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14 3 8 x 11 1 4 Stock Photos and Images
Art inspired by Plaque, 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 3/8 x 11 1/4 in. (36.5 x 28.6 cm), Ceramics, Isaac Broome (1835–1922, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-1876-made-in-trenton-new-jersey-united-states-american-parian-porcelain-14-38-x-11-14-in-365-x-286-cm-ceramics-isaac-broome-18351922-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898792.htmlRF2HW2T3M–Art inspired by Plaque, 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 3/8 x 11 1/4 in. (36.5 x 28.6 cm), Ceramics, Isaac Broome (1835–1922, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, Massachusetts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-samuel-finley-breese-morse-american-1791-1872-captain-demaresque-of-gloucester-massachusetts-oil-on-panel-365-x-285-cm-14-38-x-11-14-in-frame-44-37-3-cm-17-516-14-916-1-316-in-museum-purchase-y1951-3-unknown-date-samuel-morse-6-1925-morse-samuel-fb-captain-demaresque-of-gloucester-massachusetts-image184849696.htmlRMMMMHJT–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, Massachusetts
Plaque, 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 3/8 x 11 1/4 in. (36.5 x 28.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-plaque-1876-made-in-trenton-new-jersey-united-states-american-parian-162428554.htmlRMKC777P–Plaque, 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 3/8 x 11 1/4 in. (36.5 x 28.6 cm
Jug. Dated: c. 1938. Dimensions: overall: 36.5 x 28.5 cm (14 3/8 x 11 1/4 in.) Original IAD Object: 10' High 4 1/2'Dia(base). Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank Fumagalli. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-dated-c-1938-dimensions-overall-365-x-285-cm-14-38-x-11-14-in-original-iad-object-10-high-4-12diabase-medium-watercolor-colored-pencil-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-frank-fumagalli-image225472292.htmlRMR2R45T–Jug. Dated: c. 1938. Dimensions: overall: 36.5 x 28.5 cm (14 3/8 x 11 1/4 in.) Original IAD Object: 10' High 4 1/2'Dia(base). Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank Fumagalli.
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489962.htmlRF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
![Print, Ornament Design with Crayfish Motif, pl. 14 in Livre des Légumes [Series of Vegetable Ornament] pl. in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.1 cm (6 5/16 x 4 3/8 in.) Stock Photo](https://c8.alamy.com/comp/2PMC93W/print-ornament-design-with-crayfish-motif-pl-14-in-livre-des-lgumes-series-of-vegetable-ornament-pl-in-oeuvre-de-juste-aurle-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-engraved-by-pierre-quentin-chedel-1705-1763-published-by-gabriel-huquier-french-16951772-france-etching-on-off-white-laid-paper-16-x-111-cm-6-516-x-4-38-in-2PMC93W.jpg "Print, Ornament Design with Crayfish Motif, pl. 14 in Livre des Légumes [Series of Vegetable Ornament] pl. in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.1 cm (6 5/16 x 4 3/8 in.) Stock Photo")
Print, Ornament Design with Crayfish Motif, pl. 14 in Livre des Légumes [Series of Vegetable Ornament] pl. in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.1 cm (6 5/16 x 4 3/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-ornament-design-with-crayfish-motif-pl-14-in-livre-des-lgumes-series-of-vegetable-ornament-pl-in-oeuvre-de-juste-aurle-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-engraved-by-pierre-quentin-chedel-1705-1763-published-by-gabriel-huquier-french-16951772-france-etching-on-off-white-laid-paper-16-x-111-cm-6-516-x-4-38-in-image546085117.htmlRM2PMC93W–Print, Ornament Design with Crayfish Motif, pl. 14 in Livre des Légumes [Series of Vegetable Ornament] pl. in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.1 cm (6 5/16 x 4 3/8 in.)
Fragment, 1800s. China, 19th century. Silk; overall: 14.3 x 11.5 cm (5 5/8 x 4 1/2 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-1800s-china-19th-century-silk-overall-143-x-115-cm-5-58-x-4-12-in-image448080760.htmlRM2H0YRG8–Fragment, 1800s. China, 19th century. Silk; overall: 14.3 x 11.5 cm (5 5/8 x 4 1/2 in.).
'Paul Gavarni, Ex Libris C. Patel, 19th century, intaglio, image: 11.5 x 8.5 cm (4 1/2 x 3 3/8 in.) stone: 22.9 cm, Ailsa Mellon Bruce Fund, 2000.127.14.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-ex-libris-c-patel-19th-century-intaglio-image-115-x-85-cm-4-12-x-3-38-in-stone-229-cm-ailsa-mellon-bruce-fund-2000127141-image559763447.htmlRM2REKBYK–'Paul Gavarni, Ex Libris C. Patel, 19th century, intaglio, image: 11.5 x 8.5 cm (4 1/2 x 3 3/8 in.) stone: 22.9 cm, Ailsa Mellon Bruce Fund, 2000.127.14.1'
Compote MET DP235771 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-compote-met-dp235771-2218-french-compote-181530-porcelain-11-38-x-168008278.htmlRMKN9C7J–Compote MET DP235771 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1)
Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-31-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens871912akad-year-1850-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-x-411-55-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-image259539534.htmlRMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39
London UK 17 January 2023 Attributed to Manuel Chili, called Caspicara, The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven, c. 1775. Polychrome wood, glass and metal. 17.9 x 11.8 x 8.4 cm, 17.9 × 14.5 × 8 cm, 16.9 × 11.1 × 12.3 cm, 17.6 × 11 × 12.3 cm. On loan from The Hispanic Society of America, New York, NY. Spain and the Hispanic World : Treasures from the Hispanic Society Museum & Library runs at the Royal Academy of Arts from 21 January – 10 April 2023.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-17-january-2023-attributed-to-manuel-chili-called-caspicara-the-four-fates-of-man-death-soul-in-hell-soul-in-purgatory-soul-in-heaven-c-1775-polychrome-wood-glass-and-metal-179-x-118-x-84-cm-179-145-8-cm-169-111-123-cm-176-11-123-cm-on-loan-from-the-hispanic-society-of-america-new-york-ny-spain-and-the-hispanic-world-treasures-from-the-hispanic-society-museum-library-runs-at-the-royal-academy-of-arts-from-21-january-10-april-2023paul-quezada-neimanalamy-live-news-image504761181.htmlRM2M95T11–London UK 17 January 2023 Attributed to Manuel Chili, called Caspicara, The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven, c. 1775. Polychrome wood, glass and metal. 17.9 x 11.8 x 8.4 cm, 17.9 × 14.5 × 8 cm, 16.9 × 11.1 × 12.3 cm, 17.6 × 11 × 12.3 cm. On loan from The Hispanic Society of America, New York, NY. Spain and the Hispanic World : Treasures from the Hispanic Society Museum & Library runs at the Royal Academy of Arts from 21 January – 10 April 2023.Paul Quezada-Neiman/Alamy Live News
i took these pictures while my trip in Taiwan this year, and i found the city is vivid and full of love. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/i-took-these-pictures-while-my-trip-in-taiwan-this-year-and-i-found-the-city-is-vivid-and-full-of-love-image243901671.htmlRFT4PK1Y–i took these pictures while my trip in Taiwan this year, and i found the city is vivid and full of love.
. Descriptive catalogue of a choice collection of vegetable, agricultural and flower seeds, gladiolus, lilies, and other summer flowering bulbs. Flowers Seeds Catalogs; Vegetables Seeds Catalogs; Nurseries (Horticulture) New York (State) Catalogs. Xo. .3. Round Hai)^- No. 8. Arch Stand, oblong, 8 x 24 box; 4 No. 4. IJound Hanc inpT, 11-inch bowl; 2feet feet high. Price, .'j!14.00. Stand, same pattern, insr, 0-incb bowl; 1 high. Prioc, .^'i.OO. 7 x 24 box; 3>i feet high. Price, .? 11.00. feet bigli. Price, §1 5. Please note that these images are extracted from scanned page images that may ha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/descriptive-catalogue-of-a-choice-collection-of-vegetable-agricultural-and-flower-seeds-gladiolus-lilies-and-other-summer-flowering-bulbs-flowers-seeds-catalogs-vegetables-seeds-catalogs-nurseries-horticulture-new-york-state-catalogs-xo-3-round-hai-no-8-arch-stand-oblong-8-x-24-box-4-no-4-ijound-hanc-inpt-11-inch-bowl-2feet-feet-high-price-j!1400-stand-same-pattern-insr-0-incb-bowl-1-high-prioc-ioo-7-x-24-box-3gti-feet-high-price-1100-feet-bigli-price-1-5-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-ha-image216065891.htmlRMPFEJ6Y–. Descriptive catalogue of a choice collection of vegetable, agricultural and flower seeds, gladiolus, lilies, and other summer flowering bulbs. Flowers Seeds Catalogs; Vegetables Seeds Catalogs; Nurseries (Horticulture) New York (State) Catalogs. Xo. .3. Round Hai)^- No. 8. Arch Stand, oblong, 8 x 24 box; 4 No. 4. IJound Hanc inpT, 11-inch bowl; 2feet feet high. Price, .'j!14.00. Stand, same pattern, insr, 0-incb bowl; 1 high. Prioc, .^'i.OO. 7 x 24 box; 3>i feet high. Price, .? 11.00. feet bigli. Price, §1 5. Please note that these images are extracted from scanned page images that may ha
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525726.htmlRFT0XCEP–Illustration Axis Icon
Art inspired by Young Women in a Landscape with Architectural Fragments, ca. 1773, Pen and brown ink, with brush and brown, gray, and blue washes, over a red chalk counterproof, 14 3/8 x 11 1/4 in. (36.6 x 28.7 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-young-women-in-a-landscape-with-architectural-fragments-ca-1773-pen-and-brown-ink-with-brush-and-brown-gray-and-blue-washes-over-a-red-chalk-counterproof-14-38-x-11-14-in-366-x-287-cm-drawings-hubert-robert-french-paris-17331808-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952322.htmlRF2HW58BE–Art inspired by Young Women in a Landscape with Architectural Fragments, ca. 1773, Pen and brown ink, with brush and brown, gray, and blue washes, over a red chalk counterproof, 14 3/8 x 11 1/4 in. (36.6 x 28.7 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-samuel-finley-breese-morse-american-1791-1872-captain-demaresque-of-gloucester-massachusetts-oil-on-panel-365-x-285-cm-14-38-x-11-14-in-frame-44-37-3-cm-17-516-14-916-1-316-in-museum-purchase-y1951-3-unknown-date-samuel-morse-6-1925-morse-samuel-fb-captain-demaresque-of-gloucester-massachusettsfxd-image187595886.htmlRMMW5MD2–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
David Moseley, Punch Ladle, 1785-1790, silver, 14 3/8 in. x 4 1/2 in. (36.51 cm. x 11.43 cm.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-moseley-punch-ladle-1785-1790-silver-14-38-in-x-4-12-in-3651-cm-x-1143-cm-image344469612.htmlRM2B0BXE4–David Moseley, Punch Ladle, 1785-1790, silver, 14 3/8 in. x 4 1/2 in. (36.51 cm. x 11.43 cm.)
Mortar and Pestle. Dated: 1939. Dimensions: overall: 36.5 x 28.6 cm (14 3/8 x 11 1/4 in.) Original IAD Object: 9 1/2' high; 8 1/4' in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Carl Buergerniss. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mortar-and-pestle-dated-1939-dimensions-overall-365-x-286-cm-14-38-x-11-14-in-original-iad-object-9-12-high-8-14-in-diameter-medium-watercolor-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-carl-buergerniss-image225615826.htmlRMR31K82–Mortar and Pestle. Dated: 1939. Dimensions: overall: 36.5 x 28.6 cm (14 3/8 x 11 1/4 in.) Original IAD Object: 9 1/2' high; 8 1/4' in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Carl Buergerniss.
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489957.htmlRF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-design-for-a-clock-plate-4-from-nouveaux-livre-de-boites-de-pendulles-de-coqs-et-etuys-de-montres-et-autres-necessaire-au-orlogeurs-designed-by-daniel-marot-french-active-in-the-netherlands-and-england-16611752-france-etching-printed-in-red-ink-on-paper-mount-342-x-221-cm-13-716-x-8-1116-in-sheet-298-x-191-cm-11-34-x-7-12-in-platemark-285-x-195-cm-11-14-x-7-1116-in-mat-457-x-356-cm-18-x-14-in-frame-h-x-w-x-d-502-x-397-x-25-cm-19-34-in-x-15-58-in-x-1-in-image546220883.htmlRM2PMJE8K–Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs; Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); France; etching printed in red ink on paper; Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.)
Tankard , c. 1770. England, 18th century. Ceramic; overall: 15 x 14.5 x 11.1 cm (5 7/8 x 5 11/16 x 4 3/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tankard-c-1770-england-18th-century-ceramic-overall-15-x-145-x-111-cm-5-78-x-5-1116-x-4-38-in-image448136034.htmlRM2H12A2A–Tankard , c. 1770. England, 18th century. Ceramic; overall: 15 x 14.5 x 11.1 cm (5 7/8 x 5 11/16 x 4 3/8 in.).
'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franz-cleyn-the-sacrifice-of-marcus-curtius-1640s-black-chalk-on-laid-paper-overall-181-x-289-cm-7-18-x-11-38-in-support-26-x-373-cm-10-14-x-14-1116-in-ailsa-mellon-bruce-fund-1984451-image559844140.htmlRM2RER2WG–'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1'
Compote MET 188903 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-compote-met-188903-2218-french-compote-181530-porcelain-11-38-x-14-168197435.htmlRMKNJ1F7–Compote MET 188903 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1)
Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-31-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens871912akad-year-1850-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-x-411-55-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-image259539542.htmlRMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77
. Descriptive catalogue of a choice collection of vegetable, agricultural and flower seeds, gladiolus, lilies, and other summer flowering bulbs. Flowers Seeds Catalogs; Vegetables Seeds Catalogs; Nurseries (Horticulture) New York (State) Catalogs. Xo. .3. Round Hai)^- No. 8. Arch Stand, oblong, 8 x 24 box; 4 No. 4. IJound Hanc inpT, 11-inch bowl; 2feet feet high. Price, .'j!14.00. Stand, same pattern, insr, 0-incb bowl; 1 high. Prioc, .^'i.OO. 7 x 24 box; 3>i feet high. Price, .? 11.00. feet bigli. Price, §1 5. Please note that these images are extracted from scanned page images that may ha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/descriptive-catalogue-of-a-choice-collection-of-vegetable-agricultural-and-flower-seeds-gladiolus-lilies-and-other-summer-flowering-bulbs-flowers-seeds-catalogs-vegetables-seeds-catalogs-nurseries-horticulture-new-york-state-catalogs-xo-3-round-hai-no-8-arch-stand-oblong-8-x-24-box-4-no-4-ijound-hanc-inpt-11-inch-bowl-2feet-feet-high-price-j!1400-stand-same-pattern-insr-0-incb-bowl-1-high-prioc-ioo-7-x-24-box-3gti-feet-high-price-1100-feet-bigli-price-1-5-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-ha-image216065883.htmlRMPFEJ6K–. Descriptive catalogue of a choice collection of vegetable, agricultural and flower seeds, gladiolus, lilies, and other summer flowering bulbs. Flowers Seeds Catalogs; Vegetables Seeds Catalogs; Nurseries (Horticulture) New York (State) Catalogs. Xo. .3. Round Hai)^- No. 8. Arch Stand, oblong, 8 x 24 box; 4 No. 4. IJound Hanc inpT, 11-inch bowl; 2feet feet high. Price, .'j!14.00. Stand, same pattern, insr, 0-incb bowl; 1 high. Prioc, .^'i.OO. 7 x 24 box; 3>i feet high. Price, .? 11.00. feet bigli. Price, §1 5. Please note that these images are extracted from scanned page images that may ha
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525654.htmlRFT0XCC6–Illustration Axis Icon
Inspired by Faience Fragment, Faience, 14.540: 1 3/4 x 2 1/4 x 11/16 in., 4.4 x 5.7 x 1.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-faience-fragment-faience-14540-1-34-x-2-14-x-1116-in-44-x-57-x-18-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263559.htmlRF2HK579Y–Inspired by Faience Fragment, Faience, 14.540: 1 3/4 x 2 1/4 x 11/16 in., 4.4 x 5.7 x 1.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-samuel-finley-breese-morse-american-1791-1872-captain-demaresque-of-gloucester-massachusetts-oil-on-panel-365-x-285-cm-14-38-x-11-14-in-frame-44-37-3-cm-17-516-14-916-1-316-in-museum-purchase-y1951-3-unknown-date-samuel-morse-6-1925-morse-samuel-fb-captain-demaresque-of-gloucester-massachusettsfxd-image184870250.htmlRMMMNFTX–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
Dress border, French, early 19th century, French, Silk, H. 5 3/4 x W. 11 1/8 inches, 14.6 x 28.3 cm, Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dress-border-french-early-19th-century-french-silk-h-5-34-x-w-11-18-inches-146-x-283-cm-textiles-embroidered-image344616260.htmlRM2B0JHFG–Dress border, French, early 19th century, French, Silk, H. 5 3/4 x W. 11 1/8 inches, 14.6 x 28.3 cm, Textiles-Embroidered
Silver Whiskey Flask. Dated: c. 1937. Dimensions: overall: 36.5 x 28.6 cm (14 3/8 x 11 1/4 in.) Original IAD Object: 5 3/8' high; 3 1/2' wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silver-whiskey-flask-dated-c-1937-dimensions-overall-365-x-286-cm-14-38-x-11-14-in-original-iad-object-5-38-high-3-12-wide-medium-watercolor-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-robert-stewart-image225589655.htmlRMR30DWB–Silver Whiskey Flask. Dated: c. 1937. Dimensions: overall: 36.5 x 28.6 cm (14 3/8 x 11 1/4 in.) Original IAD Object: 5 3/8' high; 3 1/2' wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart.
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Spoon (USA); metal?; L x W x D: 14.4 x 2.7 x 2.3 cm (5 11/16 x 1 1/16 x 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spoon-usa-metal-l-x-w-x-d-144-x-27-x-23-cm-5-1116-x-1-116-x-78-in-image546124863.htmlRM2PME3RB–Spoon (USA); metal?; L x W x D: 14.4 x 2.7 x 2.3 cm (5 11/16 x 1 1/16 x 7/8 in.)
Coverlet Fragment, c. 1760-1770. Philippe de Lasalle (French, 1723-1805). Embroidered satin and silk; overall: 11.1 x 36.8 cm (4 3/8 x 14 1/2 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coverlet-fragment-c-1760-1770-philippe-de-lasalle-french-1723-1805-embroidered-satin-and-silk-overall-111-x-368-cm-4-38-x-14-12-in-image448140512.htmlRM2H12FP8–Coverlet Fragment, c. 1760-1770. Philippe de Lasalle (French, 1723-1805). Embroidered satin and silk; overall: 11.1 x 36.8 cm (4 3/8 x 14 1/2 in.).
'Antoine de Marcenay de Ghuy, River Landscape with an Angler, 1773, etching on wove paper, plate: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.) sheet: 6.9 x 14.6 cm (2 11/16 x 5 3/4 in.), Gift of the Estate of Leo Steinberg, 2011.139.128' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antoine-de-marcenay-de-ghuy-river-landscape-with-an-angler-1773-etching-on-wove-paper-plate-48-x-121-cm-1-78-x-4-34-in-sheet-69-x-146-cm-2-1116-x-5-34-in-gift-of-the-estate-of-leo-steinberg-2011139128-image559695745.htmlRM2REG9HN–'Antoine de Marcenay de Ghuy, River Landscape with an Angler, 1773, etching on wove paper, plate: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.) sheet: 6.9 x 14.6 cm (2 11/16 x 5 3/4 in.), Gift of the Estate of Leo Steinberg, 2011.139.128'
Cream Jug MET DP253037 2679 Designer: Probably designed by Daniel Greatbatch, active 1838?ca. 1861, Manufacturer: Manufactured by United States Pottery Company, 1852?58, Cream Jug, 1852?58, Mottled brown earthenware, 5 1/4 x 7 in. (13.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1914 (14.11.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cream-jug-met-dp253037-2679-designer-probably-designed-by-daniel-greatbatch-168032618.htmlRMKNAF8X–Cream Jug MET DP253037 2679 Designer: Probably designed by Daniel Greatbatch, active 1838?ca. 1861, Manufacturer: Manufactured by United States Pottery Company, 1852?58, Cream Jug, 1852?58, Mottled brown earthenware, 5 1/4 x 7 in. (13.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1914 (14.11.2)
Archive image from page 193 of Descriptive catalogue of a choice. Descriptive catalogue of a choice collection of vegetable, agricultural and flower seeds, gladiolus, lilies, and other summer flowering bulbs descriptivecatal1880bkbl Year: 1880 Xo. .3. Round Hai)- No. 8. Arch Stand, oblong, 8 x 24 box; 4 No. 4. IJound Hanc inpT, 11-inch bowl; 2feet feet high. Price, .'j!14.00. Stand, same pattern, insr, 0-incb bowl; 1 high. Prioc, .'i.OO. 7 x 24 box; 3>i feet high. Price, .? 11.00. feet bigli. Price, §1 5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-193-of-descriptive-catalogue-of-a-choice-descriptive-catalogue-of-a-choice-collection-of-vegetable-agricultural-and-flower-seeds-gladiolus-lilies-and-other-summer-flowering-bulbs-descriptivecatal1880bkbl-year-1880-xo-3-round-hai-no-8-arch-stand-oblong-8-x-24-box-4-no-4-ijound-hanc-inpt-11-inch-bowl-2feet-feet-high-price-j!1400-stand-same-pattern-insr-0-incb-bowl-1-high-prioc-ioo-7-x-24-box-3gti-feet-high-price-1100-feet-bigli-price-1-5-image258661290.htmlRMW0R136–Archive image from page 193 of Descriptive catalogue of a choice. Descriptive catalogue of a choice collection of vegetable, agricultural and flower seeds, gladiolus, lilies, and other summer flowering bulbs descriptivecatal1880bkbl Year: 1880 Xo. .3. Round Hai)- No. 8. Arch Stand, oblong, 8 x 24 box; 4 No. 4. IJound Hanc inpT, 11-inch bowl; 2feet feet high. Price, .'j!14.00. Stand, same pattern, insr, 0-incb bowl; 1 high. Prioc, .'i.OO. 7 x 24 box; 3>i feet high. Price, .? 11.00. feet bigli. Price, §1 5
![. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo](https://c8.alamy.com/comp/PFYFDM/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-PFYFDM.jpg ". Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo")
. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-image216349104.htmlRMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525532.htmlRFT0XC7T–Illustration Axis Icon
Inspired by Folio from an Unidentified Manuscript: Miniature Painting, Opaque watercolors on paper, 17th century, Overall: 5 11/16 x 3 1/16 in., 14.4 x 7.8 cm, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-folio-from-an-unidentified-manuscript-miniature-painting-opaque-watercolors-on-paper-17th-century-overall-5-1116-x-3-116-in-144-x-78-cm-paper-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459261893.htmlRF2HK556D–Inspired by Folio from an Unidentified Manuscript: Miniature Painting, Opaque watercolors on paper, 17th century, Overall: 5 11/16 x 3 1/16 in., 14.4 x 7.8 cm, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 5 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-samuel-finley-breese-morse-american-1791-1872-captain-demaresque-of-gloucester-massachusetts-oil-on-panel-365-x-285-cm-14-38-x-11-14-in-frame-44-37-3-cm-17-516-14-916-1-316-in-museum-purchase-y1951-3-unknown-date-samuel-morse-5-1925-morse-samuel-fb-captain-demaresque-of-gloucester-massachusettsfxd-image188894272.htmlRMMY8TG0–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 5 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
Maker's mark SH linked, English, Tankard, 1693/94, Silver, 5 1/8 x 5 3/4 x 3 11/16 in. (13 x 14.6 x 9.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/makers-mark-sh-linked-english-tankard-169394-silver-5-18-x-5-34-x-3-1116-in-13-x-146-x-94-cm-image344580814.htmlRM2B0H09J–Maker's mark SH linked, English, Tankard, 1693/94, Silver, 5 1/8 x 5 3/4 x 3 11/16 in. (13 x 14.6 x 9.4 cm
Study for Portraits. Artist: Anonymous, French, 18th century. Dimensions: 5 5/8 x 4 3/8 in. (14.3 x 11.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-portraits-artist-anonymous-french-18th-century-dimensions-5-58-x-4-38-in-143-x-111-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212869915.htmlRMPA91MY–Study for Portraits. Artist: Anonymous, French, 18th century. Dimensions: 5 5/8 x 4 3/8 in. (14.3 x 11.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Drawing, Stage Design, Interior of Chapel; Italy; pen and bistre ink, brush and sepia wash on paper; 11.1 x 14.3 cm (4 3/8 x 5 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-stage-design-interior-of-chapel-italy-pen-and-bistre-ink-brush-and-sepia-wash-on-paper-111-x-143-cm-4-38-x-5-58-in-image546088193.htmlRM2PMCD1N–Drawing, Stage Design, Interior of Chapel; Italy; pen and bistre ink, brush and sepia wash on paper; 11.1 x 14.3 cm (4 3/8 x 5 5/8 in.)
Incense Burner, 1736-1795. China, Qing dynasty (1644-1911), Qianlong reign (1736-1795). Green jade; overall: 7.8 x 14.4 cm (3 1/16 x 5 11/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incense-burner-1736-1795-china-qing-dynasty-1644-1911-qianlong-reign-1736-1795-green-jade-overall-78-x-144-cm-3-116-x-5-1116-in-image448075278.htmlRM2H0YGGE–Incense Burner, 1736-1795. China, Qing dynasty (1644-1911), Qianlong reign (1736-1795). Green jade; overall: 7.8 x 14.4 cm (3 1/16 x 5 11/16 in.).
'Jean-Baptiste-Camille Corot, Little Shepherd, 1st Plate (Le Petit Berger), 1855, cliche-verre, image: 32.5 x 24.5 cm (12 13/16 x 9 5/8 in.) sheet: 37.3 x 28.5 cm (14 11/16 x 11 1/4 in.), Ailsa Mellon Bruce Fund, 1982.103.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-little-shepherd-1st-plate-le-petit-berger-1855-cliche-verre-image-325-x-245-cm-12-1316-x-9-58-in-sheet-373-x-285-cm-14-1116-x-11-14-in-ailsa-mellon-bruce-fund-19821031-image560340297.htmlRM2RFHKND–'Jean-Baptiste-Camille Corot, Little Shepherd, 1st Plate (Le Petit Berger), 1855, cliche-verre, image: 32.5 x 24.5 cm (12 13/16 x 9 5/8 in.) sheet: 37.3 x 28.5 cm (14 11/16 x 11 1/4 in.), Ailsa Mellon Bruce Fund, 1982.103.1'
Cream Jug MET 20235 2679 Designer: Probably designed by Daniel Greatbatch, active 1838?ca. 1861, Manufacturer: Manufactured by United States Pottery Company, 1852?58, Cream Jug, 1852?58, Mottled brown earthenware, 5 1/4 x 7 in. (13.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1914 (14.11.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cream-jug-met-20235-2679-designer-probably-designed-by-daniel-greatbatch-168109722.htmlRMKNE1JJ–Cream Jug MET 20235 2679 Designer: Probably designed by Daniel Greatbatch, active 1838?ca. 1861, Manufacturer: Manufactured by United States Pottery Company, 1852?58, Cream Jug, 1852?58, Mottled brown earthenware, 5 1/4 x 7 in. (13.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1914 (14.11.2)
Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebD Year: 18uu UNION PLANT TUB. Union Plant Tubs. Made of cyprr-ss, painted green, with Iron hoops and feet and handles; perforated bottom; very strong. No. 1. iyi/„ inch diameter, 11 inch high each, $0 85 ' 2 14 ' ' 12 ' ... 1 25 ' 3. 16 ' ' 14 ' •« 1 75 ' 4. 20 ' ' I6I/2 ' 2 25 ' f5. 24 ' ' 181/a ' •« 8 00 WIRE ,r Folding Plafit Stands Trays 7 1-2 x 30. —miy . ,'l3y?WDN These stands i?JiN,i.(?'>«AM. JsL-. can be opened or folded in a f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-76-of-descriptive-catalogue-of-vegetable-flower-descriptive-catalogue-of-vegetable-flower-and-farm-seeds-descriptivecata00weebd-year-18uu-union-plant-tub-union-plant-tubs-made-of-cyprr-ss-painted-green-with-iron-hoops-and-feet-and-handles-perforated-bottom-very-strong-no-1-iyi-inch-diameter-11-inch-high-each-0-85-2-14-12-1-25-3-16-14-1-75-4-20-i6i2-2-25-f5-24-181a-8-00-wire-r-folding-plafit-stands-trays-7-1-2-x-30-miy-l3ywdn-these-stands-ijinigtam-jsl-can-be-opened-or-folded-in-a-f-image258653672.htmlRMW0PKB4–Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebD Year: 18uu UNION PLANT TUB. Union Plant Tubs. Made of cyprr-ss, painted green, with Iron hoops and feet and handles; perforated bottom; very strong. No. 1. iyi/„ inch diameter, 11 inch high each, $0 85 ' 2 14 ' ' 12 ' ... 1 25 ' 3. 16 ' ' 14 ' •« 1 75 ' 4. 20 ' ' I6I/2 ' 2 25 ' f5. 24 ' ' 181/a ' •« 8 00 WIRE ,r Folding Plafit Stands Trays 7 1-2 x 30. —miy . ,'l3y?WDN These stands i?JiN,i.(?'>«AM. JsL-. can be opened or folded in a f
![. A description of the physical oceanographic features of the eastern Gulf of Mexico, August 1968.. Oceanography. 27 Dissolved oxygen in ml/1 2.5 3.0 3.5 4.0 4.5 iâ "l" 5.0 -36.4 a a CO O X u <v a. W 4-1 u â u â¢H d â¢H .-I CO w -36.2 -36.0 -35.8 -35.6 â¢35.4 -35.2 -35.0 -34.8. Sta.11 Sta 14 Sta 24 Sta 30 Sta 34. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schneider, Michael John. Texas A Stock Photo](https://c8.alamy.com/comp/PFB81E/a-description-of-the-physical-oceanographic-features-of-the-eastern-gulf-of-mexico-august-1968-oceanography-27-dissolved-oxygen-in-ml1-25-30-35-40-45-i-quotlquot-50-364-a-a-co-o-x-u-ltv-a-w-4-1-u-u-h-d-h-i-co-w-362-360-358-356-354-352-350-348-sta11-sta-14-sta-24-sta-30-sta-34-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schneider-michael-john-texas-a-PFB81E.jpg ". A description of the physical oceanographic features of the eastern Gulf of Mexico, August 1968.. Oceanography. 27 Dissolved oxygen in ml/1 2.5 3.0 3.5 4.0 4.5 iâ "l" 5.0 -36.4 a a CO O X u <v a. W 4-1 u â u â¢H d â¢H .-I CO w -36.2 -36.0 -35.8 -35.6 â¢35.4 -35.2 -35.0 -34.8. Sta.11 Sta 14 Sta 24 Sta 30 Sta 34. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schneider, Michael John. Texas A Stock Photo")
. A description of the physical oceanographic features of the eastern Gulf of Mexico, August 1968.. Oceanography. 27 Dissolved oxygen in ml/1 2.5 3.0 3.5 4.0 4.5 iâ "l" 5.0 -36.4 a a CO O X u <v a. W 4-1 u â u â¢H d â¢H .-I CO w -36.2 -36.0 -35.8 -35.6 â¢35.4 -35.2 -35.0 -34.8. Sta.11 Sta 14 Sta 24 Sta 30 Sta 34. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schneider, Michael John. Texas A Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-description-of-the-physical-oceanographic-features-of-the-eastern-gulf-of-mexico-august-1968-oceanography-27-dissolved-oxygen-in-ml1-25-30-35-40-45-i-quotlquot-50-364-a-a-co-o-x-u-ltv-a-w-4-1-u-u-h-d-h-i-co-w-362-360-358-356-354-352-350-348-sta11-sta-14-sta-24-sta-30-sta-34-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schneider-michael-john-texas-a-image215992042.htmlRMPFB81E–. A description of the physical oceanographic features of the eastern Gulf of Mexico, August 1968.. Oceanography. 27 Dissolved oxygen in ml/1 2.5 3.0 3.5 4.0 4.5 iâ "l" 5.0 -36.4 a a CO O X u <v a. W 4-1 u â u â¢H d â¢H .-I CO w -36.2 -36.0 -35.8 -35.6 â¢35.4 -35.2 -35.0 -34.8. Sta.11 Sta 14 Sta 24 Sta 30 Sta 34. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schneider, Michael John. Texas A
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525898.htmlRFT0XCMX–Illustration Axis Icon
Art inspired by Papyrus, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Overall: 4 3/8 x 14 in. (11.1 x 35.6 cm), Papyrus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-papyrus-7th-century-made-in-byzantine-egypt-coptic-papyrus-and-ink-overall-4-38-x-14-in-111-x-356-cm-papyrus-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462842382.htmlRF2HW0852–Art inspired by Papyrus, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Overall: 4 3/8 x 14 in. (11.1 x 35.6 cm), Papyrus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-samuel-finley-breese-morse-american-1791-1872-captain-demaresque-of-gloucester-massachusetts-oil-on-panel-365-x-285-cm-14-38-x-11-14-in-frame-44-37-3-cm-17-516-14-916-1-316-in-museum-purchase-y1951-3-unknown-date-samuel-morse-6-1925-morse-samuel-fb-captain-demaresque-of-gloucester-massachusettsfxd-image188128694.htmlRMMX201X–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
Nathaniel Lock, English, died 1749, Teapot, 1713/14, Silver, 5 7/16 x 7 3/16 x 4 3/8 in. (13.8 x 18.3 x 11.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nathaniel-lock-english-died-1749-teapot-171314-silver-5-716-x-7-316-x-4-38-in-138-x-183-x-111-cm-image344571722.htmlRM2B0GGMX–Nathaniel Lock, English, died 1749, Teapot, 1713/14, Silver, 5 7/16 x 7 3/16 x 4 3/8 in. (13.8 x 18.3 x 11.1 cm
Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-jambes-artist-pierre-louis-pierson-french-1822-1913-dimensions-111-x-149-cm-4-38-x-5-78-in-date-1860s-museum-metropolitan-museum-of-art-new-york-usa-image212862424.htmlRMPA8M5C–Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.
Wood Block, associated with 1983-29-1 to 21; USA; wood, metal; 37 x 29.5 x 7 cm (14 9/16 x 11 5/8 x 2 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-block-associated-with-1983-29-1-to-21-usa-wood-metal-37-x-295-x-7-cm-14-916-x-11-58-x-2-34-in-image546118637.htmlRM2PMDRW1–Wood Block, associated with 1983-29-1 to 21; USA; wood, metal; 37 x 29.5 x 7 cm (14 9/16 x 11 5/8 x 2 3/4 in.)
Beaker, late 1700s. America, late 18th century. Glass; diameter: 14 cm (5 1/2 in.); overall: 19.4 x 9.3 cm (7 5/8 x 3 11/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beaker-late-1700s-america-late-18th-century-glass-diameter-14-cm-5-12-in-overall-194-x-93-cm-7-58-x-3-1116-in-image448065884.htmlRM2H0Y4H0–Beaker, late 1700s. America, late 18th century. Glass; diameter: 14 cm (5 1/2 in.); overall: 19.4 x 9.3 cm (7 5/8 x 3 11/16 in.).
'Hubert François Gravelot, Coat of Arms with Two Eagles, 0, graphite, incised for transfer on laid paper; laid down, sheet: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.) support: 27.9 x 19 cm (11 x 7 1/2 in.), Gift of Arthur L. Liebman, 1992.87.18' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hubert-franois-gravelot-coat-of-arms-with-two-eagles-0-graphite-incised-for-transfer-on-laid-paper-laid-down-sheet-141-x-83-cm-5-916-x-3-14-in-support-279-x-19-cm-11-x-7-12-in-gift-of-arthur-l-liebman-19928718-image559640811.htmlRM2REDRFR–'Hubert François Gravelot, Coat of Arms with Two Eagles, 0, graphite, incised for transfer on laid paper; laid down, sheet: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.) support: 27.9 x 19 cm (11 x 7 1/2 in.), Gift of Arthur L. Liebman, 1992.87.18'
Figure Dish MET 176943 2367 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 3/8 x 4 1/4 x 5 1/2 in. (11.1 x 10.8 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.743a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-figure-dish-met-176943-2367-maker-mckee-and-brothers-185689-figure-167906000.htmlRMKN4NPT–Figure Dish MET 176943 2367 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 3/8 x 4 1/4 x 5 1/2 in. (11.1 x 10.8 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.743a, b)
Archive image from page 82 of A description of the physical. A description of the physical oceanographic features of the eastern Gulf of Mexico, August 1968. descriptionofphy00schn Year: 1969 27 Dissolved oxygen in ml/1 2.5 3.0 3.5 4.0 4.5 iâ 'l' 5.0 -36.4 a a CO O X u <v a. W 4-1 u â u â¢H d â¢H .-I CO w -36.2 -36.0 -35.8 -35.6 â¢35.4 -35.2 -35.0 -34.8 Sta.11 Sta 14 Sta 24 Sta 30 Sta 34 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-82-of-a-description-of-the-physical-a-description-of-the-physical-oceanographic-features-of-the-eastern-gulf-of-mexico-august-1968-descriptionofphy00schn-year-1969-27-dissolved-oxygen-in-ml1-25-30-35-40-45-i-l-50-364-a-a-co-o-x-u-ltv-a-w-4-1-u-u-h-d-h-i-co-w-362-360-358-356-354-352-350-348-sta11-sta-14-sta-24-sta-30-sta-34-image258654121.htmlRMW0PKY5–Archive image from page 82 of A description of the physical. A description of the physical oceanographic features of the eastern Gulf of Mexico, August 1968. descriptionofphy00schn Year: 1969 27 Dissolved oxygen in ml/1 2.5 3.0 3.5 4.0 4.5 iâ 'l' 5.0 -36.4 a a CO O X u <v a. W 4-1 u â u â¢H d â¢H .-I CO w -36.2 -36.0 -35.8 -35.6 â¢35.4 -35.2 -35.0 -34.8 Sta.11 Sta 14 Sta 24 Sta 30 Sta 34
. Deutsche excursions-mollusken-fauna. Mollusks. 388 X 8. Limnoj^hf/sa palustris, Müller, Buccintim palustre, Müller, verm. hist. II. 1774 p. 131. Limnaeus palustris, Drap. hist. moll. 1805 p. 52 t. 2 fig. 40—42 ; t. 3 fig. 1. 2. — — C. Pfeiffer, Naturg. I. p. 88 t. 4 fig. 20. — Rossm. Icon. f. 51. — — Kobelt, Nassau, p. 179 t. 4 fig. 11. — Lehmann, Stettin p. 192 t. 16 f. 68. — — Stein, Berlin p. 67 t. 2 fig. 14. — Slavik p. 118 t. 3 fig. 38. Helix fragilis, Linne, Syst. nat. X. p. 774 (?). Limnaea — Küster, in Chemnitz ed. 2 p. 16 t. 4 fig. 1—10. — elodes, Say., Journ. Acad. nat. sei. phil. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsche-excursions-mollusken-fauna-mollusks-388-x-8-limnojhfsa-palustris-mller-buccintim-palustre-mller-verm-hist-ii-1774-p-131-limnaeus-palustris-drap-hist-moll-1805-p-52-t-2-fig-4042-t-3-fig-1-2-c-pfeiffer-naturg-i-p-88-t-4-fig-20-rossm-icon-f-51-kobelt-nassau-p-179-t-4-fig-11-lehmann-stettin-p-192-t-16-f-68-stein-berlin-p-67-t-2-fig-14-slavik-p-118-t-3-fig-38-helix-fragilis-linne-syst-nat-x-p-774-limnaea-kster-in-chemnitz-ed-2-p-16-t-4-fig-110-elodes-say-journ-acad-nat-sei-phil-image215976740.htmlRMPFAGF0–. Deutsche excursions-mollusken-fauna. Mollusks. 388 X 8. Limnoj^hf/sa palustris, Müller, Buccintim palustre, Müller, verm. hist. II. 1774 p. 131. Limnaeus palustris, Drap. hist. moll. 1805 p. 52 t. 2 fig. 40—42 ; t. 3 fig. 1. 2. — — C. Pfeiffer, Naturg. I. p. 88 t. 4 fig. 20. — Rossm. Icon. f. 51. — — Kobelt, Nassau, p. 179 t. 4 fig. 11. — Lehmann, Stettin p. 192 t. 16 f. 68. — — Stein, Berlin p. 67 t. 2 fig. 14. — Slavik p. 118 t. 3 fig. 38. Helix fragilis, Linne, Syst. nat. X. p. 774 (?). Limnaea — Küster, in Chemnitz ed. 2 p. 16 t. 4 fig. 1—10. — elodes, Say., Journ. Acad. nat. sei. phil.
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525841.htmlRFT0XCJW–Illustration Axis Icon
Art inspired by Faience Fragment, Faience, 14.540: 1 3/4 x 2 1/4 x 11/16 in., 4.4 x 5.7 x 1.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-faience-fragment-faience-14540-1-34-x-2-14-x-1116-in-44-x-57-x-18-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573293.htmlRF2HKKABW–Art inspired by Faience Fragment, Faience, 14.540: 1 3/4 x 2 1/4 x 11/16 in., 4.4 x 5.7 x 1.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: ca. 1550 Display Dimensions: 7 3/8 in. x 3 1/4 in. (18.73 cm x 8.25 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.63 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 14:57:11. English: thesandiegomuseumofartcollection 1209 Two pages of a poetical text (16th century borders) (6125040566) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1550-display-dimensions-7-38-in-x-3-14-in-1873-cm-x-825-cm-credit-line-gift-of-edwin-binney-3rd-accession-number-197163-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-1-october-2001-145711-english-thesandiegomuseumofartcollection-1209-two-pages-of-a-poetical-text-16th-century-borders-6125040566-image185828150.htmlRMMP95KJ–. English: Creation Date: ca. 1550 Display Dimensions: 7 3/8 in. x 3 1/4 in. (18.73 cm x 8.25 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.63 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 14:57:11. English: thesandiegomuseumofartcollection 1209 Two pages of a poetical text (16th century borders) (6125040566)
Paul de Lamerie, English, 1688–1751, Jug and Cover, 1723/24, Silver, 4 3/8 x 5 1/2 x 2 3/4 in. (11.1 x 14 x 7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-de-lamerie-english-16881751-jug-and-cover-172324-silver-4-38-x-5-12-x-2-34-in-111-x-14-x-7-cm-image344572988.htmlRM2B0GJA4–Paul de Lamerie, English, 1688–1751, Jug and Cover, 1723/24, Silver, 4 3/8 x 5 1/2 x 2 3/4 in. (11.1 x 14 x 7 cm
Ostrakon. Culture: Coptic. Dimensions: Overall: 9 13/16 x 5 11/16 x 3 1/4 in. (25 x 14.5 x 8.3 cm). Date: 600. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ostrakon-culture-coptic-dimensions-overall-9-1316-x-5-1116-x-3-14-in-25-x-145-x-83-cm-date-600-museum-metropolitan-museum-of-art-new-york-usa-image212882237.htmlRMPA9HD1–Ostrakon. Culture: Coptic. Dimensions: Overall: 9 13/16 x 5 11/16 x 3 1/4 in. (25 x 14.5 x 8.3 cm). Date: 600. Museum: Metropolitan Museum of Art, New York, USA.
Drawing, Soldiers in a Field; Winslow Homer (American, 1836–1910); USA; graphite on wove paper, laid down; 11.1 x 14.1 cm (4 3/8 x 5 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-soldiers-in-a-field-winslow-homer-american-18361910-usa-graphite-on-wove-paper-laid-down-111-x-141-cm-4-38-x-5-916-in-image546113838.htmlRM2PMDHNJ–Drawing, Soldiers in a Field; Winslow Homer (American, 1836–1910); USA; graphite on wove paper, laid down; 11.1 x 14.1 cm (4 3/8 x 5 9/16 in.)
Box (1 of 2), early 1700s. Bagard (French). Wood; overall: 37.5 x 23.8 x 11.2 cm (14 3/4 x 9 3/8 x 4 7/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/box-1-of-2-early-1700s-bagard-french-wood-overall-375-x-238-x-112-cm-14-34-x-9-38-x-4-716-in-image448142722.htmlRM2H12JH6–Box (1 of 2), early 1700s. Bagard (French). Wood; overall: 37.5 x 23.8 x 11.2 cm (14 3/4 x 9 3/8 x 4 7/16 in.).
'Louis-Marin Bonnet, The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper, image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.), Gift of Ivan E. and Winifred Phillips in honor of Margaret Morgan Grasselli, 2004.1.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-marin-bonnet-the-fine-musetioners-1775-chalk-manner-with-applied-gold-leaf-on-laid-paper-image-279-x-345-cm-11-x-13-916-in-sheet-314-x-375-cm-12-38-x-14-34-in-gift-of-ivan-e-and-winifred-phillips-in-honor-of-margaret-morgan-grasselli-200411-image559760021.htmlRM2REK7H9–'Louis-Marin Bonnet, The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper, image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.), Gift of Ivan E. and Winifred Phillips in honor of Margaret Morgan Grasselli, 2004.1.1'
Figure Dish MET 176948 2381 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 3/8 x 4 5/16 x 5 1/2 in. (11.1 x 11 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.757a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-figure-dish-met-176948-2381-maker-mckee-and-brothers-185689-figure-168197184.htmlRMKNJ168–Figure Dish MET 176948 2381 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 3/8 x 4 5/16 x 5 1/2 in. (11.1 x 11 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.757a, b)
Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebA Year: 18uu Flower Pots, Tubs, Etc. 76 WEEBER y DON ROUND SEED PANS EARTHENWARE Eeight Width - Price per doz. 3 x 6 .. $ 1 00 4. x 1 25, 5 x 10 2 50 6 x 12 3 00 7 x 14 5 00 8 x 16 -10 00 UNION PLANT TUBS Made of cypress, painted greeii, with iron hoops and feet and handles; perforated bottom, very strong. No. 1. 13 inch diameter, 11 inch high ..each $1 00 2. 14 3. 16 ' 4 20 ' 5. 24 ' 6. 28 Outside Measurement.; 15i 18 20 22 . 1, 50 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-76-of-descriptive-catalogue-of-vegetable-flower-descriptive-catalogue-of-vegetable-flower-and-farm-seeds-descriptivecata00weeba-year-18uu-flower-pots-tubs-etc-76-weeber-y-don-round-seed-pans-earthenware-eeight-width-price-per-doz-3-x-6-1-00-4-x-1-25-5-x-10-2-50-6-x-12-3-00-7-x-14-5-00-8-x-16-10-00-union-plant-tubs-made-of-cypress-painted-greeii-with-iron-hoops-and-feet-and-handles-perforated-bottom-very-strong-no-1-13-inch-diameter-11-inch-high-each-1-00-2-14-3-16-4-20-5-24-6-28-outside-measurement-15i-18-20-22-1-50-image258653673.htmlRMW0PKB5–Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebA Year: 18uu Flower Pots, Tubs, Etc. 76 WEEBER y DON ROUND SEED PANS EARTHENWARE Eeight Width - Price per doz. 3 x 6 .. $ 1 00 4. x 1 25, 5 x 10 2 50 6 x 12 3 00 7 x 14 5 00 8 x 16 -10 00 UNION PLANT TUBS Made of cypress, painted greeii, with iron hoops and feet and handles; perforated bottom, very strong. No. 1. 13 inch diameter, 11 inch high ..each $1 00 2. 14 3. 16 ' 4 20 ' 5. 24 ' 6. 28 Outside Measurement.; 15i 18 20 22 . 1, 50
![. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t Stock Photo](https://c8.alamy.com/comp/PF9CMR/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-nr-s4i-30-koreinlier-1003-nr-83-30-noiember-1903-h-7x-hoch-1-vgt-70-16fj-w-b-wsw-tibf-1-rs-7s0-uv-w-8-2-c-izo-4p-2-751-i-3i-3-gt-7ra-s-lisquot-080-3-r-7-7s0-15-lt0-5-76ff-lo-o-ss-7-75-y-as-ol-3-5-7w-w-so-91-c-770-trs-uy-45-lono-tief-it-c-760-115-14-1-75fi-kgt-9-c-760-25-0-soh5-10-gt-7fifi-fi-snw-11-gt-7-h0-so-12-v-755-147-fo-sso-please-note-t-PF9CMR.jpg ". Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t Stock Photo")
. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-nr-s4i-30-koreinlier-1003-nr-83-30-noiember-1903-h-7x-hoch-1-vgt-70-16fj-w-b-wsw-tibf-1-rs-7s0-uv-w-8-2-c-izo-4p-2-751-i-3i-3-gt-7ra-s-lisquot-080-3-r-7-7s0-15-lt0-5-76ff-lo-o-ss-7-75-y-as-ol-3-5-7w-w-so-91-c-770-trs-uy-45-lono-tief-it-c-760-115-14-1-75fi-kgt-9-c-760-25-0-soh5-10-gt-7fifi-fi-snw-11-gt-7-h0-so-12-v-755-147-fo-sso-please-note-t-image215951815.htmlRMPF9CMR–. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525783.htmlRFT0XCGR–Illustration Axis Icon
Art inspired by A Treatise of Japanning and Varnishing..., 1688, Illustrations: etching and engraving, 14 3/4 x 9 5/8 x 11/16 in. (37.5 x 24.5 x 1.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-treatise-of-japanning-and-varnishing-1688-illustrations-etching-and-engraving-14-34-x-9-58-x-1116-in-375-x-245-x-18-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462803921.htmlRF2HTXF3D–Art inspired by A Treatise of Japanning and Varnishing..., 1688, Illustrations: etching and engraving, 14 3/4 x 9 5/8 x 11/16 in. (37.5 x 24.5 x 1.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: 17th century Display Dimensions: 8 3/4 in. x 5 9/16 in. (22.2 cm x 14.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.504 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 11:14:31. English: thesandiegomuseumofartcollection 908 Mriza Asif ad-Daula, son of Iradat Khan, at age 23 (6125087572) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-17th-century-display-dimensions-8-34-in-x-5-916-in-222-cm-x-141-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990504-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-29-october-2001-111431-english-thesandiegomuseumofartcollection-908-mriza-asif-ad-daula-son-of-iradat-khan-at-age-23-6125087572-image185880557.htmlRMMPBGF9–. English: Creation Date: 17th century Display Dimensions: 8 3/4 in. x 5 9/16 in. (22.2 cm x 14.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.504 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 11:14:31. English: thesandiegomuseumofartcollection 908 Mriza Asif ad-Daula, son of Iradat Khan, at age 23 (6125087572)
Adolphe Terris, French, 1820–1900, Ornate Choir Benches, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 7/8 x 14 3/4 in. (30.1 x 37.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adolphe-terris-french-18201900-ornate-choir-benches-c-1868-cyanotype-from-wet-collodion-on-glass-negative-overall-11-78-x-14-34-in-301-x-374-cm-image344580062.htmlRM2B0GYAP–Adolphe Terris, French, 1820–1900, Ornate Choir Benches, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 7/8 x 14 3/4 in. (30.1 x 37.4 cm
Compote. Culture: French. Dimensions: 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). Date: 1815-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/compote-culture-french-dimensions-11-38-x-14-14-x-7-38-in-289-x-362-x-187-cm-date-1815-30-museum-metropolitan-museum-of-art-new-york-usa-image213195112.htmlRMPARTF4–Compote. Culture: French. Dimensions: 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). Date: 1815-30. Museum: Metropolitan Museum of Art, New York, USA.
Drawing, Five Ceiling Schemes; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink on laid paper; 29.8 x 35.7 cm (11 3/4 x 14 1/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-five-ceiling-schemes-designed-by-felice-giani-italian-17581823-italy-pen-and-brown-ink-on-laid-paper-298-x-357-cm-11-34-x-14-116-in-image546240069.htmlRM2PMKANW–Drawing, Five Ceiling Schemes; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink on laid paper; 29.8 x 35.7 cm (11 3/4 x 14 1/16 in.)
Wine Glass, 1750-1799. England, 18th century. Glass; diameter: 5.4 cm (2 1/8 in.); overall: 14.6 x 6.8 cm (5 3/4 x 2 11/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wine-glass-1750-1799-england-18th-century-glass-diameter-54-cm-2-18-in-overall-146-x-68-cm-5-34-x-2-1116-in-image448065591.htmlRM2H0Y46F–Wine Glass, 1750-1799. England, 18th century. Glass; diameter: 5.4 cm (2 1/8 in.); overall: 14.6 x 6.8 cm (5 3/4 x 2 11/16 in.).
'Hubert François Gravelot, Ornamental Medallions with the Adoration of the Magi and Two Bibliophiles, 0, pen and brown-black ink with graphite on tracing paper; laid down, sheet: 4.3 x 8.6 cm (1 11/16 x 3 3/8 in.) support: 28.1 x 20 cm (11 1/16 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.14' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hubert-franois-gravelot-ornamental-medallions-with-the-adoration-of-the-magi-and-two-bibliophiles-0-pen-and-brown-black-ink-with-graphite-on-tracing-paper-laid-down-sheet-43-x-86-cm-1-1116-x-3-38-in-support-281-x-20-cm-11-116-x-7-78-in-gift-of-arthur-l-liebman-19928714-image559640797.htmlRM2REDRF9–'Hubert François Gravelot, Ornamental Medallions with the Adoration of the Magi and Two Bibliophiles, 0, pen and brown-black ink with graphite on tracing paper; laid down, sheet: 4.3 x 8.6 cm (1 11/16 x 3 3/8 in.) support: 28.1 x 20 cm (11 1/16 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.14'
Figure Dish MET 176954 2371 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 3/8 x 4 1/4 x 5 1/2 in. (11.1 x 10.8 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.747a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-figure-dish-met-176954-2371-maker-mckee-and-brothers-185689-figure-168195298.htmlRMKNHXPX–Figure Dish MET 176954 2371 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 3/8 x 4 1/4 x 5 1/2 in. (11.1 x 10.8 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.747a, b)
Archive image from page 470 of Die farnkräuter der jetztwelt, zur. Die farnkräuter der jetztwelt, zur untersuchung und bestimmung, der in den formationen der erdrinde eingeschlossenen überreste von vorweltlichen arten dieser ordnung nach dem flächen-skelet diefarnkruterder00etti Year: 1865 Taf. 147. 12 4 5 6 13 14 1, 18. Lindsaca ciineiforinis V X 6. Lmduaea arcuaia Kunze. 11, 12. Lindsaea media Li. Li r n. 2,3. Odoiito/oma ienuifob'uvt J. Sm i th. 7. Lindsaea Kiinzei 'M o r. 13, 14. Dicksonia 3Ia/ketv6n Ho o k. 4,5. Lindsaea decomposi/a Vt'i d. 8—10. Odoiiioloma 7-cpens F r c s. l Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-470-of-die-farnkruter-der-jetztwelt-zur-die-farnkruter-der-jetztwelt-zur-untersuchung-und-bestimmung-der-in-den-formationen-der-erdrinde-eingeschlossenen-berreste-von-vorweltlichen-arten-dieser-ordnung-nach-dem-flchen-skelet-diefarnkruterder00etti-year-1865-taf-147-12-4-5-6-13-14-1-18-lindsaca-ciineiforinis-v-x-6-lmduaea-arcuaia-kunze-11-12-lindsaea-media-li-li-r-n-23-odoiitooma-ienuifobuvt-j-sm-i-th-7-lindsaea-kiinzei-m-o-r-13-14-dicksonia-3iaketv6n-ho-o-k-45-lindsaea-decomposia-vti-d-810-odoiiioloma-7-cpens-f-r-c-s-l-image258308146.htmlRMW06XJX–Archive image from page 470 of Die farnkräuter der jetztwelt, zur. Die farnkräuter der jetztwelt, zur untersuchung und bestimmung, der in den formationen der erdrinde eingeschlossenen überreste von vorweltlichen arten dieser ordnung nach dem flächen-skelet diefarnkruterder00etti Year: 1865 Taf. 147. 12 4 5 6 13 14 1, 18. Lindsaca ciineiforinis V X 6. Lmduaea arcuaia Kunze. 11, 12. Lindsaea media Li. Li r n. 2,3. Odoiito/oma ienuifob'uvt J. Sm i th. 7. Lindsaea Kiinzei 'M o r. 13, 14. Dicksonia 3Ia/ketv6n Ho o k. 4,5. Lindsaea decomposi/a Vt'i d. 8—10. Odoiiioloma 7-cpens F r c s. l
. Cytological and genetic studies of sterility in inbred and hybrid maize. Sterility in plants; Corn; Corn; Hybrid corn; Hybrid corn. Sterility In lvl>i'Cil (ind riijhrid Maize 715 Tablk 7. Progeny of Plants Heterozygous for Inversion on Chromosome 1. No. of plants No of semi- Percent with Type of cross witho Lit inversion sterile plants Total inversion Hybrid ear open-polinatec 4-8 X R4 11 s' 19 42.1 540 X 4-8 22 18' 40 45.0 187-2 X 4-8A 15 14^ 29 48.3 Iowa Hybrid 13 22 3 25 12.0 Selfed ears from 187-2 X 4-8A 2 15^ 17 88.2 10 6 16 37.5 5 7 12 58.3 3 9 12 75.0 Heterozygous inversion X or on Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cytological-and-genetic-studies-of-sterility-in-inbred-and-hybrid-maize-sterility-in-plants-corn-corn-hybrid-corn-hybrid-corn-sterility-in-lvlgticil-ind-riijhrid-maize-715-tablk-7-progeny-of-plants-heterozygous-for-inversion-on-chromosome-1-no-of-plants-no-of-semi-percent-with-type-of-cross-witho-lit-inversion-sterile-plants-total-inversion-hybrid-ear-open-polinatec-4-8-x-r4-11-s-19-421-540-x-4-8-22-18-40-450-187-2-x-4-8a-15-14-29-483-iowa-hybrid-13-22-3-25-120-selfed-ears-from-187-2-x-4-8a-2-15-17-882-10-6-16-375-5-7-12-583-3-9-12-750-heterozygous-inversion-x-or-on-image216162693.htmlRMPFK1M5–. Cytological and genetic studies of sterility in inbred and hybrid maize. Sterility in plants; Corn; Corn; Hybrid corn; Hybrid corn. Sterility In lvl>i'Cil (ind riijhrid Maize 715 Tablk 7. Progeny of Plants Heterozygous for Inversion on Chromosome 1. No. of plants No of semi- Percent with Type of cross witho Lit inversion sterile plants Total inversion Hybrid ear open-polinatec 4-8 X R4 11 s' 19 42.1 540 X 4-8 22 18' 40 45.0 187-2 X 4-8A 15 14^ 29 48.3 Iowa Hybrid 13 22 3 25 12.0 Selfed ears from 187-2 X 4-8A 2 15^ 17 88.2 10 6 16 37.5 5 7 12 58.3 3 9 12 75.0 Heterozygous inversion X or on
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525660.htmlRFT0XCCC–Illustration Axis Icon
Art inspired by Design for an Iron Railing, 19th century, Pen and brown ink, sheet: 4 1/8 x 14 11/16 in. (10.4 x 37.3 cm), Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-an-iron-railing-19th-century-pen-and-brown-ink-sheet-4-18-x-14-1116-in-104-x-373-cm-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960728.htmlRF2HW5K3M–Art inspired by Design for an Iron Railing, 19th century, Pen and brown ink, sheet: 4 1/8 x 14 11/16 in. (10.4 x 37.3 cm), Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: ca. 1735 Display Dimensions: 7 in. x 4 3/8 in. (17.8 cm x 11.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1160 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1178 The Narasimha Avatar of Vishnu (6124586059) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1735-display-dimensions-7-in-x-4-38-in-178-cm-x-111-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901160-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143255-english-thesandiegomuseumofartcollection-1178-the-narasimha-avatar-of-vishnu-6124586059-image185599750.htmlRMMNXPAE–. English: Creation Date: ca. 1735 Display Dimensions: 7 in. x 4 3/8 in. (17.8 cm x 11.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1160 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1178 The Narasimha Avatar of Vishnu (6124586059)
The Storm, James Abbott McNeill Whistler (American, 1834-1903), 1861, drypoint, 6-1/8 x 11-1/4 in. (image) 9-3/4 x 14-5/8 in. (sheet), signed and dated in pencil, L.R.: Whistler 1861 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-storm-james-abbott-mcneill-whistler-american-1834-1903-1861-drypoint-6-18-x-11-14-in-image-9-34-x-14-58-in-sheet-signed-and-dated-in-pencil-lr-whistler-1861-image328781752.htmlRM2A2W8DC–The Storm, James Abbott McNeill Whistler (American, 1834-1903), 1861, drypoint, 6-1/8 x 11-1/4 in. (image) 9-3/4 x 14-5/8 in. (sheet), signed and dated in pencil, L.R.: Whistler 1861
Lectern, Folding. Culture: Spanish. Dimensions: 9 3/4 x 14 1/8 x 11 1/2 in. (24.8 x 35.9 x 29.2 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lectern-folding-culture-spanish-dimensions-9-34-x-14-18-x-11-12-in-248-x-359-x-292-cm-date-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image213208170.htmlRMPATD5E–Lectern, Folding. Culture: Spanish. Dimensions: 9 3/4 x 14 1/8 x 11 1/2 in. (24.8 x 35.9 x 29.2 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
Drawing, Chairs and Architectural Sketches; Architect: Giuseppe Barberi (Italian, 1746–1809); Italy; graphite on off-white laid paper; Image: 8.2 x 14.5 cm (3 1/4 x 5 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-chairs-and-architectural-sketches-architect-giuseppe-barberi-italian-17461809-italy-graphite-on-off-white-laid-paper-image-82-x-145-cm-3-14-x-5-1116-in-image546143093.htmlRM2PMEY2D–Drawing, Chairs and Architectural Sketches; Architect: Giuseppe Barberi (Italian, 1746–1809); Italy; graphite on off-white laid paper; Image: 8.2 x 14.5 cm (3 1/4 x 5 11/16 in.)
Fractur Drawing William Anthony Faber. , 1818. Pen, ink and watercolor over graphite on paper, Sheet: 11 3/4 x 14 5/8 in. (29.8 x 37.1 cm). American Art 1818 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fractur-drawing-william-anthony-faber-1818-pen-ink-and-watercolor-over-graphite-on-paper-sheet-11-34-x-14-58-in-298-x-371-cm-american-art-1818-image504711469.htmlRM2M93GHH–Fractur Drawing William Anthony Faber. , 1818. Pen, ink and watercolor over graphite on paper, Sheet: 11 3/4 x 14 5/8 in. (29.8 x 37.1 cm). American Art 1818
'Louis-Marin Bonnet after Carle Van Loo, Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on gray-brown paper, Overall: 40 x 30.2 cm (15 3/4 x 11 7/8 in.) image: 35.5 x 28.9 cm (14 x 11 3/8 in.), Ailsa Mellon Bruce Fund, 1996.15.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-marin-bonnet-after-carle-van-loo-marie-rosalie-vanloo-c-1764-chalk-manner-printed-in-black-and-white-inks-on-gray-brown-paper-overall-40-x-302-cm-15-34-x-11-78-in-image-355-x-289-cm-14-x-11-38-in-ailsa-mellon-bruce-fund-1996151-image559759996.htmlRM2REK7GC–'Louis-Marin Bonnet after Carle Van Loo, Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on gray-brown paper, Overall: 40 x 30.2 cm (15 3/4 x 11 7/8 in.) image: 35.5 x 28.9 cm (14 x 11 3/8 in.), Ailsa Mellon Bruce Fund, 1996.15.1'
Ewer MET LC-84 2 13-001 186687 possibly Italian, Venice, Ewer, 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 8 11/16 x 5 3/4 x 5 15/16 in. (22.1 x 14.6 x 15.1 cm). The Metropolitan Museum of Art, New York. Purchase, 1884 (84.2.13) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ewer-met-lc-84-2-13-001-186687-possibly-italian-venice-ewer-16th-century-168083829.htmlRMKNCTHW–Ewer MET LC-84 2 13-001 186687 possibly Italian, Venice, Ewer, 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 8 11/16 x 5 3/4 x 5 15/16 in. (22.1 x 14.6 x 15.1 cm). The Metropolitan Museum of Art, New York. Purchase, 1884 (84.2.13)
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-image216058305.htmlRMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
Illustration Axis Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-axis-icon-image241525468.htmlRFT0XC5G–Illustration Axis Icon
Art inspired by Li Tre Trattai, 1639, plates:engraving, Overall: 5 3/4 x 8 3/16 x 11/16 in. (14.6 x 20.8 x 1.7 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-li-tre-trattai-1639-platesengraving-overall-5-34-x-8-316-x-1116-in-146-x-208-x-17-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462803246.htmlRF2HTXE7A–Art inspired by Li Tre Trattai, 1639, plates:engraving, Overall: 5 3/4 x 8 3/16 x 11/16 in. (14.6 x 20.8 x 1.7 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: 1679 Display Dimensions: 8 5/16 in. x 4 3/8 in. (21.1 cm x 11.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.508 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:57. English: thesandiegomuseumofartcollection 1177 The marriage of Tana Shah in the Jalwa ceremony (6124507161) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-1679-display-dimensions-8-516-in-x-4-38-in-211-cm-x-111-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990508-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140557-english-thesandiegomuseumofartcollection-1177-the-marriage-of-tana-shah-in-the-jalwa-ceremony-6124507161-image185540430.htmlRMMNT2KX–. English: Creation Date: 1679 Display Dimensions: 8 5/16 in. x 4 3/8 in. (21.1 cm x 11.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.508 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:57. English: thesandiegomuseumofartcollection 1177 The marriage of Tana Shah in the Jalwa ceremony (6124507161)
soup tureen with lid and underplate, about 1770, porcelain, A) underplate:11-3/8 x 14-3/4 x 2-1/8 in. B) tureen: 4-15/16 x 13-1/4 x 8-3/8 in. C) lid: W: 11-15/16 in., Design Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soup-tureen-with-lid-and-underplate-about-1770-porcelain-a-underplate11-38-x-14-34-x-2-18-in-b-tureen-4-1516-x-13-14-x-8-38-in-c-lid-w-11-1516-in-design-arts-image328779824.htmlRM2A2W60G–soup tureen with lid and underplate, about 1770, porcelain, A) underplate:11-3/8 x 14-3/4 x 2-1/8 in. B) tureen: 4-15/16 x 13-1/4 x 8-3/8 in. C) lid: W: 11-15/16 in., Design Arts
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