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Art inspired by Solomon's Idolatry, 1514, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-solomons-idolatry-1514-engraving-prints-lucas-van-leyden-netherlandish-leiden-ca-14941533-leiden-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804818.htmlRF2HTXG7E–Art inspired by Solomon's Idolatry, 1514, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Melencolia I. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, 1514. Prints; engravings. Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/melencolia-i-albrecht-drer-germany-nuremberg-1471-1528-germany-1514-prints-engravings-engraving-image464715812.htmlRM2J01HN8–Melencolia I. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, 1514. Prints; engravings. Engraving
Solomon's Idolatry, 1514, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-solomons-idolatry-1514-engraving-prints-lucas-van-leyden-netherlandish-162512088.htmlRMKCB1R4–Solomon's Idolatry, 1514, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden
Engraving 'Melencolia I' by Albrecht Dürer (1471-1528). Engraving of the 1514. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-melencolia-i-by-albrecht-drer-1471-1528-engraving-of-the-1514-image502352039.htmlRM2M58347–Engraving 'Melencolia I' by Albrecht Dürer (1471-1528). Engraving of the 1514.
Artist: Virgil Solis, German, 1514–1562, Portrait of Joannes Gemmel, Engraving, Made in Germany, German, 16th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-virgil-solis-german-15141562-portrait-of-joannesgemmel-engraving-made-in-germany-german-16thcentury-works-on-paper-prints-image393058187.htmlRM2DRD9MB–Artist: Virgil Solis, German, 1514–1562, Portrait of Joannes Gemmel, Engraving, Made in Germany, German, 16th century, Works on Paper - Prints
Boats Rowed Through Inundated Ruins. Artist: Virgil Solis (German, (?) 1514-1562 Nuremberg); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 5 7/8 x 4 1/8 in. (15 x 10.4 cm). Series/Portfolio: Series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Date: ca. 1550-62. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-rowed-through-inundated-ruins-artist-virgil-solis-german-1514-1562-nuremberg-after-jacques-androuet-du-cerceau-french-paris-151012-1585-annecy-after-leonard-thiry-netherlandish-active-fontainebleau-ca-1536-1550-dimensions-sheet-5-78-x-4-18-in-15-x-104-cm-seriesportfolio-series-of-architectural-ruins-with-figures-in-reverse-after-prints-by-jacques-androuet-ducerceau-after-lonard-thiry-date-ca-1550-62-museum-metropolitan-museum-of-art-new-york-usa-image213302504.htmlRMPB0NEG–Boats Rowed Through Inundated Ruins. Artist: Virgil Solis (German, (?) 1514-1562 Nuremberg); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 5 7/8 x 4 1/8 in. (15 x 10.4 cm). Series/Portfolio: Series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Date: ca. 1550-62. Museum: Metropolitan Museum of Art, New York, USA.
Saint Thomas, 1514, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-thomas-1514-engraving-sheet-4-34-in-3-in-12-76-cm-prints-albrecht-162509551.htmlRMKCAXGF–Saint Thomas, 1514, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
Albrecht Dürer, Dancing peasant couple, engraving, 1514 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albrecht-drer-dancing-peasant-couple-engraving-1514-image397107985.htmlRM2E21R81–Albrecht Dürer, Dancing peasant couple, engraving, 1514
Aldus Manutius. Portrait of Italian scholar and founder of the Aldine Press, Aldus Pius Manutius (1449/1452-1515), engraving on vellum, 1482-1514, attributed to Giulio Campagnola Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aldus-manutius-portrait-of-italian-scholar-and-founder-of-the-aldine-press-aldus-pius-manutius-14491452-1515-engraving-on-vellum-1482-1514-attributed-to-giulio-campagnola-image424924442.htmlRM2FK8YCX–Aldus Manutius. Portrait of Italian scholar and founder of the Aldine Press, Aldus Pius Manutius (1449/1452-1515), engraving on vellum, 1482-1514, attributed to Giulio Campagnola
Illustration from Postilla by Parisienses Guillermus, plate 37 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-from-postilla-by-parisienses-guillermus-plate-37-from-woodcuts-from-books-of-the-xvi-century-1514-assembled-into-portfolio-1937-image469801221.htmlRM2J89871–Illustration from Postilla by Parisienses Guillermus, plate 37 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937.
Three drafts of ornamented daggers Solis d.Æ., Virgil 1514 - 1562 Etching, Print Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. LXIII - LXV), Virgil Solis, part I-III, Dieter Beaujean, 677, C 38378, 2004. The Illustrated Bartsch 19, part 1, German Masters of the Sixteenth Century, Virgil Solis: intaglio prints and woodcuts: Virgil Solis: intaglio prints and woodcuts, Jane S. Peters, ikke omtalt, C 36193, 1987 Tre udkast til ornamenterede dolkeskeder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-drafts-of-ornamented-daggers-solis-d-virgil-1514-1562-etching-print-hollsteins-german-engravings-etchings-and-woodcuts-1400-1700-vol-lxiii-lxv-virgil-solis-part-i-iii-dieter-beaujean-677-c-38378-2004-the-illustrated-bartsch-19-part-1-german-masters-of-the-sixteenth-century-virgil-solis-intaglio-prints-and-woodcuts-virgil-solis-intaglio-prints-and-woodcuts-jane-s-peters-ikke-omtalt-c-36193-1987-tre-udkast-til-ornamenterede-dolkeskeder-image613529872.htmlRM2XJ4KH4–Three drafts of ornamented daggers Solis d.Æ., Virgil 1514 - 1562 Etching, Print Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. LXIII - LXV), Virgil Solis, part I-III, Dieter Beaujean, 677, C 38378, 2004. The Illustrated Bartsch 19, part 1, German Masters of the Sixteenth Century, Virgil Solis: intaglio prints and woodcuts: Virgil Solis: intaglio prints and woodcuts, Jane S. Peters, ikke omtalt, C 36193, 1987 Tre udkast til ornamenterede dolkeskeder
Sainsbury Wing, The National Gallery, Trafalgar Square, London UK. 18 November 2021. The Credit Suisse Exhibition: Dürer's Journeys – Travels of a Renaissance Artist. The first major UK exhibition of German Renaissance artist Albrecht Dürer in nearly 20 years, in paintings, drawings, prints and letters, this exhibition follows Dürer’s travels across Europe and runs from 20 Nov 2021-27 February 2022. Image: Albrecht Dürer, Melancholia I, 1514. Engraving. The Syndics of the Fitzwilliam Museum, University of Cambridge. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sainsbury-wing-the-national-gallery-trafalgar-square-london-uk-18-november-2021-the-credit-suisse-exhibition-drers-journeys-travels-of-a-renaissance-artist-the-first-major-uk-exhibition-of-german-renaissance-artist-albrecht-drer-in-nearly-20-years-in-paintings-drawings-prints-and-letters-this-exhibition-follows-drers-travels-across-europe-and-runs-from-20-nov-2021-27-february-2022-image-albrecht-drer-melancholia-i-1514-engraving-the-syndics-of-the-fitzwilliam-museum-university-of-cambridge-credit-malcolm-parkalamy-live-news-image451715106.htmlRM2H6WB6A–Sainsbury Wing, The National Gallery, Trafalgar Square, London UK. 18 November 2021. The Credit Suisse Exhibition: Dürer's Journeys – Travels of a Renaissance Artist. The first major UK exhibition of German Renaissance artist Albrecht Dürer in nearly 20 years, in paintings, drawings, prints and letters, this exhibition follows Dürer’s travels across Europe and runs from 20 Nov 2021-27 February 2022. Image: Albrecht Dürer, Melancholia I, 1514. Engraving. The Syndics of the Fitzwilliam Museum, University of Cambridge. Credit: Malcolm Park/Alamy Live News.
The Martyrdom of Saint John the Baptist, oil painting on wood by Dutch artist Bernard van Orley, ca. 1514–15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-john-the-baptist-oil-painting-on-wood-by-dutch-artist-bernard-van-orley-ca-151415-image566477093.htmlRM2RWH78N–The Martyrdom of Saint John the Baptist, oil painting on wood by Dutch artist Bernard van Orley, ca. 1514–15
![A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers . inality of the more yielding nature, and personal contactwith the master must have greatly served to strengthen the influ-ence. In spite of their excellence, such prints as the Meeting ofJoachim and Anna (1520), the Passion Series of 1521, the Laviechand Cain and the Musicians of 1524 (cf. the fat forms in Diirers 88 THE GREAT MASTERS OF ENGRAVING Dancers of 1514), possess none of the persuasive freshness of theearlier worlc. Even in technique no Stock Photo](https://c8.alamy.com/comp/2AJF466/a-short-history-of-engraving-and-etching-for-the-use-of-collectors-and-students-with-full-bibliography-classified-list-and-index-of-engravers-inality-of-the-more-yielding-nature-and-personal-contactwith-the-master-must-have-greatly-served-to-strengthen-the-influ-ence-in-spite-of-their-excellence-such-prints-as-the-meeting-ofjoachim-and-anna-1520-the-passion-series-of-1521-the-laviechand-cain-and-the-musicians-of-1524-cf-the-fat-forms-in-diirers-88-the-great-masters-of-engraving-dancers-of-1514-possess-none-of-the-persuasive-freshness-of-theearlier-worlc-even-in-technique-no-2AJF466.jpg "A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers . inality of the more yielding nature, and personal contactwith the master must have greatly served to strengthen the influ-ence. In spite of their excellence, such prints as the Meeting ofJoachim and Anna (1520), the Passion Series of 1521, the Laviechand Cain and the Musicians of 1524 (cf. the fat forms in Diirers 88 THE GREAT MASTERS OF ENGRAVING Dancers of 1514), possess none of the persuasive freshness of theearlier worlc. Even in technique no Stock Photo")
A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers . inality of the more yielding nature, and personal contactwith the master must have greatly served to strengthen the influ-ence. In spite of their excellence, such prints as the Meeting ofJoachim and Anna (1520), the Passion Series of 1521, the Laviechand Cain and the Musicians of 1524 (cf. the fat forms in Diirers 88 THE GREAT MASTERS OF ENGRAVING Dancers of 1514), possess none of the persuasive freshness of theearlier worlc. Even in technique no Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-short-history-of-engraving-and-etching-for-the-use-of-collectors-and-students-with-full-bibliography-classified-list-and-index-of-engravers-inality-of-the-more-yielding-nature-and-personal-contactwith-the-master-must-have-greatly-served-to-strengthen-the-influ-ence-in-spite-of-their-excellence-such-prints-as-the-meeting-ofjoachim-and-anna-1520-the-passion-series-of-1521-the-laviechand-cain-and-the-musicians-of-1524-cf-the-fat-forms-in-diirers-88-the-great-masters-of-engraving-dancers-of-1514-possess-none-of-the-persuasive-freshness-of-theearlier-worlc-even-in-technique-no-image338393390.htmlRM2AJF466–A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers . inality of the more yielding nature, and personal contactwith the master must have greatly served to strengthen the influ-ence. In spite of their excellence, such prints as the Meeting ofJoachim and Anna (1520), the Passion Series of 1521, the Laviechand Cain and the Musicians of 1524 (cf. the fat forms in Diirers 88 THE GREAT MASTERS OF ENGRAVING Dancers of 1514), possess none of the persuasive freshness of theearlier worlc. Even in technique no
Daniele Matteo Alvise Barbaro, 1514 – 1570, was an Italian architect, writer on architecture, and translator of, and commentator on, Vitruvius, etching by Bohemian etcher Wenceslaus Hollar from 1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daniele-matteo-alvise-barbaro-1514-1570-was-an-italian-architect-writer-on-architecture-and-translator-of-and-commentator-on-vitruvius-etching-by-bohemian-etcher-wenceslaus-hollar-from-1650-image230632940.htmlRMRB66JM–Daniele Matteo Alvise Barbaro, 1514 – 1570, was an Italian architect, writer on architecture, and translator of, and commentator on, Vitruvius, etching by Bohemian etcher Wenceslaus Hollar from 1650
London UK 27 January 2022 Metal Storm, 2021 Stained Wood is composed of interlocking wooden planes that represent three female witches engaged in a ritual, holding aloft a fiery container that echoes the flamelike tendrils of the figures’ hair. Voluptuous and in contorted poses, these witches were inspired by a 1514 drawing by Hans Baldung Grien, a protégé of Albrecht Dürer and among the first artists in Europe to feature images of witches in his paintings and prints.Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-27-january-2022-metal-storm-2021-stained-wood-is-composed-of-interlocking-wooden-planes-that-represent-three-female-witches-engaged-in-a-ritual-holding-aloft-a-fiery-container-that-echoes-the-flamelike-tendrils-of-the-figures-hair-voluptuous-and-in-contorted-poses-these-witches-were-inspired-by-a-1514-drawing-by-hans-baldung-grien-a-protg-of-albrecht-drer-and-among-the-first-artists-in-europe-to-feature-images-of-witches-in-his-paintings-and-printspaul-quezada-neimanalamy-live-news-image458710832.htmlRM2HJ829M–London UK 27 January 2022 Metal Storm, 2021 Stained Wood is composed of interlocking wooden planes that represent three female witches engaged in a ritual, holding aloft a fiery container that echoes the flamelike tendrils of the figures’ hair. Voluptuous and in contorted poses, these witches were inspired by a 1514 drawing by Hans Baldung Grien, a protégé of Albrecht Dürer and among the first artists in Europe to feature images of witches in his paintings and prints.Paul Quezada-Neiman/Alamy Live News
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333432934.htmlRF2AAD532–vintage art by Albrecht Durer
Art inspired by Drawings and Prints, Copy of Bear Hunt, Artist, After, Virgil Solis, Anonymous, 16th century, German, (?) 1514–1562 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-copy-of-bear-hunt-artist-after-virgil-solis-anonymous-16th-century-german-15141562-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463054601.htmlRF2HW9XT9–Art inspired by Drawings and Prints, Copy of Bear Hunt, Artist, After, Virgil Solis, Anonymous, 16th century, German, (?) 1514–1562 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Jerome in his Study. Albrecht Dürer (Germany, Nuremberg, 1471-1528). 1514. Prints; engravings. Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-jerome-in-his-study-albrecht-drer-germany-nuremberg-1471-1528-1514-prints-engravings-engraving-image464752794.htmlRM2J038X2–Saint Jerome in his Study. Albrecht Dürer (Germany, Nuremberg, 1471-1528). 1514. Prints; engravings. Engraving
Classizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Artist: Virgil Solis (German, (?) 1514-1562 Nuremberg); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 6 x 4 in. (15.2 x 10.2 cm). Series/Portfolio: Series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Date: ca. 1550-62. Museum: Metropolitan Museum of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/classizing-landscape-with-three-figures-from-a-series-of-architectural-ruins-with-figures-in-reverse-after-prints-by-jacques-androuet-ducerceau-after-lonard-thiry-artist-virgil-solis-german-1514-1562-nuremberg-after-jacques-androuet-du-cerceau-french-paris-151012-1585-annecy-after-leonard-thiry-netherlandish-active-fontainebleau-ca-1536-1550-dimensions-sheet-6-x-4-in-152-x-102-cm-seriesportfolio-series-of-architectural-ruins-with-figures-in-reverse-after-prints-by-jacques-androuet-ducerceau-after-lonard-thiry-date-ca-1550-62-museum-metropolitan-museum-of-image213110745.htmlRMPAM0X1–Classizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Artist: Virgil Solis (German, (?) 1514-1562 Nuremberg); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 6 x 4 in. (15.2 x 10.2 cm). Series/Portfolio: Series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Date: ca. 1550-62. Museum: Metropolitan Museum of
Saint Jerome in His Study, 1514, Woodcut, sheet: 9 x 6 1/4 in. (22.9 x 16 cm), Prints, Albrecht Dürer (German, Nuremberg 1471 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-jerome-in-his-study-1514-woodcut-sheet-9-x-6-14-in-229-x-16-162485560.htmlRMKC9RYM–Saint Jerome in His Study, 1514, Woodcut, sheet: 9 x 6 1/4 in. (22.9 x 16 cm), Prints, Albrecht Dürer (German, Nuremberg 1471
Pyramus and Thisbe, 1514, Engraving, sheet: 4 11/16 x 6 5/16 in. (11.9 x 16 cm), Prints, Lucas van Leyden (Netherlandish, Leiden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pyramus-and-thisbe-1514-engraving-sheet-4-1116-x-6-516-in-119-x-16-162512527.htmlRMKCB2AR–Pyramus and Thisbe, 1514, Engraving, sheet: 4 11/16 x 6 5/16 in. (11.9 x 16 cm), Prints, Lucas van Leyden (Netherlandish, Leiden
Aldus Manutius. Portrait of Italian scholar and founder of the Aldine Press, Aldus Pius Manutius (1449/1452-1515), engraving on vellum, 1482-1514, attributed to Giulio Campagnola Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aldus-manutius-portrait-of-italian-scholar-and-founder-of-the-aldine-press-aldus-pius-manutius-14491452-1515-engraving-on-vellum-1482-1514-attributed-to-giulio-campagnola-image424924440.htmlRM2FK8YCT–Aldus Manutius. Portrait of Italian scholar and founder of the Aldine Press, Aldus Pius Manutius (1449/1452-1515), engraving on vellum, 1482-1514, attributed to Giulio Campagnola
Saint Jerome in His Study, 1514, Engraving, Sheet: 10 7/8 × 8 7/8 in. (27.7 × 22.6 cm), Prints, Albrecht Dürer (German Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-jerome-in-his-study-1514-engraving-sheet-10-78-8-78-in-277-226-162509503.htmlRMKCAXER–Saint Jerome in His Study, 1514, Engraving, Sheet: 10 7/8 × 8 7/8 in. (27.7 × 22.6 cm), Prints, Albrecht Dürer (German
Illustration from Sextus decretalium liber by Bonifce VIII, plate 84 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-from-sextus-decretalium-liber-by-bonifce-viii-plate-84-from-woodcuts-from-books-of-the-xvi-century-1514-assembled-into-portfolio-1937-image462414149.htmlRM2HT8NY1–Illustration from Sextus decretalium liber by Bonifce VIII, plate 84 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937.
The Bagpiper, 1514, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-bagpiper-1514-engraving-plate-4-916-x-2-1516-in-116-x-75-cm-prints-162509517.htmlRMKCAXF9–The Bagpiper, 1514, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
St. Christopher with the Infant Jesus Bramante, Donato 1444 - 1514 Drawing SMK highlights: Statens Museum for Kunst, Sven Bjerkhof, Omt. og afb. p. 193, 2005-071, 2005. Das grosse Buch der Graphik: Meisterwerke aus 24 berühmten graphischen Kabinetten, Hermann Boekhoff, p.293, ill. p.285, 41211, 1968. Prints and drawings: a pictorial history, Gottfried Lindemann, p.82, ill. p.43, 42066, 1970. 100 Zeichnungen und Drucke aus dem Kupferstichkabinett, Johann Eckart von Borries, p.16, 53546, 1988 St. Christopher with the Infant Jesus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-christopher-with-the-infant-jesus-bramante-donato-1444-1514-drawing-smk-highlights-statens-museum-for-kunst-sven-bjerkhof-omt-og-afb-p-193-2005-071-2005-das-grosse-buch-der-graphik-meisterwerke-aus-24-berhmten-graphischen-kabinetten-hermann-boekhoff-p293-ill-p285-41211-1968-prints-and-drawings-a-pictorial-history-gottfried-lindemann-p82-ill-p43-42066-1970-100-zeichnungen-und-drucke-aus-dem-kupferstichkabinett-johann-eckart-von-borries-p16-53546-1988-st-christopher-with-the-infant-jesus-image613575803.htmlRM2XJ6P5F–St. Christopher with the Infant Jesus Bramante, Donato 1444 - 1514 Drawing SMK highlights: Statens Museum for Kunst, Sven Bjerkhof, Omt. og afb. p. 193, 2005-071, 2005. Das grosse Buch der Graphik: Meisterwerke aus 24 berühmten graphischen Kabinetten, Hermann Boekhoff, p.293, ill. p.285, 41211, 1968. Prints and drawings: a pictorial history, Gottfried Lindemann, p.82, ill. p.43, 42066, 1970. 100 Zeichnungen und Drucke aus dem Kupferstichkabinett, Johann Eckart von Borries, p.16, 53546, 1988 St. Christopher with the Infant Jesus
Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-peasant-couple-dancing-1514-engraving-sheet-4-58-2-1516-in-118-75-162509525.htmlRMKCAXFH–Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333432937.htmlRF2AAD535–vintage art by Albrecht Durer
Art inspired by Fall of Man (Adam and Eve), ca. 1514, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fall-of-man-adam-and-eve-ca-1514-woodcut-prints-lucas-van-leyden-netherlandish-leiden-ca-14941533-leiden-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966736.htmlRF2HW5XP8–Art inspired by Fall of Man (Adam and Eve), ca. 1514, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Twenty Ornamental Letters (A, E, F, I, O, P). Switzerland, published 1514. Prints; woodcuts. Woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twenty-ornamental-letters-a-e-f-i-o-p-switzerland-published-1514-prints-woodcuts-woodcut-image464733959.htmlRM2J02CWB–Twenty Ornamental Letters (A, E, F, I, O, P). Switzerland, published 1514. Prints; woodcuts. Woodcut
Panel with grotesques, from a set of bed hangings. Artist: related to the prints of Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Culture: Flemish, Brussels. Dimensions: H. 65 1/2 x W. 83 3/4 inches (166.4 x 212.7 cm). Date: ca. 1550-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-with-grotesques-from-a-set-of-bed-hangings-artist-related-to-the-prints-of-cornelis-floris-ii-netherlandish-antwerp-before-1514-1575-antwerp-culture-flemish-brussels-dimensions-h-65-12-x-w-83-34-inches-1664-x-2127-cm-date-ca-1550-60-museum-metropolitan-museum-of-art-new-york-usa-image213373193.htmlRMPB3YK5–Panel with grotesques, from a set of bed hangings. Artist: related to the prints of Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Culture: Flemish, Brussels. Dimensions: H. 65 1/2 x W. 83 3/4 inches (166.4 x 212.7 cm). Date: ca. 1550-60. Museum: Metropolitan Museum of Art, New York, USA.
A Bishop from Breuiarium iuxta ritu predicatorum, plate 83 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-bishop-from-breuiarium-iuxta-ritu-predicatorum-plate-83-from-woodcuts-from-books-of-the-xvi-century-1514-assembled-into-portfolio-1937-image462414111.htmlRM2HT8NWK–A Bishop from Breuiarium iuxta ritu predicatorum, plate 83 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937.
A coat of arms with three sailing objects, crowned by two knight's helmets, of which the left has a bishop hat on a pillow over it, the on the right a sail -like object with two cost on. The background is soft akatus -like leaves, the area is four sticks. Beham, Hans Sebald 1500 - 1550, Solis d.Æ., Virgil 1514 - 1562 Drawing German drawings before 1540. Central European Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Mikael Bøgh Rasmussen, 65, 2001-248, 2000 Et våbenskjold med tre sejlagtige genstande, kronet af to ridderhjelme, hvoraf den venstre har en biskopshue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-coat-of-arms-with-three-sailing-objects-crowned-by-two-knights-helmets-of-which-the-left-has-a-bishop-hat-on-a-pillow-over-it-the-on-the-right-a-sail-like-object-with-two-cost-on-the-background-is-soft-akatus-like-leaves-the-area-is-four-sticks-beham-hans-sebald-1500-1550-solis-d-virgil-1514-1562-drawing-german-drawings-before-1540-central-european-drawings-in-the-department-of-prints-and-drawings-statens-museum-for-kunst-mikael-bgh-rasmussen-65-2001-248-2000-et-vbenskjold-med-tre-sejlagtige-genstande-kronet-af-to-ridderhjelme-hvoraf-den-venstre-har-en-biskopshue-image613394201.htmlRM2XHXEFN–A coat of arms with three sailing objects, crowned by two knight's helmets, of which the left has a bishop hat on a pillow over it, the on the right a sail -like object with two cost on. The background is soft akatus -like leaves, the area is four sticks. Beham, Hans Sebald 1500 - 1550, Solis d.Æ., Virgil 1514 - 1562 Drawing German drawings before 1540. Central European Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Mikael Bøgh Rasmussen, 65, 2001-248, 2000 Et våbenskjold med tre sejlagtige genstande, kronet af to ridderhjelme, hvoraf den venstre har en biskopshue
Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-peasant-couple-dancing-1514-engraving-sheet-4-58-2-1516-in-118-75-162509524.htmlRMKCAXFG–Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333432706.htmlRF2AAD4PX–vintage art by Albrecht Durer
Art inspired by Drawings and Prints, Arabesque Design on Dark Ground, Artist, Virgil Solis, German, (?) 1514–1562 Nuremberg, Solis, Virgil, 1514, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-arabesque-design-on-dark-ground-artist-virgil-solis-german-15141562-nuremberg-solis-virgil-1514-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463064045.htmlRF2HWAAWH–Art inspired by Drawings and Prints, Arabesque Design on Dark Ground, Artist, Virgil Solis, German, (?) 1514–1562 Nuremberg, Solis, Virgil, 1514, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Solomon's Idolatry. Lucas van Leyden (Holland, Leiden, circa 1494-1533). Holland, circa 1514. Prints; woodcuts. Woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/solomons-idolatry-lucas-van-leyden-holland-leiden-circa-1494-1533-holland-circa-1514-prints-woodcuts-woodcut-image464729126.htmlRM2J026MP–Solomon's Idolatry. Lucas van Leyden (Holland, Leiden, circa 1494-1533). Holland, circa 1514. Prints; woodcuts. Woodcut
Art inspired by Saint Thomas, 1514, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-thomas-1514-engraving-sheet-4-34-in-3-in-12-76-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808495.htmlRF2HTXMXR–Art inspired by Saint Thomas, 1514, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pyramus and Thisbe 1514 Lucas van Leyden Netherlandish. Pyramus and Thisbe. Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden). 1514. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyramus-and-thisbe-1514-lucas-van-leyden-netherlandish-pyramus-and-thisbe-lucas-van-leyden-netherlandish-leiden-ca-14941533-leiden-1514-engraving-prints-image458032589.htmlRM2HH556N–Pyramus and Thisbe 1514 Lucas van Leyden Netherlandish. Pyramus and Thisbe. Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden). 1514. Engraving. Prints
Panel with grotesques, from a set of bed hangings. Artist: related to the prints of Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Culture: Flemish, Brussels. Dimensions: H. 65 1/2 x W. 80 inches (166.4 x 203.2 cm). Date: ca. 1550-60. Several of the motifs, expecially the perforated metal-like strapwork, suggest that the designer was familiar with the grotesques of the Flemish artist Cornelis Floris (1514-1575), particularly his prints, Fantastic Chariots, published in 1552. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-with-grotesques-from-a-set-of-bed-hangings-artist-related-to-the-prints-of-cornelis-floris-ii-netherlandish-antwerp-before-1514-1575-antwerp-culture-flemish-brussels-dimensions-h-65-12-x-w-80-inches-1664-x-2032-cm-date-ca-1550-60-several-of-the-motifs-expecially-the-perforated-metal-like-strapwork-suggest-that-the-designer-was-familiar-with-the-grotesques-of-the-flemish-artist-cornelis-floris-1514-1575-particularly-his-prints-fantastic-chariots-published-in-1552-museum-metropolitan-museum-of-art-new-york-usa-image213263283.htmlRMPAXYDR–Panel with grotesques, from a set of bed hangings. Artist: related to the prints of Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Culture: Flemish, Brussels. Dimensions: H. 65 1/2 x W. 80 inches (166.4 x 203.2 cm). Date: ca. 1550-60. Several of the motifs, expecially the perforated metal-like strapwork, suggest that the designer was familiar with the grotesques of the Flemish artist Cornelis Floris (1514-1575), particularly his prints, Fantastic Chariots, published in 1552. Museum: Metropolitan Museum of Art, New York, USA.
Cleopatra ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Cleopatra. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cleopatra-ca-15141600-anonymous-italian-16th-to-early-17th-century-italian-cleopatra-anonymous-italian-16th-to-early-17th-century-ca-15141600-engraving-prints-image457779525.htmlRM2HGNJCN–Cleopatra ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Cleopatra. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints
Ornamental Panel, ca. 1514-36. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornamental-panel-ca-1514-36-image474666880.htmlRM2JG6XCG–Ornamental Panel, ca. 1514-36.
Saint Jerome in His Study, 1514, Engraving, Sheet: 13 9/16 × 7 3/8 in. (34.5 × 18.8 cm), Prints, Albrecht Dürer (German Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-jerome-in-his-study-1514-engraving-sheet-13-916-7-38-in-345-162509501.htmlRMKCAXEN–Saint Jerome in His Study, 1514, Engraving, Sheet: 13 9/16 × 7 3/8 in. (34.5 × 18.8 cm), Prints, Albrecht Dürer (German
The Mouth of Truth, ca. 1514, Woodcut, sheet: 16 3/16 x 11 1/2 in. (41.1 x 29.2 cm), Prints, Lucas van Leyden (Netherlandish Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-mouth-of-truth-ca-1514-woodcut-sheet-16-316-x-11-12-in-411-x-292-162513122.htmlRMKCB342–The Mouth of Truth, ca. 1514, Woodcut, sheet: 16 3/16 x 11 1/2 in. (41.1 x 29.2 cm), Prints, Lucas van Leyden (Netherlandish
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333430635.htmlRF2AAD24Y–vintage art by Albrecht Durer
Art inspired by Saint Jerome in His Study, 1514, Woodcut, sheet: 9 x 6 1/4 in. (22.9 x 16 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-jerome-in-his-study-1514-woodcut-sheet-9-x-6-14-in-229-x-16-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807750.htmlRF2HTXM06–Art inspired by Saint Jerome in His Study, 1514, Woodcut, sheet: 9 x 6 1/4 in. (22.9 x 16 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pyramus and Thisbe. Dated: 1514. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyramus-and-thisbe-dated-1514-medium-engraving-museum-national-gallery-of-art-washington-dc-author-lucas-van-leyden-image225624898.htmlRMR322T2–Pyramus and Thisbe. Dated: 1514. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.
Covered Goblet With Owl n.d. Virgil Solis. Covered Goblet With Owl. Virgil Solis (German, (?) 1514–1562 Nuremberg). n.d.. Etching and engraving, second of two states. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-goblet-with-owl-nd-virgil-solis-covered-goblet-with-owl-virgil-solis-german-15141562-nuremberg-nd-etching-and-engraving-second-of-two-states-prints-image457915777.htmlRM2HGYT6W–Covered Goblet With Owl n.d. Virgil Solis. Covered Goblet With Owl. Virgil Solis (German, (?) 1514–1562 Nuremberg). n.d.. Etching and engraving, second of two states. Prints
Saint Luke, ca. 1514-36. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-luke-ca-1514-36-image474666918.htmlRM2JG6XDX–Saint Luke, ca. 1514-36.
Samson and Delilah, ca. 1514, Woodcut, sheet: 16 7/16 x 11 5/8 in. (41.8 x 29.5 cm), Prints, Lucas van Leyden (Netherlandish Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-samson-and-delilah-ca-1514-woodcut-sheet-16-716-x-11-58-in-418-x-295-162513115.htmlRMKCB33R–Samson and Delilah, ca. 1514, Woodcut, sheet: 16 7/16 x 11 5/8 in. (41.8 x 29.5 cm), Prints, Lucas van Leyden (Netherlandish
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333434783.htmlRF2AAD7D3–vintage art by Albrecht Durer
The Annunciation, 1514, Woodcut, Sheet: 8 11/16 × 6 1/16 in. (22.1 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung Grien Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-annunciation-1514-woodcut-sheet-8-1116-6-116-in-221-154-cm-prints-162520902.htmlRMKCBD1X–The Annunciation, 1514, Woodcut, Sheet: 8 11/16 × 6 1/16 in. (22.1 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung Grien
Melencolia I, 1514, Engraving, Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-melencolia-i-1514-engraving-sheet-9-12-7-516-in-241-185-cm-prints-162509495.htmlRMKCAXEF–Melencolia I, 1514, Engraving, Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
Art inspired by Saint Jerome in His Study, 1514, Engraving, Sheet: 10 7/8 × 8 7/8 in. (27.7 × 22.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-jerome-in-his-study-1514-engraving-sheet-10-78-8-78-in-277-226-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808556.htmlRF2HTXN10–Art inspired by Saint Jerome in His Study, 1514, Engraving, Sheet: 10 7/8 × 8 7/8 in. (27.7 × 22.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fall of Man (Adam and Eve). Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Date: ca. 1514. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fall-of-man-adam-and-eve-artist-lucas-van-leyden-netherlandish-leiden-ca-1494-1533-leiden-date-ca-1514-museum-metropolitan-museum-of-art-new-york-usa-image232817496.htmlRMRENN2G–Fall of Man (Adam and Eve). Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Date: ca. 1514. Museum: Metropolitan Museum of Art, New York, USA.
Saint Luke ca. 1514–36 Anonymous, Italian, 16th to early 17th century Italian. Saint Luke. Anonymous, Italian, 16th to early 17th century. ca. 1514–36. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-luke-ca-151436-anonymous-italian-16th-to-early-17th-century-italian-saint-luke-anonymous-italian-16th-to-early-17th-century-ca-151436-engraving-prints-image457779536.htmlRM2HGNJD4–Saint Luke ca. 1514–36 Anonymous, Italian, 16th to early 17th century Italian. Saint Luke. Anonymous, Italian, 16th to early 17th century. ca. 1514–36. Engraving. Prints
Ornamental Panel, ca. 1514-1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornamental-panel-ca-1514-1600-image474666910.htmlRM2JG6XDJ–Ornamental Panel, ca. 1514-1600.
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333433156.htmlRF2AAD5B0–vintage art by Albrecht Durer
Saint Thomas, 1514, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-thomas-1514-engraving-sheet-4-34-3-116-in-121-78-cm-prints-albrecht-162509546.htmlRMKCAXGA–Saint Thomas, 1514, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
Art inspired by Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-paul-1514-engraving-sheet-4-58-2-78-in-117-73-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808491.htmlRF2HTXMXK–Art inspired by Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Crucifixion. Artist: Monogrammist G.Z. (German, active ca. 1514-21). Dimensions: sheet: 11 1/2 x 8 3/16 in. (29.2 x 20.8 cm). Date: 1521. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-artist-monogrammist-gz-german-active-ca-1514-21-dimensions-sheet-11-12-x-8-316-in-292-x-208-cm-date-1521-museum-metropolitan-museum-of-art-new-york-usa-image212878089.htmlRMPA9C4W–The Crucifixion. Artist: Monogrammist G.Z. (German, active ca. 1514-21). Dimensions: sheet: 11 1/2 x 8 3/16 in. (29.2 x 20.8 cm). Date: 1521. Museum: Metropolitan Museum of Art, New York, USA.
Venus and Eros ca. 1514–36 Anonymous, Italian, 16th to early 17th century Italian. Venus and Eros. Anonymous, Italian, 16th to early 17th century. ca. 1514–36. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-eros-ca-151436-anonymous-italian-16th-to-early-17th-century-italian-venus-and-eros-anonymous-italian-16th-to-early-17th-century-ca-151436-engraving-prints-image457779526.htmlRM2HGNJCP–Venus and Eros ca. 1514–36 Anonymous, Italian, 16th to early 17th century Italian. Venus and Eros. Anonymous, Italian, 16th to early 17th century. ca. 1514–36. Engraving. Prints
The Prince at the Bird-Catching, 1514/1516. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prince-at-the-bird-catching-15141516-image485235470.htmlRM2K5CAP6–The Prince at the Bird-Catching, 1514/1516.
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333431207.htmlRF2AAD2WB–vintage art by Albrecht Durer
Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-paul-1514-engraving-sheet-4-58-2-78-in-117-73-cm-prints-albrecht-162509544.htmlRMKCAXG8–Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
Art inspired by Melencolia I, 1514, Engraving, Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-melencolia-i-1514-engraving-sheet-9-12-7-516-in-241-185-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808549.htmlRF2HTXN0N–Art inspired by Melencolia I, 1514, Engraving, Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Solomon's Idolatry. Dated: 1514. Dimensions: sheet (trimmed to plate mark): 17 x 13 cm (6 11/16 x 5 1/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/solomons-idolatry-dated-1514-dimensions-sheet-trimmed-to-plate-mark-17-x-13-cm-6-1116-x-5-18-in-medium-engraving-museum-national-gallery-of-art-washington-dc-author-lucas-van-leyden-image225513167.htmlRMR2W09K–Solomon's Idolatry. Dated: 1514. Dimensions: sheet (trimmed to plate mark): 17 x 13 cm (6 11/16 x 5 1/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.
Ornamental Panel ca. 1514–36 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514–36. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornamental-panel-ca-151436-anonymous-italian-16th-to-early-17th-century-italian-ornamental-panel-anonymous-italian-16th-to-early-17th-century-ca-151436-engraving-prints-image457779933.htmlRM2HGNJY9–Ornamental Panel ca. 1514–36 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514–36. Engraving. Prints
Tournament on the Occasion of the Festivity of the Marriage, 1514/1516. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tournament-on-the-occasion-of-the-festivity-of-the-marriage-15141516-image485235320.htmlRM2K5CAGT–Tournament on the Occasion of the Festivity of the Marriage, 1514/1516.
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333430788.htmlRF2AAD2AC–vintage art by Albrecht Durer
Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-paul-1514-engraving-sheet-4-58-2-78-in-117-73-cm-prints-albrecht-162509541.htmlRMKCAXG5–Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
Art inspired by Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-paul-1514-engraving-sheet-4-58-2-78-in-117-73-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808493.htmlRF2HTXMXN–Art inspired by Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sts. Thomas and Bartholomew. Artist: Monogrammist G.Z. (German, active ca. 1514-21). Dimensions: sheet: 10 1/4 x 7 in. (26 x 17.8 cm). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sts-thomas-and-bartholomew-artist-monogrammist-gz-german-active-ca-1514-21-dimensions-sheet-10-14-x-7-in-26-x-178-cm-date-1518-museum-metropolitan-museum-of-art-new-york-usa-image212879016.htmlRMPA9DA0–Sts. Thomas and Bartholomew. Artist: Monogrammist G.Z. (German, active ca. 1514-21). Dimensions: sheet: 10 1/4 x 7 in. (26 x 17.8 cm). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA.
Ornamental Panel ca. 1514–36 Master I.F. Italian. Ornamental Panel. Master I.F. (Florence ca. 1510–documented ca. 1542). ca. 1514–36. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornamental-panel-ca-151436-master-if-italian-ornamental-panel-master-if-florence-ca-1510documented-ca-1542-ca-151436-engraving-prints-image457779818.htmlRM2HGNJR6–Ornamental Panel ca. 1514–36 Master I.F. Italian. Ornamental Panel. Master I.F. (Florence ca. 1510–documented ca. 1542). ca. 1514–36. Engraving. Prints
The Old White King Sending His Messengers to Portugal, 1514/1516. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-old-white-king-sending-his-messengers-to-portugal-15141516-image485235429.htmlRM2K5CAMN–The Old White King Sending His Messengers to Portugal, 1514/1516.
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333433142.htmlRF2AAD5AE–vintage art by Albrecht Durer
Saint Jerome in His Study, 1514, Engraving, Sheet: 9 5/8 × 7 3/8 in. (24.5 × 18.7 cm), Prints, Albrecht Dürer (German, Nuremberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-jerome-in-his-study-1514-engraving-sheet-9-58-7-38-in-245-187-162509507.htmlRMKCAXEY–Saint Jerome in His Study, 1514, Engraving, Sheet: 9 5/8 × 7 3/8 in. (24.5 × 18.7 cm), Prints, Albrecht Dürer (German, Nuremberg
Art inspired by Saint Thomas, 1514, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-thomas-1514-engraving-sheet-4-34-3-116-in-121-78-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808497.htmlRF2HTXMXW–Art inspired by Saint Thomas, 1514, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Melencolia I, 1514, Engraving, image: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-melencolia-i-1514-engraving-image-9-12-x-7-12-in-241-x-191-cm-prints-162509496.htmlRMKCAXEG–Melencolia I, 1514, Engraving, image: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528
Art inspired by The Bagpiper, 1514, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-bagpiper-1514-engraving-plate-4-916-x-2-1516-in-116-x-75-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804625.htmlRF2HTXG0H–Art inspired by The Bagpiper, 1514, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Philosophers, ca. 1514–36, Engraving, 4 1/4 x 2 13/16 in. (10.8 x 7.1 cm), Prints, Agostino Veneziano (Agostino dei Musi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-philosophers-ca-151436-engraving-4-14-x-2-1316-in-108-x-71-cm-162569006.htmlRMKCDJBX–The Philosophers, ca. 1514–36, Engraving, 4 1/4 x 2 13/16 in. (10.8 x 7.1 cm), Prints, Agostino Veneziano (Agostino dei Musi
Art inspired by Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-peasant-couple-dancing-1514-engraving-sheet-4-58-2-1516-in-118-75-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808430.htmlRF2HTXMTE–Art inspired by Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Expulsion from Paradise, 1514, Woodcut, Sheet: 8 3/4 × 6 1/16 in. (22.2 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-expulsion-from-paradise-1514-woodcut-sheet-8-34-6-116-in-222-154-cm-162520887.htmlRMKCBD1B–Expulsion from Paradise, 1514, Woodcut, Sheet: 8 3/4 × 6 1/16 in. (22.2 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung
Saint Thomas. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm). Date: 1514. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-thomas-artist-albrecht-drer-german-nuremberg-1471-1528-nuremberg-dimensions-sheet-4-34-in-3-in-12-76-cm-date-1514-museum-metropolitan-museum-of-art-new-york-usa-image225370604.htmlRMR2JEE4–Saint Thomas. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm). Date: 1514. Museum: Metropolitan Museum of Art, New York, USA.
Saint John ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Saint John. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-john-ca-15141600-anonymous-italian-16th-to-early-17th-century-italian-saint-john-anonymous-italian-16th-to-early-17th-century-ca-15141600-engraving-prints-image457779511.htmlRM2HGNJC7–Saint John ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Saint John. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints
Assembly of Four Kings, in the foreground Four Men, 1514/1516. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assembly-of-four-kings-in-the-foreground-four-men-15141516-image485235471.htmlRM2K5CAP7–Assembly of Four Kings, in the foreground Four Men, 1514/1516.
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333432941.htmlRF2AAD539–vintage art by Albrecht Durer
Art inspired by Saint Jerome in His Study, 1514, Engraving, Sheet: 13 9/16 × 7 3/8 in. (34.5 × 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-jerome-in-his-study-1514-engraving-sheet-13-916-7-38-in-345-188-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808557.htmlRF2HTXN11–Art inspired by Saint Jerome in His Study, 1514, Engraving, Sheet: 13 9/16 × 7 3/8 in. (34.5 × 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Adam and Eve, 1514, Woodcut, Block: 8 11/16 × 6 1/16 in. (22.1 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung Grien Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-adam-and-eve-1514-woodcut-block-8-1116-6-116-in-221-154-cm-prints-162520888.htmlRMKCBD1C–Adam and Eve, 1514, Woodcut, Block: 8 11/16 × 6 1/16 in. (22.1 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung Grien
Study of Four Saints. Artist: Correggio (Antonio Allegri) (Italian, Correggio, active by 1514-died 1534 Correggio). Dimensions: 9 5/16 x 7 5/8in. (23.7 x 19.4cm). Date: 1525-34. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-four-saints-artist-correggio-antonio-allegri-italian-correggio-active-by-1514-died-1534-correggio-dimensions-9-516-x-7-58in-237-x-194cm-date-1525-34-museum-metropolitan-museum-of-art-new-york-usa-image212879226.htmlRMPA9DHE–Study of Four Saints. Artist: Correggio (Antonio Allegri) (Italian, Correggio, active by 1514-died 1534 Correggio). Dimensions: 9 5/16 x 7 5/8in. (23.7 x 19.4cm). Date: 1525-34. Museum: Metropolitan Museum of Art, New York, USA.
Ornamental Panel ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornamental-panel-ca-15141600-anonymous-italian-16th-to-early-17th-century-italian-ornamental-panel-anonymous-italian-16th-to-early-17th-century-ca-15141600-engraving-prints-image457779813.htmlRM2HGNJR1–Ornamental Panel ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints
Assembly of Four Kings, in the foreground Four Men, 1514/1516. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assembly-of-four-kings-in-the-foreground-four-men-15141516-image485235491.htmlRM2K5CAPY–Assembly of Four Kings, in the foreground Four Men, 1514/1516.
vintage art by Albrecht Durer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-art-by-albrecht-durer-image333432584.htmlRF2AAD4JG–vintage art by Albrecht Durer
Art inspired by Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-peasant-couple-dancing-1514-engraving-sheet-4-58-2-1516-in-118-75-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808431.htmlRF2HTXMTF–Art inspired by Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
St. Sebastian Bound to a Tree, 1514, Woodcut, Sheet: 13 3/8 × 10 5/16 in. (34 × 26.2 cm), Prints, Hans Baldung (called Hans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-st-sebastian-bound-to-a-tree-1514-woodcut-sheet-13-38-10-516-in-34-162521037.htmlRMKCBD6N–St. Sebastian Bound to a Tree, 1514, Woodcut, Sheet: 13 3/8 × 10 5/16 in. (34 × 26.2 cm), Prints, Hans Baldung (called Hans
A Greyhound in Profile Facing Left. Artist: Virgil Solis (German, (?) 1514-1562 Nuremberg). Dimensions: sheet: 3 7/8 x 5 3/4 in. (9.8 x 14.6 cm). Date: 1549. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-greyhound-in-profile-facing-left-artist-virgil-solis-german-1514-1562-nuremberg-dimensions-sheet-3-78-x-5-34-in-98-x-146-cm-date-1549-museum-metropolitan-museum-of-art-new-york-usa-image212773978.htmlRMPA4KAJ–A Greyhound in Profile Facing Left. Artist: Virgil Solis (German, (?) 1514-1562 Nuremberg). Dimensions: sheet: 3 7/8 x 5 3/4 in. (9.8 x 14.6 cm). Date: 1549. Museum: Metropolitan Museum of Art, New York, USA.
Ornamental Panel ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornamental-panel-ca-15141600-anonymous-italian-16th-to-early-17th-century-italian-ornamental-panel-anonymous-italian-16th-to-early-17th-century-ca-15141600-engraving-prints-image457779834.htmlRM2HGNJRP–Ornamental Panel ca. 1514–1600 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514–1600. Engraving. Prints
