12 x 13 5 cm Cut Out Stock Images
Uncertain bronze instrument., Object, metal, bronze, 13.5 x 12 cm, roman 1-300, Netherlands, Friesland, Menameradiel, Deinum, terp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/uncertain-bronze-instrument-object-metal-bronze-135-x-12-cm-roman-1-300-netherlands-friesland-menameradiel-deinum-terp-image344523670.htmlRM2B0EBCP–Uncertain bronze instrument., Object, metal, bronze, 13.5 x 12 cm, roman 1-300, Netherlands, Friesland, Menameradiel, Deinum, terp
Art inspired by Ovolo frame, 1650–70, French, Softwood, 23.2 x 17.9, 17.2 x 12, 19 x 13.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ovolo-frame-165070-french-softwood-232-x-179-172-x-12-19-x-135-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824925.htmlRF2HTYDWH–Art inspired by Ovolo frame, 1650–70, French, Softwood, 23.2 x 17.9, 17.2 x 12, 19 x 13.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Netherlands Middle Ages, horseshoe, 2 parts, iron, 13.0 x 12.5 cm, x, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-netherlands-middle-ages-horseshoe-2-parts-iron-130-x-125-cm-x-the-netherlands-utrecht-wijk-bij-duurstede-wijk-bij-duurstede-dorestad-image344509693.htmlRM2B0DNHH–The Netherlands Middle Ages, horseshoe, 2 parts, iron, 13.0 x 12.5 cm, x, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad
Reverse frame. Culture: Italian, Naples. Dimensions: 28 x 23.9, 12.3 x 8.5, 13.6 x 9.5 cm.. Date: ca. 1640. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-frame-culture-italian-naples-dimensions-28-x-239-123-x-85-136-x-95-cm-date-ca-1640-museum-metropolitan-museum-of-art-new-york-usa-image213149288.htmlRMPANP2G–Reverse frame. Culture: Italian, Naples. Dimensions: 28 x 23.9, 12.3 x 8.5, 13.6 x 9.5 cm.. Date: ca. 1640. Museum: Metropolitan Museum of Art, New York, USA.
Pin, Iran, Iron Age, Date ca. 8th–7th century B.C., Iran, Luristan, possibly from Surkh Dum, Iran, Bronze, 2.6 x 5.12 in. (6.6 x 13 cm), Metalwork-Ornaments Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pin-iran-iron-age-date-ca-8th7th-century-bc-iran-luristan-possibly-from-surkh-dum-iran-bronze-26-x-512-in-66-x-13-cm-metalwork-ornaments-image344667514.htmlRM2B0MXX2–Pin, Iran, Iron Age, Date ca. 8th–7th century B.C., Iran, Luristan, possibly from Surkh Dum, Iran, Bronze, 2.6 x 5.12 in. (6.6 x 13 cm), Metalwork-Ornaments
A German painted iron casket, mid-16th century, The rectangular casket reinforced with iron bands, with a hinged lid and a false lock on the front. The locking mechanism with three spring-loaded latches on the inside of the lid, the keyhole with a hasp, replaced key. A movable carrying handle on each side. Several older repairs. Dimensions 13 x 24 x 12.5 cm. handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-painted-iron-casket-mid-16th-century-the-rectangular-casket-reinforced-with-iron-bands-with-a-hinged-lid-and-a-false-lock-on-the-front-the-locking-mechanism-with-three-spring-loaded-latches-on-the-inside-of-the-lid-the-keyhole-with-a-hasp-replaced-key-a-movable-carrying-handle-on-each-side-several-older-repairs-dimensions-13-x-24-x-125-cm-handicrafts-handcraft-craft-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-historic-historical-additional-rights-clearance-info-not-available-image247741532.htmlRMTB1GRT–A German painted iron casket, mid-16th century, The rectangular casket reinforced with iron bands, with a hinged lid and a false lock on the front. The locking mechanism with three spring-loaded latches on the inside of the lid, the keyhole with a hasp, replaced key. A movable carrying handle on each side. Several older repairs. Dimensions 13 x 24 x 12.5 cm. handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical, Additional-Rights-Clearance-Info-Not-Available
Fragment; silk, linen, cotton; Warp x Weft: 66 x 32.5 cm (26 x 12 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-silk-linen-cotton-warp-x-weft-66-x-325-cm-26-x-12-1316-in-image546168784.htmlRM2PMG3T0–Fragment; silk, linen, cotton; Warp x Weft: 66 x 32.5 cm (26 x 12 13/16 in.)
A German painted iron casket, mid-16th century, The rectangular casket reinforced with iron bands, with a hinged lid and a false lock on the front. The locking mechanism with three spring-loaded latches on the inside of the lid, the keyhole with a hasp, replaced key. A movable carrying handle on each side. Several older repairs. Dimensions 13 x 24 x 12.5 cm. handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-painted-iron-casket-mid-16th-century-the-rectangular-casket-reinforced-with-iron-bands-with-a-hinged-lid-and-a-false-lock-on-the-front-the-locking-mechanism-with-three-spring-loaded-latches-on-the-inside-of-the-lid-the-keyhole-with-a-hasp-replaced-key-a-movable-carrying-handle-on-each-side-several-older-repairs-dimensions-13-x-24-x-125-cm-handicrafts-handcraft-craft-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-historic-historical-additional-rights-clearance-info-not-available-image247741536.htmlRMTB1GT0–A German painted iron casket, mid-16th century, The rectangular casket reinforced with iron bands, with a hinged lid and a false lock on the front. The locking mechanism with three spring-loaded latches on the inside of the lid, the keyhole with a hasp, replaced key. A movable carrying handle on each side. Several older repairs. Dimensions 13 x 24 x 12.5 cm. handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical, Additional-Rights-Clearance-Info-Not-Available
Bodice or Coli, late 1800s. India, late 19th century. Embroidered satin with gold thread and sequins; overall: 32.5 x 78.5 cm (12 13/16 x 30 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bodice-or-coli-late-1800s-india-late-19th-century-embroidered-satin-with-gold-thread-and-sequins-overall-325-x-785-cm-12-1316-x-30-78-in-image448079362.htmlRM2H0YNPA–Bodice or Coli, late 1800s. India, late 19th century. Embroidered satin with gold thread and sequins; overall: 32.5 x 78.5 cm (12 13/16 x 30 7/8 in.).
Portrait Gallery of Distinguished American Citizens: John Marshall Edmond Burke Kellogg (American, 1809-1872). , 1844. Lithograph, Sheet: 16 13/16 x 12 3/8 in. (42.7 x 31.5 cm). American Art 1844 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-gallery-of-distinguished-american-citizens-john-marshall-edmond-burke-kellogg-american-1809-1872-1844-lithograph-sheet-16-1316-x-12-38-in-427-x-315-cm-american-art-1844-image504725894.htmlRM2M9470P–Portrait Gallery of Distinguished American Citizens: John Marshall Edmond Burke Kellogg (American, 1809-1872). , 1844. Lithograph, Sheet: 16 13/16 x 12 3/8 in. (42.7 x 31.5 cm). American Art 1844
Art inspired by Canaletto frame, 1720–40, Italian, Venice, Pine, 17.9 x 23.2, 12 x 17.2, 13.5 x 19 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-canaletto-frame-172040-italian-venice-pine-179-x-232-12-x-172-135-x-19-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826296.htmlRF2HTYFJG–Art inspired by Canaletto frame, 1720–40, Italian, Venice, Pine, 17.9 x 23.2, 12 x 17.2, 13.5 x 19 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Reverse frame, ca. 1640, Italian, Naples, Poplar, 28 x 23.9, 12.3 x 8.5, 13.6 x 9.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-reverse-frame-ca-1640-italian-naples-poplar-28-x-239-123-x-85-136-x-95-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826918.htmlRF2HTYGCP–Art inspired by Reverse frame, ca. 1640, Italian, Naples, Poplar, 28 x 23.9, 12.3 x 8.5, 13.6 x 9.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure Riding a Horse, India, 7th century or earlier, India, Red sandstone, H. 10 3/4 x W. 12 in. (27.3 x 30.5 cm), H. (with base): 13 7/8 in. (35.2 cm), Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-riding-a-horse-india-7th-century-or-earlier-india-red-sandstone-h-10-34-x-w-12-in-273-x-305-cm-h-with-base-13-78-in-352-cm-sculpture-image344591616.htmlRM2B0HE3C–Figure Riding a Horse, India, 7th century or earlier, India, Red sandstone, H. 10 3/4 x W. 12 in. (27.3 x 30.5 cm), H. (with base): 13 7/8 in. (35.2 cm), Sculpture
Art inspired by Fringed Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 5 1/2 x 12 3/4 in. (13.97 x 32.39 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fringed-bag-7th-century-peru-rio-grande-de-nasca-nasca-camelid-hair-overall-5-12-x-12-34-in-1397-x-3239-cm-textiles-woven-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462794274.htmlRF2HTX2PX–Art inspired by Fringed Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 5 1/2 x 12 3/4 in. (13.97 x 32.39 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Netherlands Middle Ages, thumb, blade of scissors, nail, part of strip, iron, 12.5 x 3.1, 13.1 x 1.7, 9.5 x 1.6, 10.5 x 3, 1 cm, x, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-netherlands-middle-ages-thumb-blade-of-scissors-nail-part-of-strip-iron-125-x-31-131-x-17-95-x-16-105-x-3-1-cm-x-the-netherlands-utrecht-wijk-bij-duurstede-wijk-bij-duurstede-dorestad-image344501122.htmlRM2B0DAKE–The Netherlands Middle Ages, thumb, blade of scissors, nail, part of strip, iron, 12.5 x 3.1, 13.1 x 1.7, 9.5 x 1.6, 10.5 x 3, 1 cm, x, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad
Caricature of a Man in a Voluminous Cloak, Carrying a Walking Stick, Seen from Behind. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 7 5/16 x 4 13/16 in. (18.5 x 12.2 cm). Date: 1760 (?). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caricature-of-a-man-in-a-voluminous-cloak-carrying-a-walking-stick-seen-from-behind-artist-giovanni-battista-tiepolo-italian-venice-1696-1770-madrid-dimensions-7-516-x-4-1316-in-185-x-122-cm-date-1760-museum-metropolitan-museum-of-art-new-york-usa-image212870272.htmlRMPA925M–Caricature of a Man in a Voluminous Cloak, Carrying a Walking Stick, Seen from Behind. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 7 5/16 x 4 13/16 in. (18.5 x 12.2 cm). Date: 1760 (?). Museum: Metropolitan Museum of Art, New York, USA.
Portrait Gallery of Distinguished American Citizens: Alexander Macomb, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 19th Century, 19thC, fur trader, historical, land speculator, Macomb Purchase, merchant, portrait, silhouette, trader Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-gallery-of-distinguished-american-citizens-alexander-macomb-lithograph-1844-sheet-16-1316-x-12-38-in-427-x-315-cm-19th-century-19thc-fur-trader-historical-land-speculator-macomb-purchase-merchant-portrait-silhouette-trader-image454283571.htmlRM2HB2B97–Portrait Gallery of Distinguished American Citizens: Alexander Macomb, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 19th Century, 19thC, fur trader, historical, land speculator, Macomb Purchase, merchant, portrait, silhouette, trader
Sidewall (France); block-printed on handmade paper; 25.5 x 32.5 cm (10 1/16 x 12 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-france-block-printed-on-handmade-paper-255-x-325-cm-10-116-x-12-1316-in-image546186240.htmlRM2PMGX3C–Sidewall (France); block-printed on handmade paper; 25.5 x 32.5 cm (10 1/16 x 12 13/16 in.)
Portrait Gallery of Distinguished American Citizens: Alexander Macomb Edmond Burke Kellogg (American, 1809-1872). , 1844. Lithograph, Sheet: 16 13/16 x 12 3/8 in. (42.7 x 31.5 cm). American Art 1844 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-gallery-of-distinguished-american-citizens-alexander-macomb-edmond-burke-kellogg-american-1809-1872-1844-lithograph-sheet-16-1316-x-12-38-in-427-x-315-cm-american-art-1844-image504725941.htmlRM2M9472D–Portrait Gallery of Distinguished American Citizens: Alexander Macomb Edmond Burke Kellogg (American, 1809-1872). , 1844. Lithograph, Sheet: 16 13/16 x 12 3/8 in. (42.7 x 31.5 cm). American Art 1844
Fragment of Draped Garment worn by Members of the Court for Festive Occasions, 1700s. India, Rajasthan or Northern Deccan, 18th century. Block printed with gold leaf on cotton muslin; overall: 30.5 x 12.2 cm (12 x 4 13/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-draped-garment-worn-by-members-of-the-court-for-festive-occasions-1700s-india-rajasthan-or-northern-deccan-18th-century-block-printed-with-gold-leaf-on-cotton-muslin-overall-305-x-122-cm-12-x-4-1316-in-image448079395.htmlRM2H0YNRF–Fragment of Draped Garment worn by Members of the Court for Festive Occasions, 1700s. India, Rajasthan or Northern Deccan, 18th century. Block printed with gold leaf on cotton muslin; overall: 30.5 x 12.2 cm (12 x 4 13/16 in.).
Forest Scene with Brook Ralph Albert Blakelock (American, 1847-1919). Forest Scene with Brook, n.d. Oil on canvas, Other (sight): 13 3/16 x 12 3/16 in. (33.5 x 31 cm). American Art n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/forest-scene-with-brook-ralph-albert-blakelock-american-1847-1919-forest-scene-with-brook-nd-oil-on-canvas-other-sight-13-316-x-12-316-in-335-x-31-cm-american-art-nd-image504699743.htmlRM2M931JR–Forest Scene with Brook Ralph Albert Blakelock (American, 1847-1919). Forest Scene with Brook, n.d. Oil on canvas, Other (sight): 13 3/16 x 12 3/16 in. (33.5 x 31 cm). American Art n.d.
Art inspired by Suspension Strap for Polycandelon, early 5th century, Byzantine, Copper alloy, Overall: 12 15/16 x 1 5/16 x 13/16 in. (32.8 x 3.3 x 2 cm), Metalwork-Bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-suspension-strap-for-polycandelon-early-5th-century-byzantine-copper-alloy-overall-12-1516-x-1-516-x-1316-in-328-x-33-x-2-cm-metalwork-bronze-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463034553.htmlRF2HW9189–Art inspired by Suspension Strap for Polycandelon, early 5th century, Byzantine, Copper alloy, Overall: 12 15/16 x 1 5/16 x 13/16 in. (32.8 x 3.3 x 2 cm), Metalwork-Bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Trinket Box, 1800–1830, Made in Pennsylvania, United States, American, Poplar, 4 3/4 x 5 3/16 x 4 1/4 in. (12.1 x 13.1 x 10.8 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-trinket-box-18001830-made-in-pennsylvania-united-states-american-poplar-4-34-x-5-316-x-4-14-in-121-x-131-x-108-cm-furniture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462895134.htmlRF2HW2KD2–Art inspired by Trinket Box, 1800–1830, Made in Pennsylvania, United States, American, Poplar, 4 3/4 x 5 3/16 x 4 1/4 in. (12.1 x 13.1 x 10.8 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait Gallery of Distinguished American Citizens: John Marshall, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 4th Chief Justice, Chief Justice of the Supreme Court, Federalist, formal portrait, government, historical, history, judge, leader, politician, portrait, silhouette, Virginian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-gallery-of-distinguished-american-citizens-john-marshall-lithograph-1844-sheet-16-1316-x-12-38-in-427-x-315-cm-4th-chief-justice-chief-justice-of-the-supreme-court-federalist-formal-portrait-government-historical-history-judge-leader-politician-portrait-silhouette-virginian-image454283543.htmlRM2HB2B87–Portrait Gallery of Distinguished American Citizens: John Marshall, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 4th Chief Justice, Chief Justice of the Supreme Court, Federalist, formal portrait, government, historical, history, judge, leader, politician, portrait, silhouette, Virginian
Art inspired by Figure, 5th–7th century, Made in Byzantine Egypt, Coptic, Bone; carved and incised, Overall: 4 13/16 x 1 7/16 x 9/16 in. (12.3 x 3.7 x 1.5 cm), Ivories-Bone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-figure-5th7th-century-made-in-byzantine-egypt-coptic-bone-carved-and-incised-overall-4-1316-x-1-716-x-916-in-123-x-37-x-15-cm-ivories-bone-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462841526.htmlRF2HW072E–Art inspired by Figure, 5th–7th century, Made in Byzantine Egypt, Coptic, Bone; carved and incised, Overall: 4 13/16 x 1 7/16 x 9/16 in. (12.3 x 3.7 x 1.5 cm), Ivories-Bone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jérusalem, Saint Sépulcre, détails des chapiteaux. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.) Mount: 44.6 x 60.2 cm (17 9/16 x 23 11/16 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. Salzmann's photographs dissect the church's facade element by element. He recognized the building as a physical manifestation of the multicultural city's history, during which it changed hands over many centuries: 'Destroyed and rebuilt under the strangest circumstances, it offers a meeting of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jrusalem-saint-spulcre-dtails-des-chapiteaux-artist-auguste-salzmann-french-1824-1872-dimensions-image-232-x-325-cm-9-18-x-12-1316-in-mount-446-x-602-cm-17-916-x-23-1116-in-printer-imprimerie-photographique-de-blanquart-vrard-lille-french-active-1851-55-date-1854-salzmanns-photographs-dissect-the-churchs-facade-element-by-element-he-recognized-the-building-as-a-physical-manifestation-of-the-multicultural-citys-history-during-which-it-changed-hands-over-many-centuries-destroyed-and-rebuilt-under-the-strangest-circumstances-it-offers-a-meeting-of-image212906954.htmlRMPAAMYP–Jérusalem, Saint Sépulcre, détails des chapiteaux. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.) Mount: 44.6 x 60.2 cm (17 9/16 x 23 11/16 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. Salzmann's photographs dissect the church's facade element by element. He recognized the building as a physical manifestation of the multicultural city's history, during which it changed hands over many centuries: 'Destroyed and rebuilt under the strangest circumstances, it offers a meeting of
Fragment (Italy); silk, metal wrapped linen; Warp x Weft (A): 31.1 x 12.2 cm (12 1/4 x 4 13/16 in.) Warp x Weft (B): 10.5 x 15.9 cm (4 1/8 x 6 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italy-silk-metal-wrapped-linen-warp-x-weft-a-311-x-122-cm-12-14-x-4-1316-in-warp-x-weft-b-105-x-159-cm-4-18-x-6-14-in-image546200817.htmlRM2PMHGM1–Fragment (Italy); silk, metal wrapped linen; Warp x Weft (A): 31.1 x 12.2 cm (12 1/4 x 4 13/16 in.) Warp x Weft (B): 10.5 x 15.9 cm (4 1/8 x 6 1/4 in.)
Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript Mohan (Son of Banwari). Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript, 1598-1599. Opaque watercolor and gold on paper, Sheet:12 x 6 13/16 in. (30.5 x 17.3 cm). This painting is an illustration from the Persian translation of the great Hindu epic known as the Mahabharata (Razm-nama in Persian). The Mughal emperors who ruled northern India from the mid-sixtee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gautama-is-relieved-to-find-that-his-son-chirakarin-has-not-carried-out-his-impulsive-order-to-execute-ahalya-leaf-from-a-razmnama-manuscript-mohan-son-of-banwari-gautama-is-relieved-to-find-that-his-son-chirakarin-has-not-carried-out-his-impulsive-order-to-execute-ahalya-leaf-from-a-razmnama-manuscript-1598-1599-opaque-watercolor-and-gold-on-paper-sheet12-x-6-1316-in-305-x-173-cm-this-painting-is-an-illustration-from-the-persian-translation-of-the-great-hindu-epic-known-as-the-mahabharata-razm-nama-in-persian-the-mughal-emperors-who-ruled-northern-india-from-the-mid-sixtee-image504698835.htmlRM2M930EB–Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript Mohan (Son of Banwari). Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript, 1598-1599. Opaque watercolor and gold on paper, Sheet:12 x 6 13/16 in. (30.5 x 17.3 cm). This painting is an illustration from the Persian translation of the great Hindu epic known as the Mahabharata (Razm-nama in Persian). The Mughal emperors who ruled northern India from the mid-sixtee
Sealing, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600187.htmlRM2B0HW1F–Sealing, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by Sconce, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 8 1/2 x 4 13/16 in. (21.5 x 12.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sconce-in-chippendale-drawings-vol-i-ca-175354-graphite-sheet-8-12-x-4-1316-in-215-x-122-cm-thomas-chippendale-british-baptised-otley-west-yorkshire-17181779-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462989140.htmlRF2HW6YAC–Art inspired by Sconce, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 8 1/2 x 4 13/16 in. (21.5 x 12.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Composite crown. Dimensions: H. 13.7 × W. 12.4 × D. 7.5 cm (5 3/8 × 4 7/8 × 2 15/16 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/composite-crown-dimensions-h-137-w-124-d-75-cm-5-38-4-78-2-1516-in-dynasty-dynasty-18-reign-reign-of-akhenaten-date-ca-1353-1336-bc-museum-metropolitan-museum-of-art-new-york-usa-image213171322.htmlRMPAPP5E–Composite crown. Dimensions: H. 13.7 × W. 12.4 × D. 7.5 cm (5 3/8 × 4 7/8 × 2 15/16 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Sealing, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600193.htmlRM2B0HW1N–Sealing, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by Portrait of La Val de Pramence, 16th century, Black and red chalk, 12 13/16 x 8 9/16 in. (32.5 x 21.7 cm), Drawings, Studio of François Clouet (French, Tours (?), active by 1536–died 1572 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-la-val-de-pramence-16th-century-black-and-red-chalk-12-1316-x-8-916-in-325-x-217-cm-drawings-studio-of-franois-clouet-french-tours-active-by-1536died-1572-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949453.htmlRF2HW54N1–Art inspired by Portrait of La Val de Pramence, 16th century, Black and red chalk, 12 13/16 x 8 9/16 in. (32.5 x 21.7 cm), Drawings, Studio of François Clouet (French, Tours (?), active by 1536–died 1572 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Base ragment with name and epithets of the Aten. Dimensions: H. 11.2 × W. 12.5 × D. 9.7 cm (4 7/16 × 4 15/16 × 3 13/16 in.); cartouche: W. 5.7 cm (2 1/4 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/base-ragment-with-name-and-epithets-of-the-aten-dimensions-h-112-w-125-d-97-cm-4-716-4-1516-3-1316-in-cartouche-w-57-cm-2-14-in-dynasty-dynasty-18-reign-reign-of-akhenaten-date-ca-1353-1336-bc-museum-metropolitan-museum-of-art-new-york-usa-image213121096.htmlRMPAME3M–Base ragment with name and epithets of the Aten. Dimensions: H. 11.2 × W. 12.5 × D. 9.7 cm (4 7/16 × 4 15/16 × 3 13/16 in.); cartouche: W. 5.7 cm (2 1/4 in.). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Portrait Gallery of Distinguished American Citizens: Alexander Macomb, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 19th Century, 19thC, fur trader, historical, land speculator, Macomb Purchase, merchant, portrait, silhouette, trader, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-gallery-of-distinguished-american-citizens-alexander-macomb-lithograph-1844-sheet-16-1316-x-12-38-in-427-x-315-cm-19th-century-19thc-fur-trader-historical-land-speculator-macomb-purchase-merchant-portrait-silhouette-trader-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574047.htmlRF2HKKBAR–Art inspired by Portrait Gallery of Distinguished American Citizens: Alexander Macomb, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 19th Century, 19thC, fur trader, historical, land speculator, Macomb Purchase, merchant, portrait, silhouette, trader, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 1 3/8 x 1 in. (3.5 x 2.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1-38-x-1-in-35-x-25-cm-image344600197.htmlRM2B0HW1W–Sealing, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 1 3/8 x 1 in. (3.5 x 2.5 cm
Jaina Tirthankara Seated in Meditation (Dhyanamudra). India; Gujarat. Date: 1401-1500. Dimensions: 31.1 x 26.3 x 13.3 cm (12 1/4 x 10 3/8 x 5 1/4 in.). White marble with traces of pigment. Origin: Gujarat. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jaina-tirthankara-seated-in-meditation-dhyanamudra-india-gujarat-date-1401-1500-dimensions-311-x-263-x-133-cm-12-14-x-10-38-x-5-14-in-white-marble-with-traces-of-pigment-origin-gujarat-museum-the-chicago-art-institute-image239865220.htmlRMRX6PF0–Jaina Tirthankara Seated in Meditation (Dhyanamudra). India; Gujarat. Date: 1401-1500. Dimensions: 31.1 x 26.3 x 13.3 cm (12 1/4 x 10 3/8 x 5 1/4 in.). White marble with traces of pigment. Origin: Gujarat. Museum: The Chicago Art Institute.
Art inspired by Portrait Gallery of Distinguished American Citizens: John Marshall, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 4th Chief Justice, Chief Justice of the Supreme Court, Federalist, formal portrait, government, historical, history, judge, leader, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-gallery-of-distinguished-american-citizens-john-marshall-lithograph-1844-sheet-16-1316-x-12-38-in-427-x-315-cm-4th-chief-justice-chief-justice-of-the-supreme-court-federalist-formal-portrait-government-historical-history-judge-leader-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574051.htmlRF2HKKBAY–Art inspired by Portrait Gallery of Distinguished American Citizens: John Marshall, Lithograph, 1844, Sheet: 16 13/16 x 12 3/8 in., 42.7 x 31.5 cm, 4th Chief Justice, Chief Justice of the Supreme Court, Federalist, formal portrait, government, historical, history, judge, leader, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Stained Glass Fragment, 1200–1215, French, Pot-metal glass, vitreous paint, Overall: 4 13/16 x 1 15/16 in. (12.2 x 5 cm), Glass-Stained, The Cathedral of Saint-Étienne in Bourges still preserves a distinguished series of stained glass in its chapels. These fragments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-stained-glass-fragment-12001215-french-pot-metal-glass-vitreous-paint-overall-4-1316-x-1-1516-in-122-x-5-cm-glass-stained-the-cathedral-of-saint-tienne-in-bourges-still-preserves-a-distinguished-series-of-stained-glass-in-its-chapels-these-fragments-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462835431.htmlRF2HTYY8R–Art inspired by Stained Glass Fragment, 1200–1215, French, Pot-metal glass, vitreous paint, Overall: 4 13/16 x 1 15/16 in. (12.2 x 5 cm), Glass-Stained, The Cathedral of Saint-Étienne in Bourges still preserves a distinguished series of stained glass in its chapels. These fragments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Teapot, 1813, Made in Albany, New York, United States, American, Silver, 7 3/8 x 12 x 5 5/16 in. (18.7 x 30.5 x 13.5 cm); 26 oz. (808.2 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teapot-1813-made-in-albany-new-york-united-states-american-silver-7-38-x-12-x-5-516-in-187-x-305-x-135-cm-26-oz-8082-g-silver-isaac-hutton-american-new-york-17661855-albany-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462893651.htmlRF2HW2HG3–Art inspired by Teapot, 1813, Made in Albany, New York, United States, American, Silver, 7 3/8 x 12 x 5 5/16 in. (18.7 x 30.5 x 13.5 cm); 26 oz. (808.2 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600179.htmlRM2B0HW17–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini). India; Uttar Pradesh. Date: 401 AD-600 AD. Dimensions: 61.3 x 32.9 x 13.8 cm (24 1/8 x 12 15/16 x 5 7/16 in.). Red sandstone. Origin: Uttar Pradesh. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/goddess-durga-slaying-the-buffalo-demon-mahishasuramardini-india-uttar-pradesh-date-401-ad-600-ad-dimensions-613-x-329-x-138-cm-24-18-x-12-1516-x-5-716-in-red-sandstone-origin-uttar-pradesh-museum-the-chicago-art-institute-image239739139.htmlRMRX11M3–Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini). India; Uttar Pradesh. Date: 401 AD-600 AD. Dimensions: 61.3 x 32.9 x 13.8 cm (24 1/8 x 12 15/16 x 5 7/16 in.). Red sandstone. Origin: Uttar Pradesh. Museum: The Chicago Art Institute.
Art inspired by Teapot, ca. 1810, Made in New York, New York, United States, American, Silver, 6 5/8 x 12 15/16 x 5 3/8 in. (16.8 x 32.9 x 13.7 cm); 20 oz. 19 dwt. (651.7 g), Silver, Garret Forbes (1785–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teapot-ca-1810-made-in-new-york-new-york-united-states-american-silver-6-58-x-12-1516-x-5-38-in-168-x-329-x-137-cm-20-oz-19-dwt-6517-g-silver-garret-forbes-17851851-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462893774.htmlRF2HW2HME–Art inspired by Teapot, ca. 1810, Made in New York, New York, United States, American, Silver, 6 5/8 x 12 15/16 x 5 3/8 in. (16.8 x 32.9 x 13.7 cm); 20 oz. 19 dwt. (651.7 g), Silver, Garret Forbes (1785–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Actor Otani Oniji, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-otani-oniji-edo-period-16151868-17621819-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-x-5-38-in-305-x-137-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917357.htmlRF2HW3KPN–Art inspired by The Actor Otani Oniji, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Figure, 1st century B.C.–A.D. 4th century, Peru, Nasca, Stone, H. 12 15/16 x W. 5 1/4 x D. 3 1/4 in. (32.9 x 13.3 x 8.3 cm), Stone-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-figure-1st-century-bcad-4th-century-peru-nasca-stone-h-12-1516-x-w-5-14-x-d-3-14-in-329-x-133-x-83-cm-stone-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462796360.htmlRF2HTX5DC–Art inspired by Figure, 1st century B.C.–A.D. 4th century, Peru, Nasca, Stone, H. 12 15/16 x W. 5 1/4 x D. 3 1/4 in. (32.9 x 13.3 x 8.3 cm), Stone-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Caricature of a Man in a Voluminous Cloak, Carrying a Walking Stick, Seen from Behind, 1760 (?), Pen and dark brown ink, brown wash, 7 5/16 x 4 13/16 in. (18.5 x 12.2 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-caricature-of-a-man-in-a-voluminous-cloak-carrying-a-walking-stick-seen-from-behind-1760-pen-and-dark-brown-ink-brown-wash-7-516-x-4-1316-in-185-x-122-cm-drawings-giovanni-battista-tiepolo-italian-venice-16961770-madrid-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031084.htmlRF2HW8TTC–Art inspired by Caricature of a Man in a Voluminous Cloak, Carrying a Walking Stick, Seen from Behind, 1760 (?), Pen and dark brown ink, brown wash, 7 5/16 x 4 13/16 in. (18.5 x 12.2 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Owl Ornament, 390–450, Peru, Moche (Loma Negra), Gilded copper, H. 4 7/8 x W. 5 1/4 x D. 7/8 in. (12.5 x 13.3 x 2.2 cm), Metal-Ornaments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-owl-ornament-390450-peru-moche-loma-negra-gilded-copper-h-4-78-x-w-5-14-x-d-78-in-125-x-133-x-22-cm-metal-ornaments-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462796651.htmlRF2HTX5RR–Art inspired by Owl Ornament, 390–450, Peru, Moche (Loma Negra), Gilded copper, H. 4 7/8 x W. 5 1/4 x D. 7/8 in. (12.5 x 13.3 x 2.2 cm), Metal-Ornaments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape with a Cottage and Hay Barn, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, Etching on laid paper, Netherlands, 1641, Plate: 5 3/16 x 12 11/16 in., 13.2 x 32.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-landscape-with-a-cottage-and-hay-barn-rembrandt-harmensz-van-rijn-dutch-1606-1669-etching-on-laid-paper-netherlands-1641-plate-5-316-x-12-1116-in-132-x-322-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569617.htmlRF2HKK5MH–Art inspired by Landscape with a Cottage and Hay Barn, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, Etching on laid paper, Netherlands, 1641, Plate: 5 3/16 x 12 11/16 in., 13.2 x 32.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600125.htmlRM2B0HTY9–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by Hagen and the Nymphs of the Danube, 1802, Graphite, pen and brown ink, watercolor and gouache on cream wove paper, 12 5/16 x 13 1/4 in. (31.2 x 33.6 cm), Drawings, Henry Fuseli (Swiss, Zürich 1741–1825 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hagen-and-the-nymphs-of-the-danube-1802-graphite-pen-and-brown-ink-watercolor-and-gouache-on-cream-wove-paper-12-516-x-13-14-in-312-x-336-cm-drawings-henry-fuseli-swiss-zrich-17411825-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947040.htmlRF2HW51JT–Art inspired by Hagen and the Nymphs of the Danube, 1802, Graphite, pen and brown ink, watercolor and gouache on cream wove paper, 12 5/16 x 13 1/4 in. (31.2 x 33.6 cm), Drawings, Henry Fuseli (Swiss, Zürich 1741–1825 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lucretia. Date/Period: 1841/1905. Heliogravure. Width: 13.3 cm. Height: 22.4 cm (sheet). Author: Amand-Durand. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucretia-dateperiod-18411905-heliogravure-width-133-cm-height-224-cm-sheet-author-amand-durand-image219107286.htmlRMPMD5G6–Lucretia. Date/Period: 1841/1905. Heliogravure. Width: 13.3 cm. Height: 22.4 cm (sheet). Author: Amand-Durand.
Art inspired by Left ankle, New Kingdom, Amarna Period, Dynasty 18, ca. 1352–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Petrie/Carter excavations, 1891–92, Diorite, H. 19.5 x W. 12.5 x D. 13 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-left-ankle-new-kingdom-amarna-period-dynasty-18-ca-13521336-bc-from-egypt-middle-egypt-amarna-akhetaten-petriecarter-excavations-189192-diorite-h-195-x-w-125-x-d-13-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462853657.htmlRF2HW0PFN–Art inspired by Left ankle, New Kingdom, Amarna Period, Dynasty 18, ca. 1352–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Petrie/Carter excavations, 1891–92, Diorite, H. 19.5 x W. 12.5 x D. 13 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Actor Ichikawa Komazo II Holding a Smoking Pipe, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/4 in. (30.5 x 13.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-ichikawa-komazo-ii-holding-a-smoking-pipe-edo-period-16151868-17621819-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-x-5-14-in-305-x-133-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917388.htmlRF2HW3KRT–Art inspired by The Actor Ichikawa Komazo II Holding a Smoking Pipe, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/4 in. (30.5 x 13.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600176.htmlRM2B0HW14–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Ninth Ichimura Uzaemon as a Samurai Warrior, Edo period (1615–1868), ca. 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-ninth-ichimura-uzaemon-as-a-samurai-warrior-edo-period-16151868-ca-1773-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-x-5-38-in-305-x-137-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904201.htmlRF2HW330W–Art inspired by The Ninth Ichimura Uzaemon as a Samurai Warrior, Edo period (1615–1868), ca. 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600172.htmlRM2B0HW10–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Actor Nakamura Nakazō in the Role of Ono Sadakurō, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-nakamura-nakaz-in-the-role-of-ono-sadakur-edo-period-16151868-ca-1766-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-34-x-5-1316-in-324-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905154.htmlRF2HW346X–Art inspired by The Actor Nakamura Nakazō in the Role of Ono Sadakurō, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600161.htmlRM2B0HW0H–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Fifth Ichikawa Danjuro as a Court Noble (Kuge), Edo period (1615–1868), 1773 ?, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 13/16 in. (31.3 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-fifth-ichikawa-danjuro-as-a-court-noble-kuge-edo-period-16151868-1773-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-516-x-5-1316-in-313-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905194.htmlRF2HW348A–Art inspired by The Fifth Ichikawa Danjuro as a Court Noble (Kuge), Edo period (1615–1868), 1773 ?, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 13/16 in. (31.3 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600174.htmlRM2B0HW12–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Fifth Ichikawa Danjuro as Kisou Takiguchi, Edo period (1615–1868), 12th month, 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 7/16 x 5 7/32 in. (31.6 x 13.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-fifth-ichikawa-danjuro-as-kisou-takiguchi-edo-period-16151868-12th-month-1770-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-716-x-5-732-in-316-x-133-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905266.htmlRF2HW34AX–Art inspired by The Fifth Ichikawa Danjuro as Kisou Takiguchi, Edo period (1615–1868), 12th month, 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 7/16 x 5 7/32 in. (31.6 x 13.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600171.htmlRM2B0HW0Y–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Second Nakamura Juzo as a Samurai of High Rank, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 11/16 x 5 13/16 in. (32.2 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-second-nakamura-juzo-as-a-samurai-of-high-rank-edo-period-16151868-1773-or-1774-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-1116-x-5-1316-in-322-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905166.htmlRF2HW347A–Art inspired by The Second Nakamura Juzo as a Samurai of High Rank, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 11/16 x 5 13/16 in. (32.2 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600183.htmlRM2B0HW1B–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Third Segawa Kikunojo as a Courtesan Standing in the Snow, Edo period (1615–1868), probably 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 13/16 in. (31.1 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-third-segawa-kikunojo-as-a-courtesan-standing-in-the-snow-edo-period-16151868-probably-1775-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-732-x-5-1316-in-311-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905279.htmlRF2HW34BB–Art inspired by The Third Segawa Kikunojo as a Courtesan Standing in the Snow, Edo period (1615–1868), probably 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 13/16 in. (31.1 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600184.htmlRM2B0HW1C–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by Nakamura Matsue II as a Woman Standing on a Hill, Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-nakamura-matsue-ii-as-a-woman-standing-on-a-hill-edo-period-16151868-1773-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-34-x-5-1316-in-324-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905185.htmlRF2HW3481–Art inspired by Nakamura Matsue II as a Woman Standing on a Hill, Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600178.htmlRM2B0HW16–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by 鳥高斎栄昌画 「丁子屋畧見世」, The First Nakamura Tomijuro as an Oiran Standing in a Room, Edo period (1615–1868), 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 1/5 x 5 13/16 in. (31.0 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-first-nakamura-tomijuro-as-an-oiran-standing-in-a-room-edo-period-16151868-1771-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-15-x-5-1316-in-310-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905191.htmlRF2HW3487–Art inspired by 鳥高斎栄昌画 「丁子屋畧見世」, The First Nakamura Tomijuro as an Oiran Standing in a Room, Edo period (1615–1868), 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 1/5 x 5 13/16 in. (31.0 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600181.htmlRM2B0HW19–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Third Sawamura Sojuro in the Role of Shirai Gonpachi, Edo period (1615–1868), 2nd month, 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 3/8 in. (30.6 x 13.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-third-sawamura-sojuro-in-the-role-of-shirai-gonpachi-edo-period-16151868-2nd-month-1788-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-132-x-5-38-in-306-x-137-cm-prints-katsukawa-shunk-japanese-17431812-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904730.htmlRF2HW33KP–Art inspired by The Third Sawamura Sojuro in the Role of Shirai Gonpachi, Edo period (1615–1868), 2nd month, 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 3/8 in. (30.6 x 13.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600180.htmlRM2B0HW18–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Second Nakamura Nakazo in the Role of Sadakuro in 'Chushingura', Edo period (1615–1868), 5th month, 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/16 in. (32.1 x 13.8 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-second-nakamura-nakazo-in-the-role-of-sadakuro-in-chushingura-edo-period-16151868-5th-month-1795-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-58-x-5-716-in-321-x-138-cm-prints-katsukawa-shunei-japanese-17621819-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904836.htmlRF2HW33RG–Art inspired by The Second Nakamura Nakazo in the Role of Sadakuro in 'Chushingura', Edo period (1615–1868), 5th month, 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/16 in. (32.1 x 13.8 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Second Nakamura Sukegoro as a Samurai Carrying a Suzu, Edo period (1615–1868), 1769 or 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 13/16 in. (32.1 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-second-nakamura-sukegoro-as-a-samurai-carrying-a-suzu-edo-period-16151868-1769-or-1770-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-58-x-5-1316-in-321-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905274.htmlRF2HW34B6–Art inspired by The Second Nakamura Sukegoro as a Samurai Carrying a Suzu, Edo period (1615–1868), 1769 or 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 13/16 in. (32.1 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Scene from the Drama 'Soga Moyo Aigo no Wakamatsu', Edo period (1615–1868), dated 1769, Japan, Polychrome woodblock print; ink and color on paper, Overall: 12 1/16 x 5 13/16 in. (30.6 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-scene-from-the-drama-soga-moyo-aigo-no-wakamatsu-edo-period-16151868-dated-1769-japan-polychrome-woodblock-print-ink-and-color-on-paper-overall-12-116-x-5-1316-in-306-x-148-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904507.htmlRF2HW33BR–Art inspired by Scene from the Drama 'Soga Moyo Aigo no Wakamatsu', Edo period (1615–1868), dated 1769, Japan, Polychrome woodblock print; ink and color on paper, Overall: 12 1/16 x 5 13/16 in. (30.6 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600169.htmlRM2B0HW0W–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by The Fifth Ichikawa Danjuro as a Samurai Attired in Ceremonial Kamishimo, Edo period (1615–1868), probably 1774, Japan, Left-hand sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 11/32 x 5 13/16 in. (31.4 x 14.8 cm), Prints, Katsukawa, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-fifth-ichikawa-danjuro-as-a-samurai-attired-in-ceremonial-kamishimo-edo-period-16151868-probably-1774-japan-left-hand-sheet-of-a-triptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-12-1132-x-5-1316-in-314-x-148-cm-prints-katsukawa-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905193.htmlRF2HW3489–Art inspired by The Fifth Ichikawa Danjuro as a Samurai Attired in Ceremonial Kamishimo, Edo period (1615–1868), probably 1774, Japan, Left-hand sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 11/32 x 5 13/16 in. (31.4 x 14.8 cm), Prints, Katsukawa, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Composite crown, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Great Temple of the Aten, pit outside southern wall, Petrie/Carter excavations, 1891–92, Indurated limestone, H. 13.7 x W. 12.4 x D. 7.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-composite-crown-new-kingdom-amarna-period-dynasty-18-ca-13531336-bc-from-egypt-middle-egypt-amarna-akhetaten-great-temple-of-the-aten-pit-outside-southern-wall-petriecarter-excavations-189192-indurated-limestone-h-137-x-w-124-x-d-75-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462853808.htmlRF2HW0PN4–Art inspired by Composite crown, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Great Temple of the Aten, pit outside southern wall, Petrie/Carter excavations, 1891–92, Indurated limestone, H. 13.7 x W. 12.4 x D. 7.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript, Mohan, Son of Banwari, Opaque watercolor and gold on paper, India, 1598-1599, Mughal, Sheet:12 x 6 13/16 in., 30.5 x 17.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-gautama-is-relieved-to-find-that-his-son-chirakarin-has-not-carried-out-his-impulsive-order-to-execute-ahalya-leaf-from-a-razmnama-manuscript-mohan-son-of-banwari-opaque-watercolor-and-gold-on-paper-india-1598-1599-mughal-sheet12-x-6-1316-in-305-x-173-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572983.htmlRF2HKKA0R–Art inspired by Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript, Mohan, Son of Banwari, Opaque watercolor and gold on paper, India, 1598-1599, Mughal, Sheet:12 x 6 13/16 in., 30.5 x 17.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Design for Rock-work and Cascades at Virginia Water, Windsor Great Park, 1780s (?), Pen and ink and watercolor, over graphite on laid paper, sheet: 6 9/16 x 12 13/16 in. (16.7 x 32.5 cm), Drawings, Thomas Sandby (British, baptized Nottingham 1723–1798 Windsor), Thomas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-rock-work-and-cascades-at-virginia-water-windsor-great-park-1780s-pen-and-ink-and-watercolor-over-graphite-on-laid-paper-sheet-6-916-x-12-1316-in-167-x-325-cm-drawings-thomas-sandby-british-baptized-nottingham-17231798-windsor-thomas-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462978898.htmlRF2HW6E8J–Art inspired by Design for Rock-work and Cascades at Virginia Water, Windsor Great Park, 1780s (?), Pen and ink and watercolor, over graphite on laid paper, sheet: 6 9/16 x 12 13/16 in. (16.7 x 32.5 cm), Drawings, Thomas Sandby (British, baptized Nottingham 1723–1798 Windsor), Thomas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Actor Nakamura Nakazō in the Role of Kan Shōjō, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 13/16 x 5 3/4 in. (32.5 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792), Based on the legend of Sugawara, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-nakamura-nakaz-in-the-role-of-kan-shj-edo-period-16151868-ca-1780-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-1316-x-5-34-in-325-x-146-cm-prints-katsukawa-shunsh-japanese-17261792-based-on-the-legend-of-sugawara-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910007.htmlRF2HW3AC7–Art inspired by The Actor Nakamura Nakazō in the Role of Kan Shōjō, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 13/16 x 5 3/4 in. (32.5 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792), Based on the legend of Sugawara, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600185.htmlRM2B0HW1D–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Art inspired by Seated Virgin and Child, late 15th century, North Spanish, Wood, ivory, brass, paint, gilding, Overall: 13 1/4 x 6 1/8 x 5 in. (33.7 x 15.6 x 12.7 cm), Sculpture-Wood, Combining different materials to create a stiking image is characteristic of a number of North Spanish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-seated-virgin-and-child-late-15th-century-north-spanish-wood-ivory-brass-paint-gilding-overall-13-14-x-6-18-x-5-in-337-x-156-x-127-cm-sculpture-wood-combining-different-materials-to-create-a-stiking-image-is-characteristic-of-a-number-of-north-spanish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462838295.htmlRF2HW02Y3–Art inspired by Seated Virgin and Child, late 15th century, North Spanish, Wood, ivory, brass, paint, gilding, Overall: 13 1/4 x 6 1/8 x 5 in. (33.7 x 15.6 x 12.7 cm), Sculpture-Wood, Combining different materials to create a stiking image is characteristic of a number of North Spanish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Elements of an Armor Garniture Made for Henri I de Montmorency (1534–1614), Comte de Damville and Constable of France, 1565, French, Steel, gold, brass, leather, L. of gauntlet (a) 13 in. (33 cm); L. of tasset (b) 14 in. (35.6 cm); thigh and knee defense (c): 15 1/2 x 6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elements-of-an-armor-garniture-made-for-henri-i-de-montmorency-15341614-comte-de-damville-and-constable-of-france-1565-french-steel-gold-brass-leather-l-of-gauntlet-a-13-in-33-cm-l-of-tasset-b-14-in-356-cm-thigh-and-knee-defense-c-15-12-x-6-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462902817.htmlRF2HW317D–Art inspired by Elements of an Armor Garniture Made for Henri I de Montmorency (1534–1614), Comte de Damville and Constable of France, 1565, French, Steel, gold, brass, leather, L. of gauntlet (a) 13 in. (33 cm); L. of tasset (b) 14 in. (35.6 cm); thigh and knee defense (c): 15 1/2 x 6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sealing-fragment-middle-kingdom-dynasty-1213-ca-20301640-bc-from-egypt-memphite-region-lisht-south-south-of-the-tomb-of-imhotep-north-of-the-royal-causeway-193031-clay-unfired-1316-x-916-in-2-x-15-cm-image344600163.htmlRM2B0HW0K–Sealing fragment, Middle Kingdom, Dynasty 12–13, ca. 2030–1640 B.C., From Egypt, Memphite Region, Lisht South, South of the tomb of Imhotep, north of the royal causeway, 1930–31, Clay (unfired), 13/16 x 9/16 in. (2 x 1.5 cm
Ovolo frame, 1650–70, French, Softwood, 23.2 x 17.9, 17.2 x 12, 19 x 13.5 cm., Frames Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ovolo-frame-165070-french-softwood-232-x-179-172-x-12-19-x-135-cm-162384513.htmlRMKC572W–Ovolo frame, 1650–70, French, Softwood, 23.2 x 17.9, 17.2 x 12, 19 x 13.5 cm., Frames
Reverse frame, ca. 1640, Italian, Naples, Poplar, 28 x 23.9, 12.3 x 8.5, 13.6 x 9.5 cm., Frames Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-reverse-frame-ca-1640-italian-naples-poplar-28-x-239-123-x-85-136-162384894.htmlRMKC57GE–Reverse frame, ca. 1640, Italian, Naples, Poplar, 28 x 23.9, 12.3 x 8.5, 13.6 x 9.5 cm., Frames
Teapot, 1813, Made in Albany, New York, United States, American, Silver, 7 3/8 x 12 x 5 5/16 in. (18.7 x 30.5 x 13.5 cm); 26 oz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-teapot-1813-made-in-albany-new-york-united-states-american-silver-162358624.htmlRMKC4228–Teapot, 1813, Made in Albany, New York, United States, American, Silver, 7 3/8 x 12 x 5 5/16 in. (18.7 x 30.5 x 13.5 cm); 26 oz
Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript, Mohan, Son of Banwari, Opaque watercolor and gold on paper, India, 1598-1599, Mughal, Sheet:12 x 6 13/16 in., 30.5 x 17.3 cm, begging, Chirakarin, courtyard, forgive, forgiveness, Gautama, Gold, horse, Hybrid, Leaf, Mahabharata, man, manuscript, Mughal, Muslims, Paper, people, Razm-nama, Shanti Parvan, son, watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gautama-is-relieved-to-find-that-his-son-chirakarin-has-not-carried-out-his-impulsive-order-to-execute-ahalya-leaf-from-a-razmnama-manuscript-mohan-son-of-banwari-opaque-watercolor-and-gold-on-paper-india-1598-1599-mughal-sheet12-x-6-1316-in-305-x-173-cm-begging-chirakarin-courtyard-forgive-forgiveness-gautama-gold-horse-hybrid-leaf-mahabharata-man-manuscript-mughal-muslims-paper-people-razm-nama-shanti-parvan-son-watercolor-image454281915.htmlRM2HB2963–Gautama is Relieved to Find That His Son Chirakarin Has Not Carried Out His Impulsive Order to Execute Ahalya, Leaf from a Razmnama Manuscript, Mohan, Son of Banwari, Opaque watercolor and gold on paper, India, 1598-1599, Mughal, Sheet:12 x 6 13/16 in., 30.5 x 17.3 cm, begging, Chirakarin, courtyard, forgive, forgiveness, Gautama, Gold, horse, Hybrid, Leaf, Mahabharata, man, manuscript, Mughal, Muslims, Paper, people, Razm-nama, Shanti Parvan, son, watercolor
Trinket Box, 1800–1830, Made in Pennsylvania, United States, American, Poplar, 4 3/4 x 5 3/16 x 4 1/4 in. (12.1 x 13.1 x 10.8 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-trinket-box-18001830-made-in-pennsylvania-united-states-american-poplar-162358435.htmlRMKC41RF–Trinket Box, 1800–1830, Made in Pennsylvania, United States, American, Poplar, 4 3/4 x 5 3/16 x 4 1/4 in. (12.1 x 13.1 x 10.8
Teapot, ca. 1810, Made in New York, New York, United States, American, Silver, 6 5/8 x 12 15/16 x 5 3/8 in. (16.8 x 32.9 x 13.7 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-teapot-ca-1810-made-in-new-york-new-york-united-states-american-silver-162358628.htmlRMKC422C–Teapot, ca. 1810, Made in New York, New York, United States, American, Silver, 6 5/8 x 12 15/16 x 5 3/8 in. (16.8 x 32.9 x 13.7
Bodice or Coli, late 1800s. India, late 19th century. Embroidered satin with gold thread and sequins; overall: 32.5 x 78.5 cm (12 13/16 x 30 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bodice-or-coli-late-1800s-india-late-19th-century-embroidered-satin-with-gold-thread-and-sequins-overall-325-x-785-cm-12-1316-x-30-78-in-image240396581.htmlRMRY3085–Bodice or Coli, late 1800s. India, late 19th century. Embroidered satin with gold thread and sequins; overall: 32.5 x 78.5 cm (12 13/16 x 30 7/8 in
Fragment of Draped Garment worn by Members of the Court for Festive Occasions, 1700s. India, Rajasthan or Northern Deccan, 18th century. Block printed with gold leaf on cotton muslin; overall: 30.5 x 12.2 cm (12 x 4 13/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-draped-garment-worn-by-members-of-the-court-for-festive-occasions-1700s-india-rajasthan-or-northern-deccan-18th-century-block-printed-with-gold-leaf-on-cotton-muslin-overall-305-x-122-cm-12-x-4-1316-in-image240400824.htmlRMRY35KM–Fragment of Draped Garment worn by Members of the Court for Festive Occasions, 1700s. India, Rajasthan or Northern Deccan, 18th century. Block printed with gold leaf on cotton muslin; overall: 30.5 x 12.2 cm (12 x 4 13/16 in
Jaina Tirthankara Seated in Meditation (Dhyanamudra), 15th century, India, Gujarat, Gujarat, White marble with traces of pigment, 31.1 x 26.3 x 13.3 cm (12 1/4 x 10 3/8 x 5 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jaina-tirthankara-seated-in-meditation-dhyanamudra-15th-century-india-gujarat-gujarat-white-marble-with-traces-of-pigment-311-x-263-x-133-cm-12-14-x-10-38-x-5-14-in-image328652439.htmlRM2A2KBF3–Jaina Tirthankara Seated in Meditation (Dhyanamudra), 15th century, India, Gujarat, Gujarat, White marble with traces of pigment, 31.1 x 26.3 x 13.3 cm (12 1/4 x 10 3/8 x 5 1/4 in
The Dying Sailor, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm), boat, dying, genre subject, rocks (landforms), sailors, ship, water Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dying-sailor-thomas-rowlandson-17561827-british-undated-watercolor-with-pen-and-black-and-gray-ink-over-graphite-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-10-1316-x-12-1316-inches-275-x-325-cm-boat-dying-genre-subject-rocks-landforms-sailors-ship-water-image389799681.htmlRM2DJ4WD5–The Dying Sailor, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm), boat, dying, genre subject, rocks (landforms), sailors, ship, water
Mary Cassatt, (artist), American, 1844 - 1926, Afternoon Tea Party, 1890-1891, color drypoint and aquatint with gold paint on wove paper, plate: 34.8 x 26.4 cm (13 11/16 x 10 3/8 in.), sheet: 42.5 x 31.1 cm (16 3/4 x 12 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-cassatt-artist-american-1844-1926-afternoon-tea-party-1890-1891-color-drypoint-and-aquatint-with-gold-paint-on-wove-paper-plate-348-x-264-cm-13-1116-x-10-38-in-sheet-425-x-311-cm-16-34-x-12-14-in-image386355235.htmlRM2DCG017–Mary Cassatt, (artist), American, 1844 - 1926, Afternoon Tea Party, 1890-1891, color drypoint and aquatint with gold paint on wove paper, plate: 34.8 x 26.4 cm (13 11/16 x 10 3/8 in.), sheet: 42.5 x 31.1 cm (16 3/4 x 12 1/4 in
Ornament, one of a pair, 5 3/8 x 5 x 5/8 in. (13.65 x 12.7 x 1.59 cm), Silver, China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-one-of-a-pair-5-38-x-5-x-58-in-1365-x-127-x-159-cm-silver-china-image573481057.htmlRM2T908X9–Ornament, one of a pair, 5 3/8 x 5 x 5/8 in. (13.65 x 12.7 x 1.59 cm), Silver, China
Ornament, one of a pair, 5 1/2 x 4 15/16 x 3/8 in. (13.97 x 12.54 x 0.95 cm) (including chain), Silver, China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-one-of-a-pair-5-12-x-4-1516-x-38-in-1397-x-1254-x-095-cm-including-chain-silver-china-image573481054.htmlRM2T908X6–Ornament, one of a pair, 5 1/2 x 4 15/16 x 3/8 in. (13.97 x 12.54 x 0.95 cm) (including chain), Silver, China
Caricature of a Man in a Voluminous Cloak, Carrying a Walking Stick, Seen from Behind, Giovanni Battista Tiepolo, 1760 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-caricature-of-a-man-in-a-voluminous-cloak-carrying-a-walking-stick-162557708.htmlRMKCD40C–Caricature of a Man in a Voluminous Cloak, Carrying a Walking Stick, Seen from Behind, Giovanni Battista Tiepolo, 1760
Composite crown, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-composite-crown-new-kingdom-amarna-period-dynasty-18-ca-13531336-bc-162358053.htmlRMKC419W–Composite crown, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Great
