1506 1565 Stock Photos and Images
A front view of Victoria with outstretched wings blowing two tubes, Domenico del Barbiere (France, 1506 - 1565), drawing, pen, ink, wash, 19 x 15.4 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-front-view-of-victoria-with-outstretched-wings-blowing-two-tubes-domenico-del-barbiere-france-1506-1565-drawing-pen-ink-wash-19-x-154-cm-ll-duke-albert-of-saxe-teschen-image573315791.htmlRM2T8MP3Y–A front view of Victoria with outstretched wings blowing two tubes, Domenico del Barbiere (France, 1506 - 1565), drawing, pen, ink, wash, 19 x 15.4 cm, l.l. Duke Albert of Saxe-Teschen
Fame. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris); After Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fame-artist-domenico-del-barbiere-italian-florence-1506-1565-paris-after-rosso-fiorentino-italian-florence-1494-1540-fontainebleau-dimensions-sheet-11-516-x-8-1116-in-287-x-221-cm-date-1540-50-museum-metropolitan-museum-of-art-new-york-usa-image213212248.htmlRMPATJB4–Fame. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris); After Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA.
Domenico del Barbiere, (artist), Italian, c. 1506 - probably 1565/1575, Squelettes et Ecorches, c. 1540-1545, engraving, plate: 23.7 × 33.3 cm (9 5/16 × 13 1/8 in.), sheet: 24 × 33.7 cm (9 7/16 × 13 1/4 in.), mount: 26.8 × 37.6 cm (10 9/16 × 14 13/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenico-del-barbiere-artist-italian-c-1506-probably-15651575-squelettes-et-ecorches-c-1540-1545-engraving-plate-237-333-cm-9-516-13-18-in-sheet-24-337-cm-9-716-13-14-in-mount-268-376-cm-10-916-14-1316-in-image386272716.htmlRM2DCC6P4–Domenico del Barbiere, (artist), Italian, c. 1506 - probably 1565/1575, Squelettes et Ecorches, c. 1540-1545, engraving, plate: 23.7 × 33.3 cm (9 5/16 × 13 1/8 in.), sheet: 24 × 33.7 cm (9 7/16 × 13 1/4 in.), mount: 26.8 × 37.6 cm (10 9/16 × 14 13/16 in
Art inspired by Amphiaraus, 1540–50, Engraving, Sheet: 13 1/16 x 8 7/8 in. (33.1 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-amphiaraus-154050-engraving-sheet-13-116-x-8-78-in-331-x-225-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805306.htmlRF2HTXGTX–Art inspired by Amphiaraus, 1540–50, Engraving, Sheet: 13 1/16 x 8 7/8 in. (33.1 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander the Great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-domenico-del-barbiere-after-francesco-primaticcio-italian-c-1506-probably-123395467.htmlRMH4N44Y–Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander the Great
N/A. English: Depiction of the 8th Portuguese India Armada (1506 fleet led by Tristão da Cunha) from the Livro de Lisuarte de Abreu, c.1565 (held by Pierpont Morgan Library, M.525) . 1565. uncertain 394 Cunha armada of 1506 (Livro de Lisuarte de Abreu) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-depiction-of-the-8th-portuguese-india-armada-1506-fleet-led-by-tristo-da-cunha-from-the-livro-de-lisuarte-de-abreu-c1565-held-by-pierpont-morgan-library-m525-1565-uncertain-394-cunha-armada-of-1506-livro-de-lisuarte-de-abreu-image210193215.htmlRMP5Y3GF–N/A. English: Depiction of the 8th Portuguese India Armada (1506 fleet led by Tristão da Cunha) from the Livro de Lisuarte de Abreu, c.1565 (held by Pierpont Morgan Library, M.525) . 1565. uncertain 394 Cunha armada of 1506 (Livro de Lisuarte de Abreu)
Nicolas Beatrizet. Laöcoon. 1535–1565. France. Engraving in black on pieced, cream laid paper Upon the arrival of the Trojan Horse, Laöcoon, a Trojan priest of Poseidon, suspected foul play and threw a spear at the horse. Rather than revealing the Greek soldiers within, this act unjustly earned him and his young sons a painful death from sea serpents sent by the goddess Athena. This print by Nicolas Beatrizet shows the Hellenistic Greek sculpture (or later copy) unearthed in Rome in 1506 and immediately hailed as a masterpiece of antiquity by artists such as Raphael and Michelangelo. Laöcoon’s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-beatrizet-lacoon-15351565-france-engraving-in-black-on-pieced-cream-laid-paper-upon-the-arrival-of-the-trojan-horse-lacoon-a-trojan-priest-of-poseidon-suspected-foul-play-and-threw-a-spear-at-the-horse-rather-than-revealing-the-greek-soldiers-within-this-act-unjustly-earned-him-and-his-young-sons-a-painful-death-from-sea-serpents-sent-by-the-goddess-athena-this-print-by-nicolas-beatrizet-shows-the-hellenistic-greek-sculpture-or-later-copy-unearthed-in-rome-in-1506-and-immediately-hailed-as-a-masterpiece-of-antiquity-by-artists-such-as-raphael-and-michelangelo-lacoons-image337922493.htmlRM2AHNKGD–Nicolas Beatrizet. Laöcoon. 1535–1565. France. Engraving in black on pieced, cream laid paper Upon the arrival of the Trojan Horse, Laöcoon, a Trojan priest of Poseidon, suspected foul play and threw a spear at the horse. Rather than revealing the Greek soldiers within, this act unjustly earned him and his young sons a painful death from sea serpents sent by the goddess Athena. This print by Nicolas Beatrizet shows the Hellenistic Greek sculpture (or later copy) unearthed in Rome in 1506 and immediately hailed as a masterpiece of antiquity by artists such as Raphael and Michelangelo. Laöcoon’s
The Virgin suckling the Infant Christ, about 1565-1575, Titian (active about 1506; died 1576), The National Gallery, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-suckling-the-infant-christ-about-1565-1575-titian-active-about-1506-died-1576-the-national-gallery-london-uk-image628630704.htmlRM2YEMGTG–The Virgin suckling the Infant Christ, about 1565-1575, Titian (active about 1506; died 1576), The National Gallery, London, UK
Sigismund I the Old (1506–1548); 1538 Caraglio, Giovanni Jacopo (ca 1505 1565) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sigismund-i-the-old-15061548-1538-caraglio-giovanni-jacopo-ca-1505-1565-image471262862.htmlRM2JAKTGE–Sigismund I the Old (1506–1548); 1538 Caraglio, Giovanni Jacopo (ca 1505 1565)
The Banquet of Alexander. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: Sheet (trimmed): 9 15/16 × 14 7/16 in. (25.2 × 36.6 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-banquet-of-alexander-artist-after-francesco-primaticcio-italian-bologna-15045-1570-paris-domenico-del-barbiere-italian-florence-1506-1565-paris-dimensions-sheet-trimmed-9-1516-14-716-in-252-366-cm-date-1540-50-museum-metropolitan-museum-of-art-new-york-usa-image225392775.htmlRMR2KENY–The Banquet of Alexander. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: Sheet (trimmed): 9 15/16 × 14 7/16 in. (25.2 × 36.6 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Stoning of Saint Stephen, Engraving, Sheet: 10 11/16 x 6 1/8 in. (27.1 x 15.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-stoning-of-saint-stephen-engraving-sheet-10-1116-x-6-18-in-271-x-156-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969323.htmlRF2HW622K–Art inspired by The Stoning of Saint Stephen, Engraving, Sheet: 10 11/16 x 6 1/8 in. (27.1 x 15.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander the Great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-domenico-del-barbiere-after-francesco-primaticcio-italian-c-1506-probably-77365015.htmlRMEDT7T7–Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander the Great
Art inspired by Banquet of Alexander, Engraving, Sheet: 9 13/16 x 14 1/2 in. (25 x 36.9 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-banquet-of-alexander-engraving-sheet-9-1316-x-14-12-in-25-x-369-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-after-francesco-primaticcio-italian-bologna-150451570-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811798.htmlRF2HTXW4P–Art inspired by Banquet of Alexander, Engraving, Sheet: 9 13/16 x 14 1/2 in. (25 x 36.9 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-domenico-del-barbiere-after-rosso-fiorentino-gloria-italian-c-1506-123381403.htmlRMH4ME6K–Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on laid paper
Art inspired by Fame, 1540–50, Engraving, Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fame-154050-engraving-sheet-11-516-x-8-1116-in-287-x-221-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-after-rosso-fiorentino-italian-florence-14941540-fontainebleau-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805291.htmlRF2HTXGTB–Art inspired by Fame, 1540–50, Engraving, Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Portrait of Henry Fanshawe (1506-1568), English School, oil on canvas. After some 40 years' service in the Exchequer, he succeeded to the post of Queen's Remembrancer in 1566, the first of 9 of his family to hold the office. He started a school in Derbyshire that bears his name . 1565. ...English School Henry-Fanshawe-1568 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-henry-fanshawe-1506-1568-english-school-oil-on-canvas-after-some-40-years-service-in-the-exchequer-he-succeeded-to-the-post-of-queens-remembrancer-in-1566-the-first-of-9-of-his-family-to-hold-the-office-he-started-a-school-in-derbyshire-that-bears-his-name-1565-english-school-henry-fanshawe-1568-image185013168.htmlRMMN0254–. English: Portrait of Henry Fanshawe (1506-1568), English School, oil on canvas. After some 40 years' service in the Exchequer, he succeeded to the post of Queen's Remembrancer in 1566, the first of 9 of his family to hold the office. He started a school in Derbyshire that bears his name . 1565. ...English School Henry-Fanshawe-1568
Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris); Designed by Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-from-last-judgment-st-bartholomew-st-peter-and-other-apostles-artist-domenico-del-barbiere-italian-florence-1506-1565-paris-designed-by-michelangelo-buonarroti-italian-caprese-1475-1564-rome-dimensions-sheet-14-34-x-8-78-in-375-x-225-cm-mat-19-14-x-14-14-in-489-x-362-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image213170666.htmlRMPAPNA2–Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris); Designed by Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-domenico-del-barbiere-after-rosso-fiorentino-gloria-italian-c-1506-77436663.htmlRMEDYF73–Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on laid paper
Art inspired by The Banquet of Alexander, 1540–50, Engraving, Sheet: 9 3/4 x 14 7/16 in. (24.7 x 36.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-banquet-of-alexander-154050-engraving-sheet-9-34-x-14-716-in-247-x-366-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-after-francesco-primaticcio-italian-bologna-150451570-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969321.htmlRF2HW622H–Art inspired by The Banquet of Alexander, 1540–50, Engraving, Sheet: 9 3/4 x 14 7/16 in. (24.7 x 36.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Amphiaraus, 1540–50, Engraving, Sheet: 13 1/16 x 8 7/8 in. (33.1 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-amphiaraus-154050-engraving-sheet-13-116-x-8-78-in-331-x-225-cm-prints-162526972.htmlRMKCBMPM–Amphiaraus, 1540–50, Engraving, Sheet: 13 1/16 x 8 7/8 in. (33.1 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence
Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm) Plate (lunette shape): 7 11/16 × 16 7/8 in. (19.5 × 42.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-from-the-last-judgment-angels-carrying-the-column-of-the-flagellation-and-the-sponge-and-ladder-of-the-crucifixion-artist-after-michelangelo-buonarroti-italian-caprese-1475-1564-rome-domenico-del-barbiere-italian-florence-1506-1565-paris-dimensions-sheet-9-516-16-78-in-237-428-cm-plate-lunette-shape-7-1116-16-78-in-195-428-cm-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213397081.htmlRMPB5249–Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm) Plate (lunette shape): 7 11/16 × 16 7/8 in. (19.5 × 42.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Banquet of Alexander, 1540–50, Engraving, Sheet (trimmed): 9 15/16 × 14 7/16 in. (25.2 × 36.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-banquet-of-alexander-154050-engraving-sheet-trimmed-9-1516-14-716-in-252-366-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-after-francesco-primaticcio-italian-bologna-150451570-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969328.htmlRF2HW622T–Art inspired by The Banquet of Alexander, 1540–50, Engraving, Sheet (trimmed): 9 15/16 × 14 7/16 in. (25.2 × 36.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Stoning of Saint Stephen, Domenico del Barbiere Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-stoning-of-saint-stephen-domenico-del-barbiere-162526960.htmlRMKCBMP8–The Stoning of Saint Stephen, Domenico del Barbiere
Banquet of Alexander, Engraving, Sheet: 9 13/16 x 14 1/2 in. (25 x 36.9 cm), Prints, Domenico del Barbiere (Italian, Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-banquet-of-alexander-engraving-sheet-9-1316-x-14-12-in-25-x-369-cm-162497118.htmlRMKCAAME–Banquet of Alexander, Engraving, Sheet: 9 13/16 x 14 1/2 in. (25 x 36.9 cm), Prints, Domenico del Barbiere (Italian, Florence
Fame, 1540–50, Engraving, Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Prints, Domenico del Barbiere (Italian, Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fame-154050-engraving-sheet-11-516-x-8-1116-in-287-x-221-cm-prints-162526970.htmlRMKCBMPJ–Fame, 1540–50, Engraving, Sheet: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Prints, Domenico del Barbiere (Italian, Florence
Two Flayed Men and Their Skeletons. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: sheet: 9 1/2 x 13 1/4 in. (24.1 x 33.6 cm). Date: ca. 1540-45. Domenico del Barbiere (ca. 1506-ca. 1570), a noted sculptor and engraver born in Florence, made his career mainly in France, first in the prosperous city of Troyes and then at the court of Fontainebleau, where many Italian artists enjoyed the patronage of Francis I. The engraving may reproduce a composition by Rosso Fiorentino (1494-1540), who may have planned it for a book on anatomy. Domenico, however, has signe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-flayed-men-and-their-skeletons-artist-domenico-del-barbiere-italian-florence-1506-1565-paris-dimensions-sheet-9-12-x-13-14-in-241-x-336-cm-date-ca-1540-45-domenico-del-barbiere-ca-1506-ca-1570-a-noted-sculptor-and-engraver-born-in-florence-made-his-career-mainly-in-france-first-in-the-prosperous-city-of-troyes-and-then-at-the-court-of-fontainebleau-where-many-italian-artists-enjoyed-the-patronage-of-francis-i-the-engraving-may-reproduce-a-composition-by-rosso-fiorentino-1494-1540-who-may-have-planned-it-for-a-book-on-anatomy-domenico-however-has-signe-image225393253.htmlRMR2KFB1–Two Flayed Men and Their Skeletons. Artist: Domenico del Barbiere (Italian, Florence (?) 1506-1565 Paris). Dimensions: sheet: 9 1/2 x 13 1/4 in. (24.1 x 33.6 cm). Date: ca. 1540-45. Domenico del Barbiere (ca. 1506-ca. 1570), a noted sculptor and engraver born in Florence, made his career mainly in France, first in the prosperous city of Troyes and then at the court of Fontainebleau, where many Italian artists enjoyed the patronage of Francis I. The engraving may reproduce a composition by Rosso Fiorentino (1494-1540), who may have planned it for a book on anatomy. Domenico, however, has signe
Art inspired by Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion, 16th century, Engraving, Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), after, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-group-from-the-last-judgment-angels-carrying-the-column-of-the-flagellation-and-the-sponge-and-ladder-of-the-crucifixion-16th-century-engraving-sheet-9-516-16-78-in-237-428-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-after-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966134.htmlRF2HW5X0P–Art inspired by Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion, 16th century, Engraving, Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), after, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Banquet of Alexander, Domenico del Barbiere, 1540–50 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-banquet-of-alexander-domenico-del-barbiere-154050-162526977.htmlRMKCBMPW–The Banquet of Alexander, Domenico del Barbiere, 1540–50
St. Eligius. Jean de Gourmont; French, 1506-1551. Date: 1526-1551. Dimensions: 122 × 121 mm (plate); 125 × 123 mm (sheet). Engraving on tan laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-eligius-jean-de-gourmont-french-1506-1551-date-1526-1551-dimensions-122-121-mm-plate-125-123-mm-sheet-engraving-on-tan-laid-paper-origin-france-museum-the-chicago-art-institute-image239837584.htmlRMRX5F80–St. Eligius. Jean de Gourmont; French, 1506-1551. Date: 1526-1551. Dimensions: 122 × 121 mm (plate); 125 × 123 mm (sheet). Engraving on tan laid paper. Origin: France. Museum: The Chicago Art Institute.
Art inspired by Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, n.d., Engraving, Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Designed by Michelangelo Buonarroti (Italian, Caprese 1475–1564, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-group-from-last-judgment-st-bartholomew-st-peter-and-other-apostles-nd-engraving-sheet-14-34-x-8-78-in-375-x-225-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-designed-by-michelangelo-buonarroti-italian-caprese-14751564-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966205.htmlRF2HW5X39–Art inspired by Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, n.d., Engraving, Sheet: 14 3/4 x 8 7/8 in. (37.5 x 22.5 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Designed by Michelangelo Buonarroti (Italian, Caprese 1475–1564, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Two Flayed Men and Their Skeletons, ca. 1540–45, Engraving, sheet: 9 1/2 x 13 1/4 in. (24.1 x 33.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Domenico del Barbiere (ca. 1506–ca. 1570), a noted sculptor and engraver born in Florence, made, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-two-flayed-men-and-their-skeletons-ca-154045-engraving-sheet-9-12-x-13-14-in-241-x-336-cm-prints-domenico-del-barbiere-italian-florence-15061565-paris-domenico-del-barbiere-ca-1506ca-1570-a-noted-sculptor-and-engraver-born-in-florence-made-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961595.htmlRF2HW5M6K–Art inspired by Two Flayed Men and Their Skeletons, ca. 1540–45, Engraving, sheet: 9 1/2 x 13 1/4 in. (24.1 x 33.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), Domenico del Barbiere (ca. 1506–ca. 1570), a noted sculptor and engraver born in Florence, made, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenico-del-barbiere-after-francesco-primaticcio-italian-c-1506-probably-1565-1575-the-banquet-of-alexander-reimagined-image230397651.htmlRFRAREFF–Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander reimagined
The Banquet of Alexander, Domenico del Barbiere, 1540–50 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-banquet-of-alexander-domenico-del-barbiere-154050-162526978.htmlRMKCBMPX–The Banquet of Alexander, Domenico del Barbiere, 1540–50
Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenico-del-barbiere-after-francesco-primaticcio-italian-c-1506-probably-1565-1575-the-banquet-of-alexander-reimagined-image230070887.htmlRFRA8HNB–Domenico del Barbiere after Francesco Primaticcio (Italian, c. 1506 - probably 1565-1575), The Banquet of Alexander reimagined
Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, Domenico del Barbiere, n.d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-group-from-last-judgment-st-bartholomew-st-peter-and-other-apostles-162526976.htmlRMKCBMPT–Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, Domenico del Barbiere, n.d
Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenico-del-barbiere-after-rosso-fiorentino-gloria-italian-c-1506-probably-1565-1575-1540-1545-engraving-on-reimagined-image230424563.htmlRFRATMTK–Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on reimagined
Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-group-from-the-last-judgment-angels-carrying-the-column-of-the-flagellation-162527065.htmlRMKCBMX1–Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion
Two Flayed Men and Their Skeletons, Domenico del Barbiere, ca. 1540–45 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-two-flayed-men-and-their-skeletons-domenico-del-barbiere-ca-154045-162432689.htmlRMKC7CFD–Two Flayed Men and Their Skeletons, Domenico del Barbiere, ca. 1540–45
Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenico-del-barbiere-after-rosso-fiorentino-gloria-italian-c-1506-probably-1565-1575-1540-1545-engraving-on-reimagined-image230054172.htmlRFRA7TCC–Domenico del Barbiere after Rosso Fiorentino, Gloria, Italian, c. 1506 - probably 1565-1575, 1540-1545, engraving on reimagined
