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1430 1495 Stock Photos and Images
Saint Ambrose 1490 by Crivelli Carlo 1430-1495 Italian, Italy, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-ambrose-1490-by-crivelli-carlo-1430-1495-italian-italy-image382270674.htmlRM2D5WX42–Saint Ambrose 1490 by Crivelli Carlo 1430-1495 Italian, Italy,
Pietà, 1475/1500, After Cosimo Tura, Italian, c. 1430-1495, Italy, Tempera on panel, 71.7 x 55.2 cm (28 1/4 x 21 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-14751500-after-cosimo-tura-italian-c-1430-1495-italy-tempera-on-panel-717-x-552-cm-28-14-x-21-34-in-image328638302.htmlRM2A2JNE6–Pietà, 1475/1500, After Cosimo Tura, Italian, c. 1430-1495, Italy, Tempera on panel, 71.7 x 55.2 cm (28 1/4 x 21 3/4 in
Saint Peter 1472 -1473 Francesco del Cossa 1430-1495 15th Century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-peter-1472-1473-francesco-del-cossa-1430-1495-15th-century-italy-italian-image223216177.htmlRMPY4AE9–Saint Peter 1472 -1473 Francesco del Cossa 1430-1495 15th Century, Italy, Italian.
Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Virgin and Child Enthroned with Three Saints, ca. 1470–80, Oil on panel, Made in Siena, Italy, Italian, Siena, 15th century, Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-matteo-di-giovanni-italian-siena-ca-1430-149599-virgin-and-child-enthroned-with-threesaints-ca147080-oil-on-panel-made-in-siena-italy-italiansiena-15thcentury-paintings-image393217469.htmlRM2DRMGW1–Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Virgin and Child Enthroned with Three Saints, ca. 1470–80, Oil on panel, Made in Siena, Italy, Italian, Siena, 15th century, Paintings
Inspired by Saint James Major, part of an altarpiece, Carlo Crivelli, Italian, Venetian, Schools of the Venice and the Marches, 1430-1495, Tempera and tooled gold on panel, Italy, 1472, 38 1/4 x 12 5/8 in., 97.2 x 32.1 cm, 1472, altarpiece, apostle, bad hair day, Beard, boney fingers, cards, crinkly, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-saint-james-major-part-of-an-altarpiece-carlo-crivelli-italian-venetian-schools-of-the-venice-and-the-marches-1430-1495-tempera-and-tooled-gold-on-panel-italy-1472-38-14-x-12-58-in-972-x-321-cm-1472-altarpiece-apostle-bad-hair-day-beard-boney-fingers-cards-crinkly-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459260292.htmlRF2HK5358–Inspired by Saint James Major, part of an altarpiece, Carlo Crivelli, Italian, Venetian, Schools of the Venice and the Marches, 1430-1495, Tempera and tooled gold on panel, Italy, 1472, 38 1/4 x 12 5/8 in., 97.2 x 32.1 cm, 1472, altarpiece, apostle, bad hair day, Beard, boney fingers, cards, crinkly, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Matteo di Giovanni, Italian c. 1430–1495, Virgin and Child with Two Angels, c. 1480, Tempera and gold on panel, 23 13/16 x 17 13/16 in. (60.5 x 45.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-italian-c-14301495-virgin-and-child-with-two-angels-c-1480-tempera-and-gold-on-panel-23-1316-x-17-1316-in-605-x-453-cm-image344581318.htmlRM2B0H0YJ–Matteo di Giovanni, Italian c. 1430–1495, Virgin and Child with Two Angels, c. 1480, Tempera and gold on panel, 23 13/16 x 17 13/16 in. (60.5 x 45.3 cm
Madonna with Child and Angels, ca 1470. Artist: Matteo di Giovanni (ca. 1430-1495) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-with-child-and-angels-ca-1470-artist-matteo-di-giovanni-ca-image60396933.htmlRMDE78W9–Madonna with Child and Angels, ca 1470. Artist: Matteo di Giovanni (ca. 1430-1495)
Madonna and Child', c1450-1495. Artist: Matteo di Giovanni. Matteo di Giovanni (1430-1495) was an Italian Renaissance artist from the Sienese School. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-c1450-1495-artist-matteo-di-giovanni-matteo-di-giovanni-1430-1495-was-an-italian-renaissance-artist-from-the-sienese-school-image377037403.htmlRM2CWBF1F–Madonna and Child', c1450-1495. Artist: Matteo di Giovanni. Matteo di Giovanni (1430-1495) was an Italian Renaissance artist from the Sienese School.
Saint Jerome by the Italian early Renaissance artist, Cosimo Tura (c. 1430 – 1495), oil and egg on poplar, c. 1470 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-jerome-by-the-italian-early-renaissance-artist-cosimo-tura-c-1430-1495-oil-and-egg-on-poplar-c-1470-image461621903.htmlRM2HR0KCF–Saint Jerome by the Italian early Renaissance artist, Cosimo Tura (c. 1430 – 1495), oil and egg on poplar, c. 1470
Mary Magdalena by Carlo Crivelli (c. 1430-1495), Ascoll Piceno, ca. 1480, tempera on panel. With Carlo Crivelli, the so-called 'International Gothic' style experienced its final flowering in Italy. This perfectly preserved panel was painted towards the end of his career. It served as the altarpiece of a provincial church dedicated to the Magdalene. Crivelli's refined style is apparent here in the overly elegant arrangement of the hands and fingers and in the saint's face. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalena-by-carlo-crivelli-c-1430-1495-ascoll-piceno-ca-1480-image68542647.htmlRMDYEARK–Mary Magdalena by Carlo Crivelli (c. 1430-1495), Ascoll Piceno, ca. 1480, tempera on panel. With Carlo Crivelli, the so-called 'International Gothic' style experienced its final flowering in Italy. This perfectly preserved panel was painted towards the end of his career. It served as the altarpiece of a provincial church dedicated to the Magdalene. Crivelli's refined style is apparent here in the overly elegant arrangement of the hands and fingers and in the saint's face.
383 Cosimo Tura (ca. 1430–1495) Heilige Hiëronymus - National Gallery Londen 5-3-2015 11-58-49 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/383-cosimo-tura-ca-14301495-heilige-hironymus-national-gallery-londen-5-3-2015-11-58-49-image209930599.htmlRMP5F4HB–383 Cosimo Tura (ca. 1430–1495) Heilige Hiëronymus - National Gallery Londen 5-3-2015 11-58-49
Cosimo Tura (ca. 1430–1495) Heilige Hiëronymus - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cosimo-tura-ca-14301495-heilige-hironymus-image261194956.htmlRMW4XCR8–Cosimo Tura (ca. 1430–1495) Heilige Hiëronymus -
The Annunciation, with Saint Emidius . This painting by Carlo Crivelli (1430-1495) called 'Annunciation'. Found in the National Gallery in London. A disc-shaped object in heaven (see closeup) sends down a thin laser beam, affecting Maria's head. 15th century. N/A 106 Annunciation closeup Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-with-saint-emidius-this-painting-by-carlo-crivelli-1430-1495-called-annunciation-found-in-the-national-gallery-in-london-a-disc-shaped-object-in-heaven-see-closeup-sends-down-a-thin-laser-beam-affecting-marias-head-15th-century-na-106-annunciation-closeup-image210030524.htmlRMP5KM24–The Annunciation, with Saint Emidius . This painting by Carlo Crivelli (1430-1495) called 'Annunciation'. Found in the National Gallery in London. A disc-shaped object in heaven (see closeup) sends down a thin laser beam, affecting Maria's head. 15th century. N/A 106 Annunciation closeup
ơosimo Tura (ca. 1430-1495) Heilige Hiơ3ABronymus - National Gallery Londen 5-3-2015 11-58-49 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-osimo-tura-ca-1430-1495-heilige-hi3abronymus-national-gallery-londen-147477021.htmlRMJFX4CD–ơosimo Tura (ca. 1430-1495) Heilige Hiơ3ABronymus - National Gallery Londen 5-3-2015 11-58-49
LA PIEDAD - SIGLO XV - RENACIMIENTO ITALIANO. Author: Cosmè Tura (c. 1430-1495). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-piedad-siglo-xv-renacimiento-italiano-author-cosm-tura-c-1430-1495-location-louvre-museum-paintings-france-image208376427.htmlRMP30A77–LA PIEDAD - SIGLO XV - RENACIMIENTO ITALIANO. Author: Cosmè Tura (c. 1430-1495). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE.
Painting of an Allegorical Figure of Calliope by Cosimo Tura (1430-1495) an Italian early-Renaissance (or Quattrocento) painter. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-an-allegorical-figure-of-calliope-by-cosimo-tura-1430-1495-an-italian-early-renaissance-or-quattrocento-painter-dated-15th-century-image330688327.htmlRM2A6049B–Painting of an Allegorical Figure of Calliope by Cosimo Tura (1430-1495) an Italian early-Renaissance (or Quattrocento) painter. Dated 15th Century
Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Bourbon Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-matteo-di-giovanni-1430-1495-italian-painter-massacre-of-the-innocents-134372131.htmlRMHPH50K–Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.
Portrait of Saint Jerome by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-saint-jerome-by-carol-crivelli-1430-1495-an-italian-renaissance-painter-of-conservative-late-gothic-decorative-sensibility-dated-15th-century-image257292994.htmlRMTXGKRE–Portrait of Saint Jerome by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century
Fancelli Luca (1430-1495), Certosa Monastery of Florence. Pulpit (without date): View in the refectory of the Certosa del Galluzzo (also Certosa di Val d'EMA). Photo on paper, 29.2 x 22.5 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fancelli-luca-1430-1495-certosa-monastery-of-florence-pulpit-without-date-view-in-the-refectory-of-the-certosa-del-galluzzo-also-certosa-di-val-dema-photo-on-paper-292-x-225-cm-including-scan-edges-image477584384.htmlRM2JMYRN4–Fancelli Luca (1430-1495), Certosa Monastery of Florence. Pulpit (without date): View in the refectory of the Certosa del Galluzzo (also Certosa di Val d'EMA). Photo on paper, 29.2 x 22.5 cm (including scan edges)
Saint Barthelemy, apotre. Peinture de Matteo di Giovanni (vers 1430-1495), huile sur bois, art italien, 15e siecle. Musee des beaux arts de Budapest (Hongrie). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-barthelemy-apotre-peinture-de-matteo-di-giovanni-vers-1430-1495-huile-sur-bois-art-italien-15e-siecle-musee-des-beaux-arts-de-budapest-hongrie-image559621112.htmlRM2RECXC8–Saint Barthelemy, apotre. Peinture de Matteo di Giovanni (vers 1430-1495), huile sur bois, art italien, 15e siecle. Musee des beaux arts de Budapest (Hongrie).
Two Putti Date: 1490/1510 Artist: Matteo di Giovanni Italian, c. 1430-1495 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-putti-date-14901510-artist-matteo-di-giovanni-italian-c-1430-1495-image552263744.htmlRF2R2DP14–Two Putti Date: 1490/1510 Artist: Matteo di Giovanni Italian, c. 1430-1495
Saint John the Baptist 1472 -1473 Francesco del Cossa 1430-1495 15th Century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-john-the-baptist-1472-1473-francesco-del-cossa-1430-1495-15th-century-italy-italian-image223216181.htmlRMPY4AED–Saint John the Baptist 1472 -1473 Francesco del Cossa 1430-1495 15th Century, Italy, Italian.
Cutting from a Franciscan gradual. Attributed to Cosmè Tura (Italian (Ferrarese), about 1430 - 1495) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cutting-from-a-franciscan-gradual-attributed-to-cosm-tura-italian-ferrarese-about-1430-1495-image416596235.htmlRM2F5NGMY–Cutting from a Franciscan gradual. Attributed to Cosmè Tura (Italian (Ferrarese), about 1430 - 1495)
Art inspired by Saint James Major, part of an altarpiece, Carlo Crivelli, Italian, Venetian, Schools of the Venice and the Marches, 1430-1495, Tempera and tooled gold on panel, Italy, 1472, 38 1/4 x 12 5/8 in., 97.2 x 32.1 cm, 1472, altarpiece, apostle, bad hair day, Beard, boney, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-james-major-part-of-an-altarpiece-carlo-crivelli-italian-venetian-schools-of-the-venice-and-the-marches-1430-1495-tempera-and-tooled-gold-on-panel-italy-1472-38-14-x-12-58-in-972-x-321-cm-1472-altarpiece-apostle-bad-hair-day-beard-boney-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459571523.htmlRF2HKK84K–Art inspired by Saint James Major, part of an altarpiece, Carlo Crivelli, Italian, Venetian, Schools of the Venice and the Marches, 1430-1495, Tempera and tooled gold on panel, Italy, 1472, 38 1/4 x 12 5/8 in., 97.2 x 32.1 cm, 1472, altarpiece, apostle, bad hair day, Beard, boney, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Matteo di Giovanni di Bartolo, Italian, ca. 1430-1495, Madonna and Child with Angels, 15th Century, tempera on canvas, Unframed: 27 1/2 × 19 3/4 inches (69.9 × 50.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-di-bartolo-italian-ca-1430-1495-madonna-and-child-with-angels-15th-century-tempera-on-canvas-unframed-27-12-19-34-inches-699-502-cm-image328732095.htmlRM2A2R13Y–Matteo di Giovanni di Bartolo, Italian, ca. 1430-1495, Madonna and Child with Angels, 15th Century, tempera on canvas, Unframed: 27 1/2 × 19 3/4 inches (69.9 × 50.2 cm
The Assumption of the Virgin, 1474. Artist: Matteo di Giovanni (ca. 1430-1495) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assumption-of-the-virgin-1474-artist-matteo-di-giovanni-ca-1430-image60397011.htmlRMDE7903–The Assumption of the Virgin, 1474. Artist: Matteo di Giovanni (ca. 1430-1495)
Altar Frontal with the Lamentation, c. 1474. Attributed to Cosimo Tura (Italian, c. 1430-1495), Rubinetto de Francia (Italian, active 1457-1483). Wool, silk, gold and silver threads; overall: 104.2 x 199.4 cm (41 x 78 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altar-frontal-with-the-lamentation-c-1474-attributed-to-cosimo-tura-italian-c-1430-1495-rubinetto-de-francia-italian-active-1457-1483-wool-silk-gold-and-silver-threads-overall-1042-x-1994-cm-41-x-78-12-in-image240430974.htmlRMRY4G4E–Altar Frontal with the Lamentation, c. 1474. Attributed to Cosimo Tura (Italian, c. 1430-1495), Rubinetto de Francia (Italian, active 1457-1483). Wool, silk, gold and silver threads; overall: 104.2 x 199.4 cm (41 x 78 1/2 in
Saint Augustin by Carlo Crivelli 1430 - 1495 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-augustin-by-carlo-crivelli-1430-1495-italy-italian-74762941.htmlRME9HMW1–Saint Augustin by Carlo Crivelli 1430 - 1495 Italy Italian
Artist: Carlo Crivelli, Italian, ca. 1430–1495, Saint Peter, ca. 1470, Tempera on panel, 29.3 × 21.5 × 2.2 cm (11 9/16 × 8 7/16 × 7/8 in.), On view, Italian, Venetian, 15th century, Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-carlo-crivelli-italian-ca-14301495-saintpeter-ca1470-tempera-on-panel-293-215-22-cm-11-916-8-716-78-in-onview-italianvenetian-15thcentury-paintings-image393507316.htmlRM2DT5PGM–Artist: Carlo Crivelli, Italian, ca. 1430–1495, Saint Peter, ca. 1470, Tempera on panel, 29.3 × 21.5 × 2.2 cm (11 9/16 × 8 7/16 × 7/8 in.), On view, Italian, Venetian, 15th century, Paintings
Painting of Mary Magdalene, said to have travelled with Jesus as one of his followers. Painted by Carlo Crivelli (1430-1495). Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-of-mary-magdalene-said-to-have-travelled-with-jesus-as-one-76397658.htmlRMEC85YP–Painting of Mary Magdalene, said to have travelled with Jesus as one of his followers. Painted by Carlo Crivelli (1430-1495). Dated 15th Century
The Dream of Saint Jerome, 1476, Matteo di Giovanni, Italian, c. 1430-1495, Italy, Tempera on panel, 14 3/4 × 25 7/8 in. (37.4 × 65.7 cm), painted surface: 14 1/8 × 25 3/8 in. (35.8 × 64.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dream-of-saint-jerome-1476-matteo-di-giovanni-italian-c-1430-1495-italy-tempera-on-panel-14-34-25-78-in-374-657-cm-painted-surface-14-18-25-38-in-358-644-cm-image328638285.htmlRM2A2JNDH–The Dream of Saint Jerome, 1476, Matteo di Giovanni, Italian, c. 1430-1495, Italy, Tempera on panel, 14 3/4 × 25 7/8 in. (37.4 × 65.7 cm), painted surface: 14 1/8 × 25 3/8 in. (35.8 × 64.4 cm
Matteo di Giovanni (Italian, ca. 1430-1495). 'Madonna and Child with Saints and Angels,' ca. 1470. tempera and gold leaf on panel. Walters Art Museum (37.1038): Acquired by Henry Walters, 1925. 37.1038 875 Matteo di Giovanni - Madonna and Child with Saints and Angels - Walters 371038 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-italian-ca-1430-1495-madonna-and-child-with-saints-and-angels-ca-1470-tempera-and-gold-leaf-on-panel-walters-art-museum-371038-acquired-by-henry-walters-1925-371038-875-matteo-di-giovanni-madonna-and-child-with-saints-and-angels-walters-371038-image185860177.htmlRMMPAJFD–Matteo di Giovanni (Italian, ca. 1430-1495). 'Madonna and Child with Saints and Angels,' ca. 1470. tempera and gold leaf on panel. Walters Art Museum (37.1038): Acquired by Henry Walters, 1925. 37.1038 875 Matteo di Giovanni - Madonna and Child with Saints and Angels - Walters 371038
Matteo di Giovanni (ca. 1430-1495), Strage degli innocenti, 1481-88. Massacre of the Innocents. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-matteo-di-giovanni-ca-1430-1495-strage-degli-innocenti-1481-88-massacre-123618566.htmlRMH538MP–Matteo di Giovanni (ca. 1430-1495), Strage degli innocenti, 1481-88. Massacre of the Innocents.
Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Bourbon Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-1430-1495-italian-painter-massacre-of-the-innocents-1481-1488-bourbon-collection-national-museum-of-capodimonte-naples-italy-image220244219.htmlRMPP8YMY–Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.
Fotoreproductie van een schilderij door Hans Memling, voorstellende een portret van de sibylle Sambetha Photo Reproduction of a painting by Hans Memling, depicting a portrait of the sibyl Sambetha Object Type : photo reproduction Item number: RP-F 00-4252 Inscriptions / Brands: inscription, recto handwritten 'Gothic Art. (The Netherlands). Brugge. The Sibylle Sembetha by Hans Memling (+ -1430-1495) 'inscription recto handwritten 'CWN' (State for CW Nijhoff, director of Kunstnijverheidsschool Quellinus.) Collector's mark, verso, stamped 'INSTITUTE OF ART INDUSTRY EDUCATION Gabriel Metsu STREET Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-schilderij-door-hans-memling-voorstellende-een-portret-van-de-sibylle-sambetha-photo-reproduction-of-a-painting-by-hans-memling-depicting-a-portrait-of-the-sibyl-sambetha-object-type-photo-reproduction-item-number-rp-f-00-4252-inscriptions-brands-inscription-recto-handwritten-gothic-art-the-netherlands-brugge-the-sibylle-sembetha-by-hans-memling-1430-1495-inscription-recto-handwritten-cwn-state-for-cw-nijhoff-director-of-kunstnijverheidsschool-quellinus-collectors-mark-verso-stamped-institute-of-art-industry-education-gabriel-metsu-street-image348355802.htmlRM2B6MYAJ–Fotoreproductie van een schilderij door Hans Memling, voorstellende een portret van de sibylle Sambetha Photo Reproduction of a painting by Hans Memling, depicting a portrait of the sibyl Sambetha Object Type : photo reproduction Item number: RP-F 00-4252 Inscriptions / Brands: inscription, recto handwritten 'Gothic Art. (The Netherlands). Brugge. The Sibylle Sembetha by Hans Memling (+ -1430-1495) 'inscription recto handwritten 'CWN' (State for CW Nijhoff, director of Kunstnijverheidsschool Quellinus.) Collector's mark, verso, stamped 'INSTITUTE OF ART INDUSTRY EDUCATION Gabriel Metsu STREET
Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Detail. Bourbon Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-matteo-di-giovanni-1430-1495-italian-painter-massacre-of-the-innocents-134372130.htmlRMHPH50J–Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Detail. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.
Portrait of Saint Peter Martyr by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-saint-peter-martyr-by-carol-crivelli-1430-1495-an-italian-renaissance-painter-of-conservative-late-gothic-decorative-sensibility-dated-15th-century-image257292965.htmlRMTXGKPD–Portrait of Saint Peter Martyr by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century
Mary Magdalene,ca 1480.A painting by the italian artist Carlo Crivelli (1430 – 1495) Italian Renaissance painter of conservative Late Gothic decorative sensibility.(Mary Magdalene aka Mary of Magdala,or the Magdalene or the Madeleine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdaleneca-1480a-painting-by-the-italian-artist-carlo-crivelli-1430-1495-italian-renaissance-painter-of-conservative-late-gothic-decorative-sensibilitymary-magdalene-aka-mary-of-magdalaor-the-magdalene-or-the-madeleine-image415182520.htmlRM2F3D5F4–Mary Magdalene,ca 1480.A painting by the italian artist Carlo Crivelli (1430 – 1495) Italian Renaissance painter of conservative Late Gothic decorative sensibility.(Mary Magdalene aka Mary of Magdala,or the Magdalene or the Madeleine.
Legende de Romulus et Remus: l'accouchement de Rhea Silvia. Peinture de Matteo di Giovanni (1430-1495), detrempe sur bois, 27,9 x 35,7 cm. Art italien 15e siecle. Musee des Beaux Arts de Libourne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/legende-de-romulus-et-remus-laccouchement-de-rhea-silvia-peinture-de-matteo-di-giovanni-1430-1495-detrempe-sur-bois-279-x-357-cm-art-italien-15e-siecle-musee-des-beaux-arts-de-libourne-image559621382.htmlRM2RECXNX–Legende de Romulus et Remus: l'accouchement de Rhea Silvia. Peinture de Matteo di Giovanni (1430-1495), detrempe sur bois, 27,9 x 35,7 cm. Art italien 15e siecle. Musee des Beaux Arts de Libourne.
Art inspired by The Holy Family with Saint Mary Magdalen, ca. 1495–1500, Distemper on canvas, 22 1/2 x 18 in. (57.2 x 45.7 cm), Paintings, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua), From 1460 Mantegna painted in Mantua for the Gonzaga family, whose cultivated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-holy-family-with-saint-mary-magdalen-ca-14951500-distemper-on-canvas-22-12-x-18-in-572-x-457-cm-paintings-andrea-mantegna-italian-isola-di-carturo-1430311506-mantua-from-1460-mantegna-painted-in-mantua-for-the-gonzaga-family-whose-cultivated-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025322.htmlRF2HW8HEJ–Art inspired by The Holy Family with Saint Mary Magdalen, ca. 1495–1500, Distemper on canvas, 22 1/2 x 18 in. (57.2 x 45.7 cm), Paintings, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua), From 1460 Mantegna painted in Mantua for the Gonzaga family, whose cultivated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Immaculate Conception by Carlo Crivelli (c.1430-1435 - c.1495), egg on wood, 1492 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-immaculate-conception-by-carlo-crivelli-c1430-1435-c1495-egg-on-wood-1492-image461364832.htmlRM2HPGYFC–The Immaculate Conception by Carlo Crivelli (c.1430-1435 - c.1495), egg on wood, 1492
Initial D: Saint John the Baptist. Attributed to Cosmè Tura (Italian (Ferrarese), about 1430 - 1495) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-d-saint-john-the-baptist-attributed-to-cosm-tura-italian-ferrarese-about-1430-1495-image416596295.htmlRM2F5NGR3–Initial D: Saint John the Baptist. Attributed to Cosmè Tura (Italian (Ferrarese), about 1430 - 1495)
Pietà, 1475/1500, After Cosimo Tura, Italian, c. 1430-1495, Italy, Tempera on panel, 71.7 x 55.2 cm (28 1/4 x 21 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-14751500-after-cosimo-tura-italian-c-1430-1495-italy-tempera-on-panel-717-x-552-cm-28-14-x-21-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349706332.htmlRF2B8XDYT–Pietà, 1475/1500, After Cosimo Tura, Italian, c. 1430-1495, Italy, Tempera on panel, 71.7 x 55.2 cm (28 1/4 x 21 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Saint Peter. Artist: Carlo Crivelli, Italian, ca. 1430–1495 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saintpeter-artist-carlo-crivelli-italian-ca-14301495-image463088859.htmlRM2HWBEFR–Saint Peter. Artist: Carlo Crivelli, Italian, ca. 1430–1495
The Crucifixion by Carlo Crivelli (c.1430-1435 - c.1495), tempera on panel, c. 1487 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-by-carlo-crivelli-c1430-1435-c1495-tempera-on-panel-c-1487-image456506755.htmlRM2HEKK0K–The Crucifixion by Carlo Crivelli (c.1430-1435 - c.1495), tempera on panel, c. 1487
Giovanni Bellini (ca.1430-1516), The Lamentation of Christ, ca. 1495. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giovanni-bellini-ca1430-1516-the-lamentation-of-christ-ca-1495-101892952.htmlRMFWNHE0–Giovanni Bellini (ca.1430-1516), The Lamentation of Christ, ca. 1495.
Saint Nicolas by Carlo Crivelli 1430 - 1495 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-nicolas-by-carlo-crivelli-1430-1495-italy-italian-74762939.htmlRME9HMTY–Saint Nicolas by Carlo Crivelli 1430 - 1495 Italy Italian
Saint Michael by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-michael-by-carlo-crivelli-c1430-1435-c1495-tempera-on-poplar-1476-image454022673.htmlRM2HAJEFD–Saint Michael by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476
Pietà 1474 by Cosimo (Cosmè) TURA 1430 – 1495 Ferrara, Italian, Italy, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-1474-by-cosimo-cosm-tura-1430-1495-ferrara-italian-italy-image245437197.htmlRMT78HJ5–Pietà 1474 by Cosimo (Cosmè) TURA 1430 – 1495 Ferrara, Italian, Italy,
Two Putti, 1490/1510, Matteo di Giovanni, Italian, c. 1430-1495, Italy, Tempera or oil on panel, Panel: 46.3 × 37.5 cm (18 1/4 × 14 3/4 in.), Painted Surface: 45.6 × 36.3 cm (18 × 14 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-putti-14901510-matteo-di-giovanni-italian-c-1430-1495-italy-tempera-or-oil-on-panel-panel-463-375-cm-18-14-14-34-in-painted-surface-456-363-cm-18-14-14-in-image328639880.htmlRM2A2JREG–Two Putti, 1490/1510, Matteo di Giovanni, Italian, c. 1430-1495, Italy, Tempera or oil on panel, Panel: 46.3 × 37.5 cm (18 1/4 × 14 3/4 in.), Painted Surface: 45.6 × 36.3 cm (18 × 14 1/4 in
The Annunciation, with Saint Emidius . This painting by Carlo Crivelli (1430-1495) called 'Annunciation'. Found in the National Gallery in London. A disc-shaped object in heaven (see closeup) sends down a thin laser beam, affecting Maria's head. 15th century. N/A 106 Annunciation closeup (cropped) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-with-saint-emidius-this-painting-by-carlo-crivelli-1430-1495-called-annunciation-found-in-the-national-gallery-in-london-a-disc-shaped-object-in-heaven-see-closeup-sends-down-a-thin-laser-beam-affecting-marias-head-15th-century-na-106-annunciation-closeup-cropped-image210030520.htmlRMP5KM20–The Annunciation, with Saint Emidius . This painting by Carlo Crivelli (1430-1495) called 'Annunciation'. Found in the National Gallery in London. A disc-shaped object in heaven (see closeup) sends down a thin laser beam, affecting Maria's head. 15th century. N/A 106 Annunciation closeup (cropped)
Painting of an Allegorical Figure of Calliope by Cosimo Tura (1430-1495) an Italian early-Renaissance (or Quattrocento) painter. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-of-an-allegorical-figure-of-calliope-by-cosimo-tura-1430-104178567.htmlRMG1DMR3–Painting of an Allegorical Figure of Calliope by Cosimo Tura (1430-1495) an Italian early-Renaissance (or Quattrocento) painter. Dated 15th Century
Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Detail. Bourbon Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-1430-1495-italian-painter-massacre-of-the-innocents-1481-1488-detail-bourbon-collection-national-museum-of-capodimonte-naples-italy-image220244276.htmlRMPP8YR0–Matteo di Giovanni (1430-1495). Italian painter. Massacre of the Innocents, 1481-1488. Detail. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.
Fotoreproductie van een schilderij door Hans Memling, voorstellende Maria met Kind Photo Reproduction of a painting by Hans Memling, depicting Mary with Child Object Type: photo reproduction Item number: RP-F 00-7981 Inscriptions / Brands: inscription, recto handwritten 'Gothic Art. (The Netherlands). Brugge. The Virgin with the young child, by Hans Memling. (+ -1430-1495) 'inscription recto handwritten '. C.W.N. (State C. W. Nijhoff, director of Kunstnijverheidsschool Quellinus.) Collector's mark, verso, stamped:' ART INSTITUTE OF EDUCATION INDUSTRY Gabriel Metsu STREET No. 16. AMSTERDAM' col Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-schilderij-door-hans-memling-voorstellende-maria-met-kind-photo-reproduction-of-a-painting-by-hans-memling-depicting-mary-with-child-object-type-photo-reproduction-item-number-rp-f-00-7981-inscriptions-brands-inscription-recto-handwritten-gothic-art-the-netherlands-brugge-the-virgin-with-the-young-child-by-hans-memling-1430-1495-inscription-recto-handwritten-cwn-state-c-w-nijhoff-director-of-kunstnijverheidsschool-quellinus-collectors-mark-verso-stamped-art-institute-of-education-industry-gabriel-metsu-street-no-16-amsterdam-col-image348355829.htmlRM2B6MYBH–Fotoreproductie van een schilderij door Hans Memling, voorstellende Maria met Kind Photo Reproduction of a painting by Hans Memling, depicting Mary with Child Object Type: photo reproduction Item number: RP-F 00-7981 Inscriptions / Brands: inscription, recto handwritten 'Gothic Art. (The Netherlands). Brugge. The Virgin with the young child, by Hans Memling. (+ -1430-1495) 'inscription recto handwritten '. C.W.N. (State C. W. Nijhoff, director of Kunstnijverheidsschool Quellinus.) Collector's mark, verso, stamped:' ART INSTITUTE OF EDUCATION INDUSTRY Gabriel Metsu STREET No. 16. AMSTERDAM' col
Saint John the Baptist by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-john-the-baptist-by-carlo-crivelli-c1430-1435-c1495-tempera-on-poplar-1476-image461534395.htmlRM2HPTKR7–Saint John the Baptist by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476
Detail from a painting titled 'The Virgin and Child Enthroned' by Cosimo Tura (1430-1495) an Italian early-renaissance painter and founding member of the School of Ferrara. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-from-a-painting-titled-the-virgin-and-child-enthroned-by-cosimo-tura-1430-1495-an-italian-early-renaissance-painter-and-founding-member-of-the-school-of-ferrara-dated-15th-century-image257293586.htmlRMTXGMGJ–Detail from a painting titled 'The Virgin and Child Enthroned' by Cosimo Tura (1430-1495) an Italian early-renaissance painter and founding member of the School of Ferrara. Dated 15th Century
Saint Catherine of Alexandria by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-catherine-of-alexandria-by-carlo-crivelli-c1430-1435-c1495-tempera-on-poplar-1476-image454109390.htmlRM2HAPD4E–Saint Catherine of Alexandria by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476
Legende de Romulus et Remus: Amulius depose les jumeaux sur le Tibre. Peinture de Matteo di Giovanni (1430-1495), detrempe sur bois, 28,5 x34 cm. Art italien 15e siecle. Musee des Beaux Arts de Libourne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/legende-de-romulus-et-remus-amulius-depose-les-jumeaux-sur-le-tibre-peinture-de-matteo-di-giovanni-1430-1495-detrempe-sur-bois-285-x34-cm-art-italien-15e-siecle-musee-des-beaux-arts-de-libourne-image559621391.htmlRM2RECXP7–Legende de Romulus et Remus: Amulius depose les jumeaux sur le Tibre. Peinture de Matteo di Giovanni (1430-1495), detrempe sur bois, 28,5 x34 cm. Art italien 15e siecle. Musee des Beaux Arts de Libourne.
St Francis by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, c. 1494 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-francis-by-carlo-crivelli-c1430-1435-c1495-tempera-on-poplar-c-1494-image429106286.htmlRM2FX3DCE–St Francis by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, c. 1494
Madonna and Child with Saints Sebastian, Catherine of Siena and two angels, c. 1480. Found in the Collection of the Accademia Carrara, Bergamo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-saints-sebastian-catherine-of-siena-and-two-angels-c-1480-found-in-the-collection-of-the-accademia-carrara-bergamo-image462498485.htmlRM2HTCHF1–Madonna and Child with Saints Sebastian, Catherine of Siena and two angels, c. 1480. Found in the Collection of the Accademia Carrara, Bergamo.
The Annunciation with Saint Emidius by Carlo Crivelli (c.1430-1435 - c.1495), egg and oil on canvas, 1486 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-with-saint-emidius-by-carlo-crivelli-c1430-1435-c1495-egg-and-oil-on-canvas-1486-image461364827.htmlRM2HPGYF7–The Annunciation with Saint Emidius by Carlo Crivelli (c.1430-1435 - c.1495), egg and oil on canvas, 1486
Initial D: Saint John the Baptist, Attributed to Cosmè Tura (Italian (Ferrarese), about 1430 - 1495), Ferrara, Italy, about 1470 - 1480, Tempera and gold on parchment, Leaf: 35 x 29.8 cm (13 3,4 x 11 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-d-saint-john-the-baptist-attributed-to-cosm-tura-italian-ferrarese-about-1430-1495-ferrara-italy-about-1470-1480-tempera-and-gold-on-parchment-leaf-35-x-298-cm-13-34-x-11-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350071447.htmlRF2B9F3KK–Initial D: Saint John the Baptist, Attributed to Cosmè Tura (Italian (Ferrarese), about 1430 - 1495), Ferrara, Italy, about 1470 - 1480, Tempera and gold on parchment, Leaf: 35 x 29.8 cm (13 3,4 x 11 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Virgin and Child Enthroned with Three Saints. Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-enthroned-with-threesaints-artist-matteo-di-giovanni-italian-siena-ca-1430-149599-image463100666.htmlRM2HWC1HE–Virgin and Child Enthroned with Three Saints. Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99
The Virgin and Child with Two Angels, 1490s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-two-angels-1490s-image186208918.htmlRMMPXFAE–The Virgin and Child with Two Angels, 1490s.
MATTEO di Giovanni (b. ca. 1430, Borgo San Sepolcro, d. 1495, Siena) Madonna with Child and Two Angels (detail) - Tempera on wood, 66 x 76 cm Christian Museum, Esztergom *** Keywords: ************* Author: MATTEO di Giovanni Title: Madonna with Child and Two Angels (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-b-ca-1430-borgo-san-sepolcro-d-1495-siena-madonna-with-child-and-two-angels-detail-tempera-on-wood-66-x-76-cm-christian-museum-esztergom-keywords-author-matteo-di-giovanni-title-madonna-with-child-and-two-angels-detail-time-line-1451-1500-school-italian-form-painting-type-religious-image625284815.htmlRM2Y9854F–MATTEO di Giovanni (b. ca. 1430, Borgo San Sepolcro, d. 1495, Siena) Madonna with Child and Two Angels (detail) - Tempera on wood, 66 x 76 cm Christian Museum, Esztergom *** Keywords: ************* Author: MATTEO di Giovanni Title: Madonna with Child and Two Angels (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious
Annunciation with Saints John the Baptist und Bernardino da Siena. The Crucifixion. Saints Peter and Paul, Between 1455 and 1464. Artist: Matteo di Gi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-with-saints-john-the-baptist-und-bernardino-da-siena-image60396932.htmlRMDE78W8–Annunciation with Saints John the Baptist und Bernardino da Siena. The Crucifixion. Saints Peter and Paul, Between 1455 and 1464. Artist: Matteo di Gi
Academy notes . INGS, &c. Nos. 1100 to 1233. 1437 1438 SOUTH WALL. 1477 1439 1476 1478 1440 1451 14G614671463 1475 1479 1441 1450 1452 1459 1460 1469 1480 1442 1449 1454 1458 1461 1465 1464 1474 1481 1443 1444 1445 1446 1447 1456 1457 1462 1463 1470 14711472 1473 1482 1436 1435 14341433 HOLL LEIOHTOK P. GRAHAMj 1432 RIVIERE STORE-5 1428 1429 1430 1431»nrM. DRAWINGS DOOR 15411540153915381537PRINSEP 1534 1535 15361533 1532 15311530 XI. 1483 1484 1485 1486 1489 1488 1487 1490 14911492 149a 2 1494 VESTIBULE 1497 1496 1495 OOLESS COTTM TTDNTER MTLLAT53 .TORN SOU 1498 1500 1499 15013 1502 1529 1521 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/academy-notes-ings-c-nos-1100-to-1233-1437-1438-south-wall-1477-1439-1476-1478-1440-1451-14g614671463-1475-1479-1441-1450-1452-1459-1460-1469-1480-1442-1449-1454-1458-1461-1465-1464-1474-1481-1443-1444-1445-1446-1447-1456-1457-1462-1463-1470-14711472-1473-1482-1436-1435-14341433-holl-leiohtok-p-grahamj-1432-riviere-store-5-1428-1429-1430-1431nrm-drawings-door-15411540153915381537prinsep-1534-1535-15361533-1532-15311530-xi-1483-1484-1485-1486-1489-1488-1487-1490-14911492-149a-2-1494-vestibule-1497-1496-1495-ooless-cottm-ttdnter-mtllat53-torn-sou-1498-1500-1499-15013-1502-1529-1521-image338365868.htmlRM2AJDW38–Academy notes . INGS, &c. Nos. 1100 to 1233. 1437 1438 SOUTH WALL. 1477 1439 1476 1478 1440 1451 14G614671463 1475 1479 1441 1450 1452 1459 1460 1469 1480 1442 1449 1454 1458 1461 1465 1464 1474 1481 1443 1444 1445 1446 1447 1456 1457 1462 1463 1470 14711472 1473 1482 1436 1435 14341433 HOLL LEIOHTOK P. GRAHAMj 1432 RIVIERE STORE-5 1428 1429 1430 1431»nrM. DRAWINGS DOOR 15411540153915381537PRINSEP 1534 1535 15361533 1532 15311530 XI. 1483 1484 1485 1486 1489 1488 1487 1490 14911492 149a 2 1494 VESTIBULE 1497 1496 1495 OOLESS COTTM TTDNTER MTLLAT53 .TORN SOU 1498 1500 1499 15013 1502 1529 1521
Pietà 1474 by Cosimo (Cosmè) TURA 1430 – 1495 Ferrara, Italian, Italy, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-1474-by-cosimo-cosm-tura-1430-1495-ferrara-italian-italy-image245437202.htmlRMT78HJA–Pietà 1474 by Cosimo (Cosmè) TURA 1430 – 1495 Ferrara, Italian, Italy,
Matteo di Giovanni di Bartolo, Italian, ca. 1430-1495, Madonna and Child with St. Catherine of Siena, Saint Anthony of Padua and Angels, ca. 1480, tempera on wood panel, Unframed: 25 7/8 × 18 1/2 × 1 1/4 inches (65.7 × 47 × 3.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-di-bartolo-italian-ca-1430-1495-madonna-and-child-with-st-catherine-of-siena-saint-anthony-of-padua-and-angels-ca-1480-tempera-on-wood-panel-unframed-25-78-18-12-1-14-inches-657-47-32-cm-image328717591.htmlRM2A2PAHY–Matteo di Giovanni di Bartolo, Italian, ca. 1430-1495, Madonna and Child with St. Catherine of Siena, Saint Anthony of Padua and Angels, ca. 1480, tempera on wood panel, Unframed: 25 7/8 × 18 1/2 × 1 1/4 inches (65.7 × 47 × 3.2 cm
Christ Crucified 1469 Cosmè Tura 1430-1495 15th Century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-crucified-1469-cosm-tura-1430-1495-15th-century-italy-italian-image223216243.htmlRMPY4AGK–Christ Crucified 1469 Cosmè Tura 1430-1495 15th Century, Italy, Italian.
. English: MATTEO DI GIOVANNI, BORGO SAN SEPOLCRO CIRCA 1430 - 1495 SIENA, SAINT BERNARDINO RESTORING A CHILD TO LIFE, tempera and gold on panel, 30.8 by 38.6 cm. . 25 January 2013, 11:17:09. 875 MATTEO DI GIOVANNI SAINT BERNARDINO RESTORING A CHILD TO LIFE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-matteo-di-giovanni-borgo-san-sepolcro-circa-1430-1495-siena-saint-bernardino-restoring-a-child-to-life-tempera-and-gold-on-panel-308-by-386-cm-25-january-2013-111709-875-matteo-di-giovanni-saint-bernardino-restoring-a-child-to-life-image185860192.htmlRMMPAJG0–. English: MATTEO DI GIOVANNI, BORGO SAN SEPOLCRO CIRCA 1430 - 1495 SIENA, SAINT BERNARDINO RESTORING A CHILD TO LIFE, tempera and gold on panel, 30.8 by 38.6 cm. . 25 January 2013, 11:17:09. 875 MATTEO DI GIOVANNI SAINT BERNARDINO RESTORING A CHILD TO LIFE
Portrait of Saint Jerome by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-saint-jerome-by-carol-crivelli-1430-1495-an-italian-renaissance-104173494.htmlRMG1DE9X–Portrait of Saint Jerome by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century
Cosmè Tura (Ferrara, ca. 1430 -1495). Saint John the Evangelist in Patmos (ca. 1470 - 1475). Tempera on panel. 27 x 32 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Tura, Cosme. TURA, COSIMO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cosm-tura-ferrara-ca-1430-1495-saint-john-the-evangelist-in-patmos-ca-1470-1475-tempera-on-panel-27-x-32-cm-museum-museo-nacional-thyssen-bornemisza-madrid-author-tura-cosme-tura-cosimo-image236901026.htmlRMRNBNJX–Cosmè Tura (Ferrara, ca. 1430 -1495). Saint John the Evangelist in Patmos (ca. 1470 - 1475). Tempera on panel. 27 x 32 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Tura, Cosme. TURA, COSIMO.
Fotoreproductie van een schilderij door Hans Memling, voorstellende een portret van een jongeman Photo Reproduction of a painting by Hans Memling, depicting a portrait of a young object type: photo reproduction Item number: RP-F 00-4247 Inscriptions / Brands: inscription, recto handwritten 'Gothic Art. The Netherlands. Brugge. Portrait of a young man by Hans Memling (+ - 1430 to 1495) 'inscription recto handwritten 'CWN' (State for CW Nijhoff, director of Kunstnijverheidsschool Quellinus.) Collector's mark, verso, stamped 'INSTITUTE OF ART INDUSTRY EDUCATION.. GABRIËL Metsustraat No. 16. AMSTE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-schilderij-door-hans-memling-voorstellende-een-portret-van-een-jongeman-photo-reproduction-of-a-painting-by-hans-memling-depicting-a-portrait-of-a-young-object-type-photo-reproduction-item-number-rp-f-00-4247-inscriptions-brands-inscription-recto-handwritten-gothic-art-the-netherlands-brugge-portrait-of-a-young-man-by-hans-memling-1430-to-1495-inscription-recto-handwritten-cwn-state-for-cw-nijhoff-director-of-kunstnijverheidsschool-quellinus-collectors-mark-verso-stamped-institute-of-art-industry-education-gabril-metsustraat-no-16-amste-image348355804.htmlRM2B6MYAM–Fotoreproductie van een schilderij door Hans Memling, voorstellende een portret van een jongeman Photo Reproduction of a painting by Hans Memling, depicting a portrait of a young object type: photo reproduction Item number: RP-F 00-4247 Inscriptions / Brands: inscription, recto handwritten 'Gothic Art. The Netherlands. Brugge. Portrait of a young man by Hans Memling (+ - 1430 to 1495) 'inscription recto handwritten 'CWN' (State for CW Nijhoff, director of Kunstnijverheidsschool Quellinus.) Collector's mark, verso, stamped 'INSTITUTE OF ART INDUSTRY EDUCATION.. GABRIËL Metsustraat No. 16. AMSTE
Detail from a painting titled 'The Virgin and Child Enthroned' by Cosimo Tura (1430-1495) an Italian early-renaissance painter and founding member of the School of Ferrara. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-from-a-painting-titled-the-virgin-and-child-enthroned-by-cosimo-tura-1430-1495-an-italian-early-renaissance-painter-and-founding-member-of-the-school-of-ferrara-dated-15th-century-image257293626.htmlRMTXGMJ2–Detail from a painting titled 'The Virgin and Child Enthroned' by Cosimo Tura (1430-1495) an Italian early-renaissance painter and founding member of the School of Ferrara. Dated 15th Century
Legende de Romulus et Remus: Romulus et Remus recueillis par le berger Faustulus. Peinture de Matteo di Giovanni (1430-1495), detrempe sur bois, 29,5 x35 cm. Art italien 15e siecle. Musee des Beaux Arts de Libourne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/legende-de-romulus-et-remus-romulus-et-remus-recueillis-par-le-berger-faustulus-peinture-de-matteo-di-giovanni-1430-1495-detrempe-sur-bois-295-x35-cm-art-italien-15e-siecle-musee-des-beaux-arts-de-libourne-image559621385.htmlRM2RECXP1–Legende de Romulus et Remus: Romulus et Remus recueillis par le berger Faustulus. Peinture de Matteo di Giovanni (1430-1495), detrempe sur bois, 29,5 x35 cm. Art italien 15e siecle. Musee des Beaux Arts de Libourne.
The Vision of the Blessed Gabriele by Carlo Crivelli (c.1430-1435 - c.1495), egg and tempera on poplar, c. 1489 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vision-of-the-blessed-gabriele-by-carlo-crivelli-c1430-1435-c1495-egg-and-tempera-on-poplar-c-1489-image461364836.htmlRM2HPGYFG–The Vision of the Blessed Gabriele by Carlo Crivelli (c.1430-1435 - c.1495), egg and tempera on poplar, c. 1489
The Dream of Saint Jerome, 1476, Matteo di Giovanni, Italian, c. 1430-1495, Italy, Tempera on panel, 14 3/4 × 25 7/8 in. (37.4 × 65.7 cm), painted surface: 14 1/8 × 25 3/8 in. (35.8 × 64.4 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dream-of-saint-jerome-1476-matteo-di-giovanni-italian-c-1430-1495-italy-tempera-on-panel-14-34-25-78-in-374-657-cm-painted-surface-14-18-25-38-in-358-644-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349706314.htmlRF2B8XDY6–The Dream of Saint Jerome, 1476, Matteo di Giovanni, Italian, c. 1430-1495, Italy, Tempera on panel, 14 3/4 × 25 7/8 in. (37.4 × 65.7 cm), painted surface: 14 1/8 × 25 3/8 in. (35.8 × 64.4 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Virgin and Child. Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466 Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-andchild-artist-donatello-donato-di-niccol-di-betto-bardi-italian-florence-1386871466-artist-matteo-di-giovanni-italian-siena-ca-1430-149599-image463101674.htmlRM2HWC2WE–Virgin and Child. Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466 Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99
Saint Thomas Aquinas (1225-1274) by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-thomas-aquinas-1225-1274-by-carlo-crivelli-c1430-1435-c1495-tempera-on-poplar-1476-image454109405.htmlRM2HAPD51–Saint Thomas Aquinas (1225-1274) by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, 1476
MATTEO di Giovanni (b. ca. 1430, Borgo San Sepolcro, d. 1495, Siena) St Jerome 1460s Tempera on wood, 42 x 25 cm Christian Museum, Esztergom This is one of the early works of the painter. He probably painted this picture as part of the decoration of the framing pilasters of a large-size altarpiece. The figure of the saint reveals that the master received his initial artistic training in Umbria, and that he was especially inspired by the classical forms and light-permeated colours of Piero della Francesca. *** Keywords: ************* Author: MATTEO di Giovanni Title: S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-b-ca-1430-borgo-san-sepolcro-d-1495-siena-st-jerome-1460s-tempera-on-wood-42-x-25-cm-christian-museum-esztergom-this-is-one-of-the-early-works-of-the-painter-he-probably-painted-this-picture-as-part-of-the-decoration-of-the-framing-pilasters-of-a-large-size-altarpiece-the-figure-of-the-saint-reveals-that-the-master-received-his-initial-artistic-training-in-umbria-and-that-he-was-especially-inspired-by-the-classical-forms-and-light-permeated-colours-of-piero-della-francesca-keywords-author-matteo-di-giovanni-title-s-image625284821.htmlRM2Y9854N–MATTEO di Giovanni (b. ca. 1430, Borgo San Sepolcro, d. 1495, Siena) St Jerome 1460s Tempera on wood, 42 x 25 cm Christian Museum, Esztergom This is one of the early works of the painter. He probably painted this picture as part of the decoration of the framing pilasters of a large-size altarpiece. The figure of the saint reveals that the master received his initial artistic training in Umbria, and that he was especially inspired by the classical forms and light-permeated colours of Piero della Francesca. *** Keywords: ************* Author: MATTEO di Giovanni Title: S
Madonna and Child Enthroned by Carlo Crivelli (c.1430-1435 - c.1495), tempera and gold on panel, c. 1476-7 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-enthroned-by-carlo-crivelli-c1430-1435-c1495-tempera-and-gold-on-panel-c-1476-7-image563384894.htmlRM2RMGB52–Madonna and Child Enthroned by Carlo Crivelli (c.1430-1435 - c.1495), tempera and gold on panel, c. 1476-7
Altar Frontal with the Lamentation, c. 1474. A decorative textile suspended along the altar’s entire front, an altar frontal was often embellished with gold and silver threads, as seen here. This rare example depicts the lamentation of Christ, a common subject in Christian art in which the body of Christ is mourned after its removal from the cross. This version is highly acclaimed for its emotional intensity. Christ’s body is arranged in the shape of the cross, his shoulder rests on the Virgin’s knees, Saint John the Evangelist cradles his left arm, and Mary Magdalene supp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altar-frontal-with-the-lamentation-c-1474-a-decorative-textile-suspended-along-the-altarx2019s-entire-front-an-altar-frontal-was-often-embellished-with-gold-and-silver-threads-as-seen-here-this-rare-example-depicts-the-lamentation-of-christ-a-common-subject-in-christian-art-in-which-the-body-of-christ-is-mourned-after-its-removal-from-the-cross-this-version-is-highly-acclaimed-for-its-emotional-intensity-christx2019s-body-is-arranged-in-the-shape-of-the-cross-his-shoulder-rests-on-the-virginx2019s-knees-saint-john-the-evangelist-cradles-his-left-arm-and-mary-magdalene-supp-image330073543.htmlRM2A5044R–Altar Frontal with the Lamentation, c. 1474. A decorative textile suspended along the altar’s entire front, an altar frontal was often embellished with gold and silver threads, as seen here. This rare example depicts the lamentation of Christ, a common subject in Christian art in which the body of Christ is mourned after its removal from the cross. This version is highly acclaimed for its emotional intensity. Christ’s body is arranged in the shape of the cross, his shoulder rests on the Virgin’s knees, Saint John the Evangelist cradles his left arm, and Mary Magdalene supp
The Virgin and Child with Saints Francis and Sebastian by Carlo Crivelli (c.1430-1435 - c.1495), egg and oil on poplar, 1491 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-saints-francis-and-sebastian-by-carlo-crivelli-c1430-1435-c1495-egg-and-oil-on-poplar-1491-image466813427.htmlRM2J3D583–The Virgin and Child with Saints Francis and Sebastian by Carlo Crivelli (c.1430-1435 - c.1495), egg and oil on poplar, 1491
Saint Augustine’s Vision of Saints Jerome and John the Baptist, 1476, Matteo di Giovanni, Italian, c. 1430–1495, Italy, Tempera on panel, 14 3/4 × 26 in. (37.6 × 66.1 cm), painted surface: 14 1/8 × 25 3/8 in. (36 × 64.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-augustines-vision-of-saints-jerome-and-john-the-baptist-1476-matteo-di-giovanni-italian-c-14301495-italy-tempera-on-panel-14-34-26-in-376-661-cm-painted-surface-14-18-25-38-in-36-644-cm-image328638286.htmlRM2A2JNDJ–Saint Augustine’s Vision of Saints Jerome and John the Baptist, 1476, Matteo di Giovanni, Italian, c. 1430–1495, Italy, Tempera on panel, 14 3/4 × 26 in. (37.6 × 66.1 cm), painted surface: 14 1/8 × 25 3/8 in. (36 × 64.4 cm
Coronation of the Virgin 1493 by Carlo Crivelli, 1430-1495, 15th Century, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-the-virgin-1493-by-carlo-crivelli-1430-1495-15th-century-italy-italian-image223320200.htmlRMPY935C–Coronation of the Virgin 1493 by Carlo Crivelli, 1430-1495, 15th Century, Italy, Italian.
Artist, attributed to: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Artist, formerly attributed to: Antonio del Pollaiuolo, Italian, Florence, ca.1432–1498, Hercules Slaying Antaeus, ca. 1470, Tempera on panel, 43.2 × 30.6 × 2.5 cm (17 × 12 1/16 × 1 in.), Made in Siena, Italy, Italian, Siena, 15th century, Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-attributed-to-matteo-di-giovanni-italian-siena-ca-1430-149599-artist-formerly-attributed-to-antonio-del-pollaiuolo-italian-florence-ca14321498-hercules-slayingantaeus-ca1470-tempera-on-panel-432-306-25-cm-17-12-116-1in-made-in-siena-italy-italiansiena-15thcentury-paintings-image393045672.htmlRM2DRCNNC–Artist, attributed to: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Artist, formerly attributed to: Antonio del Pollaiuolo, Italian, Florence, ca.1432–1498, Hercules Slaying Antaeus, ca. 1470, Tempera on panel, 43.2 × 30.6 × 2.5 cm (17 × 12 1/16 × 1 in.), Made in Siena, Italy, Italian, Siena, 15th century, Paintings
Portrait of Saint Peter Martyr by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-saint-peter-martyr-by-carol-crivelli-1430-1495-an-italian-104173496.htmlRMG1DEA0–Portrait of Saint Peter Martyr by Carol Crivelli (1430-1495) an Italian Renaissance painter of conservative Late Gothic decorative sensibility. Dated 15th Century
Saint James Major, part of an altarpiece, Carlo Crivelli, Italian, Venetian, Schools of the Venice and the Marches, 1430-1495, Tempera and tooled gold on panel, Italy, 1472, 38 1/4 x 12 5/8 in., 97.2 x 32.1 cm, 1472, altarpiece, apostle, bad hair day, Beard, boney fingers, cards, crinkly, curled, drapery, european, feet, Fesch, fragment, gilding, giotto, gold ground, halo, icon, james, pilgrim, Portuguese, quattrocento, renaissance, saint, tempera, Venetian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-james-major-part-of-an-altarpiece-carlo-crivelli-italian-venetian-schools-of-the-venice-and-the-marches-1430-1495-tempera-and-tooled-gold-on-panel-italy-1472-38-14-x-12-58-in-972-x-321-cm-1472-altarpiece-apostle-bad-hair-day-beard-boney-fingers-cards-crinkly-curled-drapery-european-feet-fesch-fragment-gilding-giotto-gold-ground-halo-icon-james-pilgrim-portuguese-quattrocento-renaissance-saint-tempera-venetian-image454280263.htmlRM2HB2733–Saint James Major, part of an altarpiece, Carlo Crivelli, Italian, Venetian, Schools of the Venice and the Marches, 1430-1495, Tempera and tooled gold on panel, Italy, 1472, 38 1/4 x 12 5/8 in., 97.2 x 32.1 cm, 1472, altarpiece, apostle, bad hair day, Beard, boney fingers, cards, crinkly, curled, drapery, european, feet, Fesch, fragment, gilding, giotto, gold ground, halo, icon, james, pilgrim, Portuguese, quattrocento, renaissance, saint, tempera, Venetian
Pietà. After Cosimo Tura; Italian, c. 1430-1495. Date: 1470-1480. Dimensions: 71.7 x 55.2 cm (28 1/4 x 21 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-after-cosimo-tura-italian-c-1430-1495-date-1470-1480-dimensions-717-x-552-cm-28-14-x-21-34-in-tempera-on-panel-origin-italy-museum-the-chicago-art-institute-image239830562.htmlRMRX5696–Pietà. After Cosimo Tura; Italian, c. 1430-1495. Date: 1470-1480. Dimensions: 71.7 x 55.2 cm (28 1/4 x 21 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute.
Initial D: Saint John the Baptist; Attributed to Cosmè Tura, Italian, Ferrarese, about 1430 - 1495, Ferrara, Italy; about 1470 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-d-saint-john-the-baptist-attributed-to-cosm-tura-italian-ferrarese-about-1430-1495-ferrara-italy-about-1470-image220688729.htmlRMPR16M9–Initial D: Saint John the Baptist; Attributed to Cosmè Tura, Italian, Ferrarese, about 1430 - 1495, Ferrara, Italy; about 1470
Detail from a painting titled 'The Virgin and Child Enthroned' by Cosimo Tura (1430-1495) an Italian early-renaissance painter and founding member of the School of Ferrara. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-from-a-painting-titled-the-virgin-and-child-enthroned-by-cosimo-tura-1430-1495-an-italian-early-renaissance-painter-and-founding-member-of-the-school-of-ferrara-dated-15th-century-image257293666.htmlRMTXGMKE–Detail from a painting titled 'The Virgin and Child Enthroned' by Cosimo Tura (1430-1495) an Italian early-renaissance painter and founding member of the School of Ferrara. Dated 15th Century
Initial D: Saint John the Baptist; Attributed to Cosmè Tura, Italian (Ferrarese), about 1430 - 1495; Ferrara, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-initial-d-saint-john-the-baptist-attributed-to-cosm-tura-italian-ferrarese-77447442.htmlRMEE0102–Initial D: Saint John the Baptist; Attributed to Cosmè Tura, Italian (Ferrarese), about 1430 - 1495; Ferrara, Italy, Europe
Saint George Slaying the Dragon by Carlo Crivelli (c.1430-1435 - c.1495), gold, silver and tempera on panel, 1470 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-george-slaying-the-dragon-by-carlo-crivelli-c1430-1435-c1495-gold-silver-and-tempera-on-panel-1470-image333363524.htmlRM2AAA0G4–Saint George Slaying the Dragon by Carlo Crivelli (c.1430-1435 - c.1495), gold, silver and tempera on panel, 1470
Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466, Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Virgin and Child, Polychrome and gilt stucco, unframed: 59.69 × 38.1 cm (23 1/2 × 15 in.), Made in Italy, Italian, 15th century, Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-donatello-donato-di-niccol-di-betto-bardi-italian-florence-1386871466-artist-matteo-di-giovanni-italian-siena-ca-1430-149599-virgin-andchild-polychrome-and-gilt-stucco-unframed-5969-381-cm-23-12-15in-made-in-italy-italian-15thcentury-sculpture-image393065434.htmlRM2DRDJY6–Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466, Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Virgin and Child, Polychrome and gilt stucco, unframed: 59.69 × 38.1 cm (23 1/2 × 15 in.), Made in Italy, Italian, 15th century, Sculpture
The Dead Christ Supported by Two Angels by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, c. 1470-75 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dead-christ-supported-by-two-angels-by-carlo-crivelli-c1430-1435-c1495-tempera-on-poplar-c-1470-75-image466325829.htmlRM2J2JY9W–The Dead Christ Supported by Two Angels by Carlo Crivelli (c.1430-1435 - c.1495), tempera on poplar, c. 1470-75
Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor, 1470, tempera on panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carlo-crivelli-italian-c-1430-1435-1495-madonna-and-child-enthroned-77438407.htmlRMEDYHDB–Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor, 1470, tempera on panel
Hercules Slaying Antaeus. Artist, attributed to: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99 Artist, formerly attributed to: Antonio del Pollaiuolo, Italian, Florence, ca.1432–1498 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-slayingantaeus-artist-attributed-to-matteo-di-giovanni-italian-siena-ca-1430-149599-artist-formerly-attributed-to-antonio-del-pollaiuolo-italian-florence-ca14321498-image463235996.htmlRM2HWJ66M–Hercules Slaying Antaeus. Artist, attributed to: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99 Artist, formerly attributed to: Antonio del Pollaiuolo, Italian, Florence, ca.1432–1498
Anonymous Artist, (artist), Niccolò Fiorentino, (related artist), Florentine, 1430 - 1514, Achille Tiberti of Cesena, died 1501, c. 1495, bronze, overall (diameter): 7.24 cm (2 7/8 in.), gross weight: 137.83 gr (0.304 lb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-artist-artist-niccol-fiorentino-related-artist-florentine-1430-1514-achille-tiberti-of-cesena-died-1501-c-1495-bronze-overall-diameter-724-cm-2-78-in-gross-weight-13783-gr-0304-lb-image386327808.htmlRM2DCEN1M–Anonymous Artist, (artist), Niccolò Fiorentino, (related artist), Florentine, 1430 - 1514, Achille Tiberti of Cesena, died 1501, c. 1495, bronze, overall (diameter): 7.24 cm (2 7/8 in.), gross weight: 137.83 gr (0.304 lb
Altar Frontal with the Lamentation, c. 1474. Attributed to Cosimo Tura (Italian, c. 1430-1495), Rubinetto de Francia (Italian, active 1457-1483). Wool, silk, gold and silver threads; overall: 104.2 x 199.4 cm (41 x 78 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altar-frontal-with-the-lamentation-c-1474-attributed-to-cosimo-tura-italian-c-1430-1495-rubinetto-de-francia-italian-active-1457-1483-wool-silk-gold-and-silver-threads-overall-1042-x-1994-cm-41-x-78-12-in-image448099630.htmlRM2H10KJ6–Altar Frontal with the Lamentation, c. 1474. Attributed to Cosimo Tura (Italian, c. 1430-1495), Rubinetto de Francia (Italian, active 1457-1483). Wool, silk, gold and silver threads; overall: 104.2 x 199.4 cm (41 x 78 1/2 in.).
