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14 x 10 1 16 Stock Photos and Images
Ebenezer Coker, British, active 1740–1800, Soup Ladle, 1754/55, Silver, 14 x 4 1/16 in. (35.6 x 10.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ebenezer-coker-british-active-17401800-soup-ladle-175455-silver-14-x-4-116-in-356-x-103-cm-image344570834.htmlRM2B0GFH6–Ebenezer Coker, British, active 1740–1800, Soup Ladle, 1754/55, Silver, 14 x 4 1/16 in. (35.6 x 10.3 cm
Art inspired by Slave Pen, Alexandria, Virginia, 1863, Albumen silver print from glass negative, Image: 25.6 x 36.5cm (10 1/16 x 14 3/8in.), Photographs, Andrew Joseph Russell (American, 1830–1902), Better known for his later views commissioned by the Union Pacific Railroad, A. J, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-slave-pen-alexandria-virginia-1863-albumen-silver-print-from-glass-negative-image-256-x-365cm-10-116-x-14-38in-photographs-andrew-joseph-russell-american-18301902-better-known-for-his-later-views-commissioned-by-the-union-pacific-railroad-a-j-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938790.htmlRF2HW4K46–Art inspired by Slave Pen, Alexandria, Virginia, 1863, Albumen silver print from glass negative, Image: 25.6 x 36.5cm (10 1/16 x 14 3/8in.), Photographs, Andrew Joseph Russell (American, 1830–1902), Better known for his later views commissioned by the Union Pacific Railroad, A. J, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Illustrated Excursion in Italy (vol. II): Ancient Walls, Monte Circello, 1846. Edward Lear (British, 1812-1888). Color lithograph; sheet: 35.6 x 25.5 cm (14 x 10 1/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrated-excursion-in-italy-vol-ii-ancient-walls-monte-circello-1846-edward-lear-british-1812-1888-color-lithograph-sheet-356-x-255-cm-14-x-10-116-in-image448075702.htmlRM2H0YH3J–Illustrated Excursion in Italy (vol. II): Ancient Walls, Monte Circello, 1846. Edward Lear (British, 1812-1888). Color lithograph; sheet: 35.6 x 25.5 cm (14 x 10 1/16 in.).
. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1855 Display Dimensions: 16 15/16 in. x 23 1/4 in. (43 cm x 59.06 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1341.1 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 10 April 2008, 14:38:20. English: thesandiegomuseumofartcollection 1166 Text (backing sheet) (6125138442) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ramas-journey-suite-name-ramayana-creation-date-ca-1855-display-dimensions-16-1516-in-x-23-14-in-43-cm-x-5906-cm-credit-line-edwin-binney-3rd-collection-accession-number-199013411-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-10-april-2008-143820-english-thesandiegomuseumofartcollection-1166-text-backing-sheet-6125138442-image185880132.htmlRMMPBG04–. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1855 Display Dimensions: 16 15/16 in. x 23 1/4 in. (43 cm x 59.06 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1341.1 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 10 April 2008, 14:38:20. English: thesandiegomuseumofartcollection 1166 Text (backing sheet) (6125138442)
Miss Elizabeth Rigby; Hill & Adamson, Scottish, active 1843 - 1848; 1844 - 1845; Salted paper print from a Calotype negative; Image: 21 x 15.9 cm (8 1/4 x 6 1/4 in.), Mount: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-miss-elizabeth-rigby-hill-adamson-scottish-active-1843-1848-1844-1845-76541884.htmlRMECENXM–Miss Elizabeth Rigby; Hill & Adamson, Scottish, active 1843 - 1848; 1844 - 1845; Salted paper print from a Calotype negative; Image: 21 x 15.9 cm (8 1/4 x 6 1/4 in.), Mount: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.)
U. S. S. ILLINOIS. 11,525 tons, 10,000 h.p., 16 knots ; 368 x 72 x 23.6 feet ; 4 13-inch guns, in pairs, in turrets ; 14 6-inch quick fire ; 17 6-pdr., 6 1-pdr. quick fire ; 4 machine guns ; 4 torpedo tubes. from the Article THE MONITOR, THE BATTLE-SHIP, THE CRUISER, AND THE DESTROYER. By G. W. Dickie, from The Engineering Magazine Devoted to Industrial Progress Volume XVII 1899 The Engineering Magazine Co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/u-s-s-illinois-11525-tons-10000-hp-16-knots-368-x-72-x-236-feet-4-13-inch-guns-in-pairs-in-turrets-14-6-inch-quick-fire-17-6-pdr-6-1-pdr-quick-fire-4-machine-guns-4-torpedo-tubes-from-the-article-the-monitor-the-battle-ship-the-cruiser-and-the-destroyer-by-g-w-dickie-from-the-engineering-magazine-devoted-to-industrial-progress-volume-xvii-1899-the-engineering-magazine-co-image605099626.htmlRF2X4CJMX–U. S. S. ILLINOIS. 11,525 tons, 10,000 h.p., 16 knots ; 368 x 72 x 23.6 feet ; 4 13-inch guns, in pairs, in turrets ; 14 6-inch quick fire ; 17 6-pdr., 6 1-pdr. quick fire ; 4 machine guns ; 4 torpedo tubes. from the Article THE MONITOR, THE BATTLE-SHIP, THE CRUISER, AND THE DESTROYER. By G. W. Dickie, from The Engineering Magazine Devoted to Industrial Progress Volume XVII 1899 The Engineering Magazine Co
Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nubian-women-at-korti-kurti-sudan-on-the-nile-1847-from-egypt-and-nubia-volume-i-nubian-women-at-kortie-on-the-nile-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-375-x-43-cm-14-34-x-16-1516-in-image-255-x-353-cm-10-116-x-13-78-in-the-cleveland-museum-of-art-bequest-of-john-bonebrake-2012241-image349566147.htmlRM2B8M357–Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241
Drawing, Maine Coast; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on paper.; 26.1 x 36.1 cm (10 1/4 x 14 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-maine-coast-frederic-edwin-church-american-18261900-usa-brush-and-oil-on-paper-261-x-361-cm-10-14-x-14-316-in-image546254652.htmlRM2PMM1AM–Drawing, Maine Coast; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on paper.; 26.1 x 36.1 cm (10 1/4 x 14 3/16 in.)
Castello San Angelo Artist: Anonymous, Castello San Angelo, 16th century, Engraving, sheet: 10 1/4 x 14 3/16 in. (26 x 36 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-castello-san-angelo-artist-anonymous-castello-san-angelo-16th-century-168092689.htmlRMKND7X9–Castello San Angelo Artist: Anonymous, Castello San Angelo, 16th century, Engraving, sheet: 10 1/4 x 14 3/16 in. (26 x 36 cm).
La Pensée Immunable. Dimensions: overall: 35.5 x 25.6 cm (14 x 10 1/16 in.). Medium: lithograph on chine collé. Museum: National Gallery of Art, Washington DC. Author: Auguste Bouquet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-pense-immunable-dimensions-overall-355-x-256-cm-14-x-10-116-in-medium-lithograph-on-chine-coll-museum-national-gallery-of-art-washington-dc-author-auguste-bouquet-image218953413.htmlRMPM658N–La Pensée Immunable. Dimensions: overall: 35.5 x 25.6 cm (14 x 10 1/16 in.). Medium: lithograph on chine collé. Museum: National Gallery of Art, Washington DC. Author: Auguste Bouquet.
London UK 17 January 2023 Attributed to Manuel Chili, called Caspicara, The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven, c. 1775. Polychrome wood, glass and metal. 17.9 x 11.8 x 8.4 cm, 17.9 × 14.5 × 8 cm, 16.9 × 11.1 × 12.3 cm, 17.6 × 11 × 12.3 cm. On loan from The Hispanic Society of America, New York, NY. Spain and the Hispanic World : Treasures from the Hispanic Society Museum & Library runs at the Royal Academy of Arts from 21 January – 10 April 2023.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-17-january-2023-attributed-to-manuel-chili-called-caspicara-the-four-fates-of-man-death-soul-in-hell-soul-in-purgatory-soul-in-heaven-c-1775-polychrome-wood-glass-and-metal-179-x-118-x-84-cm-179-145-8-cm-169-111-123-cm-176-11-123-cm-on-loan-from-the-hispanic-society-of-america-new-york-ny-spain-and-the-hispanic-world-treasures-from-the-hispanic-society-museum-library-runs-at-the-royal-academy-of-arts-from-21-january-10-april-2023paul-quezada-neimanalamy-live-news-image504761181.htmlRM2M95T11–London UK 17 January 2023 Attributed to Manuel Chili, called Caspicara, The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven, c. 1775. Polychrome wood, glass and metal. 17.9 x 11.8 x 8.4 cm, 17.9 × 14.5 × 8 cm, 16.9 × 11.1 × 12.3 cm, 17.6 × 11 × 12.3 cm. On loan from The Hispanic Society of America, New York, NY. Spain and the Hispanic World : Treasures from the Hispanic Society Museum & Library runs at the Royal Academy of Arts from 21 January – 10 April 2023.Paul Quezada-Neiman/Alamy Live News
Genl. Miles as a major gen'l of volunteers / E. Decker, Cleveland, O. Abstract/medium: 1 photograph : albumen print on cabinet card mount photo 14.6 x 9.6 cm, on mount 16.5 x 10.7 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genl-miles-as-a-major-genl-of-volunteers-e-decker-cleveland-o-abstractmedium-1-photograph-albumen-print-on-cabinet-card-mount-photo-146-x-96-cm-on-mount-165-x-107-cm-image266491276.htmlRMWDFM9G–Genl. Miles as a major gen'l of volunteers / E. Decker, Cleveland, O. Abstract/medium: 1 photograph : albumen print on cabinet card mount photo 14.6 x 9.6 cm, on mount 16.5 x 10.7 cm.
Dentist icons High-Quality Vector Icons Collection with Editable Stroke. Ideal for Professional and Creative Projects. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dentist-icons-high-quality-vector-icons-collection-with-editable-stroke-ideal-for-professional-and-creative-projects-image637345955.htmlRF2S0WH7F–Dentist icons High-Quality Vector Icons Collection with Editable Stroke. Ideal for Professional and Creative Projects.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Anti-aircraft gun practice. Photo taken on one of the converted yachts now being used in the Naval Reserve. Ca. 1918. This archival print is available in the following sizes: 8' x 10' $15.95 w/ FREE SHIPPING 11' x 14' $23.95 w/ FREE SHIPPING 16' x 20' $59.95 w/ FREE SHIPPING 20' x 24' $99.95 w/ FREE SHIPPING * The American Photoarchive watermark will not appear on your print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anti-aircraft-gun-practice-photo-taken-on-one-of-the-converted-yachts-now-being-used-in-the-naval-reserve-ca-1918-this-archival-print-is-available-in-the-following-sizes-8-x-10-1595-w-free-shipping-11-x-14-2395-w-free-shipping-16-x-20-5995-w-free-shipping-20-x-24-9995-w-free-shipping-the-american-photoarchive-watermark-will-not-appear-on-your-print-image229385355.htmlRFR95BA3–Anti-aircraft gun practice. Photo taken on one of the converted yachts now being used in the Naval Reserve. Ca. 1918. This archival print is available in the following sizes: 8' x 10' $15.95 w/ FREE SHIPPING 11' x 14' $23.95 w/ FREE SHIPPING 16' x 20' $59.95 w/ FREE SHIPPING 20' x 24' $99.95 w/ FREE SHIPPING * The American Photoarchive watermark will not appear on your print.
'Robert Polhill Bevan, Gate to the Farmhouse, Pont-Aven, 1890/1894, graphite and charcoal on tan paper, overall: 26.2 x 36 cm (10 5/16 x 14 3/16 in.), Agnew's London, in honor of Dr. Andrew Robison, 2005.4.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-polhill-bevan-gate-to-the-farmhouse-pont-aven-18901894-graphite-and-charcoal-on-tan-paper-overall-262-x-36-cm-10-516-x-14-316-in-agnews-london-in-honor-of-dr-andrew-robison-200541-image559639938.htmlRM2REDPCJ–'Robert Polhill Bevan, Gate to the Farmhouse, Pont-Aven, 1890/1894, graphite and charcoal on tan paper, overall: 26.2 x 36 cm (10 5/16 x 14 3/16 in.), Agnew's London, in honor of Dr. Andrew Robison, 2005.4.1'
Archive image from page 286 of Denkschriften der Kaiserlichen Akademie der. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe denkschriftender37kais Year: 1877 C. v. Ettingshausen. Fossile Flora von Sagor. Taf. XXIII. 1. Fraxinus excelsior L. 2. F. tamariseifolia. 3, 4. Achrus Sapota L. 5. Diospyros Lotus L. 6. Oelnosia liorbomca Gmel. 7—9. Vaceiuium crassifolium Audr. 10. Leucotboe coiiifolia DC. 11. Ligustrum vulgare L. 12. Chrysophyllum argenteum Jacq. 13, Bumelia ten;:x Willd. 14, 15. Celastnis rupestris Eckl. et Zeyh. 16. Celastrus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-286-of-denkschriften-der-kaiserlichen-akademie-der-denkschriften-der-kaiserlichen-akademie-der-wissenschaften-mathematisch-naturwissenschaftliche-classe-denkschriftender37kais-year-1877-c-v-ettingshausen-fossile-flora-von-sagor-taf-xxiii-1-fraxinus-excelsior-l-2-f-tamariseifolia-3-4-achrus-sapota-l-5-diospyros-lotus-l-6-oelnosia-liorbomca-gmel-79-vaceiuium-crassifolium-audr-10-leucotboe-coiiifolia-dc-11-ligustrum-vulgare-l-12-chrysophyllum-argenteum-jacq-13-bumelia-tenx-willd-14-15-celastnis-rupestris-eckl-et-zeyh-16-celastrus-image259553429.htmlRMW27K19–Archive image from page 286 of Denkschriften der Kaiserlichen Akademie der. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe denkschriftender37kais Year: 1877 C. v. Ettingshausen. Fossile Flora von Sagor. Taf. XXIII. 1. Fraxinus excelsior L. 2. F. tamariseifolia. 3, 4. Achrus Sapota L. 5. Diospyros Lotus L. 6. Oelnosia liorbomca Gmel. 7—9. Vaceiuium crassifolium Audr. 10. Leucotboe coiiifolia DC. 11. Ligustrum vulgare L. 12. Chrysophyllum argenteum Jacq. 13, Bumelia ten;:x Willd. 14, 15. Celastnis rupestris Eckl. et Zeyh. 16. Celastrus
Giovanni Boldini, Italian, 1842–1931, Young Woman Crocheting, 1875, Oil on canvas, 14 1/4 x 10 13/16 in. (36.2 x 27.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-boldini-italian-18421931-young-woman-crocheting-1875-oil-on-canvas-14-14-x-10-1316-in-362-x-274-cm-image344574361.htmlRM2B0GM35–Giovanni Boldini, Italian, 1842–1931, Young Woman Crocheting, 1875, Oil on canvas, 14 1/4 x 10 13/16 in. (36.2 x 27.4 cm
Art inspired by Manuscript Illumination with the Evangelist Luke, late 13th–early 14th century, Byzantine, Tempera and gold on parchment, 5 13/16 x 4 1/16 in. (14.7 x 10.3 cm), Manuscripts and Illuminations, On a single page from a gospel book, the illumination shows the evangelist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-manuscript-illumination-with-the-evangelist-luke-late-13thearly-14th-century-byzantine-tempera-and-gold-on-parchment-5-1316-x-4-116-in-147-x-103-cm-manuscripts-and-illuminations-on-a-single-page-from-a-gospel-book-the-illumination-shows-the-evangelist-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463035357.htmlRF2HW9291–Art inspired by Manuscript Illumination with the Evangelist Luke, late 13th–early 14th century, Byzantine, Tempera and gold on parchment, 5 13/16 x 4 1/16 in. (14.7 x 10.3 cm), Manuscripts and Illuminations, On a single page from a gospel book, the illumination shows the evangelist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Wisteria on a Wall Fidelia Bridges (American, 1834-1923). Wisteria on a Wall, 1870s. Watercolor over graphite on paper, 14 x 10 1/16 in. (35.6 x 25.6 cm). The practice of drawing and painting in watercolor was an important part of genteel female culture in the nineteenth century. Fidelia Bridges, a Brooklynite, achieved uncommon success as a professional artist, becoming well known for her detailed and decorative watercolors of flowers and birds. Bridges’s close observation of plant life—a subject especially favored by the American Ruskinians—is demonstrated in this carefully articulated stud Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wisteria-on-a-wall-fidelia-bridges-american-1834-1923-wisteria-on-a-wall-1870s-watercolor-over-graphite-on-paper-14-x-10-116-in-356-x-256-cm-the-practice-of-drawing-and-painting-in-watercolor-was-an-important-part-of-genteel-female-culture-in-the-nineteenth-century-fidelia-bridges-a-brooklynite-achieved-uncommon-success-as-a-professional-artist-becoming-well-known-for-her-detailed-and-decorative-watercolors-of-flowers-and-birds-bridgess-close-observation-of-plant-lifea-subject-especially-favored-by-the-american-ruskiniansis-demonstrated-in-this-carefully-articulated-stud-image504688315.htmlRM2M92F2K–Wisteria on a Wall Fidelia Bridges (American, 1834-1923). Wisteria on a Wall, 1870s. Watercolor over graphite on paper, 14 x 10 1/16 in. (35.6 x 25.6 cm). The practice of drawing and painting in watercolor was an important part of genteel female culture in the nineteenth century. Fidelia Bridges, a Brooklynite, achieved uncommon success as a professional artist, becoming well known for her detailed and decorative watercolors of flowers and birds. Bridges’s close observation of plant life—a subject especially favored by the American Ruskinians—is demonstrated in this carefully articulated stud
. English: Series Title: The Great War of the Bharatas Suite Name: Mahabharata Creation Date: ca. 1750? Display Dimensions: 4 1/8 in. x 6 11/16 in. (10.5 cm x 17 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1167 Collection: The San Diego Museum of Art . 6 September 2011, 14:08:28. English: thesandiegomuseumofartcollection Arjuna pays homage to Vishnu (6125064352) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-the-great-war-of-the-bharatas-suite-name-mahabharata-creation-date-ca-1750-display-dimensions-4-18-in-x-6-1116-in-105-cm-x-17-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901167-collection-the-san-diego-museum-of-art-6-september-2011-140828-english-thesandiegomuseumofartcollection-arjuna-pays-homage-to-vishnu-6125064352-image184795187.htmlRMMMJ443–. English: Series Title: The Great War of the Bharatas Suite Name: Mahabharata Creation Date: ca. 1750? Display Dimensions: 4 1/8 in. x 6 11/16 in. (10.5 cm x 17 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1167 Collection: The San Diego Museum of Art . 6 September 2011, 14:08:28. English: thesandiegomuseumofartcollection Arjuna pays homage to Vishnu (6125064352)
Mars and Venus; Attributed to Hans Mont, Flemish, born about 1540, active 1571 - 1584; Belgium, Flanders (?), Europe; about 1575 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mars-and-venus-attributed-to-hans-mont-flemish-born-about-1540-active-73246164.htmlRME74J6C–Mars and Venus; Attributed to Hans Mont, Flemish, born about 1540, active 1571 - 1584; Belgium, Flanders (?), Europe; about 1575
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489962.htmlRF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Sampler (England); silk embroidery, linen foundation; Warp x Weft: 14 x 10 cm (5 1/2 x 3 15/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-259 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sampler-england-silk-embroidery-linen-foundation-warp-x-weft-14-x-10-cm-5-12-x-3-1516-in-bequest-of-mrs-henry-e-coe-1941-69-259-image546227030.htmlRM2PMJP46–Sampler (England); silk embroidery, linen foundation; Warp x Weft: 14 x 10 cm (5 1/2 x 3 15/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-259
Figure Dish MET 176961 2379 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 1/4 x 4 5/16 x 5 1/2 in. (10.8 x 11 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.755a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-figure-dish-met-176961-2379-maker-mckee-and-brothers-185689-figure-168197641.htmlRMKNJ1PH–Figure Dish MET 176961 2379 Maker: McKee and Brothers, 1856?89, Figure Dish, 1880?90, Pressed opaque white glass, 4 1/4 x 4 5/16 x 5 1/2 in. (10.8 x 11 x 14 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emily Winthrop Miles, 1946 (46.140.755a, b)
Bag. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Bartz. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bag-dated-c-1937-dimensions-overall-356-x-256-cm-14-x-10-116-in-medium-watercolor-graphite-and-gouache-on-paperboard-museum-national-gallery-of-art-washington-dc-author-eugene-bartz-image218817748.htmlRMPM007G–Bag. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Bartz.
; India; 18th century; Color and gold on paper; H x W: 36.6 x 27.4 cm (14 7/16 x 10 13/16 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-18th-century-color-and-gold-on-paper-h-x-w-366-x-274-cm-14-716-x-10-1316-in-gift-of-charles-lang-freer-image353575732.htmlRM2BF6NCM–; India; 18th century; Color and gold on paper; H x W: 36.6 x 27.4 cm (14 7/16 x 10 13/16 in); Gift of Charles Lang Freer
Anti-aircraft gun practice. Photo taken on one of the converted yachts now being used in the Naval Reserve. Ca. 1918. This archival print is available in the following sizes: 8' x 10' $15.95 w/ FREE SHIPPING 11' x 14' $23.95 w/ FREE SHIPPING 16' x 20' $59.95 w/ FREE SHIPPING 20' x 24' $99.95 w/ FREE SHIPPING * The American Photoarchive watermark will not appear on your print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anti-aircraft-gun-practice-photo-taken-on-one-of-the-converted-yachts-now-being-used-in-the-naval-reserve-ca-1918-this-archival-print-is-available-in-the-following-sizes-8-x-10-1595-w-free-shipping-11-x-14-2395-w-free-shipping-16-x-20-5995-w-free-shipping-20-x-24-9995-w-free-shipping-the-american-photoarchive-watermark-will-not-appear-on-your-print-image229384697.htmlRFR95AEH–Anti-aircraft gun practice. Photo taken on one of the converted yachts now being used in the Naval Reserve. Ca. 1918. This archival print is available in the following sizes: 8' x 10' $15.95 w/ FREE SHIPPING 11' x 14' $23.95 w/ FREE SHIPPING 16' x 20' $59.95 w/ FREE SHIPPING 20' x 24' $99.95 w/ FREE SHIPPING * The American Photoarchive watermark will not appear on your print.
'Jacques Callot, A Leg and a Pig's Head, 1616/1617, pen and brown ink with red chalk and graphite on laid paper, overall: 10.3 x 14.1 cm (4 1/16 x 5 9/16 in.), Ailsa Mellon Bruce Fund, 2003.6.1.b' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-a-leg-and-a-pigs-head-16161617-pen-and-brown-ink-with-red-chalk-and-graphite-on-laid-paper-overall-103-x-141-cm-4-116-x-5-916-in-ailsa-mellon-bruce-fund-200361b-image560392330.htmlRM2RFM23P–'Jacques Callot, A Leg and a Pig's Head, 1616/1617, pen and brown ink with red chalk and graphite on laid paper, overall: 10.3 x 14.1 cm (4 1/16 x 5 9/16 in.), Ailsa Mellon Bruce Fund, 2003.6.1.b'
Archive image from page 16 of Cultivation of Tobacco in Sumatra. Cultivation of Tobacco in Sumatra cultivationoftob58muld Year: 1898 ( TEMPERATfRE AXD RAINFALLâContinued. Penang. Straits Settlements. latitude J- X,. longitude 101- E.âCoutinue<l. INXHE3 OF RAINFALL. Tear. 1882. 1883. 1884. 1885. 1887. Mean.. JaD. Feb. Mar. Apr. May. Jane. July. Aiig. Sept. 7.39 2.76 3.62 .27 5!73 7.70 1.50 1.35 2.87 1.44 2.16 6.47 3.46 10.99 .39 1.92 .32 5.71 4.12 6.70 6.76 2.72 5.04 4.58 2.63 3.80 5. 17.78 9.83 10. 23 6.87 11.53 14.76 5.21 5.83 3.16 9.47 7.38 7.17 7.64 5.86 6.83 11.11 2.66 16.03 16.53 6.78 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-16-of-cultivation-of-tobacco-in-sumatra-cultivation-of-tobacco-in-sumatra-cultivationoftob58muld-year-1898-temperatfre-axd-rainfallcontinued-penang-straits-settlements-latitude-j-x-longitude-101-ecoutinueltl-inxhe3-of-rainfall-tear-1882-1883-1884-1885-1887-mean-jad-feb-mar-apr-may-jane-july-aiig-sept-739-276-362-27-5!73-770-150-135-287-144-216-647-346-1099-39-192-32-571-412-670-676-272-504-458-263-380-5-1778-983-10-23-687-1153-1476-521-583-316-947-738-717-764-586-683-1111-266-1603-1653-678-image264020757.htmlRMW9F54N–Archive image from page 16 of Cultivation of Tobacco in Sumatra. Cultivation of Tobacco in Sumatra cultivationoftob58muld Year: 1898 ( TEMPERATfRE AXD RAINFALLâContinued. Penang. Straits Settlements. latitude J- X,. longitude 101- E.âCoutinue<l. INXHE3 OF RAINFALL. Tear. 1882. 1883. 1884. 1885. 1887. Mean.. JaD. Feb. Mar. Apr. May. Jane. July. Aiig. Sept. 7.39 2.76 3.62 .27 5!73 7.70 1.50 1.35 2.87 1.44 2.16 6.47 3.46 10.99 .39 1.92 .32 5.71 4.12 6.70 6.76 2.72 5.04 4.58 2.63 3.80 5. 17.78 9.83 10. 23 6.87 11.53 14.76 5.21 5.83 3.16 9.47 7.38 7.17 7.64 5.86 6.83 11.11 2.66 16.03 16.53 6.78
Fragment of a cup of earthenware. Unstable old glueing and additions., Cup, fragment, earthenware, 14 x 16,5 x 10,1 cm, prehistory, Netherlands, Drenthe, Borger-Odoorn, Drouwen, hunebed D19 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-cup-of-earthenware-unstable-old-glueing-and-additions-cup-fragment-earthenware-14-x-165-x-101-cm-prehistory-netherlands-drenthe-borger-odoorn-drouwen-hunebed-d19-image344556192.htmlRM2B0FTX8–Fragment of a cup of earthenware. Unstable old glueing and additions., Cup, fragment, earthenware, 14 x 16,5 x 10,1 cm, prehistory, Netherlands, Drenthe, Borger-Odoorn, Drouwen, hunebed D19
Art inspired by Figure: Head, 16th century, Sierra Leone, Sapi peoples, Steatite, H. 10 3/16 x W. 8 1/2 x D.14 1/4 in. (26 x 21.6 x 36.2 cm), Stone-Sculpture, Little is known of the original use and significance of this tradition of steatite sculpture, created in southeastern Sierra, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-figure-head-16th-century-sierra-leone-sapi-peoples-steatite-h-10-316-x-w-8-12-x-d14-14-in-26-x-216-x-362-cm-stone-sculpture-little-is-known-of-the-original-use-and-significance-of-this-tradition-of-steatite-sculpture-created-in-southeastern-sierra-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462795706.htmlRF2HTX4J2–Art inspired by Figure: Head, 16th century, Sierra Leone, Sapi peoples, Steatite, H. 10 3/16 x W. 8 1/2 x D.14 1/4 in. (26 x 21.6 x 36.2 cm), Stone-Sculpture, Little is known of the original use and significance of this tradition of steatite sculpture, created in southeastern Sierra, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
London Set: Bank (with the Royal Exchange), 1924. William Walcot (British, 1874–1943). Etching on wove paper; plate: 10.8 x 14.5 cm (4 1/4 x 5 11/16 in.); sheet: 24.3 x 32.1 cm (9 9/16 x 12 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-set-bank-with-the-royal-exchange-1924-william-walcot-british-18741943-etching-on-wove-paper-plate-108-x-145-cm-4-14-x-5-1116-in-sheet-243-x-321-cm-9-916-x-12-58-in-image573087217.htmlRM2T8AAGH–London Set: Bank (with the Royal Exchange), 1924. William Walcot (British, 1874–1943). Etching on wove paper; plate: 10.8 x 14.5 cm (4 1/4 x 5 11/16 in.); sheet: 24.3 x 32.1 cm (9 9/16 x 12 5/8 in.).
. English: Display Artist: Kasam, Son of Gul Muhammad Creation Date: 1749 Display Dimensions: 8 21/32 in. x 5 9/16 in. (22 cm x 14.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.803 Collection: The San Diego Museum of Art . 22 March 2010, 12:16:10. English: thesandiegomuseumofartcollection A young woman on a canopied bed outdoors on a stormy night, has her feet massaged (6124520491) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-kasam-son-of-gul-muhammad-creation-date-1749-display-dimensions-8-2132-in-x-5-916-in-22-cm-x-141-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990803-collection-the-san-diego-museum-of-art-22-march-2010-121610-english-thesandiegomuseumofartcollection-a-young-woman-on-a-canopied-bed-outdoors-on-a-stormy-night-has-her-feet-massaged-6124520491-image184812804.htmlRMMMJXH8–. English: Display Artist: Kasam, Son of Gul Muhammad Creation Date: 1749 Display Dimensions: 8 21/32 in. x 5 9/16 in. (22 cm x 14.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.803 Collection: The San Diego Museum of Art . 22 March 2010, 12:16:10. English: thesandiegomuseumofartcollection A young woman on a canopied bed outdoors on a stormy night, has her feet massaged (6124520491)
Christ Carrying the Cross; Attributed to Marco d' Oggiono, Italian, about 1467 - 1524; about 1495 - 1500; Oil on panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-carrying-the-cross-attributed-to-marco-d-oggiono-italian-about-73246158.htmlRME74J66–Christ Carrying the Cross; Attributed to Marco d' Oggiono, Italian, about 1467 - 1524; about 1495 - 1500; Oil on panel
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489957.htmlRF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Drawing, Possibly Mt. Desert, Island, rock; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on paper.; 25.5 x 35.6 cm (10 1/16 in. x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-possibly-mt-desert-island-rock-frederic-edwin-church-american-18261900-usa-brush-and-oil-on-paper-255-x-356-cm-10-116-in-x-14-in-image546262062.htmlRM2PMMARA–Drawing, Possibly Mt. Desert, Island, rock; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on paper.; 25.5 x 35.6 cm (10 1/16 in. x 14 in.)
Andiron MET 248479 109 Maker: John Bailey, American, active New York, 1736?1815, Andiron, 1792?1814, Brass and iron, 16 1/8 x 10 x 14 7/8 in. (41 x 25.4 x 37.8 cm). The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. George M. Kaufman Gift, 1989 (1989.120.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-andiron-met-248479-109-maker-john-bailey-american-active-new-york-168197621.htmlRMKNJ1NW–Andiron MET 248479 109 Maker: John Bailey, American, active New York, 1736?1815, Andiron, 1792?1814, Brass and iron, 16 1/8 x 10 x 14 7/8 in. (41 x 25.4 x 37.8 cm). The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. George M. Kaufman Gift, 1989 (1989.120.2)
Whipsaw. Dated: c. 1937. Dimensions: overall: 35.5 x 25.5 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: William Hoffman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/whipsaw-dated-c-1937-dimensions-overall-355-x-255-cm-14-x-10-116-in-medium-watercolor-graphite-and-pen-and-ink-on-paper-museum-national-gallery-of-art-washington-dc-author-william-hoffman-image225695211.htmlRMR358F7–Whipsaw. Dated: c. 1937. Dimensions: overall: 35.5 x 25.5 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: William Hoffman.
Anti-aircraft gun practice. Photo taken on one of the converted yachts now being used in the Naval Reserve. Ca. 1918. This archival print is available in the following sizes: 8' x 10' $15.95 w/ FREE SHIPPING 11' x 14' $23.95 w/ FREE SHIPPING 16' x 20' $59.95 w/ FREE SHIPPING 20' x 24' $99.95 w/ FREE SHIPPING * The American Photoarchive watermark will not appear on your print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anti-aircraft-gun-practice-photo-taken-on-one-of-the-converted-yachts-now-being-used-in-the-naval-reserve-ca-1918-this-archival-print-is-available-in-the-following-sizes-8-x-10-1595-w-free-shipping-11-x-14-2395-w-free-shipping-16-x-20-5995-w-free-shipping-20-x-24-9995-w-free-shipping-the-american-photoarchive-watermark-will-not-appear-on-your-print-image229405008.htmlRFR968C0–Anti-aircraft gun practice. Photo taken on one of the converted yachts now being used in the Naval Reserve. Ca. 1918. This archival print is available in the following sizes: 8' x 10' $15.95 w/ FREE SHIPPING 11' x 14' $23.95 w/ FREE SHIPPING 16' x 20' $59.95 w/ FREE SHIPPING 20' x 24' $99.95 w/ FREE SHIPPING * The American Photoarchive watermark will not appear on your print.
'Wallerant Vaillant, Portrait of a Lady beside a Rose Bush, c. 1655, mezzotint, plate: 33 x 27 cm (13 x 10 5/8 in.) sheet: 36.8 x 31 cm (14 1/2 x 12 3/16 in.), Ailsa Mellon Bruce Fund, 1983.39.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wallerant-vaillant-portrait-of-a-lady-beside-a-rose-bush-c-1655-mezzotint-plate-33-x-27-cm-13-x-10-58-in-sheet-368-x-31-cm-14-12-x-12-316-in-ailsa-mellon-bruce-fund-1983391-image559650855.htmlRM2REE8AF–'Wallerant Vaillant, Portrait of a Lady beside a Rose Bush, c. 1655, mezzotint, plate: 33 x 27 cm (13 x 10 5/8 in.) sheet: 36.8 x 31 cm (14 1/2 x 12 3/16 in.), Ailsa Mellon Bruce Fund, 1983.39.1'
Charles Adams Platt, American, 1861–1933, The Quay, Larmor, 1884–85, Oil on canvas, 10 5/16 x 14 1/2 in. (26.2 x 36.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-adams-platt-american-18611933-the-quay-larmor-188485-oil-on-canvas-10-516-x-14-12-in-262-x-368-cm-image344574675.htmlRM2B0GMEB–Charles Adams Platt, American, 1861–1933, The Quay, Larmor, 1884–85, Oil on canvas, 10 5/16 x 14 1/2 in. (26.2 x 36.8 cm
Art inspired by Rue du Chat-qui-Pêche (from the Rue de la Huchette), ca. 1868, Albumen silver print from glass negative, 35.9 x 27.2 cm (14 1/8 x 10 11/16 in. ), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Trained as a painter and an illustrator, Marville began, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-rue-du-chat-qui-pche-from-the-rue-de-la-huchette-ca-1868-albumen-silver-print-from-glass-negative-359-x-272-cm-14-18-x-10-1116-in-photographs-charles-marville-french-paris-18131879-paris-trained-as-a-painter-and-an-illustrator-marville-began-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938795.htmlRF2HW4K4B–Art inspired by Rue du Chat-qui-Pêche (from the Rue de la Huchette), ca. 1868, Albumen silver print from glass negative, 35.9 x 27.2 cm (14 1/8 x 10 11/16 in. ), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Trained as a painter and an illustrator, Marville began, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Three Magi (?) 15th century French or South Netherlandish. The Three Magi (?) 464357 French or South Netherlandish, The Three Magi (?), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-three-magi-15th-century-french-or-south-netherlandish-the-three-magi-464357-french-or-south-netherlandish-the-three-magi-15th-century-wood-with-paint-and-gilding-overall-without-base-12-18-x-8-14-x-2-in-308-x-21-x-51-cm-overall-with-base-14-34-x-10-78-x-3-1116-in-374-x-276-x-93-cm-the-metropolitan-museum-of-art-new-york-gift-of-j-pierpont-morgan-1917-17190377-image458060227.htmlRM2HH6CDR–The Three Magi (?) 15th century French or South Netherlandish. The Three Magi (?) 464357 French or South Netherlandish, The Three Magi (?), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377)
. English: Accession Number: 1991.169 Display Title: Hairpin Creation Date: 19th century Medium: Metal and coral Height: 5 9/16 in. Width: 1 in. Display Dimensions: 5 9/16 in. x 1 in. x 1/4 in. (14.13 cm x 2.54 cm x 0.64 cm) Credit Line: Gift of Edker and Blanche Pope Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 30 August 2010, 10:01:42. English: thesandiegomuseumofartcollection Hairpin (5765353851) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-1991169-display-title-hairpin-creation-date-19th-century-medium-metal-and-coral-height-5-916-in-width-1-in-display-dimensions-5-916-in-x-1-in-x-14-in-1413-cm-x-254-cm-x-064-cm-credit-line-gift-of-edker-and-blanche-pope-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-30-august-2010-100142-english-thesandiegomuseumofartcollection-hairpin-5765353851-image184814958.htmlRMMMK1A6–. English: Accession Number: 1991.169 Display Title: Hairpin Creation Date: 19th century Medium: Metal and coral Height: 5 9/16 in. Width: 1 in. Display Dimensions: 5 9/16 in. x 1 in. x 1/4 in. (14.13 cm x 2.54 cm x 0.64 cm) Credit Line: Gift of Edker and Blanche Pope Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 30 August 2010, 10:01:42. English: thesandiegomuseumofartcollection Hairpin (5765353851)
Black-Figure Neck Amphora; Unknown; Athens, Greece, Europe; about 510 B.C.; Terracotta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-figure-neck-amphora-unknown-athens-greece-europe-about-510-bc-73246897.htmlRME74K4H–Black-Figure Neck Amphora; Unknown; Athens, Greece, Europe; about 510 B.C.; Terracotta
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Bandbox, Unidentified Chapel and Building; USA; block-printed paper on pasteboard support; 38 x 27.5 x 23.5 cm (14 15/16 x 10 13/16 x 9 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bandbox-unidentified-chapel-and-building-usa-block-printed-paper-on-pasteboard-support-38-x-275-x-235-cm-14-1516-x-10-1316-x-9-14-in-image546231466.htmlRM2PMJYPJ–Bandbox, Unidentified Chapel and Building; USA; block-printed paper on pasteboard support; 38 x 27.5 x 23.5 cm (14 15/16 x 10 13/16 x 9 1/4 in.)
Compote MET 153506 2208 Maker: Possibly Boston & Sandwich Glass Company, American, 1825?1888, Sandwich, Massachusetts, Compote, 1830?50, Lacy pressed glass, 6 1/16 x 10 5/8 x 8 15/16 in. (15.4 x 27 x 22.7 cm). The Metropolitan Museum of Art, New York. Bequest of Anna G. W. Green, in memory of her husband, Dr. Charles W. Green, 1957 (57.131.14) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-compote-met-153506-2208-maker-possibly-boston-sandwich-glass-company-168196239.htmlRMKNJ00F–Compote MET 153506 2208 Maker: Possibly Boston & Sandwich Glass Company, American, 1825?1888, Sandwich, Massachusetts, Compote, 1830?50, Lacy pressed glass, 6 1/16 x 10 5/8 x 8 15/16 in. (15.4 x 27 x 22.7 cm). The Metropolitan Museum of Art, New York. Bequest of Anna G. W. Green, in memory of her husband, Dr. Charles W. Green, 1957 (57.131.14)
Flint Glass Bottles. Dated: c. 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ella Josephine Sterling. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flint-glass-bottles-dated-c-1936-dimensions-overall-356-x-256-cm-14-x-10-116-in-medium-watercolor-gouache-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-ella-josephine-sterling-image225634744.htmlRMR32FBM–Flint Glass Bottles. Dated: c. 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ella Josephine Sterling.
'Sir George Hayter, A Maiden Embraced by a Knight in Armor, 1838, pen and brown ink with brown wash, heightened with white, on brown wove paper, overall: 25.5 x 35.9 cm (10 1/16 x 14 1/8 in.), Gift of William B. O'Neal, 1995.52.77' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-george-hayter-a-maiden-embraced-by-a-knight-in-armor-1838-pen-and-brown-ink-with-brown-wash-heightened-with-white-on-brown-wove-paper-overall-255-x-359-cm-10-116-x-14-18-in-gift-of-william-b-oneal-19955277-image559650433.htmlRM2REE7RD–'Sir George Hayter, A Maiden Embraced by a Knight in Armor, 1838, pen and brown ink with brown wash, heightened with white, on brown wove paper, overall: 25.5 x 35.9 cm (10 1/16 x 14 1/8 in.), Gift of William B. O'Neal, 1995.52.77'
After Lucas van Leyden, Netherlandish, c. 1494–1533, The Virgin with Two Angels, Engraving on laid paper, image: 5 9/16 x 4 in. (14.1 x 10.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-lucas-van-leyden-netherlandish-c-14941533-the-virgin-with-two-angels-engraving-on-laid-paper-image-5-916-x-4-in-141-x-102-cm-image344575150.htmlRM2B0GN3A–After Lucas van Leyden, Netherlandish, c. 1494–1533, The Virgin with Two Angels, Engraving on laid paper, image: 5 9/16 x 4 in. (14.1 x 10.2 cm
Art inspired by Morse, ca. 1250, French, Copper-gilt, glass, Overall: 4 5/16 x 5 13/16 x 1/2 in. (10.9 x 14.7 x 1.3 cm), Metalwork-Copper, A morse is a clasp attached to a liturgical vestment to prevent the garment from slipping from the shoulders. Gilded copper is at once heavy enough, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-morse-ca-1250-french-copper-gilt-glass-overall-4-516-x-5-1316-x-12-in-109-x-147-x-13-cm-metalwork-copper-a-morse-is-a-clasp-attached-to-a-liturgical-vestment-to-prevent-the-garment-from-slipping-from-the-shoulders-gilded-copper-is-at-once-heavy-enough-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830646.htmlRF2HTYN5X–Art inspired by Morse, ca. 1250, French, Copper-gilt, glass, Overall: 4 5/16 x 5 13/16 x 1/2 in. (10.9 x 14.7 x 1.3 cm), Metalwork-Copper, A morse is a clasp attached to a liturgical vestment to prevent the garment from slipping from the shoulders. Gilded copper is at once heavy enough, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bottle, c. 1800. China, Chinese Export, early 19th century. Porcelain; overall: 25.6 x 14.2 cm (10 1/16 x 5 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bottle-c-1800-china-chinese-export-early-19th-century-porcelain-overall-256-x-142-cm-10-116-x-5-916-in-image448086622.htmlRM2H1031J–Bottle, c. 1800. China, Chinese Export, early 19th century. Porcelain; overall: 25.6 x 14.2 cm (10 1/16 x 5 9/16 in.).
. English: Accession Number: 1991.172 Display Artist: Unknown Display Title: Hairpin Creation Date: 19th century Medium: Metal and coral Height: 5 13/16 in. Width: 1 in. Display Dimensions: 5 13/16 in. x 1 in. x 5/8 in. (14.76 cm x 2.54 cm x 1.59 cm) Credit Line: Gift of Edker and Blanche Pope Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 30 August 2010, 10:02:00. English: thesandiegomuseumofartcollection Hairpin (5765353973) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-1991172-display-artist-unknown-display-title-hairpin-creation-date-19th-century-medium-metal-and-coral-height-5-1316-in-width-1-in-display-dimensions-5-1316-in-x-1-in-x-58-in-1476-cm-x-254-cm-x-159-cm-credit-line-gift-of-edker-and-blanche-pope-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-30-august-2010-100200-english-thesandiegomuseumofartcollection-hairpin-5765353973-image184814966.htmlRMMMK1AE–. English: Accession Number: 1991.172 Display Artist: Unknown Display Title: Hairpin Creation Date: 19th century Medium: Metal and coral Height: 5 13/16 in. Width: 1 in. Display Dimensions: 5 13/16 in. x 1 in. x 5/8 in. (14.76 cm x 2.54 cm x 1.59 cm) Credit Line: Gift of Edker and Blanche Pope Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 30 August 2010, 10:02:00. English: thesandiegomuseumofartcollection Hairpin (5765353973)
Drawing, A Pair of Scissors with Handles Formed by Half-figures of Women with Rinceaux as Legs; Italy; pen and ink, brush and gray wash on heavy off-white paper; 14.5 x 10.5 cm (5 11/16 x 4 1/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-a-pair-of-scissors-with-handles-formed-by-half-figures-of-women-with-rinceaux-as-legs-italy-pen-and-ink-brush-and-gray-wash-on-heavy-off-white-paper-145-x-105-cm-5-1116-x-4-18-in-image546247121.htmlRM2PMKKNN–Drawing, A Pair of Scissors with Handles Formed by Half-figures of Women with Rinceaux as Legs; Italy; pen and ink, brush and gray wash on heavy off-white paper; 14.5 x 10.5 cm (5 11/16 x 4 1/8 in.)
A View on the Coast of Sussex MET DP871854 392965 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Thomas Cornell, London, A View on the Coast of Sussex, October 1, 1785, Etching, Sheet: 10 3/16 x 14 5/16 in. (25.8 x 36.4 cm) Plate: 9 13/16 x 13 13/16 in. (25 x 35.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.567.33) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-view-on-the-coast-of-sussex-met-dp871854-392965-artist-thomas-rowlandson-168093254.htmlRMKND8JE–A View on the Coast of Sussex MET DP871854 392965 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Thomas Cornell, London, A View on the Coast of Sussex, October 1, 1785, Etching, Sheet: 10 3/16 x 14 5/16 in. (25.8 x 36.4 cm) Plate: 9 13/16 x 13 13/16 in. (25 x 35.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.567.33)
Cigar Store Indian. Dated: c. 1937. Dimensions: overall: 35.6 x 25.5 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Ethel Dougan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cigar-store-indian-dated-c-1937-dimensions-overall-356-x-255-cm-14-x-10-116-in-medium-watercolor-graphite-and-colored-pencil-on-paper-museum-national-gallery-of-art-washington-dc-author-ethel-dougan-image218951489.htmlRMPM62T1–Cigar Store Indian. Dated: c. 1937. Dimensions: overall: 35.6 x 25.5 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Ethel Dougan.
'F.L. Griggs, Laneham, 1923, etching in black on laid paper, plate: 12.8 x 12 cm (5 1/16 x 4 3/4 in.) sheet: 25.5 x 20.4 cm (10 1/16 x 8 1/16 in.), Gift of Ruth Cole Kainen, 2005.145.14' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fl-griggs-laneham-1923-etching-in-black-on-laid-paper-plate-128-x-12-cm-5-116-x-4-34-in-sheet-255-x-204-cm-10-116-x-8-116-in-gift-of-ruth-cole-kainen-200514514-image559637728.htmlRM2REDKHM–'F.L. Griggs, Laneham, 1923, etching in black on laid paper, plate: 12.8 x 12 cm (5 1/16 x 4 3/4 in.) sheet: 25.5 x 20.4 cm (10 1/16 x 8 1/16 in.), Gift of Ruth Cole Kainen, 2005.145.14'
L.M. Melander & Bro., American, active 1870–1900, Wedding Portrait, c. 1900, Glossy collodion print on cardboard, image: 5 1/2 x 3 15/16 in. (14 x 10 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lm-melander-bro-american-active-18701900-wedding-portrait-c-1900-glossy-collodion-print-on-cardboard-image-5-12-x-3-1516-in-14-x-10-cm-image344579910.htmlRM2B0GY5A–L.M. Melander & Bro., American, active 1870–1900, Wedding Portrait, c. 1900, Glossy collodion print on cardboard, image: 5 1/2 x 3 15/16 in. (14 x 10 cm
Art inspired by Sugar bowl (pot à sucre ovoide), 1836, French, Sèvres, Hard-paste porcelain, Overall (confirmed): 5 5/8 x 5 1/4 x 4 1/16 in. (14.3 x 13.3 x 10.3 cm), Ceramics-Porcelain, The best of the Sèvres porcelain produced in the mid-nineteenth century displays an originality of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sugar-bowl-pot-sucre-ovoide-1836-french-svres-hard-paste-porcelain-overall-confirmed-5-58-x-5-14-x-4-116-in-143-x-133-x-103-cm-ceramics-porcelain-the-best-of-the-svres-porcelain-produced-in-the-mid-nineteenth-century-displays-an-originality-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776000.htmlRF2HTW7E8–Art inspired by Sugar bowl (pot à sucre ovoide), 1836, French, Sèvres, Hard-paste porcelain, Overall (confirmed): 5 5/8 x 5 1/4 x 4 1/16 in. (14.3 x 13.3 x 10.3 cm), Ceramics-Porcelain, The best of the Sèvres porcelain produced in the mid-nineteenth century displays an originality of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Teapot, c. 1750-1770. China, Chinese Export -- European Market, 18th century. Porcelain; overall: 14 x 10.9 cm (5 1/2 x 4 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teapot-c-1750-1770-china-chinese-export-european-market-18th-century-porcelain-overall-14-x-109-cm-5-12-x-4-516-in-image448082033.htmlRM2H0YW5N–Teapot, c. 1750-1770. China, Chinese Export -- European Market, 18th century. Porcelain; overall: 14 x 10.9 cm (5 1/2 x 4 5/16 in.).
![STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 13:53:47.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 200 Optimisation image : Balance des blancs : Ensoleillé, 0, Stock Photo](https://c8.alamy.com/comp/PC9GJ2/studio-basset-alain-basset-12-rue-de-la-blanchisserie-69250-neuville-sur-saone-0607535207-beginning-of-shooting-data-section-nikon-d800e-20130723-13534710-fuseau-horairedate-utc-heure-dtactive-raw-compression-sans-perte-14-bits-taille-dimage-l-7360-x-4912-fx-objectif-vr-105mm-f28g-photographe-alain-basset-0607535207-focale-105mm-mode-dexposition-manuel-mesure-pondre-centrale-vitesse-dobturation-160s-ouverture-f16-correction-expo-0il-rgl-prcis-expo-sensibilit-iso-200-optimisation-image-balance-des-blancs-ensoleill-0-PC9GJ2.jpg "STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 13:53:47.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 200 Optimisation image : Balance des blancs : Ensoleillé, 0, Stock Photo")
STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 13:53:47.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 200 Optimisation image : Balance des blancs : Ensoleillé, 0, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studio-basset-alain-basset-12-rue-de-la-blanchisserie-69250-neuville-sur-saone-0607535207-beginning-of-shooting-data-section-nikon-d800e-20130723-13534710-fuseau-horairedate-utc-heure-dtactive-raw-compression-sans-perte-14-bits-taille-dimage-l-7360-x-4912-fx-objectif-vr-105mm-f28g-photographe-alain-basset-0607535207-focale-105mm-mode-dexposition-manuel-mesure-pondre-centrale-vitesse-dobturation-160s-ouverture-f16-correction-expo-0il-rgl-prcis-expo-sensibilit-iso-200-optimisation-image-balance-des-blancs-ensoleill-0-image214110906.htmlRMPC9GJ2–STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 13:53:47.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 200 Optimisation image : Balance des blancs : Ensoleillé, 0,
Print, The War - Making Havelocks for the Volunteers, from Harper's Weekly, June 29, 1861, p. 401.; Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on newsprint paper.; Overall: 37.7 x 26.7 cm (14 13/16 x 10 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-the-war-making-havelocks-for-the-volunteers-from-harpers-weekly-june-29-1861-p-401-winslow-homer-american-18361910-usa-wood-engraving-in-black-ink-on-newsprint-paper-overall-377-x-267-cm-14-1316-x-10-12-in-image546262101.htmlRM2PMMATN–Print, The War - Making Havelocks for the Volunteers, from Harper's Weekly, June 29, 1861, p. 401.; Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on newsprint paper.; Overall: 37.7 x 26.7 cm (14 13/16 x 10 1/2 in.)
Charity Covereth a Multitude of Sins MET DP871738 392905 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Hannah Humphrey, London, Charity Covereth a Multitude of Sins, November 27, 1781, Hand-colored etching, Sheet: 14 1/8 x 10 1/16 in. (35.9 x 25.5 cm) Plate: 13 3/4 ? 9 7/8 in. (35 ? 25.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.15) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-charity-covereth-a-multitude-of-sins-met-dp871738-392905-artist-thomas-168093178.htmlRMKND8FP–Charity Covereth a Multitude of Sins MET DP871738 392905 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: Hannah Humphrey, London, Charity Covereth a Multitude of Sins, November 27, 1781, Hand-colored etching, Sheet: 14 1/8 x 10 1/16 in. (35.9 x 25.5 cm) Plate: 13 3/4 ? 9 7/8 in. (35 ? 25.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.15)
Quilt (1 Section). Dated: c. 1936. Dimensions: overall: 35.6 x 25.5 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Ruth M. Barnes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quilt-1-section-dated-c-1936-dimensions-overall-356-x-255-cm-14-x-10-116-in-medium-watercolor-graphite-and-gouache-on-paper-museum-national-gallery-of-art-washington-dc-author-ruth-m-barnes-image225732537.htmlRMR37049–Quilt (1 Section). Dated: c. 1936. Dimensions: overall: 35.6 x 25.5 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Ruth M. Barnes.
'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-cleyn-the-sacrifice-of-marcus-curtius-1640s-black-chalk-on-laid-paper-overall-181-x-289-cm-7-18-x-11-38-in-support-26-x-373-cm-10-14-x-14-1116-in-ailsa-mellon-bruce-fund-1984451-image559844140.htmlRM2RER2WG–'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1'
Egypt, rim shards, pot, pottery, 1, h 5.5 cm Ø = 8.5, 2, 10 x 8.5 cm, Ø = 16, 3, 11 x 7.5 cm, Ø = 12, 4, 8.5 x 7 cm, Ø = 10, 5, 9 x 5 cm, Ø = 14, 6, 7 x 5.5 cm, Ø = 16, 7, 12.5 x 9 cm, Ø = 20, 8, 10 x 9 cm, Ø = 13, 9, 4.5 x 5.5 cm, Ø = 2.5, neck, 10, 6 x 5 cm, Ø = 5, Meroitische Period, 2nd-4th century AD, Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-rim-shards-pot-pottery-1-h-55-cm-=-85-2-10-x-85-cm-=-16-3-11-x-75-cm-=-12-4-85-x-7-cm-=-10-5-9-x-5-cm-=-14-6-7-x-55-cm-=-16-7-125-x-9-cm-=-20-8-10-x-9-cm-=-13-9-45-x-55-cm-=-25-neck-10-6-x-5-cm-=-5-meroitische-period-2nd-4th-century-ad-egypt-image344513707.htmlRM2B0DXMY–Egypt, rim shards, pot, pottery, 1, h 5.5 cm Ø = 8.5, 2, 10 x 8.5 cm, Ø = 16, 3, 11 x 7.5 cm, Ø = 12, 4, 8.5 x 7 cm, Ø = 10, 5, 9 x 5 cm, Ø = 14, 6, 7 x 5.5 cm, Ø = 16, 7, 12.5 x 9 cm, Ø = 20, 8, 10 x 9 cm, Ø = 13, 9, 4.5 x 5.5 cm, Ø = 2.5, neck, 10, 6 x 5 cm, Ø = 5, Meroitische Period, 2nd-4th century AD, Egypt
Art inspired by Princeps Maria Henrici VIII Regis Angliæ Filia, 1647, Etching; first state of four, sheet: 5 9/16 x 4 1/4 in. (14.1 x 10.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), after a Hans Holbein the younger portrait roundel formerly in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-princeps-maria-henrici-viii-regis-angli-filia-1647-etching-first-state-of-four-sheet-5-916-x-4-14-in-141-x-108-cm-prints-after-hans-holbein-the-younger-german-augsburg-1497981543-london-after-a-hans-holbein-the-younger-portrait-roundel-formerly-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462963738.htmlRF2HW5PY6–Art inspired by Princeps Maria Henrici VIII Regis Angliæ Filia, 1647, Etching; first state of four, sheet: 5 9/16 x 4 1/4 in. (14.1 x 10.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), after a Hans Holbein the younger portrait roundel formerly in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Teapot, c. 1750-1770. China, Chinese Export -- European Market, 18th century. Porcelain; overall: 14 x 10.9 cm (5 1/2 x 4 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teapot-c-1750-1770-china-chinese-export-european-market-18th-century-porcelain-overall-14-x-109-cm-5-12-x-4-516-in-image448082067.htmlRM2H0YW6Y–Teapot, c. 1750-1770. China, Chinese Export -- European Market, 18th century. Porcelain; overall: 14 x 10.9 cm (5 1/2 x 4 5/16 in.).
![STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 14:03:45.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, Stock Photo](https://c8.alamy.com/comp/PC9GJ3/studio-basset-alain-basset-12-rue-de-la-blanchisserie-69250-neuville-sur-saone-0607535207-beginning-of-shooting-data-section-nikon-d800e-20130723-14034510-fuseau-horairedate-utc-heure-dtactive-raw-compression-sans-perte-14-bits-taille-dimage-l-7360-x-4912-fx-objectif-vr-105mm-f28g-photographe-alain-basset-0607535207-focale-105mm-mode-dexposition-manuel-mesure-pondre-centrale-vitesse-dobturation-160s-ouverture-f16-correction-expo-0il-rgl-prcis-expo-sensibilit-iso-160-optimisation-image-balance-des-blancs-ensoleill-0-PC9GJ3.jpg "STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 14:03:45.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, Stock Photo")
STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 14:03:45.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studio-basset-alain-basset-12-rue-de-la-blanchisserie-69250-neuville-sur-saone-0607535207-beginning-of-shooting-data-section-nikon-d800e-20130723-14034510-fuseau-horairedate-utc-heure-dtactive-raw-compression-sans-perte-14-bits-taille-dimage-l-7360-x-4912-fx-objectif-vr-105mm-f28g-photographe-alain-basset-0607535207-focale-105mm-mode-dexposition-manuel-mesure-pondre-centrale-vitesse-dobturation-160s-ouverture-f16-correction-expo-0il-rgl-prcis-expo-sensibilit-iso-160-optimisation-image-balance-des-blancs-ensoleill-0-image214110907.htmlRMPC9GJ3–STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/07/23 14:03:45.10 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : VR 105mm f/2.8G Photographe : ALAIN BASSET 0607535207 Focale : 105mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/16 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0,
Drawing, The Upper End of Little Cottonwood Canyon, Wasatch Range, near Ogden, Utah; Thomas Moran (American, b. Britain, 1837–1926); USA; brush and watercolor, white goauche, graphite on gray laid paper; 25.8 x 37.1 cm (10 3/16 x 14 5/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-the-upper-end-of-little-cottonwood-canyon-wasatch-range-near-ogden-utah-thomas-moran-american-b-britain-18371926-usa-brush-and-watercolor-white-goauche-graphite-on-gray-laid-paper-258-x-371-cm-10-316-x-14-58-in-image546175205.htmlRM2PMGC19–Drawing, The Upper End of Little Cottonwood Canyon, Wasatch Range, near Ogden, Utah; Thomas Moran (American, b. Britain, 1837–1926); USA; brush and watercolor, white goauche, graphite on gray laid paper; 25.8 x 37.1 cm (10 3/16 x 14 5/8 in.)
Cruet Stand MET DP216649 Cruet Stand MET DP216649 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cruet-stand-met-dp216649-cruet-stand-met-dp216649-2747-maker-joseph-168006284.htmlRMKN99MC–Cruet Stand MET DP216649 Cruet Stand MET DP216649 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1)
Shaving Mirror. Dated: 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 2/3 actual size: 18'. Medium: watercolor, colored pencil, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Dana Bartlett. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaving-mirror-dated-1936-dimensions-overall-356-x-256-cm-14-x-10-116-in-original-iad-object-23-actual-size-18-medium-watercolor-colored-pencil-graphite-and-heightening-on-paper-museum-national-gallery-of-art-washington-dc-author-dana-bartlett-image225613759.htmlRMR31GJ7–Shaving Mirror. Dated: 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 2/3 actual size: 18'. Medium: watercolor, colored pencil, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Dana Bartlett.
'Richard Houston after Rembrandt van Rijn, The Burgomaster, c. 1760, mezzotint on laid paper, plate: 35.1 x 25 cm (13 13/16 x 9 13/16 in.) sheet: 36.1 x 26 cm (14 3/16 x 10 1/4 in.), Paul Mellon Fund, 2001.118.13' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-houston-after-rembrandt-van-rijn-the-burgomaster-c-1760-mezzotint-on-laid-paper-plate-351-x-25-cm-13-1316-x-9-1316-in-sheet-361-x-26-cm-14-316-x-10-14-in-paul-mellon-fund-200111813-image559632921.htmlRM2REDDE1–'Richard Houston after Rembrandt van Rijn, The Burgomaster, c. 1760, mezzotint on laid paper, plate: 35.1 x 25 cm (13 13/16 x 9 13/16 in.) sheet: 36.1 x 26 cm (14 3/16 x 10 1/4 in.), Paul Mellon Fund, 2001.118.13'
The Banqueters, plate 9: What a pitiful idea we have..., 1849. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.5 x 25.5 cm (14 x 10 1/16 in.); image: 25.4 x 20.7 cm (10 x 8 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-banqueters-plate-9-what-a-pitiful-idea-we-have-1849-honor-daumier-french-1808-1879-lithograph-sheet-355-x-255-cm-14-x-10-116-in-image-254-x-207-cm-10-x-8-18-in-image240456580.htmlRMRY5MR0–The Banqueters, plate 9: What a pitiful idea we have..., 1849. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.5 x 25.5 cm (14 x 10 1/16 in.); image: 25.4 x 20.7 cm (10 x 8 1/8 in
Art inspired by Coffeepot, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 14 1/2 x 10 15/16 x 5 5/8 in. (36.8 x 27.8 x 14.3 cm); 41 oz. 11 dwt. (1292 g), Silver, Attributed to Christian Wiltberger (American, Philadelphia, Pennsylvania 1766–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-coffeepot-ca-1800-made-in-philadelphia-pennsylvania-united-states-american-silver-overall-14-12-x-10-1516-x-5-58-in-368-x-278-x-143-cm-41-oz-11-dwt-1292-g-silver-attributed-to-christian-wiltberger-american-philadelphia-pennsylvania-17661851-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463045680.htmlRF2HW9FDM–Art inspired by Coffeepot, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 14 1/2 x 10 15/16 x 5 5/8 in. (36.8 x 27.8 x 14.3 cm); 41 oz. 11 dwt. (1292 g), Silver, Attributed to Christian Wiltberger (American, Philadelphia, Pennsylvania 1766–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ichikawa Ebijuro II as Horiguchi Manzaemon, 1829. Utagawa Kunihiro (Japanese). Color woodblock print; sheet: 36.4 x 26.1 cm (14 5/16 x 10 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ichikawa-ebijuro-ii-as-horiguchi-manzaemon-1829-utagawa-kunihiro-japanese-color-woodblock-print-sheet-364-x-261-cm-14-516-x-10-14-in-image448090927.htmlRM2H108FB–Ichikawa Ebijuro II as Horiguchi Manzaemon, 1829. Utagawa Kunihiro (Japanese). Color woodblock print; sheet: 36.4 x 26.1 cm (14 5/16 x 10 1/4 in.).
![STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/04/16 14:25:10.60 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : 85mm f/1.8D Photographe : ALAIN BASSET 0607535207 Focale : 85mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/8 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, 0 Mod Stock Photo](https://c8.alamy.com/comp/MP4WHB/studio-basset-alain-basset-12-rue-de-la-blanchisserie-69250-neuville-sur-saone-0607535207-beginning-of-shooting-data-section-nikon-d800e-20130416-14251060-fuseau-horairedate-utc-heure-dtactive-raw-compression-sans-perte-14-bits-taille-dimage-l-7360-x-4912-fx-objectif-85mm-f18d-photographe-alain-basset-0607535207-focale-85mm-mode-dexposition-manuel-mesure-pondre-centrale-vitesse-dobturation-160s-ouverture-f8-correction-expo-0il-rgl-prcis-expo-sensibilit-iso-160-optimisation-image-balance-des-blancs-ensoleill-0-0-mod-MP4WHB.jpg "STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/04/16 14:25:10.60 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : 85mm f/1.8D Photographe : ALAIN BASSET 0607535207 Focale : 85mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/8 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, 0 Mod Stock Photo")
STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/04/16 14:25:10.60 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : 85mm f/1.8D Photographe : ALAIN BASSET 0607535207 Focale : 85mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/8 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, 0 Mod Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studio-basset-alain-basset-12-rue-de-la-blanchisserie-69250-neuville-sur-saone-0607535207-beginning-of-shooting-data-section-nikon-d800e-20130416-14251060-fuseau-horairedate-utc-heure-dtactive-raw-compression-sans-perte-14-bits-taille-dimage-l-7360-x-4912-fx-objectif-85mm-f18d-photographe-alain-basset-0607535207-focale-85mm-mode-dexposition-manuel-mesure-pondre-centrale-vitesse-dobturation-160s-ouverture-f8-correction-expo-0il-rgl-prcis-expo-sensibilit-iso-160-optimisation-image-balance-des-blancs-ensoleill-0-0-mod-image185734007.htmlRMMP4WHB–STUDIO BASSET alain Basset 12 rue de la Blanchisserie 69250 Neuville sur Saone 0607535207 [#Beginning of Shooting Data Section] Nikon D800E 2013/04/16 14:25:10.60 Fuseau horaire/date : UTC, Heure d'été:Activée RAW, compression sans perte (14 bits) Taille d'image : L (7360 x 4912), FX Objectif : 85mm f/1.8D Photographe : ALAIN BASSET 0607535207 Focale : 85mm Mode d'exposition : Manuel Mesure : Pondérée centrale Vitesse d'obturation : 1/60s Ouverture : f/8 Correction expo. : 0IL Régl. précis expo. : Sensibilité : ISO 160 Optimisation image : Balance des blancs : Ensoleillé, 0, 0 Mod
Print, Crew of the U.S. Steam-sloop 'Colorado,' Shipped at Boston, June 1861, from Harper's Weekly, July 13, 1861, p. 439.; Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on newsprint paper; Overall: 26.6 x 37.9 cm (10 1/2 x 14 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-crew-of-the-us-steam-sloop-colorado-shipped-at-boston-june-1861-from-harpers-weekly-july-13-1861-p-439-winslow-homer-american-18361910-usa-wood-engraving-in-black-ink-on-newsprint-paper-overall-266-x-379-cm-10-12-x-14-1516-in-image546264949.htmlRM2PMMEED–Print, Crew of the U.S. Steam-sloop 'Colorado,' Shipped at Boston, June 1861, from Harper's Weekly, July 13, 1861, p. 439.; Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on newsprint paper; Overall: 26.6 x 37.9 cm (10 1/2 x 14 15/16 in.)
Cruet Stand MET DP216645 Cruet Stand MET DP216645 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cruet-stand-met-dp216645-cruet-stand-met-dp216645-2747-maker-joseph-168006289.htmlRMKN99MH–Cruet Stand MET DP216645 Cruet Stand MET DP216645 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1)
Doll - 'Retta Hervey'. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 13 1/2' high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doll-retta-hervey-dated-c-1937-dimensions-overall-356-x-256-cm-14-x-10-116-in-original-iad-object-13-12-high-medium-watercolor-graphite-and-gouache-on-paper-museum-national-gallery-of-art-washington-dc-author-edith-towner-image225556542.htmlRMR2XYJP–Doll - 'Retta Hervey'. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 13 1/2' high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.
!['David Lucas after John Constable, Spring, c. 1832, mezzotint on laid paper [proof], plate: 15.4 x 25.5 cm (6 1/16 x 10 1/16 in.) sheet: 27 x 38 cm (10 5/8 x 14 15/16 in.), Paul Mellon Fund, 2001.118.25' Stock Photo](https://c8.alamy.com/comp/2RE9H78/david-lucas-after-john-constable-spring-c-1832-mezzotint-on-laid-paper-proof-plate-154-x-255-cm-6-116-x-10-116-in-sheet-27-x-38-cm-10-58-x-14-1516-in-paul-mellon-fund-200111825-2RE9H78.jpg "'David Lucas after John Constable, Spring, c. 1832, mezzotint on laid paper [proof], plate: 15.4 x 25.5 cm (6 1/16 x 10 1/16 in.) sheet: 27 x 38 cm (10 5/8 x 14 15/16 in.), Paul Mellon Fund, 2001.118.25' Stock Photo")
'David Lucas after John Constable, Spring, c. 1832, mezzotint on laid paper [proof], plate: 15.4 x 25.5 cm (6 1/16 x 10 1/16 in.) sheet: 27 x 38 cm (10 5/8 x 14 15/16 in.), Paul Mellon Fund, 2001.118.25' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-lucas-after-john-constable-spring-c-1832-mezzotint-on-laid-paper-proof-plate-154-x-255-cm-6-116-x-10-116-in-sheet-27-x-38-cm-10-58-x-14-1516-in-paul-mellon-fund-200111825-image559548060.htmlRM2RE9H78–'David Lucas after John Constable, Spring, c. 1832, mezzotint on laid paper [proof], plate: 15.4 x 25.5 cm (6 1/16 x 10 1/16 in.) sheet: 27 x 38 cm (10 5/8 x 14 15/16 in.), Paul Mellon Fund, 2001.118.25'
Mary, Countess of Seaforth, John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Allan Ramsay, 1713–1784, British, 1751, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 x 10 1/16 inches (35.5 x 25.5 cm) and Image: 12 3/16 x 9 13/16 inches (31 x 24.9 cm), bows (costume accessories), feathers, gown, hat, nobility, portrait, trees, woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-countess-of-seaforth-john-faber-the-younger-ca-16951756-netherlandish-active-in-britain-after-allan-ramsay-17131784-british-1751-mezzotint-on-medium-slightly-textured-cream-laid-paper-sheet-14-x-10-116-inches-355-x-255-cm-and-image-12-316-x-9-1316-inches-31-x-249-cm-bows-costume-accessories-feathers-gown-hat-nobility-portrait-trees-woman-image389742177.htmlRM2DJ283D–Mary, Countess of Seaforth, John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Allan Ramsay, 1713–1784, British, 1751, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 x 10 1/16 inches (35.5 x 25.5 cm) and Image: 12 3/16 x 9 13/16 inches (31 x 24.9 cm), bows (costume accessories), feathers, gown, hat, nobility, portrait, trees, woman
Art inspired by The Crucifixion, 1340s, Tempera and gold leaf on wood, Overall 16 1/2 x 12 1/2 in. (41.9 x 31.8 cm); painted surface 14 1/8 x 10 1/8 in. (35.9 x 25.7 cm), Paintings, Pietro Lorenzetti (Italian, active Siena 1320–44), Pietro Lorenzetti was one of the great innovators of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-crucifixion-1340s-tempera-and-gold-leaf-on-wood-overall-16-12-x-12-12-in-419-x-318-cm-painted-surface-14-18-x-10-18-in-359-x-257-cm-paintings-pietro-lorenzetti-italian-active-siena-132044-pietro-lorenzetti-was-one-of-the-great-innovators-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462817643.htmlRF2HTY4HF–Art inspired by The Crucifixion, 1340s, Tempera and gold leaf on wood, Overall 16 1/2 x 12 1/2 in. (41.9 x 31.8 cm); painted surface 14 1/8 x 10 1/8 in. (35.9 x 25.7 cm), Paintings, Pietro Lorenzetti (Italian, active Siena 1320–44), Pietro Lorenzetti was one of the great innovators of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Teapot (lid), c. 1750-1770. China, Chinese Export -- European Market, 18th century. Porcelain; overall: 14 x 10.9 cm (5 1/2 x 4 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teapot-lid-c-1750-1770-china-chinese-export-european-market-18th-century-porcelain-overall-14-x-109-cm-5-12-x-4-516-in-image448082057.htmlRM2H0YW6H–Teapot (lid), c. 1750-1770. China, Chinese Export -- European Market, 18th century. Porcelain; overall: 14 x 10.9 cm (5 1/2 x 4 5/16 in.).
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1760 Display Dimensions: 7 3/4 in. x 7 1/16 in. (19.7 cm x 17.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1084 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:10. English: thesandiegomuseumofartcollection 1225 Vasant Raga (6124581733) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1760-display-dimensions-7-34-in-x-7-116-in-197-cm-x-179-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901084-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143310-english-thesandiegomuseumofartcollection-1225-vasant-raga-6124581733-image185607460.htmlRMMNY45T–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1760 Display Dimensions: 7 3/4 in. x 7 1/16 in. (19.7 cm x 17.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1084 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:10. English: thesandiegomuseumofartcollection 1225 Vasant Raga (6124581733)
![Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); USA; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping]; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 26.8 x 18.2 cm (10 9/16 x 7 3/16 in.) (b) Stock Photo](https://c8.alamy.com/comp/2PMBNJF/drawing-fisherman-and-women-stowing-nets-in-a-beached-dory-cullercoats-england-winslow-homer-american-18361910-usa-graphite-brush-and-white-gouache-on-light-gray-wove-paper-two-sheeets-joined-overlapping-overall-176-x-358-cm-6-1516-x-14-18-in-each-joined-sheet-268-x-182-cm-10-916-x-7-316-in-b-2PMBNJF.jpg "Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); USA; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping]; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 26.8 x 18.2 cm (10 9/16 x 7 3/16 in.) (b) Stock Photo")
Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); USA; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping]; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 26.8 x 18.2 cm (10 9/16 x 7 3/16 in.) (b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-fisherman-and-women-stowing-nets-in-a-beached-dory-cullercoats-england-winslow-homer-american-18361910-usa-graphite-brush-and-white-gouache-on-light-gray-wove-paper-two-sheeets-joined-overlapping-overall-176-x-358-cm-6-1516-x-14-18-in-each-joined-sheet-268-x-182-cm-10-916-x-7-316-in-b-image546072983.htmlRM2PMBNJF–Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); USA; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping]; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 26.8 x 18.2 cm (10 9/16 x 7 3/16 in.) (b)
Grace Church, New York MET 190911 383438 Artist: Anonymous, American, 19th century, Grace Church, New York, ca. 1850, Watercolor, image: 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm) sheet: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.10) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-grace-church-new-york-met-190911-383438-artist-anonymous-american-168005623.htmlRMKN98TR–Grace Church, New York MET 190911 383438 Artist: Anonymous, American, 19th century, Grace Church, New York, ca. 1850, Watercolor, image: 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm) sheet: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.10)
Metal Lantern. Dated: c. 1936. Dimensions: overall: 35.5 x 25.5 cm (14 x 10 1/16 in.) Original IAD Object: 9' high; 5' in diameter. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metal-lantern-dated-c-1936-dimensions-overall-355-x-255-cm-14-x-10-116-in-original-iad-object-9-high-5-in-diameter-medium-watercolor-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-edward-l-loper-image225560853.htmlRMR2Y54N–Metal Lantern. Dated: c. 1936. Dimensions: overall: 35.5 x 25.5 cm (14 x 10 1/16 in.) Original IAD Object: 9' high; 5' in diameter. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper.
'John Faber II after Philip Mercier, Philip Mercier, 1735, mezzotint on laid paper, plate: 35.2 x 25.2 cm (13 7/8 x 9 15/16 in.) sheet: 35.7 x 25.8 cm (14 1/16 x 10 3/16 in.), Paul Mellon Fund, 2001.118.78' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-faber-ii-after-philip-mercier-philip-mercier-1735-mezzotint-on-laid-paper-plate-352-x-252-cm-13-78-x-9-1516-in-sheet-357-x-258-cm-14-116-x-10-316-in-paul-mellon-fund-200111878-image559546583.htmlRM2RE9FAF–'John Faber II after Philip Mercier, Philip Mercier, 1735, mezzotint on laid paper, plate: 35.2 x 25.2 cm (13 7/8 x 9 15/16 in.) sheet: 35.7 x 25.8 cm (14 1/16 x 10 3/16 in.), Paul Mellon Fund, 2001.118.78'
Harriet Callander of Craigforth, Attributed to William Dickinson, 1746–1823, British, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1772, Mezzotint on moderately thick, smooth, beige laid paper, Sheet: 14 x 10 1/16 inches (35.5 x 25.5 cm) and Image: 13 1/8 x 10 1/16 inches (33.3 x 25.5 cm), cuffs, curls, fur, gaze, gesturing, lace, pearls, portrait, posing, resting, ribbons, robe, sash, solemn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harriet-callander-of-craigforth-attributed-to-william-dickinson-17461823-british-after-sir-joshua-reynolds-ra-17231792-british-ca-1772-mezzotint-on-moderately-thick-smooth-beige-laid-paper-sheet-14-x-10-116-inches-355-x-255-cm-and-image-13-18-x-10-116-inches-333-x-255-cm-cuffs-curls-fur-gaze-gesturing-lace-pearls-portrait-posing-resting-ribbons-robe-sash-solemn-image389744008.htmlRM2DJ2ACT–Harriet Callander of Craigforth, Attributed to William Dickinson, 1746–1823, British, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1772, Mezzotint on moderately thick, smooth, beige laid paper, Sheet: 14 x 10 1/16 inches (35.5 x 25.5 cm) and Image: 13 1/8 x 10 1/16 inches (33.3 x 25.5 cm), cuffs, curls, fur, gaze, gesturing, lace, pearls, portrait, posing, resting, ribbons, robe, sash, solemn
Art inspired by Inkstand, 1710–20, Made in Boston, Massachusetts, United States, American, Silver, Overall: 4 1/8 x 6 1/2 in. (10.5 x 16.5 cm); 23 oz. 14 dwt. (736.7 g), Silver, John Coney (1655/56–1722), This rare triangular inkstand on cast lion’s feet belonged to the colonial, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-inkstand-171020-made-in-boston-massachusetts-united-states-american-silver-overall-4-18-x-6-12-in-105-x-165-cm-23-oz-14-dwt-7367-g-silver-john-coney-1655561722-this-rare-triangular-inkstand-on-cast-lions-feet-belonged-to-the-colonial-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884791.htmlRF2HW267K–Art inspired by Inkstand, 1710–20, Made in Boston, Massachusetts, United States, American, Silver, Overall: 4 1/8 x 6 1/2 in. (10.5 x 16.5 cm); 23 oz. 14 dwt. (736.7 g), Silver, John Coney (1655/56–1722), This rare triangular inkstand on cast lion’s feet belonged to the colonial, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sawamura Gennosuke as Satsuma Gengobei, c. 1805. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print; sheet: 36.9 x 25.6 cm (14 1/2 x 10 1/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sawamura-gennosuke-as-satsuma-gengobei-c-1805-utagawa-toyokuni-japanese-1769-1825-color-woodblock-print-sheet-369-x-256-cm-14-12-x-10-116-in-image448066635.htmlRM2H0Y5FR–Sawamura Gennosuke as Satsuma Gengobei, c. 1805. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print; sheet: 36.9 x 25.6 cm (14 1/2 x 10 1/16 in.).
. English: Series Title: The Ancient Text of the Lord Suite Name: Bhagavata Purana Creation Date: before 1560 Display Dimensions: 7 17/32 in. x 10 7/16 in. (19.1 cm x 26.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.585 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:06:16. English: thesandiegomuseumofartcollection 1183 The Worship of Vishnu at the Birth of Krishna (6124513249) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-the-ancient-text-of-the-lord-suite-name-bhagavata-purana-creation-date-before-1560-display-dimensions-7-1732-in-x-10-716-in-191-cm-x-265-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990585-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140616-english-thesandiegomuseumofartcollection-1183-the-worship-of-vishnu-at-the-birth-of-krishna-6124513249-image185744396.htmlRMMP5ATC–. English: Series Title: The Ancient Text of the Lord Suite Name: Bhagavata Purana Creation Date: before 1560 Display Dimensions: 7 17/32 in. x 10 7/16 in. (19.1 cm x 26.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.585 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:06:16. English: thesandiegomuseumofartcollection 1183 The Worship of Vishnu at the Birth of Krishna (6124513249)
![Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); England; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping] ; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 17.6 x 27 cm (6 15/16 x 10 5/8 in.) (a) Stock Photo](https://c8.alamy.com/comp/2PMBNJ6/drawing-fisherman-and-women-stowing-nets-in-a-beached-dory-cullercoats-england-winslow-homer-american-18361910-england-graphite-brush-and-white-gouache-on-light-gray-wove-paper-two-sheeets-joined-overlapping-overall-176-x-358-cm-6-1516-x-14-18-in-each-joined-sheet-176-x-27-cm-6-1516-x-10-58-in-a-2PMBNJ6.jpg "Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); England; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping] ; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 17.6 x 27 cm (6 15/16 x 10 5/8 in.) (a) Stock Photo")
Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); England; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping] ; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 17.6 x 27 cm (6 15/16 x 10 5/8 in.) (a) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-fisherman-and-women-stowing-nets-in-a-beached-dory-cullercoats-england-winslow-homer-american-18361910-england-graphite-brush-and-white-gouache-on-light-gray-wove-paper-two-sheeets-joined-overlapping-overall-176-x-358-cm-6-1516-x-14-18-in-each-joined-sheet-176-x-27-cm-6-1516-x-10-58-in-a-image546072974.htmlRM2PMBNJ6–Drawing, Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England; Winslow Homer (American, 1836–1910); England; graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping] ; Overall: 17.6 x 35.8 cm (6 15/16 x 14 1/8 in.) each joined sheet: 17.6 x 27 cm (6 15/16 x 10 5/8 in.) (a)
Chafing Dish MET DP208358 1537 Maker: Peter Van Dyck, 1684?1750, Chafing Dish, ca. 1725, Silver, Overall: 3 13/16 x 10 1/8 in. (9.7 x 25.7 cm); 12 oz. 2 dwt. (376.7 g) Lip: W. 5 1/16 in. (12.9 cm) At knops: W. 5 1/2 in. (14 cm) At feet: W. 4 1/4 in. (10.8 cm). The Metropolitan Museum of Art, New York. Dodge Fund, 1935 (35.68.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chafing-dish-met-dp208358-1537-maker-peter-van-dyck-16841750-chafing-168003824.htmlRMKN96GG–Chafing Dish MET DP208358 1537 Maker: Peter Van Dyck, 1684?1750, Chafing Dish, ca. 1725, Silver, Overall: 3 13/16 x 10 1/8 in. (9.7 x 25.7 cm); 12 oz. 2 dwt. (376.7 g) Lip: W. 5 1/16 in. (12.9 cm) At knops: W. 5 1/2 in. (14 cm) At feet: W. 4 1/4 in. (10.8 cm). The Metropolitan Museum of Art, New York. Dodge Fund, 1935 (35.68.1)
Chair. Dated: c. 1936. Dimensions: overall: 35.5 x 25.5 cm (14 x 10 1/16 in.) Original IAD Object: 30'high, 20'wide. See data sheet for details.. Medium: watercolor, gold ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-dated-c-1936-dimensions-overall-355-x-255-cm-14-x-10-116-in-original-iad-object-30high-20wide-see-data-sheet-for-details-medium-watercolor-gold-ink-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-lillian-causey-image225695951.htmlRMR359DK–Chair. Dated: c. 1936. Dimensions: overall: 35.5 x 25.5 cm (14 x 10 1/16 in.) Original IAD Object: 30'high, 20'wide. See data sheet for details.. Medium: watercolor, gold ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey.
'Jan Verkolje I after Sir Peter Lely, The Duchess of Grafton, 1683, mezzotint on laid paper, plate: 35.1 x 25.5 cm (13 13/16 x 10 1/16 in.) sheet: 36 x 26.7 cm (14 3/16 x 10 1/2 in.), Paul Mellon Fund, 2001.118.65' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-verkolje-i-after-sir-peter-lely-the-duchess-of-grafton-1683-mezzotint-on-laid-paper-plate-351-x-255-cm-13-1316-x-10-116-in-sheet-36-x-267-cm-14-316-x-10-12-in-paul-mellon-fund-200111865-image559844919.htmlRM2RER3WB–'Jan Verkolje I after Sir Peter Lely, The Duchess of Grafton, 1683, mezzotint on laid paper, plate: 35.1 x 25.5 cm (13 13/16 x 10 1/16 in.) sheet: 36 x 26.7 cm (14 3/16 x 10 1/2 in.), Paul Mellon Fund, 2001.118.65'
Courtship for Money, Print made by Philip Dawe, ca.1745–ca.1809, British, after Philip Dawe, ca.1745–ca.1809, British, Published by John Bowles, 1701–1779, British, 1771, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm), Plate: 14 x 10 1/16 inches (35.5 x 25.5 cm), and Image: 13 x 10 1/16 inches (33 x 25.5 cm), bag (container), book, bow (costume accessory), caricature, chairs, choker, coat, coins, costume, curtains, drapery, earrings, fashion, flounces, genre subject, gesture, gown, headpiece, humor, interior, jewelry, lace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/courtship-for-money-print-made-by-philip-dawe-ca1745ca1809-british-after-philip-dawe-ca1745ca1809-british-published-by-john-bowles-17011779-british-1771-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-14-14-x-10-716-inches-362-x-265-cm-plate-14-x-10-116-inches-355-x-255-cm-and-image-13-x-10-116-inches-33-x-255-cm-bag-container-book-bow-costume-accessory-caricature-chairs-choker-coat-coins-costume-curtains-drapery-earrings-fashion-flounces-genre-subject-gesture-gown-headpiece-humor-interior-jewelry-lace-image389648100.htmlRM2DHX03G–Courtship for Money, Print made by Philip Dawe, ca.1745–ca.1809, British, after Philip Dawe, ca.1745–ca.1809, British, Published by John Bowles, 1701–1779, British, 1771, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm), Plate: 14 x 10 1/16 inches (35.5 x 25.5 cm), and Image: 13 x 10 1/16 inches (33 x 25.5 cm), bag (container), book, bow (costume accessory), caricature, chairs, choker, coat, coins, costume, curtains, drapery, earrings, fashion, flounces, genre subject, gesture, gown, headpiece, humor, interior, jewelry, lace
