15 2 x 33 3 cm hi-res stock photography and images

Still Life with Blue Cup, Nature morte à la tasse bleue, Pierre-Auguste Renoir, French, 1841-1919, Oil on canvas, France, ca. 1900, 6 x 13 1/8 in., 15.2 x 33.3 cm, apple, blue, blue cup, colorful, cook, cup, dining, eating, european, fig, food, food and drink, French, French Painting, fruit, Impressionism, meal, ndeu, oil on canvas, orange, saucer, still life, tea cup Stock Photo

RM2HB25N2–Still Life with Blue Cup, Nature morte à la tasse bleue, Pierre-Auguste Renoir, French, 1841-1919, Oil on canvas, France, ca. 1900, 6 x 13 1/8 in., 15.2 x 33.3 cm, apple, blue, blue cup, colorful, cook, cup, dining, eating, european, fig, food, food and drink, French, French Painting, fruit, Impressionism, meal, ndeu, oil on canvas, orange, saucer, still life, tea cup

Inspired by Still Life with Blue Cup, Nature morte à la tasse bleue, Pierre-Auguste Renoir, French, 1841-1919, Oil on canvas, France, ca. 1900, 6 x 13 1/8 in., 15.2 x 33.3 cm, apple, blue, blue cup, colorful, cook, cup, dining, eating, european, fig, food, food and drink, French, French Painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK50FE–Inspired by Still Life with Blue Cup, Nature morte à la tasse bleue, Pierre-Auguste Renoir, French, 1841-1919, Oil on canvas, France, ca. 1900, 6 x 13 1/8 in., 15.2 x 33.3 cm, apple, blue, blue cup, colorful, cook, cup, dining, eating, european, fig, food, food and drink, French, French Painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Palatium Regis Prope Londinum, Vulgo Whitehall, Wenceslaus Hollar, 1607–1677, Bohemian, after Wenceslaus Hollar, 1607–1677, Bohemian, ca. 1647, Line engraving on medium, slightly textured, cream laid paper, Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm), Plate: 5 7/8 x 13 inches (14.9 x 33 cm), and Image: 5 5/8 x 12 3/4 inches (14.3 x 32.4 cm), architectural subject, banquet hall, boats, buildings, chimneys, cityscape, hall, palace, river, white, Banqueting House, England, Europe, Greater London, London, Thames, United Kingdom, Whitehall Stock Photo

RM2DJ34YD–Palatium Regis Prope Londinum, Vulgo Whitehall, Wenceslaus Hollar, 1607–1677, Bohemian, after Wenceslaus Hollar, 1607–1677, Bohemian, ca. 1647, Line engraving on medium, slightly textured, cream laid paper, Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm), Plate: 5 7/8 x 13 inches (14.9 x 33 cm), and Image: 5 5/8 x 12 3/4 inches (14.3 x 32.4 cm), architectural subject, banquet hall, boats, buildings, chimneys, cityscape, hall, palace, river, white, Banqueting House, England, Europe, Greater London, London, Thames, United Kingdom, Whitehall

Still Life with Blue Cup (Nature morte à la tasse bleue) Pierre-Auguste Renoir (French, 1841-1919). , ca. 1900. Oil on canvas, 6 x 13 1/8 in. (15.2 x 33.3 cm). European Art ca. 1900 Stock Photo

RM2M93AC2–Still Life with Blue Cup (Nature morte à la tasse bleue) Pierre-Auguste Renoir (French, 1841-1919). , ca. 1900. Oil on canvas, 6 x 13 1/8 in. (15.2 x 33.3 cm). European Art ca. 1900

Cranberry Island Fog, Allen Tucker, American, 1866-1939, Oil on canvas, 1906, 25 3/16 x 33 15/16 in., 64 x 86.2 cm, 20th Century, Allen Tucker, birds, landscape, ocean, oil on canvas, seascape, shoreline, waves Stock Photo

RM2HB223H–Cranberry Island Fog, Allen Tucker, American, 1866-1939, Oil on canvas, 1906, 25 3/16 x 33 15/16 in., 64 x 86.2 cm, 20th Century, Allen Tucker, birds, landscape, ocean, oil on canvas, seascape, shoreline, waves

Fragments (Italy); silk, metallic threads; Warp x Weft (a): 31.3 x 28 cm (12 5/16 x 11 in.) Warp x Weft (b): 15.2 x 33.3 cm (6 x 13 1/8 in.) Warp x Weft (c): 16.6 x 13 cm (6 9/16 x 5 1/8 in.) Warp x Weft (d): 7.2 x 8.8 cm (2 13/16 x 3 7/16 in.) Warp x Weft (e): 6.8 x 8.1 cm (2 11/16 x 3 3/16 in.) Stock Photo

RM2PMHTA5–Fragments (Italy); silk, metallic threads; Warp x Weft (a): 31.3 x 28 cm (12 5/16 x 11 in.) Warp x Weft (b): 15.2 x 33.3 cm (6 x 13 1/8 in.) Warp x Weft (c): 16.6 x 13 cm (6 9/16 x 5 1/8 in.) Warp x Weft (d): 7.2 x 8.8 cm (2 13/16 x 3 7/16 in.) Warp x Weft (e): 6.8 x 8.1 cm (2 11/16 x 3 3/16 in.)

Madonna and Child. Artist: Anonymous, German, Augsburg, 15th century. Dimensions: sheet: 13 1/8 x 9 15/16 in. (33.3 x 25.2 cm). Date: ca. 1460-70. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPYJX–Madonna and Child. Artist: Anonymous, German, Augsburg, 15th century. Dimensions: sheet: 13 1/8 x 9 15/16 in. (33.3 x 25.2 cm). Date: ca. 1460-70. Museum: Metropolitan Museum of Art, New York, USA.

. English: Creation Date: ca. 1700 Display Dimensions: 3 31/32 in. x 5 1/2 in. (10.1 cm x 14 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1046 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:15. English: thesandiegomuseumofartcollection 1241 Vishnu on Garuda (6124579761) Stock Photo

RMMNY728–. English: Creation Date: ca. 1700 Display Dimensions: 3 31/32 in. x 5 1/2 in. (10.1 cm x 14 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1046 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:15. English: thesandiegomuseumofartcollection 1241 Vishnu on Garuda (6124579761)

Map of the Isle of Wight Author Bowles, Thomas 15.2. Place of publication: [London] Publisher: [Tho. Bowles] Date of publication: [1730-1767 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 33.3 x 38.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H37J–Map of the Isle of Wight Author Bowles, Thomas 15.2. Place of publication: [London] Publisher: [Tho. Bowles] Date of publication: [1730-1767 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 33.3 x 38.5 cm Former owner: George III, King of Great Britain, 1738-1820

. English: Series Title: Tarikh-i Alfi Creation Date: ca. 1593 Display Dimensions: 16 21/32 in. x 9 17/32 in. (42.3 cm x 24.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.291 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 13:45:33. English: thesandiegomuseumofartcollection 1179 The populace pays allegiance to the new Abbasid Caliph, al-Ma'mun (6124531161) Stock Photo

RMMPAX7A–. English: Series Title: Tarikh-i Alfi Creation Date: ca. 1593 Display Dimensions: 16 21/32 in. x 9 17/32 in. (42.3 cm x 24.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.291 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 13:45:33. English: thesandiegomuseumofartcollection 1179 The populace pays allegiance to the new Abbasid Caliph, al-Ma'mun (6124531161)

Leather (Holland); stamped leather, silvered, varnished, and painted; L x W: 33.3 × 57.2 cm (13 1/8 × 22 1/2 in.); 1913-34-15 Stock Photo

RM2PMD5PM–Leather (Holland); stamped leather, silvered, varnished, and painted; L x W: 33.3 × 57.2 cm (13 1/8 × 22 1/2 in.); 1913-34-15

Painting; oil on wood; overall: 24 x 33 cm (9 7/16 x 13 in.) framed: 40.3 x 48.3 x 5.1 cm (15 7/8 x 19 x 2 in.); 23 The Card Sharp on the Boulevard A16552 Stock Photo

RMP01M8W–Painting; oil on wood; overall: 24 x 33 cm (9 7/16 x 13 in.) framed: 40.3 x 48.3 x 5.1 cm (15 7/8 x 19 x 2 in.); 23 The Card Sharp on the Boulevard A16552

Drawing, A Sculptor's Studio; Thure de Thulstrup; gouache over traces of graphite on cream wove paper; Sheet: 53.2 x 33.9 cm (20 15/16 x 13 3/8 in.) Stock Photo

RM2PMM229–Drawing, A Sculptor's Studio; Thure de Thulstrup; gouache over traces of graphite on cream wove paper; Sheet: 53.2 x 33.9 cm (20 15/16 x 13 3/8 in.)

'Jan Verkolje I after Sir Peter Lely, Madam Parson, 1683, mezzotint on laid paper, plate: 33 x 25.2 cm (13 x 9 15/16 in.) sheet: 34.2 x 26.4 cm (13 7/16 x 10 3/8 in.), Paul Mellon Fund, 2001.118.66' Stock Photo

RM2RER3WF–'Jan Verkolje I after Sir Peter Lely, Madam Parson, 1683, mezzotint on laid paper, plate: 33 x 25.2 cm (13 x 9 15/16 in.) sheet: 34.2 x 26.4 cm (13 7/16 x 10 3/8 in.), Paul Mellon Fund, 2001.118.66'

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gouache on paper; Sheet: 18.2 x 11.6 cm (7 3/16 x 4 9/16 in.); 1943-33-1-15 Stock Photo

RM2PME6T6–Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gouache on paper; Sheet: 18.2 x 11.6 cm (7 3/16 x 4 9/16 in.); 1943-33-1-15

Enthroned Virgin MET DP102091 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716) Stock Photo

RMKNYCKD–Enthroned Virgin MET DP102091 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

Art inspired by Still Life with Blue Cup, Nature morte à la tasse bleue, Pierre-Auguste Renoir, French, 1841-1919, Oil on canvas, France, ca. 1900, 6 x 13 1/8 in., 15.2 x 33.3 cm, apple, blue, blue cup, colorful, cook, cup, dining, eating, european, fig, food, food and drink, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK6R0–Art inspired by Still Life with Blue Cup, Nature morte à la tasse bleue, Pierre-Auguste Renoir, French, 1841-1919, Oil on canvas, France, ca. 1900, 6 x 13 1/8 in., 15.2 x 33.3 cm, apple, blue, blue cup, colorful, cook, cup, dining, eating, european, fig, food, food and drink, French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Cassetta frame, early 17th century, Italian, Veneto or Marches, Poplar, 33 x 27.1, 21.3 x 15.2, 22.6 x 16.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYG3D–Art inspired by Cassetta frame, early 17th century, Italian, Veneto or Marches, Poplar, 33 x 27.1, 21.3 x 15.2, 22.6 x 16.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Antiquary Shop, William Merritt Chase, American, 1849-1916, Oil on canvas, United States, 1879, 26 1/2 x 33 15/16 in., 67.3 x 86.2 cm, American, American artist, antiques, grand tour, interior, oil, painting, travel Stock Photo

RM2HB1HTY–The Antiquary Shop, William Merritt Chase, American, 1849-1916, Oil on canvas, United States, 1879, 26 1/2 x 33 15/16 in., 67.3 x 86.2 cm, American, American artist, antiques, grand tour, interior, oil, painting, travel

Art inspired by Design, 1841–84, Graphite and watercolor, sheet: 13 1/16 x 9 15/16 in. (33.2 x 25.3 cm), Charles Hindley and Sons (British, London 1841–1917 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXGM0–Art inspired by Design, 1841–84, Graphite and watercolor, sheet: 13 1/16 x 9 15/16 in. (33.2 x 25.3 cm), Charles Hindley and Sons (British, London 1841–1917 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Certificate of Employment (Arbeitsbescheinigung) of the Guild of Farriers and Weaponsmiths (Huf- und Waffenschmiede) of Dresden. Culture: German, Dresden. Dimensions: 13 1/8 x 15 1/2 in. (33.3 x 39.4 cm). Date: dated 1769. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB67KE–Certificate of Employment (Arbeitsbescheinigung) of the Guild of Farriers and Weaponsmiths (Huf- und Waffenschmiede) of Dresden. Culture: German, Dresden. Dimensions: 13 1/8 x 15 1/2 in. (33.3 x 39.4 cm). Date: dated 1769. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by View of the Villa Pisani, Etching, plate: 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm), Prints, Giovanni Francesco Costa (Italian, Venice, 1711–1772/73, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7BFP–Art inspired by View of the Villa Pisani, Etching, plate: 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm), Prints, Giovanni Francesco Costa (Italian, Venice, 1711–1772/73, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

ROUGHTY BRIDGE Co KERRY. Author Jukes, Francis 53.44.a. Place of publication: LONDON Publisher: Pubd Octr 15 1800 by F. Jukes No10 Howlad Street., Date of publication: [October 15 1800] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 28.2 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F68E–ROUGHTY BRIDGE Co KERRY. Author Jukes, Francis 53.44.a. Place of publication: LONDON Publisher: Pubd Octr 15 1800 by F. Jukes No10 Howlad Street., Date of publication: [October 15 1800] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 28.2 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820

Inspired by Cranberry Island Fog, Allen Tucker, American, 1866-1939, Oil on canvas, 1906, 25 3/16 x 33 15/16 in., 64 x 86.2 cm, 20th Century, Allen Tucker, birds, landscape, ocean, oil on canvas, seascape, shoreline, waves, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4RYJ–Inspired by Cranberry Island Fog, Allen Tucker, American, 1866-1939, Oil on canvas, 1906, 25 3/16 x 33 15/16 in., 64 x 86.2 cm, 20th Century, Allen Tucker, birds, landscape, ocean, oil on canvas, seascape, shoreline, waves, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Painting; oil on canvas; overall: 86.3 x 66 cm (34 x 26 in.) framed: 105.4 x 85.7 x 5 cm (41 1/2 x 33 3/4 x 1 15/16 in.); 23 Textile Merchant G-000826-20111025 Stock Photo

RMP01M6W–Painting; oil on canvas; overall: 86.3 x 66 cm (34 x 26 in.) framed: 105.4 x 85.7 x 5 cm (41 1/2 x 33 3/4 x 1 15/16 in.); 23 Textile Merchant G-000826-20111025

'Johann Ulrich Kraus, Frontispiece with Triumphal Arch with Christ and the Apostles, 1705, etching and engraving on laid paper, plate: 31.4 x 20.2 cm (12 3/8 x 7 15/16 in.) sheet: 33.7 x 20.8 cm (13 1/4 x 8 3/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.111' Stock Photo

RM2REKHAB–'Johann Ulrich Kraus, Frontispiece with Triumphal Arch with Christ and the Apostles, 1705, etching and engraving on laid paper, plate: 31.4 x 20.2 cm (12 3/8 x 7 15/16 in.) sheet: 33.7 x 20.8 cm (13 1/4 x 8 3/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.111'

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gold paint on paper; Sheet: 15.5 x 9.2 x 0.1 cm (6 1/8 x 3 5/8 x 1/16 in.); 1943-33-1-25 Stock Photo

RM2PMDB61–Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gold paint on paper; Sheet: 15.5 x 9.2 x 0.1 cm (6 1/8 x 3 5/8 x 1/16 in.); 1943-33-1-25

RMKNMJAN–Enthroned Virgin MET DP102091 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

Drawing, Design for an Ewer; Designed by Jean Bernard Honoré Toro (French, 1661 - 1731); France; black chalk, pen and ink, brush and wash on paper; Image: 20.4 x 23.3 cm (8 1/16 x 9 3/16 in.) Sheet: 33.2 x 15.3 cm (13 1/16 in. x 6 in.) Stock Photo

RM2PMEF2B–Drawing, Design for an Ewer; Designed by Jean Bernard Honoré Toro (French, 1661 - 1731); France; black chalk, pen and ink, brush and wash on paper; Image: 20.4 x 23.3 cm (8 1/16 x 9 3/16 in.) Sheet: 33.2 x 15.3 cm (13 1/16 in. x 6 in.)

Samuel Margas Jr., Ewer, British, London, Samuel Margas Jr. (British, active 1714–33), ca. 1721, British, London, Silver gilt, Overall: 14 1/4 x 7 3/8 x 11 1/2 in., 103 oz. 15 dwg. (36.2 x 18.7 x 29.2 cm, 3.2265kg), Metalwork-Silver Stock Photo

RM2B0MRCM–Samuel Margas Jr., Ewer, British, London, Samuel Margas Jr. (British, active 1714–33), ca. 1721, British, London, Silver gilt, Overall: 14 1/4 x 7 3/8 x 11 1/2 in., 103 oz. 15 dwg. (36.2 x 18.7 x 29.2 cm, 3.2265kg), Metalwork-Silver

Design for Ceiling of Grand Salon, Hôtel Hope. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAAR7–Design for Ceiling of Grand Salon, Hôtel Hope. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.

View of LADY'S TOWER, GOODRICH CASTLE, Herefordshire. Author Manskirch, Franz Joseph 15.108.e. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: [October 1 1798] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 28.3 x 33.2 cm (trimmed below platemark, removing the publication information from the bottom) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H2RD–View of LADY'S TOWER, GOODRICH CASTLE, Herefordshire. Author Manskirch, Franz Joseph 15.108.e. Place of publication: [London] Publisher: [Rudolph Ackermann] Date of publication: [October 1 1798] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 28.3 x 33.2 cm (trimmed below platemark, removing the publication information from the bottom) Former owner: George III, King of Great Britain, 1738-1820

Inspired by The Antiquary Shop, William Merritt Chase, American, 1849-1916, Oil on canvas, United States, 1879, 26 1/2 x 33 15/16 in., 67.3 x 86.2 cm, American, American artist, antiques, grand tour, interior, oil, painting, travel, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4A18–Inspired by The Antiquary Shop, William Merritt Chase, American, 1849-1916, Oil on canvas, United States, 1879, 26 1/2 x 33 15/16 in., 67.3 x 86.2 cm, American, American artist, antiques, grand tour, interior, oil, painting, travel, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Art inspired by Platter, 1800–1830, Made in China, Chinese, Porcelain, 2 1/4 x 15 13/16 x 13 1/8 in. (5.7 x 40.2 x 33.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2CY9–Art inspired by Platter, 1800–1830, Made in China, Chinese, Porcelain, 2 1/4 x 15 13/16 x 13 1/8 in. (5.7 x 40.2 x 33.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on panel; overall: 23.6 x 15 cm (9 5/16 x 5 7/8 in.) framed: 42.2 x 33.3 x 5.7 cm (16 5/8 x 13 1/8 x 2 1/4 in.); 23 The Flight into Egypt C17511 Stock Photo

RMP01MAR–Painting; oil on panel; overall: 23.6 x 15 cm (9 5/16 x 5 7/8 in.) framed: 42.2 x 33.3 x 5.7 cm (16 5/8 x 13 1/8 x 2 1/4 in.); 23 The Flight into Egypt C17511

Art inspired by Laban searching for idols among Jacob's possessions, ca. 1635–40, Etching, sheet: 9 15/16 x 13 1/16 in. (25.3 x 33.2 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW75MK–Art inspired by Laban searching for idols among Jacob's possessions, ca. 1635–40, Etching, sheet: 9 15/16 x 13 1/16 in. (25.3 x 33.2 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

'Isaak Beckett after Sir Peter Lely, Sir Peter Lely, 1680s, mezzotint on laid paper, plate: 33.8 x 24.8 cm (13 5/16 x 9 3/4 in.) sheet: 34 x 25.2 cm (13 3/8 x 9 15/16 in.), Ailsa Mellon Bruce Fund, 2002.8.4' Stock Photo

RM2REHTR1–'Isaak Beckett after Sir Peter Lely, Sir Peter Lely, 1680s, mezzotint on laid paper, plate: 33.8 x 24.8 cm (13 5/16 x 9 3/4 in.) sheet: 34 x 25.2 cm (13 3/8 x 9 15/16 in.), Ailsa Mellon Bruce Fund, 2002.8.4'

Art inspired by Christ Carrying the Cross, ca. 1552, Etching and engraving, state ii, sheet: 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW646W–Art inspired by Christ Carrying the Cross, ca. 1552, Etching and engraving, state ii, sheet: 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Wall Decoration with Mili; Italy; pen and brown ink, brown and gray wash, over graphite, ruled border in pen and brown support: off-white laid paper; 38.2 x 27.2 cm (15 1/16 x 10 11/16 in.) image: 33.3 x 22.5 Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photo

RM2PMG66R–Drawing, Wall Decoration with Mili; Italy; pen and brown ink, brown and gray wash, over graphite, ruled border in pen and brown support: off-white laid paper; 38.2 x 27.2 cm (15 1/16 x 10 11/16 in.) image: 33.3 x 22.5 Mat: 45.7 x 35.6 cm (18 x 14 in.)

Art inspired by The Antiquary Shop, William Merritt Chase, American, 1849-1916, Oil on canvas, United States, 1879, 26 1/2 x 33 15/16 in., 67.3 x 86.2 cm, American, American artist, antiques, grand tour, interior, oil, painting, travel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJRMY–Art inspired by The Antiquary Shop, William Merritt Chase, American, 1849-1916, Oil on canvas, United States, 1879, 26 1/2 x 33 15/16 in., 67.3 x 86.2 cm, American, American artist, antiques, grand tour, interior, oil, painting, travel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Enthroned Virgin MET sf17-190-716d2 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716) Stock Photo

RMKNYCMJ–Enthroned Virgin MET sf17-190-716d2 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

Beaker and Cover, Hungarian, early 20th century (original dated 16th century), Hungarian, Silver gilt, Overall: 13 1/4 x 4 15/16 in. (33.6 x 12.5 cm), Lid: 5 3/8 x 4 15/16 in. (13.7 x 12.5 cm), Beaker: 8 1/16 x 4 7/16 in. (20.4 x 11.2 cm), Reproductions-Metalwork Stock Photo

RM2B0N7E3–Beaker and Cover, Hungarian, early 20th century (original dated 16th century), Hungarian, Silver gilt, Overall: 13 1/4 x 4 15/16 in. (33.6 x 12.5 cm), Lid: 5 3/8 x 4 15/16 in. (13.7 x 12.5 cm), Beaker: 8 1/16 x 4 7/16 in. (20.4 x 11.2 cm), Reproductions-Metalwork

Scroll back side chair. Culture: American. Dimensions: 33 x 19 x 21 1/2 in. (83.8 x 48.3 x 54.6 cm). Maker: Attributed to Duncan Phyfe (1770-1854); Attributed to Charles-Honoré Lannuier (France 1779-1819 New York). Date: 1810-15. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANK7C–Scroll back side chair. Culture: American. Dimensions: 33 x 19 x 21 1/2 in. (83.8 x 48.3 x 54.6 cm). Maker: Attributed to Duncan Phyfe (1770-1854); Attributed to Charles-Honoré Lannuier (France 1779-1819 New York). Date: 1810-15. Museum: Metropolitan Museum of Art, New York, USA.

Cranberry Island Fog Allen Tucker (American, 1866-1939). , 1906. Oil on canvas, 25 3/16 x 33 15/16 in. (64 x 86.2 cm). American Art 1906 Stock Photo

RM2M93DTP–Cranberry Island Fog Allen Tucker (American, 1866-1939). , 1906. Oil on canvas, 25 3/16 x 33 15/16 in. (64 x 86.2 cm). American Art 1906

Voß Gustav, church. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. I) (March 15, 1901): View. Pressure on paper, 33.2 x 25.3 cm (including scan edges) Stock Photo

RM2JMY7DE–Voß Gustav, church. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. I) (March 15, 1901): View. Pressure on paper, 33.2 x 25.3 cm (including scan edges)

Painting; oil on wood; overall: 101.5 x 85 cm (39 15/16 x 33 7/16 in.) framed: 125.1 x 108.6 x 5.7 cm (49 1/4 x 42 3/4 x 2 1/4 in.); 54 George Bellows - Maud Dale (1919) Stock Photo

RMP8TAXJ–Painting; oil on wood; overall: 101.5 x 85 cm (39 15/16 x 33 7/16 in.) framed: 125.1 x 108.6 x 5.7 cm (49 1/4 x 42 3/4 x 2 1/4 in.); 54 George Bellows - Maud Dale (1919)

Engaged Capital, 1400s. Southern France, Abbey of Larreule, near Tarbes, 15th century. Limestone; overall: 39.4 x 53.3 x 33 cm (15 1/2 x 21 x 13 in.). Stock Photo

RM2H10Y6X–Engaged Capital, 1400s. Southern France, Abbey of Larreule, near Tarbes, 15th century. Limestone; overall: 39.4 x 53.3 x 33 cm (15 1/2 x 21 x 13 in.).

'Alexander Browne after Sir Peter Lely, The Right Honorable Lady Elizabeth Butler, Countess of Chesterfield, c. 1680, mezzotint on laid paper, plate: 33.9 x 24.6 cm (13 3/8 x 9 11/16 in.) sheet: 39.2 x 29.5 cm (15 7/16 x 11 5/8 in.), Paul Mellon Fund, 2001.118.6' Stock Photo

RM2REF4PN–'Alexander Browne after Sir Peter Lely, The Right Honorable Lady Elizabeth Butler, Countess of Chesterfield, c. 1680, mezzotint on laid paper, plate: 33.9 x 24.6 cm (13 3/8 x 9 11/16 in.) sheet: 39.2 x 29.5 cm (15 7/16 x 11 5/8 in.), Paul Mellon Fund, 2001.118.6'

Drawing, The Entrance Hall, East Sutton Place, Kent; Charles James Richardson (British, 1806 – 1871); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.); Thaw Collection; 2007-27-33 Stock Photo

RM2PMC8EY–Drawing, The Entrance Hall, East Sutton Place, Kent; Charles James Richardson (British, 1806 – 1871); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.); Thaw Collection; 2007-27-33

Art inspired by Cranberry Island Fog, Allen Tucker, American, 1866-1939, Oil on canvas, 1906, 25 3/16 x 33 15/16 in., 64 x 86.2 cm, 20th Century, Allen Tucker, birds, landscape, ocean, oil on canvas, seascape, shoreline, waves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK4WH–Art inspired by Cranberry Island Fog, Allen Tucker, American, 1866-1939, Oil on canvas, 1906, 25 3/16 x 33 15/16 in., 64 x 86.2 cm, 20th Century, Allen Tucker, birds, landscape, ocean, oil on canvas, seascape, shoreline, waves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Enthroned Virgin MET sf17-190-716s1 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716) Stock Photo

RMKNMJAY–Enthroned Virgin MET sf17-190-716s1 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

Art inspired by Design for Ceiling of Grand Salon, Hôtel Hope, 1867, Pen and black ink, and gouache, 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5F8N–Art inspired by Design for Ceiling of Grand Salon, Hôtel Hope, 1867, Pen and black ink, and gouache, 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Scroll back side chair, 1810–15, Made in New York, American, Mahogany, 33 x 19 x 21 1/2 in. (83.8 x 48.3 x 54.6 cm), Furniture, Attributed to Duncan Phyfe (1770–1854), Attributed to Charles-Honoré Lannuier (France 1779–1819 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JPN–Art inspired by Scroll back side chair, 1810–15, Made in New York, American, Mahogany, 33 x 19 x 21 1/2 in. (83.8 x 48.3 x 54.6 cm), Furniture, Attributed to Duncan Phyfe (1770–1854), Attributed to Charles-Honoré Lannuier (France 1779–1819 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by An Artist Travelling in Wales, February 10, 1799, Etching and aquatint with hand coloring, sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm), Prints, Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760–after 1820), After Thomas Rowlandson (British, London 1757–1827, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6930–Art inspired by An Artist Travelling in Wales, February 10, 1799, Etching and aquatint with hand coloring, sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm), Prints, Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760–after 1820), After Thomas Rowlandson (British, London 1757–1827, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Christ of the Mystic Wine Press, South Netherlandish, ca. 1500, South Netherlandish, Tapestry weave, wool, silk and metallic threads, Overall: 28 15/16 x 30 1/2in. (73.5 x 77.5cm), Framed (plexi ): 33 5/8 x 33 3/8 x 2 1/8 in., approx. 30lb. (85.4 x 84.8 x 5.4 cm, appox. 13.6kg), Textiles-Tapestries Stock Photo

RM2B0MYFG–Christ of the Mystic Wine Press, South Netherlandish, ca. 1500, South Netherlandish, Tapestry weave, wool, silk and metallic threads, Overall: 28 15/16 x 30 1/2in. (73.5 x 77.5cm), Framed (plexi ): 33 5/8 x 33 3/8 x 2 1/8 in., approx. 30lb. (85.4 x 84.8 x 5.4 cm, appox. 13.6kg), Textiles-Tapestries

Art inspired by A Seated Couple, Embracing, ca. 1865, White chalk with touches of graphite, sheet: 13 3/16 x 9 15/16 in. (33.5 x 25.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones likely made this drawing in the mid-1860s, using chalks on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW50YH–Art inspired by A Seated Couple, Embracing, ca. 1865, White chalk with touches of graphite, sheet: 13 3/16 x 9 15/16 in. (33.5 x 25.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones likely made this drawing in the mid-1860s, using chalks on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 15), 18th century. Aoki Shukuya (Japanese, 1789). Pair of albums; ink, or ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in Stock Photo

RMRY5E50–Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 15), 18th century. Aoki Shukuya (Japanese, 1789). Pair of albums; ink, or ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in

Art inspired by Two-Handled Bowl with Fish, 1400–1430, Made in Tuscany or Umbria, Italy, Italian, Tin-glazed earthenware, Overall: 3 15/16 x 13 1/16 x 11 7/8 in. (10 x 33.2 x 30.2 cm), Ceramics, With its delicate palette of greens and browns and its bold, almost whimsical design, the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYJ43–Art inspired by Two-Handled Bowl with Fish, 1400–1430, Made in Tuscany or Umbria, Italy, Italian, Tin-glazed earthenware, Overall: 3 15/16 x 13 1/16 x 11 7/8 in. (10 x 33.2 x 30.2 cm), Ceramics, With its delicate palette of greens and browns and its bold, almost whimsical design, the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Two-Handled Bowl with Fish. Culture: Italian. Dimensions: Overall: 3 15/16 x 13 1/16 x 11 7/8 in. (10 x 33.2 x 30.2 cm). Date: 1400-1430. With its delicate palette of greens and browns and its bold, almost whimsical design, the style of this dish derives from earlier works associated with Orvieto. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8BMC–Two-Handled Bowl with Fish. Culture: Italian. Dimensions: Overall: 3 15/16 x 13 1/16 x 11 7/8 in. (10 x 33.2 x 30.2 cm). Date: 1400-1430. With its delicate palette of greens and browns and its bold, almost whimsical design, the style of this dish derives from earlier works associated with Orvieto. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Enthroned Virgin, ca. 1175–1200, Made in possibly Gotland, Sweden, Scandinavian, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm), Sculpture-Wood, Carved from a narrow block of poplar, this figure was originally set into a large tabernacle, to be, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYMXJ–Art inspired by Enthroned Virgin, ca. 1175–1200, Made in possibly Gotland, Sweden, Scandinavian, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm), Sculpture-Wood, Carved from a narrow block of poplar, this figure was originally set into a large tabernacle, to be, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Madonna and Child, ca. 1460–70, Woodcut, hand-colored, borders added by hand, sheet: 13 1/8 x 9 15/16 in. (33.3 x 25.2 cm), Prints, Anonymous, German, Augsburg, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5679–Art inspired by Madonna and Child, ca. 1460–70, Woodcut, hand-colored, borders added by hand, sheet: 13 1/8 x 9 15/16 in. (33.3 x 25.2 cm), Prints, Anonymous, German, Augsburg, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on panel; overall: 59.7 x 43.8 cm (23 1/2 x 17 1/4 in.) framed: 86.2 x 70.8 x 8.4 cm (33 15/16 x 27 7/8 x 3 5/16 in.); Portrait of Bindo Altoviti circa 1515. 1038 Raffaello Sanzio - Ritratto di Bindo Altoviti Stock Photo

RMMNTMW5–Painting; oil on panel; overall: 59.7 x 43.8 cm (23 1/2 x 17 1/4 in.) framed: 86.2 x 70.8 x 8.4 cm (33 15/16 x 27 7/8 x 3 5/16 in.); Portrait of Bindo Altoviti circa 1515. 1038 Raffaello Sanzio - Ritratto di Bindo Altoviti

Inspired by Village Landscape with Figures, Henri Rousseau, le Douanier, French, 1844-1910, Oil on paper, France, ca. 1895-1910, 9 15/16 x 13 1/8 in., 25.2 x 33.3 cm, clouds, sky, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK50HR–Inspired by Village Landscape with Figures, Henri Rousseau, le Douanier, French, 1844-1910, Oil on paper, France, ca. 1895-1910, 9 15/16 x 13 1/8 in., 25.2 x 33.3 cm, clouds, sky, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Thomas Abthorpe Cooper, c. 1810. John Wesley Jarvis (American, 1781-1840). Oil on wood; unframed: 86.2 x 66.5 cm (33 15/16 x 26 3/16 in.). Stock Photo

RM2H11EKX–Thomas Abthorpe Cooper, c. 1810. John Wesley Jarvis (American, 1781-1840). Oil on wood; unframed: 86.2 x 66.5 cm (33 15/16 x 26 3/16 in.).

'Elisha Kirkall after Willem van de Velde the Elder, Shipping Scene from the Collection of Thomas Cook, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.5 x 40.2 cm (13 3/16 x 15 13/16 in.) sheet: 35.6 x 43200 cm (14 x 17007 13/16 in.), Paul Mellon Fund, 2001.118.17.7' Stock Photo

RM2REJMHP–'Elisha Kirkall after Willem van de Velde the Elder, Shipping Scene from the Collection of Thomas Cook, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.5 x 40.2 cm (13 3/16 x 15 13/16 in.) sheet: 35.6 x 43200 cm (14 x 17007 13/16 in.), Paul Mellon Fund, 2001.118.17.7'

Drawing, Projet pour un salon de musique (Design for a Wall Elevation in a Music Room); Unknown (French); brush and watercolor, gouache, pen and black ink on off-white laid paper; Frame H x W x D: 60 x 75.6 x 2.5 cm (23 5/8 x 29 3/4 x 1 in.) Sheet: 33.3 x 53.2 cm (13 1/8 x 20 15/16 in.); Thaw Collection; 2007-27-14 Stock Photo

RM2PMCEND–Drawing, Projet pour un salon de musique (Design for a Wall Elevation in a Music Room); Unknown (French); brush and watercolor, gouache, pen and black ink on off-white laid paper; Frame H x W x D: 60 x 75.6 x 2.5 cm (23 5/8 x 29 3/4 x 1 in.) Sheet: 33.3 x 53.2 cm (13 1/8 x 20 15/16 in.); Thaw Collection; 2007-27-14

Enthroned Virgin MET sf17-190-716s2 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716) Stock Photo

RMKNMJAT–Enthroned Virgin MET sf17-190-716s2 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

Drawing, Ceiling Design Depicting Iris and the Rainbow; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and watercolor on off-white laid paper; 33.5 x 30.8 cm (13 3/16 x 12 1/8 in.) Mat: 32.5 x 29.8 cm (12 13/16 x 11 3/4 in.) Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.) Stock Photo

RM2PMKX9G–Drawing, Ceiling Design Depicting Iris and the Rainbow; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and watercolor on off-white laid paper; 33.5 x 30.8 cm (13 3/16 x 12 1/8 in.) Mat: 32.5 x 29.8 cm (12 13/16 x 11 3/4 in.) Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.)

Fragments, Birds; Made by Bromley Hall (United Kingdom); England; cotton; Warp x Weft (a): 69.5 × 63.5 cm (27 3/8 in. × 25 in.) Warp x Weft (b): 39 × 33.5 cm (15 3/8 × 13 3/16 in.) Warp x Weft (c): 39.5 × 33.5 cm (15 9/16 × 13 3/16 in.) Warp x Weft (d): 34 × 30 cm (13 3/8 × 11 13/16 in.) Warp x Weft (f): 41 × 18.5 cm (16 1/8 × 7 5/16 in.) Warp x Weft (g): 40.5 × 6 cm (15 15/16 × 2 3/8 in.) Warp x Weft (h): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (i): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (j): 40 × 30 cm (15 3/4 × 11 13/16 in.) Warp x Weft (k): 39 × 39 cm (15 3/8 × 15 3/8 in.); Bequ Stock Photo

RM2PMGNAK–Fragments, Birds; Made by Bromley Hall (United Kingdom); England; cotton; Warp x Weft (a): 69.5 × 63.5 cm (27 3/8 in. × 25 in.) Warp x Weft (b): 39 × 33.5 cm (15 3/8 × 13 3/16 in.) Warp x Weft (c): 39.5 × 33.5 cm (15 9/16 × 13 3/16 in.) Warp x Weft (d): 34 × 30 cm (13 3/8 × 11 13/16 in.) Warp x Weft (f): 41 × 18.5 cm (16 1/8 × 7 5/16 in.) Warp x Weft (g): 40.5 × 6 cm (15 15/16 × 2 3/8 in.) Warp x Weft (h): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (i): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (j): 40 × 30 cm (15 3/4 × 11 13/16 in.) Warp x Weft (k): 39 × 39 cm (15 3/8 × 15 3/8 in.); Bequ

RMRY5E57–Double Album of Landscape Studies after Ikeno Taiga, Volume 2 (leaf 15), 18th century. Aoki Shukuya (Japanese, 1789). Pair of albums; ink, or ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in

Le Pont-au-Change, Paris. Dated: 1854. Dimensions: plate: 15.5 x 33.5 cm (6 1/8 x 13 3/16 in.) sheet: 22 x 39.2 cm (8 11/16 x 15 7/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON. Stock Photo

RMRG81X1–Le Pont-au-Change, Paris. Dated: 1854. Dimensions: plate: 15.5 x 33.5 cm (6 1/8 x 13 3/16 in.) sheet: 22 x 39.2 cm (8 11/16 x 15 7/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Platter, 1800–1830, Made in China, Chinese, Porcelain, 2 1/4 x 15 13/16 x 13 1/8 in. (5.7 x 40.2 x 33.3 cm), Ceramics Stock Photo

RMKC2XKJ–Platter, 1800–1830, Made in China, Chinese, Porcelain, 2 1/4 x 15 13/16 x 13 1/8 in. (5.7 x 40.2 x 33.3 cm), Ceramics

Young's Night Thoughts, Page 33, 'Like that, the dial speaks; and points to thee', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), beds, cups, dead, death, food, goblets, literary theme, men, pointing, reclining, serpents, snakes, text, wine Stock Photo

RM2DHX41E–Young's Night Thoughts, Page 33, 'Like that, the dial speaks; and points to thee', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), beds, cups, dead, death, food, goblets, literary theme, men, pointing, reclining, serpents, snakes, text, wine

Painting; oil on panel; overall: 59.5 x 44 cm (23 7/16 x 17 5/16 in.) framed: 86.2 x 71.4 x 8.3 cm (33 15/16 x 28 1/8 x 3 1/4 in.); Madonna and Child . English: The Small ‚Cowper‘ Madonna Italiano: La piccola Madonna ‚Cowper‘ . circa 1505. 1038 Raffaello Madonna Cowper Stock Photo

RMMNTMRA–Painting; oil on panel; overall: 59.5 x 44 cm (23 7/16 x 17 5/16 in.) framed: 86.2 x 71.4 x 8.3 cm (33 15/16 x 28 1/8 x 3 1/4 in.); Madonna and Child . English: The Small ‚Cowper‘ Madonna Italiano: La piccola Madonna ‚Cowper‘ . circa 1505. 1038 Raffaello Madonna Cowper

Design, 1841–84, Graphite and watercolor, sheet: 13 1/16 x 9 15/16 in. (33.2 x 25.3 cm), Charles Hindley and Sons (British Stock Photo

RMKC8PRF–Design, 1841–84, Graphite and watercolor, sheet: 13 1/16 x 9 15/16 in. (33.2 x 25.3 cm), Charles Hindley and Sons (British

Inspired by Ambry for Consecrated Oil, workshop of Mino da Fiesole, Italian, 1429–1484, 1475–99, Marble, Italy, Europe, Sculpture, 33 1/2 x 15 1/4 x 3 3/4 in. (85.1 x 38.7 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK64P9–Inspired by Ambry for Consecrated Oil, workshop of Mino da Fiesole, Italian, 1429–1484, 1475–99, Marble, Italy, Europe, Sculpture, 33 1/2 x 15 1/4 x 3 3/4 in. (85.1 x 38.7 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Cassetta frame, early 17th century, Italian, Veneto or Marches, Poplar, 33 x 27.1, 21.3 x 15.2, 22.6 x 16.5 cm., Frames Stock Photo

RMKC57BM–Cassetta frame, early 17th century, Italian, Veneto or Marches, Poplar, 33 x 27.1, 21.3 x 15.2, 22.6 x 16.5 cm., Frames

Village Landscape with Figures Henri Rousseau (le Douanier) (French, 1844-1910). Village Landscape with Figures, ca. 1895-1910. Oil on paper, 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm). European Art ca. 1895-1910 Stock Photo

RM2M936JF–Village Landscape with Figures Henri Rousseau (le Douanier) (French, 1844-1910). Village Landscape with Figures, ca. 1895-1910. Oil on paper, 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm). European Art ca. 1895-1910

Section of the Grizzly Giant, Mariposa Grove, 33 ft. Diam., Carleton Watkins (American, 1829 - 1916), Yosemite, California, United States, 1861, Albumen silver print, 39.2 x 52.7 cm (15 7/16 x 20 3/4 in Stock Photo

RMW51RWP–Section of the Grizzly Giant, Mariposa Grove, 33 ft. Diam., Carleton Watkins (American, 1829 - 1916), Yosemite, California, United States, 1861, Albumen silver print, 39.2 x 52.7 cm (15 7/16 x 20 3/4 in

'Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene with Man-of-War, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.3 x 40.6 cm (13 1/8 x 16 in.) sheet: 39.2 x 46.5 cm (15 7/16 x 18 5/16 in.), Paul Mellon Fund, 2001.118.17.2' Stock Photo

RM2REJMGY–'Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene with Man-of-War, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.3 x 40.6 cm (13 1/8 x 16 in.) sheet: 39.2 x 46.5 cm (15 7/16 x 18 5/16 in.), Paul Mellon Fund, 2001.118.17.2'

RMKNYCKH–Enthroned Virgin MET sf17-190-716s2 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

The Ruba'iyat . a »%** PfHr-^ jTT?^ **?rC! ?Vi.. i.* c 1-A. #£42g. 757 7JS 79 4—2 The Original Manuscript 33 155 156 i . ^f&^jr* llhJt 78 - . ?• •• /. * if, Jl-uJJ^yi-y 4 LrMjjt nr» 2 U». /,. y X. *,/* 153 15 I 77 77;i Original Manuscript 35 -. /5/ 752 7 .. v w* •tfg) CM*3 *£jfev$: ^,;j. •?*y J& Stock Photo

RM2AN5RAP–The Ruba'iyat . a »%** PfHr-^ jTT?^ **?rC! ?Vi.. i.* c 1-A. #£42g. 757 7JS 79 4—2 The Original Manuscript 33 155 156 i . ^f&^jr* llhJt 78 - . ?• •• /. * if, Jl-uJJ^yi-y 4 LrMjjt nr» 2 U». /,. y X. *,/* 153 15 I 77 77;i Original Manuscript 35 -. /5/ 752 7 .. v w* •tfg) CM*3 *£jfev$: ^,;j. •?*y J&

An Artist Travelling in Wales. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm). Publisher: Published by Rudolph Ackermann, London (active 1794-1829). Date: February 10, 1799. The protracted Anglo-French conflict between 1792 and 1815 prevented British artists from exploring the Continent. Instead, many sought vistas at home, encouraged by William Gilpin's influential book Observations relative chiefly to Picturesque Beauty (1786). Rowlandson's im Stock Photo

RMPAA950–An Artist Travelling in Wales. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm). Publisher: Published by Rudolph Ackermann, London (active 1794-1829). Date: February 10, 1799. The protracted Anglo-French conflict between 1792 and 1815 prevented British artists from exploring the Continent. Instead, many sought vistas at home, encouraged by William Gilpin's influential book Observations relative chiefly to Picturesque Beauty (1786). Rowlandson's im

Painting; oil on wood; overall: 15.9 x 25 cm (6 1/4 x 9 13/16 in.) framed: 33.3 x 41.9 x 5.7 cm (13 1/8 x 16 1/2 x 2 1/4 in.); English: Study for 'La Grande Jatte' between 1884 and 1885. 1148 Study for La Grande Jatte, Georges Seurat, 1884 Stock Photo

RMMNXG8Y–Painting; oil on wood; overall: 15.9 x 25 cm (6 1/4 x 9 13/16 in.) framed: 33.3 x 41.9 x 5.7 cm (13 1/8 x 16 1/2 x 2 1/4 in.); English: Study for 'La Grande Jatte' between 1884 and 1885. 1148 Study for La Grande Jatte, Georges Seurat, 1884

Inspired by Dzunukwa Mask, Kwakwaka'wakw (Kwakiutl), c.1870, Wood with pigment, human hair, bear fur, seal skin, raffia, cloth, and metal nails, Alert Bay, British Columbia, Canada, North and Central America, Sculpture, wood, 13 x 11 3/4 x 6 in. (33 x 29.8 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5YF6–Inspired by Dzunukwa Mask, Kwakwaka'wakw (Kwakiutl), c.1870, Wood with pigment, human hair, bear fur, seal skin, raffia, cloth, and metal nails, Alert Bay, British Columbia, Canada, North and Central America, Sculpture, wood, 13 x 11 3/4 x 6 in. (33 x 29.8 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Art inspired by Certificate of Employment (Arbeitsbescheinigung) of the Guild of Farriers and Weaponsmiths (Huf- und Waffenschmiede) of Dresden, dated 1769, Dresden, German, Dresden, Engraving on paper, 13 1/8 x 15 1/2 in. (33.3 x 39.4 cm), Works on Paper-Miscellaneous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31EW–Art inspired by Certificate of Employment (Arbeitsbescheinigung) of the Guild of Farriers and Weaponsmiths (Huf- und Waffenschmiede) of Dresden, dated 1769, Dresden, German, Dresden, Engraving on paper, 13 1/8 x 15 1/2 in. (33.3 x 39.4 cm), Works on Paper-Miscellaneous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Rice Paddies at Ono in Suruga Province (Sunshu Ono shinden), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 26.5 x 38.3 cm (10 1/2 x 15 in Stock Photo

RM2A2J98C–Rice Paddies at Ono in Suruga Province (Sunshu Ono shinden), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 26.5 x 38.3 cm (10 1/2 x 15 in

Art inspired by Village Landscape with Figures, Henri Rousseau, le Douanier, French, 1844-1910, Oil on paper, France, ca. 1895-1910, 9 15/16 x 13 1/8 in., 25.2 x 33.3 cm, clouds, sky, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK6PM–Art inspired by Village Landscape with Figures, Henri Rousseau, le Douanier, French, 1844-1910, Oil on paper, France, ca. 1895-1910, 9 15/16 x 13 1/8 in., 25.2 x 33.3 cm, clouds, sky, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M936K5–Village Landscape with Figures Henri Rousseau (le Douanier) (French, 1844-1910). Village Landscape with Figures, ca. 1895-1910. Oil on paper, 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm). European Art ca. 1895-1910

'Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene from the Collection of Lawrence Fashion, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.5 x 40.2 cm (13 3/16 x 15 13/16 in.) sheet: 35.6 x 43.2 cm (14 x 17 in.), Paul Mellon Fund, 2001.118.17.9' Stock Photo

RM2REJMJ2–'Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene from the Collection of Lawrence Fashion, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.5 x 40.2 cm (13 3/16 x 15 13/16 in.) sheet: 35.6 x 43.2 cm (14 x 17 in.), Paul Mellon Fund, 2001.118.17.9'

RMKNYCKK–Enthroned Virgin MET sf17-190-716s1 464587 Scandinavian, Enthroned Virgin, ca. 1175?1200, Poplar with paint, Overall: 33 15/16 x 8 x 7 in. (86.2 x 20.3 x 17.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.716)

Sessional papers of the Dominion of Canada 1922 . I- — CJ- lO — — COt«— CO -o-COI-OC- « cj -o ^ ca - 22 S2g . ? ca :o 661,9502,6591,620 :R § ?V O - ci ? 800 8732,600 - - — lOC^I-, rt CO Cl«-^ — - . tro r-oosootoc»*oo»o>W*cs-*>coa>-*Q to — 5Z-2, ; c 3 15 « F -.- : :» ^ 7 0 - -x 2^3 2 33 JOOOOQ i 9-. Zoj j ;S^ai|=«!^ ev-il i^>.5%. ,2x to Ifziz z=-- •^Z,a?a aZ :Z iszsi ZS^-aft QQ«H(S£ooaox33K^i,25:iiia;4Wjj;3,333^Jsssssssssssssgzzzzzzz 102 CUSTOMS AD EXCISE—SHIPPING REPORT 12 GEORGE V, A. 1922. DOUANES ET ACCISE—RAPPORT DE LA NAVIGATIONSESSIONAL PAPER No. 11a 103 « - -CM c^ CO r-. —« Stock Photo

RM2AKG3BB–Sessional papers of the Dominion of Canada 1922 . I- — CJ- lO — — COt«— CO -o-COI-OC- « cj -o ^ ca - 22 S2g . ? ca :o 661,9502,6591,620 :R § ?V O - ci ? 800 8732,600 - - — lOC^I-, rt CO Cl«-^ — - . tro r-oosootoc»*oo»o>W*cs-*>coa>-*Q to — 5Z-2, ; c 3 15 « F -.- : :» ^ 7 0 - -x 2^3 2 33 JOOOOQ i 9-. Zoj j ;S^ai|=«!^ ev-il i^>.5%. ,2x to Ifziz z=-- •^Z,a?a aZ :Z iszsi ZS^-aft QQ«H(S£ooaox33K^i,25:iiia;4Wjj;3,333^Jsssssssssssssgzzzzzzz 102 CUSTOMS AD EXCISE—SHIPPING REPORT 12 GEORGE V, A. 1922. DOUANES ET ACCISE—RAPPORT DE LA NAVIGATIONSESSIONAL PAPER No. 11a 103 « - -CM c^ CO r-. —«

A Seated Couple, Embracing. Artist: Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: sheet: 13 3/16 x 9 15/16 in. (33.5 x 25.2 cm). Date: ca. 1865. Burne-Jones likely made this drawing in the mid-1860s when he was sketching the Parthenon marbles at the British Museum, using chalks on colored paper. While a student at Oxford, Burne-Jones and his close friend William Morris decided to give up their theology degrees and instead pursue artistic careers. Since he lacked formal training, Burne-Jones sought advice from Dante Gabriel Rossetti, John Ruskin--who lent him print Stock Photo

RMPB0H7R–A Seated Couple, Embracing. Artist: Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: sheet: 13 3/16 x 9 15/16 in. (33.5 x 25.2 cm). Date: ca. 1865. Burne-Jones likely made this drawing in the mid-1860s when he was sketching the Parthenon marbles at the British Museum, using chalks on colored paper. While a student at Oxford, Burne-Jones and his close friend William Morris decided to give up their theology degrees and instead pursue artistic careers. Since he lacked formal training, Burne-Jones sought advice from Dante Gabriel Rossetti, John Ruskin--who lent him print

. English: Childe Hassam's painting Poppies, Isles of Shoals, from 1891. Hanging at the National Gallery of Art in Washington D.C. Svenska: Childe Hassams målning Poppies, Isles of Shoals, från 1891. Painting; oil on canvas; overall: 50.2 x 61 cm (19 3/4 x 24 in.) framed: 73.5 x 83.8 x 6.7 cm (28 15/16 x 33 x 2 5/8 in.); Childe Hassam, Poppies, Isles of Shoals, 1891 Stock Photo

RMMMW1RT–. English: Childe Hassam's painting Poppies, Isles of Shoals, from 1891. Hanging at the National Gallery of Art in Washington D.C. Svenska: Childe Hassams målning Poppies, Isles of Shoals, från 1891. Painting; oil on canvas; overall: 50.2 x 61 cm (19 3/4 x 24 in.) framed: 73.5 x 83.8 x 6.7 cm (28 15/16 x 33 x 2 5/8 in.); Childe Hassam, Poppies, Isles of Shoals, 1891

Hubert Robert, (artist), French, 1733 - 1808, Figures on a Monumental Interior Stairway, Album of Drawings: p.33, (series), probably c. 1754/1765, graphite on laid paper, Overall: 12.2 x 8.8 cm (4 13/16 x 3 7/16 in.), support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in Stock Photo

RM2DCA568–Hubert Robert, (artist), French, 1733 - 1808, Figures on a Monumental Interior Stairway, Album of Drawings: p.33, (series), probably c. 1754/1765, graphite on laid paper, Overall: 12.2 x 8.8 cm (4 13/16 x 3 7/16 in.), support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in

Art inspired by Ambry for Consecrated Oil, workshop of Mino da Fiesole, Italian, 1429-1484, 1475-99, Marble, Italy, Europe, Sculpture, 33 1/2 x 15 1/4 x 3 3/4 in. (85.1 x 38.7 x 9.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMC3N–Art inspired by Ambry for Consecrated Oil, workshop of Mino da Fiesole, Italian, 1429-1484, 1475-99, Marble, Italy, Europe, Sculpture, 33 1/2 x 15 1/4 x 3 3/4 in. (85.1 x 38.7 x 9.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M936JN–Village Landscape with Figures Henri Rousseau (le Douanier) (French, 1844-1910). Village Landscape with Figures, ca. 1895-1910. Oil on paper, 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm). European Art ca. 1895-1910

Art inspired by Cross of Cong, early 20th century (original dated 11th century), Irish, Copper, gold, enamel, glass, silver on oak, Overall: 33 3/4 x 18 15/16 x 2 11/16 in. (85.7 x 48.1 x 6.9 cm), Reproductions-Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8XM4–Art inspired by Cross of Cong, early 20th century (original dated 11th century), Irish, Copper, gold, enamel, glass, silver on oak, Overall: 33 3/4 x 18 15/16 x 2 11/16 in. (85.7 x 48.1 x 6.9 cm), Reproductions-Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Jules Dalou, 1877. Alphonse Legros (French, 1837-1911). Etching and drypoint; sheet: 33.2 x 22.7 cm (13 1/16 x 8 15/16 in.); platemark: 25.2 x 16.3 cm (9 15/16 x 6 7/16 in.). Stock Photo

RM2H0YGNC–Jules Dalou, 1877. Alphonse Legros (French, 1837-1911). Etching and drypoint; sheet: 33.2 x 22.7 cm (13 1/16 x 8 15/16 in.); platemark: 25.2 x 16.3 cm (9 15/16 x 6 7/16 in.).

Art inspired by Hibiscus Mutabilis and Long-Tailed Bird, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 13 3/32 x 4 15/32 in. (33.2 x 11.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW33G7–Art inspired by Hibiscus Mutabilis and Long-Tailed Bird, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 13 3/32 x 4 15/32 in. (33.2 x 11.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

15 2 x 33 3 cm Stock Photos and Images

15 2 x 33 3 cm Stock Photos and Images

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