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1185 Stock Photos and Images
1185. NAZARETH, BY J. BOURASSE, 'LA TERRE SAINTE', 1860 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1185-nazareth-by-j-bourasse-la-terre-sainte-1860-30781966.htmlRMBP26KX–1185. NAZARETH, BY J. BOURASSE, 'LA TERRE SAINTE', 1860
Battle of Yashima, 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-of-yashima-1185-135096745.htmlRMHRP57N–Battle of Yashima, 1185
Sarah Miles, 1972. File Reference # 1185 005THA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarah-miles-1972-file-reference-1185-005tha-image218889952.htmlRMPM38A8–Sarah Miles, 1972. File Reference # 1185 005THA
ENGLAND & FRANCE JULY 1185: Kingdoms & dependencies.English possessions 1907 map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-england-france-july-1185-kingdoms-dependenciesenglish-possessions-110384266.htmlRFGBGC76–ENGLAND & FRANCE JULY 1185: Kingdoms & dependencies.English possessions 1907 map
B 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-b-1185-95189040.htmlRMFET6GG–B 1185
Unknown (Japanese), Incense Burner, 1185/1334, Gilt bronze, Height 11 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-japanese-incense-burner-11851334-gilt-bronze-height-11-in-image328718510.htmlRM2A2PBPP–Unknown (Japanese), Incense Burner, 1185/1334, Gilt bronze, Height 11 in
Japanese armour; probably Kamakura period, c.1185-1392. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japanese-armour-probably-kamakura-period-c1185-1392-image268824127.htmlRMWH9YWK–Japanese armour; probably Kamakura period, c.1185-1392.
Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 5 in. (12.7 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mirror-heian-period-7941185-japan-bronze-diam-5-in-127-cm-mirrors-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462773613.htmlRF2HTW4D1–Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 5 in. (12.7 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Tigercat 1185 timber harvested parked in a log processing yard in Upstate New York in late winter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-tigercat-1185-timber-harvested-parked-in-a-log-processing-yard-in-upstate-new-york-in-late-winter-image417745035.htmlRF2F7HX1F–A Tigercat 1185 timber harvested parked in a log processing yard in Upstate New York in late winter
The Ritz-Carlton New York NoMad is Located at 1185 Broadway, New York, NY , USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ritz-carlton-new-york-nomad-is-located-at-1185-broadway-new-york-ny-usa-image437290522.htmlRM2GBC8EJ–The Ritz-Carlton New York NoMad is Located at 1185 Broadway, New York, NY , USA
Portrait of Xuanzang (Genjō) with Attendant, In the Style of Kasuga Motomitsu (Japanese, active early 11th century), Kamakura period (1185–1333), Date 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-xuanzang-genj-with-attendant-in-the-style-of-kasuga-motomitsu-japanese-active-early-11th-century-kamakura-period-11851333-date-14th-century-image543086224.htmlRM2PFFM0G–Portrait of Xuanzang (Genjō) with Attendant, In the Style of Kasuga Motomitsu (Japanese, active early 11th century), Kamakura period (1185–1333), Date 14th century
1185 Park Avenue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1185-park-avenue-image417482183.htmlRF2F75XNY–1185 Park Avenue
blue 1185 number 3d effect white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-1185-number-3d-effect-white-background-image450228060.htmlRF2H4DJDG–blue 1185 number 3d effect white background
Basel, Basler Münster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basel-basler-mnster-43341287.htmlRMCEEA73–Basel, Basler Münster
Pope Urbanus Iii Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-urbanus-iii-image5544579.htmlRMAY3P84–Pope Urbanus Iii
Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bulgaria-central-mountains-shumen-ruins-of-the-shumen-fortress-built-149674028.htmlRMJKE6N0–Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185
VELIKO TARNOVO, BULGARIA - JULY 07, 2019: One of the streets of the old city. Veliko Tarnovo was the historical capital of the Second Bulgarian Kingdom (1185 - 1396) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/veliko-tarnovo-bulgaria-july-07-2019-one-of-the-streets-of-the-old-city-veliko-tarnovo-was-the-historical-capital-of-the-second-bulgarian-kingdom-1185-1396-image357895123.htmlRM2BP7ETK–VELIKO TARNOVO, BULGARIA - JULY 07, 2019: One of the streets of the old city. Veliko Tarnovo was the historical capital of the Second Bulgarian Kingdom (1185 - 1396)
Lou Ambers, World Lightweight Champion, in triumph with Announcer Harry Balough, Aug. 22, 1939. Henry Armstrong lost five rounds on fouls and Lou Ambers won by decision after 15 rounds. (CSU 2015 11 1185) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lou-ambers-world-lightweight-champion-in-triumph-with-announcer-harry-87521078.htmlRMF2AX0P–Lou Ambers, World Lightweight Champion, in triumph with Announcer Harry Balough, Aug. 22, 1939. Henry Armstrong lost five rounds on fouls and Lou Ambers won by decision after 15 rounds. (CSU 2015 11 1185)
Stained glass window in the chapter house of the cathedral at Lincoln, England, illustrating the earthquake of 1185 which destroyed much of the church. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-window-in-the-chapter-house-of-the-cathedral-at-lincoln-england-illustrating-the-earthquake-of-1185-which-destroyed-much-of-the-church-image571811849.htmlRM2T687RN–Stained glass window in the chapter house of the cathedral at Lincoln, England, illustrating the earthquake of 1185 which destroyed much of the church.
3530. THE MONUMENTAL ENTRANCE TO THE TEMPLE OF LUXOR BUILT BY PHARAOH AMONHOTEP III. AND RAMSES II. (1293-1185 B.C.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-3530-the-monumental-entrance-to-the-temple-of-luxor-built-by-pharaoh-30856767.htmlRMBP5J3B–3530. THE MONUMENTAL ENTRANCE TO THE TEMPLE OF LUXOR BUILT BY PHARAOH AMONHOTEP III. AND RAMSES II. (1293-1185 B.C.)
. English: Ishinpō located at Ninnaji . before 1185. Unknown 300 Ishinpo Ninnaji Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ishinp-located-at-ninnaji-before-1185-unknown-300-ishinpo-ninnaji-image187767724.htmlRMMWDFJ4–. English: Ishinpō located at Ninnaji . before 1185. Unknown 300 Ishinpo Ninnaji
Sarah Miles and husband Robert Bolt, 1972. File Reference # 1185 004THA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarah-miles-and-husband-robert-bolt-1972-file-reference-1185-004tha-image218889951.htmlRMPM38A7–Sarah Miles and husband Robert Bolt, 1972. File Reference # 1185 004THA
Wing of a Portable Shrine, 794-1185. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wing-of-a-portable-shrine-794-1185-image330135256.htmlRM2A52XTT–Wing of a Portable Shrine, 794-1185.
ARTIST PAINTS DAMAGE: An artist painting in the ruins of the City Temple, nr Fleet Street, London, after it was destroyed during a bombing raid by the Luftwaffe in 1941. Consecrated in 1185, it was built to serve the Knights Templar, founded to protect pilgrims in the Holy Land. Picture part of PA Second World War collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artist-paints-damage-an-artist-painting-in-the-ruins-of-the-city-temple-106428164.htmlRMG5465T–ARTIST PAINTS DAMAGE: An artist painting in the ruins of the City Temple, nr Fleet Street, London, after it was destroyed during a bombing raid by the Luftwaffe in 1941. Consecrated in 1185, it was built to serve the Knights Templar, founded to protect pilgrims in the Holy Land. Picture part of PA Second World War collection.
Canopic Jar with Head of Duamutef, ca. 1295–1185 B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-canopic-jar-with-head-of-duamutef-ca-12951185-bc-162566364.htmlRMKCDF1G–Canopic Jar with Head of Duamutef, ca. 1295–1185 B.C
Undated Japanese armour . Kamakura period 1185-1392. Medieval Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/undated-japanese-armour-kamakura-period-1185-1392-medieval-image268827827.htmlRMWHA4HR–Undated Japanese armour . Kamakura period 1185-1392. Medieval
Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 4 1/8 in. (10.5 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mirror-heian-period-7941185-japan-bronze-diam-4-18-in-105-cm-mirrors-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462773620.htmlRF2HTW4D8–Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 4 1/8 in. (10.5 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ comforted by angels Stained From Troyes Cathedral 1170 - 1185 Cluny Middle Age Museum - Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-comforted-by-angels-stained-from-troyes-cathedral-1170-1185-31815837.htmlRMBRN9BW–Christ comforted by angels Stained From Troyes Cathedral 1170 - 1185 Cluny Middle Age Museum - Paris
Eleanor of Aquitaine (circa 1122-1204), portrait painting from a 12th Century French Illuminated Manuscript, circa 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eleanor-of-aquitaine-circa-1122-1204-portrait-painting-from-a-12th-century-french-illuminated-manuscript-circa-1185-image629711924.htmlRM2YGDRYG–Eleanor of Aquitaine (circa 1122-1204), portrait painting from a 12th Century French Illuminated Manuscript, circa 1185
Battle of Dannoura ( 1185 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkaisai ( Tsukioka ) Yoshitoshi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-dannoura-1185-from-dainihon-rekishi-nishikie-published-between-late-edo-and-early-meiji-period-artist-ikkaisai-tsukioka-yoshitoshi-image208851874.htmlRMP3P0KE–Battle of Dannoura ( 1185 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkaisai ( Tsukioka ) Yoshitoshi
1185 Park Avenue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1185-park-avenue-image417482177.htmlRF2F75XNN–1185 Park Avenue
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-metropolitan-cathedral-of-the-assumption-of-virgin-mary-palermo-cathedral-palermo-sicily-the-church-was-erected-in-1185-by-walter-ophamil-or-walter-of-the-mill-the-anglo-norman-archbishop-of-palermo-and-king-william-iis-minister-on-the-area-of-an-earlier-byzantine-basilica-the-upper-orders-of-the-corner-towers-were-built-between-the-14th-and-the-15th-centuries-while-in-the-early-renaissance-period-the-southern-porch-was-added-the-present-neoclassical-appearance-dates-from-the-work-carried-out-between-1781-and-1801-image436518852.htmlRM2GA5470–Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Basel, Basler Münster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basel-basler-mnster-43341303.htmlRMCEEA7K–Basel, Basler Münster
Aerospatiale SA.342J Gazelle F-WTNA (msn 1185), at the SBAC Farnborough Air Show held from 5-12 September 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aerospatiale-sa342j-gazelle-f-wtna-msn-1185-at-the-sbac-farnborough-air-show-held-from-5-12-september-1976-image560816498.htmlRM2RGBB4J–Aerospatiale SA.342J Gazelle F-WTNA (msn 1185), at the SBAC Farnborough Air Show held from 5-12 September 1976.
Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bulgaria-central-mountains-shumen-ruins-of-the-shumen-fortress-built-149674053.htmlRMJKE6NW–Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185
Central plaque from a Champleve enamel and gilded copper cross. French, Limoges circa 1185-95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-central-plaque-from-a-champleve-enamel-and-gilded-copper-cross-french-57418154.htmlRMD9BHCA–Central plaque from a Champleve enamel and gilded copper cross. French, Limoges circa 1185-95
NORMAN BRITAIN 1086: England & Wales of Domesday book. Borders 1185, 1902 map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-norman-britain-1086-england-wales-of-domesday-book-borders-1185-1902-94077597.htmlRFFD1GX5–NORMAN BRITAIN 1086: England & Wales of Domesday book. Borders 1185, 1902 map
Babylonian stele usurped by Elamite King. Basalt. 1155-1185 BC. From Susa, Iraq. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babylonian-stele-usurped-by-elamite-king-basalt-1155-1185-bc-from-susa-iraq-louvre-museum-paris-france-image211235012.htmlRMP7JGBG–Babylonian stele usurped by Elamite King. Basalt. 1155-1185 BC. From Susa, Iraq. Louvre Museum. Paris, France.
3530. THE MONUMENTAL ENTRANCE TO THE TEMPLE OF LUXOR BUILT BY PHARAOH AMONHOTEP III. AND RAMSES II. (1293-1185 B.C.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-3530-the-monumental-entrance-to-the-temple-of-luxor-built-by-pharaoh-30856768.htmlRMBP5J3C–3530. THE MONUMENTAL ENTRANCE TO THE TEMPLE OF LUXOR BUILT BY PHARAOH AMONHOTEP III. AND RAMSES II. (1293-1185 B.C.)
. English: Ishinpō located at Ninnaji . before 1185. Unknown 301 Ishinpo Ninnaji Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ishinp-located-at-ninnaji-before-1185-unknown-301-ishinpo-ninnaji-image188330215.htmlRMMXB533–. English: Ishinpō located at Ninnaji . before 1185. Unknown 301 Ishinpo Ninnaji
Sarah Miles, 1967 File Reference # 1185 003THA © JRC /The Hollywood Archive - All Rights Reserved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarah-miles-1967-file-reference-1185-003tha-jrc-the-hollywood-archive-all-rights-reserved-image218889950.htmlRMPM38A6–Sarah Miles, 1967 File Reference # 1185 003THA © JRC /The Hollywood Archive - All Rights Reserved
Zao Gongen, 1100-1185. Zao Gongen is the deity of Mount Kinpu, in the Yoshino Mountains south of Nara. His iconography is based on Buddhist guardian figures, a fitting guise for the protector of Shugendo, a Shinto-Buddhist cult devoted to ascetic practices and mountain worship. This fragment is from a votive mirror called a kakebotoke with metal fittings at the top through which a cord could be used to hang it. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zao-gongen-1100-1185-zao-gongen-is-the-deity-of-mount-kinpu-in-the-yoshino-mountains-south-of-nara-his-iconography-is-based-on-buddhist-guardian-figures-a-fitting-guise-for-the-protector-of-shugendo-a-shinto-buddhist-cult-devoted-to-ascetic-practices-and-mountain-worship-this-fragment-is-from-a-votive-mirror-called-a-kakebotoke-with-metal-fittings-at-the-top-through-which-a-cord-could-be-used-to-hang-it-image330136251.htmlRM2A5304B–Zao Gongen, 1100-1185. Zao Gongen is the deity of Mount Kinpu, in the Yoshino Mountains south of Nara. His iconography is based on Buddhist guardian figures, a fitting guise for the protector of Shugendo, a Shinto-Buddhist cult devoted to ascetic practices and mountain worship. This fragment is from a votive mirror called a kakebotoke with metal fittings at the top through which a cord could be used to hang it.
Babylonian stele usurped by Elamite King. Basalt. 1155-1185 BC. From Susa, Iraq. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babylonian-stele-usurped-by-elamite-king-basalt-1155-1185-bc-from-susa-iraq-louvre-museum-paris-france-image179919333.htmlRMMCM0XD–Babylonian stele usurped by Elamite King. Basalt. 1155-1185 BC. From Susa, Iraq. Louvre Museum. Paris, France.
Plaque from a Cross with the Eagle of Saint John, ca. 1185–95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-plaque-from-a-cross-with-the-eagle-of-saint-john-ca-118595-162563929.htmlRMKCDBXH–Plaque from a Cross with the Eagle of Saint John, ca. 1185–95
Undated Japanese armour possibly Kamakura period 1185 - 1392 AD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/undated-japanese-armour-possibly-kamakura-period-1185-1392-ad-image268859462.htmlRMWHBGYJ–Undated Japanese armour possibly Kamakura period 1185 - 1392 AD.
Art inspired by Mirror, Kamakura period (1185–1333), Japan, Bronze, Diam. 4 1/2 in. (11.4 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mirror-kamakura-period-11851333-japan-bronze-diam-4-12-in-114-cm-mirrors-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462773576.htmlRF2HTW4BM–Art inspired by Mirror, Kamakura period (1185–1333), Japan, Bronze, Diam. 4 1/2 in. (11.4 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ comforted by angels Stained From Troyes Cathedral 1170 - 1185 Cluny Middle Age Museum - Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-comforted-by-angels-stained-from-troyes-cathedral-1170-1185-31812479.htmlRMBRN53Y–Christ comforted by angels Stained From Troyes Cathedral 1170 - 1185 Cluny Middle Age Museum - Paris
LANGLOIS(1861) p079 Monnate, Leon II. roi armenien de la Cilicien (1185-1219) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-langlois1861-p079-monnate-leon-ii-roi-armenien-de-la-cilicien-1185-73745078.htmlRME7YAGP–LANGLOIS(1861) p079 Monnate, Leon II. roi armenien de la Cilicien (1185-1219)
Part of Portrait of Xuanzang (Genjō) with Attendant, In the Style of Kasuga Motomitsu (Japanese, active early 11th century), Kamakura period (1185–1333), Date 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-portrait-of-xuanzang-genj-with-attendant-in-the-style-of-kasuga-motomitsu-japanese-active-early-11th-century-kamakura-period-11851333-date-14th-century-image543086220.htmlRM2PFFM0C–Part of Portrait of Xuanzang (Genjō) with Attendant, In the Style of Kasuga Motomitsu (Japanese, active early 11th century), Kamakura period (1185–1333), Date 14th century
Upper East Side: A triple-arched grand entry is focal point of the Schwartz & Gross-designed 1929 landmark apartment building at 1185 Park Avenue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/upper-east-side-a-triple-arched-grand-entry-is-focal-point-of-the-schwartz-gross-designed-1929-landmark-apartment-building-at-1185-park-avenue-image564652080.htmlRF2RPJ3DM–Upper East Side: A triple-arched grand entry is focal point of the Schwartz & Gross-designed 1929 landmark apartment building at 1185 Park Avenue.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-metropolitan-cathedral-of-the-assumption-of-virgin-mary-palermo-cathedral-palermo-sicily-the-church-was-erected-in-1185-by-walter-ophamil-or-walter-of-the-mill-the-anglo-norman-archbishop-of-palermo-and-king-william-iis-minister-on-the-area-of-an-earlier-byzantine-basilica-the-upper-orders-of-the-corner-towers-were-built-between-the-14th-and-the-15th-centuries-while-in-the-early-renaissance-period-the-southern-porch-was-added-the-present-neoclassical-appearance-dates-from-the-work-carried-out-between-1781-and-1801-image436518752.htmlRM2GA543C–Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Basel, Basler Münster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basel-basler-mnster-43341288.htmlRMCEEA74–Basel, Basler Münster
Westland Lysander Mk.IIIA N7791 / AC-B (msn 1185, ex RCAF 2346), on display at the National Air and Space Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/westland-lysander-mkiiia-n7791-ac-b-msn-1185-ex-rcaf-2346-on-display-at-the-national-air-and-space-museum-image560824067.htmlRM2RGBMPY–Westland Lysander Mk.IIIA N7791 / AC-B (msn 1185, ex RCAF 2346), on display at the National Air and Space Museum.
Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bulgaria-central-mountains-shumen-ruins-of-the-shumen-fortress-built-149674040.htmlRMJKE6NC–Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185
Central plaque from a Champleve enamel and gilded copper cross. French, Limoges circa 1185-95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-central-plaque-from-a-champleve-enamel-and-gilded-copper-cross-french-57418146.htmlRMD9BHC2–Central plaque from a Champleve enamel and gilded copper cross. French, Limoges circa 1185-95
A new 8th bell is hoisted into the belfry at St. Mary Redcliffe in Bristol, to replace the old number 8, which was cast in 1763 and suffering from a faulty tone. The new 8th was cast in Loughborough by John Taylor and Co church bell founders and is a 15-2-6 F#, weighing in at three quarters of a ton (790 Kilos). It is one of a peel of 12 in the church, which is probably the fifth church to be built on the site since Saxon times - the oldest surviving parts dating from 1185. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-new-8th-bell-is-hoisted-into-the-belfry-at-st-mary-redcliffe-in-106903482.htmlRMG5WTDE–A new 8th bell is hoisted into the belfry at St. Mary Redcliffe in Bristol, to replace the old number 8, which was cast in 1763 and suffering from a faulty tone. The new 8th was cast in Loughborough by John Taylor and Co church bell founders and is a 15-2-6 F#, weighing in at three quarters of a ton (790 Kilos). It is one of a peel of 12 in the church, which is probably the fifth church to be built on the site since Saxon times - the oldest surviving parts dating from 1185.
Frog Amulet. Dimensions: l. 2 cm (13/16 in). Dynasty: Dynasty 19. Date: ca. 1295-1185 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frog-amulet-dimensions-l-2-cm-1316-in-dynasty-dynasty-19-date-ca-1295-1185-bc-museum-metropolitan-museum-of-art-new-york-usa-image213081531.htmlRMPAJKJK–Frog Amulet. Dimensions: l. 2 cm (13/16 in). Dynasty: Dynasty 19. Date: ca. 1295-1185 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Baldwin 1185. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baldwin-1185-image217684690.htmlRMPJ4B16–Baldwin 1185.
. English: Ishinpō located at Ninnaji . before 1185. Unknown 260 Ishinpo Ninnaji Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ishinp-located-at-ninnaji-before-1185-unknown-260-ishinpo-ninnaji-image189071590.htmlRMMYGXMP–. English: Ishinpō located at Ninnaji . before 1185. Unknown 260 Ishinpo Ninnaji
Sarah Miles, 1967 File Reference # 1185 002THA © JRC /The Hollywood Archive - All Rights Reserved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarah-miles-1967-file-reference-1185-002tha-jrc-the-hollywood-archive-all-rights-reserved-image218889949.htmlRMPM38A5–Sarah Miles, 1967 File Reference # 1185 002THA © JRC /The Hollywood Archive - All Rights Reserved
![Votive Plaque with Image of Kannon, 1100-1185. A gilt repoussé image of the bodhisattva Kannon is fixed to a bronze disk with tiny nails. Kakebotoke (literally "hanging Buddhist deities") like this appeared from the latter part of the Heian period. They often hung on the doors of a Shinto shrine hall to indicate the Buddhist manifestation of the god, or kami, inside, or along the eaves of a Buddhist temple hall to indicate the Buddhist deity celebrated there. Stock Photo](https://c8.alamy.com/comp/2A52WRX/votive-plaque-with-image-of-kannon-1100-1185-a-gilt-repoussxe9-image-of-the-bodhisattva-kannon-is-fixed-to-a-bronze-disk-with-tiny-nails-kakebotoke-literally-quothanging-buddhist-deitiesquot-like-this-appeared-from-the-latter-part-of-the-heian-period-they-often-hung-on-the-doors-of-a-shinto-shrine-hall-to-indicate-the-buddhist-manifestation-of-the-god-or-kami-inside-or-along-the-eaves-of-a-buddhist-temple-hall-to-indicate-the-buddhist-deity-celebrated-there-2A52WRX.jpg "Votive Plaque with Image of Kannon, 1100-1185. A gilt repoussé image of the bodhisattva Kannon is fixed to a bronze disk with tiny nails. Kakebotoke (literally "hanging Buddhist deities") like this appeared from the latter part of the Heian period. They often hung on the doors of a Shinto shrine hall to indicate the Buddhist manifestation of the god, or kami, inside, or along the eaves of a Buddhist temple hall to indicate the Buddhist deity celebrated there. Stock Photo")
Votive Plaque with Image of Kannon, 1100-1185. A gilt repoussé image of the bodhisattva Kannon is fixed to a bronze disk with tiny nails. Kakebotoke (literally "hanging Buddhist deities") like this appeared from the latter part of the Heian period. They often hung on the doors of a Shinto shrine hall to indicate the Buddhist manifestation of the god, or kami, inside, or along the eaves of a Buddhist temple hall to indicate the Buddhist deity celebrated there. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/votive-plaque-with-image-of-kannon-1100-1185-a-gilt-repoussxe9-image-of-the-bodhisattva-kannon-is-fixed-to-a-bronze-disk-with-tiny-nails-kakebotoke-literally-quothanging-buddhist-deitiesquot-like-this-appeared-from-the-latter-part-of-the-heian-period-they-often-hung-on-the-doors-of-a-shinto-shrine-hall-to-indicate-the-buddhist-manifestation-of-the-god-or-kami-inside-or-along-the-eaves-of-a-buddhist-temple-hall-to-indicate-the-buddhist-deity-celebrated-there-image330134446.htmlRM2A52WRX–Votive Plaque with Image of Kannon, 1100-1185. A gilt repoussé image of the bodhisattva Kannon is fixed to a bronze disk with tiny nails. Kakebotoke (literally "hanging Buddhist deities") like this appeared from the latter part of the Heian period. They often hung on the doors of a Shinto shrine hall to indicate the Buddhist manifestation of the god, or kami, inside, or along the eaves of a Buddhist temple hall to indicate the Buddhist deity celebrated there.
United Kingdom, England, London. Temple Church. It was built by the Knights Templars. The Round Church was consacrated in 1185 by the patriarch of Jerusalem. Architectural detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-kingdom-england-london-temple-church-it-was-built-by-the-knights-templars-the-round-church-was-consacrated-in-1185-by-the-patriarch-of-jerusalem-architectural-detail-image391609941.htmlRM2DN3AD9–United Kingdom, England, London. Temple Church. It was built by the Knights Templars. The Round Church was consacrated in 1185 by the patriarch of Jerusalem. Architectural detail.
Mirror, Heian period (794–1185), Japan, Bronze, Diam. 5 in. (12.7 cm), Mirrors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-mirror-heian-period-7941185-japan-bronze-diam-5-in-127-cm-mirrors-162556569.htmlRMKCD2FN–Mirror, Heian period (794–1185), Japan, Bronze, Diam. 5 in. (12.7 cm), Mirrors
The Doi armour. Japanese armour. Undated but probably Kamakura Period, c.1185-1392.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-doi-armour-japanese-armour-undated-but-probably-kamakura-period-c1185-1392-image268823998.htmlRMWH9YN2–The Doi armour. Japanese armour. Undated but probably Kamakura Period, c.1185-1392..
Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 3 1/4 in. (8.3 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mirror-heian-period-7941185-japan-bronze-diam-3-14-in-83-cm-mirrors-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462773586.htmlRF2HTW4C2–Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 3 1/4 in. (8.3 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Buddhist guardian statue. Close-mouthed Guardian King (Nio, Ungyo), Japan, Shiga prefecture, Kamakura period (1185-1333), chestnut and cypress wood. Statue is on display in the Cleveland Museum of Art, Ohio, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buddhist-guardian-statue-close-mouthed-guardian-king-nio-ungyo-japan-shiga-prefecture-kamakura-period-1185-1333-chestnut-and-cypress-wood-statue-is-on-display-in-the-cleveland-museum-of-art-ohio-usa-image336661124.htmlRM2AFM6KG–Buddhist guardian statue. Close-mouthed Guardian King (Nio, Ungyo), Japan, Shiga prefecture, Kamakura period (1185-1333), chestnut and cypress wood. Statue is on display in the Cleveland Museum of Art, Ohio, USA
LANGLOIS(1861) p079 Monnate, Leon II. roi armenien de la Cilicien (1185-1219) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-langlois1861-p079-monnate-leon-ii-roi-armenien-de-la-cilicien-1185-76554781.htmlRMECFAB9–LANGLOIS(1861) p079 Monnate, Leon II. roi armenien de la Cilicien (1185-1219)
Battle of Yashima (1185) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Minamoto no Yoshitsune (left top ) Emperor Antoku (center top) on the boat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-yashima-1185-from-dainihon-rekishi-nishikie-published-between-late-edo-and-early-meiji-period-private-collection-minamoto-no-yoshitsune-left-top-emperor-antoku-center-top-on-the-boat-image208852101.htmlRMP3P0YH–Battle of Yashima (1185) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Minamoto no Yoshitsune (left top ) Emperor Antoku (center top) on the boat.
Alexander Halesius (1185 1245) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-halesius-1185-1245-142541878.htmlRMJ7W9HA–Alexander Halesius (1185 1245)
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-metropolitan-cathedral-of-the-assumption-of-virgin-mary-palermo-cathedral-palermo-sicily-the-church-was-erected-in-1185-by-walter-ophamil-or-walter-of-the-mill-the-anglo-norman-archbishop-of-palermo-and-king-william-iis-minister-on-the-area-of-an-earlier-byzantine-basilica-the-upper-orders-of-the-corner-towers-were-built-between-the-14th-and-the-15th-centuries-while-in-the-early-renaissance-period-the-southern-porch-was-added-the-present-neoclassical-appearance-dates-from-the-work-carried-out-between-1781-and-1801-image436519083.htmlRM2GA54F7–Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Basel, Basler Münster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basel-basler-mnster-43341300.htmlRMCEEA7G–Basel, Basler Münster
Hyacinth 1185 1257 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hyacinth-1185-1257-image7113400.htmlRMA9WRR9–Hyacinth 1185 1257
Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bulgaria-central-mountains-shumen-ruins-of-the-shumen-fortress-built-149674054.htmlRMJKE6NX–Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185
Council of Acre and the siege of Damascus (1097-1098), 2nd Crusade. From William of Tyre 'Histoire d'outremer' ('History of Palestine'), illuminated manuscript, Acre, c1280. William of Tyre (c1130-1185) Syrian churchman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-council-of-acre-and-the-siege-of-damascus-1097-1098-2nd-crusade-from-57293967.htmlRMD95Y13–Council of Acre and the siege of Damascus (1097-1098), 2nd Crusade. From William of Tyre 'Histoire d'outremer' ('History of Palestine'), illuminated manuscript, Acre, c1280. William of Tyre (c1130-1185) Syrian churchman.
fine arts, religious art, Jesus Christ, passion, at Garden of Gethsemane, relief, stone, 1159 - 1185, baptistery by Magister Maj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-religious-art-jesus-christ-passion-at-garden-of-gethsemane-10875550.htmlRMA3XJAR–fine arts, religious art, Jesus Christ, passion, at Garden of Gethsemane, relief, stone, 1159 - 1185, baptistery by Magister Maj
Innocent IV (ca. 1185-1254). Pope number 180 of the Catholic Church (1243-1254). Born in Genoa, Sinibaldo dei Fieschi. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/innocent-iv-ca-1185-1254-pope-number-180-of-the-catholic-church-1243-1254-born-in-genoa-sinibaldo-dei-fieschi-portrait-engraving-sciences-lettres-au-moyen-age-et-lpoque-de-la-renaissance-paris-1877-image593300935.htmlRM2WD75B3–Innocent IV (ca. 1185-1254). Pope number 180 of the Catholic Church (1243-1254). Born in Genoa, Sinibaldo dei Fieschi. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
Back cover sheet, Psalter of Eleanor of Aquitaine (ca. 1185) - KB 76 F 13, schutbladachter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/back-cover-sheet-psalter-of-eleanor-of-aquitaine-ca-1185-kb-76-f-13-schutbladachter-image217675020.htmlRMPJ3XKT–Back cover sheet, Psalter of Eleanor of Aquitaine (ca. 1185) - KB 76 F 13, schutbladachter.
. English: Engishiki, Kujō edition . before 1185. Unknown 191 Engishiki Kujo edition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-engishiki-kuj-edition-before-1185-unknown-191-engishiki-kujo-edition-image188274281.htmlRMMX8HND–. English: Engishiki, Kujō edition . before 1185. Unknown 191 Engishiki Kujo edition
Sarah Miles , 1967 File Reference # 1185 001THA © JRC /The Hollywood Archive - All Rights Reserved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarah-miles-1967-file-reference-1185-001tha-jrc-the-hollywood-archive-all-rights-reserved-image218889948.htmlRMPM38A4–Sarah Miles , 1967 File Reference # 1185 001THA © JRC /The Hollywood Archive - All Rights Reserved
Processional Mask of a Bodhisattva: Gyodo Mask, late 1100s. This ceremonial mask was used in the religious processions that were particularly popular in the Heian period (794- 1185). In this performance about the Western Paradise, the final resting place of souls in Pure Land Buddhism, 25 actors wearing bodhisattva masks would join an actor portraying the Amida, the Buddha of the Western Paradise. This performance, accompanied by the vigorous drumming, offered a vision of the glory of Amida's paradise for devotees. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/processional-mask-of-a-bodhisattva-gyodo-mask-late-1100s-this-ceremonial-mask-was-used-in-the-religious-processions-that-were-particularly-popular-in-the-heian-period-794-1185-in-this-performance-about-the-western-paradise-the-final-resting-place-of-souls-in-pure-land-buddhism-25-actors-wearing-bodhisattva-masks-would-join-an-actor-portraying-the-amida-the-buddha-of-the-western-paradise-this-performance-accompanied-by-the-vigorous-drumming-offered-a-vision-of-the-glory-of-amidas-paradise-for-devotees-image330114501.htmlRM2A520BH–Processional Mask of a Bodhisattva: Gyodo Mask, late 1100s. This ceremonial mask was used in the religious processions that were particularly popular in the Heian period (794- 1185). In this performance about the Western Paradise, the final resting place of souls in Pure Land Buddhism, 25 actors wearing bodhisattva masks would join an actor portraying the Amida, the Buddha of the Western Paradise. This performance, accompanied by the vigorous drumming, offered a vision of the glory of Amida's paradise for devotees.
United Kingdom, England, London. Temple Church. It was built by the Knights Templars. The Round Church was consacrated in 1185 by the patriarch of Jerusalem. Exterior view of the Round Chuch, the original circular church building, now acting as a nave of the temple. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-kingdom-england-london-temple-church-it-was-built-by-the-knights-templars-the-round-church-was-consacrated-in-1185-by-the-patriarch-of-jerusalem-exterior-view-of-the-round-chuch-the-original-circular-church-building-now-acting-as-a-nave-of-the-temple-image391609925.htmlRM2DN3ACN–United Kingdom, England, London. Temple Church. It was built by the Knights Templars. The Round Church was consacrated in 1185 by the patriarch of Jerusalem. Exterior view of the Round Chuch, the original circular church building, now acting as a nave of the temple.
Unknown (Japanese), Mask of Komoku Ten, 1185/1334, Wood sculpture, height: 9 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-japanese-mask-of-komoku-ten-11851334-wood-sculpture-height-9-12-in-image328718502.htmlRM2A2PBPE–Unknown (Japanese), Mask of Komoku Ten, 1185/1334, Wood sculpture, height: 9 1/2 in
The tale of Prince Genji An early 11th century romance. Heian Period. 794-1185. Genji Monogatari Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tale-of-prince-genji-an-early-11th-century-romance-heian-period-794-1185-genji-monogatari-image268827816.htmlRMWHA4HC–The tale of Prince Genji An early 11th century romance. Heian Period. 794-1185. Genji Monogatari
Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 3 11/16 in. (9.4 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mirror-heian-period-7941185-japan-bronze-diam-3-1116-in-94-cm-mirrors-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462773573.htmlRF2HTW4BH–Art inspired by Mirror, Heian period (794–1185), Japan, Bronze, Diam. 3 11/16 in. (9.4 cm), Mirrors, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dainichi Nyorai, the Cosmic Buddha (Mahavairocana) in Japan, Heian period 9794-1185), 12 th century, Wood with lacquer and gold leaf isolated on black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dainichi-nyorai-the-cosmic-buddha-mahavairocana-in-japan-heian-period-9794-1185-12-th-century-wood-with-lacquer-and-gold-leaf-isolated-on-black-image618240223.htmlRF2XWR7KY–Dainichi Nyorai, the Cosmic Buddha (Mahavairocana) in Japan, Heian period 9794-1185), 12 th century, Wood with lacquer and gold leaf isolated on black
Image taken from page 1185 of 'Old and New London, etc' (11288557116) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-1185-of-old-and-new-london-etc-11288557116-73514519.htmlRME7GTEF–Image taken from page 1185 of 'Old and New London, etc' (11288557116)
Keman Decorative Pendant Disk Kamakura period (1185–1333) Japan Gilt bronze and silve 27.9 cm X 38.7 cm Metalwork Japanese Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-keman-decorative-pendant-disk-kamakura-period-11851333-japan-gilt-50939828.htmlRMCXTE7G–Keman Decorative Pendant Disk Kamakura period (1185–1333) Japan Gilt bronze and silve 27.9 cm X 38.7 cm Metalwork Japanese
Boppo von Vertheim 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-boppo-von-vertheim-1185-139537892.htmlRMJ30E04–Boppo von Vertheim 1185
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-metropolitan-cathedral-of-the-assumption-of-virgin-mary-palermo-cathedral-palermo-sicily-the-church-was-erected-in-1185-by-walter-ophamil-or-walter-of-the-mill-the-anglo-norman-archbishop-of-palermo-and-king-william-iis-minister-on-the-area-of-an-earlier-byzantine-basilica-the-upper-orders-of-the-corner-towers-were-built-between-the-14th-and-the-15th-centuries-while-in-the-early-renaissance-period-the-southern-porch-was-added-the-present-neoclassical-appearance-dates-from-the-work-carried-out-between-1781-and-1801-image436519432.htmlRM2GA54YM–Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Basel, Basler Münster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basel-basler-mnster-43341293.htmlRMCEEA79–Basel, Basler Münster
From 'The Descriptive Album of London' by George H Birch 1896 - Extracted text : ' TEMPLE CHURCH It dates from the year 1185 The old church fell into a very dilapidated TEMPLE CHURCH is situuted within the bounds of the Inner Temple, off Fleet Street. condition, but in 1839-42 was thoroughly repaired and restored at a cost of no less than '70,coo. A fine Norman archway leads to the interior. The Choir and the In the Round Church are nine monuments of Templars of the 12th and Round Church (to which the public are admitted) are supported by handsome marble pillars. 13th centuries. Oliver Goldsmi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-the-descriptive-album-of-london-by-george-h-birch-1896-extracted-text-temple-church-it-dates-from-the-year-1185-the-old-church-fell-into-a-very-dilapidated-temple-church-is-situuted-within-the-bounds-of-the-inner-temple-off-fleet-street-condition-but-in-1839-42-was-thoroughly-repaired-and-restored-at-a-cost-of-no-less-than-70coo-a-fine-norman-archway-leads-to-the-interior-the-choir-and-the-in-the-round-church-are-nine-monuments-of-templars-of-the-12th-and-round-church-to-which-the-public-are-admitted-are-supported-by-handsome-marble-pillars-13th-centuries-oliver-goldsmi-image331931989.htmlRM2A80PHW–From 'The Descriptive Album of London' by George H Birch 1896 - Extracted text : ' TEMPLE CHURCH It dates from the year 1185 The old church fell into a very dilapidated TEMPLE CHURCH is situuted within the bounds of the Inner Temple, off Fleet Street. condition, but in 1839-42 was thoroughly repaired and restored at a cost of no less than '70,coo. A fine Norman archway leads to the interior. The Choir and the In the Round Church are nine monuments of Templars of the 12th and Round Church (to which the public are admitted) are supported by handsome marble pillars. 13th centuries. Oliver Goldsmi
Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bulgaria-central-mountains-shumen-ruins-of-the-shumen-fortress-built-149674038.htmlRMJKE6NA–Bulgaria, Central Mountains, Shumen, ruins of the Shumen Fortress, built 1185
battle of the Genji and Haishi at Yashima. The Genpei War, fought between the Minamoto and Taira samurai clans in 1180-1185, marks the end of rule by a Taira-dominated Imperial Court, and was followed shortly afterward by the establishment of the Kamakura shogunate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-the-genji-and-haishi-at-yashima-the-genpei-war-fought-between-the-minamoto-and-taira-samurai-clans-in-1180-1185-marks-the-end-of-rule-by-a-taira-dominated-imperial-court-and-was-followed-shortly-afterward-by-the-establishment-of-the-kamakura-shogunate-image328353910.htmlRM2A25PNA–battle of the Genji and Haishi at Yashima. The Genpei War, fought between the Minamoto and Taira samurai clans in 1180-1185, marks the end of rule by a Taira-dominated Imperial Court, and was followed shortly afterward by the establishment of the Kamakura shogunate
fine arts, religious art, Jesus Christ, passion, capture, relief, stone, 1159 - 1185, baptistery by Magister Majestatis, Vallebe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-religious-art-jesus-christ-passion-capture-relief-stone-10875632.htmlRMA3XJHN–fine arts, religious art, Jesus Christ, passion, capture, relief, stone, 1159 - 1185, baptistery by Magister Majestatis, Vallebe
Plaque with Saint Peter in Glory. Culture: French. Dimensions: Overall: 9 3/4 x 5 5/8 x 1 1/8 in. (24.7 x 14.3 x 2.9 cm). Date: ca. 1185-1200. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-with-saint-peter-in-glory-culture-french-dimensions-overall-9-34-x-5-58-x-1-18-in-247-x-143-x-29-cm-date-ca-1185-1200-museum-metropolitan-museum-of-art-new-york-usa-image213106806.htmlRMPAKRWA–Plaque with Saint Peter in Glory. Culture: French. Dimensions: Overall: 9 3/4 x 5 5/8 x 1 1/8 in. (24.7 x 14.3 x 2.9 cm). Date: ca. 1185-1200. Museum: Metropolitan Museum of Art, New York, USA.
Back cover sheet, Psalter of Eleanor of Aquitaine (ca. 1185) - KB 76 F 13, ep001v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/back-cover-sheet-psalter-of-eleanor-of-aquitaine-ca-1185-kb-76-f-13-ep001v-image217675017.htmlRMPJ3XKN–Back cover sheet, Psalter of Eleanor of Aquitaine (ca. 1185) - KB 76 F 13, ep001v.
. English: Engishiki, Kujō edition . before 1185. Unknown 190 Engishiki Kujo edition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-engishiki-kuj-edition-before-1185-unknown-190-engishiki-kujo-edition-image187728757.htmlRMMWBNXD–. English: Engishiki, Kujō edition . before 1185. Unknown 190 Engishiki Kujo edition
Sarah Miles, circa 1969. File Reference # 1185 006THA © JRC /The Hollywood Archive - All Rights Reserved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarah-miles-circa-1969-file-reference-1185-006tha-jrc-the-hollywood-archive-all-rights-reserved-image218889953.htmlRMPM38A9–Sarah Miles, circa 1969. File Reference # 1185 006THA © JRC /The Hollywood Archive - All Rights Reserved
The Flight of Prince Igor from the Polovtsian camp, 1185 (From Illustrated Karamzin), 1836. Artist: Chorikov, Boris Artemyevich (1802-1866) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-flight-of-prince-igor-from-the-polovtsian-camp-1185-from-illustrated-135249924.htmlRMHT14JC–The Flight of Prince Igor from the Polovtsian camp, 1185 (From Illustrated Karamzin), 1836. Artist: Chorikov, Boris Artemyevich (1802-1866)
Innocent IV (ca. 1185-1254). Pope number 180 of the Catholic Church (1243-1254). Born in Genoa, Sinibaldo dei Fieschi. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/innocent-iv-ca-1185-1254-pope-number-180-of-the-catholic-church-1243-1254-born-in-genoa-sinibaldo-dei-fieschi-portrait-engraving-sciences-lettres-au-moyen-age-et-lpoque-de-la-renaissance-paris-1877-image591566505.htmlRM2WAC535–Innocent IV (ca. 1185-1254). Pope number 180 of the Catholic Church (1243-1254). Born in Genoa, Sinibaldo dei Fieschi. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
