Mt. Taibo in the Style of Wang Meng, 1442. Du Qiong (Chinese, 1396-1474). Handscroll, ink and light color on paper; overall: 29.8 x 591.8 cm (11 3/4 x 233 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mt-taibo-in-the-style-of-wang-meng-1442-du-qiong-chinese-1396-1474-handscroll-ink-and-light-color-on-paper-overall-298-x-5918-cm-11-34-x-233-in-image240446104.html
RMRY57CT–Mt. Taibo in the Style of Wang Meng, 1442. Du Qiong (Chinese, 1396-1474). Handscroll, ink and light color on paper; overall: 29.8 x 591.8 cm (11 3/4 x 233 in
Mt. Taibo in the Style of Wang Meng, 1442. When a Chinese painter "imitated" a painting by a past master, the intention was never to produce an exact copy. Du Qiong, the Ming painter from Suzhou, is a case in point. The painting style of this handscroll is actually closer to that of Huang Gongwang (1269-1354; see photo 1) than to the style of Wang Meng (about 1301-1385; see photo 2). Both masters were active during the previous dynasty and are among the so-called Four Great Masters of the Yuan dynasty (1279-1368). In this painting, the interplay of styles, including Du Qiong's own, c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mt-taibo-in-the-style-of-wang-meng-1442-when-a-chinese-painter-quotimitatedquot-a-painting-by-a-past-master-the-intention-was-never-to-produce-an-exact-copy-du-qiong-the-ming-painter-from-suzhou-is-a-case-in-point-the-painting-style-of-this-handscroll-is-actually-closer-to-that-of-huang-gongwang-1269-1354-see-photo-1-than-to-the-style-of-wang-meng-about-1301-1385-see-photo-2-both-masters-were-active-during-the-previous-dynasty-and-are-among-the-so-called-four-great-masters-of-the-yuan-dynasty-1279-1368-in-this-painting-the-interplay-of-styles-including-du-qiongs-own-c-image330107725.html
RM2A51KNH–Mt. Taibo in the Style of Wang Meng, 1442. When a Chinese painter "imitated" a painting by a past master, the intention was never to produce an exact copy. Du Qiong, the Ming painter from Suzhou, is a case in point. The painting style of this handscroll is actually closer to that of Huang Gongwang (1269-1354; see photo 1) than to the style of Wang Meng (about 1301-1385; see photo 2). Both masters were active during the previous dynasty and are among the so-called Four Great Masters of the Yuan dynasty (1279-1368). In this painting, the interplay of styles, including Du Qiong's own, c