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Art inspired by Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm), Jade, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-dish-qing-dynasty-16441911-qianlong-period-173695-china-nephrite-h-1-716-in-36-cm-w-4-1516-in-126-cm-jade-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462760540.htmlRF2HTTFP4–Art inspired by Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm), Jade, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bowl with Cover (one of a pair), China, Qing dynasty (1644–1911), Qianlong period (1736–95), Culture: China, Porcelain, H. 4 7/8 in. (12.4 cm); Diam. 6 in. (15.2 cm), Ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-with-cover-one-of-a-pair-china-qing-dynasty-16441911-qianlong-period-173695-culture-china-porcelain-h-4-78-in-124-cm-diam-6-in-152-cm-ceramics-image344585255.htmlRM2B0H607–Bowl with Cover (one of a pair), China, Qing dynasty (1644–1911), Qianlong period (1736–95), Culture: China, Porcelain, H. 4 7/8 in. (12.4 cm); Diam. 6 in. (15.2 cm), Ceramics
Major General Charles Lee. Artist: Alexander Hay Ritchie (American, Glasgow, Scotland 1822-1895 New Haven, Connecticut); After B. Rushbrooke (American (?), 18th-19th centuries). Dimensions: image: 6 1/8 x 4 7/16 in. (15.5 x 11.3 cm) sheet: 12 1/16 x 9 1/2 in. (30.7 x 24.2 cm). Sitter: General Charles Lee (American, England 1732-1782 Philadelphia, Pennsylvania). Date: 1840-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/major-general-charles-lee-artist-alexander-hay-ritchie-american-glasgow-scotland-1822-1895-new-haven-connecticut-after-b-rushbrooke-american-18th-19th-centuries-dimensions-image-6-18-x-4-716-in-155-x-113-cm-sheet-12-116-x-9-12-in-307-x-242-cm-sitter-general-charles-lee-american-england-1732-1782-philadelphia-pennsylvania-date-1840-95-museum-metropolitan-museum-of-art-new-york-usa-image213300959.htmlRMPB0KFB–Major General Charles Lee. Artist: Alexander Hay Ritchie (American, Glasgow, Scotland 1822-1895 New Haven, Connecticut); After B. Rushbrooke (American (?), 18th-19th centuries). Dimensions: image: 6 1/8 x 4 7/16 in. (15.5 x 11.3 cm) sheet: 12 1/16 x 9 1/2 in. (30.7 x 24.2 cm). Sitter: General Charles Lee (American, England 1732-1782 Philadelphia, Pennsylvania). Date: 1840-95. Museum: Metropolitan Museum of Art, New York, USA.
Vase in Form of Archaic Hu, 1736-95. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Porcelain with celadon glaze; overall: 12.6 x 7.8 x 6.8 cm (4 15/16 x 3 1/16 x 2 11/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-in-form-of-archaic-hu-1736-95-china-jiangxi-province-jingdezhen-kilns-qing-dynasty-1644-1911-qianlong-mark-and-reign-1736-95-porcelain-with-celadon-glaze-overall-126-x-78-x-68-cm-4-1516-x-3-116-x-2-1116-in-image448077517.htmlRM2H0YKCD–Vase in Form of Archaic Hu, 1736-95. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Porcelain with celadon glaze; overall: 12.6 x 7.8 x 6.8 cm (4 15/16 x 3 1/16 x 2 11/16 in.).
Fragments, La pagode sur un pont de rochers (The pagoda on a rock bridge); Company: Oberkampf & Cie. (France); France; cotton; Warp x Weft (a): 95 × 24 cm (37 3/8 × 9 7/16 in.) Warp x Weft (b): 87 × 24 cm (34 1/4 × 9 7/16 in.) Warp x Weft (c): 47 × 32 cm (18 1/2 × 12 5/8 in.) Warp x Weft (d): 94 × 20 cm (37 in. × 7 7/8 in.) Warp x Weft (e): 80 × 20 cm (31 1/2 × 7 7/8 in.) Warp x Weft (f): 80 × 12.5 cm (31 1/2 × 4 15/16 in.); Bequest of Elinor Merrell; 1995-50-73-a/f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-la-pagode-sur-un-pont-de-rochers-the-pagoda-on-a-rock-bridge-company-oberkampf-cie-france-france-cotton-warp-x-weft-a-95-24-cm-37-38-9-716-in-warp-x-weft-b-87-24-cm-34-14-9-716-in-warp-x-weft-c-47-32-cm-18-12-12-58-in-warp-x-weft-d-94-20-cm-37-in-7-78-in-warp-x-weft-e-80-20-cm-31-12-7-78-in-warp-x-weft-f-80-125-cm-31-12-4-1516-in-bequest-of-elinor-merrell-1995-50-73-af-image546225155.htmlRM2PMJKN7–Fragments, La pagode sur un pont de rochers (The pagoda on a rock bridge); Company: Oberkampf & Cie. (France); France; cotton; Warp x Weft (a): 95 × 24 cm (37 3/8 × 9 7/16 in.) Warp x Weft (b): 87 × 24 cm (34 1/4 × 9 7/16 in.) Warp x Weft (c): 47 × 32 cm (18 1/2 × 12 5/8 in.) Warp x Weft (d): 94 × 20 cm (37 in. × 7 7/8 in.) Warp x Weft (e): 80 × 20 cm (31 1/2 × 7 7/8 in.) Warp x Weft (f): 80 × 12.5 cm (31 1/2 × 4 15/16 in.); Bequest of Elinor Merrell; 1995-50-73-a/f
Scottish sea eagle off the west coast of the Isle of Skye, Inverness-shire Scotland. SCO 7794 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scottish-sea-eagle-off-the-west-coast-of-the-isle-of-skye-inverness-41572717.htmlRMCBHPBW–Scottish sea eagle off the west coast of the Isle of Skye, Inverness-shire Scotland. SCO 7794
Art inspired by Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm), Jade, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-dish-qing-dynasty-16441911-qianlong-period-173695-china-nephrite-h-1-716-in-36-cm-w-4-1516-in-126-cm-jade-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462760543.htmlRF2HTTFP7–Art inspired by Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm), Jade, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Urn, China, Qing dynasty (1644–1911), Qianlong period (1736–95), Culture: China, Jadeite, emerald-green mingled with light gray and markings of dead oak leaf, H. 4 15/16 in. (12.5 cm); W. 3 11/16 in. (9.4 cm); D. 1 7/8 in. (4.7 cm), Jade Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/urn-china-qing-dynasty-16441911-qianlong-period-173695-culture-china-jadeite-emerald-green-mingled-with-light-gray-and-markings-of-dead-oak-leaf-h-4-1516-in-125-cm-w-3-1116-in-94-cm-d-1-78-in-47-cm-jade-image344675609.htmlRM2B0N975–Urn, China, Qing dynasty (1644–1911), Qianlong period (1736–95), Culture: China, Jadeite, emerald-green mingled with light gray and markings of dead oak leaf, H. 4 15/16 in. (12.5 cm); W. 3 11/16 in. (9.4 cm); D. 1 7/8 in. (4.7 cm), Jade
Art inspired by Pitcher, 1889–95, Made in Boston, Massachusetts, United States, American, Earthenware, H. 3 13/16 in. (9.7 cm); Diam. 4 15/16 in. (12.5 cm), Ceramics, New England Pottery Company (1876–1914, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pitcher-188995-made-in-boston-massachusetts-united-states-american-earthenware-h-3-1316-in-97-cm-diam-4-1516-in-125-cm-ceramics-new-england-pottery-company-18761914-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462888359.htmlRF2HW2AR3–Art inspired by Pitcher, 1889–95, Made in Boston, Massachusetts, United States, American, Earthenware, H. 3 13/16 in. (9.7 cm); Diam. 4 15/16 in. (12.5 cm), Ceramics, New England Pottery Company (1876–1914, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 3/4 × 4 13/16 in. (9.5 × 12.2 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PANG85/pearys-ship-artist-robert-e-peary-american-1856-1920-dimensions-image-3-34-4-1316-in-95-122-cm-mount-4-1516-5-78-in-125-15-cm-date-1893-95-museum-metropolitan-museum-of-art-new-york-usa-PANG85.jpg "[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 3/4 × 4 13/16 in. (9.5 × 12.2 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 3/4 × 4 13/16 in. (9.5 × 12.2 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pearys-ship-artist-robert-e-peary-american-1856-1920-dimensions-image-3-34-4-1316-in-95-122-cm-mount-4-1516-5-78-in-125-15-cm-date-1893-95-museum-metropolitan-museum-of-art-new-york-usa-image213144741.htmlRMPANG85–[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 3/4 × 4 13/16 in. (9.5 × 12.2 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Actor Sawamura Sojuro III, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 31/32 in. (32.7 x 15.2 cm), Prints, Tōshūsai Sharaku (Japanese, active 1794–95, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-sawamura-sojuro-iii-edo-period-16151868-179495-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-78-x-5-3132-in-327-x-152-cm-prints-tshsai-sharaku-japanese-active-179495-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906722.htmlRF2HW366X–Art inspired by The Actor Sawamura Sojuro III, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 31/32 in. (32.7 x 15.2 cm), Prints, Tōshūsai Sharaku (Japanese, active 1794–95, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mitteilungen der Deutschen Dendrologischen Gesellschaft . 21 45 * 8,6 15 33 * 1,8 2 9 4,5 8 25 * 7,4 22,5 45 * 5,1 10,1 40 * 12 30 40 * 5.5 14,5 45 * 7 16 45 * 6 21,3 50 * 17 — 15 * 7ö 22 45 * * 27J 74 100 * 2,5 7,5 40 * 30 B7 200 * Wird als größere Pflanze unansehn-lich. Seit 1913 angepflanzt. Von der einheimischen Kiefer sind noch einige Formen zu nennen:Wuchsform: anguinea.Zwergform: reflexa.Farbenformen: argentea und fastigiata glauca. In einem Urwalde bei Moskau, namens Losinyostrow (d. h. Elchinsel), befindensich große Bestände, ungefähr 50 ha, riesiger Kiefern, von 95 cm Durchmesser auf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mitteilungen-der-deutschen-dendrologischen-gesellschaft-21-45-86-15-33-18-2-9-45-8-25-74-225-45-51-101-40-12-30-40-55-145-45-7-16-45-6-213-50-17-15-7-22-45-27j-74-100-25-75-40-30-b7-200-wird-als-grere-pflanze-unansehn-lich-seit-1913-angepflanzt-von-der-einheimischen-kiefer-sind-noch-einige-formen-zu-nennenwuchsform-anguineazwergform-reflexafarbenformen-argentea-und-fastigiata-glauca-in-einem-urwalde-bei-moskau-namens-losinyostrow-d-h-elchinsel-befindensich-groe-bestnde-ungefhr-50-ha-riesiger-kiefern-von-95-cm-durchmesser-auf-image343064744.htmlRM2AX3XG8–Mitteilungen der Deutschen Dendrologischen Gesellschaft . 21 45 * 8,6 15 33 * 1,8 2 9 4,5 8 25 * 7,4 22,5 45 * 5,1 10,1 40 * 12 30 40 * 5.5 14,5 45 * 7 16 45 * 6 21,3 50 * 17 — 15 * 7ö 22 45 * * 27J 74 100 * 2,5 7,5 40 * 30 B7 200 * Wird als größere Pflanze unansehn-lich. Seit 1913 angepflanzt. Von der einheimischen Kiefer sind noch einige Formen zu nennen:Wuchsform: anguinea.Zwergform: reflexa.Farbenformen: argentea und fastigiata glauca. In einem Urwalde bei Moskau, namens Losinyostrow (d. h. Elchinsel), befindensich große Bestände, ungefähr 50 ha, riesiger Kiefern, von 95 cm Durchmesser auf
Art inspired by Vase, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 19 in. (48.3 cm); Diam. 6 in. (15.2 cm); Diam. of rim 8 3/4 in. (22.2 cm); Diam. of foot 5 in. (12.7 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-vase-qing-dynasty-16441911-qianlong-period-173695-china-porcelain-h-19-in-483-cm-diam-6-in-152-cm-diam-of-rim-8-34-in-222-cm-diam-of-foot-5-in-127-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765376.htmlRF2HTTNXT–Art inspired by Vase, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 19 in. (48.3 cm); Diam. 6 in. (15.2 cm); Diam. of rim 8 3/4 in. (22.2 cm); Diam. of foot 5 in. (12.7 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Vase, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with greyish-blue crackled glaze (Ru yao type), H. 4 7/8 in. (12.4 cm); Diam. 3 15/16 in. (10 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-vase-qing-dynasty-16441911-qianlong-mark-and-period-173695-china-porcelain-with-greyish-blue-crackled-glaze-ru-yao-type-h-4-78-in-124-cm-diam-3-1516-in-10-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462766692.htmlRF2HTTRHT–Art inspired by Vase, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with greyish-blue crackled glaze (Ru yao type), H. 4 7/8 in. (12.4 cm); Diam. 3 15/16 in. (10 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Attributed to Lorenz Helmschmid, Sallet of Emperor Maximilian I (1459–1519), German, Augsburg, ca. 1490–95, Augsburg, German, Augsburg, Steel, copper alloy, gold, H. 12 in. (30.5 cm); W. 9 in. (22.9 cm); D. 12 3/8 in. (31.4 cm); Wt. 4 lb. 15.7 oz. (2261 g), Helmets Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenz-helmschmid-sallet-of-emperor-maximilian-i-14591519-german-augsburg-ca-149095-augsburg-german-augsburg-steel-copper-alloy-gold-h-12-in-305-cm-w-9-in-229-cm-d-12-38-in-314-cm-wt-4-lb-157-oz-2261-g-helmets-image344664814.htmlRM2B0MRDJ–Attributed to Lorenz Helmschmid, Sallet of Emperor Maximilian I (1459–1519), German, Augsburg, ca. 1490–95, Augsburg, German, Augsburg, Steel, copper alloy, gold, H. 12 in. (30.5 cm); W. 9 in. (22.9 cm); D. 12 3/8 in. (31.4 cm); Wt. 4 lb. 15.7 oz. (2261 g), Helmets
Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/2 × 12 3/8 in. (26.6 × 31.4 cm) Plate: 9 3/4 × 10 3/16 in. (24.7 × 25.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/walking-up-the-high-street-edinburgh-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-12-12-38-in-266-314-cm-plate-9-34-10-316-in-247-258-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-15-1786-museum-metropolitan-museum-of-art-new-york-usa-image213316788.htmlRMPB1BMM–Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 1/2 × 12 3/8 in. (26.6 × 31.4 cm) Plate: 9 3/4 × 10 3/16 in. (24.7 × 25.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.
. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-viscosity-of-the-blood-pressure-corr-time-ofoutflow-pressurecorr-time-ofoutflow-rn-plasma-36-x-106-corpuscles-per-cubic-millimetre-cm-hg-sees-cgrs-units-cm-hg-sees-i-cg-s-units-15-613-511-3-8-04-62-6-22-827-433-44728031417-0-01380-01430-01450-0145001420-0139-12-810-1-7-750-2-2-65-885-0112-168-410-0-03320-03380-03420-03320-0347-6-x-106-corpuscles-per-cubic-millimetre-96-x-106-corpuscles-per-cubic-millimetre-16-0-14-4-10-4-73-850-952-134-0-188-0-0-05380-0550-0-05520-0545-176-15-6-10-8-8-2-5-6-138-0158-0229-4306-0306-0-0-09640-image336713143.htmlRM2AFPH1B–. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640
Art inspired by Ceremonial Axe, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, light sage green touched with russet pear leaf, H. 4 15/16 in. (12.6 cm); W. 3 7/16 in. (8.7 cm); D. 5/8 in. (1.6 cm), Jade, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ceremonial-axe-qing-dynasty-16441911-qianlong-period-173695-china-nephrite-light-sage-green-touched-with-russet-pear-leaf-h-4-1516-in-126-cm-w-3-716-in-87-cm-d-58-in-16-cm-jade-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462760675.htmlRF2HTTFXY–Art inspired by Ceremonial Axe, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, light sage green touched with russet pear leaf, H. 4 15/16 in. (12.6 cm); W. 3 7/16 in. (8.7 cm); D. 5/8 in. (1.6 cm), Jade, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Sallet of Emperor Maximilian I (1459–1519), ca. 1490–95, Augsburg, German, Augsburg, Steel, copper alloy, gold, H. 12 in. (30.5 cm); W. 9 in. (22.9 cm); D. 12 3/8 in. (31.4 cm); Wt. 4 lb. 15.7 oz. (2261 g), Helmets, This sallet was a new type probably invented by Lorenz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sallet-of-emperor-maximilian-i-14591519-ca-149095-augsburg-german-augsburg-steel-copper-alloy-gold-h-12-in-305-cm-w-9-in-229-cm-d-12-38-in-314-cm-wt-4-lb-157-oz-2261-g-helmets-this-sallet-was-a-new-type-probably-invented-by-lorenz-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048546.htmlRF2HW9K42–Art inspired by Sallet of Emperor Maximilian I (1459–1519), ca. 1490–95, Augsburg, German, Augsburg, Steel, copper alloy, gold, H. 12 in. (30.5 cm); W. 9 in. (22.9 cm); D. 12 3/8 in. (31.4 cm); Wt. 4 lb. 15.7 oz. (2261 g), Helmets, This sallet was a new type probably invented by Lorenz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Putti Carrying Organ Pipes, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper. Arched framing outline at top in pen and brown ink over black chalk, 5-1/8 x 6-3/16 in. (12.95 x 15.7 cm), Drawings, Anonymous, Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-putti-carrying-organ-pipes-17th-century-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-black-chalk-on-light-brown-paper-arched-framing-outline-at-top-in-pen-and-brown-ink-over-black-chalk-5-18-x-6-316-in-1295-x-157-cm-drawings-anonymous-italian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952917.htmlRF2HW594N–Art inspired by Putti Carrying Organ Pipes, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper. Arched framing outline at top in pen and brown ink over black chalk, 5-1/8 x 6-3/16 in. (12.95 x 15.7 cm), Drawings, Anonymous, Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Cornelis Samuelsz van Esch (1594 / 95-1656), Portrait of Cornelis Samuelsz. van Esch (1594 / 95-1656). Bust to the right. Part of a series of seven oval portraits of Cornelis Samuelsz van Esch, his wife Josina Jansdr de Carpentier, their three daughters and two sons, anonymous, Dordrecht, 1632, copper (metal), oil paint (paint), support: h 15.6 cm × w 12.7 cm h 27.5 cm × w 24 cm × d 4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-samuelsz-van-esch-1594-95-1656-portrait-of-cornelis-samuelsz-van-esch-1594-95-1656-bust-to-the-right-part-of-a-series-of-seven-oval-portraits-of-cornelis-samuelsz-van-esch-his-wife-josina-jansdr-de-carpentier-their-three-daughters-and-two-sons-anonymous-dordrecht-1632-copper-metal-oil-paint-paint-support-h-156-cm-w-127-cm-h-275-cm-w-24-cm-d-4-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-o-image350012461.htmlRF2B9CCD1–Portrait of Cornelis Samuelsz van Esch (1594 / 95-1656), Portrait of Cornelis Samuelsz. van Esch (1594 / 95-1656). Bust to the right. Part of a series of seven oval portraits of Cornelis Samuelsz van Esch, his wife Josina Jansdr de Carpentier, their three daughters and two sons, anonymous, Dordrecht, 1632, copper (metal), oil paint (paint), support: h 15.6 cm × w 12.7 cm h 27.5 cm × w 24 cm × d 4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy o
(?) Thomas Rowlandson, Filus Prodigus (The Prodigal Son), Imitations of Modern Drawings, After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), 1783–95, Etching; before addition of title, Plate: 9 7/16 × 12 3/8 in. (24 × 31.4 cm), Sheet (trimmed and laid down): 9 15/16 × 13 1/4 in. (25.3 × 33.7 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-rowlandson-filus-prodigus-the-prodigal-son-imitations-of-modern-drawings-after-guercino-giovanni-francesco-barbieri-italian-cento-15911666-bologna-178395-etching-before-addition-of-title-plate-9-716-12-38-in-24-314-cm-sheet-trimmed-and-laid-down-9-1516-13-14-in-253-337-cm-prints-image344651211.htmlRM2B0M63R–(?) Thomas Rowlandson, Filus Prodigus (The Prodigal Son), Imitations of Modern Drawings, After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), 1783–95, Etching; before addition of title, Plate: 9 7/16 × 12 3/8 in. (24 × 31.4 cm), Sheet (trimmed and laid down): 9 15/16 × 13 1/4 in. (25.3 × 33.7 cm), Prints
Ceremonial Axe. Culture: China. Dimensions: H. 4 15/16 in. (12.6 cm); W. 3 7/16 in. (8.7 cm); D. 5/8 in. (1.6 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceremonial-axe-culture-china-dimensions-h-4-1516-in-126-cm-w-3-716-in-87-cm-d-58-in-16-cm-museum-metropolitan-museum-of-art-new-york-usa-image212848428.htmlRMPA829G–Ceremonial Axe. Culture: China. Dimensions: H. 4 15/16 in. (12.6 cm); W. 3 7/16 in. (8.7 cm); D. 5/8 in. (1.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
. Experience with geared propeller drives for aviation engines . n-Bouton)12 Gyl. Engl. Daim-ler 8 Cyl. 3ng. Daim-ler 12 Cyl, RAF-Napier12 Cyl, 130 130 1650: lS.:93-79 825: 30:187.5 16^0; 825: 2^: 2P 50. 180 100 :2000: 13.000; 18: 9016: 180 .2000 15°;iooo; 18:114-. ??3^:228,6 ?tfQQ; 250; 900: g4-: 12c4-8: 2P b :tmm=m ,TT: Vn : Pu : Pu: Pu Pi - om j ;ia/sk : kg :kg/;kg/cm2jn^np: : : : cm: :?? *%y 3 : ^5,7= : 6.9 : 760:25V: 16s 139300 3.* LSi52.it: «-i ; 790 ^5 ;,6-iaV; «-a 5.2 3.3 4-.0 3.95 i4-a4- =4-1/2^ =5 . TT ,1^?5- TT 15-97 =5-1/12 • TT 7.s 9.5 12 11.5 1205 1260 800 94-0 I63O 232; 13^ ; 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/experience-with-geared-propeller-drives-for-aviation-engines-n-bouton12-gyl-engl-daim-ler-8-cyl-3ng-daim-ler-12-cyl-raf-napier12-cyl-130-130-1650-ls93-79-825-301875-160-825-2-2p-50-180-100-2000-13000-18-9016-180-2000-15iooo-18114-32286-tfqq-250-900-g4-12c4-8-2p-b-tmm=m-tt-vn-pu-pu-pu-pi-om-j-iask-kg-kgkgcm2jnnp-cm-y-3-57=-69-76025v-16s-139300-3-lsi52it-i-790-5-6-iav-a-52-33-4-0-395-i4-a4-=4-12-=5-tt-15-tt-15-97-=5-112-tt-7s-95-12-115-1205-1260-800-94-0-i63o-232-13-3-image369663539.htmlRM2CDBHH7–. Experience with geared propeller drives for aviation engines . n-Bouton)12 Gyl. Engl. Daim-ler 8 Cyl. 3ng. Daim-ler 12 Cyl, RAF-Napier12 Cyl, 130 130 1650: lS.:93-79 825: 30:187.5 16^0; 825: 2^: 2P 50. 180 100 :2000: 13.000; 18: 9016: 180 .2000 15°;iooo; 18:114-. ??3^:228,6 ?tfQQ; 250; 900: g4-: 12c4-8: 2P b :tmm=m ,TT: Vn : Pu : Pu: Pu Pi - om j ;ia/sk : kg :kg/;kg/cm2jn^np: : : : cm: :?? *%y 3 : ^5,7= : 6.9 : 760:25V: 16s 139300 3.* LSi52.it: «-i ; 790 ^5 ;,6-iaV; «-a 5.2 3.3 4-.0 3.95 i4-a4- =4-1/2^ =5 . TT ,1^?5- TT 15-97 =5-1/12 • TT 7.s 9.5 12 11.5 1205 1260 800 94-0 I63O 232; 13^ ; 3
Matsumura Goshun, Woodcutters and Fishermen, Japan, Edo period (1615–1868), Matsumura Goshun (Japanese, 1752–1811), ca. 1790–95, Japan, Pair of six-panel folding screens; ink and color on paper, Image (each): 65 15/16 in. × 12 ft. 2 7/16 in. (167.5 × 372 cm), Overall with mounting: 67 1/2 in. × 12 ft. 4 in. (171.5 × 376 cm), Screens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matsumura-goshun-woodcutters-and-fishermen-japan-edo-period-16151868-matsumura-goshun-japanese-17521811-ca-179095-japan-pair-of-six-panel-folding-screens-ink-and-color-on-paper-image-each-65-1516-in-12-ft-2-716-in-1675-372-cm-overall-with-mounting-67-12-in-12-ft-4-in-1715-376-cm-screens-image344665202.htmlRM2B0MRYE–Matsumura Goshun, Woodcutters and Fishermen, Japan, Edo period (1615–1868), Matsumura Goshun (Japanese, 1752–1811), ca. 1790–95, Japan, Pair of six-panel folding screens; ink and color on paper, Image (each): 65 15/16 in. × 12 ft. 2 7/16 in. (167.5 × 372 cm), Overall with mounting: 67 1/2 in. × 12 ft. 4 in. (171.5 × 376 cm), Screens
Pitcher, 1889–95, Made in Boston, Massachusetts, United States, American, Earthenware, H. 3 13/16 in. (9.7 cm); Diam. 4 15/16 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pitcher-188995-made-in-boston-massachusetts-united-states-american-162399591.htmlRMKC5X9B–Pitcher, 1889–95, Made in Boston, Massachusetts, United States, American, Earthenware, H. 3 13/16 in. (9.7 cm); Diam. 4 15/16
![[Icebergs]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAAGB5/icebergs-artist-robert-e-peary-american-1856-1920-dimensions-image-3-58-4-12-in-92-114-cm-mount-4-1516-5-78-in-125-15-cm-date-1893-95-museum-metropolitan-museum-of-art-new-york-usa-PAAGB5.jpg "[Icebergs]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Icebergs]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icebergs-artist-robert-e-peary-american-1856-1920-dimensions-image-3-58-4-12-in-92-114-cm-mount-4-1516-5-78-in-125-15-cm-date-1893-95-museum-metropolitan-museum-of-art-new-york-usa-image212903353.htmlRMPAAGB5–[Icebergs]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm) Mount: 4 15/16 × 5 7/8 in. (12.5 × 15 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA.
Portrait of Cornelis Samuelsz van Esch (1594 / 95-1656), Portrait of Cornelis Samuelsz. van Esch (1594 / 95-1656). Bust to the right. Part of a series of seven oval portraits of Cornelis Samuelsz van Esch, his wife Josina Jansdr de Carpentier, their three daughters and two sons, anonymous, Dordrecht, 1632, copper (metal), oil paint (paint), support: h 15.6 cm × w 12.7 cm h 27.5 cm × w 24 cm × d 4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-samuelsz-van-esch-1594-95-1656-portrait-of-cornelis-samuelsz-van-esch-1594-95-1656-bust-to-the-right-part-of-a-series-of-seven-oval-portraits-of-cornelis-samuelsz-van-esch-his-wife-josina-jansdr-de-carpentier-their-three-daughters-and-two-sons-anonymous-dordrecht-1632-copper-metal-oil-paint-paint-support-h-156-cm-w-127-cm-h-275-cm-w-24-cm-d-4-cm-image261408639.htmlRMW585AR–Portrait of Cornelis Samuelsz van Esch (1594 / 95-1656), Portrait of Cornelis Samuelsz. van Esch (1594 / 95-1656). Bust to the right. Part of a series of seven oval portraits of Cornelis Samuelsz van Esch, his wife Josina Jansdr de Carpentier, their three daughters and two sons, anonymous, Dordrecht, 1632, copper (metal), oil paint (paint), support: h 15.6 cm × w 12.7 cm h 27.5 cm × w 24 cm × d 4 cm
. Bulletin of the Museum of Comparative Zoology at Harvard College. Zoology. 164 BuUetin Museum of Comparative Zoology, Vol 142, No. 2 CO UJ o UJ a UJ OQ ID. 0- I- 2- 3- 4- 5- 6- 7- 8- 9-10-11-12-13-14-15-16-17-18-19-2021- SIZE CLASSES (EACH N-N.95 MM) cm. 24-25- 32- 51 Figure 8. Histogram of size distribution of lowland Carabidae in New Guinea. Each species is counted once, according tci its median lengtfi. Eacfi column represents number of species of which the mean length falls between N-N.95 mm; the actual numbers of species are given above the columns. The hatched portions of the first thr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-of-the-museum-of-comparative-zoology-at-harvard-college-zoology-164-buuetin-museum-of-comparative-zoology-vol-142-no-2-co-uj-o-uj-a-uj-oq-id-0-i-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-2021-size-classes-each-n-n95-mm-cm-24-25-32-51-figure-8-histogram-of-size-distribution-of-lowland-carabidae-in-new-guinea-each-species-is-counted-once-according-tci-its-median-lengtfi-eacfi-column-represents-number-of-species-of-which-the-mean-length-falls-between-n-n95-mm-the-actual-numbers-of-species-are-given-above-the-columns-the-hatched-portions-of-the-first-thr-image233872676.htmlRMRGDPYG–. Bulletin of the Museum of Comparative Zoology at Harvard College. Zoology. 164 BuUetin Museum of Comparative Zoology, Vol 142, No. 2 CO UJ o UJ a UJ OQ ID. 0- I- 2- 3- 4- 5- 6- 7- 8- 9-10-11-12-13-14-15-16-17-18-19-2021- SIZE CLASSES (EACH N-N.95 MM) cm. 24-25- 32- 51 Figure 8. Histogram of size distribution of lowland Carabidae in New Guinea. Each species is counted once, according tci its median lengtfi. Eacfi column represents number of species of which the mean length falls between N-N.95 mm; the actual numbers of species are given above the columns. The hatched portions of the first thr
Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dish-qing-dynasty-16441911-qianlong-period-173695-china-nephrite-h-162325746.htmlRMKC2G42–Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm
![[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 4 1/2 × 3 11/16 in. (11.4 × 9.4 cm) Mount: 5 7/8 × 4 15/16 in. (15 × 12.5 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PB9R5R/pearys-ship-artist-robert-e-peary-american-1856-1920-dimensions-image-4-12-3-1116-in-114-94-cm-mount-5-78-4-1516-in-15-125-cm-date-1893-95-museum-metropolitan-museum-of-art-new-york-usa-PB9R5R.jpg "[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 4 1/2 × 3 11/16 in. (11.4 × 9.4 cm) Mount: 5 7/8 × 4 15/16 in. (15 × 12.5 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 4 1/2 × 3 11/16 in. (11.4 × 9.4 cm) Mount: 5 7/8 × 4 15/16 in. (15 × 12.5 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pearys-ship-artist-robert-e-peary-american-1856-1920-dimensions-image-4-12-3-1116-in-114-94-cm-mount-5-78-4-1516-in-15-125-cm-date-1893-95-museum-metropolitan-museum-of-art-new-york-usa-image213501395.htmlRMPB9R5R–[Peary's Ship]. Artist: Robert E. Peary (American, 1856-1920). Dimensions: Image: 4 1/2 × 3 11/16 in. (11.4 × 9.4 cm) Mount: 5 7/8 × 4 15/16 in. (15 × 12.5 cm). Date: 1893-95. Museum: Metropolitan Museum of Art, New York, USA.
. Beihefte zum botanischen Centralblatt. Plants. 300 Funk, Über Bewegungen der Kolonien von Oscillatoria amphibia Ag. (Fortsetzung des in voriger Übersicht begonnenen Versuchs.) 30» C Zeit in Min. 35 50 75 100 140 240 Länge in cm 11,3 20° C Zeit in Min Länge in cm 10° C Zeit in Min. 35 Länge in cm 7,25 Noch keine Wiederaus- breitung zu erkennen 0—2° C Zeit in Min. Länge in cm 50 75 100 140 240 270 330 450 510 570 1290 2010 2730 24,2 24,0 22,7 17,35 13,65 12,95 12,8 11,0 10,15 10,0 8,0 6,0 5,1 An den Kurven, die nach dem Mittel von je 2 Beobachtungen erhalten wurden, ist zu erkennen, daß zwisch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beihefte-zum-botanischen-centralblatt-plants-300-funk-ber-bewegungen-der-kolonien-von-oscillatoria-amphibia-ag-fortsetzung-des-in-voriger-bersicht-begonnenen-versuchs-30-c-zeit-in-min-35-50-75-100-140-240-lnge-in-cm-113-20-c-zeit-in-min-lnge-in-cm-10-c-zeit-in-min-35-lnge-in-cm-725-noch-keine-wiederaus-breitung-zu-erkennen-02-c-zeit-in-min-lnge-in-cm-50-75-100-140-240-270-330-450-510-570-1290-2010-2730-242-240-227-1735-1365-1295-128-110-1015-100-80-60-51-an-den-kurven-die-nach-dem-mittel-von-je-2-beobachtungen-erhalten-wurden-ist-zu-erkennen-da-zwisch-image234778417.htmlRMRHY27D–. Beihefte zum botanischen Centralblatt. Plants. 300 Funk, Über Bewegungen der Kolonien von Oscillatoria amphibia Ag. (Fortsetzung des in voriger Übersicht begonnenen Versuchs.) 30» C Zeit in Min. 35 50 75 100 140 240 Länge in cm 11,3 20° C Zeit in Min Länge in cm 10° C Zeit in Min. 35 Länge in cm 7,25 Noch keine Wiederaus- breitung zu erkennen 0—2° C Zeit in Min. Länge in cm 50 75 100 140 240 270 330 450 510 570 1290 2010 2730 24,2 24,0 22,7 17,35 13,65 12,95 12,8 11,0 10,15 10,0 8,0 6,0 5,1 An den Kurven, die nach dem Mittel von je 2 Beobachtungen erhalten wurden, ist zu erkennen, daß zwisch
Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dish-qing-dynasty-16441911-qianlong-period-173695-china-nephrite-h-162325747.htmlRMKC2G43–Dish, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, H. 1 7/16 in. (3.6 cm); W. 4 15/16 in. (12.6 cm
Simon Unglerth, Basset Horn in F, Slovenian, Simon Unglerth, late 18th century, Laybach (Ljubljana), Slovenia, Slovenian, Boxwood, brass, horn, L.: 95 cm (37-1/2); Diam. of bell (ovoid): 15 cm (6 in.); Mouthpiece: 8.3 cm (3-1/4 in.); Barrel: 7.2 cm (2-7/8 in.); Upper body section: 30.5 cm (12 in.); Replacement for elbow (actually a barrel): 6.7 cm (2-5/8 in.); Mid-body section: 13.8 cm (5-1/2 in.); 11.6 cm (4-7/8 in.); 15.1 cm (6 in.); 14.9 cm (5-7/8 in.), Aerophone-Reed Vibrated-single reed cylindrical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/simon-unglerth-basset-horn-in-f-slovenian-simon-unglerth-late-18th-century-laybach-ljubljana-slovenia-slovenian-boxwood-brass-horn-l-95-cm-37-12-diam-of-bell-ovoid-15-cm-6-in-mouthpiece-83-cm-3-14-in-barrel-72-cm-2-78-in-upper-body-section-305-cm-12-in-replacement-for-elbow-actually-a-barrel-67-cm-2-58-in-mid-body-section-138-cm-5-12-in-116-cm-4-78-in-151-cm-6-in-149-cm-5-78-in-aerophone-reed-vibrated-single-reed-cylindrical-image344595527.htmlRM2B0HK33–Simon Unglerth, Basset Horn in F, Slovenian, Simon Unglerth, late 18th century, Laybach (Ljubljana), Slovenia, Slovenian, Boxwood, brass, horn, L.: 95 cm (37-1/2); Diam. of bell (ovoid): 15 cm (6 in.); Mouthpiece: 8.3 cm (3-1/4 in.); Barrel: 7.2 cm (2-7/8 in.); Upper body section: 30.5 cm (12 in.); Replacement for elbow (actually a barrel): 6.7 cm (2-5/8 in.); Mid-body section: 13.8 cm (5-1/2 in.); 11.6 cm (4-7/8 in.); 15.1 cm (6 in.); 14.9 cm (5-7/8 in.), Aerophone-Reed Vibrated-single reed cylindrical
Infantry Shield (Pavise). Culture: Bohemian, possibly Chomutov (now Czech Republic). Dimensions: H. 42 1/2 in. (107.95 cm); W. 20 1/2 in. (52.07 cm); H. of curvature 5 in. (12.7 cm); D. approximately 1 in. (2.54 cm); Wt. 16 lb. 11 oz. (7569 g). Date: ca. 1450. Shields of this type were carried by crossbowmen and other foot soldiers in central Europe during the fifteenth century. They were often fitted with a prop to enable them to be freestanding. This example is painted in the center with a crown surmounted by three ostrich feathers, a badge of the kings of Bohemia. Below this is the letter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/infantry-shield-pavise-culture-bohemian-possibly-chomutov-now-czech-republic-dimensions-h-42-12-in-10795-cm-w-20-12-in-5207-cm-h-of-curvature-5-in-127-cm-d-approximately-1-in-254-cm-wt-16-lb-11-oz-7569-g-date-ca-1450-shields-of-this-type-were-carried-by-crossbowmen-and-other-foot-soldiers-in-central-europe-during-the-fifteenth-century-they-were-often-fitted-with-a-prop-to-enable-them-to-be-freestanding-this-example-is-painted-in-the-center-with-a-crown-surmounted-by-three-ostrich-feathers-a-badge-of-the-kings-of-bohemia-below-this-is-the-letter-image213108033.htmlRMPAKWD5–Infantry Shield (Pavise). Culture: Bohemian, possibly Chomutov (now Czech Republic). Dimensions: H. 42 1/2 in. (107.95 cm); W. 20 1/2 in. (52.07 cm); H. of curvature 5 in. (12.7 cm); D. approximately 1 in. (2.54 cm); Wt. 16 lb. 11 oz. (7569 g). Date: ca. 1450. Shields of this type were carried by crossbowmen and other foot soldiers in central Europe during the fifteenth century. They were often fitted with a prop to enable them to be freestanding. This example is painted in the center with a crown surmounted by three ostrich feathers, a badge of the kings of Bohemia. Below this is the letter
. Carnegie Institution of Washington publication. NUCLEATION AT PROVIDENCE. 115 TABLE 60. Number of nuclei (>/) per cubic centimeter, etc. — Continued. Date. Time. Weather. Wind. Temp, of appa- ratus. Temp, of atmos- phere. s. Corona colors. n. Num- ber. Remarks. 1905. Jan. 1 Hour. 5.6 F °C 25. °F 44 cm. 3 9 cor 20,500 2 9.5 12.0 5.7 C' C C R' S s 26. 26. 25. 41 44 44 5.1 5.8 6.8 w br b | r w c g w o g 46,000 64,500 95,000 3 9.4 12.6 3.5 C R' C C Sn! NE; E 23. 23. 22 37 34 30 3.5 4.0 3.7 cor cor cor 15,000 22,000 17,500 5.8 C Sn 22 26 4.7 w b p 37,200 4 9.8 12.7 3.3 C Su! F F N N 22. 21. 21 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carnegie-institution-of-washington-publication-nucleation-at-providence-115-table-60-number-of-nuclei-gt-per-cubic-centimeter-etc-continued-date-time-weather-wind-temp-of-appa-ratus-temp-of-atmos-phere-s-corona-colors-n-num-ber-remarks-1905-jan-1-hour-56-f-c-25-f-44-cm-3-9-cor-20500-2-95-120-57-c-c-c-r-s-s-26-26-25-41-44-44-51-58-68-w-br-b-r-w-c-g-w-o-g-46000-64500-95000-3-94-126-35-c-r-c-c-sn!-ne-e-23-23-22-37-34-30-35-40-37-cor-cor-cor-15000-22000-17500-58-c-sn-22-26-47-w-b-p-37200-4-98-127-33-c-su!-f-f-n-n-22-21-21-image233512920.htmlRMRFWC34–. Carnegie Institution of Washington publication. NUCLEATION AT PROVIDENCE. 115 TABLE 60. Number of nuclei (>/) per cubic centimeter, etc. — Continued. Date. Time. Weather. Wind. Temp, of appa- ratus. Temp, of atmos- phere. s. Corona colors. n. Num- ber. Remarks. 1905. Jan. 1 Hour. 5.6 F °C 25. °F 44 cm. 3 9 cor 20,500 2 9.5 12.0 5.7 C' C C R' S s 26. 26. 25. 41 44 44 5.1 5.8 6.8 w br b | r w c g w o g 46,000 64,500 95,000 3 9.4 12.6 3.5 C R' C C Sn! NE; E 23. 23. 22 37 34 30 3.5 4.0 3.7 cor cor cor 15,000 22,000 17,500 5.8 C Sn 22 26 4.7 w b p 37,200 4 9.8 12.7 3.3 C Su! F F N N 22. 21. 21
William Home Lizars, (artist), Scottish, 1788 - 1859, John James Audubon, (artist after), American, 1785 - 1851, Brown Lark, The Birds of America: Plate X, (series), 1827/1830, hand-colored engraving on wove paper, plate: 32.6 x 52.2 cm (12 13/16 x 20 9/16 in.), sheet: 63.3 x 95.7 cm (24 15/16 x 37 11/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-home-lizars-artist-scottish-1788-1859-john-james-audubon-artist-after-american-1785-1851-brown-lark-the-birds-of-america-plate-x-series-18271830-hand-colored-engraving-on-wove-paper-plate-326-x-522-cm-12-1316-x-20-916-in-sheet-633-x-957-cm-24-1516-x-37-1116-in-image386367112.htmlRM2DCGF5C–William Home Lizars, (artist), Scottish, 1788 - 1859, John James Audubon, (artist after), American, 1785 - 1851, Brown Lark, The Birds of America: Plate X, (series), 1827/1830, hand-colored engraving on wove paper, plate: 32.6 x 52.2 cm (12 13/16 x 20 9/16 in.), sheet: 63.3 x 95.7 cm (24 15/16 x 37 11/16 in
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2). Artist: After William Hamilton (British, London 1751-1801 London). Dimensions: Image: 9 9/16 × 7 7/8 in. (24.3 × 20 cm) Sheet: 12 15/16 × 10 1/16 in. (32.9 × 25.5 cm). Engraver: James Fittler (British, London 1758-1835 Middlesex). Publisher: James Woodmason (British, active 1772-95). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1794. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/isabella-and-angelo-shakespeare-measure-for-measure-act-2-scene-2-artist-after-william-hamilton-british-london-1751-1801-london-dimensions-image-9-916-7-78-in-243-20-cm-sheet-12-1516-10-116-in-329-255-cm-engraver-james-fittler-british-london-1758-1835-middlesex-publisher-james-woodmason-british-active-1772-95-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-1794-museum-metropolitan-museum-of-art-new-york-usa-image213260130.htmlRMPAXRD6–Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2). Artist: After William Hamilton (British, London 1751-1801 London). Dimensions: Image: 9 9/16 × 7 7/8 in. (24.3 × 20 cm) Sheet: 12 15/16 × 10 1/16 in. (32.9 × 25.5 cm). Engraver: James Fittler (British, London 1758-1835 Middlesex). Publisher: James Woodmason (British, active 1772-95). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1794. Museum: Metropolitan Museum of Art, New York, USA.
Veronese, (painter), Venetian, 1528 - 1588, The Finding of Moses, c. 1581/1582, oil on canvas, overall: 58 x 44.5 cm (22 13/16 x 17 1/2 in.), framed: 81.12 × 67.95 × 7.3 cm (31 15/16 × 26 3/4 × 2 7/8 in.), This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10. The infant Moses was placed by his mother in a basket and hidden beside the river, to escape the edict of the king of Egypt that all male offspring of the Israelites should be slain at birth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/veronese-painter-venetian-1528-1588-the-finding-of-moses-c-15811582-oil-on-canvas-overall-58-x-445-cm-22-1316-x-17-12-in-framed-8112-6795-73-cm-31-1516-26-34-2-78-in-this-painting-is-one-of-several-variants-by-veronese-of-the-subject-some-completed-with-workshop-assistance-it-depicts-a-biblical-account-from-exodus-2310-the-infant-moses-was-placed-by-his-mother-in-a-basket-and-hidden-beside-the-river-to-escape-the-edict-of-the-king-of-egypt-that-all-male-offspring-of-the-israelites-should-be-slain-at-birth-image386329720.htmlRM2DCERE0–Veronese, (painter), Venetian, 1528 - 1588, The Finding of Moses, c. 1581/1582, oil on canvas, overall: 58 x 44.5 cm (22 13/16 x 17 1/2 in.), framed: 81.12 × 67.95 × 7.3 cm (31 15/16 × 26 3/4 × 2 7/8 in.), This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10. The infant Moses was placed by his mother in a basket and hidden beside the river, to escape the edict of the king of Egypt that all male offspring of the Israelites should be slain at birth
Vase, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 19 in. (48.3 cm); Diam. 6 in. (15.2 cm); Diam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vase-qing-dynasty-16441911-qianlong-period-173695-china-porcelain-162306336.htmlRMKC1KAT–Vase, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 19 in. (48.3 cm); Diam. 6 in. (15.2 cm); Diam
The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon). Toshusai Sharaku ??? ??; Japanese, active 1794-95. Date: 1789-1799. Dimensions: 31.7 x 15.0 cm. Color woodblock print; hosoban, nishiki-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-actor-yamashina-shirojuro-as-nagoya-sanzaemon-yamashina-shirojuro-no-nagoya-sanzaemon-toshusai-sharaku-japanese-active-1794-95-date-1789-1799-dimensions-317-x-150-cm-color-woodblock-print-hosoban-nishiki-e-origin-japan-museum-the-chicago-art-institute-image240102797.htmlRMRXHHFW–The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon). Toshusai Sharaku ??? ??; Japanese, active 1794-95. Date: 1789-1799. Dimensions: 31.7 x 15.0 cm. Color woodblock print; hosoban, nishiki-e. Origin: Japan. Museum: The Chicago Art Institute.
Armor for Field and Tilt, ca. 1550 to 1575, Italian, Steel, Wt. 61 lb. 10 oz. (27.95 kg); helmet (a); H. 12 1/2 in. (31.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-armor-for-field-and-tilt-ca-1550-to-1575-italian-steel-wt-61-lb-10-162581455.htmlRMKCE68F–Armor for Field and Tilt, ca. 1550 to 1575, Italian, Steel, Wt. 61 lb. 10 oz. (27.95 kg); helmet (a); H. 12 1/2 in. (31.8 cm
Sallet of Emperor Maximilian I (1459–1519), ca. 1490–95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sallet-of-emperor-maximilian-i-14591519-ca-149095-162362744.htmlRMKC479C–Sallet of Emperor Maximilian I (1459–1519), ca. 1490–95
Standing Female Figure, 20th century, 37-3/4 x 6 x 5 in. (95.9 x 15.2 x 12.7 cm), Wood, Burkina Faso, 20th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-female-figure-20th-century-37-34-x-6-x-5-in-959-x-152-x-127-cm-wood-burkina-faso-20th-century-image573507450.htmlRM2T91EGX–Standing Female Figure, 20th century, 37-3/4 x 6 x 5 in. (95.9 x 15.2 x 12.7 cm), Wood, Burkina Faso, 20th century
Covered Cup and Saucer. Culture: China. Dimensions: a. (saucer) Diam. 6 1/4 in. (15.9 cm) b. (bowl) H. 2 1/4 in. (5.7 cm); Diam. 4 5/8 in. (11.7 cm) c. (cover) Diam. 4 3/4 in. (12.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-cup-and-saucer-culture-china-dimensions-a-saucer-diam-6-14-in-159-cm-b-bowl-h-2-14-in-57-cm-diam-4-58-in-117-cm-c-cover-diam-4-34-in-121-cm-museum-metropolitan-museum-of-art-new-york-usa-image213244806.htmlRMPAX3WX–Covered Cup and Saucer. Culture: China. Dimensions: a. (saucer) Diam. 6 1/4 in. (15.9 cm) b. (bowl) H. 2 1/4 in. (5.7 cm); Diam. 4 5/8 in. (11.7 cm) c. (cover) Diam. 4 3/4 in. (12.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
Flat Ji Axe, 1600-1100 BCE, 6 15/16 x 4 7/8 x 3/8 in. (17.62 x 12.38 x 0.95 cm), Mottled grey-green jade with traces of red pigment, China, 16th-11th century BCE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flat-ji-axe-1600-1100-bce-6-1516-x-4-78-x-38-in-1762-x-1238-x-095-cm-mottled-grey-green-jade-with-traces-of-red-pigment-china-16th-11th-century-bce-image573481251.htmlRM2T90957–Flat Ji Axe, 1600-1100 BCE, 6 15/16 x 4 7/8 x 3/8 in. (17.62 x 12.38 x 0.95 cm), Mottled grey-green jade with traces of red pigment, China, 16th-11th century BCE
Portrait of Cornelis Samuelsz van Esch (1594/95-1656). Dating: 1632. Place: Dordrecht. Measurements: support: h 15.6 cm × w 12.7 cm; h 27.5 cm × w 24 cm × d 4 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis van Poelenburch (rejected attribution). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-samuelsz-van-esch-159495-1656-dating-1632-place-dordrecht-measurements-support-h-156-cm-w-127-cm-h-275-cm-w-24-cm-d-4-cm-museum-rijksmuseum-amsterdam-author-cornelis-van-poelenburch-rejected-attribution-image232835049.htmlRMREPFDD–Portrait of Cornelis Samuelsz van Esch (1594/95-1656). Dating: 1632. Place: Dordrecht. Measurements: support: h 15.6 cm × w 12.7 cm; h 27.5 cm × w 24 cm × d 4 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis van Poelenburch (rejected attribution).
Young Italian Street Musician, c. 1877, Thomas Couture, French, 1815 - 1879, 31 7/8 x 25 1/2 in. (80.96 x 64.77 cm) (sight)31 15/16 x 26 3/4 in. (81.12 x 67.95 cm) (canvas), Oil on canvas, France, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-italian-street-musician-c-1877-thomas-couture-french-1815-1879-31-78-x-25-12-in-8096-x-6477-cm-sight31-1516-x-26-34-in-8112-x-6795-cm-canvas-oil-on-canvas-france-19th-century-image573492760.htmlRM2T90RT8–Young Italian Street Musician, c. 1877, Thomas Couture, French, 1815 - 1879, 31 7/8 x 25 1/2 in. (80.96 x 64.77 cm) (sight)31 15/16 x 26 3/4 in. (81.12 x 67.95 cm) (canvas), Oil on canvas, France, 19th century
The Triumph of Sentiment. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/2 in. × 16 in. (31.8 × 40.7 cm). Publisher: E. Jackson (London). Date: January 15, 1787. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumph-of-sentiment-artist-after-thomas-rowlandson-british-london-1757-1827-london-samuel-collings-british-active-1784-95-dimensions-sheet-12-12-in-16-in-318-407-cm-publisher-e-jackson-london-date-january-15-1787-museum-metropolitan-museum-of-art-new-york-usa-image213298555.htmlRMPB0GDF–The Triumph of Sentiment. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/2 in. × 16 in. (31.8 × 40.7 cm). Publisher: E. Jackson (London). Date: January 15, 1787. Museum: Metropolitan Museum of Art, New York, USA.
You wine vessel, 12th-11th century BCE, 9 3/4 × 6 3/4 × 6 1/4 in., 6.8 lb. (24.8 × 17.1 × 15.9 cm, 3.1 kg)3 7/8 × 3 3/8 in. (9.9 × 8.5 cm) (object part, mouth-a)4 1/2 × 3 15/16 in. (11.5 × 10 cm) (object part, mouth-b)4 13/16 × 4 5/16 in. (12.22 × 10.95 cm) (object part, foot), Bronze, China, 12th-11th century BCE, You vessels like these began to appear during the late 1100s BCE and became prevalent during the late Shang and early Western Zhou (c. 1300–977 BCE). In line with late Shang tastes, the vessel is richly decorated within seven horizontal registers. These registers are further divided Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/you-wine-vessel-12th-11th-century-bce-9-34-6-34-6-14-in-68-lb-248-171-159-cm-31-kg3-78-3-38-in-99-85-cm-object-part-mouth-a4-12-3-1516-in-115-10-cm-object-part-mouth-b4-1316-4-516-in-1222-1095-cm-object-part-foot-bronze-china-12th-11th-century-bce-you-vessels-like-these-began-to-appear-during-the-late-1100s-bce-and-became-prevalent-during-the-late-shang-and-early-western-zhou-c-1300977-bce-in-line-with-late-shang-tastes-the-vessel-is-richly-decorated-within-seven-horizontal-registers-these-registers-are-further-divided-image573492746.htmlRM2T90RRP–You wine vessel, 12th-11th century BCE, 9 3/4 × 6 3/4 × 6 1/4 in., 6.8 lb. (24.8 × 17.1 × 15.9 cm, 3.1 kg)3 7/8 × 3 3/8 in. (9.9 × 8.5 cm) (object part, mouth-a)4 1/2 × 3 15/16 in. (11.5 × 10 cm) (object part, mouth-b)4 13/16 × 4 5/16 in. (12.22 × 10.95 cm) (object part, foot), Bronze, China, 12th-11th century BCE, You vessels like these began to appear during the late 1100s BCE and became prevalent during the late Shang and early Western Zhou (c. 1300–977 BCE). In line with late Shang tastes, the vessel is richly decorated within seven horizontal registers. These registers are further divided
Putti Carrying Organ Pipes, Anonymous, Italian, Roman-Bolognese, 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-putti-carrying-organ-pipes-anonymous-italian-roman-bolognese-17th-162448346.htmlRMKC84EJ–Putti Carrying Organ Pipes, Anonymous, Italian, Roman-Bolognese, 17th century
The Actor Sawamura Sojuro III, Tōshūsai Sharaku, 1794–95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-actor-sawamura-sojuro-iii-tshsai-sharaku-179495-162420803.htmlRMKC6WAY–The Actor Sawamura Sojuro III, Tōshūsai Sharaku, 1794–95
Vase, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with greyish-blue crackled glaze (Ru yao Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vase-qing-dynasty-16441911-qianlong-mark-and-period-173695-china-porcelain-162383266.htmlRMKC55EA–Vase, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with greyish-blue crackled glaze (Ru yao
The Triumph of Hipocrisy. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/16 × 15 7/16 in. (30.7 × 39.2 cm). Publisher: E. Jackson (London). Date: January 11, 1787. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumph-of-hipocrisy-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-12-116-15-716-in-307-392-cm-publisher-e-jackson-london-date-january-11-1787-museum-metropolitan-museum-of-art-new-york-usa-image213207092.htmlRMPATBR0–The Triumph of Hipocrisy. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/16 × 15 7/16 in. (30.7 × 39.2 cm). Publisher: E. Jackson (London). Date: January 11, 1787. Museum: Metropolitan Museum of Art, New York, USA.
Ceremonial Axe, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, light sage green touched with russet pear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ceremonial-axe-qing-dynasty-16441911-qianlong-period-173695-china-162380379.htmlRMKC51R7–Ceremonial Axe, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Nephrite, light sage green touched with russet pear
Woodcutters and Fishermen. Artist: Matsumura Goshun (Japanese, 1752-1811). Culture: Japan. Dimensions: Image (each): 65 15/16 in. × 12 ft. 2 7/16 in. (167.5 × 372 cm) Overall with mounting: 67 1/2 in. × 12 ft. 4 in. (171.5 × 376 cm). Date: ca. 1790-95. In this scene, set against rolling hills and an enclosed lagoon, woodcutters trudge among the pines and fishermen relax on a small boat. The hazy atmosphere and delicate flush of the willows suggest the warmth of spring. Most of the workmen are old; their garments indicate that they are Chinese. For this idyllic depiction, the artist has chose Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woodcutters-and-fishermen-artist-matsumura-goshun-japanese-1752-1811-culture-japan-dimensions-image-each-65-1516-in-12-ft-2-716-in-1675-372-cm-overall-with-mounting-67-12-in-12-ft-4-in-1715-376-cm-date-ca-1790-95-in-this-scene-set-against-rolling-hills-and-an-enclosed-lagoon-woodcutters-trudge-among-the-pines-and-fishermen-relax-on-a-small-boat-the-hazy-atmosphere-and-delicate-flush-of-the-willows-suggest-the-warmth-of-spring-most-of-the-workmen-are-old-their-garments-indicate-that-they-are-chinese-for-this-idyllic-depiction-the-artist-has-chose-image213246282.htmlRMPAX5PJ–Woodcutters and Fishermen. Artist: Matsumura Goshun (Japanese, 1752-1811). Culture: Japan. Dimensions: Image (each): 65 15/16 in. × 12 ft. 2 7/16 in. (167.5 × 372 cm) Overall with mounting: 67 1/2 in. × 12 ft. 4 in. (171.5 × 376 cm). Date: ca. 1790-95. In this scene, set against rolling hills and an enclosed lagoon, woodcutters trudge among the pines and fishermen relax on a small boat. The hazy atmosphere and delicate flush of the willows suggest the warmth of spring. Most of the workmen are old; their garments indicate that they are Chinese. For this idyllic depiction, the artist has chose
Sallet of Emperor Maximilian I (1459-1519). Armorer: Attributed to Lorenz Helmschmid (German, Augsburg, ca. 1445-1516). Culture: German, Augsburg. Dimensions: H. 12 in. (30.5 cm); W. 9 in. (22.9 cm); D. 12 3/8 in. (31.4 cm); Wt. 4 lb. 15.7 oz. (2261 g). Date: ca. 1490-95. This sallet was a new type probably invented by Lorenz Helmschmid for Emperor Maximilian I (1459-1519) around the time he became head of the Holy Roman Empire in 1493. Its construction, with the falling buffe (chin defense) pivoting on the same points as the visor, anticipates the development of close helmets around 1510. Th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sallet-of-emperor-maximilian-i-1459-1519-armorer-attributed-to-lorenz-helmschmid-german-augsburg-ca-1445-1516-culture-german-augsburg-dimensions-h-12-in-305-cm-w-9-in-229-cm-d-12-38-in-314-cm-wt-4-lb-157-oz-2261-g-date-ca-1490-95-this-sallet-was-a-new-type-probably-invented-by-lorenz-helmschmid-for-emperor-maximilian-i-1459-1519-around-the-time-he-became-head-of-the-holy-roman-empire-in-1493-its-construction-with-the-falling-buffe-chin-defense-pivoting-on-the-same-points-as-the-visor-anticipates-the-development-of-close-helmets-around-1510-th-image213294538.htmlRMPB0BA2–Sallet of Emperor Maximilian I (1459-1519). Armorer: Attributed to Lorenz Helmschmid (German, Augsburg, ca. 1445-1516). Culture: German, Augsburg. Dimensions: H. 12 in. (30.5 cm); W. 9 in. (22.9 cm); D. 12 3/8 in. (31.4 cm); Wt. 4 lb. 15.7 oz. (2261 g). Date: ca. 1490-95. This sallet was a new type probably invented by Lorenz Helmschmid for Emperor Maximilian I (1459-1519) around the time he became head of the Holy Roman Empire in 1493. Its construction, with the falling buffe (chin defense) pivoting on the same points as the visor, anticipates the development of close helmets around 1510. Th
Chatting (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 12 1/16 in. (25.9 × 30.7 cm) Plate: 9 7/8 × 10 15/16 in. (25.1 × 27.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chatting-picturesque-beauties-of-boswell-part-the-first-artist-thomas-rowlandson-british-london-1757-1827-london-after-samuel-collings-british-active-1784-95-dimensions-sheet-10-316-12-116-in-259-307-cm-plate-9-78-10-1516-in-251-278-cm-publisher-e-jackson-london-seriesportfolio-picturesque-beauties-of-boswell-subject-james-boswell-british-edinburgh-scotland-1740-1795-samuel-johnson-british-lichfield-staffordshire-1709-1784-london-date-may-30-1786-museum-metropolitan-museum-of-art-new-york-usa-image213113479.htmlRMPAM4BK–Chatting (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 12 1/16 in. (25.9 × 30.7 cm) Plate: 9 7/8 × 10 15/16 in. (25.1 × 27.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA.
Storage jar (albarello) with a profile portrait. Culture: Italian, probably Naples or Naples district. Dimensions: Overall (confirmed): 12 9/16 × 5 3/8 × 5 3/8 in. (31.9 × 13.7 × 13.7 cm). Date: ca. 1480-1500. The distinctive profile of the man depicted on this storage jar might suggest that it is the portrait of a specific individual. It has been proposed that it represents King Charles VIII of France (1470-1498), who invaded Italy in 1494-95 and attempted, without success, to seize the throne of Naples. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/storage-jar-albarello-with-a-profile-portrait-culture-italian-probably-naples-or-naples-district-dimensions-overall-confirmed-12-916-5-38-5-38-in-319-137-137-cm-date-ca-1480-1500-the-distinctive-profile-of-the-man-depicted-on-this-storage-jar-might-suggest-that-it-is-the-portrait-of-a-specific-individual-it-has-been-proposed-that-it-represents-king-charles-viii-of-france-1470-1498-who-invaded-italy-in-1494-95-and-attempted-without-success-to-seize-the-throne-of-naples-museum-metropolitan-museum-of-art-new-york-usa-image212872586.htmlRMPA954A–Storage jar (albarello) with a profile portrait. Culture: Italian, probably Naples or Naples district. Dimensions: Overall (confirmed): 12 9/16 × 5 3/8 × 5 3/8 in. (31.9 × 13.7 × 13.7 cm). Date: ca. 1480-1500. The distinctive profile of the man depicted on this storage jar might suggest that it is the portrait of a specific individual. It has been proposed that it represents King Charles VIII of France (1470-1498), who invaded Italy in 1494-95 and attempted, without success, to seize the throne of Naples. Museum: Metropolitan Museum of Art, New York, USA.
The Marriage at Cana. Dated: c. 1495/1497. Dimensions: overall (original painted surface): 137.1 x 92.7 cm (54 x 36 1/2 in.) overall (with addition at bottom): 153.1 x 92.7 cm (60 1/4 x 36 1/2 in.) overall (with added border strips): 155.7 x 95.8 cm (61 5/16 x 37 11/16 in.) framed: 184.8 x 130.5 x 12.7 cm (72 3/4 x 51 3/8 x 5 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Catholic Kings. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-at-cana-dated-c-14951497-dimensions-overall-original-painted-surface-1371-x-927-cm-54-x-36-12-in-overall-with-addition-at-bottom-1531-x-927-cm-60-14-x-36-12-in-overall-with-added-border-strips-1557-x-958-cm-61-516-x-37-1116-in-framed-1848-x-1305-x-127-cm-72-34-x-51-38-x-5-in-medium-oil-on-panel-museum-national-gallery-of-art-washington-dc-author-master-of-the-catholic-kings-image225776574.htmlRMR39092–The Marriage at Cana. Dated: c. 1495/1497. Dimensions: overall (original painted surface): 137.1 x 92.7 cm (54 x 36 1/2 in.) overall (with addition at bottom): 153.1 x 92.7 cm (60 1/4 x 36 1/2 in.) overall (with added border strips): 155.7 x 95.8 cm (61 5/16 x 37 11/16 in.) framed: 184.8 x 130.5 x 12.7 cm (72 3/4 x 51 3/8 x 5 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Catholic Kings.
