequest-of-jane-m-epstine-2006-20-52-image546114249.html
RM2PMDJ89–Mug (England); red transfer; 6.4 x 9 x 6.9 cm (2 1/2 x 3 9/16 x 2 11/16 in.); Bequest of Jane M. Epstine; 2006-20-52
Hairpin MET sf17-192-242s1 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hairpin-met-sf17-192-242s1-465311-frankish-hairpin-1886-gold-overall-168257682.html
RMKNMPAX–Hairpin MET sf17-192-242s1 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242)
. Deutsche excursions-mollusken-fauna. Mollusks. 388 X 8. Limnoj^hf/sa palustris, Müller, Buccintim palustre, Müller, verm. hist. II. 1774 p. 131. Limnaeus palustris, Drap. hist. moll. 1805 p. 52 t. 2 fig. 40—42 ; t. 3 fig. 1. 2. — — C. Pfeiffer, Naturg. I. p. 88 t. 4 fig. 20. — Rossm. Icon. f. 51. — — Kobelt, Nassau, p. 179 t. 4 fig. 11. — Lehmann, Stettin p. 192 t. 16 f. 68. — — Stein, Berlin p. 67 t. 2 fig. 14. — Slavik p. 118 t. 3 fig. 38. Helix fragilis, Linne, Syst. nat. X. p. 774 (?). Limnaea — Küster, in Chemnitz ed. 2 p. 16 t. 4 fig. 1—10. — elodes, Say., Journ. Acad. nat. sei. phil. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-excursions-mollusken-fauna-mollusks-388-x-8-limnojhfsa-palustris-mller-buccintim-palustre-mller-verm-hist-ii-1774-p-131-limnaeus-palustris-drap-hist-moll-1805-p-52-t-2-fig-4042-t-3-fig-1-2-c-pfeiffer-naturg-i-p-88-t-4-fig-20-rossm-icon-f-51-kobelt-nassau-p-179-t-4-fig-11-lehmann-stettin-p-192-t-16-f-68-stein-berlin-p-67-t-2-fig-14-slavik-p-118-t-3-fig-38-helix-fragilis-linne-syst-nat-x-p-774-limnaea-kster-in-chemnitz-ed-2-p-16-t-4-fig-110-elodes-say-journ-acad-nat-sei-phil-image215976740.html
RMPFAGF0–. Deutsche excursions-mollusken-fauna. Mollusks. 388 X 8. Limnoj^hf/sa palustris, Müller, Buccintim palustre, Müller, verm. hist. II. 1774 p. 131. Limnaeus palustris, Drap. hist. moll. 1805 p. 52 t. 2 fig. 40—42 ; t. 3 fig. 1. 2. — — C. Pfeiffer, Naturg. I. p. 88 t. 4 fig. 20. — Rossm. Icon. f. 51. — — Kobelt, Nassau, p. 179 t. 4 fig. 11. — Lehmann, Stettin p. 192 t. 16 f. 68. — — Stein, Berlin p. 67 t. 2 fig. 14. — Slavik p. 118 t. 3 fig. 38. Helix fragilis, Linne, Syst. nat. X. p. 774 (?). Limnaea — Küster, in Chemnitz ed. 2 p. 16 t. 4 fig. 1—10. — elodes, Say., Journ. Acad. nat. sei. phil.
Andiron, 1770–1800, Brass, 20 3/4 x 19 1/2 x 11 3/4 in. (52.7 x 49.5 x 29.8 cm), Metal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-andiron-17701800-brass-20-34-x-19-12-x-11-34-in-527-x-495-x-298-cm-162332840.html
RMKC2W5C–Andiron, 1770–1800, Brass, 20 3/4 x 19 1/2 x 11 3/4 in. (52.7 x 49.5 x 29.8 cm), Metal
Art inspired by The Ascension of Christ, ca. 1750, Etching, 20 1/4 x 12 11/16 in. (51.5 x 32.2 cm), Prints, Johann Ignatz Zimbal (Austrian, 1722–1795, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-ascension-of-christ-ca-1750-etching-20-14-x-12-1116-in-515-x-322-cm-prints-johann-ignatz-zimbal-austrian-17221795-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956121.html
RF2HW5D75–Art inspired by The Ascension of Christ, ca. 1750, Etching, 20 1/4 x 12 11/16 in. (51.5 x 32.2 cm), Prints, Johann Ignatz Zimbal (Austrian, 1722–1795, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Melencholia. Artist: Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua). Dimensions: sheet: 8 3/16 x 4 1/2 in. (20.8 x 11.5 cm). Date: ca. 1645-1646. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/melencholia-artist-giovanni-benedetto-castiglione-il-grechetto-italian-genoa-1609-1664-mantua-dimensions-sheet-8-316-x-4-12-in-208-x-115-cm-date-ca-1645-1646-museum-metropolitan-museum-of-art-new-york-usa-image212874454.html
RMPA97F2–Melencholia. Artist: Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua). Dimensions: sheet: 8 3/16 x 4 1/2 in. (20.8 x 11.5 cm). Date: ca. 1645-1646. Museum: Metropolitan Museum of Art, New York, USA.
. English: Adoration of the Magi tempera on poplar panel 20 1/2 x 11 in. (52.1 x 27.9 cm) . 1470-79. Lazzaro Bastiani (1429–1512) Description Italian painter Date of birth/death circa 1430 circa 1512 Location of birth/death Venice Venice Work period 1449 Work location Venice Authority control : Q2358412 VIAF:?315944566 ULAN:?500002908 LCCN:?nr91030131 WGA:?BASTIANI, Lazzaro RKD:?4952 WorldCat 4 BastianiMagi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-adoration-of-the-magi-tempera-on-poplar-panel-20-12-x-11-in-521-x-279-cm-1470-79-lazzaro-bastiani-14291512-description-italian-painter-date-of-birthdeath-circa-1430-circa-1512-location-of-birthdeath-venice-venice-work-period-1449-work-location-venice-authority-control-q2358412-viaf315944566-ulan500002908-lccnnr91030131-wgabastiani-lazzaro-rkd4952-worldcat-4-bastianimagi-image206554020.html
RMP019N8–. English: Adoration of the Magi tempera on poplar panel 20 1/2 x 11 in. (52.1 x 27.9 cm) . 1470-79. Lazzaro Bastiani (1429–1512) Description Italian painter Date of birth/death circa 1430 circa 1512 Location of birth/death Venice Venice Work period 1449 Work location Venice Authority control : Q2358412 VIAF:?315944566 ULAN:?500002908 LCCN:?nr91030131 WGA:?BASTIANI, Lazzaro RKD:?4952 WorldCat 4 BastianiMagi
Poelzig Hans (1869-1936), Haus des Rundfunk, Berlin (November 19, 1929): Execution project, entrance Masurenallee, floor plan 1:20. Pencil on transparent, 53.2 x 89.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poelzig-hans-1869-1936-haus-des-rundfunk-berlin-november-19-1929-execution-project-entrance-masurenallee-floor-plan-120-pencil-on-transparent-532-x-894-cm-including-scan-edges-image477414642.html
RM2JMM36X–Poelzig Hans (1869-1936), Haus des Rundfunk, Berlin (November 19, 1929): Execution project, entrance Masurenallee, floor plan 1:20. Pencil on transparent, 53.2 x 89.4 cm (including scan edges)
'Albert Besnard, Iza Sleeping (Le Sommeil d'Iza), 1885, etching and aquatint on laid paper, plate: 16.7 x 11.5 cm (6 9/16 x 4 1/2 in.) sheet: 26.5 x 20.1 cm (10 7/16 x 7 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.9' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-iza-sleeping-le-sommeil-diza-1885-etching-and-aquatint-on-laid-paper-plate-167-x-115-cm-6-916-x-4-12-in-sheet-265-x-201-cm-10-716-x-7-1516-in-gift-of-mr-and-mrs-daniel-bell-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-1992599-image557243225.html
RM2RAGHBN–'Albert Besnard, Iza Sleeping (Le Sommeil d'Iza), 1885, etching and aquatint on laid paper, plate: 16.7 x 11.5 cm (6 9/16 x 4 1/2 in.) sheet: 26.5 x 20.1 cm (10 7/16 x 7 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.9'
Drawing, Seascape, Newfoundland; Frederic Edwin Church (American, 1826–1900); Canada; graphite, brush and white gouache on light brown paper; 11.4 x 20.6 cm (4 1/2 x 8 1/8 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-seascape-newfoundland-frederic-edwin-church-american-18261900-canada-graphite-brush-and-white-gouache-on-light-brown-paper-114-x-206-cm-4-12-x-8-18-in-image546123302.html
RM2PME1RJ–Drawing, Seascape, Newfoundland; Frederic Edwin Church (American, 1826–1900); Canada; graphite, brush and white gouache on light brown paper; 11.4 x 20.6 cm (4 1/2 x 8 1/8 in. )
Hairpin MET sf17-192-242d1 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hairpin-met-sf17-192-242d1-465311-frankish-hairpin-1886-gold-overall-168407548.html
RMKNYHF8–Hairpin MET sf17-192-242d1 465311 Frankish, Hairpin, 1886, Gold, Overall: 8 1/8 x 1 1/8 x 1/4 in. (20.6 x 2.8 x 0.6 cm) shaft: 6 11/16 x 3/16 in. (17 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.242)
Effects of zebra mussels on chlorophyll, nitrogen, phosphorus and silica in north shore waters of Lake Erie effectsofzebramu00ontauoft Year: 1997 1 2 3 4 5 6 7 8 9 10 11 12 Month Rosehill 1 2 3 4 5 6 7 8 9 10 11 12 Month r Rosehil ^ 0.01 '1 PostZM [ a E, ^0.005 LL n . tl^ll PreZM 30 ^ 20 u. ^ 10 t- 0 0.015 5 0.01 z e.0.005 : « I 0- -0.005 0.4 O 0.3 - 6 0.2- z •T 0.1 - X z 0 1 2 3 4 5 6 7 8 9 10 11 12 Month Rosehill Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effects-of-zebra-mussels-on-chlorophyll-nitrogen-phosphorus-and-silica-in-north-shore-waters-of-lake-erie-effectsofzebramu00ontauoft-year-1997-1-2-3-4-5-6-7-8-9-10-11-12-month-rosehill-1-2-3-4-5-6-7-8-9-10-11-12-month-r-rosehil-001-1-postzm-a-e-0005-ll-n-tlll-prezm-30-20-u-10-t-0-0015-5-001-z-e0005-i-0-0005-04-o-03-6-02-z-t-01-x-z-0-1-2-3-4-5-6-7-8-9-10-11-12-month-rosehill-image240662303.html
RMRYF367–Effects of zebra mussels on chlorophyll, nitrogen, phosphorus and silica in north shore waters of Lake Erie effectsofzebramu00ontauoft Year: 1997 1 2 3 4 5 6 7 8 9 10 11 12 Month Rosehill 1 2 3 4 5 6 7 8 9 10 11 12 Month r Rosehil ^ 0.01 '1 PostZM [ a E, ^0.005 LL n . tl^ll PreZM 30 ^ 20 u. ^ 10 t- 0 0.015 5 0.01 z e.0.005 : « I 0- -0.005 0.4 O 0.3 - 6 0.2- z •T 0.1 - X z 0 1 2 3 4 5 6 7 8 9 10 11 12 Month Rosehill
. Deutsche excursions-mollusken-fauna. Mollusks. 376 7. Limnaea palustris, Müller. Buccinum palustre, Müller, verm. bist. II. 1774 p. 131. Limnaeus palustris, Drap., bist. moU. 1805 p. 52 t. 2 fig. 40—42; t. 3 fig. 1. 2. — — C. Pfeiffer, Naturg. I. p. 88 t. 4 fig. 20. — Rossm. Icon. f. 51. — — Kobelt, Nassau, p. 179 t. 4 fig. 11. — Lehmann, Stettin p. 192 t. 16 f. 68. — — Stein, Berlin p. 67 t. 2 fig. 14. — Slavlk p. 118 t. 3 fig, 38. Helix fragilis, Linne, Syst. nat. X- p. 774 (?). Limnaea — Küster, in Chemnitz ed. 2 p. 16 t. 4 fig. 1—10. — elodes, Say., Journ. Acad. nat. sei. phil. II. 1821 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-excursions-mollusken-fauna-mollusks-376-7-limnaea-palustris-mller-buccinum-palustre-mller-verm-bist-ii-1774-p-131-limnaeus-palustris-drap-bist-mou-1805-p-52-t-2-fig-4042-t-3-fig-1-2-c-pfeiffer-naturg-i-p-88-t-4-fig-20-rossm-icon-f-51-kobelt-nassau-p-179-t-4-fig-11-lehmann-stettin-p-192-t-16-f-68-stein-berlin-p-67-t-2-fig-14-slavlk-p-118-t-3-fig-38-helix-fragilis-linne-syst-nat-x-p-774-limnaea-kster-in-chemnitz-ed-2-p-16-t-4-fig-110-elodes-say-journ-acad-nat-sei-phil-ii-1821-image215976841.html
RMPFAGJH–. Deutsche excursions-mollusken-fauna. Mollusks. 376 7. Limnaea palustris, Müller. Buccinum palustre, Müller, verm. bist. II. 1774 p. 131. Limnaeus palustris, Drap., bist. moU. 1805 p. 52 t. 2 fig. 40—42; t. 3 fig. 1. 2. — — C. Pfeiffer, Naturg. I. p. 88 t. 4 fig. 20. — Rossm. Icon. f. 51. — — Kobelt, Nassau, p. 179 t. 4 fig. 11. — Lehmann, Stettin p. 192 t. 16 f. 68. — — Stein, Berlin p. 67 t. 2 fig. 14. — Slavlk p. 118 t. 3 fig, 38. Helix fragilis, Linne, Syst. nat. X- p. 774 (?). Limnaea — Küster, in Chemnitz ed. 2 p. 16 t. 4 fig. 1—10. — elodes, Say., Journ. Acad. nat. sei. phil. II. 1821
Fringe, French, ca. 1830, Made in France, French, Silk and wood trimming, 4 1/2 x 20 1/4 in. (11.4 x 51.4 cm), Textiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fringe-french-ca-1830-made-in-france-french-silk-and-wood-trimming-4-12-x-20-14-in-114-x-514-cm-textiles-image344619767.html
RM2B0JP0R–Fringe, French, ca. 1830, Made in France, French, Silk and wood trimming, 4 1/2 x 20 1/4 in. (11.4 x 51.4 cm), Textiles
Art inspired by Blackware Paccha with Feline, 15th–early 16th century, Peru, Inca, Ceramic, H. 4 1/2 x W. 8 in. (11.4 x 20.3 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-blackware-paccha-with-feline-15thearly-16th-century-peru-inca-ceramic-h-4-12-x-w-8-in-114-x-203-cm-ceramics-containers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462943901.html
RF2HW4WJN–Art inspired by Blackware Paccha with Feline, 15th–early 16th century, Peru, Inca, Ceramic, H. 4 1/2 x W. 8 in. (11.4 x 20.3 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Anton Heinrich Springer (1825-1895). Artist: Henri Lehmann (French, Kiel 1814-1882 Paris). Dimensions: 10 11/16 x 8 1/16 in. (27.2 x 20.4 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-anton-heinrich-springer-1825-1895-artist-henri-lehmann-french-kiel-1814-1882-paris-dimensions-10-1116-x-8-116-in-272-x-204-cm-date-mid-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213073862.html
RMPAJ9TP–Portrait of Anton Heinrich Springer (1825-1895). Artist: Henri Lehmann (French, Kiel 1814-1882 Paris). Dimensions: 10 11/16 x 8 1/16 in. (27.2 x 20.4 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.
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