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Art inspired by Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, n.d., Engraving, Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Designed by Michelangelo Buonarroti (Italian, Caprese 1475–1564, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-group-from-last-judgment-st-bartholomew-st-peter-and-other-apostles-nd-engraving-sheet-14-34-x-8-78-in-375-x-225-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-designed-by-michelangelo-buonarroti-italian-caprese-14751564-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966205.htmlRF2HW5X39–Art inspired by Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, n.d., Engraving, Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Designed by Michelangelo Buonarroti (Italian, Caprese 1475–1564, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris); Designed by Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-from-last-judgment-st-bartholomew-st-peter-and-other-apostles-artist-domenico-del-barbiere-italian-florence-1506-1565-paris-designed-by-michelangelo-buonarroti-italian-caprese-1475-1564-rome-dimensions-sheet-14-34-x-8-78-in-375-x-225-cm-mat-19-14-x-14-14-in-489-x-362-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image213170666.htmlRMPAPNA2–Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris); Designed by Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 11-7/8 x 14-3/4 in., Textile and Fashion Arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shirt-panel-mola-kuna-people-about-1950s-appliqued-cotton-11-78-x-14-34-in-textile-and-fashion-arts-image328784705.htmlRM2A2WC6W–shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 11-7/8 x 14-3/4 in., Textile and Fashion Arts
. English: Series Title: Fawaid-i Qutb Shahi Suite Name: Fawaid-i Qutb Shahi Display Artist: Arab al-Shirazi Creation Date: 1629-1630 Display Dimensions: 8 15/16 in. x 5 3/4 in. x 3/8 in. (22.7 cm x 14.61 cm x 0.95 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.473 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 7 May 2003, 14:30:29. English: thesandiegomuseumofartcollection 1113 Seven leaves from an anthology compiled for Sultan Abdullah Quli Qutb Shahi (6125085590) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-fawaid-i-qutb-shahi-suite-name-fawaid-i-qutb-shahi-display-artist-arab-al-shirazi-creation-date-1629-1630-display-dimensions-8-1516-in-x-5-34-in-x-38-in-227-cm-x-1461-cm-x-095-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990473-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-7-may-2003-143029-english-thesandiegomuseumofartcollection-1113-seven-leaves-from-an-anthology-compiled-for-sultan-abdullah-quli-qutb-shahi-6125085590-image185625326.htmlRMMNYXYX–. English: Series Title: Fawaid-i Qutb Shahi Suite Name: Fawaid-i Qutb Shahi Display Artist: Arab al-Shirazi Creation Date: 1629-1630 Display Dimensions: 8 15/16 in. x 5 3/4 in. x 3/8 in. (22.7 cm x 14.61 cm x 0.95 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.473 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 7 May 2003, 14:30:29. English: thesandiegomuseumofartcollection 1113 Seven leaves from an anthology compiled for Sultan Abdullah Quli Qutb Shahi (6125085590)
![Vetustissimeî eîneeî ualueî Lateralis Ianueî Basiliceî Pisaneî Author Pandulphinius 80.14.a.4. Place of publication: [Rome] Publisher: [Antonio de Rossi] Date of publication: [1705] Item type: 1 print Medium: etching Dimensions: platemark 39.3 x 24.8 cm, on sheet 40.2 x 25.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FMG7/vetustissime-enee-ualue-lateralis-ianue-basilice-pisane-author-pandulphinius-8014a4-place-of-publication-rome-publisher-antonio-de-rossi-date-of-publication-1705-item-type-1-print-medium-etching-dimensions-platemark-393-x-248-cm-on-sheet-402-x-257-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FMG7.jpg "Vetustissimeî eîneeî ualueî Lateralis Ianueî Basiliceî Pisaneî Author Pandulphinius 80.14.a.4. Place of publication: [Rome] Publisher: [Antonio de Rossi] Date of publication: [1705] Item type: 1 print Medium: etching Dimensions: platemark 39.3 x 24.8 cm, on sheet 40.2 x 25.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Vetustissimeî eîneeî ualueî Lateralis Ianueî Basiliceî Pisaneî Author Pandulphinius 80.14.a.4. Place of publication: [Rome] Publisher: [Antonio de Rossi] Date of publication: [1705] Item type: 1 print Medium: etching Dimensions: platemark 39.3 x 24.8 cm, on sheet 40.2 x 25.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vetustissime-enee-ualue-lateralis-ianue-basilice-pisane-author-pandulphinius-8014a4-place-of-publication-rome-publisher-antonio-de-rossi-date-of-publication-1705-item-type-1-print-medium-etching-dimensions-platemark-393-x-248-cm-on-sheet-402-x-257-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401715783.htmlRM2E9FMG7–Vetustissimeî eîneeî ualueî Lateralis Ianueî Basiliceî Pisaneî Author Pandulphinius 80.14.a.4. Place of publication: [Rome] Publisher: [Antonio de Rossi] Date of publication: [1705] Item type: 1 print Medium: etching Dimensions: platemark 39.3 x 24.8 cm, on sheet 40.2 x 25.7 cm Former owner: George III, King of Great Britain, 1738-1820
Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copy-of-group-photo-submitted-in-120172720-lim-fook-yin-native-dptg-departing-x-=-applicant-hard-to-read-2-19-14-father-lym-tye-2-mother-chin-shee-3-sister-lym-yong-4-sister-lim-yoke-5-bro-lym-f-ling-hard-to-read-6-robt-f-lym-7-lym-f-yin-x-arthur-lym-8-lym-f-wing-9-lym-f-wah-scope-and-content-in-addition-to-records-generated-by-federal-agencies-immigration-agency-investigative-case-files-related-to-the-chinese-exclusion-acts-1882-1943-frequently-contain-documents-collected-by-the-agencies-as-evidence-such-as-individual-and-family-phot-image261661458.htmlRMW5KKT2–Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nubian-women-at-korti-kurti-sudan-on-the-nile-1847-from-egypt-and-nubia-volume-i-nubian-women-at-kortie-on-the-nile-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-375-x-43-cm-14-34-x-16-1516-in-image-255-x-353-cm-10-116-x-13-78-in-the-cleveland-museum-of-art-bequest-of-john-bonebrake-2012241-image349566147.htmlRM2B8M357–Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241
Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-design-for-a-clock-plate-4-from-nouveaux-livre-de-boites-de-pendulles-de-coqs-et-etuys-de-montres-et-autres-necessaire-au-orlogeurs-designed-by-daniel-marot-french-active-in-the-netherlands-and-england-16611752-france-etching-printed-in-red-ink-on-paper-mount-342-x-221-cm-13-716-x-8-1116-in-sheet-298-x-191-cm-11-34-x-7-12-in-platemark-285-x-195-cm-11-14-x-7-1116-in-mat-457-x-356-cm-18-x-14-in-frame-h-x-w-x-d-502-x-397-x-25-cm-19-34-in-x-15-58-in-x-1-in-image546220883.htmlRM2PMJE8K–Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.)
'Sir George Hayter, A Magician, c. 1826, pen and brush and brown ink over graphite on gray wove paper, overall: 27.3 x 37.8 cm (10 3/4 x 14 7/8 in.), Gift of William B. O'Neal, 1995.52.76' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-george-hayter-a-magician-c-1826-pen-and-brush-and-brown-ink-over-graphite-on-gray-wove-paper-overall-273-x-378-cm-10-34-x-14-78-in-gift-of-william-b-oneal-19955276-image559650430.htmlRM2REE7RA–'Sir George Hayter, A Magician, c. 1826, pen and brush and brown ink over graphite on gray wove paper, overall: 27.3 x 37.8 cm (10 3/4 x 14 7/8 in.), Gift of William B. O'Neal, 1995.52.76'
Inspired by Vilavala Ragini, Indian, Ink on paper, Rajasthan, India, ca. 1800, sheet: 7 5/8 x 5 3/4 in., 19.4 x 14.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-vilavala-ragini-indian-ink-on-paper-rajasthan-india-ca-1800-sheet-7-58-x-5-34-in-194-x-146-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459260544.htmlRF2HK53E8–Inspired by Vilavala Ragini, Indian, Ink on paper, Rajasthan, India, ca. 1800, sheet: 7 5/8 x 5 3/4 in., 19.4 x 14.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
George Washington. Dimensions: 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm). Date: 1800-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-washington-dimensions-5-78-x-4-34-in-149-x-121-cm-date-1800-30-museum-metropolitan-museum-of-art-new-york-usa-image212907391.htmlRMPAANFB–George Washington. Dimensions: 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm). Date: 1800-30. Museum: Metropolitan Museum of Art, New York, USA.
shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 14-7/8 x 18-3/4 in., Textile and Fashion Arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shirt-panel-mola-kuna-people-about-1950s-appliqued-cotton-14-78-x-18-34-in-textile-and-fashion-arts-image328784605.htmlRM2A2WC39–shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 14-7/8 x 18-3/4 in., Textile and Fashion Arts
. English: Creation Date: ca. 1735 Display Dimensions: 7 in. x 4 3/8 in. (17.8 cm x 11.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1160 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1178 The Narasimha Avatar of Vishnu (6124586059) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1735-display-dimensions-7-in-x-4-38-in-178-cm-x-111-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901160-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143255-english-thesandiegomuseumofartcollection-1178-the-narasimha-avatar-of-vishnu-6124586059-image185599750.htmlRMMNXPAE–. English: Creation Date: ca. 1735 Display Dimensions: 7 in. x 4 3/8 in. (17.8 cm x 11.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1160 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1178 The Narasimha Avatar of Vishnu (6124586059)
![VIEW AT NEWTOWN, ISLE OF WIGHT. Author Jukes, Francis 15.7. Place of publication: [London] Publisher: Pubd Novr 14th 1796 F. Jukes Howland Street., Date of publication: [November 14 1796] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 13.8 x 20.1 cm, on sheet 22.4 x 30.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H4CT/view-at-newtown-isle-of-wight-author-jukes-francis-157-place-of-publication-london-publisher-pubd-novr-14th-1796-f-jukes-howland-street-date-of-publication-november-14-1796-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-138-x-201-cm-on-sheet-224-x-303-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H4CT.jpg "VIEW AT NEWTOWN, ISLE OF WIGHT. Author Jukes, Francis 15.7. Place of publication: [London] Publisher: Pubd Novr 14th 1796 F. Jukes Howland Street., Date of publication: [November 14 1796] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 13.8 x 20.1 cm, on sheet 22.4 x 30.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
VIEW AT NEWTOWN, ISLE OF WIGHT. Author Jukes, Francis 15.7. Place of publication: [London] Publisher: Pubd Novr 14th 1796 F. Jukes Howland Street., Date of publication: [November 14 1796] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 13.8 x 20.1 cm, on sheet 22.4 x 30.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-at-newtown-isle-of-wight-author-jukes-francis-157-place-of-publication-london-publisher-pubd-novr-14th-1796-f-jukes-howland-street-date-of-publication-november-14-1796-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-138-x-201-cm-on-sheet-224-x-303-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401747048.htmlRM2E9H4CT–VIEW AT NEWTOWN, ISLE OF WIGHT. Author Jukes, Francis 15.7. Place of publication: [London] Publisher: Pubd Novr 14th 1796 F. Jukes Howland Street., Date of publication: [November 14 1796] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 13.8 x 20.1 cm, on sheet 22.4 x 30.3 cm Former owner: George III, King of Great Britain, 1738-1820
(Artist) James McNeill Whistler; United States; 1858; Pencil on white paper; H x W: 10.7 x 14.9 cm (4 3/16 x 5 7/8 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1858-pencil-on-white-paper-h-x-w-107-x-149-cm-4-316-x-5-78-in-gift-of-charles-lang-freer-image353573276.htmlRM2BF6J90–(Artist) James McNeill Whistler; United States; 1858; Pencil on white paper; H x W: 10.7 x 14.9 cm (4 3/16 x 5 7/8 in); Gift of Charles Lang Freer
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489962.htmlRF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Sidewall (France); block-printed on handmade paper; 55.5 x 37.5 cm (21 7/8 x 14 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-france-block-printed-on-handmade-paper-555-x-375-cm-21-78-x-14-34-in-image546146958.htmlRM2PMF40E–Sidewall (France); block-printed on handmade paper; 55.5 x 37.5 cm (21 7/8 x 14 3/4 in.)
'Jacques Callot, Beggar with Wooden Leg, c. 1622, etching, plate: 13.7 x 8.8 cm (5 3/8 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.294' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-beggar-with-wooden-leg-c-1622-etching-plate-137-x-88-cm-5-38-x-3-716-in-sheet-146-x-96-cm-5-34-x-3-34-in-rosenwald-collection-19495294-image560394310.htmlRM2RFM4JE–'Jacques Callot, Beggar with Wooden Leg, c. 1622, etching, plate: 13.7 x 8.8 cm (5 3/8 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.294'
Inspired by Faience Fragment, Faience, 14.540: 1 3/4 x 2 1/4 x 11/16 in., 4.4 x 5.7 x 1.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-faience-fragment-faience-14540-1-34-x-2-14-x-1116-in-44-x-57-x-18-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263559.htmlRF2HK579Y–Inspired by Faience Fragment, Faience, 14.540: 1 3/4 x 2 1/4 x 11/16 in., 4.4 x 5.7 x 1.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Plaque. Culture: American. Dimensions: 5 7/8 x 4 1/16 in. (14.9 x 10.3 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-culture-american-dimensions-5-78-x-4-116-in-149-x-103-cm-date-1800-1883-museum-metropolitan-museum-of-art-new-york-usa-image212897017.htmlRMPAA88W–Plaque. Culture: American. Dimensions: 5 7/8 x 4 1/16 in. (14.9 x 10.3 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA.
Ribbon, French, 18th century, French, Silk, 2 3/4 x 14 1/8 inches (7.0 x 35.9 cm), Textiles-Trimmings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ribbon-french-18th-century-french-silk-2-34-x-14-18-inches-70-x-359-cm-textiles-trimmings-image344619060.htmlRM2B0JN3G–Ribbon, French, 18th century, French, Silk, 2 3/4 x 14 1/8 inches (7.0 x 35.9 cm), Textiles-Trimmings
. English: Creation Date: ca. 1830 Display Dimensions: 9 3/8 in. x 7 1/4 in. (23.8 cm x 18.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1220 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:40. English: thesandiegomuseumofartcollection 845 Maharaja Gulab Singh receives his shield and sword from Rama (6124524375) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1830-display-dimensions-9-38-in-x-7-14-in-238-cm-x-184-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901220-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140840-english-thesandiegomuseumofartcollection-845-maharaja-gulab-singh-receives-his-shield-and-sword-from-rama-6124524375-image185706262.htmlRMMP3J6E–. English: Creation Date: ca. 1830 Display Dimensions: 9 3/8 in. x 7 1/4 in. (23.8 cm x 18.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1220 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:40. English: thesandiegomuseumofartcollection 845 Maharaja Gulab Singh receives his shield and sword from Rama (6124524375)
Bobbin Lace Fragment, 18th century. Spain, 18th century. Lace, bobbin; average: 4.8 x 14.3 cm (1 7/8 x 5 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bobbin-lace-fragment-18th-century-spain-18th-century-lace-bobbin-average-48-x-143-cm-1-78-x-5-58-in-image448089554.htmlRM2H106PA–Bobbin Lace Fragment, 18th century. Spain, 18th century. Lace, bobbin; average: 4.8 x 14.3 cm (1 7/8 x 5 5/8 in.).
Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copy-of-group-photo-submitted-in-120172720-lim-fook-yin-native-dptg-departing-x-=-applicant-hard-to-read-2-19-14-father-lym-tye-2-mother-chin-shee-3-sister-lym-yong-4-sister-lim-yoke-5-bro-lym-f-ling-hard-to-read-6-robt-f-lym-7-lym-f-yin-x-arthur-lym-8-lym-f-wing-9-lym-f-wah-scope-and-content-in-addition-to-records-generated-by-federal-agencies-immigration-agency-investigative-case-files-related-to-the-chinese-exclusion-acts-1882-1943-frequently-contain-documents-collected-by-the-agencies-as-evidence-such-as-individual-and-family-phot-image257542489.htmlRMTY0221–Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489957.htmlRF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Fragment (India); cotton; Warp x Weft: 18.7 x 14 cm (7 3/8 x 5 1/2 in.); 1952-58-4 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-india-cotton-warp-x-weft-187-x-14-cm-7-38-x-5-12-in-1952-58-4-image546234482.htmlRM2PMK3JA–Fragment (India); cotton; Warp x Weft: 18.7 x 14 cm (7 3/8 x 5 1/2 in.); 1952-58-4
'Jacques Callot, Beggar Woman Receiving Charity, c. 1622, etching, plate: 13.9 x 8.8 cm (5 1/2 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.303' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-beggar-woman-receiving-charity-c-1622-etching-plate-139-x-88-cm-5-12-x-3-716-in-sheet-146-x-96-cm-5-34-x-3-34-in-rosenwald-collection-19495303-image560394379.htmlRM2RFM4MY–'Jacques Callot, Beggar Woman Receiving Charity, c. 1622, etching, plate: 13.9 x 8.8 cm (5 1/2 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.303'
Inspired by Watching the Crows, Winslow Homer, American, 1836-1910, Wood engraving, 1868, Image: 5 7/8 x 3 3/4 in., 14.9 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-watching-the-crows-winslow-homer-american-1836-1910-wood-engraving-1868-image-5-78-x-3-34-in-149-x-95-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248184.htmlRF2HK4FMT–Inspired by Watching the Crows, Winslow Homer, American, 1836-1910, Wood engraving, 1868, Image: 5 7/8 x 3 3/4 in., 14.9 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Lady, in the Tosa Style. Culture: Japan. Dimensions: 7 3/4 x 5 5/8 in. (19.7 x 14.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lady-in-the-tosa-style-culture-japan-dimensions-7-34-x-5-58-in-197-x-143-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213332715.htmlRMPB241F–Lady, in the Tosa Style. Culture: Japan. Dimensions: 7 3/4 x 5 5/8 in. (19.7 x 14.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Fragment, 17th–18th century, Made in Iran, Silk, 4 5/8 x 14 3/8 in. (11.7 x 36.5 cm), Textiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-17th18th-century-made-in-iran-silk-4-58-x-14-38-in-117-x-365-cm-textiles-image344674386.htmlRM2B0N7KE–Fragment, 17th–18th century, Made in Iran, Silk, 4 5/8 x 14 3/8 in. (11.7 x 36.5 cm), Textiles
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1630 Display Dimensions: 7 5/8 in. x 5 1/4 in. (19.4 cm x 13.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.339 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 14:37:23. English: thesandiegomuseumofartcollection 789 Lalita Ragini (6124534483) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1630-display-dimensions-7-58-in-x-5-14-in-194-cm-x-133-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990339-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-2-october-2001-143723-english-thesandiegomuseumofartcollection-789-lalita-ragini-6124534483-image185847795.htmlRMMPA2N7–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1630 Display Dimensions: 7 5/8 in. x 5 1/4 in. (19.4 cm x 13.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.339 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 14:37:23. English: thesandiegomuseumofartcollection 789 Lalita Ragini (6124534483)
Sugar Bowl, c. 1770. Thomas Lynde (American, 1748-1811). Silver; overall: 14.3 x 11.7 cm (5 5/8 x 4 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sugar-bowl-c-1770-thomas-lynde-american-1748-1811-silver-overall-143-x-117-cm-5-58-x-4-58-in-image448085449.htmlRM2H101FN–Sugar Bowl, c. 1770. Thomas Lynde (American, 1748-1811). Silver; overall: 14.3 x 11.7 cm (5 5/8 x 4 5/8 in.).
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Sidewall- Fragment (possibly USA); block-printed paper; 37.5 x 20 x 2 cm (14 3/4 x 7 7/8 x 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-fragment-possibly-usa-block-printed-paper-375-x-20-x-2-cm-14-34-x-7-78-x-1316-in-image546096306.htmlRM2PMCRBE–Sidewall- Fragment (possibly USA); block-printed paper; 37.5 x 20 x 2 cm (14 3/4 x 7 7/8 x 13/16 in.)
'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-cleyn-the-sacrifice-of-marcus-curtius-1640s-black-chalk-on-laid-paper-overall-181-x-289-cm-7-18-x-11-38-in-support-26-x-373-cm-10-14-x-14-1116-in-ailsa-mellon-bruce-fund-1984451-image559844140.htmlRM2RER2WG–'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1'
Inspired by Folio from an Unidentified Manuscript: Miniature Painting, Opaque watercolors on paper, 17th century, Overall: 5 11/16 x 3 1/16 in., 14.4 x 7.8 cm, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-folio-from-an-unidentified-manuscript-miniature-painting-opaque-watercolors-on-paper-17th-century-overall-5-1116-x-3-116-in-144-x-78-cm-paper-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459261893.htmlRF2HK556D–Inspired by Folio from an Unidentified Manuscript: Miniature Painting, Opaque watercolors on paper, 17th century, Overall: 5 11/16 x 3 1/16 in., 14.4 x 7.8 cm, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-jambes-artist-pierre-louis-pierson-french-1822-1913-dimensions-111-x-149-cm-4-38-x-5-78-in-date-1860s-museum-metropolitan-museum-of-art-new-york-usa-image212862424.htmlRMPA8M5C–Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.
Winslow Homer, The Fishing Party, 1869, wood engraving on paper, 10 7/8 in. x 14 3/4 in. (27.62 cm x 37.47 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winslow-homer-the-fishing-party-1869-wood-engraving-on-paper-10-78-in-x-14-34-in-2762-cm-x-3747-cm-image344472303.htmlRM2B0C1X7–Winslow Homer, The Fishing Party, 1869, wood engraving on paper, 10 7/8 in. x 14 3/4 in. (27.62 cm x 37.47 cm
. English: Creation Date: ca. 1550 Display Dimensions: 7 3/8 in. x 3 1/4 in. (18.73 cm x 8.25 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.63 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 14:57:11. English: thesandiegomuseumofartcollection 1209 Two pages of a poetical text (16th century borders) (6125040566) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1550-display-dimensions-7-38-in-x-3-14-in-1873-cm-x-825-cm-credit-line-gift-of-edwin-binney-3rd-accession-number-197163-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-1-october-2001-145711-english-thesandiegomuseumofartcollection-1209-two-pages-of-a-poetical-text-16th-century-borders-6125040566-image185828150.htmlRMMP95KJ–. English: Creation Date: ca. 1550 Display Dimensions: 7 3/8 in. x 3 1/4 in. (18.73 cm x 8.25 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.63 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 14:57:11. English: thesandiegomuseumofartcollection 1209 Two pages of a poetical text (16th century borders) (6125040566)
Covered Sugar Bowl, c. 1770. Thomas Lynde (American, 1748-1811). Silver; overall: 14.3 x 11.7 cm (5 5/8 x 4 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-sugar-bowl-c-1770-thomas-lynde-american-1748-1811-silver-overall-143-x-117-cm-5-58-x-4-58-in-image448085462.htmlRM2H101G6–Covered Sugar Bowl, c. 1770. Thomas Lynde (American, 1748-1811). Silver; overall: 14.3 x 11.7 cm (5 5/8 x 4 5/8 in.).
Fragment (Near East); warp; linen. wefts; linen, silk; Warp x Weft: 37.5 x 13.7 cm (14 3/4 x 5 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-near-east-warp-linen-wefts-linen-silk-warp-x-weft-375-x-137-cm-14-34-x-5-38-in-image546127987.htmlRM2PME7PY–Fragment (Near East); warp; linen. wefts; linen, silk; Warp x Weft: 37.5 x 13.7 cm (14 3/4 x 5 3/8 in.)
'Antoine de Marcenay de Ghuy, River Landscape with an Angler, 1773, etching on wove paper, plate: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.) sheet: 6.9 x 14.6 cm (2 11/16 x 5 3/4 in.), Gift of the Estate of Leo Steinberg, 2011.139.128' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antoine-de-marcenay-de-ghuy-river-landscape-with-an-angler-1773-etching-on-wove-paper-plate-48-x-121-cm-1-78-x-4-34-in-sheet-69-x-146-cm-2-1116-x-5-34-in-gift-of-the-estate-of-leo-steinberg-2011139128-image559695745.htmlRM2REG9HN–'Antoine de Marcenay de Ghuy, River Landscape with an Angler, 1773, etching on wove paper, plate: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.) sheet: 6.9 x 14.6 cm (2 11/16 x 5 3/4 in.), Gift of the Estate of Leo Steinberg, 2011.139.128'
Inspired by Vignette F, American, Watercolor and graphite, 1840s-1850s, 5 3/4 x 3 7/16 in., 14.6 x 8.7 cm, cows, drawing, graphite, watercolor, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-vignette-f-american-watercolor-and-graphite-1840s-1850s-5-34-x-3-716-in-146-x-87-cm-cows-drawing-graphite-watercolor-woman-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248852.htmlRF2HK4GGM–Inspired by Vignette F, American, Watercolor and graphite, 1840s-1850s, 5 3/4 x 3 7/16 in., 14.6 x 8.7 cm, cows, drawing, graphite, watercolor, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Snuffer. Culture: American. Dimensions: 1 5/8 x 7 1/4 in. (4.1 x 18.4 cm); 3 oz. 14 dwt. (115.8 g). Date: 1700-1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/snuffer-culture-american-dimensions-1-58-x-7-14-in-41-x-184-cm-3-oz-14-dwt-1158-g-date-1700-1800-museum-metropolitan-museum-of-art-new-york-usa-image212872299.htmlRMPA94P3–Snuffer. Culture: American. Dimensions: 1 5/8 x 7 1/4 in. (4.1 x 18.4 cm); 3 oz. 14 dwt. (115.8 g). Date: 1700-1800. Museum: Metropolitan Museum of Art, New York, USA.
David Clarkson, American, ca. 1845, American, Oil on panel, 6 3/4 x 5 7/8 in. (sight) (17.1 x 14.9 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-clarkson-american-ca-1845-american-oil-on-panel-6-34-x-5-78-in-sight-171-x-149-cm-paintings-image344608890.htmlRM2B0J84A–David Clarkson, American, ca. 1845, American, Oil on panel, 6 3/4 x 5 7/8 in. (sight) (17.1 x 14.9 cm), Paintings
. English: Creation Date: ca. 1755 Display Dimensions: 12 3/32 in. x 8 7/16 in. (30.7 cm x 21.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.757 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:16. English: thesandiegomuseumofartcollection 1037 Radha and Krishna pick lotuses from a lake (6125056298) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1755-display-dimensions-12-332-in-x-8-716-in-307-cm-x-214-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990757-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140716-english-thesandiegomuseumofartcollection-1037-radha-and-krishna-pick-lotuses-from-a-lake-6125056298-image185733290.htmlRMMP4TKP–. English: Creation Date: ca. 1755 Display Dimensions: 12 3/32 in. x 8 7/16 in. (30.7 cm x 21.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.757 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:16. English: thesandiegomuseumofartcollection 1037 Radha and Krishna pick lotuses from a lake (6125056298)
Brocade, 1800s. India, Benares ?, 19th century. Brocade, 'kimkhwab'; silk and gold; overall: 7.9 x 14.6 cm (3 1/8 x 5 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brocade-1800s-india-benares-19th-century-brocade-kimkhwab-silk-and-gold-overall-79-x-146-cm-3-18-x-5-34-in-image448079248.htmlRM2H0YNJ8–Brocade, 1800s. India, Benares ?, 19th century. Brocade, 'kimkhwab'; silk and gold; overall: 7.9 x 14.6 cm (3 1/8 x 5 3/4 in.).
Panel Fragment (China); silk; Warp x Weft: 250 x 37.5 cm (8 ft. 2 7/16 in. x 14 3/4 in.); 1968-13-4-b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-fragment-china-silk-warp-x-weft-250-x-375-cm-8-ft-2-716-in-x-14-34-in-1968-13-4-b-image546079756.htmlRM2PMC28C–Panel Fragment (China); silk; Warp x Weft: 250 x 37.5 cm (8 ft. 2 7/16 in. x 14 3/4 in.); 1968-13-4-b
'Hubert François Gravelot, Coat of Arms with Two Eagles, 0, graphite, incised for transfer on laid paper; laid down, sheet: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.) support: 27.9 x 19 cm (11 x 7 1/2 in.), Gift of Arthur L. Liebman, 1992.87.18' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-franois-gravelot-coat-of-arms-with-two-eagles-0-graphite-incised-for-transfer-on-laid-paper-laid-down-sheet-141-x-83-cm-5-916-x-3-14-in-support-279-x-19-cm-11-x-7-12-in-gift-of-arthur-l-liebman-19928718-image559640811.htmlRM2REDRFR–'Hubert François Gravelot, Coat of Arms with Two Eagles, 0, graphite, incised for transfer on laid paper; laid down, sheet: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.) support: 27.9 x 19 cm (11 x 7 1/2 in.), Gift of Arthur L. Liebman, 1992.87.18'
Inspired by Marine, Attributed to Willem van de Velde the Elder, Dutch, 1611-1683, Watercolor, Sheet: 5 7/8 x 16 1/4 in., 14.9 x 41.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-marine-attributed-to-willem-van-de-velde-the-elder-dutch-1611-1683-watercolor-sheet-5-78-x-16-14-in-149-x-413-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254648.htmlRF2HK4RYM–Inspired by Marine, Attributed to Willem van de Velde the Elder, Dutch, 1611-1683, Watercolor, Sheet: 5 7/8 x 16 1/4 in., 14.9 x 41.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Glass Panel of Head of Angel. Culture: German or Swiss. Dimensions: Overall: 5 7/8 x 5 3/4 in. (14.9 x 14.6 cm). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-panel-of-head-of-angel-culture-german-or-swiss-dimensions-overall-5-78-x-5-34-in-149-x-146-cm-date-late-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image212903693.htmlRMPAAGR9–Glass Panel of Head of Angel. Culture: German or Swiss. Dimensions: Overall: 5 7/8 x 5 3/4 in. (14.9 x 14.6 cm). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA.
Francis Hayden, English, 1818–1910, The Keep, 1877, Drypoint on wove paper, image: 5 13/16 x 8 3/4 in. (14.7 x 22.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-hayden-english-18181910-the-keep-1877-drypoint-on-wove-paper-image-5-1316-x-8-34-in-147-x-223-cm-image344578276.htmlRM2B0GW30–Francis Hayden, English, 1818–1910, The Keep, 1877, Drypoint on wove paper, image: 5 13/16 x 8 3/4 in. (14.7 x 22.3 cm
. English: Display Artist: Mir Kalan Khan Creation Date: late 17th century Display Dimensions: 8 7/32 in. x 5 3/4 in. (20.9 cm x 14.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.509 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:59. English: thesandiegomuseumofartcollection 1179 The Prophet Muhammad's ascent to heaven- the Mi'raj (6125052426) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-mir-kalan-khan-creation-date-late-17th-century-display-dimensions-8-732-in-x-5-34-in-209-cm-x-146-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990509-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140559-english-thesandiegomuseumofartcollection-1179-the-prophet-muhammads-ascent-to-heaven-the-miraj-6125052426-image185546265.htmlRMMNTA49–. English: Display Artist: Mir Kalan Khan Creation Date: late 17th century Display Dimensions: 8 7/32 in. x 5 3/4 in. (20.9 cm x 14.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.509 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:59. English: thesandiegomuseumofartcollection 1179 The Prophet Muhammad's ascent to heaven- the Mi'raj (6125052426)
Fragment of Gothic Velvet, 15th century. Spain, 15th century. Velvet; silk and metallic thread; average: 14.6 x 15 cm (5 3/4 x 5 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-gothic-velvet-15th-century-spain-15th-century-velvet-silk-and-metallic-thread-average-146-x-15-cm-5-34-x-5-78-in-image448142532.htmlRM2H12JAC–Fragment of Gothic Velvet, 15th century. Spain, 15th century. Velvet; silk and metallic thread; average: 14.6 x 15 cm (5 3/4 x 5 7/8 in.).
Textile; silk, linen; Warp x Weft: 91 x 53 cm (35 13/16 x 20 7/8 in.) Repeat H: 37.5 cm (14 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-silk-linen-warp-x-weft-91-x-53-cm-35-1316-x-20-78-in-repeat-h-375-cm-14-34-in-image546219540.htmlRM2PMJCGM–Textile; silk, linen; Warp x Weft: 91 x 53 cm (35 13/16 x 20 7/8 in.) Repeat H: 37.5 cm (14 3/4 in.)
'Mariano Fortuny y Carbó, Croquis (Two Arabian Figures), c. 1865, etching on laid paper, plate: 14.7 x 24.8 cm (5 13/16 x 9 3/4 in.) sheet: 24 x 32.5 cm (9 7/16 x 12 13/16 in.), Gift of Frank Anderson Trapp, 1999.111.16' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mariano-fortuny-y-carb-croquis-two-arabian-figures-c-1865-etching-on-laid-paper-plate-147-x-248-cm-5-1316-x-9-34-in-sheet-24-x-325-cm-9-716-x-12-1316-in-gift-of-frank-anderson-trapp-199911116-image557408796.htmlRM2RAT4H0–'Mariano Fortuny y Carbó, Croquis (Two Arabian Figures), c. 1865, etching on laid paper, plate: 14.7 x 24.8 cm (5 13/16 x 9 3/4 in.) sheet: 24 x 32.5 cm (9 7/16 x 12 13/16 in.), Gift of Frank Anderson Trapp, 1999.111.16'
Inspired by Swinging On a Birch-Tree, Winslow Homer, American, 1836-1910, Wood engraving, 1866, Sheet: 5 7/8 x 3 3/4 in., 14.9 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-swinging-on-a-birch-tree-winslow-homer-american-1836-1910-wood-engraving-1866-sheet-5-78-x-3-34-in-149-x-95-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248484.htmlRF2HK4G3G–Inspired by Swinging On a Birch-Tree, Winslow Homer, American, 1836-1910, Wood engraving, 1866, Sheet: 5 7/8 x 3 3/4 in., 14.9 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Page from a Dispersed Rasikapriya (Lover's Breviary). Culture: India. Dimensions: 5 3/4 x 8 7/16 in. (14.6 x 21.4 cm). Date: ca. 1650. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-a-dispersed-rasikapriya-lovers-breviary-culture-india-dimensions-5-34-x-8-716-in-146-x-214-cm-date-ca-1650-museum-metropolitan-museum-of-art-new-york-usa-image213415078.htmlRMPB5W32–Page from a Dispersed Rasikapriya (Lover's Breviary). Culture: India. Dimensions: 5 3/4 x 8 7/16 in. (14.6 x 21.4 cm). Date: ca. 1650. Museum: Metropolitan Museum of Art, New York, USA.
Fragment, late 16th–early 17th century, Made in Turkey, Silk, metal thread, 14 7/8 x 5 1/4 in. (37.8 x 13.3 cm), Textiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-late-16thearly-17th-century-made-in-turkey-silk-metal-thread-14-78-x-5-14-in-378-x-133-cm-textiles-image344674388.htmlRM2B0N7KG–Fragment, late 16th–early 17th century, Made in Turkey, Silk, metal thread, 14 7/8 x 5 1/4 in. (37.8 x 13.3 cm), Textiles
. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1750 Display Dimensions: 6 3/16 in. x 8 3/4 in. (15.7 cm x 22.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1127 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 12 September 2001, 14:37:09. English: thesandiegomuseumofartcollection 1168 The army of Rama attack the wicked Ravana (6125125916) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ramas-journey-suite-name-ramayana-creation-date-ca-1750-display-dimensions-6-316-in-x-8-34-in-157-cm-x-222-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901127-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-12-september-2001-143709-english-thesandiegomuseumofartcollection-1168-the-army-of-rama-attack-the-wicked-ravana-6125125916-image185822988.htmlRMMP8Y38–. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1750 Display Dimensions: 6 3/16 in. x 8 3/4 in. (15.7 cm x 22.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1127 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 12 September 2001, 14:37:09. English: thesandiegomuseumofartcollection 1168 The army of Rama attack the wicked Ravana (6125125916)
The Blessed Damozel: 'Where the Lady Mary Is' Kenyon Cox (American, 1856-1919). 1886. Oil, grisaille on canvas, Design: 19 3/4 x 14 7/8 in. American Art 1886 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blessed-damozel-where-the-lady-mary-is-kenyon-cox-american-1856-1919-1886-oil-grisaille-on-canvas-design-19-34-x-14-78-in-american-art-1886-image504724588.htmlRM2M945A4–The Blessed Damozel: 'Where the Lady Mary Is' Kenyon Cox (American, 1856-1919). 1886. Oil, grisaille on canvas, Design: 19 3/4 x 14 7/8 in. American Art 1886
Spoon (USA); metal?; L x W x D: 14.4 x 2.7 x 2.3 cm (5 11/16 x 1 1/16 x 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spoon-usa-metal-l-x-w-x-d-144-x-27-x-23-cm-5-1116-x-1-116-x-78-in-image546124863.htmlRM2PME3RB–Spoon (USA); metal?; L x W x D: 14.4 x 2.7 x 2.3 cm (5 11/16 x 1 1/16 x 7/8 in.)
'Albert Besnard, Edmond Pigalle, 1908, etching in black on cream laid paper, plate: 19.9 x 14.7 cm (7 13/16 x 5 13/16 in.) sheet: 23.8 x 18.5 cm (9 3/8 x 7 5/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-edmond-pigalle-1908-etching-in-black-on-cream-laid-paper-plate-199-x-147-cm-7-1316-x-5-1316-in-sheet-238-x-185-cm-9-38-x-7-516-in-gift-of-mr-and-mrs-daniel-bell-199442-image557243248.htmlRM2RAGHCG–'Albert Besnard, Edmond Pigalle, 1908, etching in black on cream laid paper, plate: 19.9 x 14.7 cm (7 13/16 x 5 13/16 in.) sheet: 23.8 x 18.5 cm (9 3/8 x 7 5/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.2'
Inspired by In Holland, Gari Melchers, American, 1860-1932, Etching on wove paper, 20th century, Plate: 7 3/4 x 5 7/8 in., 19.7 x 14.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-in-holland-gari-melchers-american-1860-1932-etching-on-wove-paper-20th-century-plate-7-34-x-5-78-in-197-x-149-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265339.htmlRF2HK59HF–Inspired by In Holland, Gari Melchers, American, 1860-1932, Etching on wove paper, 20th century, Plate: 7 3/4 x 5 7/8 in., 19.7 x 14.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Study of Hibiscus Plants. Artist: Adolf Senff (German, Halle 1785-1863 Ostrau). Dimensions: 10 1/8 x 14 3/4 in. (25.7 x 37.5 cm). Date: 1828. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-hibiscus-plants-artist-adolf-senff-german-halle-1785-1863-ostrau-dimensions-10-18-x-14-34-in-257-x-375-cm-date-1828-museum-metropolitan-museum-of-art-new-york-usa-image213151922.htmlRMPANWCJ–Study of Hibiscus Plants. Artist: Adolf Senff (German, Halle 1785-1863 Ostrau). Dimensions: 10 1/8 x 14 3/4 in. (25.7 x 37.5 cm). Date: 1828. Museum: Metropolitan Museum of Art, New York, USA.
Francisco Domingo Marqués, Spanish, 1842–1920, Drinking Song, c. 1890, Oil on panel, 7 3/8 x 5 3/4 in. (18.7 x 14.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francisco-domingo-marqus-spanish-18421920-drinking-song-c-1890-oil-on-panel-7-38-x-5-34-in-187-x-146-cm-image344574484.htmlRM2B0GM7G–Francisco Domingo Marqués, Spanish, 1842–1920, Drinking Song, c. 1890, Oil on panel, 7 3/8 x 5 3/4 in. (18.7 x 14.6 cm
. English: Display Artist: Rahim Khan Creation Date: ca. 1670 Display Dimensions: 7 27/32 in. x 9 3/4 in. (19.9 cm x 24.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.483 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:52. English: thesandiegomuseumofartcollection 1085 Saint Shah Raju seated against a bolster (6125049392) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-rahim-khan-creation-date-ca-1670-display-dimensions-7-2732-in-x-9-34-in-199-cm-x-248-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990483-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140552-english-thesandiegomuseumofartcollection-1085-saint-shah-raju-seated-against-a-bolster-6125049392-image185742529.htmlRMMP58DN–. English: Display Artist: Rahim Khan Creation Date: ca. 1670 Display Dimensions: 7 27/32 in. x 9 3/4 in. (19.9 cm x 24.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.483 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:52. English: thesandiegomuseumofartcollection 1085 Saint Shah Raju seated against a bolster (6125049392)
Bobbin Lace Insertion, 18th century. Italy, Abruzzi, Gessopalena, 18th century. Lace, bobbin; average: 4.8 x 14.6 cm (1 7/8 x 5 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bobbin-lace-insertion-18th-century-italy-abruzzi-gessopalena-18th-century-lace-bobbin-average-48-x-146-cm-1-78-x-5-34-in-image448089129.htmlRM2H10675–Bobbin Lace Insertion, 18th century. Italy, Abruzzi, Gessopalena, 18th century. Lace, bobbin; average: 4.8 x 14.6 cm (1 7/8 x 5 3/4 in.).
Wood Block, associated with 1983-29-1 to 21; USA; wood, metal; 37 x 29.5 x 7 cm (14 9/16 x 11 5/8 x 2 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-block-associated-with-1983-29-1-to-21-usa-wood-metal-37-x-295-x-7-cm-14-916-x-11-58-x-2-34-in-image546118637.htmlRM2PMDRW1–Wood Block, associated with 1983-29-1 to 21; USA; wood, metal; 37 x 29.5 x 7 cm (14 9/16 x 11 5/8 x 2 3/4 in.)
'James Gillray, French Liberty and British Slavery, 1792, etching, hand-colored with watercolor by the publisher, on laid paper, plate: 24.4 x 35.2 cm (9 5/8 x 13 7/8 in.) sheet: 25.9 x 36.2 cm (10 3/16 x 14 1/4 in.), Ailsa Mellon Bruce Fund, 2012.45.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-french-liberty-and-british-slavery-1792-etching-hand-colored-with-watercolor-by-the-publisher-on-laid-paper-plate-244-x-352-cm-9-58-x-13-78-in-sheet-259-x-362-cm-10-316-x-14-14-in-ailsa-mellon-bruce-fund-2012452-image559239162.htmlRM2RDRF76–'James Gillray, French Liberty and British Slavery, 1792, etching, hand-colored with watercolor by the publisher, on laid paper, plate: 24.4 x 35.2 cm (9 5/8 x 13 7/8 in.) sheet: 25.9 x 36.2 cm (10 3/16 x 14 1/4 in.), Ailsa Mellon Bruce Fund, 2012.45.2'
Inspired by Landscape with Cows, Charles-Émile Jacque, French, 1813-1894, Etching on laid paper, 1864, 7 3/4 x 5 7/8 in., 19.7 x 14.9 cm, leaves, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-landscape-with-cows-charles-mile-jacque-french-1813-1894-etching-on-laid-paper-1864-7-34-x-5-78-in-197-x-149-cm-leaves-trees-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256970.htmlRF2HK4XXJ–Inspired by Landscape with Cows, Charles-Émile Jacque, French, 1813-1894, Etching on laid paper, 1864, 7 3/4 x 5 7/8 in., 19.7 x 14.9 cm, leaves, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 4 5/8 x 14 3/4 in. (11.7 x 37.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-painting-of-figure-in-woodland-setting-artist-unidentified-artist-culture-china-dimensions-4-58-x-14-34-in-117-x-375-cm-museum-metropolitan-museum-of-art-new-york-usa-image213180993.htmlRMPAR6EW–Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 4 5/8 x 14 3/4 in. (11.7 x 37.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Winslow Homer, American, 1836–1910, Seascape, c. 1886, Graphite on beige wove paper, 5 3/4 x 8 15/16 in. (14.6 x 22.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winslow-homer-american-18361910-seascape-c-1886-graphite-on-beige-wove-paper-5-34-x-8-1516-in-146-x-227-cm-image344571094.htmlRM2B0GFXE–Winslow Homer, American, 1836–1910, Seascape, c. 1886, Graphite on beige wove paper, 5 3/4 x 8 15/16 in. (14.6 x 22.7 cm
. English: Creation Date: ca. 1820 Display Dimensions: 7 5/8 in. x 11 17/32 in. (19.4 cm x 29.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.728 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:13. English: thesandiegomuseumofartcollection 1041 Raja Umed Singh (1771-1819) with his son Kishor Singh (1819-1828) and grandson R (6124560819) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1820-display-dimensions-7-58-in-x-11-1732-in-194-cm-x-293-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990728-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142913-english-thesandiegomuseumofartcollection-1041-raja-umed-singh-1771-1819-with-his-son-kishor-singh-1819-1828-and-grandson-r-6124560819-image185555196.htmlRMMNTNF8–. English: Creation Date: ca. 1820 Display Dimensions: 7 5/8 in. x 11 17/32 in. (19.4 cm x 29.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.728 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:13. English: thesandiegomuseumofartcollection 1041 Raja Umed Singh (1771-1819) with his son Kishor Singh (1819-1828) and grandson R (6124560819)
Windmills in a Landscape. Eugene Deshayes (French, 1828-1890). Charcoal with white heightening; sheet: 37.8 x 62.8 cm (14 7/8 x 24 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/windmills-in-a-landscape-eugene-deshayes-french-1828-1890-charcoal-with-white-heightening-sheet-378-x-628-cm-14-78-x-24-34-in-image448069296.htmlRM2H0Y8XT–Windmills in a Landscape. Eugene Deshayes (French, 1828-1890). Charcoal with white heightening; sheet: 37.8 x 62.8 cm (14 7/8 x 24 3/4 in.).
Drawing, A Pitch Pine; Frederic Edwin Church (American, 1826–1900); USA; black crayon on paper; Sheet: 37.4 x 25.7 cm (14 3/4 x 10 1/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-a-pitch-pine-frederic-edwin-church-american-18261900-usa-black-crayon-on-paper-sheet-374-x-257-cm-14-34-x-10-18-in-image546255765.htmlRM2PMM2PD–Drawing, A Pitch Pine; Frederic Edwin Church (American, 1826–1900); USA; black crayon on paper; Sheet: 37.4 x 25.7 cm (14 3/4 x 10 1/8 in.)
'Rembrandt van Rijn and William Baillie, The Pharisees Debating (Fragment from the Hundred Guilder Print), c. 1649, etching with drypoint and engraving on laid paper, plate: 14.2 x 7.5 cm (5 9/16 x 2 15/16 in.) sheet: 15 x 8.2 cm (5 7/8 x 3 1/4 in.), Gift of Mr. and Mrs. Andrew Robison, 2006.123.3' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-van-rijn-and-william-baillie-the-pharisees-debating-fragment-from-the-hundred-guilder-print-c-1649-etching-with-drypoint-and-engraving-on-laid-paper-plate-142-x-75-cm-5-916-x-2-1516-in-sheet-15-x-82-cm-5-78-x-3-14-in-gift-of-mr-and-mrs-andrew-robison-20061233-image559843067.htmlRM2RER1F7–'Rembrandt van Rijn and William Baillie, The Pharisees Debating (Fragment from the Hundred Guilder Print), c. 1649, etching with drypoint and engraving on laid paper, plate: 14.2 x 7.5 cm (5 9/16 x 2 15/16 in.) sheet: 15 x 8.2 cm (5 7/8 x 3 1/4 in.), Gift of Mr. and Mrs. Andrew Robison, 2006.123.3'
Art inspired by George Washington, 1800–30, Painted plaster, 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-george-washington-180030-painted-plaster-5-78-x-4-34-in-149-x-121-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884301.htmlRF2HW25J5–Art inspired by George Washington, 1800–30, Painted plaster, 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for Two Vases. Artist: Anonymous, French, 18th century. Dimensions: 14 7/8 x 9 3/16 in. (37.8 x 23.4 cm). Date: ca. 1770-85. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-two-vases-artist-anonymous-french-18th-century-dimensions-14-78-x-9-316-in-378-x-234-cm-date-ca-1770-85-museum-metropolitan-museum-of-art-new-york-usa-image213152977.htmlRMPANXP9–Design for Two Vases. Artist: Anonymous, French, 18th century. Dimensions: 14 7/8 x 9 3/16 in. (37.8 x 23.4 cm). Date: ca. 1770-85. Museum: Metropolitan Museum of Art, New York, USA.
After Edward Troye, American, 1808-1874, 'Grey Eagle', 19th century, Engraving and mezzotint, Overall: 10 3/4 x 14 7/8 in. (27.3 x 37.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-edward-troye-american-1808-1874-grey-eagle-19th-century-engraving-and-mezzotint-overall-10-34-x-14-78-in-273-x-378-cm-image344571622.htmlRM2B0GGHA–After Edward Troye, American, 1808-1874, 'Grey Eagle', 19th century, Engraving and mezzotint, Overall: 10 3/4 x 14 7/8 in. (27.3 x 37.8 cm
. English: Series Title: Kalpasutra Creation Date: 15th century Display Dimensions: 4 9/32 in. x 3 1/16 in. (10.9 cm x 7.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.182 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:31:30. English: thesandiegomuseumofartcollection 765 King Gardabhilla in court; Verso- Kalaka before Gardabhilla (6125058094) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-kalpasutra-creation-date-15th-century-display-dimensions-4-932-in-x-3-116-in-109-cm-x-78-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990182-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143130-english-thesandiegomuseumofartcollection-765-king-gardabhilla-in-court-verso-kalaka-before-gardabhilla-6125058094-image185819911.htmlRMMP8R5B–. English: Series Title: Kalpasutra Creation Date: 15th century Display Dimensions: 4 9/32 in. x 3 1/16 in. (10.9 cm x 7.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.182 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:31:30. English: thesandiegomuseumofartcollection 765 King Gardabhilla in court; Verso- Kalaka before Gardabhilla (6125058094)
Woman Writing, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.6 x 24.8 cm (14 7/16 x 9 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-writing-1753-1806-kitagawa-utamaro-japanese-1753-1806-color-woodblock-print-sheet-366-x-248-cm-14-716-x-9-34-in-image448068428.htmlRM2H0Y7RT–Woman Writing, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.6 x 24.8 cm (14 7/16 x 9 3/4 in.).
Drawing, Five Ceiling Schemes; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink on laid paper; 29.8 x 35.7 cm (11 3/4 x 14 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-five-ceiling-schemes-designed-by-felice-giani-italian-17581823-italy-pen-and-brown-ink-on-laid-paper-298-x-357-cm-11-34-x-14-116-in-image546240069.htmlRM2PMKANW–Drawing, Five Ceiling Schemes; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink on laid paper; 29.8 x 35.7 cm (11 3/4 x 14 1/16 in.)
'Hubert François Gravelot, Ornamental Medallions with the Adoration of the Magi and Two Bibliophiles, 0, pen and brown-black ink with graphite on tracing paper; laid down, sheet: 4.3 x 8.6 cm (1 11/16 x 3 3/8 in.) support: 28.1 x 20 cm (11 1/16 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.14' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-franois-gravelot-ornamental-medallions-with-the-adoration-of-the-magi-and-two-bibliophiles-0-pen-and-brown-black-ink-with-graphite-on-tracing-paper-laid-down-sheet-43-x-86-cm-1-1116-x-3-38-in-support-281-x-20-cm-11-116-x-7-78-in-gift-of-arthur-l-liebman-19928714-image559640797.htmlRM2REDRF9–'Hubert François Gravelot, Ornamental Medallions with the Adoration of the Magi and Two Bibliophiles, 0, pen and brown-black ink with graphite on tracing paper; laid down, sheet: 4.3 x 8.6 cm (1 11/16 x 3 3/8 in.) support: 28.1 x 20 cm (11 1/16 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.14'
Art inspired by Censer, before 1842, Swiss or German, Silver, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-censer-before-1842-swiss-or-german-silver-overall-31-78-x-5-34-in-81-x-146-cm-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462829778.htmlRF2HTYM2X–Art inspired by Censer, before 1842, Swiss or German, Silver, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Compote. Culture: French. Dimensions: 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). Date: 1815-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/compote-culture-french-dimensions-11-38-x-14-14-x-7-38-in-289-x-362-x-187-cm-date-1815-30-museum-metropolitan-museum-of-art-new-york-usa-image213195112.htmlRMPARTF4–Compote. Culture: French. Dimensions: 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). Date: 1815-30. Museum: Metropolitan Museum of Art, New York, USA.
Piece, Italian, 16th–17th century, Italian, Silk and metal thread, L. 5 3/4 x W. 7 1/8 inches (14.6 x 18.1 cm), Textiles-Velvets Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-italian-16th17th-century-italian-silk-and-metal-thread-l-5-34-x-w-7-18-inches-146-x-181-cm-textiles-velvets-image344619705.htmlRM2B0JNXH–Piece, Italian, 16th–17th century, Italian, Silk and metal thread, L. 5 3/4 x W. 7 1/8 inches (14.6 x 18.1 cm), Textiles-Velvets
. English: Series Title: Devasano Pado Bhandara ''Kalpasutra'' and ''Kalakacharya Katha'' Display Artist: Artist Unknown Creation Date: ca. 1475 Display Dimensions: 4 7/16 in. x 10 9/16 in. (11.3 cm x 26.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.190 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:04:30. English: thesandiegomuseumofartcollection 1175 The Heavenly Court of Indra (6124496535) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-devasano-pado-bhandara-kalpasutra-and-kalakacharya-katha-display-artist-artist-unknown-creation-date-ca-1475-display-dimensions-4-716-in-x-10-916-in-113-cm-x-268-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990190-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140430-english-thesandiegomuseumofartcollection-1175-the-heavenly-court-of-indra-6124496535-image185731617.htmlRMMP4PG1–. English: Series Title: Devasano Pado Bhandara ''Kalpasutra'' and ''Kalakacharya Katha'' Display Artist: Artist Unknown Creation Date: ca. 1475 Display Dimensions: 4 7/16 in. x 10 9/16 in. (11.3 cm x 26.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.190 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:04:30. English: thesandiegomuseumofartcollection 1175 The Heavenly Court of Indra (6124496535)
Ornament, AD 250-550. Mexico or Central America, Maya style (250-900). Jadeite; overall: 14.9 x 3.2 cm (5 7/8 x 1 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-ad-250-550-mexico-or-central-america-maya-style-250-900-jadeite-overall-149-x-32-cm-5-78-x-1-14-in-image448103758.htmlRM2H10TWJ–Ornament, AD 250-550. Mexico or Central America, Maya style (250-900). Jadeite; overall: 14.9 x 3.2 cm (5 7/8 x 1 1/4 in.).
Drawing, The Fishing Temple, Virginia Water; Frederick Crace (English, 1779–1859); England; pen and brown ink on white wove paper; 14.9 x 19.7 cm (5 7/8 x 7 3/4 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-the-fishing-temple-virginia-water-frederick-crace-english-17791859-england-pen-and-brown-ink-on-white-wove-paper-149-x-197-cm-5-78-x-7-34-in-image546078169.htmlRM2PMC07N–Drawing, The Fishing Temple, Virginia Water; Frederick Crace (English, 1779–1859); England; pen and brown ink on white wove paper; 14.9 x 19.7 cm (5 7/8 x 7 3/4 in. )
'Albert Besnard, Going to Bed (Le coucher), 1913, etching in black on laid paper, plate: 11 x 13.8 cm (4 5/16 x 5 7/16 in.) sheet: 14.6 x 17.7 cm (5 3/4 x 6 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.95.30' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-going-to-bed-le-coucher-1913-etching-in-black-on-laid-paper-plate-11-x-138-cm-4-516-x-5-716-in-sheet-146-x-177-cm-5-34-x-6-1516-in-gift-of-mr-and-mrs-daniel-bell-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-19909530-image557243249.htmlRM2RAGHCH–'Albert Besnard, Going to Bed (Le coucher), 1913, etching in black on laid paper, plate: 11 x 13.8 cm (4 5/16 x 5 7/16 in.) sheet: 14.6 x 17.7 cm (5 3/4 x 6 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.95.30'
Art inspired by Fragment, 16th century, Spanish or Italian, Silk, Overall: 15 3/4 x 14 7/8 in. (40 x 37.8 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fragment-16th-century-spanish-or-italian-silk-overall-15-34-x-14-78-in-40-x-378-cm-textiles-woven-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778422.htmlRF2HTWAGP–Art inspired by Fragment, 16th century, Spanish or Italian, Silk, Overall: 15 3/4 x 14 7/8 in. (40 x 37.8 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cherry Blossoms and a Snail. Artist: Unidentified Artist. Culture: Japan. Dimensions: 5 5/8 x 7 1/4 in. (14.3 x 18.4 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cherry-blossoms-and-a-snail-artist-unidentified-artist-culture-japan-dimensions-5-58-x-7-14-in-143-x-184-cm-date-1816-museum-metropolitan-museum-of-art-new-york-usa-image213113435.htmlRMPAM4A3–Cherry Blossoms and a Snail. Artist: Unidentified Artist. Culture: Japan. Dimensions: 5 5/8 x 7 1/4 in. (14.3 x 18.4 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.
Band, Italian or Greek, 16th–17th century, Italian or Greek, Silk on linen, L. 14 1/8 x W. 2 3/4 inches, 35.9 x 7 cm, Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/band-italian-or-greek-16th17th-century-italian-or-greek-silk-on-linen-l-14-18-x-w-2-34-inches-359-x-7-cm-textiles-embroidered-image344590137.htmlRM2B0HC6H–Band, Italian or Greek, 16th–17th century, Italian or Greek, Silk on linen, L. 14 1/8 x W. 2 3/4 inches, 35.9 x 7 cm, Textiles-Embroidered
. English: Series Title: The Abduction of Rukmini from The Ancient Text of the Lord Suite Name: Rukmini Harana from Bhagavata Purana Creation Date: ca. 1795 Display Dimensions: 7 3/4 in. x 11 5/8 in. (19.7 cm x 29.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1322 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:19. English: thesandiegomuseumofartcollection 776 Krishna reading the message from Rukmini (6125137408) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-the-abduction-of-rukmini-from-the-ancient-text-of-the-lord-suite-name-rukmini-harana-from-bhagavata-purana-creation-date-ca-1795-display-dimensions-7-34-in-x-11-58-in-197-cm-x-295-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901322-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143219-english-thesandiegomuseumofartcollection-776-krishna-reading-the-message-from-rukmini-6125137408-image185821705.htmlRMMP8WDD–. English: Series Title: The Abduction of Rukmini from The Ancient Text of the Lord Suite Name: Rukmini Harana from Bhagavata Purana Creation Date: ca. 1795 Display Dimensions: 7 3/4 in. x 11 5/8 in. (19.7 cm x 29.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1322 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:19. English: thesandiegomuseumofartcollection 776 Krishna reading the message from Rukmini (6125137408)
Vignette F American. Vignette F, 1840s-1850s. Watercolor and graphite, 5 3/4 x 3 7/16 in. (14.6 x 8.7 cm). American Art 1840s-1850s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vignette-f-american-vignette-f-1840s-1850s-watercolor-and-graphite-5-34-x-3-716-in-146-x-87-cm-american-art-1840s-1850s-image504722111.htmlRM2M9425K–Vignette F American. Vignette F, 1840s-1850s. Watercolor and graphite, 5 3/4 x 3 7/16 in. (14.6 x 8.7 cm). American Art 1840s-1850s
