13th century peasant hi-res stock photography and images

RMG3B2K8–12th century Peasant

Twelfth and thirteenth century peasant 's costume, (William I - Henry III). Wearing a coarse tunic, hood fashioned from Stock Photo

RMERG269–Twelfth and thirteenth century peasant 's costume, (William I - Henry III). Wearing a coarse tunic, hood fashioned from

Floris V, Count of Holland and Zeeland, 1256 - 1296, with his wife Beatrice of Flanders and his nobles are approached by a peasant family while walking in the woods. Legend has it that Foris was nicknamed the God of the Peasants. After a work by Charles Rochussen. Stock Photo

RM2PCYR53–Floris V, Count of Holland and Zeeland, 1256 - 1296, with his wife Beatrice of Flanders and his nobles are approached by a peasant family while walking in the woods. Legend has it that Foris was nicknamed the God of the Peasants. After a work by Charles Rochussen.

The hierarchy of medieval society: monk, knight, and peasant, illustration from L'image du monde, 13th century Stock Photo

RF2WXTA5B–The hierarchy of medieval society: monk, knight, and peasant, illustration from L'image du monde, 13th century

A Peasant of Early England (William I - Henry III) His hood is made from sheep-skin, the wool outside, the hem trimmed into points. His legs are bound up with garters of plaited straw. His shoes are of the roughest make of coarse leather. He has the shepherd's horn slung over his shoulder from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photo

RF2MFD134–A Peasant of Early England (William I - Henry III) His hood is made from sheep-skin, the wool outside, the hem trimmed into points. His legs are bound up with garters of plaited straw. His shoes are of the roughest make of coarse leather. He has the shepherd's horn slung over his shoulder from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black

Medieval peasant house, c13th-15th century, (c1980-2010). Artist: Peter Dunn. Stock Photo

RMHT3K74–Medieval peasant house, c13th-15th century, (c1980-2010). Artist: Peter Dunn.

Iraq: A ruler, his bodyguards and the common folk. Miniature painting by Yahya ibn Mahmud al-Wasiti, 1237 CE. Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri. Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Stock Photo

RM2B01RPY–Iraq: A ruler, his bodyguards and the common folk. Miniature painting by Yahya ibn Mahmud al-Wasiti, 1237 CE. Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri. Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century.

Middle Ages. Peasant. Scene. Engraving. 19th century. Stock Photo

RMG935A4–Middle Ages. Peasant. Scene. Engraving. 19th century.

Canticles of Holy Mary. 13th century. By Alfonso X of Castille, named the Wise. Illustration depicting two men arresting a peasant. Folio 236. Canticle 2r. Royal Library. Monastery of El Escorial. Community of Madrid. Spain. Stock Photo

RMP50ENF–Canticles of Holy Mary. 13th century. By Alfonso X of Castille, named the Wise. Illustration depicting two men arresting a peasant. Folio 236. Canticle 2r. Royal Library. Monastery of El Escorial. Community of Madrid. Spain.

Peasant Woman Milking a Cow, England, Illustration, 13th Century Stock Photo

RMCYPCBA–Peasant Woman Milking a Cow, England, Illustration, 13th Century

Peasant harvesting with a sickle, bas-relief from the 13th century, Amiens cathedral, France Stock Photo

RF2X65X8W–Peasant harvesting with a sickle, bas-relief from the 13th century, Amiens cathedral, France

Man with walking stick, a rich Jew, and a knight, 12th century. Hand-colored print Stock Photo

RMMXRWAX–Man with walking stick, a rich Jew, and a knight, 12th century. Hand-colored print

1950s, historical, the 13th century church in the village of Domremy, France and home of La Maison Natale De Jeanne d'Arc, the birth house of French national heroine. Next door to the church, Hotel de Jeanne d'Arc. The village church is where Joan of Arc attended Mass. Also known as the 'The Maid of Orleans' this simple peasant girl is considered a national heroine in French culture, as believing that she was acting under the will of god, she led the French army to victory at Orleans in 1429 against the English during the Hundred Years War. Stock Photo

RM2HGNY45–1950s, historical, the 13th century church in the village of Domremy, France and home of La Maison Natale De Jeanne d'Arc, the birth house of French national heroine. Next door to the church, Hotel de Jeanne d'Arc. The village church is where Joan of Arc attended Mass. Also known as the 'The Maid of Orleans' this simple peasant girl is considered a national heroine in French culture, as believing that she was acting under the will of god, she led the French army to victory at Orleans in 1429 against the English during the Hundred Years War.

Actor dressed as a medieval chef cook supervising the outdoor kitchen tent Stock Photo

RMBC7YYC–Actor dressed as a medieval chef cook supervising the outdoor kitchen tent

China: ‘Dancing and Singing (Peasants Returning from Work)’. Hanging scroll painting by Ma Yuan (1160-1225), late 12th – early 13th century. Ma Yuan (1160-1225) was a Chinese painter hailing from the Song Dynasty, born into a family of painters from Qiantang (now Hangzhou). Like his forebears, he became a court painter, serving under Emperors Guangzong and Ningzong. He was held in high esteem and favour by his patrons at court. Alongside Xia Gui, Ma formed the so-called Ma-Xia school of painting, which were considered some of the finest paintings from that period, and his works, especially hi Stock Photo

RM2GA5K71–China: ‘Dancing and Singing (Peasants Returning from Work)’. Hanging scroll painting by Ma Yuan (1160-1225), late 12th – early 13th century. Ma Yuan (1160-1225) was a Chinese painter hailing from the Song Dynasty, born into a family of painters from Qiantang (now Hangzhou). Like his forebears, he became a court painter, serving under Emperors Guangzong and Ningzong. He was held in high esteem and favour by his patrons at court. Alongside Xia Gui, Ma formed the so-called Ma-Xia school of painting, which were considered some of the finest paintings from that period, and his works, especially hi

13th century miniature which represents a group of farmers storing grain in a barn. Codex of St. Louis (France). Stock Photo

RMBMW4C0–13th century miniature which represents a group of farmers storing grain in a barn. Codex of St. Louis (France).

Labours of the months, plate 1, 13th century. January: man drinking and warming himself, February: woman holding a candle, March: lumberjack cutting timber, April, man holding vine branches, May, falconer with bird of prey and decoy, June: man carrying planks for building. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2M0N7YP–Labours of the months, plate 1, 13th century. January: man drinking and warming himself, February: woman holding a candle, March: lumberjack cutting timber, April, man holding vine branches, May, falconer with bird of prey and decoy, June: man carrying planks for building. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Stenciled paintings at WAT JONG KHAM which dates back to at least the 13th century - KENGTUNG also known as KYAINGTONG, MYANMAR Stock Photo

RMCTX1FP–Stenciled paintings at WAT JONG KHAM which dates back to at least the 13th century - KENGTUNG also known as KYAINGTONG, MYANMAR

Labours of the months, plate 2, 13th century. July: cutting grass with a scythe August: cutting wheat with a sickle, September: sowing seeds, October: harvesting grapes for wine, November: harvesting acorns for pigfeed, December: butchering a pig with an axe. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori, from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2M0N7XP–Labours of the months, plate 2, 13th century. July: cutting grass with a scythe August: cutting wheat with a sickle, September: sowing seeds, October: harvesting grapes for wine, November: harvesting acorns for pigfeed, December: butchering a pig with an axe. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori, from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Bas-de-page showing Dunstan healing injured peasants. Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals'). France, S. (Toulouse?); last quarter of the 13th century or 1st quarter of the 14th century. Source: Royal 10 E. IV, f.197. Language: Latin. Author: Raymond of PeÃ±afort, editor. Bernard of Parma, glossator. Stock Photo

RMR5665E–Bas-de-page showing Dunstan healing injured peasants. Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals'). France, S. (Toulouse?); last quarter of the 13th century or 1st quarter of the 14th century. Source: Royal 10 E. IV, f.197. Language: Latin. Author: Raymond of PeÃ±afort, editor. Bernard of Parma, glossator.

RM2HM529E–13th century seal matrix

Settlement of ancient Eastern Europeans of the 12th century, 13th century, a house made of wooden beams. Stock Photo

RF2G8XA88–Settlement of ancient Eastern Europeans of the 12th century, 13th century, a house made of wooden beams.

Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor harvest summer Venice Italy Stock Photo

RMAK3K8K–Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor harvest summer Venice Italy

Small 13th century rural church with cypresses. Stock Photo

RFR7151J–Small 13th century rural church with cypresses.

Rudolf of Hapsburg (1218-1291) and Holy Priest. Rudolf, one of the most famous Roman emperors, was even in youth very respectful to the Church. At one time, in the wild mountain passes about his home, he met a poor priest struggling against wind and storm to bear the last sacrament to a dying peasant. Rudolf dismounted, placed the priest upon his horse, and guided him to his destination. He then insisted on the holy man’s retaining the horse as a gift, saying that, having once borne the messenger of God, it could never be used for a lesser purpose. Rudolf I was the first King of Germany from t Stock Photo

RF2RX4B48–Rudolf of Hapsburg (1218-1291) and Holy Priest. Rudolf, one of the most famous Roman emperors, was even in youth very respectful to the Church. At one time, in the wild mountain passes about his home, he met a poor priest struggling against wind and storm to bear the last sacrament to a dying peasant. Rudolf dismounted, placed the priest upon his horse, and guided him to his destination. He then insisted on the holy man’s retaining the horse as a gift, saying that, having once borne the messenger of God, it could never be used for a lesser purpose. Rudolf I was the first King of Germany from t

RFR6M933–Small 13th century rural church with cypresses.

Tithe Barn, Great Coxwell. 14th century medieval grange storage barn. Faringdon Oxfordshire Stock Photo

RM2DYPCED–Tithe Barn, Great Coxwell. 14th century medieval grange storage barn. Faringdon Oxfordshire

RMPPDBE9–13th century miniature which represents a group of farmers storing grain in a barn. Codex of St. Louis (France).

RMD8A69P–Soldiers of Henry III

Yang Pu Moving His Family, Yuan dynasty (1279-1368). Long scroll ink painting depicting people with their animals and belongings crossing a river. Stock Photo

RM2HFFCNF–Yang Pu Moving His Family, Yuan dynasty (1279-1368). Long scroll ink painting depicting people with their animals and belongings crossing a river.

Two men felling a tree - from drawing, possibly by Matthew Paris. Benedictine monk, English chronicler, artist in illuminated Stock Photo

RMERGJYM–Two men felling a tree - from drawing, possibly by Matthew Paris. Benedictine monk, English chronicler, artist in illuminated

'The Gallery of British Costume: Dress Worn in the Reign of the First Edward', c1934. Artist: Unknown. Stock Photo

RMPH6BR6–'The Gallery of British Costume: Dress Worn in the Reign of the First Edward', c1934. Artist: Unknown.

Actor dressed as a medieval foot soldier holds up a sword and dagger ready for combat Stock Photo

RMBC7YWX–Actor dressed as a medieval foot soldier holds up a sword and dagger ready for combat

The Infante Ferdinand of Portugal (1188-1233), Count of Flanders (1215-1233), was taken prisoner at the Battle of Bouvines on 27 July 1214. The battle fought between an international coalition formed by troops of the Count of Flanders, Raynald of Dammartin (Count of Boulogne), King John of England and the Holy Roman Emperor Otto IV, against the army of King Philip II Augustus of France. The French army defeated the coalition. Ferdinand of Portugal was captured and taken chained to Paris to be imprisoned in the dungeons of the Louvre, from where he was not released until 6 January 1227. Engravi Stock Photo

RM2RGX1B4–The Infante Ferdinand of Portugal (1188-1233), Count of Flanders (1215-1233), was taken prisoner at the Battle of Bouvines on 27 July 1214. The battle fought between an international coalition formed by troops of the Count of Flanders, Raynald of Dammartin (Count of Boulogne), King John of England and the Holy Roman Emperor Otto IV, against the army of King Philip II Augustus of France. The French army defeated the coalition. Ferdinand of Portugal was captured and taken chained to Paris to be imprisoned in the dungeons of the Louvre, from where he was not released until 6 January 1227. Engravi

Tuscan wheat and wine: threshing harvested wheat with a flail in July and picking grapes in August, depicted as Labours of the Months in finely carved but badly decayed medieval marble bas-reliefs, below Zodiac signs for Leo and Virgo, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMM9–Tuscan wheat and wine: threshing harvested wheat with a flail in July and picking grapes in August, depicted as Labours of the Months in finely carved but badly decayed medieval marble bas-reliefs, below Zodiac signs for Leo and Virgo, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

In 1251, First Shepherds' Crusade. Stock Photo

RMBKYMP5–In 1251, First Shepherds' Crusade.

RMA34W61–Field workers Bagan Myanmar

A colorfully painted Balinese wood carving, Kemenuh, Bali, Indonesia. Stock Photo

RMBDE4PC–A colorfully painted Balinese wood carving, Kemenuh, Bali, Indonesia.

Farmers on the Bagan plain Myanmar Stock Photo

RMA34W6B–Farmers on the Bagan plain Myanmar

RF2G8XACH–Settlement of ancient Eastern Europeans of the 12th century, 13th century, a house made of wooden beams.

Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor Venice Veneto Italy Europe EU Stock Photo

RMAK3K9R–Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor Venice Veneto Italy Europe EU

RFR6M930–Small 13th century rural church with cypresses.

Interior view of Great Coxwell Tithe Barn, Oxfordshire England Stock Photo

RM2DYPC46–Interior view of Great Coxwell Tithe Barn, Oxfordshire England

MTI1-'CANTIGA DE SANTA MARIA' Nº114-F161V-VIRGEN HEALING WOUNDS OF THE SON OF A WOMAN, 13th CENTURY. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Stock Photo

RMPP8P5N–MTI1-'CANTIGA DE SANTA MARIA' Nº114-F161V-VIRGEN HEALING WOUNDS OF THE SON OF A WOMAN, 13th CENTURY. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

October Calendar Page; Sowing; Psalter, mid-1200s. Stock Photo

RM2YJWRP5–October Calendar Page; Sowing; Psalter, mid-1200s.

'The Gallery of British Costume: How The English Dressed in King John's Time', c1934. Artist: Unknown. Stock Photo

RMPH5H14–'The Gallery of British Costume: How The English Dressed in King John's Time', c1934. Artist: Unknown.

Two medieval actors demonstrate application of medieval makeup and lipstick made from mutton fat and madder root (rubia) Stock Photo

RMBC8054–Two medieval actors demonstrate application of medieval makeup and lipstick made from mutton fat and madder root (rubia)

Tuscan winemaking in the 13th century: a medieval vintner carries out his Labour of the Month for October as he pours new wine through a funnel into a barrel or cask, in a finely carved but badly decayed marble bas-relief, part of a 12-month Labours cycle sculpted in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMN3–Tuscan winemaking in the 13th century: a medieval vintner carries out his Labour of the Month for October as he pours new wine through a funnel into a barrel or cask, in a finely carved but badly decayed marble bas-relief, part of a 12-month Labours cycle sculpted in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

RF2G8XAC7–Settlement of ancient Eastern Europeans of the 12th century, 13th century, a house made of wooden beams.

RMAK3KBN–Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor Venice Veneto Italy Europe EU

Great Coxwell Tithe Barn, Oxfordshire England Stock Photo

RM2DYPBP3–Great Coxwell Tithe Barn, Oxfordshire England

RM2T698C0–Labours of the months, plate 1, 13th century. January: man drinking and warming himself, February: woman holding a candle, March: lumberjack cutting timber, April, man holding vine branches, May, falconer with bird of prey and decoy, June: man carrying planks for building. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

A Man Cutting Vines; Zodiacal Sign of Aries; Wenceslaus Psalter, about 1250-1260. Stock Photo

RM2YBCWBR–A Man Cutting Vines; Zodiacal Sign of Aries; Wenceslaus Psalter, about 1250-1260.

Troope of actors dressed as medieval footsoldiers with female flag bearers Stock Photo

RMBC8E26–Troope of actors dressed as medieval footsoldiers with female flag bearers

The Tuscan grape harvest: treading newly harvested grapes in September and pouring new wine into a barrel in October, depicted as Labours of the Months in finely carved but badly decayed medieval marble bas-reliefs, below Zodiac signs for Libra and Scorpio, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMM4–The Tuscan grape harvest: treading newly harvested grapes in September and pouring new wine into a barrel in October, depicted as Labours of the Months in finely carved but badly decayed medieval marble bas-reliefs, below Zodiac signs for Libra and Scorpio, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor grape harvest summer Venice Veneto Stock Photo

RMAK3KCR–Basilica San Marco central doorway carvings detail 13th century 'Labours of the Month' labor grape harvest summer Venice Veneto

Lucca Duomo cathedral San Martino St Martin facade inlaid marble hunting Lucca Tuscany Italy Europe EU Stock Photo

RMA3G09F–Lucca Duomo cathedral San Martino St Martin facade inlaid marble hunting Lucca Tuscany Italy Europe EU

West view of Great Coxwell Tithe Barn, Oxfordshire England Stock Photo

RM2DYPC6G–West view of Great Coxwell Tithe Barn, Oxfordshire England

RM2T6A1YB–Labours of the months, plate 2, 13th century. July: cutting grass with a scythe August: cutting wheat with a sickle, September: sowing seeds, October: harvesting grapes for wine, November: harvesting acorns for pigfeed, December: butchering a pig with an axe. From a manuscript Psalter, MS 147, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after Claudius Joseph Ciappori, from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Yang Pu Moving His Family, Yuan dynasty (1279-1368). Long scroll ink painting depicting people with their animals and belongings crossing a river. Detail from a larger artwork. Stock Photo

RM2J3N2MJ–Yang Pu Moving His Family, Yuan dynasty (1279-1368). Long scroll ink painting depicting people with their animals and belongings crossing a river. Detail from a larger artwork.

Medieval actor shows off her bum-roll to enhance her hips Stock Photo

RMBC803E–Medieval actor shows off her bum-roll to enhance her hips

Tuscan winter warmth and angling for a fish supper: medieval Labours of the Month for January and February depicted in finely carved but badly decayed marble bas-reliefs, below a Pisces Zodiac fish sign, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMMW–Tuscan winter warmth and angling for a fish supper: medieval Labours of the Month for January and February depicted in finely carved but badly decayed marble bas-reliefs, below a Pisces Zodiac fish sign, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

RM2DYPC67–Interior view of Great Coxwell Tithe Barn, Oxfordshire England

'La Siega', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell. Stock Photo

RM2KE1RA5–'La Siega', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell.

RM2J3N2KY–Yang Pu Moving His Family, Yuan dynasty (1279-1368). Long scroll ink painting depicting people with their animals and belongings crossing a river. Detail from a larger artwork.

Tuscan hawking on horseback in May and harvesting wheat with a sickle in June: two out of 12 Labours of the Months depicted in finely carved but badly decayed medieval marble bas-reliefs, below a Zodiac sign for Cancer, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMMG–Tuscan hawking on horseback in May and harvesting wheat with a sickle in June: two out of 12 Labours of the Months depicted in finely carved but badly decayed medieval marble bas-reliefs, below a Zodiac sign for Cancer, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

Great Coxwell Barn. Medieval tithe barn,Oxfordshire England Stock Photo

RM2DYPC8B–Great Coxwell Barn. Medieval tithe barn,Oxfordshire England

RM2KE1RA1–'La Siega', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell.

Initial L: A Shepherd with a Flock; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that langu Stock Photo

RM2YJTT4A–Initial L: A Shepherd with a Flock; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that langu

Tuscan tree surgery with a billhook in March and seed scattered in April for crops: two out of 12 Labours of the Months depicted in finely carved but badly decayed medieval marble bas-reliefs, below a Taurus Zodiac sign, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMMP–Tuscan tree surgery with a billhook in March and seed scattered in April for crops: two out of 12 Labours of the Months depicted in finely carved but badly decayed medieval marble bas-reliefs, below a Taurus Zodiac sign, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

'La Vendimia', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell. Stock Photo

RM2KE1RA3–'La Vendimia', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell.

Initial P: Two Shepherds; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference to the author). The manuscript's scribe Stock Photo

RM2YJTRTC–Initial P: Two Shepherds; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference to the author). The manuscript's scribe

Hunting with dogs and slaughtering a pig: badly decayed medieval Labours of the Months reliefs for November and December, with Zodiac signs for Capricorn and Sagittarius, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy. Stock Photo

RF2H7HMJ4–Hunting with dogs and slaughtering a pig: badly decayed medieval Labours of the Months reliefs for November and December, with Zodiac signs for Capricorn and Sagittarius, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.

RM2KE1RAX–'La Vendimia', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell.

Initial A: Two Men Digging in a Field; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference to the author). The manusc Stock Photo

RM2YJTT3H–Initial A: Two Men Digging in a Field; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference to the author). The manusc

RM2KE1RAC–'La Vendimia', detalle de un retablo procedente de Escunhau, siglo XIII. Museu Diocesà d'Urgell.

Initial T: Clerics, Nobles, and Peasants Standing before a King; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference Stock Photo

RM2YJTTHE–Initial T: Clerics, Nobles, and Peasants Standing before a King; Vidal Mayor, about 1290-1310. Additional info: In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference

CAPITEL DE LA SIEGA EN EL CLAUSTRO DEL MONASTERIO DE SANTA MARIA DE ESTANY - SIGLO XIII - ROMANICO-GOTICO. Location: MONASTERIO DE SANTA MARIA, ESTANY, BARCELONA, SPAIN. Stock Photo

RMP3GMA4–CAPITEL DE LA SIEGA EN EL CLAUSTRO DEL MONASTERIO DE SANTA MARIA DE ESTANY - SIGLO XIII - ROMANICO-GOTICO. Location: MONASTERIO DE SANTA MARIA, ESTANY, BARCELONA, SPAIN.

Yuan Dynasty, XIII-XIV Centuries AD, showing rice culture: harvesting. Stock Photo

RM2YJC7FG–Yuan Dynasty, XIII-XIV Centuries AD, showing rice culture: harvesting.

MTI1 - CANTIGA DE SANTA MARIA Nº22 - F34V - LA VIRGEN SALVA A UN LABRADOR DE LOS GOLPES QUE LE DABAN - SIGLO XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Stock Photo

RM2J2PM9W–MTI1 - CANTIGA DE SANTA MARIA Nº22 - F34V - LA VIRGEN SALVA A UN LABRADOR DE LOS GOLPES QUE LE DABAN - SIGLO XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

MISAL ROMANO - MAN 52 - SIGLO XIII - MINIATURA REPRESENTANDO UN ARADO. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photo

RMP2N197–MISAL ROMANO - MAN 52 - SIGLO XIII - MINIATURA REPRESENTANDO UN ARADO. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

BIBLIA DE SAN LUIS DE FRANCIA- 1226/34-RUTH SEGANDO EN LOS CAMPOS DE BOOZ-MINIATURA GOTICA. Location: CATEDRAL-BIBLIOTECA, TOLEDO, SPAIN. Stock Photo

RMP3WKDT–BIBLIA DE SAN LUIS DE FRANCIA- 1226/34-RUTH SEGANDO EN LOS CAMPOS DE BOOZ-MINIATURA GOTICA. Location: CATEDRAL-BIBLIOTECA, TOLEDO, SPAIN.

MTI1 - CANTIGA DE SANTA MARIA Nº 31 - F46V - LA VIRGEN SE LLEVA AL BUEY QUE HABIA PROMETIDO EL ALDEANO SEGOVIA - SIGLO XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Stock Photo

RM2J1G8A3–MTI1 - CANTIGA DE SANTA MARIA Nº 31 - F46V - LA VIRGEN SE LLEVA AL BUEY QUE HABIA PROMETIDO EL ALDEANO SEGOVIA - SIGLO XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

MTI1 - CANTIGA DE SANTA MARIA Nº147 - F203V - RECUPERACION DE LA OVEJA ROBADA - MINIATURA GOTICA - SIGLO XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. VIRGEN DE ROCAMADOR. Stock Photo

RM2J0HYEP–MTI1 - CANTIGA DE SANTA MARIA Nº147 - F203V - RECUPERACION DE LA OVEJA ROBADA - MINIATURA GOTICA - SIGLO XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. VIRGEN DE ROCAMADOR.

CANTIGA STA MARIA Nº208-F118V-HEREJE DE TOLOUSSE ESCONDE SAGRADA FORMA EN PANALES DE ABEJA. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA. Stock Photo

RM2J8H3BG–CANTIGA STA MARIA Nº208-F118V-HEREJE DE TOLOUSSE ESCONDE SAGRADA FORMA EN PANALES DE ABEJA. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA.

SALTERIO LIBRO DE HORAS - VITRINA 23-9 FOLIO 4-ESPIGANDO - SIGLO XIII/XIV - PERGAMINO - 14 x 10 cm. Author: Maestro de María de Borgoña (15th cent.). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photo

RMP2X6TN–SALTERIO LIBRO DE HORAS - VITRINA 23-9 FOLIO 4-ESPIGANDO - SIGLO XIII/XIV - PERGAMINO - 14 x 10 cm. Author: Maestro de María de Borgoña (15th cent.). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

CANTIGA DE SANTA MARIA Nº396 - F14R - VIRGEN CURO A UN LABRADOR EL DIA DE SAN QUIRCE - MINIATURA SIGLO XIII. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA. VIRGEN DE ATOCHA. Stock Photo

RM2AJRDY4–CANTIGA DE SANTA MARIA Nº396 - F14R - VIRGEN CURO A UN LABRADOR EL DIA DE SAN QUIRCE - MINIATURA SIGLO XIII. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA. VIRGEN DE ATOCHA.

MTI1-CANTIGA STA MARIA Nº178-F237R-VIRGEN RESUCITA A UNA MULA REGALADA POR UN PADRE A SU HIJO-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN. Stock Photo

RMP3FKC6–MTI1-CANTIGA STA MARIA Nº178-F237R-VIRGEN RESUCITA A UNA MULA REGALADA POR UN PADRE A SU HIJO-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

MS.B.R.20-CANTIGA STA MARIA-Nº208-F118 V-B-ALBIGENSE EN SU HUERTO CON COLMENAS-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: BIBLIOTECA NACIONAL COLECCIÓN, FLORENZ, ITALIA. Stock Photo

RMP5BHD9–MS.B.R.20-CANTIGA STA MARIA-Nº208-F118 V-B-ALBIGENSE EN SU HUERTO CON COLMENAS-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: BIBLIOTECA NACIONAL COLECCIÓN, FLORENZ, ITALIA.

MTI1-CANTIGA STA MARIA-Nº78-F115V-E-ARROJAN AL FUEGO A UN CALUMNIADOR-HORNO DE CAL-S XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Stock Photo

RMRC3G6K–MTI1-CANTIGA STA MARIA-Nº78-F115V-E-ARROJAN AL FUEGO A UN CALUMNIADOR-HORNO DE CAL-S XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

MTI1-CANTIGA STA MARIA Nº31-F46V-LA VIRGEN SE LLEVA EL BUEY DEL ALDEANO POR INCUMPLIR SU PROMESA. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Stock Photo

RM2AGN9KB–MTI1-CANTIGA STA MARIA Nº31-F46V-LA VIRGEN SE LLEVA EL BUEY DEL ALDEANO POR INCUMPLIR SU PROMESA. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

MS.B.R.20- CANTIGA STA MARIA-Nº 289-F14-A-SEGADORES MADRILEÑOS EN ATOCHA EL DIA DE SAN QUIRCE-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: BIBLIOTECA NACIONAL COLECCIÓN, FLORENZ, ITALIA. Stock Photo

RMP5BH9A–MS.B.R.20- CANTIGA STA MARIA-Nº 289-F14-A-SEGADORES MADRILEÑOS EN ATOCHA EL DIA DE SAN QUIRCE-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: BIBLIOTECA NACIONAL COLECCIÓN, FLORENZ, ITALIA.

MTI1-CANTIGA STA MARIA Nº22-F34V-VIRGEN PROTEGE A LABRADOR DEL ATAQUE DE CABALLERO-S XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Stock Photo

RM2AGN9PN–MTI1-CANTIGA STA MARIA Nº22-F34V-VIRGEN PROTEGE A LABRADOR DEL ATAQUE DE CABALLERO-S XIII. Author: Alfonso X of Castile. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

MTI1-CANTIGA DE SANTA MARIA Nº147-F203V-ROBO DE UNA OVEJA QUE BALA PARA SER ENCONTRADA POR SU DUEÑA- DETALLE. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN. Stock Photo

RMP51A2Y–MTI1-CANTIGA DE SANTA MARIA Nº147-F203V-ROBO DE UNA OVEJA QUE BALA PARA SER ENCONTRADA POR SU DUEÑA- DETALLE. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

CANTIGA DE SANTA MARIA Nº396-F14R-VIRGEN CURO A UN LABRADOR EL DIA DE SAN QUIRCE-MINIATURA SIGLO XIII - VIÑETA 1ª DE LA 1ª FILA- Cj 186334. Author: Alfonso X of Castile the Wise (1221-1284). Location: BIBLIOTECA NACIONAL COLECCIÓN, FLORENZ, ITALIA. Stock Photo

RMP5DD6A–CANTIGA DE SANTA MARIA Nº396-F14R-VIRGEN CURO A UN LABRADOR EL DIA DE SAN QUIRCE-MINIATURA SIGLO XIII - VIÑETA 1ª DE LA 1ª FILA- Cj 186334. Author: Alfonso X of Castile the Wise (1221-1284). Location: BIBLIOTECA NACIONAL COLECCIÓN, FLORENZ, ITALIA.

MTI1-CANTIGA STA MARIA Nº132-F187R-B-EL AMO DEL VIÑEDO INSPECCIONANDO SUS TIERRAS-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN. Stock Photo

RMP5BH7R–MTI1-CANTIGA STA MARIA Nº132-F187R-B-EL AMO DEL VIÑEDO INSPECCIONANDO SUS TIERRAS-S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

MTI1-CANTIGA STA MARIA Nº178-F237R-C-CAMPESINO DE ALCARAZ ARANDO CON GANADO-MINIATURA S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN. Stock Photo

RMP3WM1B–MTI1-CANTIGA STA MARIA Nº178-F237R-C-CAMPESINO DE ALCARAZ ARANDO CON GANADO-MINIATURA S XIII. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

Ste. Mary Song # 147. Theft of an ewe bleating to be given back to its owner. Robo de una oveja que bala para ser encontrada por su duena. Madrid, Library of the Monastery of El Escorial. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN. Stock Photo

RMP4HWCP–Ste. Mary Song # 147. Theft of an ewe bleating to be given back to its owner. Robo de una oveja que bala para ser encontrada por su duena. Madrid, Library of the Monastery of El Escorial. Author: Alfonso X of Castile the Wise (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

RM2RH9DWT–The Infante Ferdinand of Portugal (1188-1233), Count of Flanders (1215-1233), was taken prisoner at the Battle of Bouvines on 27 July 1214. The battle fought between an international coalition formed by troops of the Count of Flanders, Raynald of Dammartin (Count of Boulogne), King John of England and the Holy Roman Emperor Otto IV, against the army of King Philip II Augustus of France. The French army defeated the coalition. Ferdinand of Portugal was captured and taken chained to Paris to be imprisoned in the dungeons of the Louvre, from where he was not released until 6 January 1227. Engravi

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