Quick filters:
15 2 12 7 cm Stock Photos and Images
Art inspired by Bannerstone, 3000–2000 B.C., United States, Michigan, Archaic, Banded slate, H. 6 x W. 5 in. (15.2 x 12.7 cm), Stone-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bannerstone-30002000-bc-united-states-michigan-archaic-banded-slate-h-6-x-w-5-in-152-x-127-cm-stone-implements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462798773.htmlRF2HTX8FH–Art inspired by Bannerstone, 3000–2000 B.C., United States, Michigan, Archaic, Banded slate, H. 6 x W. 5 in. (15.2 x 12.7 cm), Stone-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
figurine group, earthenware, terracotta, 12.2 x 15.7 cm, hellenistic -150 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figurine-group-earthenware-terracotta-122-x-157-cm-hellenistic-150-image344530928.htmlRM2B0EMM0–figurine group, earthenware, terracotta, 12.2 x 15.7 cm, hellenistic -150
Temple. Culture: Mezcala. Dimensions: H. 6 x W. 5 in. (15.2 x 12.7 cm). Date: 1st-8th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-culture-mezcala-dimensions-h-6-x-w-5-in-152-x-127-cm-date-1st-8th-century-museum-metropolitan-museum-of-art-new-york-usa-image213501925.htmlRMPB9RTN–Temple. Culture: Mezcala. Dimensions: H. 6 x W. 5 in. (15.2 x 12.7 cm). Date: 1st-8th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1730 Display Dimensions: 7 15/16 in. x 5 7/16 in. (20.2 cm x 13.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.526 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 12:10:48. English: thesandiegomuseumofartcollection 1209 Two women sit beneath a pavilion and watch the fireworks held by three maids (6125088876) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1730-display-dimensions-7-1516-in-x-5-716-in-202-cm-x-138-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990526-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-29-october-2001-121048-english-thesandiegomuseumofartcollection-1209-two-women-sit-beneath-a-pavilion-and-watch-the-fireworks-held-by-three-maids-6125088876-image185881640.htmlRMMPBHX0–. English: Creation Date: ca. 1730 Display Dimensions: 7 15/16 in. x 5 7/16 in. (20.2 cm x 13.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.526 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 12:10:48. English: thesandiegomuseumofartcollection 1209 Two women sit beneath a pavilion and watch the fireworks held by three maids (6125088876)
![Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GRFA/maison-occupee-par-m-le-marquis-de-sineti-visual-material-information-title-maison-occupee-par-m-le-marquis-de-sineti-124-suppfol12-date-of-publication-about-1780-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-372-x-153-cm-on-support-sheet-427-x-247-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GRFA.jpg "Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maison-occupee-par-m-le-marquis-de-sineti-visual-material-information-title-maison-occupee-par-m-le-marquis-de-sineti-124-suppfol12-date-of-publication-about-1780-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-372-x-153-cm-on-support-sheet-427-x-247-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401740062.htmlRM2E9GRFA–Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820
Modern projectiles: 1. 3.7 cm Hotchkissrevolvergranate. 2. 8 cm ring grenade. 3. 8 cm sleeve shrapnel. 4. 8,4 cm-Bodenkammershrapnel. &. Obus à mitraille. 6. trolleybuses. 7.8.8 cm-Kartatscbe. 8.10.5 cm grenade L / 3.8. 9.12 cm grenade, 10.15 cm chilled grenade. 11. 21 cm steel armored shell. 12.24 cm gunny grenade. 13. 30.5 cm grenade. 14. 45 cm - steel armor shell. (Mark 1:10) From Brockhaus's Conversation Lexicon. 14th ed. (1891-1895), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/modern-projectiles-1-37-cm-hotchkissrevolvergranate-2-8-cm-ring-grenade-3-8-cm-sleeve-shrapnel-4-84-cm-bodenkammershrapnel-obus-mitraille-6-trolleybuses-788-cm-kartatscbe-8105-cm-grenade-l-38-912-cm-grenade-1015-cm-chilled-grenade-11-21-cm-steel-armored-shell-1224-cm-gunny-grenade-13-305-cm-grenade-14-45-cm-steel-armor-shell-mark-110-from-brockhauss-conversation-lexicon-14th-ed-1891-1895-image216543005.htmlRMPG8APN–Modern projectiles: 1. 3.7 cm Hotchkissrevolvergranate. 2. 8 cm ring grenade. 3. 8 cm sleeve shrapnel. 4. 8,4 cm-Bodenkammershrapnel. &. Obus à mitraille. 6. trolleybuses. 7.8.8 cm-Kartatscbe. 8.10.5 cm grenade L / 3.8. 9.12 cm grenade, 10.15 cm chilled grenade. 11. 21 cm steel armored shell. 12.24 cm gunny grenade. 13. 30.5 cm grenade. 14. 45 cm - steel armor shell. (Mark 1:10) From Brockhaus's Conversation Lexicon. 14th ed. (1891-1895),
fine arts, medal, left: Franz von Hatzfeld. Bishop of Wurzburg and Bamberg, (1631 / 1633 - 1642), 15.8 cm x 6.7 cm, right: Johann Philipp von Schoenborn, (+ 1673), Bishop of Wurzburg and Worms, Archbishop of Mainz, silver, cast, gilded, 12.3 cm x 6.2 cm, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-medal-left-franz-von-hatzfeld-bishop-of-wurzburg-and-bamberg-110821440.htmlRMGC89TG–fine arts, medal, left: Franz von Hatzfeld. Bishop of Wurzburg and Bamberg, (1631 / 1633 - 1642), 15.8 cm x 6.7 cm, right: Johann Philipp von Schoenborn, (+ 1673), Bishop of Wurzburg and Worms, Archbishop of Mainz, silver, cast, gilded, 12.3 cm x 6.2 cm,
; China; 1050-221 B.C.E.; Bronze; H x W x D: 12.6 x 6.2 x 6.2 cm (4 15/16 x 2 7/16 x 2 7/16 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-1050-221-bce-bronze-h-x-w-x-d-126-x-62-x-62-cm-4-1516-x-2-716-x-2-716-in-gift-of-charles-lang-freer-image353453749.htmlRM2BF15T5–; China; 1050-221 B.C.E.; Bronze; H x W x D: 12.6 x 6.2 x 6.2 cm (4 15/16 x 2 7/16 x 2 7/16 in); Gift of Charles Lang Freer
Europa, Österreich, Wien, Zeit nach dem 2. Weltkrieg, Einkaufsschein ( Lebensmittelmarken ) für Kinder bis zu 12 Jahren, herausgegeben vom Zentralernährungsamt Wien, schriftlicher Datumsvermerk : 15. 10. 1946 , Größe : 20 cm x 14,7 cm , Rechte werden nicht vertreten . / Europe, Austria, Vienna, food ration stamp for children up to 12 years ( shopping certificate ) , published by the central food office of Vienna, date in writing : 15. 10. 1946 , size : 20 cm x 14,7 cm , there are no rights . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europa-sterreich-wien-zeit-nach-dem-2-weltkrieg-einkaufsschein-lebensmittelmarken-fr-kinder-bis-zu-12-jahren-herausgegeben-vom-zentralernhrungsamt-wien-schriftlicher-datumsvermerk-15-10-1946-gre-20-cm-x-147-cm-rechte-werden-nicht-vertreten-europe-austria-vienna-food-ration-stamp-for-children-up-to-12-years-shopping-certificate-published-by-the-central-food-office-of-vienna-date-in-writing-15-10-1946-size-20-cm-x-147-cm-there-are-no-rights-image388465205.htmlRM2DG0399–Europa, Österreich, Wien, Zeit nach dem 2. Weltkrieg, Einkaufsschein ( Lebensmittelmarken ) für Kinder bis zu 12 Jahren, herausgegeben vom Zentralernährungsamt Wien, schriftlicher Datumsvermerk : 15. 10. 1946 , Größe : 20 cm x 14,7 cm , Rechte werden nicht vertreten . / Europe, Austria, Vienna, food ration stamp for children up to 12 years ( shopping certificate ) , published by the central food office of Vienna, date in writing : 15. 10. 1946 , size : 20 cm x 14,7 cm , there are no rights .
380424 Artist: Monogrammist EF (?), active late 17th century, A Dancing Pair Accompanied by a Blindfolded Fortune, 1693, Pen and grey ink, brush and grey wash, sheet: 2 15/16 x 4 3/4 in. (7.5 x 12.1 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/380424-artist-monogrammist-ef-active-late-17th-century-a-dancing-pair-accompanied-by-a-blindfolded-fortune-1693-pen-and-grey-ink-brush-and-grey-wash-sheet-2-1516-x-4-34-in-75-x-121-cm-image231007374.htmlRMRBR87A–380424 Artist: Monogrammist EF (?), active late 17th century, A Dancing Pair Accompanied by a Blindfolded Fortune, 1693, Pen and grey ink, brush and grey wash, sheet: 2 15/16 x 4 3/4 in. (7.5 x 12.1 cm).
Edfou Temple Egypt and Nubia, Volume II: Edfou, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.2 cm (16 15/16 x 23 11/16 in.); image: 32.7 x 48.8 cm (12 7/8 x 19 3/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edfou-temple-egypt-and-nubia-volume-ii-edfou-1846-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-43-x-602-cm-16-1516-x-23-1116-in-image-327-x-488-cm-12-78-x-19-316-in-image349558691.htmlRM2B8KNJY–Edfou Temple Egypt and Nubia, Volume II: Edfou, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.2 cm (16 15/16 x 23 11/16 in.); image: 32.7 x 48.8 cm (12 7/8 x 19 3/16 in.).
Album Page, Fountain, Perugia, March 7, 1890; Whitney Warren Jr. (American, 1864–1943); Italy; graphite on off-white wove paper mounted to thick cream wove paper tipped into binding with fabric; 15.3 x 13.2 cm (6 x 5 3/16 in.), irregular; mount: 31.9 x 24.9 cm (12 9/16 x 9 13/16 in.), irregular Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-page-fountain-perugia-march-7-1890-whitney-warren-jr-american-18641943-italy-graphite-on-off-white-wove-paper-mounted-to-thick-cream-wove-paper-tipped-into-binding-with-fabric-153-x-132-cm-6-x-5-316-in-irregular-mount-319-x-249-cm-12-916-x-9-1316-in-irregular-image546249402.htmlRM2PMKPK6–Album Page, Fountain, Perugia, March 7, 1890; Whitney Warren Jr. (American, 1864–1943); Italy; graphite on off-white wove paper mounted to thick cream wove paper tipped into binding with fabric; 15.3 x 13.2 cm (6 x 5 3/16 in.), irregular; mount: 31.9 x 24.9 cm (12 9/16 x 9 13/16 in.), irregular
'John Baverstock Knight, Warwick Castle from the Avon, 1837, pen and brown ink with brown and gray washes over graphite on wove paper, overall: 12 x 20.2 cm (4 3/4 x 7 15/16 in.), Gift of William B. O'Neal, 1995.52.94' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-baverstock-knight-warwick-castle-from-the-avon-1837-pen-and-brown-ink-with-brown-and-gray-washes-over-graphite-on-wove-paper-overall-12-x-202-cm-4-34-x-7-1516-in-gift-of-william-b-oneal-19955294-image559651445.htmlRM2REE93H–'John Baverstock Knight, Warwick Castle from the Avon, 1837, pen and brown ink with brown and gray washes over graphite on wove paper, overall: 12 x 20.2 cm (4 3/4 x 7 15/16 in.), Gift of William B. O'Neal, 1995.52.94'
Lidded Bowl on Dish; Painted by Pierre-Antoine Méreaud (French, active 1754 - 1791), Sèvres Manufactory (French, 1756 - present); 1764; Soft-paste porcelain with polychrome enamel colors and gilding; 12.4 x 19.7 x 15.2 cm (4 7/8 x 7 3/4 x 6 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lidded-bowl-on-dish-painted-by-pierre-antoine-mreaud-french-active-1754-1791-svres-manufactory-french-1756-present-1764-soft-paste-porcelain-with-polychrome-enamel-colors-and-gilding-124-x-197-x-152-cm-4-78-x-7-34-x-6-in-image333548647.htmlRF2AAJCKK–Lidded Bowl on Dish; Painted by Pierre-Antoine Méreaud (French, active 1754 - 1791), Sèvres Manufactory (French, 1756 - present); 1764; Soft-paste porcelain with polychrome enamel colors and gilding; 12.4 x 19.7 x 15.2 cm (4 7/8 x 7 3/4 x 6 in.)
Covered Bowl MET 97313 2302 American, Covered Bowl, 1800?1830, Earthenware, H. 6 in. (15.2 cm); Diam. 5 in. (12.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Robert W. de Forest, 1933 (34.100.153a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-covered-bowl-met-97313-2302-american-covered-bowl-18001830-earthenware-168109610.htmlRMKNE1EJ–Covered Bowl MET 97313 2302 American, Covered Bowl, 1800?1830, Earthenware, H. 6 in. (15.2 cm); Diam. 5 in. (12.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Robert W. de Forest, 1933 (34.100.153a, b)
Man with Open Mouth; Unknown maker, French; about 1852; Daguerreotype, hand-colored; 1/4 plate, Image: 9.4 x 7.3 cm (3 11/16 x 2 7/8 in.), Plate (1/4 plate): 10.6 x 7.9 cm (4 3/16 x 3 1/8 in.), Object: 15 x 12.7 cm (5 7/8 x 5 in.); 84.XT.402.4 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-with-open-mouth-unknown-maker-french-about-1852-daguerreotype-hand-colored-14-plate-image-94-x-73-cm-3-1116-x-2-78-in-plate-14-plate-106-x-79-cm-4-316-x-3-18-in-object-15-x-127-cm-5-78-x-5-in-84xt4024-image212361745.htmlRMP9DWG1–Man with Open Mouth; Unknown maker, French; about 1852; Daguerreotype, hand-colored; 1/4 plate, Image: 9.4 x 7.3 cm (3 11/16 x 2 7/8 in.), Plate (1/4 plate): 10.6 x 7.9 cm (4 3/16 x 3 1/8 in.), Object: 15 x 12.7 cm (5 7/8 x 5 in.); 84.XT.402.4
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378598787.htmlRM2CYXJH7–All good work is done the way ants do things: Little by little.
Scottish sea eagle off the west coast of the Isle of Skye, Inverness-shire Scotland. SCO 7794 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scottish-sea-eagle-off-the-west-coast-of-the-isle-of-skye-inverness-41572717.htmlRMCBHPBW–Scottish sea eagle off the west coast of the Isle of Skye, Inverness-shire Scotland. SCO 7794
. Minnesota mushrooms ... Botany; Mushrooms. Figure 123. Xylaria polymorpha DALDINIA Daldinia concentrica. Figure 124. Daldinia concentrica Plants head-like or hemispheric, 2-5 cm. wide, black, coal-like, with concentric layers on the inside, each layer consisting of perithecia; spores brownish, ellipsoid, 12-15 X 7-lOju. The name refers to the layers. Common on dead branches, trunks, etc.; not edible.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-figure-123-xylaria-polymorpha-daldinia-daldinia-concentrica-figure-124-daldinia-concentrica-plants-head-like-or-hemispheric-2-5-cm-wide-black-coal-like-with-concentric-layers-on-the-inside-each-layer-consisting-of-perithecia-spores-brownish-ellipsoid-12-15-x-7-loju-the-name-refers-to-the-layers-common-on-dead-branches-trunks-etc-not-edible-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-r-image216455134.htmlRMPG4AME–. Minnesota mushrooms ... Botany; Mushrooms. Figure 123. Xylaria polymorpha DALDINIA Daldinia concentrica. Figure 124. Daldinia concentrica Plants head-like or hemispheric, 2-5 cm. wide, black, coal-like, with concentric layers on the inside, each layer consisting of perithecia; spores brownish, ellipsoid, 12-15 X 7-lOju. The name refers to the layers. Common on dead branches, trunks, etc.; not edible.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly r
Inspired by St. Francis Helping Beggar, Oil on panel, 6 x 5 in., 15.2 x 12.7 cm, figures, painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-st-francis-helping-beggar-oil-on-panel-6-x-5-in-152-x-127-cm-figures-painting-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254305.htmlRF2HK4RFD–Inspired by St. Francis Helping Beggar, Oil on panel, 6 x 5 in., 15.2 x 12.7 cm, figures, painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fragment of a Relief, Central Asia, 8th century, Central Asia, Stucco, 6 x 5 in. (15.2 x 12.7 cm), Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-relief-central-asia-8th-century-central-asia-stucco-6-x-5-in-152-x-127-cm-sculpture-image344599697.htmlRM2B0HTC1–Fragment of a Relief, Central Asia, 8th century, Central Asia, Stucco, 6 x 5 in. (15.2 x 12.7 cm), Sculpture
Charles Pratt, Baron Camden (later 1st Earl Camden). Artist: Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Dimensions: 6 x 5 in. (15.2 x 12.7 cm). Former Attribution: Formerly attributed to John Singleton Copley (American, Boston, Massachusetts 1738-1815 London). Sitter: Charles Pratt, 1st Earl Camden (British, 1759-1794). Date: 1764-1802. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-pratt-baron-camden-later-1st-earl-camden-artist-francesco-bartolozzi-italian-florence-1728-1815-lisbon-dimensions-6-x-5-in-152-x-127-cm-former-attribution-formerly-attributed-to-john-singleton-copley-american-boston-massachusetts-1738-1815-london-sitter-charles-pratt-1st-earl-camden-british-1759-1794-date-1764-1802-museum-metropolitan-museum-of-art-new-york-usa-image213249950.htmlRMPAXADJ–Charles Pratt, Baron Camden (later 1st Earl Camden). Artist: Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Dimensions: 6 x 5 in. (15.2 x 12.7 cm). Former Attribution: Formerly attributed to John Singleton Copley (American, Boston, Massachusetts 1738-1815 London). Sitter: Charles Pratt, 1st Earl Camden (British, 1759-1794). Date: 1764-1802. Museum: Metropolitan Museum of Art, New York, USA.
. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1705 Display Dimensions: 7 15/16 in. x 12 15/32 in. (20.2 cm x 31.7 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1105 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 10:56:45. English: thesandiegomuseumofartcollection 1176 The leaders of the monkeys and bears meet under a tree (6125124778) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ramas-journey-suite-name-ramayana-creation-date-ca-1705-display-dimensions-7-1516-in-x-12-1532-in-202-cm-x-317-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901105-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-15-october-2001-105645-english-thesandiegomuseumofartcollection-1176-the-leaders-of-the-monkeys-and-bears-meet-under-a-tree-6125124778-image185862243.htmlRMMPAN57–. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1705 Display Dimensions: 7 15/16 in. x 12 15/32 in. (20.2 cm x 31.7 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1105 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 10:56:45. English: thesandiegomuseumofartcollection 1176 The leaders of the monkeys and bears meet under a tree (6125124778)
![Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GRET/maison-occupee-par-m-le-marquis-de-sineti-visual-material-information-title-maison-occupee-par-m-le-marquis-de-sineti-124-suppfol12-date-of-publication-about-1780-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-372-x-153-cm-on-support-sheet-427-x-247-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GRET.jpg "Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maison-occupee-par-m-le-marquis-de-sineti-visual-material-information-title-maison-occupee-par-m-le-marquis-de-sineti-124-suppfol12-date-of-publication-about-1780-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-372-x-153-cm-on-support-sheet-427-x-247-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401740048.htmlRM2E9GRET–Maison occupeÃÅe par M le Marquis de Sineti. Visual Material information: Title: Maison occupeÃÅe par M le Marquis de Sineti. 124 Supp.fol.12. Date of publication: [about 1780-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 37.2 x 15.3 cm, on support sheet 42.7 x 24.7 cm Former owner: George III, King of Great Britain, 1738-1820
; China; 1050-221 B.C.E.; Bronze; H x W x D: 12.6 x 6.4 x 6.2 cm (4 15/16 x 2 1/2 x 2 7/16 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-1050-221-bce-bronze-h-x-w-x-d-126-x-64-x-62-cm-4-1516-x-2-12-x-2-716-in-gift-of-charles-lang-freer-image353453737.htmlRM2BF15RN–; China; 1050-221 B.C.E.; Bronze; H x W x D: 12.6 x 6.4 x 6.2 cm (4 15/16 x 2 1/2 x 2 7/16 in); Gift of Charles Lang Freer
380424 Artist: Monogrammist EF (?), active late 17th century, A Dancing Pair Accompanied by a Blindfolded Fortune, 1693, Pen and grey ink, brush and grey wash, sheet: 2 15/16 x 4 3/4 in. (7.5 x 12.1 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/380424-artist-monogrammist-ef-active-late-17th-century-a-dancing-pair-accompanied-by-a-blindfolded-fortune-1693-pen-and-grey-ink-brush-and-grey-wash-sheet-2-1516-x-4-34-in-75-x-121-cm-image231007375.htmlRMRBR87B–380424 Artist: Monogrammist EF (?), active late 17th century, A Dancing Pair Accompanied by a Blindfolded Fortune, 1693, Pen and grey ink, brush and grey wash, sheet: 2 15/16 x 4 3/4 in. (7.5 x 12.1 cm).
Textile (Egypt); silk; Warp x Weft: 39.2 x 30.5 cm (15 7/16 in. x 12 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-egypt-silk-warp-x-weft-392-x-305-cm-15-716-in-x-12-in-image546248580.htmlRM2PMKNHT–Textile (Egypt); silk; Warp x Weft: 39.2 x 30.5 cm (15 7/16 in. x 12 in.)
'Sir Leslie Ward, Whistler, 0, watercolor and graphite on blue paper, Overall: 30.5 x 18.2 cm (12 x 7 3/16 in.) support: 52.6 x 38.7 cm (20 11/16 x 15 1/4 in.), Rosenwald Collection, 1949.5.521' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-leslie-ward-whistler-0-watercolor-and-graphite-on-blue-paper-overall-305-x-182-cm-12-x-7-316-in-support-526-x-387-cm-20-1116-x-15-14-in-rosenwald-collection-19495521-image559275166.htmlRM2RDW552–'Sir Leslie Ward, Whistler, 0, watercolor and graphite on blue paper, Overall: 30.5 x 18.2 cm (12 x 7 3/16 in.) support: 52.6 x 38.7 cm (20 11/16 x 15 1/4 in.), Rosenwald Collection, 1949.5.521'
A Boy Holding a Pear (Giacomo Piazzetta?); Giovanni Battista Piazzetta, Italian, 1682 - 1754; about 1737; Black and white chalk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-boy-holding-a-pear-giacomo-piazzetta-giovanni-battista-piazzetta-73246149.htmlRME74J5W–A Boy Holding a Pear (Giacomo Piazzetta?); Giovanni Battista Piazzetta, Italian, 1682 - 1754; about 1737; Black and white chalk
Bell Beaker MET sf17-193-342s4 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bell-beaker-met-sf17-193-342s4-465680-frankish-bell-beaker-6th7th-168408678.htmlRMKNYJYJ–Bell Beaker MET sf17-193-342s4 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342)
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378598281.htmlRM2CYXHY5–All good work is done the way ants do things: Little by little.
![. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions; Antarctica. ,-j vrtrrr'7 r * > 15. 23" olbech juv., 2 Camptont Campten* 'is, 4 Lima simittitoa, 5 Lima oval/s, 6 Lima pggmaeaf, 7,8 Limas 'crgdium modioliforme, 10 L '»'dum, ll snblaems, 12 Philobrya tnmida, 13Hochstetteria limopsoides, l'ia. 15 Limopsis qrandis, Hb L.fousseanmei, 16Li) scabra, J/ Philobrga laevis, 18 Philobrya barbata : Leda longicaudata, 23 Malletia pellucida, 24 Malletia cm. Please note that these images are extracted from scanned page images that Stock Photo](https://c8.alamy.com/comp/PF9DJF/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-antarctica-j-vrtrrr7-r-gt-15-23quot-olbech-juv-2-camptont-campten-is-4-lima-simittitoa-5-lima-ovals-6-lima-pggmaeaf-78-limas-crgdium-modioliforme-10-l-dum-ll-snblaems-12-philobrya-tnmida-13hochstetteria-limopsoides-lia-15-limopsis-qrandis-hb-lfousseanmei-16li-scabra-j-philobrga-laevis-18-philobrya-barbata-leda-longicaudata-23-malletia-pellucida-24-malletia-cm-please-note-that-these-images-are-extracted-from-scanned-page-images-that-PF9DJF.jpg ". Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions; Antarctica. ,-j vrtrrr'7 r * > 15. 23" olbech juv., 2 Camptont Campten* 'is, 4 Lima simittitoa, 5 Lima oval/s, 6 Lima pggmaeaf, 7,8 Limas 'crgdium modioliforme, 10 L '»'dum, ll snblaems, 12 Philobrya tnmida, 13Hochstetteria limopsoides, l'ia. 15 Limopsis qrandis, Hb L.fousseanmei, 16Li) scabra, J/ Philobrga laevis, 18 Philobrya barbata : Leda longicaudata, 23 Malletia pellucida, 24 Malletia cm. Please note that these images are extracted from scanned page images that Stock Photo")
. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions; Antarctica. ,-j vrtrrr'7 r * > 15. 23" olbech juv., 2 Camptont Campten* 'is, 4 Lima simittitoa, 5 Lima oval/s, 6 Lima pggmaeaf, 7,8 Limas 'crgdium modioliforme, 10 L '»'dum, ll snblaems, 12 Philobrya tnmida, 13Hochstetteria limopsoides, l'ia. 15 Limopsis qrandis, Hb L.fousseanmei, 16Li) scabra, J/ Philobrga laevis, 18 Philobrya barbata : Leda longicaudata, 23 Malletia pellucida, 24 Malletia cm. Please note that these images are extracted from scanned page images that Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-antarctica-j-vrtrrr7-r-gt-15-23quot-olbech-juv-2-camptont-campten-is-4-lima-simittitoa-5-lima-ovals-6-lima-pggmaeaf-78-limas-crgdium-modioliforme-10-l-dum-ll-snblaems-12-philobrya-tnmida-13hochstetteria-limopsoides-lia-15-limopsis-qrandis-hb-lfousseanmei-16li-scabra-j-philobrga-laevis-18-philobrya-barbata-leda-longicaudata-23-malletia-pellucida-24-malletia-cm-please-note-that-these-images-are-extracted-from-scanned-page-images-that-image215952535.htmlRMPF9DJF–. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions; Antarctica. ,-j vrtrrr'7 r * > 15. 23" olbech juv., 2 Camptont Campten* 'is, 4 Lima simittitoa, 5 Lima oval/s, 6 Lima pggmaeaf, 7,8 Limas 'crgdium modioliforme, 10 L '»'dum, ll snblaems, 12 Philobrya tnmida, 13Hochstetteria limopsoides, l'ia. 15 Limopsis qrandis, Hb L.fousseanmei, 16Li) scabra, J/ Philobrga laevis, 18 Philobrya barbata : Leda longicaudata, 23 Malletia pellucida, 24 Malletia cm. Please note that these images are extracted from scanned page images that
Inspired by Vignette K, American, Watercolor and graphite, 1840s-1850s, 5 x 2 15/16 in., 12.7 x 7.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-vignette-k-american-watercolor-and-graphite-1840s-1850s-5-x-2-1516-in-127-x-75-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248856.htmlRF2HK4GGT–Inspired by Vignette K, American, Watercolor and graphite, 1840s-1850s, 5 x 2 15/16 in., 12.7 x 7.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Covered Basket, Japan, 19th century, Japan, Fine rattan, H. (with cover) 5 in. (12.7 cm); Diam. 6 in. (15.2 cm), Basketry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-basket-japan-19th-century-japan-fine-rattan-h-with-cover-5-in-127-cm-diam-6-in-152-cm-basketry-image344659079.htmlRM2B0MG4R–Covered Basket, Japan, 19th century, Japan, Fine rattan, H. (with cover) 5 in. (12.7 cm); Diam. 6 in. (15.2 cm), Basketry
Box with lid. Culture: Japan. Dimensions: 6 1/2 x 6 x 5 in. (16.5 x 15.2 x 12.7 cm). Date: 19th century. This covered box, part of a wedding trousseau, comprised of thirty-one pieces, represents late Edo-period maki-e (decoration in gold and/or silver sprinkled powder) art at its finest. The Shimazu family, lords of Satsuma in Kyushu, ordered this traditional trousseau most likely for Taka-hime, who was married to Matsudaira Sadakazu, lord of Kuwana (Ise Province), around 1830. The items of the wedding set are decorated with various auspicious motifs. The evergreen pine represents longevity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/box-with-lid-culture-japan-dimensions-6-12-x-6-x-5-in-165-x-152-x-127-cm-date-19th-century-this-covered-box-part-of-a-wedding-trousseau-comprised-of-thirty-one-pieces-represents-late-edo-period-maki-e-decoration-in-gold-andor-silver-sprinkled-powder-art-at-its-finest-the-shimazu-family-lords-of-satsuma-in-kyushu-ordered-this-traditional-trousseau-most-likely-for-taka-hime-who-was-married-to-matsudaira-sadakazu-lord-of-kuwana-ise-province-around-1830-the-items-of-the-wedding-set-are-decorated-with-various-auspicious-motifs-the-evergreen-pine-represents-longevity-image212870422.htmlRMPA92B2–Box with lid. Culture: Japan. Dimensions: 6 1/2 x 6 x 5 in. (16.5 x 15.2 x 12.7 cm). Date: 19th century. This covered box, part of a wedding trousseau, comprised of thirty-one pieces, represents late Edo-period maki-e (decoration in gold and/or silver sprinkled powder) art at its finest. The Shimazu family, lords of Satsuma in Kyushu, ordered this traditional trousseau most likely for Taka-hime, who was married to Matsudaira Sadakazu, lord of Kuwana (Ise Province), around 1830. The items of the wedding set are decorated with various auspicious motifs. The evergreen pine represents longevity
. English: Series Title: Materia Medica of Dioscorides Creation Date: ca. 1200 Display Dimensions: 11 11/16 in. x 7 15/16 in. (29.7 cm x 20.2 cm) Credit Line: Gift of Dr. and Mrs. Edwin Binney 3rd Accession Number: 1972.219 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 12:30:49. English: thesandiegomuseumofartcollection 952 Page from a Materia Medica (6125042278) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-materia-medica-of-dioscorides-creation-date-ca-1200-display-dimensions-11-1116-in-x-7-1516-in-297-cm-x-202-cm-credit-line-gift-of-dr-and-mrs-edwin-binney-3rd-accession-number-1972219-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-1-october-2001-123049-english-thesandiegomuseumofartcollection-952-page-from-a-materia-medica-6125042278-image185826625.htmlRMMP93N5–. English: Series Title: Materia Medica of Dioscorides Creation Date: ca. 1200 Display Dimensions: 11 11/16 in. x 7 15/16 in. (29.7 cm x 20.2 cm) Credit Line: Gift of Dr. and Mrs. Edwin Binney 3rd Accession Number: 1972.219 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 12:30:49. English: thesandiegomuseumofartcollection 952 Page from a Materia Medica (6125042278)
![South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. Visual Material information: Title: South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. ; 30.7.b. Place of publication: [London] Publisher: Published Sep.r 2.d 1798 by J Seago Printseller High Street St. Giles London. Price 1.s., Date of publication: [1798] Item type: 1 print Medium: etching with roulette Dimensions: platemark 12.8 x 15.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HKK7/south-west-prospect-of-kilbourn-abbey-as-it-appeared-in-the-year-1722-visual-material-information-title-south-west-prospect-of-kilbourn-abbey-as-it-appeared-in-the-year-1722-307b-place-of-publication-london-publisher-published-sepr-2d-1798-by-j-seago-printseller-high-street-st-giles-london-price-1s-date-of-publication-1798-item-type-1-print-medium-etching-with-roulette-dimensions-platemark-128-x-159-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HKK7.jpg "South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. Visual Material information: Title: South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. ; 30.7.b. Place of publication: [London] Publisher: Published Sep.r 2.d 1798 by J Seago Printseller High Street St. Giles London. Price 1.s., Date of publication: [1798] Item type: 1 print Medium: etching with roulette Dimensions: platemark 12.8 x 15.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. Visual Material information: Title: South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. ; 30.7.b. Place of publication: [London] Publisher: Published Sep.r 2.d 1798 by J Seago Printseller High Street St. Giles London. Price 1.s., Date of publication: [1798] Item type: 1 print Medium: etching with roulette Dimensions: platemark 12.8 x 15.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/south-west-prospect-of-kilbourn-abbey-as-it-appeared-in-the-year-1722-visual-material-information-title-south-west-prospect-of-kilbourn-abbey-as-it-appeared-in-the-year-1722-307b-place-of-publication-london-publisher-published-sepr-2d-1798-by-j-seago-printseller-high-street-st-giles-london-price-1s-date-of-publication-1798-item-type-1-print-medium-etching-with-roulette-dimensions-platemark-128-x-159-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758987.htmlRM2E9HKK7–South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. Visual Material information: Title: South West prospect of Kilbourn Abbey, as it appeared in the Year 1722. ; 30.7.b. Place of publication: [London] Publisher: Published Sep.r 2.d 1798 by J Seago Printseller High Street St. Giles London. Price 1.s., Date of publication: [1798] Item type: 1 print Medium: etching with roulette Dimensions: platemark 12.8 x 15.9 cm Former owner: George III, King of Great Britain, 1738-1820
Bronzen penning. Voorzijde: kroon binnen omschrift en sterrekrans. Keerzijde: opschrift Manufacturer : Laurent Joseph HartPlaats manufacture: Brussel Dating: 1831 Material: brons Techniek: slaan Dimensions: d 2,5 cm. (stempel gebroken) × g 7,12 gr Subject: Belgische RevolutieWanneer: 1831-11-15 - 1831-11-15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronzen-penning-voorzijde-kroon-binnen-omschrift-en-sterrekrans-keerzijde-opschrift-manufacturer-laurent-joseph-hartplaats-manufacture-brussel-dating-1831-material-brons-techniek-slaan-dimensions-d-25-cm-stempel-gebroken-g-712-gr-subject-belgische-revolutiewanneer-1831-11-15-1831-11-15-image348335996.htmlRM2B6M238–Bronzen penning. Voorzijde: kroon binnen omschrift en sterrekrans. Keerzijde: opschrift Manufacturer : Laurent Joseph HartPlaats manufacture: Brussel Dating: 1831 Material: brons Techniek: slaan Dimensions: d 2,5 cm. (stempel gebroken) × g 7,12 gr Subject: Belgische RevolutieWanneer: 1831-11-15 - 1831-11-15
Archive image from page 74 of Die japanische Knochenfische der Sammlungen. Die japanische Knochenfische der Sammlungen Haberer und Doflein . diejapanischekno00fran Year: 1910 65 Ich habe mich die geringe Mühe nicht verdrießen lassen, das vorliegende Material in der Weise zu analysieren, wie es bei der internationalen Meeresforschung zu geschehen pflegt. Jeder Fisch wird unter Abrundung auf den nächstkleineren ganzen Zentimeter ge- messen. Das Ergebnis ist beistehende Tabelle und Kurve. Länge (cm) Zahl 4 3 5 4 6 11 7 5 8 1 9 0 10 0 11 2 12 4 13 3 14 4 15 0 16 4 17 0 18 0 19 0 20 0 21 0 22 0 23 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-74-of-die-japanische-knochenfische-der-sammlungen-die-japanische-knochenfische-der-sammlungen-haberer-und-doflein-diejapanischekno00fran-year-1910-65-ich-habe-mich-die-geringe-mhe-nicht-verdrieen-lassen-das-vorliegende-material-in-der-weise-zu-analysieren-wie-es-bei-der-internationalen-meeresforschung-zu-geschehen-pflegt-jeder-fisch-wird-unter-abrundung-auf-den-nchstkleineren-ganzen-zentimeter-ge-messen-das-ergebnis-ist-beistehende-tabelle-und-kurve-lnge-cm-zahl-4-3-5-4-6-11-7-5-8-1-9-0-10-0-11-2-12-4-13-3-14-4-15-0-16-4-17-0-18-0-19-0-20-0-21-0-22-0-23-image259052457.htmlRMW1CT1D–Archive image from page 74 of Die japanische Knochenfische der Sammlungen. Die japanische Knochenfische der Sammlungen Haberer und Doflein . diejapanischekno00fran Year: 1910 65 Ich habe mich die geringe Mühe nicht verdrießen lassen, das vorliegende Material in der Weise zu analysieren, wie es bei der internationalen Meeresforschung zu geschehen pflegt. Jeder Fisch wird unter Abrundung auf den nächstkleineren ganzen Zentimeter ge- messen. Das Ergebnis ist beistehende Tabelle und Kurve. Länge (cm) Zahl 4 3 5 4 6 11 7 5 8 1 9 0 10 0 11 2 12 4 13 3 14 4 15 0 16 4 17 0 18 0 19 0 20 0 21 0 22 0 23
Trade Card, Greeting Card; chromolithograph; Approximately: 12.5 x 7.5 cm (4 15/16 x 2 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trade-card-greeting-card-chromolithograph-approximately-125-x-75-cm-4-1516-x-2-1516-in-image546079128.htmlRM2PMC1E0–Trade Card, Greeting Card; chromolithograph; Approximately: 12.5 x 7.5 cm (4 15/16 x 2 15/16 in.)
'Victor Albert Prout, Windsor Lock, 1862, albumen print, image: 11.2 x 27.1 cm (4 7/16 x 10 11/16 in.) mount: 30.5 x 38.4 cm (12 x 15 1/8 in.), Gift of Charles Isaacs and Carol Nigro, 2006.169.30' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victor-albert-prout-windsor-lock-1862-albumen-print-image-112-x-271-cm-4-716-x-10-1116-in-mount-305-x-384-cm-12-x-15-18-in-gift-of-charles-isaacs-and-carol-nigro-200616930-image559693596.htmlRM2REG6W0–'Victor Albert Prout, Windsor Lock, 1862, albumen print, image: 11.2 x 27.1 cm (4 7/16 x 10 11/16 in.) mount: 30.5 x 38.4 cm (12 x 15 1/8 in.), Gift of Charles Isaacs and Carol Nigro, 2006.169.30'
Bell Beaker MET sf17-193-342s2 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bell-beaker-met-sf17-193-342s2-465680-frankish-bell-beaker-6th7th-168408674.htmlRMKNYJYE–Bell Beaker MET sf17-193-342s2 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342)
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378597381.htmlRM2CYXGR1–All good work is done the way ants do things: Little by little.
. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena. Fig. II. Hand eines erwachsenen Hyperoodon rostratus im Flächenschnitt.. Fig. 13. Fig. 12. Handskelet eines Embryos von Hyperoodon rostra- tus von 55 cm Länge. Nat. Gr. Fig. 13. Handskelet eines Embr3'os von Hyperoodon rostratus von 15,8 cm Länge. Vergr. 3. I Embryo von 19 cm. Länge 2 Embryo von 55 cm. Länge 2 Erwachsenes Thier 2 II II IV V 7 5 4 7 5 4 6 4 2 i) M. Weber, Anatomisches über Cetaceen. Morphol. Jahrb. Bd. XHX p. 628.. Please note that these images are extracted from scanned page images that may have been Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-jena-fig-ii-hand-eines-erwachsenen-hyperoodon-rostratus-im-flchenschnitt-fig-13-fig-12-handskelet-eines-embryos-von-hyperoodon-rostra-tus-von-55-cm-lnge-nat-gr-fig-13-handskelet-eines-embr3os-von-hyperoodon-rostratus-von-158-cm-lnge-vergr-3-i-embryo-von-19-cm-lnge-2-embryo-von-55-cm-lnge-2-erwachsenes-thier-2-ii-ii-iv-v-7-5-4-7-5-4-6-4-2-i-m-weber-anatomisches-ber-cetaceen-morphol-jahrb-bd-xhx-p-628-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-image216195972.htmlRMPFMG4M–. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena. Fig. II. Hand eines erwachsenen Hyperoodon rostratus im Flächenschnitt.. Fig. 13. Fig. 12. Handskelet eines Embryos von Hyperoodon rostra- tus von 55 cm Länge. Nat. Gr. Fig. 13. Handskelet eines Embr3'os von Hyperoodon rostratus von 15,8 cm Länge. Vergr. 3. I Embryo von 19 cm. Länge 2 Embryo von 55 cm. Länge 2 Erwachsenes Thier 2 II II IV V 7 5 4 7 5 4 6 4 2 i) M. Weber, Anatomisches über Cetaceen. Morphol. Jahrb. Bd. XHX p. 628.. Please note that these images are extracted from scanned page images that may have been
Inspired by The Cockpit, William Hogarth, British, 1697-1764, Engraving on wove paper, 1759, 12 1/2 x 15 1/8 in., 31.7 x 38.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-cockpit-william-hogarth-british-1697-1764-engraving-on-wove-paper-1759-12-12-x-15-18-in-317-x-384-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250496.htmlRF2HK4JKC–Inspired by The Cockpit, William Hogarth, British, 1697-1764, Engraving on wove paper, 1759, 12 1/2 x 15 1/8 in., 31.7 x 38.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Panel, French, 16th century, French, Carved walnut, 15 1/4 × 12 1/2 in. (38.7 × 31.8 cm), Woodwork Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-french-16th-century-french-carved-walnut-15-14-12-12-in-387-318-cm-woodwork-image344607359.htmlRM2B0J65K–Panel, French, 16th century, French, Carved walnut, 15 1/4 × 12 1/2 in. (38.7 × 31.8 cm), Woodwork
Covered Bowl. Culture: American. Dimensions: H. 6 in. (15.2 cm); Diam. 5 in. (12.7 cm). Date: 1800-1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-bowl-culture-american-dimensions-h-6-in-152-cm-diam-5-in-127-cm-date-1800-1830-museum-metropolitan-museum-of-art-new-york-usa-image212913549.htmlRMPAB1B9–Covered Bowl. Culture: American. Dimensions: H. 6 in. (15.2 cm); Diam. 5 in. (12.7 cm). Date: 1800-1830. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1850 Display Dimensions: 12 3/32 in. x 15 1/32 in. (30.7 cm x 38.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1025 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 April 2003, 09:21:15. English: thesandiegomuseumofartcollection 1136 Sri Daulat Rao Sediya with his maternal uncle Sambaji and brother-in-law Hindura (6124578553) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1850-display-dimensions-12-332-in-x-15-132-in-307-cm-x-382-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901025-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-15-april-2003-092115-english-thesandiegomuseumofartcollection-1136-sri-daulat-rao-sediya-with-his-maternal-uncle-sambaji-and-brother-in-law-hindura-6124578553-image185621059.htmlRMMNYNFF–. English: Creation Date: ca. 1850 Display Dimensions: 12 3/32 in. x 15 1/32 in. (30.7 cm x 38.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1025 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 April 2003, 09:21:15. English: thesandiegomuseumofartcollection 1136 Sri Daulat Rao Sediya with his maternal uncle Sambaji and brother-in-law Hindura (6124578553)
Dagger, Before 1916. Sumatra. overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dagger-before-1916-sumatra-overall-191-cm-7-12-in-blade-125-cm-4-1516-in-image448085969.htmlRM2H10269–Dagger, Before 1916. Sumatra. overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.).
Haakbus Arquebus with octagonal barrel which is to round to the mouth. Bent-rod with button, tapping with fork, zundgat on top. The initial hook is pulled down and the bus is now provided with co-ring transformed with horizontal studs and fork. On top of the barrel, for the vent, a down stroke ones inserted ornament of a coat of arms with six balls. On the back of the chamber 2 unreadable slagmerken. Manufacturer : anonymous Date: 1400 - 1500 Material: iron Dimensions: whole: l 127.7 cm. loop: 26 mm d (caliber) b 12.4 cm. (About the pivots) a whole: 15.4 g kgbak: h 13 cm. (Management data) b × Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/haakbus-arquebus-with-octagonal-barrel-which-is-to-round-to-the-mouth-bent-rod-with-button-tapping-with-fork-zundgat-on-top-the-initial-hook-is-pulled-down-and-the-bus-is-now-provided-with-co-ring-transformed-with-horizontal-studs-and-fork-on-top-of-the-barrel-for-the-vent-a-down-stroke-ones-inserted-ornament-of-a-coat-of-arms-with-six-balls-on-the-back-of-the-chamber-2-unreadable-slagmerken-manufacturer-anonymous-date-1400-1500-material-iron-dimensions-whole-l-1277-cm-loop-26-mm-d-caliber-b-124-cm-about-the-pivots-a-whole-154-g-kgbak-h-13-cm-management-data-b-image348423441.htmlRM2B6T1J9–Haakbus Arquebus with octagonal barrel which is to round to the mouth. Bent-rod with button, tapping with fork, zundgat on top. The initial hook is pulled down and the bus is now provided with co-ring transformed with horizontal studs and fork. On top of the barrel, for the vent, a down stroke ones inserted ornament of a coat of arms with six balls. On the back of the chamber 2 unreadable slagmerken. Manufacturer : anonymous Date: 1400 - 1500 Material: iron Dimensions: whole: l 127.7 cm. loop: 26 mm d (caliber) b 12.4 cm. (About the pivots) a whole: 15.4 g kgbak: h 13 cm. (Management data) b ×
Evaluation of methods to minimize contamination hazards to wildlife using agricultural evaporation ponds in the San Joaquin Valley, California : final report efficacyevappond00gop Year: 1989 1.075 66 : 1 A ro.9 â 1 / s â 8.8 E ^ ^ -^ ^ -4 'c-^ ^ kJ Jt-, A^ r8.7 w / / ^s^ f''*^^'^ ^ --W (â' â^ k , / y c â o 64 : / s k . / ^' s ^ ^ / r8.6 ^ / / K / 's h / Z o 63 â / V / / r8.5 a CM / ;: r' â*< Y T r8.4 61 - ( â 1 N / â1 r8.3 ^8.2 12 15 18 21 24 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evaluation-of-methods-to-minimize-contamination-hazards-to-wildlife-using-agricultural-evaporation-ponds-in-the-san-joaquin-valley-california-final-report-efficacyevappond00gop-year-1989-1075-66-1-a-ro9-1-s-88-e-4-c-kj-jt-a-r87-w-s-f-w-k-y-c-o-64-s-k-s-r86-k-s-h-z-o-63-v-r85-a-cm-r-lt-y-t-r84-61-1-n-1-r83-82-12-15-18-21-24-image240705198.htmlRMRYH1X6–Evaluation of methods to minimize contamination hazards to wildlife using agricultural evaporation ponds in the San Joaquin Valley, California : final report efficacyevappond00gop Year: 1989 1.075 66 : 1 A ro.9 â 1 / s â 8.8 E ^ ^ -^ ^ -4 'c-^ ^ kJ Jt-, A^ r8.7 w / / ^s^ f''*^^'^ ^ --W (â' â^ k , / y c â o 64 : / s k . / ^' s ^ ^ / r8.6 ^ / / K / 's h / Z o 63 â / V / / r8.5 a CM / ;: r' â*< Y T r8.4 61 - ( â 1 N / â1 r8.3 ^8.2 12 15 18 21 24
Fragment, 17th century; silk; Warp x Weft: 17.7 x 12.2 cm (6 15/16 x 4 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-17th-century-silk-warp-x-weft-177-x-122-cm-6-1516-x-4-1316-in-image546130751.htmlRM2PMEB9K–Fragment, 17th century; silk; Warp x Weft: 17.7 x 12.2 cm (6 15/16 x 4 13/16 in.)
'Jacques Callot, Frontispiece for the Miracles and Graces of Our Lady of 'Bon-Secours-les-Nancy', etching, plate: 12.5 x 7.8 cm (4 15/16 x 3 1/16 in.) sheet: 13.9 x 9.5 cm (5 1/2 x 3 3/4 in.), R.L. Baumfeld Collection, 1969.15.611' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-frontispiece-for-the-miracles-and-graces-of-our-lady-of-bon-secours-les-nancy-etching-plate-125-x-78-cm-4-1516-x-3-116-in-sheet-139-x-95-cm-5-12-x-3-34-in-rl-baumfeld-collection-196915611-image560397699.htmlRM2RFM8YF–'Jacques Callot, Frontispiece for the Miracles and Graces of Our Lady of 'Bon-Secours-les-Nancy', etching, plate: 12.5 x 7.8 cm (4 15/16 x 3 1/16 in.) sheet: 13.9 x 9.5 cm (5 1/2 x 3 3/4 in.), R.L. Baumfeld Collection, 1969.15.611'
Bell Beaker MET sf17-193-342s2 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bell-beaker-met-sf17-193-342s2-465680-frankish-bell-beaker-6th7th-168258769.htmlRMKNMRNN–Bell Beaker MET sf17-193-342s2 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342)
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378598575.htmlRM2CYXJ9K–All good work is done the way ants do things: Little by little.
. De flora van Nederland. Plants. 538 â GRAMINAE. â FAMILIE 18. II. kroonkafjes, de var. oligostdchyus ^) Wachter et Jansen met aarvormige bloeiwijze, de var. polydnthus-) Beek met 12-17-bloemige aartjes. elongatus'') Aschers. et Gr. Naalden tot 7 mM lang, zwak heen en weer gebogen. Hiervan is de var. hirtus ^) Aschers. et Gr. met behaarde aartjes gevonden. 3. multiflórus â ') Aschers. Aartjes tot 2,5 cM lang, met vele (tot 15) bloemen. Kelkkafjes vrijwel even groot, circa 8 en 9 mM lang, het bovenste iets duidelijker toegespitst. Onderste kroonkafje glad of ruw, meest circa 11 mM lang, met t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-flora-van-nederland-plants-538-graminae-familie-18-ii-kroonkafjes-de-var-oligostdchyus-wachter-et-jansen-met-aarvormige-bloeiwijze-de-var-polydnthus-beek-met-12-17-bloemige-aartjes-elongatus-aschers-et-gr-naalden-tot-7-mm-lang-zwak-heen-en-weer-gebogen-hiervan-is-de-var-hirtus-aschers-et-gr-met-behaarde-aartjes-gevonden-3-multiflrus-aschers-aartjes-tot-25-cm-lang-met-vele-tot-15-bloemen-kelkkafjes-vrijwel-even-groot-circa-8-en-9-mm-lang-het-bovenste-iets-duidelijker-toegespitst-onderste-kroonkafje-glad-of-ruw-meest-circa-11-mm-lang-met-t-image216224477.htmlRMPFNTEN–. De flora van Nederland. Plants. 538 â GRAMINAE. â FAMILIE 18. II. kroonkafjes, de var. oligostdchyus ^) Wachter et Jansen met aarvormige bloeiwijze, de var. polydnthus-) Beek met 12-17-bloemige aartjes. elongatus'') Aschers. et Gr. Naalden tot 7 mM lang, zwak heen en weer gebogen. Hiervan is de var. hirtus ^) Aschers. et Gr. met behaarde aartjes gevonden. 3. multiflórus â ') Aschers. Aartjes tot 2,5 cM lang, met vele (tot 15) bloemen. Kelkkafjes vrijwel even groot, circa 8 en 9 mM lang, het bovenste iets duidelijker toegespitst. Onderste kroonkafje glad of ruw, meest circa 11 mM lang, met t
Inspired by Victoria Club, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1879, 12 3/16 x 7 15/16 in., 31 x 20.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-victoria-club-james-abbott-mcneill-whistler-american-1834-1903-lithograph-1879-12-316-x-7-1516-in-31-x-202-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263639.htmlRF2HK57CR–Inspired by Victoria Club, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1879, 12 3/16 x 7 15/16 in., 31 x 20.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fragment, 11th–12th century, Attributed to Egypt, Fustat, Wool, H. 5 in. (12.7 cm), W. 6 in. (15.2 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-11th12th-century-attributed-to-egypt-fustat-wool-h-5-in-127-cm-w-6-in-152-cm-textiles-woven-image344604955.htmlRM2B0J33R–Fragment, 11th–12th century, Attributed to Egypt, Fustat, Wool, H. 5 in. (12.7 cm), W. 6 in. (15.2 cm), Textiles-Woven
Coca Bag. Culture: Moche. Dimensions: H. 5 x W. 6 in. (12.7 x 15.2 cm). Date: 5th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coca-bag-culture-moche-dimensions-h-5-x-w-6-in-127-x-152-cm-date-5th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image212906844.htmlRMPAAMRT–Coca Bag. Culture: Moche. Dimensions: H. 5 x W. 6 in. (12.7 x 15.2 cm). Date: 5th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
English: Meeting in the Park by Konstantin Andreevich Somov, 1919, oil on canvas, 40 x 31 cm. (15.7 x 12.2 in.) . 1919 52 Meeting in the Park by Konstantin Andreevich Somov Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-meeting-in-the-park-by-konstantin-andreevich-somov-1919-oil-on-canvas-40-x-31-cm-157-x-122-in-1919-52-meeting-in-the-park-by-konstantin-andreevich-somov-image211027458.htmlRMP793JX–English: Meeting in the Park by Konstantin Andreevich Somov, 1919, oil on canvas, 40 x 31 cm. (15.7 x 12.2 in.) . 1919 52 Meeting in the Park by Konstantin Andreevich Somov
Dagger, Before 1916. Sumatra. overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dagger-before-1916-sumatra-overall-191-cm-7-12-in-blade-125-cm-4-1516-in-image448085971.htmlRM2H1026B–Dagger, Before 1916. Sumatra. overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.).
Three logglazen Set van drie logglazen, één van 15 seconden en twee van 30 seconden. De zandlopers zijn gemonteerd tussen houten plaatjes die bijeengehouden worden door messing bouten. Manufacturer : instrumentmaker: anoniemPlaats manufacture: Frankrijk Dating: ca. 1860 Physical kenmerken: hout, kurk, messing, glas en zand Material: hout kurk messing glas zand Dimensions: (1): h 12,5 cm. × d 6,6 cm. (2): h 13,6 cm. × d 6,7 cm. (3): h 13,6 cm. × b 6,8 cm. × d 7,1 cm. ToelichtingIn totaal werden vier logglazen in 1862 door de heer De la Marche, hydrografisch ingenieur van de Franse Marine, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-logglazen-set-van-drie-logglazen-n-van-15-seconden-en-twee-van-30-seconden-de-zandlopers-zijn-gemonteerd-tussen-houten-plaatjes-die-bijeengehouden-worden-door-messing-bouten-manufacturer-instrumentmaker-anoniemplaats-manufacture-frankrijk-dating-ca-1860-physical-kenmerken-hout-kurk-messing-glas-en-zand-material-hout-kurk-messing-glas-zand-dimensions-1-h-125-cm-d-66-cm-2-h-136-cm-d-67-cm-3-h-136-cm-b-68-cm-d-71-cm-toelichtingin-totaal-werden-vier-logglazen-in-1862-door-de-heer-de-la-marche-hydrografisch-ingenieur-van-de-franse-marine-image348318961.htmlRM2B6K8AW–Three logglazen Set van drie logglazen, één van 15 seconden en twee van 30 seconden. De zandlopers zijn gemonteerd tussen houten plaatjes die bijeengehouden worden door messing bouten. Manufacturer : instrumentmaker: anoniemPlaats manufacture: Frankrijk Dating: ca. 1860 Physical kenmerken: hout, kurk, messing, glas en zand Material: hout kurk messing glas zand Dimensions: (1): h 12,5 cm. × d 6,6 cm. (2): h 13,6 cm. × d 6,7 cm. (3): h 13,6 cm. × b 6,8 cm. × d 7,1 cm. ToelichtingIn totaal werden vier logglazen in 1862 door de heer De la Marche, hydrografisch ingenieur van de Franse Marine,
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Fragment (Italy), 17th century; linen, cotton; Warp x Weft: 15 x 31.8 cm (5 7/8 x 12 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italy-17th-century-linen-cotton-warp-x-weft-15-x-318-cm-5-78-x-12-12-in-image546152204.htmlRM2PMFAKT–Fragment (Italy), 17th century; linen, cotton; Warp x Weft: 15 x 31.8 cm (5 7/8 x 12 1/2 in.)
'Antoine de Marcenay de Ghuy, La Forêt, 1767, etching on wove paper, plate: 4.5 x 12.5 cm (1 3/4 x 4 15/16 in.) sheet: 6.4 x 13.8 cm (2 1/2 x 5 7/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.127' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antoine-de-marcenay-de-ghuy-la-fort-1767-etching-on-wove-paper-plate-45-x-125-cm-1-34-x-4-1516-in-sheet-64-x-138-cm-2-12-x-5-716-in-gift-of-the-estate-of-leo-steinberg-2011139127-image559695742.htmlRM2REG9HJ–'Antoine de Marcenay de Ghuy, La Forêt, 1767, etching on wove paper, plate: 4.5 x 12.5 cm (1 3/4 x 4 15/16 in.) sheet: 6.4 x 13.8 cm (2 1/2 x 5 7/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.127'
Bell Beaker MET sf17-193-342s1 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bell-beaker-met-sf17-193-342s1-465680-frankish-bell-beaker-6th7th-168408673.htmlRMKNYJYD–Bell Beaker MET sf17-193-342s1 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342)
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378597648.htmlRM2CYXH4G–All good work is done the way ants do things: Little by little.
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.6N LONG- DEPTH 10-6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 13/VII/67 TO 17/VII/67 70 24-9W 5500 MEAN VARIANCE CM/SEC CCM/SEC 12 ST-OEV CM/SEC SKEW KURT MAX CM/SEC tllN CM/SEC S 29-32 62.96 U 7.54 276-26 V 2.98 580.63 7.94 16.62 24-10 -220 -.437 -.317 4.64 2.65 1-85 71-51 46.96 48-64 4-63 -55-04 -71-12 6 = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V. 15 30 SPEED 45 60 CCM/SEC). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-statistics-of-currents-lflt-42-166n-long-depth-10-6-meters-number-of-observations-=-observation-period-13vii67-to-17vii67-70-24-9w-5500-mean-variance-cmsec-ccmsec-12-st-oev-cmsec-skew-kurt-max-cmsec-tlln-cmsec-s-29-32-6296-u-754-276-26-v-298-58063-794-1662-24-10-220-437-317-464-265-1-85-71-51-4696-48-64-4-63-55-04-71-12-6-=-speed-u-=-east-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velocity-north-=-positive-v-15-30-speed-45-60-ccmsec-image216342160.htmlRMPFY6HM–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.6N LONG- DEPTH 10-6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 13/VII/67 TO 17/VII/67 70 24-9W 5500 MEAN VARIANCE CM/SEC CCM/SEC 12 ST-OEV CM/SEC SKEW KURT MAX CM/SEC tllN CM/SEC S 29-32 62.96 U 7.54 276-26 V 2.98 580.63 7.94 16.62 24-10 -220 -.437 -.317 4.64 2.65 1-85 71-51 46.96 48-64 4-63 -55-04 -71-12 6 = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V. 15 30 SPEED 45 60 CCM/SEC).
Inspired by 2 Textile Fragments, undetermined, Cotton, camelid fiber, 200-600 C.E., Early Intermediate Period, a: 5 7/8 x 4 3/4 in., 15.0 x 12.0 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-2-textile-fragments-undetermined-cotton-camelid-fiber-200-600-ce-early-intermediate-period-a-5-78-x-4-34-in-150-x-120-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257059.htmlRF2HK4Y1R–Inspired by 2 Textile Fragments, undetermined, Cotton, camelid fiber, 200-600 C.E., Early Intermediate Period, a: 5 7/8 x 4 3/4 in., 15.0 x 12.0 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Unknown Artist, Pyramus and Thisbe Plaquette, 1600-1625, bronze, 2 13/16 in. x 4 15/16 in. (7.1 cm. x 12.5 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-pyramus-and-thisbe-plaquette-1600-1625-bronze-2-1316-in-x-4-1516-in-71-cm-x-125-cm-image344476800.htmlRM2B0C7JT–Unknown Artist, Pyramus and Thisbe Plaquette, 1600-1625, bronze, 2 13/16 in. x 4 15/16 in. (7.1 cm. x 12.5 cm.)
Bell Beaker. Culture: Frankish. Dimensions: Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bell-beaker-culture-frankish-dimensions-overall-4-1516-x-2-58-in-125-x-67-cm-date-6th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image212913150.htmlRMPAB0W2–Bell Beaker. Culture: Frankish. Dimensions: Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: 'The Pedant' Thomas Rowlandson (1756-1827) Pencil, ink and watercolor 6 x 4 7/8 in. (15.2 x 12.5 cm.) . early 1800s. Thomas Rowlandson (1756-1827) 598 The Pedant by Thomas Rowlandson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-pedant-thomas-rowlandson-1756-1827-pencil-ink-and-watercolor-6-x-4-78-in-152-x-125-cm-early-1800s-thomas-rowlandson-1756-1827-598-the-pedant-by-thomas-rowlandson-image187569203.htmlRMMW4EC3–. English: 'The Pedant' Thomas Rowlandson (1756-1827) Pencil, ink and watercolor 6 x 4 7/8 in. (15.2 x 12.5 cm.) . early 1800s. Thomas Rowlandson (1756-1827) 598 The Pedant by Thomas Rowlandson
Scabbard, Before 1916. Sumatra. overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scabbard-before-1916-sumatra-overall-191-cm-7-12-in-blade-125-cm-4-1516-in-image448085952.htmlRM2H1025M–Scabbard, Before 1916. Sumatra. overall: 19.1 cm (7 1/2 in.); blade: 12.5 cm (4 15/16 in.).
Dr Johannes Leunis Synopsis der Dr. Johannes Leunis Synopsis der thierkunde. Ein handbuch für höhere lehranstalten und für alle, welche sich wissenschaftlich mit der naturgeschichte der thiere beschäftigen wollen drjohannesleun01leun Year: 1883-86 676 3oolo9te ober 9?atuvgef(^i(f|te be8 S^^ievreid}?. Polynemus paradiseus'^ L. ^arabieSftfd). Rj 7; R2 1/15; A 2/12; mit fieben freien, fabigen S3ruftanf)ängen, beren obcrfter länger ai⬠ber Körper tft; filberig mit Âolbglon?, auf bem dlMm bunfler; B orangegetb; ^ange 15â20 cm. 3n ben Oftinbifc^cn â :)JJeeren, gcM anäf in bie {ylüffe; 5I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dr-johannes-leunis-synopsis-der-dr-johannes-leunis-synopsis-der-thierkunde-ein-handbuch-fr-hhere-lehranstalten-und-fr-alle-welche-sich-wissenschaftlich-mit-der-naturgeschichte-der-thiere-beschftigen-wollen-drjohannesleun01leun-year-1883-86-676-3oolo9te-ober-9atuvgefifte-be8-sievreid-polynemus-paradiseus-l-arabiesftfd-rj-7-r2-115-a-212-mit-fieben-freien-fabigen-s3ruftanfngen-beren-obcrfter-lnger-ai-ber-krper-tft-filberig-mit-olbglon-auf-bem-dlmm-bunfler-b-orangegetb-ange-1520-cm-3n-ben-oftinbifccn-jjeeren-gcm-anf-in-bie-ylffe-5i-image241485355.htmlRMT0TH0Y–Dr Johannes Leunis Synopsis der Dr. Johannes Leunis Synopsis der thierkunde. Ein handbuch für höhere lehranstalten und für alle, welche sich wissenschaftlich mit der naturgeschichte der thiere beschäftigen wollen drjohannesleun01leun Year: 1883-86 676 3oolo9te ober 9?atuvgef(^i(f|te be8 S^^ievreid}?. Polynemus paradiseus'^ L. ^arabieSftfd). Rj 7; R2 1/15; A 2/12; mit fieben freien, fabigen S3ruftanf)ängen, beren obcrfter länger ai⬠ber Körper tft; filberig mit Âolbglon?, auf bem dlMm bunfler; B orangegetb; ^ange 15â20 cm. 3n ben Oftinbifc^cn â :)JJeeren, gcM anäf in bie {ylüffe; 5I
Tea Caddy And Cover (China); porcelain painted in enamels; 12.5 x 7.5 diameter cm (4 15/16 x 2 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tea-caddy-and-cover-china-porcelain-painted-in-enamels-125-x-75-diameter-cm-4-1516-x-2-1516-in-image546113196.htmlRM2PMDGXM–Tea Caddy And Cover (China); porcelain painted in enamels; 12.5 x 7.5 diameter cm (4 15/16 x 2 15/16 in.)
!['David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27' Stock Photo](https://c8.alamy.com/comp/2RE9H7J/david-lucas-after-john-constable-stoke-by-neyland-1830-mezzotint-on-laid-paper-proof-plate-185-x-252-cm-7-516-x-9-1516-in-sheet-193-x-306-cm-7-58-x-12-116-in-paul-mellon-fund-200111827-2RE9H7J.jpg "'David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27' Stock Photo")
'David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-lucas-after-john-constable-stoke-by-neyland-1830-mezzotint-on-laid-paper-proof-plate-185-x-252-cm-7-516-x-9-1516-in-sheet-193-x-306-cm-7-58-x-12-116-in-paul-mellon-fund-200111827-image559548070.htmlRM2RE9H7J–'David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27'
Bell Beaker MET sf17-193-342s1 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bell-beaker-met-sf17-193-342s1-465680-frankish-bell-beaker-6th7th-168258768.htmlRMKNMRNM–Bell Beaker MET sf17-193-342s1 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342)
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378597836.htmlRM2CYXHB8–All good work is done the way ants do things: Little by little.
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.5N LONG. 70 08.5W DEPTH 45.6 METERS NUMBER OF OBSERVATIONS = 4450 OBSERVATION PERIOD 22/VIII/67 TO 25/VI1I/67 MEAN VARIANCE CM/SEC (CM/SEC 12 ST-DEV CM/SEC SKEW KURT MAX MIN CM/SEC CM/SEC S 17.84 83.51 9.14 1.233 7.24 102.37 3.09 U 3.67 329.12 18.14 -209 2.05 73.28 -66.62 V -2.21 54.24 7.37 .509 15.70 100.49 -42.70 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V 420 (n 280 > UJ Sl40 CD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-statistics-of-currents-lflt-42-165n-long-70-085w-depth-456-meters-number-of-observations-=-4450-observation-period-22viii67-to-25vi1i67-mean-variance-cmsec-cmsec-12-st-dev-cmsec-skew-kurt-max-min-cmsec-cmsec-s-1784-8351-914-1233-724-10237-309-u-367-32912-1814-209-205-7328-6662-v-221-5424-737-509-1570-10049-4270-s-=-speed-u-=-east-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velocity-north-=-positive-v-420-n-280-gt-uj-sl40-cd-image216348134.htmlRMPFYE72–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.5N LONG. 70 08.5W DEPTH 45.6 METERS NUMBER OF OBSERVATIONS = 4450 OBSERVATION PERIOD 22/VIII/67 TO 25/VI1I/67 MEAN VARIANCE CM/SEC (CM/SEC 12 ST-DEV CM/SEC SKEW KURT MAX MIN CM/SEC CM/SEC S 17.84 83.51 9.14 1.233 7.24 102.37 3.09 U 3.67 329.12 18.14 -209 2.05 73.28 -66.62 V -2.21 54.24 7.37 .509 15.70 100.49 -42.70 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V 420 (n 280 > UJ Sl40 CD
Art inspired by St. Francis Helping Beggar, Oil on panel, 6 x 5 in., 15.2 x 12.7 cm, figures, painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-francis-helping-beggar-oil-on-panel-6-x-5-in-152-x-127-cm-figures-painting-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568797.htmlRF2HKK4K9–Art inspired by St. Francis Helping Beggar, Oil on panel, 6 x 5 in., 15.2 x 12.7 cm, figures, painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown Artist, The Fall of Phaeton, n.d., bronze, gilding, 2 13/16 in. x 4 15/16 in. (7.2 cm. x 12.6 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-the-fall-of-phaeton-nd-bronze-gilding-2-1316-in-x-4-1516-in-72-cm-x-126-cm-image344476905.htmlRM2B0C7PH–Unknown Artist, The Fall of Phaeton, n.d., bronze, gilding, 2 13/16 in. x 4 15/16 in. (7.2 cm. x 12.6 cm.)
Model adze. Dimensions: 7.4 cm (2 15/16 in). Dynasty: Dynasty 12. Date: ca. 1981-1802 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/model-adze-dimensions-74-cm-2-1516-in-dynasty-dynasty-12-date-ca-1981-1802-bc-museum-metropolitan-museum-of-art-new-york-usa-image212913879.htmlRMPAB1R3–Model adze. Dimensions: 7.4 cm (2 15/16 in). Dynasty: Dynasty 12. Date: ca. 1981-1802 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
. English: 'The Pedant' Thomas Rowlandson (1756-1827) Pencil, ink and watercolor 6 x 4 7/8 in. (15.2 x 12.5 cm.) . early 1800s. Thomas Rowlandson (1756-1827) 599 The Pedant by Thomas Rowlandson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-pedant-thomas-rowlandson-1756-1827-pencil-ink-and-watercolor-6-x-4-78-in-152-x-125-cm-early-1800s-thomas-rowlandson-1756-1827-599-the-pedant-by-thomas-rowlandson-image188108643.htmlRMMX12DR–. English: 'The Pedant' Thomas Rowlandson (1756-1827) Pencil, ink and watercolor 6 x 4 7/8 in. (15.2 x 12.5 cm.) . early 1800s. Thomas Rowlandson (1756-1827) 599 The Pedant by Thomas Rowlandson
(St. Francis Helping Beggar) Unknown.. Oil on panel, 6 x 5 in. (15.2 x 12.7 cm). American Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-francis-helping-beggar-unknown-oil-on-panel-6-x-5-in-152-x-127-cm-american-art-image504727582.htmlRM2M94952–(St. Francis Helping Beggar) Unknown.. Oil on panel, 6 x 5 in. (15.2 x 12.7 cm). American Art
Evaluation of methods to minimize Evaluation of methods to minimize contamination hazards to wildlife using agricultural evaporation ponds in the San Joaquin Valley, California : final report efficacyevappond00gop Year: 1989 66 : 1 A ro.9 â 1 / s â 8.8 E ^ ^ -^ ^ -4 'c-^ ^ kJ Jt-, A^ r8.7 w / / ^s^ f''*^^'^ ^ --W (â' â^ k , / y c â o 64 : / s k . / ^' s ^ ^ / r8.6 ^ / / K / 's h / Z o 63 â / V / / r8.5 a CM / ;: r' â*< Y T r8.4 61 - ( â 1 N / â1 r8.3 ^8.2 12 15 18 21 24 9 12 15 TIME (HOURS) Fipire 3^ March Diurnal Study: Peck 5 SW (Water Sample Analysis) O = left axis ⢠Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evaluation-of-methods-to-minimize-evaluation-of-methods-to-minimize-contamination-hazards-to-wildlife-using-agricultural-evaporation-ponds-in-the-san-joaquin-valley-california-final-report-efficacyevappond00gop-year-1989-66-1-a-ro9-1-s-88-e-4-c-kj-jt-a-r87-w-s-f-w-k-y-c-o-64-s-k-s-r86-k-s-h-z-o-63-v-r85-a-cm-r-lt-y-t-r84-61-1-n-1-r83-82-12-15-18-21-24-9-12-15-time-hours-fipire-3-march-diurnal-study-peck-5-sw-water-sample-analysis-o-=-left-axis-image239849571.htmlRMRX62G3–Evaluation of methods to minimize Evaluation of methods to minimize contamination hazards to wildlife using agricultural evaporation ponds in the San Joaquin Valley, California : final report efficacyevappond00gop Year: 1989 66 : 1 A ro.9 â 1 / s â 8.8 E ^ ^ -^ ^ -4 'c-^ ^ kJ Jt-, A^ r8.7 w / / ^s^ f''*^^'^ ^ --W (â' â^ k , / y c â o 64 : / s k . / ^' s ^ ^ / r8.6 ^ / / K / 's h / Z o 63 â / V / / r8.5 a CM / ;: r' â*< Y T r8.4 61 - ( â 1 N / â1 r8.3 ^8.2 12 15 18 21 24 9 12 15 TIME (HOURS) Fipire 3^ March Diurnal Study: Peck 5 SW (Water Sample Analysis) O = left axis â¢
Fragment (Italy); silk, metallics; Warp x Weft: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.); 1896-2-54 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italy-silk-metallics-warp-x-weft-214-x-126-cm-8-716-x-4-1516-in-1896-2-54-image546083179.htmlRM2PMC6JK–Fragment (Italy); silk, metallics; Warp x Weft: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.); 1896-2-54
'Johann Ulrich Kraus, Frontispiece with Triumphal Arch with Christ and the Apostles, 1705, etching and engraving on laid paper, plate: 31.4 x 20.2 cm (12 3/8 x 7 15/16 in.) sheet: 33.7 x 20.8 cm (13 1/4 x 8 3/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.111' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-ulrich-kraus-frontispiece-with-triumphal-arch-with-christ-and-the-apostles-1705-etching-and-engraving-on-laid-paper-plate-314-x-202-cm-12-38-x-7-1516-in-sheet-337-x-208-cm-13-14-x-8-316-in-gift-of-the-estate-of-leo-steinberg-2011139111-image559767667.htmlRM2REKHAB–'Johann Ulrich Kraus, Frontispiece with Triumphal Arch with Christ and the Apostles, 1705, etching and engraving on laid paper, plate: 31.4 x 20.2 cm (12 3/8 x 7 15/16 in.) sheet: 33.7 x 20.8 cm (13 1/4 x 8 3/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.111'
Bell Beaker MET sf17-193-342s4 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bell-beaker-met-sf17-193-342s4-465680-frankish-bell-beaker-6th7th-168258772.htmlRMKNMRNT–Bell Beaker MET sf17-193-342s4 465680 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 15/16 x 2 5/8 in. (12.5 x 6.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.342)
All good work is done the way ants do things: Little by little. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/all-good-work-is-done-the-way-ants-do-things-little-by-little-image378596309.htmlRM2CYXFCN–All good work is done the way ants do things: Little by little.
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.2N LONG. 70 16.6W DEPTH 7.6 METERS NUMBER OF OBSERVATIONS = 5S00 OBSERVATION PERIOD 24/VII/67 TO 28/VII/67 MEAN VARIANCE CM/SEC (CM/SEC)2 ST-DEV CM/SEC SKEW KURT MAX MIN CM/SEC CM/SEC S 42.59 132.74 11.52 -.214 2.96 73.56 7.72 U 12.65 1243.33 35.26 -.362 1.72 70.97 -65.21 V 15.69 297.61 17.25 -.815 3.86 53.84 -47.84 S - SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY, NORTH = POSITIVE V 390. 15 30 45 60 SPEED (C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-statistics-of-currents-lflt-42-162n-long-70-166w-depth-76-meters-number-of-observations-=-5s00-observation-period-24vii67-to-28vii67-mean-variance-cmsec-cmsec2-st-dev-cmsec-skew-kurt-max-min-cmsec-cmsec-s-4259-13274-1152-214-296-7356-772-u-1265-124333-3526-362-172-7097-6521-v-1569-29761-1725-815-386-5384-4784-s-speed-u-=-east-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velocity-north-=-positive-v-390-15-30-45-60-speed-c-image216342138.htmlRMPFY6GX–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.2N LONG. 70 16.6W DEPTH 7.6 METERS NUMBER OF OBSERVATIONS = 5S00 OBSERVATION PERIOD 24/VII/67 TO 28/VII/67 MEAN VARIANCE CM/SEC (CM/SEC)2 ST-DEV CM/SEC SKEW KURT MAX MIN CM/SEC CM/SEC S 42.59 132.74 11.52 -.214 2.96 73.56 7.72 U 12.65 1243.33 35.26 -.362 1.72 70.97 -65.21 V 15.69 297.61 17.25 -.815 3.86 53.84 -47.84 S - SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY, NORTH = POSITIVE V 390. 15 30 45 60 SPEED (C
Art inspired by Vignette K, American, Watercolor and graphite, 1840s-1850s, 5 x 2 15/16 in., 12.7 x 7.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-vignette-k-american-watercolor-and-graphite-1840s-1850s-5-x-2-1516-in-127-x-75-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566254.htmlRF2HKK1CE–Art inspired by Vignette K, American, Watercolor and graphite, 1840s-1850s, 5 x 2 15/16 in., 12.7 x 7.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown Artist, The Abduction of Cephalus, n.d., bronze, gilding, 2 15/16 in. x 5 1/16 in. (7.4 cm. x 12.8 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-the-abduction-of-cephalus-nd-bronze-gilding-2-1516-in-x-5-116-in-74-cm-x-128-cm-image344476908.htmlRM2B0C7PM–Unknown Artist, The Abduction of Cephalus, n.d., bronze, gilding, 2 15/16 in. x 5 1/16 in. (7.4 cm. x 12.8 cm.)
Comb. Dimensions: l. 7.4 cm (2 15/16 in). Dynasty: Dynasty 12-13. Date: ca. 1981-1640 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/comb-dimensions-l-74-cm-2-1516-in-dynasty-dynasty-12-13-date-ca-1981-1640-bc-museum-metropolitan-museum-of-art-new-york-usa-image212936315.htmlRMPAC2CB–Comb. Dimensions: l. 7.4 cm (2 15/16 in). Dynasty: Dynasty 12-13. Date: ca. 1981-1640 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
. English: 'The Pedant' Thomas Rowlandson (1756-1827) Pencil, ink and watercolor 6 x 4 7/8 in. (15.2 x 12.5 cm.) . early 1800s. Thomas Rowlandson (1756-1827) 522 The Pedant by Thomas Rowlandson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-pedant-thomas-rowlandson-1756-1827-pencil-ink-and-watercolor-6-x-4-78-in-152-x-125-cm-early-1800s-thomas-rowlandson-1756-1827-522-the-pedant-by-thomas-rowlandson-image188843560.htmlRMMY6FTT–. English: 'The Pedant' Thomas Rowlandson (1756-1827) Pencil, ink and watercolor 6 x 4 7/8 in. (15.2 x 12.5 cm.) . early 1800s. Thomas Rowlandson (1756-1827) 522 The Pedant by Thomas Rowlandson
Fragment, 1800s. India, 19th century. Brocade; silk, gold and silver threads; overall: 12.7 x 15.2 cm (5 x 6 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-1800s-india-19th-century-brocade-silk-gold-and-silver-threads-overall-127-x-152-cm-5-x-6-in-image448079276.htmlRM2H0YNK8–Fragment, 1800s. India, 19th century. Brocade; silk, gold and silver threads; overall: 12.7 x 15.2 cm (5 x 6 in.).
Ecological investigations of the tundra biome in the Prudhoe Bay region, Alaska ecologicalinvest00brow Year: 1975 16 May '72 (D) 200m E of P2 (E) 300m E of P2 (B) 40m E of P2 (C) 90m Eof P2 I June 72 (F) Generalized Temperature Profile Fig. 10. Summary of temperature profiles from Figs. 7 and 9. Table 3 Calculated range of temperature in the snow, using three values for diffusivlty, a , in units of cm^sec'^ Depth below snow surface Temperature range (cm) °C (« =0.0030) («= 0.0050) (a =0.0060) 0 12.0 12.0 12.0 10 3.0 5.1 5.5 20 1.3 2.2 2.5 30 .44 .93 1.2 40 .15 .40 .53 0 10 Snow 3epth 20 cm 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecological-investigations-of-the-tundra-biome-in-the-prudhoe-bay-region-alaska-ecologicalinvest00brow-year-1975-16-may-72-d-200m-e-of-p2-e-300m-e-of-p2-b-40m-e-of-p2-c-90m-eof-p2-i-june-72-f-generalized-temperature-profile-fig-10-summary-of-temperature-profiles-from-figs-7-and-9-table-3-calculated-range-of-temperature-in-the-snow-using-three-values-for-diffusivlty-a-in-units-of-cmsec-depth-below-snow-surface-temperature-range-cm-c-=00030-=-00050-a-=00060-0-120-120-120-10-30-51-55-20-13-22-25-30-44-93-12-40-15-40-53-0-10-snow-3epth-20-cm-3-image240685860.htmlRMRYG57G–Ecological investigations of the tundra biome in the Prudhoe Bay region, Alaska ecologicalinvest00brow Year: 1975 16 May '72 (D) 200m E of P2 (E) 300m E of P2 (B) 40m E of P2 (C) 90m Eof P2 I June 72 (F) Generalized Temperature Profile Fig. 10. Summary of temperature profiles from Figs. 7 and 9. Table 3 Calculated range of temperature in the snow, using three values for diffusivlty, a , in units of cm^sec'^ Depth below snow surface Temperature range (cm) °C (« =0.0030) («= 0.0050) (a =0.0060) 0 12.0 12.0 12.0 10 3.0 5.1 5.5 20 1.3 2.2 2.5 30 .44 .93 1.2 40 .15 .40 .53 0 10 Snow 3epth 20 cm 3
Mug (England); 5.1 x 7.5 x 5.3 cm (2 x 2 15/16 x 2 1/16 in.); Bequest of Jane M. Epstine; 2006-20-12 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-england-51-x-75-x-53-cm-2-x-2-1516-x-2-116-in-bequest-of-jane-m-epstine-2006-20-12-image546101618.htmlRM2PMD256–Mug (England); 5.1 x 7.5 x 5.3 cm (2 x 2 15/16 x 2 1/16 in.); Bequest of Jane M. Epstine; 2006-20-12
'Mariano Fortuny y Carbó, Ami Ed. Zamacois (Eduardo Zamacois y Zabala), 1869, etching on buff wove paper, plate: 18.3 × 13.8 cm (7 3/16 × 5 7/16 in.) sheet: 31.8 × 20.2 cm (12 1/2 × 7 15/16 in.), Purchased as the Gift of Dewayne and Faith Perry, 2016.73.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mariano-fortuny-y-carb-ami-ed-zamacois-eduardo-zamacois-y-zabala-1869-etching-on-buff-wove-paper-plate-183-138-cm-7-316-5-716-in-sheet-318-202-cm-12-12-7-1516-in-purchased-as-the-gift-of-dewayne-and-faith-perry-2016731-image557409387.htmlRM2RAT5A3–'Mariano Fortuny y Carbó, Ami Ed. Zamacois (Eduardo Zamacois y Zabala), 1869, etching on buff wove paper, plate: 18.3 × 13.8 cm (7 3/16 × 5 7/16 in.) sheet: 31.8 × 20.2 cm (12 1/2 × 7 15/16 in.), Purchased as the Gift of Dewayne and Faith Perry, 2016.73.1'
Albarello MET LC-94 4 232 187794 Italian, Urbino, Albarello, ca. 1600, Maiolice (tin-glazed earthenware), Overall (confirmed): 7 9/16 x 4 15/16 x 4 15/16 in. (19.2 x 12.5 x 12.5 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.232) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-albarello-met-lc-94-4-232-187794-italian-urbino-albarello-ca-1600-168034136.htmlRMKNAH74–Albarello MET LC-94 4 232 187794 Italian, Urbino, Albarello, ca. 1600, Maiolice (tin-glazed earthenware), Overall (confirmed): 7 9/16 x 4 15/16 x 4 15/16 in. (19.2 x 12.5 x 12.5 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.232)
