Quick filters:
Page 1 of 15
1525 6 Stock Photos and Images
. Michel Sittow (Reval circa 1468 – 1525/6) Portrait of a man with a rosary Oil on panel, thinned, backed with a secondary panel, and cradled The Portrait of a Man with a Rosary is a typical and particularly fine example of portrait painting in the Low Countries in the first half of the sixteenth century. While slowly incorporating influences of contemporary Italian and German painting during the early decades of the sixteenth century, Flemish artists like Quentin Metsys, Joos van Cleve or Jan Gossaert simultaneously looked back at normative portrait conventions in the Netherlands that had ori Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michel-sittow-reval-circa-1468-15256-portrait-of-a-man-with-a-rosary-oil-on-panel-thinned-backed-with-a-secondary-panel-and-cradled-the-portrait-of-a-man-with-a-rosary-is-a-typical-and-particularly-fine-example-of-portrait-painting-in-the-low-countries-in-the-first-half-of-the-sixteenth-century-while-slowly-incorporating-influences-of-contemporary-italian-and-german-painting-during-the-early-decades-of-the-sixteenth-century-flemish-artists-like-quentin-metsys-joos-van-cleve-or-jan-gossaert-simultaneously-looked-back-at-normative-portrait-conventions-in-the-netherlands-that-had-ori-image188133968.htmlRMMX26P8–. Michel Sittow (Reval circa 1468 – 1525/6) Portrait of a man with a rosary Oil on panel, thinned, backed with a secondary panel, and cradled The Portrait of a Man with a Rosary is a typical and particularly fine example of portrait painting in the Low Countries in the first half of the sixteenth century. While slowly incorporating influences of contemporary Italian and German painting during the early decades of the sixteenth century, Flemish artists like Quentin Metsys, Joos van Cleve or Jan Gossaert simultaneously looked back at normative portrait conventions in the Netherlands that had ori
SMA 40 2 1525 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sma-40-2-1525-6-164072664.htmlRMKEX4A0–SMA 40 2 1525 6
John Stow: English historian and antiquarian, c. 1525–6 April 1605. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-stow-english-historian-and-antiquarian-c-15256-april-1605-83350688.htmlRMERGXJ8–John Stow: English historian and antiquarian, c. 1525–6 April 1605.
Unknown Artist, Ornamented Boss-Head with Putti and Grotesques, 1500-1525, bronze, gilding, 2 3/8 in. (6 cm.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-ornamented-boss-head-with-putti-and-grotesques-1500-1525-bronze-gilding-2-38-in-6-cm-image344476993.htmlRM2B0C7WN–Unknown Artist, Ornamented Boss-Head with Putti and Grotesques, 1500-1525, bronze, gilding, 2 3/8 in. (6 cm.)
Art inspired by Ein ney Furmbüchlein, Title page, ca. 1525–29, Woodcut, 7 7/8 × 6 1/8 in. (20 × 15.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ein-ney-furmbchlein-title-page-ca-152529-woodcut-7-78-6-18-in-20-155-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462864266.htmlRF2HW182J–Art inspired by Ein ney Furmbüchlein, Title page, ca. 1525–29, Woodcut, 7 7/8 × 6 1/8 in. (20 × 15.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Studies for a monumental wall tomb (for the tombs of Clement VII and Leo X projected for the choir of San Lorenzo, Florence). 1525-6, 1895,0915.507. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-for-a-monumental-wall-tomb-for-the-tombs-of-clement-vii-and-leo-x-projected-for-the-choir-of-san-lorenzo-florence-1525-6-18950915507-image458657101.htmlRM2HJ5HPN–Studies for a monumental wall tomb (for the tombs of Clement VII and Leo X projected for the choir of San Lorenzo, Florence). 1525-6, 1895,0915.507.
Plate (tondino). Culture: Italian, Gubbio. Dimensions: Diameter: 10 7/8 in. (27.6 cm). Date: ca. 1525-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-tondino-culture-italian-gubbio-dimensions-diameter-10-78-in-276-cm-date-ca-1525-30-museum-metropolitan-museum-of-art-new-york-usa-image213114256.htmlRMPAM5BC–Plate (tondino). Culture: Italian, Gubbio. Dimensions: Diameter: 10 7/8 in. (27.6 cm). Date: ca. 1525-30. Museum: Metropolitan Museum of Art, New York, USA.
Head of Christ, by Correggio, c.1525-30, Italian Renaissance painting, oil on panel. This idealized head of Christ, is a painting of 'Veronica's veil'. According to legend, during the Passion of Christ, Saint Veronica comforted Christ by wiping his face w (BSLOC 2016 6 6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-christ-by-correggio-c1525-30-italian-renaissance-painting-115918452.htmlRMGMGF4M–Head of Christ, by Correggio, c.1525-30, Italian Renaissance painting, oil on panel. This idealized head of Christ, is a painting of 'Veronica's veil'. According to legend, during the Passion of Christ, Saint Veronica comforted Christ by wiping his face w (BSLOC 2016 6 6)
Jakob Fugger von der Lilie, Jakob Fugger der Reiche, geboren 6. März 1459, gestorben 30. Dezember 1525, zwischen etwa 1495 und 1525 der bedeutendste Kaufherr, Montanunternehmer und Bankier Europas / Jakob Fugger of the Lily ,(6 March 1459 – 30 December 1525), also known as Jakob Fugger the Rich or sometimes Jakob II, was a major German merchant, mining entrepreneur and banker, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jakob-fugger-von-der-lilie-jakob-fugger-der-reiche-geboren-6-mrz-1459-gestorben-30-dezember-1525-zwischen-etwa-1495-und-1525-der-bedeutendste-kaufherr-montanunternehmer-und-bankier-europas-jakob-fugger-of-the-lily-6-march-1459-30-december-1525-also-known-as-jakob-fugger-the-rich-or-sometimes-jakob-ii-was-a-major-german-merchant-mining-entrepreneur-and-banker-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image342000788.htmlRF2ATBDDT–Jakob Fugger von der Lilie, Jakob Fugger der Reiche, geboren 6. März 1459, gestorben 30. Dezember 1525, zwischen etwa 1495 und 1525 der bedeutendste Kaufherr, Montanunternehmer und Bankier Europas / Jakob Fugger of the Lily ,(6 March 1459 – 30 December 1525), also known as Jakob Fugger the Rich or sometimes Jakob II, was a major German merchant, mining entrepreneur and banker, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
Fugger, Jakob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, portrait, woodcut by Hans Burgkmair, 16th century, augsbur Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fugger-jakob-ii-the-rich-631459-30101525-german-merchant-portrait-23388969.htmlRMBA1CT9–Fugger, Jakob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, portrait, woodcut by Hans Burgkmair, 16th century, augsbur
England: King Edward VI (12 October 1537 - 6 July 1553), represented standing on an oriental ('Holbein') carpet. Oil on canvas painting from the workshop of Master John (fl. 1525-1574), c. 1547. Edward VI was King of England and Ireland from 26 January 1547 until his death in 1553, crowned at the age of nine. He was the only surviving son of Henry VIII by his third wife, Jane Seymour. Due to his age, his realm was governed by a regency council. Edward's reign was marred by economic and social unrest, resulting in riot and rebellion. He waged an expensive and unsuccessful war with Scotland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/england-king-edward-vi-12-october-1537-6-july-1553-represented-standing-on-an-oriental-holbein-carpet-oil-on-canvas-painting-from-the-workshop-of-master-john-fl-1525-1574-c-1547-edward-vi-was-king-of-england-and-ireland-from-26-january-1547-until-his-death-in-1553-crowned-at-the-age-of-nine-he-was-the-only-surviving-son-of-henry-viii-by-his-third-wife-jane-seymour-due-to-his-age-his-realm-was-governed-by-a-regency-council-edwards-reign-was-marred-by-economic-and-social-unrest-resulting-in-riot-and-rebellion-he-waged-an-expensive-and-unsuccessful-war-with-scotland-image344248787.htmlRM2B01TRF–England: King Edward VI (12 October 1537 - 6 July 1553), represented standing on an oriental ('Holbein') carpet. Oil on canvas painting from the workshop of Master John (fl. 1525-1574), c. 1547. Edward VI was King of England and Ireland from 26 January 1547 until his death in 1553, crowned at the age of nine. He was the only surviving son of Henry VIII by his third wife, Jane Seymour. Due to his age, his realm was governed by a regency council. Edward's reign was marred by economic and social unrest, resulting in riot and rebellion. He waged an expensive and unsuccessful war with Scotland.
Title: Portrait of Martin Luther, 1525 Artist: Lucas the Elder Cranach Medium: Oil on panel Dimensions: 40 x 26.6 cm Location: Bristol Museum and Art Gallery, UK Description: 'Portrait of Martin Luther,' painted in 1525 by Lucas the Elder Cranach, is a significant artwork portraying the influential figure Martin Luther. Executed in oil on panel and measuring 40 x 26.6 cm, the painting is a testament to Cranach's artistic skill and his role as the court painter to the Electors of Saxony during the Reformation era. Housed at the Bristol Museum and Art Gallery in the UK, the portrait captures Lu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-portrait-of-martin-luther-1525-artist-lucas-the-elder-cranach-medium-oil-on-panel-dimensions-40-x-266-cm-location-bristol-museum-and-art-gallery-uk-description-portrait-of-martin-luther-painted-in-1525-by-lucas-the-elder-cranach-is-a-significant-artwork-portraying-the-influential-figure-martin-luther-executed-in-oil-on-panel-and-measuring-40-x-266-cm-the-painting-is-a-testament-to-cranachs-artistic-skill-and-his-role-as-the-court-painter-to-the-electors-of-saxony-during-the-reformation-era-housed-at-the-bristol-museum-and-art-gallery-in-the-uk-the-portrait-captures-lu-image592600576.htmlRM2WC3828–Title: Portrait of Martin Luther, 1525 Artist: Lucas the Elder Cranach Medium: Oil on panel Dimensions: 40 x 26.6 cm Location: Bristol Museum and Art Gallery, UK Description: 'Portrait of Martin Luther,' painted in 1525 by Lucas the Elder Cranach, is a significant artwork portraying the influential figure Martin Luther. Executed in oil on panel and measuring 40 x 26.6 cm, the painting is a testament to Cranach's artistic skill and his role as the court painter to the Electors of Saxony during the Reformation era. Housed at the Bristol Museum and Art Gallery in the UK, the portrait captures Lu
GENOVA, ITALY - MARCH 6, 2023: The painting of Nativity in the church Chiesa di Santa Caterina by Andrea Semino (1525 - 1595). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genova-italy-march-6-2023-the-painting-of-nativity-in-the-church-chiesa-di-santa-caterina-by-andrea-semino-1525-1595-image544021993.htmlRF2PH29GW–GENOVA, ITALY - MARCH 6, 2023: The painting of Nativity in the church Chiesa di Santa Caterina by Andrea Semino (1525 - 1595).
Painted Gothic gilded wooden statue altarpiece of Saint Catherine, c. 1520-1525 by Niklaus Weckmann from Ulm, Inv RF 2207.6, The Louvre Museum, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painted-gothic-gilded-wooden-statue-altarpiece-of-saint-catherine-137041668.htmlRFHXXP18–Painted Gothic gilded wooden statue altarpiece of Saint Catherine, c. 1520-1525 by Niklaus Weckmann from Ulm, Inv RF 2207.6, The Louvre Museum, Paris
Robbia Andrea Della (1435-1525), Hospital del Ceppo, Pistoia (without dat.): Belette with Medici coat of arms. Photo on cardboard, 39.4 x 24.6 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robbia-andrea-della-1435-1525-hospital-del-ceppo-pistoia-without-dat-belette-with-medici-coat-of-arms-photo-on-cardboard-394-x-246-cm-including-scan-edges-image477583755.htmlRM2JMYPXK–Robbia Andrea Della (1435-1525), Hospital del Ceppo, Pistoia (without dat.): Belette with Medici coat of arms. Photo on cardboard, 39.4 x 24.6 cm (including scan edges)
Print, Plate 6, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-plate-6-from-livre-de-bijouterie-book-of-designs-for-goldsmiths-and-jewelers-engraved-by-ren-boyvin-french-1525-1625-after-lonard-thiry-flemish-1550-rosso-fiorentino-italian1494-1540-published-by-paul-de-la-houve-french-1575-1643-france-engraving-on-paper-image546119164.htmlRM2PMDTFT–Print, Plate 6, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper
Haardsteen met voorstelling van Christus aan het kruis met de drie Maria's Haardsteen met voorstelling van Christus aan het kruis met de drie Maria's. Beschadigd; rechterbenedenhoek en linkerbovenhoek ontbreken. Manufacturer : vervaardiger: anoniemPlaats manufacture: Zuidelijke Nederlanden Dating: ca. 1525 - ca. 1550 Physical kenmerken: aardewerk Material: aardewerk Dimensions: h 9 cm. × b 13 cm. × d 6,5 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haardsteen-met-voorstelling-van-christus-aan-het-kruis-met-de-drie-marias-haardsteen-met-voorstelling-van-christus-aan-het-kruis-met-de-drie-marias-beschadigd-rechterbenedenhoek-en-linkerbovenhoek-ontbreken-manufacturer-vervaardiger-anoniemplaats-manufacture-zuidelijke-nederlanden-dating-ca-1525-ca-1550-physical-kenmerken-aardewerk-material-aardewerk-dimensions-h-9-cm-b-13-cm-d-65-cm-image348423871.htmlRM2B6T25K–Haardsteen met voorstelling van Christus aan het kruis met de drie Maria's Haardsteen met voorstelling van Christus aan het kruis met de drie Maria's. Beschadigd; rechterbenedenhoek en linkerbovenhoek ontbreken. Manufacturer : vervaardiger: anoniemPlaats manufacture: Zuidelijke Nederlanden Dating: ca. 1525 - ca. 1550 Physical kenmerken: aardewerk Material: aardewerk Dimensions: h 9 cm. × b 13 cm. × d 6,5 cm.
Head of Christ; Correggio (Antonio Allegri) (Italian, about 1489 - 1534); about 1525 - 1530; Oil on panel; 28.6 × 23.5 cm (11 1/4 × 9 1/4 in.); 94.PB.74 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-christ-correggio-antonio-allegri-italian-about-1489-1534-about-1525-1530-oil-on-panel-286-235-cm-11-14-9-14-in-94pb74-image597364274.htmlRM2WKT86A–Head of Christ; Correggio (Antonio Allegri) (Italian, about 1489 - 1534); about 1525 - 1530; Oil on panel; 28.6 × 23.5 cm (11 1/4 × 9 1/4 in.); 94.PB.74
Madonna and Child with Two Donors - 1525 30 - oil on canvas 87,6 x 118,1 cm - Lotto Lorenzo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-two-donors-1525-30-oil-on-canvas-876-x-1181-cm-lotto-lorenzo-image457741778.htmlRF2HGKX8J–Madonna and Child with Two Donors - 1525 30 - oil on canvas 87,6 x 118,1 cm - Lotto Lorenzo
. Michel Sittow (Reval circa 1468 – 1525/6) Portrait of a man with a rosary Oil on panel, thinned, backed with a secondary panel, and cradled The Portrait of a Man with a Rosary is a typical and particularly fine example of portrait painting in the Low Countries in the first half of the sixteenth century. While slowly incorporating influences of contemporary Italian and German painting during the early decades of the sixteenth century, Flemish artists like Quentin Metsys, Joos van Cleve or Jan Gossaert simultaneously looked back at normative portrait conventions in the Netherlands that had ori Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michel-sittow-reval-circa-1468-15256-portrait-of-a-man-with-a-rosary-oil-on-panel-thinned-backed-with-a-secondary-panel-and-cradled-the-portrait-of-a-man-with-a-rosary-is-a-typical-and-particularly-fine-example-of-portrait-painting-in-the-low-countries-in-the-first-half-of-the-sixteenth-century-while-slowly-incorporating-influences-of-contemporary-italian-and-german-painting-during-the-early-decades-of-the-sixteenth-century-flemish-artists-like-quentin-metsys-joos-van-cleve-or-jan-gossaert-simultaneously-looked-back-at-normative-portrait-conventions-in-the-netherlands-that-had-ori-image188849779.htmlRMMY6RPY–. Michel Sittow (Reval circa 1468 – 1525/6) Portrait of a man with a rosary Oil on panel, thinned, backed with a secondary panel, and cradled The Portrait of a Man with a Rosary is a typical and particularly fine example of portrait painting in the Low Countries in the first half of the sixteenth century. While slowly incorporating influences of contemporary Italian and German painting during the early decades of the sixteenth century, Flemish artists like Quentin Metsys, Joos van Cleve or Jan Gossaert simultaneously looked back at normative portrait conventions in the Netherlands that had ori
ILVB register 1519 1525 fol 64v line 4 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ilvb-register-1519-1525-fol-64v-line-4-6-142885498.htmlRMJ8CYWE–ILVB register 1519 1525 fol 64v line 4 6
Madonna and Child with Two Donors; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1525–1530; Oil on canvas; 87.6 × 118.1 cm (34 1/2 × 46 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-two-donors-lorenzo-lotto-italian-venetian-about-1480-1556-about-15251530-oil-on-canvas-876-1181-cm-34-12-46-12-in-image333472364.htmlRF2AAEYB8–Madonna and Child with Two Donors; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1525–1530; Oil on canvas; 87.6 × 118.1 cm (34 1/2 × 46 1/2 in.)
Unknown Artist, Ornamented Boss-Head with Putti and Grotesques, 1500-1525, bronze, gilding, 2 3/8 in. (6 cm.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-ornamented-boss-head-with-putti-and-grotesques-1500-1525-bronze-gilding-2-38-in-6-cm-image344476992.htmlRM2B0C7WM–Unknown Artist, Ornamented Boss-Head with Putti and Grotesques, 1500-1525, bronze, gilding, 2 3/8 in. (6 cm.)
Art inspired by Title-Page Border, 1525, Woodcut, sheet: 6 3/16 x 4 1/4 in. (15.7 x 10.8 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-title-page-border-1525-woodcut-sheet-6-316-x-4-14-in-157-x-108-cm-prints-daniel-hopfer-german-kaufbeuren-14711536-augsburg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806406.htmlRF2HTXJ86–Art inspired by Title-Page Border, 1525, Woodcut, sheet: 6 3/16 x 4 1/4 in. (15.7 x 10.8 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
ILVB register 1519-1525 fol 64v line 4-6. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ilvb-register-1519-1525-fol-64v-line-4-6-image356479629.htmlRM2BKY1B9–ILVB register 1519-1525 fol 64v line 4-6.
Roundel with Ben-Hadid and the Siege of Samaria. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 1/2 in. (21.6 cm). Date: ca. 1525. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roundel-with-ben-hadid-and-the-siege-of-samaria-culture-south-netherlandish-dimensions-overall-diam-8-12-in-216-cm-date-ca-1525-museum-metropolitan-museum-of-art-new-york-usa-image212934838.htmlRMPAC0FJ–Roundel with Ben-Hadid and the Siege of Samaria. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 1/2 in. (21.6 cm). Date: ca. 1525. Museum: Metropolitan Museum of Art, New York, USA.
Edinburgh, Scotland, UK, 8th February 2019, after completion of a £3.6 million project backed by nearly 500 different donors National Museum of Scotland opens new Egyptian and east Asian treasures showcase as 1300 objects go on public display, 40 per cent will be displayed for the first time in a generation. Tomb Chapel Relief Fragment Aakseneb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edinburgh-scotland-uk-8th-february-2019-after-completion-of-a-36-million-project-backed-by-nearly-500-different-donors-national-museum-of-scotland-opens-new-egyptian-and-east-asian-treasures-showcase-as-1300-objects-go-on-public-display-40-per-cent-will-be-displayed-for-the-first-time-in-a-generation-tomb-chapel-relief-fragment-aakseneb-image235414159.htmlRMRK014F–Edinburgh, Scotland, UK, 8th February 2019, after completion of a £3.6 million project backed by nearly 500 different donors National Museum of Scotland opens new Egyptian and east Asian treasures showcase as 1300 objects go on public display, 40 per cent will be displayed for the first time in a generation. Tomb Chapel Relief Fragment Aakseneb
Die Eroberung Sibiriens durch Jermak, ein Gemälde von Wassili Surikow, Jermak Timofejewitsch, 1525 oder 1540 - 5./6. August 1585, ein russischer Kosaken-Ataman und Entdecker / The Conquest of Siberia by Jermak, a painting by Vasily Surikov, Jermak Timofeyevich, 1525 or 1540 - August 5-6, 1585, a Russian Cossack ataman and explorer, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-eroberung-sibiriens-durch-jermak-ein-gemlde-von-wassili-surikow-jermak-timofejewitsch-1525-oder-1540-56-august-1585-ein-russischer-kosaken-ataman-und-entdecker-the-conquest-of-siberia-by-jermak-a-painting-by-vasily-surikov-jermak-timofeyevich-1525-or-1540-august-5-6-1585-a-russian-cossack-ataman-and-explorer-historisch-historical-digital-improved-reproduction-of-an-original-artwork-from-the-time-digital-restaurierte-reproduktion-einer-originalvorlage-aus-der-damaligen-zeit-genaues-originaldatum-nicht-bekannt-image457683841.htmlRF2HGH8BD–Die Eroberung Sibiriens durch Jermak, ein Gemälde von Wassili Surikow, Jermak Timofejewitsch, 1525 oder 1540 - 5./6. August 1585, ein russischer Kosaken-Ataman und Entdecker / The Conquest of Siberia by Jermak, a painting by Vasily Surikov, Jermak Timofeyevich, 1525 or 1540 - August 5-6, 1585, a Russian Cossack ataman and explorer, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt
Fugger, Jacob II. 'the Rich', 6.3.1459 - 30.10.1525, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fugger-jacob-ii-the-rich-631459-30101525-19847001.htmlRMB4831D–Fugger, Jacob II. 'the Rich', 6.3.1459 - 30.10.1525,
PETERSON AIR FORCE BASE, Colo -- The Airman’s Attic at Peterson Air Force Base, Colorado, will reopen on April 6, 2021. The hours of operation will be every Tuesday from 10 a.m. to 2 p.m. in building 1525, off of Selfridge street and South Peterson boulevard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peterson-air-force-base-colo-the-airmans-attic-at-peterson-air-force-base-colorado-will-reopen-on-april-6-2021-the-hours-of-operation-will-be-every-tuesday-from-10-am-to-2-pm-in-building-1525-off-of-selfridge-street-and-south-peterson-boulevard-image442268727.htmlRM2GKF27K–PETERSON AIR FORCE BASE, Colo -- The Airman’s Attic at Peterson Air Force Base, Colorado, will reopen on April 6, 2021. The hours of operation will be every Tuesday from 10 a.m. to 2 p.m. in building 1525, off of Selfridge street and South Peterson boulevard.
Title: The Crucifixion with the Converted Centurion Creator: Lucas Cranach the Elder Date: 1525 Dimensions: 50.8 x 34.6 cm Medium: Oil on panel Location: National Gallery of Art, Washington, D.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-the-crucifixion-with-the-converted-centurion-creator-lucas-cranach-the-elder-date-1525-dimensions-508-x-346-cm-medium-oil-on-panel-location-national-gallery-of-art-washington-dc-image559780868.htmlRM2REM65T–Title: The Crucifixion with the Converted Centurion Creator: Lucas Cranach the Elder Date: 1525 Dimensions: 50.8 x 34.6 cm Medium: Oil on panel Location: National Gallery of Art, Washington, D.C.
![Leaf from a Gradual: Initial P with the Nativity, c. 1500. This beautiful initial P introduces the text Puer natus e[st] nobis, et filius datus est nobis ("For a child is born to us, and a son is given to us") which marks the opening of the Introit for Christmas Day. The text, taken from Isaiah 9:6, continues, ". . . and his name shall be called Wonderful." It is used to celebrate one of the most joyous events of the Christian Church—the birth of Christ. This splendid leaf from a manuscript gradual contains the chants used for solemn high Mass on Christmas Day. The i Stock Photo](https://c8.alamy.com/comp/2A51DP3/leaf-from-a-gradual-initial-p-with-the-nativity-c-1500-this-beautiful-initial-p-introduces-the-text-puer-natus-e-st-nobis-et-filius-datus-est-nobis-quotfor-a-child-is-born-to-us-and-a-son-is-given-to-usquot-which-marks-the-opening-of-the-introit-for-christmas-day-the-text-taken-from-isaiah-96-continues-quot-and-his-name-shall-be-called-wonderfulquot-it-is-used-to-celebrate-one-of-the-most-joyous-events-of-the-christian-churchx2014the-birth-of-christ-this-splendid-leaf-from-a-manuscript-gradual-contains-the-chants-used-for-solemn-high-mass-on-christmas-day-the-i-2A51DP3.jpg "Leaf from a Gradual: Initial P with the Nativity, c. 1500. This beautiful initial P introduces the text Puer natus e[st] nobis, et filius datus est nobis ("For a child is born to us, and a son is given to us") which marks the opening of the Introit for Christmas Day. The text, taken from Isaiah 9:6, continues, ". . . and his name shall be called Wonderful." It is used to celebrate one of the most joyous events of the Christian Church—the birth of Christ. This splendid leaf from a manuscript gradual contains the chants used for solemn high Mass on Christmas Day. The i Stock Photo")
Leaf from a Gradual: Initial P with the Nativity, c. 1500. This beautiful initial P introduces the text Puer natus e[st] nobis, et filius datus est nobis ("For a child is born to us, and a son is given to us") which marks the opening of the Introit for Christmas Day. The text, taken from Isaiah 9:6, continues, ". . . and his name shall be called Wonderful." It is used to celebrate one of the most joyous events of the Christian Church—the birth of Christ. This splendid leaf from a manuscript gradual contains the chants used for solemn high Mass on Christmas Day. The i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaf-from-a-gradual-initial-p-with-the-nativity-c-1500-this-beautiful-initial-p-introduces-the-text-puer-natus-e-st-nobis-et-filius-datus-est-nobis-quotfor-a-child-is-born-to-us-and-a-son-is-given-to-usquot-which-marks-the-opening-of-the-introit-for-christmas-day-the-text-taken-from-isaiah-96-continues-quot-and-his-name-shall-be-called-wonderfulquot-it-is-used-to-celebrate-one-of-the-most-joyous-events-of-the-christian-churchx2014the-birth-of-christ-this-splendid-leaf-from-a-manuscript-gradual-contains-the-chants-used-for-solemn-high-mass-on-christmas-day-the-i-image330103035.htmlRM2A51DP3–Leaf from a Gradual: Initial P with the Nativity, c. 1500. This beautiful initial P introduces the text Puer natus e[st] nobis, et filius datus est nobis ("For a child is born to us, and a son is given to us") which marks the opening of the Introit for Christmas Day. The text, taken from Isaiah 9:6, continues, ". . . and his name shall be called Wonderful." It is used to celebrate one of the most joyous events of the Christian Church—the birth of Christ. This splendid leaf from a manuscript gradual contains the chants used for solemn high Mass on Christmas Day. The i
Painted Gothic gilded wooden statue altarpiece of Saint Catherine, c. 1520-1525 by Niklaus Weckmann from Ulm, Inv RF 2207.6, The Louvre Museum, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painted-gothic-gilded-wooden-statue-altarpiece-of-saint-catherine-137041676.htmlRFHXXP1G–Painted Gothic gilded wooden statue altarpiece of Saint Catherine, c. 1520-1525 by Niklaus Weckmann from Ulm, Inv RF 2207.6, The Louvre Museum, Paris
Robbia Andrea Della (1435-1525), Hospital del Ceppo, Pistoia (without dat.): Benette with coat of arms of the hospital. Photo on cardboard, 39.3 x 24.6 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robbia-andrea-della-1435-1525-hospital-del-ceppo-pistoia-without-dat-benette-with-coat-of-arms-of-the-hospital-photo-on-cardboard-393-x-246-cm-including-scan-edges-image477583760.htmlRM2JMYPXT–Robbia Andrea Della (1435-1525), Hospital del Ceppo, Pistoia (without dat.): Benette with coat of arms of the hospital. Photo on cardboard, 39.3 x 24.6 cm (including scan edges)
Print, The Poet Virgil Suspended in a Basket, 1525; Print Maker: Lucas van Leyden (Netherlandish, ca. 1494 - 1533); Netherlands; engraving on paper; 24 × 18.6 cm (9 7/16 × 7 5/16 in.); Bequest of George Campbell Cooper; 1896-3-74 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-poet-virgil-suspended-in-a-basket-1525-print-maker-lucas-van-leyden-netherlandish-ca-1494-1533-netherlands-engraving-on-paper-24-186-cm-9-716-7-516-in-bequest-of-george-campbell-cooper-1896-3-74-image546121498.htmlRM2PMDYF6–Print, The Poet Virgil Suspended in a Basket, 1525; Print Maker: Lucas van Leyden (Netherlandish, ca. 1494 - 1533); Netherlands; engraving on paper; 24 × 18.6 cm (9 7/16 × 7 5/16 in.); Bequest of George Campbell Cooper; 1896-3-74
Haardsteen met een voorstelling van de evangelist Marcus haardsteen met een voorstelling van de evangelist Marcus met een schrijfstift en een schriftrol. Aan zijn voeten een leeuw. Op de achtergrond een landschap met enkele bomen. Manufacturer : vervaardiger: anoniemPlaats manufacture: Antwerpen Dating: ca. 1525 - ca. 1575 Physical kenmerken: aardewerk Material: aardewerk Techniek: bakken Dimensions: h 10,5 cm. × b 15,5 cm. × d 6 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haardsteen-met-een-voorstelling-van-de-evangelist-marcus-haardsteen-met-een-voorstelling-van-de-evangelist-marcus-met-een-schrijfstift-en-een-schriftrol-aan-zijn-voeten-een-leeuw-op-de-achtergrond-een-landschap-met-enkele-bomen-manufacturer-vervaardiger-anoniemplaats-manufacture-antwerpen-dating-ca-1525-ca-1575-physical-kenmerken-aardewerk-material-aardewerk-techniek-bakken-dimensions-h-105-cm-b-155-cm-d-6-cm-image348423802.htmlRM2B6T236–Haardsteen met een voorstelling van de evangelist Marcus haardsteen met een voorstelling van de evangelist Marcus met een schrijfstift en een schriftrol. Aan zijn voeten een leeuw. Op de achtergrond een landschap met enkele bomen. Manufacturer : vervaardiger: anoniemPlaats manufacture: Antwerpen Dating: ca. 1525 - ca. 1575 Physical kenmerken: aardewerk Material: aardewerk Techniek: bakken Dimensions: h 10,5 cm. × b 15,5 cm. × d 6 cm.
Madonna and Child with Two Donors; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1525 - 1530; Oil on canvas; 87.6 × 118.1 cm (34 1/2 × 46 1/2 in.); 77.PA.110 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-two-donors-lorenzo-lotto-italian-venetian-about-1480-1556-about-1525-1530-oil-on-canvas-876-1181-cm-34-12-46-12-in-77pa110-image597364318.htmlRM2WKT87X–Madonna and Child with Two Donors; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1525 - 1530; Oil on canvas; 87.6 × 118.1 cm (34 1/2 × 46 1/2 in.); 77.PA.110
Susanna and the Elders. Renй Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers) After Giulio Romano (Italian, Rome 1499?-1546 Mantua) Engraving; f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/susanna-and-the-elders-ren-boyvin-french-angers-ca-1525-1598-or-16256-angers-after-giulio-romano-italian-rome-1499-1546-mantua-engraving-f-image576483136.htmlRF2TDW23C–Susanna and the Elders. Renй Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers) After Giulio Romano (Italian, Rome 1499?-1546 Mantua) Engraving; f
. Michel Sittow (Reval circa 1468 – 1525/6) Portrait of a man with a rosary Oil on panel, thinned, backed with a secondary panel, and cradled The Portrait of a Man with a Rosary is a typical and particularly fine example of portrait painting in the Low Countries in the first half of the sixteenth century. While slowly incorporating influences of contemporary Italian and German painting during the early decades of the sixteenth century, Flemish artists like Quentin Metsys, Joos van Cleve or Jan Gossaert simultaneously looked back at normative portrait conventions in the Netherlands that had ori Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michel-sittow-reval-circa-1468-15256-portrait-of-a-man-with-a-rosary-oil-on-panel-thinned-backed-with-a-secondary-panel-and-cradled-the-portrait-of-a-man-with-a-rosary-is-a-typical-and-particularly-fine-example-of-portrait-painting-in-the-low-countries-in-the-first-half-of-the-sixteenth-century-while-slowly-incorporating-influences-of-contemporary-italian-and-german-painting-during-the-early-decades-of-the-sixteenth-century-flemish-artists-like-quentin-metsys-joos-van-cleve-or-jan-gossaert-simultaneously-looked-back-at-normative-portrait-conventions-in-the-netherlands-that-had-ori-image187572149.htmlRMMW4J59–. Michel Sittow (Reval circa 1468 – 1525/6) Portrait of a man with a rosary Oil on panel, thinned, backed with a secondary panel, and cradled The Portrait of a Man with a Rosary is a typical and particularly fine example of portrait painting in the Low Countries in the first half of the sixteenth century. While slowly incorporating influences of contemporary Italian and German painting during the early decades of the sixteenth century, Flemish artists like Quentin Metsys, Joos van Cleve or Jan Gossaert simultaneously looked back at normative portrait conventions in the Netherlands that had ori
Oxford, England - 6 February 2020; one person in view, peeking through the front door. Founded in 1525 by Thomas Wolsey, Lord Chancellor of England, C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oxford-england-6-february-2020-one-person-in-view-peeking-through-the-front-door-founded-in-1525-by-thomas-wolsey-lord-chancellor-of-england-c-image443101904.htmlRM2GMW100–Oxford, England - 6 February 2020; one person in view, peeking through the front door. Founded in 1525 by Thomas Wolsey, Lord Chancellor of England, C
London, UK. 1 December 2017. A staff member views 'Lucretia', 1525, by Lucas Cranach the Elder, (Est. GBP400-600k). Preview of 'Masters of Light', Sotheby's Old Masters Evening Sale which will take place on 6 December at Sotheby's, New Bond Street. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-london-uk-1-december-2017-a-staff-member-views-lucretia-1525-by-lucas-166953970.htmlRMKKHBDP–London, UK. 1 December 2017. A staff member views 'Lucretia', 1525, by Lucas Cranach the Elder, (Est. GBP400-600k). Preview of 'Masters of Light', Sotheby's Old Masters Evening Sale which will take place on 6 December at Sotheby's, New Bond Street. Credit: Stephen Chung / Alamy Live News
Gorget, ca. 1525–75, German, Steel, leather, H. 6 3/4 in. (17.1 cm); W. 11 in. (27.9 cm), Armor Parts-Colletins, Burgonets Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gorget-ca-152575-german-steel-leather-h-6-34-in-171-cm-w-11-in-279-162557214.htmlRMKCD3AP–Gorget, ca. 1525–75, German, Steel, leather, H. 6 3/4 in. (17.1 cm); W. 11 in. (27.9 cm), Armor Parts-Colletins, Burgonets
Art inspired by Cantle Plates, ca. 1475–1525, possibly Flemish or British, Steel, 15 1/2 x 6 1/2 in. (39.4 x 16.5 cm); Wt. 2 lb. 4 oz. (1021 g), Armor for Horse and Man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cantle-plates-ca-14751525-possibly-flemish-or-british-steel-15-12-x-6-12-in-394-x-165-cm-wt-2-lb-4-oz-1021-g-armor-for-horse-and-man-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462756506.htmlRF2HTTAJ2–Art inspired by Cantle Plates, ca. 1475–1525, possibly Flemish or British, Steel, 15 1/2 x 6 1/2 in. (39.4 x 16.5 cm); Wt. 2 lb. 4 oz. (1021 g), Armor for Horse and Man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Houston, TX, USA. 25th Dec, 2017. Pittsburgh Steelers offensive guard David DeCastro (66) warms up prior to an NFL football game between the Houston Texans and the Pittsburgh Steelers at NRG Stadium in Houston, TX. The Steelers won the game 34 to 6.Trask Smith/CSM/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-houston-tx-usa-25th-dec-2017-pittsburgh-steelers-offensive-guard-david-170121390.htmlRMKTNKFX–Houston, TX, USA. 25th Dec, 2017. Pittsburgh Steelers offensive guard David DeCastro (66) warms up prior to an NFL football game between the Houston Texans and the Pittsburgh Steelers at NRG Stadium in Houston, TX. The Steelers won the game 34 to 6.Trask Smith/CSM/Alamy Live News
The Virgin of The Apocalypse with Saint Catherine and Saint Barbara. Culture: South Netherlandish. Dimensions: Overall: 40 x 65in. (101.6 x 165.1cm). Date: ca. 1525-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-of-the-apocalypse-with-saint-catherine-and-saint-barbara-culture-south-netherlandish-dimensions-overall-40-x-65in-1016-x-1651cm-date-ca-1525-50-museum-metropolitan-museum-of-art-new-york-usa-image213330422.htmlRMPB213J–The Virgin of The Apocalypse with Saint Catherine and Saint Barbara. Culture: South Netherlandish. Dimensions: Overall: 40 x 65in. (101.6 x 165.1cm). Date: ca. 1525-50. Museum: Metropolitan Museum of Art, New York, USA.
FLORENCE, ITALY - NOVEMBER 6, 2016: fountain and Loggia dei Servi di Maria on Piazza della Santissima Annunziata. The porch was built in1516-1525 by A Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-november-6-2016-fountain-and-loggia-dei-servi-di-maria-129187620.htmlRFHE503G–FLORENCE, ITALY - NOVEMBER 6, 2016: fountain and Loggia dei Servi di Maria on Piazza della Santissima Annunziata. The porch was built in1516-1525 by A
August 6, 2016, Los Angeles, California, USA: General atmospher and view of downtown Los Angeles from the USC Tower the 4th Annual Ed Asner and Friends Poker Tournament and Celebrity Casino Night. (Credit Image: © Billy Bennight/ZUMA Wire) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-6-2016-los-angeles-california-usa-general-atmospher-and-view-of-downtown-los-angeles-from-the-usc-tower-the-4th-annual-ed-asner-and-friends-poker-tournament-and-celebrity-casino-night-credit-image-billy-bennightzuma-wire-image410802871.htmlRM2ET9K73–August 6, 2016, Los Angeles, California, USA: General atmospher and view of downtown Los Angeles from the USC Tower the 4th Annual Ed Asner and Friends Poker Tournament and Celebrity Casino Night. (Credit Image: © Billy Bennight/ZUMA Wire)
Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, banker, sculpture, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fugger-jacob-ii-the-rich-631459-30101525-german-merchant-banker-sculpture-23529960.htmlRMBA7TKM–Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, banker, sculpture, ,
Dreer's garden book 1926 (1926) Dreer's garden book 1926 dreersgardenbook1926henr Year: 1926 /flEmyA-Mffimi .RELIABLE FLOWER SEEDS, MBlEliPIME^ 71 Aubrietia. (Rainbow Rock Cress) PER PKT. 1490 Large-flowering- Hybrids. A beautiful dwarf rock plant, covered with slieets of bright flowers in spring and early summer $0 15 Auricula (Primula Auricula) 1500 A well-lcnown favorite of great beauty; seed saved from splendid choice mixed varieties; half-hardy perennial; 6 inches 25 Balloon Vine (Love-in-a-Pulf) 1525 A rapid-growing annual climber; succeeds best in light soil and warm situation; flowers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dreers-garden-book-1926-1926-dreers-garden-book-1926-dreersgardenbook1926henr-year-1926-flemya-mffimi-reliable-flower-seeds-mblelipime-71-aubrietia-rainbow-rock-cress-per-pkt-1490-large-flowering-hybrids-a-beautiful-dwarf-rock-plant-covered-with-slieets-of-bright-flowers-in-spring-and-early-summer-0-15-auricula-primula-auricula-1500-a-well-lcnown-favorite-of-great-beauty-seed-saved-from-splendid-choice-mixed-varieties-half-hardy-perennial-6-inches-25-balloon-vine-love-in-a-pulf-1525-a-rapid-growing-annual-climber-succeeds-best-in-light-soil-and-warm-situation-flowers-image241199132.htmlRMT0BFXM–Dreer's garden book 1926 (1926) Dreer's garden book 1926 dreersgardenbook1926henr Year: 1926 /flEmyA-Mffimi .RELIABLE FLOWER SEEDS, MBlEliPIME^ 71 Aubrietia. (Rainbow Rock Cress) PER PKT. 1490 Large-flowering- Hybrids. A beautiful dwarf rock plant, covered with slieets of bright flowers in spring and early summer $0 15 Auricula (Primula Auricula) 1500 A well-lcnown favorite of great beauty; seed saved from splendid choice mixed varieties; half-hardy perennial; 6 inches 25 Balloon Vine (Love-in-a-Pulf) 1525 A rapid-growing annual climber; succeeds best in light soil and warm situation; flowers
Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saadi-dynasty-originated-in-the-valley-of-the-draa-river-among-the-72678415.htmlRME66P1K–Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family
Painted Gothic gilded wooden statue altarpiece of Saint Catherine, c. 1520-1525 by Niklaus Weckmann from Ulm, Inv RF 2207.6, The Louvre Museum, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painted-gothic-gilded-wooden-statue-altarpiece-of-saint-catherine-137041665.htmlRFHXXP15–Painted Gothic gilded wooden statue altarpiece of Saint Catherine, c. 1520-1525 by Niklaus Weckmann from Ulm, Inv RF 2207.6, The Louvre Museum, Paris
Luca Della Robbia (1435-1525), S. Maria Novella in Florence. Lavabo (without date): View wall basin (with taps). Photo, 38.5 x 24.6 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-della-robbia-1435-1525-s-maria-novella-in-florence-lavabo-without-date-view-wall-basin-with-taps-photo-385-x-246-cm-including-scan-edges-image477584590.htmlRM2JMYT0E–Luca Della Robbia (1435-1525), S. Maria Novella in Florence. Lavabo (without date): View wall basin (with taps). Photo, 38.5 x 24.6 cm (including scan edges)
Print, Grotesque with Deities. Plate 01 “Saturne” 2nd state; René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550); France; black ink on white paper; Sheet: 28.9 x 18.8 cm (11 3/8 x 7 3/8 in.) Platemark: 17.3 x 10.9 cm (6 13/16 x 4 5/16 in.); 1945-70-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-grotesque-with-deities-plate-01-saturne-2nd-state-ren-boyvin-french-1525-1625-after-lonard-thiry-flemish-1550-france-black-ink-on-white-paper-sheet-289-x-188-cm-11-38-x-7-38-in-platemark-173-x-109-cm-6-1316-x-4-516-in-1945-70-5-image546123008.htmlRM2PME1D4–Print, Grotesque with Deities. Plate 01 “Saturne” 2nd state; René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550); France; black ink on white paper; Sheet: 28.9 x 18.8 cm (11 3/8 x 7 3/8 in.) Platemark: 17.3 x 10.9 cm (6 13/16 x 4 5/16 in.); 1945-70-5
Figuren in kostuums uit 1525, waaronder koning Frans I van Frankrijk The king carries a decorated knight costume with a fleur-de-lis pattern. Also, studies of knights with swords, weaponry and a horse. Page 11 of a sketchbook with 6 bladen. Manufacturer : artist Marius Bauer Date: 1885 Physical features: pen in black on lined paper material: lined paper Technique: pen Subject: historical costume ranks rulers, sovereignsadult manarmourhelmethacking and thrusting weaponshorseWie: Francis I of Valois-Angoulême ( king of France) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figuren-in-kostuums-uit-1525-waaronder-koning-frans-i-van-frankrijk-the-king-carries-a-decorated-knight-costume-with-a-fleur-de-lis-pattern-also-studies-of-knights-with-swords-weaponry-and-a-horse-page-11-of-a-sketchbook-with-6-bladen-manufacturer-artist-marius-bauer-date-1885-physical-features-pen-in-black-on-lined-paper-material-lined-paper-technique-pen-subject-historical-costume-ranks-rulers-sovereignsadult-manarmourhelmethacking-and-thrusting-weaponshorsewie-francis-i-of-valois-angoulme-king-of-france-image348345706.htmlRM2B6MEE2–Figuren in kostuums uit 1525, waaronder koning Frans I van Frankrijk The king carries a decorated knight costume with a fleur-de-lis pattern. Also, studies of knights with swords, weaponry and a horse. Page 11 of a sketchbook with 6 bladen. Manufacturer : artist Marius Bauer Date: 1885 Physical features: pen in black on lined paper material: lined paper Technique: pen Subject: historical costume ranks rulers, sovereignsadult manarmourhelmethacking and thrusting weaponshorseWie: Francis I of Valois-Angoulême ( king of France)
BRUEGEL, Pieter the Elder (b. ca. 1525, Breughel, d. 1569, Bruxelles) Gloomy Day 1565 Oil on panel, 118 x 163 cm Kunsthistorisches Museum, Vienna Bruegel executed a series of paintings representing the 12 months of the year. Only five paintings survived and it is debated whether the series comprised 6 or 12 pieces. It is assumed that this painting represents January-February in the series of six. *** Keywords: ************* Author: BRUEGEL, Pieter the Elder Title: Gloomy Day Time-line: 1501-1550 School: Flemish Form: painting Type: landscape Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bruegel-pieter-the-elder-b-ca-1525-breughel-d-1569-bruxelles-gloomy-day-1565-oil-on-panel-118-x-163-cm-kunsthistorisches-museum-vienna-bruegel-executed-a-series-of-paintings-representing-the-12-months-of-the-year-only-five-paintings-survived-and-it-is-debated-whether-the-series-comprised-6-or-12-pieces-it-is-assumed-that-this-painting-represents-january-february-in-the-series-of-six-keywords-author-bruegel-pieter-the-elder-title-gloomy-day-time-line-1501-1550-school-flemish-form-painting-type-landscape-image605083423.htmlRM2X4BX27–BRUEGEL, Pieter the Elder (b. ca. 1525, Breughel, d. 1569, Bruxelles) Gloomy Day 1565 Oil on panel, 118 x 163 cm Kunsthistorisches Museum, Vienna Bruegel executed a series of paintings representing the 12 months of the year. Only five paintings survived and it is debated whether the series comprised 6 or 12 pieces. It is assumed that this painting represents January-February in the series of six. *** Keywords: ************* Author: BRUEGEL, Pieter the Elder Title: Gloomy Day Time-line: 1501-1550 School: Flemish Form: painting Type: landscape
74 BASA-SMA-40-2-1525-6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/74-basa-sma-40-2-1525-6-image214822109.htmlRMPDDYP5–74 BASA-SMA-40-2-1525-6
Unknown (Dutch), Portrait of Lucas van Leyden, 1525, etching printed in black ink on laid paper, Plate: 6 7/8 × 5 1/2 inches (17.5 × 14 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-dutch-portrait-of-lucas-van-leyden-1525-etching-printed-in-black-ink-on-laid-paper-plate-6-78-5-12-inches-175-14-cm-image328730840.htmlRM2A2PYF4–Unknown (Dutch), Portrait of Lucas van Leyden, 1525, etching printed in black ink on laid paper, Plate: 6 7/8 × 5 1/2 inches (17.5 × 14 cm
Art inspired by Poet Virgil Suspended in a Basket, 1525, Engraving; third state, sheet: 6 1/2 x 7 3/8 in. (16.5 x 18.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-poet-virgil-suspended-in-a-basket-1525-engraving-third-state-sheet-6-12-x-7-38-in-165-x-187-cm-prints-lucas-van-leyden-netherlandish-leiden-ca-14941533-leiden-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966768.htmlRF2HW5XRC–Art inspired by Poet Virgil Suspended in a Basket, 1525, Engraving; third state, sheet: 6 1/2 x 7 3/8 in. (16.5 x 18.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
August 6, 2024: Kansas City Royals catcher Salvador Perez (13) during a game against the Boston Red Sox at Kauffman Stadium in Kansas City, MO. David Smith/CSM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-6-2024-kansas-city-royals-catcher-salvador-perez-13-during-a-game-against-the-boston-red-sox-at-kauffman-stadium-in-kansas-city-mo-david-smithcsm-image616414450.htmlRM2XPT2WP–August 6, 2024: Kansas City Royals catcher Salvador Perez (13) during a game against the Boston Red Sox at Kauffman Stadium in Kansas City, MO. David Smith/CSM
Footed bowl. Culture: Italian (Venice). Dimensions: H. 6 11/16 in. (17cm); Diam. of rim 10 1/2 in. (26.7cm). Date: ca. 1500-1525. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/footed-bowl-culture-italian-venice-dimensions-h-6-1116-in-17cm-diam-of-rim-10-12-in-267cm-date-ca-1500-1525-museum-metropolitan-museum-of-art-new-york-usa-image212880553.htmlRMPA9F8W–Footed bowl. Culture: Italian (Venice). Dimensions: H. 6 11/16 in. (17cm); Diam. of rim 10 1/2 in. (26.7cm). Date: ca. 1500-1525. Museum: Metropolitan Museum of Art, New York, USA.
August 24, 2022, Los Angeles, California, USA: LOS ANGELES - AUG 24: Monica Mamudo at the premiere of Clerks III at the TCL Chinese 6 Theatres on August 24, 2022 in Los Angeles, California (Credit Image: © Nina Prommer/ZUMA Press Wire) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-24-2022-los-angeles-california-usa-los-angeles-aug-24-monica-mamudo-at-the-premiere-of-clerks-iii-at-the-tcl-chinese-6-theatres-on-august-24-2022-in-los-angeles-california-credit-image-nina-prommerzuma-press-wire-image479261826.htmlRM2JRM79P–August 24, 2022, Los Angeles, California, USA: LOS ANGELES - AUG 24: Monica Mamudo at the premiere of Clerks III at the TCL Chinese 6 Theatres on August 24, 2022 in Los Angeles, California (Credit Image: © Nina Prommer/ZUMA Press Wire)
Geyer, Florian, circa 1460 - 10.6.1525, Franconian nobleman, knight, peasant leader during the Peasants' War, portrait, profile, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geyer-florian-circa-1460-1061525-franconian-nobleman-knight-peasant-27955434.htmlRMBHDDCA–Geyer, Florian, circa 1460 - 10.6.1525, Franconian nobleman, knight, peasant leader during the Peasants' War, portrait, profile,
Dreer's garden book 1925 (1925) Dreer's garden book 1925 dreersgardenbook1925henr Year: 1925 /i!mg^iailirriMJ&?idrM»l»likl31^^ 71 Aubrietia (Rainbow Rock Cress) PER PKT. 1490 Large-flowering Hybrids. A beautiful dwarf rock plant, covered with sheets of bright flowers in spring and early summer $0 15 Auricula (Prlmula Auricula) 1500 A well-known favorite of great beauty; seed saved from splendid choice mixed varieties; half-hardy perennial; 6 inches 25 Balloon Vine (Love-in-a-Puir) 1525 A rapid-growing annual climber; succeeds best in light soil and warm situation; flowers white; seed vessels Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dreers-garden-book-1925-1925-dreers-garden-book-1925-dreersgardenbook1925henr-year-1925-i!mgiailirrimjidrmllikl31-71-aubrietia-rainbow-rock-cress-per-pkt-1490-large-flowering-hybrids-a-beautiful-dwarf-rock-plant-covered-with-sheets-of-bright-flowers-in-spring-and-early-summer-0-15-auricula-prlmula-auricula-1500-a-well-known-favorite-of-great-beauty-seed-saved-from-splendid-choice-mixed-varieties-half-hardy-perennial-6-inches-25-balloon-vine-love-in-a-puir-1525-a-rapid-growing-annual-climber-succeeds-best-in-light-soil-and-warm-situation-flowers-white-seed-vessels-image241199218.htmlRMT0BG1P–Dreer's garden book 1925 (1925) Dreer's garden book 1925 dreersgardenbook1925henr Year: 1925 /i!mg^iailirriMJ&?idrM»l»likl31^^ 71 Aubrietia (Rainbow Rock Cress) PER PKT. 1490 Large-flowering Hybrids. A beautiful dwarf rock plant, covered with sheets of bright flowers in spring and early summer $0 15 Auricula (Prlmula Auricula) 1500 A well-known favorite of great beauty; seed saved from splendid choice mixed varieties; half-hardy perennial; 6 inches 25 Balloon Vine (Love-in-a-Puir) 1525 A rapid-growing annual climber; succeeds best in light soil and warm situation; flowers white; seed vessels
Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saadi-dynasty-originated-in-the-valley-of-the-draa-river-among-the-72677548.htmlRME66MXM–Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family
Luca Della Robbia (1435-1525), S. Miniato al Monte in Florence. Relief medallion »La Temperanza« in the chapel of the cardinal of Portugal (without dat.): View with the representation of one of the four cardinal virtues. Photo, 39.1 x 24.6 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-della-robbia-1435-1525-s-miniato-al-monte-in-florence-relief-medallion-la-temperanza-in-the-chapel-of-the-cardinal-of-portugal-without-dat-view-with-the-representation-of-one-of-the-four-cardinal-virtues-photo-391-x-246-cm-including-scan-edges-image477584586.htmlRM2JMYT0A–Luca Della Robbia (1435-1525), S. Miniato al Monte in Florence. Relief medallion »La Temperanza« in the chapel of the cardinal of Portugal (without dat.): View with the representation of one of the four cardinal virtues. Photo, 39.1 x 24.6 cm (including scan edges)
Print, Grotesque with Deities. Plate 04 “Juno,” 2nd state; René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550); France; black ink on white paper; Sheet: 29.3 x 18.8 cm (11 9/16 x 7 3/8 in.) Platemark: 17.4 x 10.7 cm (6 7/8 x 4 3/16 in.); 1945-70-8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-grotesque-with-deities-plate-04-juno-2nd-state-ren-boyvin-french-1525-1625-after-lonard-thiry-flemish-1550-france-black-ink-on-white-paper-sheet-293-x-188-cm-11-916-x-7-38-in-platemark-174-x-107-cm-6-78-x-4-316-in-1945-70-8-image546115268.htmlRM2PMDKGM–Print, Grotesque with Deities. Plate 04 “Juno,” 2nd state; René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550); France; black ink on white paper; Sheet: 29.3 x 18.8 cm (11 9/16 x 7 3/8 in.) Platemark: 17.4 x 10.7 cm (6 7/8 x 4 3/16 in.); 1945-70-8
Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid. Manufacturer : beeldhouwer: anoniemPlaats manufacture: beeldhouwer: Zuidelijke NederlandenAntwerpen Dating: ca. 1525 - ca. 1575 Physical kenmerken: aardewerk Material: aardewerk Dimensions: h 15,0 cm. × b 9,5 cm. × d 6 cm. Subject: the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haardsteen-met-voorstelling-van-de-beide-ouderlingen-uit-de-geschiedenis-van-suzanna-die-ter-steniging-worden-weggeleid-haardsteen-met-voorstelling-van-de-beide-ouderlingen-uit-de-geschiedenis-van-suzanna-die-ter-steniging-worden-weggeleid-manufacturer-beeldhouwer-anoniemplaats-manufacture-beeldhouwer-zuidelijke-nederlandenantwerpen-dating-ca-1525-ca-1575-physical-kenmerken-aardewerk-material-aardewerk-dimensions-h-150-cm-b-95-cm-d-6-cm-subject-the-story-of-susanna-and-the-elders-in-which-the-youth-daniel-intervenes-on-behalf-of-susanna-daniel-13-image348423952.htmlRM2B6T28G–Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid. Manufacturer : beeldhouwer: anoniemPlaats manufacture: beeldhouwer: Zuidelijke NederlandenAntwerpen Dating: ca. 1525 - ca. 1575 Physical kenmerken: aardewerk Material: aardewerk Dimensions: h 15,0 cm. × b 9,5 cm. × d 6 cm. Subject: the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13)
King Sapor of Persia Humiliating Emperor Valerian. King Sapor of Persia Humiliating Emperor Valerian (Portrait of Emperor Charles V), oil on panel, 36.8 x 28.6 cm . between 1515 and 1525. Unknown, School of Antwerp, c. 1515-1525 766 King Sapor of Persia humiliating Emperor Valerian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-sapor-of-persia-humiliating-emperor-valerian-king-sapor-of-persia-humiliating-emperor-valerian-portrait-of-emperor-charles-v-oil-on-panel-368-x-286-cm-between-1515-and-1525-unknown-school-of-antwerp-c-1515-1525-766-king-sapor-of-persia-humiliating-emperor-valerian-image185819983.htmlRMMP8R7Y–King Sapor of Persia Humiliating Emperor Valerian. King Sapor of Persia Humiliating Emperor Valerian (Portrait of Emperor Charles V), oil on panel, 36.8 x 28.6 cm . between 1515 and 1525. Unknown, School of Antwerp, c. 1515-1525 766 King Sapor of Persia humiliating Emperor Valerian
Unknown (Dutch), Portrait of Lucas van Leyden, 1525, etching printed in black ink on laid paper, Plate: 6 7/8 × 5 1/2 inches (17.5 × 14 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-dutch-portrait-of-lucas-van-leyden-1525-etching-printed-in-black-ink-on-laid-paper-plate-6-78-5-12-inches-175-14-cm-image328726577.htmlRM2A2PP2W–Unknown (Dutch), Portrait of Lucas van Leyden, 1525, etching printed in black ink on laid paper, Plate: 6 7/8 × 5 1/2 inches (17.5 × 14 cm
Art inspired by Pottery Whistle, Pre-Columbian, 800–1525, Costa Rica, Costa Rican, Clay, L. 6.1 cm (2-7/16); W. 4 cm (1-11/16 in.); H. 4.3 cm (1-11/16 in.); Wt. 30 g, Aerophone-Whistle Flute-whistle, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pottery-whistle-pre-columbian-8001525-costa-rica-costa-rican-clay-l-61-cm-2-716-w-4-cm-1-1116-in-h-43-cm-1-1116-in-wt-30-g-aerophone-whistle-flute-whistle-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462848228.htmlRF2HW0FHT–Art inspired by Pottery Whistle, Pre-Columbian, 800–1525, Costa Rica, Costa Rican, Clay, L. 6.1 cm (2-7/16); W. 4 cm (1-11/16 in.); H. 4.3 cm (1-11/16 in.); Wt. 30 g, Aerophone-Whistle Flute-whistle, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
August 6, 2024: Kansas City Royals catcher Salvador Perez (13) during a game against the Boston Red Sox at Kauffman Stadium in Kansas City, MO. David Smith/CSM (Credit Image: © David Smith/Cal Sport Media) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-6-2024-kansas-city-royals-catcher-salvador-perez-13-during-a-game-against-the-boston-red-sox-at-kauffman-stadium-in-kansas-city-mo-david-smithcsm-credit-image-david-smithcal-sport-media-image616414268.htmlRM2XPT2K8–August 6, 2024: Kansas City Royals catcher Salvador Perez (13) during a game against the Boston Red Sox at Kauffman Stadium in Kansas City, MO. David Smith/CSM (Credit Image: © David Smith/Cal Sport Media)
Roundel with Mary of Egypt crossing the Jordan. Culture: South Netherlandish. Dimensions: Overall: Diam. 9 1/4 x 1/4 in. (Diam. 23.5 x 0.6 cm). Date: ca. 1525. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roundel-with-mary-of-egypt-crossing-the-jordan-culture-south-netherlandish-dimensions-overall-diam-9-14-x-14-in-diam-235-x-06-cm-date-ca-1525-museum-metropolitan-museum-of-art-new-york-usa-image212849258.htmlRMPA83B6–Roundel with Mary of Egypt crossing the Jordan. Culture: South Netherlandish. Dimensions: Overall: Diam. 9 1/4 x 1/4 in. (Diam. 23.5 x 0.6 cm). Date: ca. 1525. Museum: Metropolitan Museum of Art, New York, USA.
Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, portrait, wood engraving by Hugo Buerkner, 1854, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fugger-jacob-ii-the-rich-631459-30101525-german-merchant-portrait-23534916.htmlRMBA830M–Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, portrait, wood engraving by Hugo Buerkner, 1854,
Early Devonian fishes from Utah : Arthrodira earlydevonianfis119deni Year: 1953 Fig. 112. Right anterior ventro-lateral, antero-ventral, intero-lateral, and spinal plates of Arctolepida, the AVL's all reduced to the same area. A, genus from Spitsbergen related to Adinolepis, from cast, PF 1171 (X 0.6); B, Actinolepis tuberculata, modified from Gross, 1940 (X 1.3); C, Anarihraspis sp., restored from PF 262, 1525, 1528 (X 0.4); D, Aethaspis major, restored from PF 939, 940, 983, 988-990 (X 0.6); E, undetermined arctolepid from Utah, PF 923 (X 1.9); F, Aethaspis utahe7isis, PF 321 (X 1.0); G, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/early-devonian-fishes-from-utah-arthrodira-earlydevonianfis119deni-year-1953-fig-112-right-anterior-ventro-lateral-antero-ventral-intero-lateral-and-spinal-plates-of-arctolepida-the-avls-all-reduced-to-the-same-area-a-genus-from-spitsbergen-related-to-adinolepis-from-cast-pf-1171-x-06-b-actinolepis-tuberculata-modified-from-gross-1940-x-13-c-anarihraspis-sp-restored-from-pf-262-1525-1528-x-04-d-aethaspis-major-restored-from-pf-939-940-983-988-990-x-06-e-undetermined-arctolepid-from-utah-pf-923-x-19-f-aethaspis-utahe7isis-pf-321-x-10-g-image240705771.htmlRMRYH2JK–Early Devonian fishes from Utah : Arthrodira earlydevonianfis119deni Year: 1953 Fig. 112. Right anterior ventro-lateral, antero-ventral, intero-lateral, and spinal plates of Arctolepida, the AVL's all reduced to the same area. A, genus from Spitsbergen related to Adinolepis, from cast, PF 1171 (X 0.6); B, Actinolepis tuberculata, modified from Gross, 1940 (X 1.3); C, Anarihraspis sp., restored from PF 262, 1525, 1528 (X 0.4); D, Aethaspis major, restored from PF 939, 940, 983, 988-990 (X 0.6); E, undetermined arctolepid from Utah, PF 923 (X 1.9); F, Aethaspis utahe7isis, PF 321 (X 1.0); G,
Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saadi-dynasty-originated-in-the-valley-of-the-draa-river-among-the-72676296.htmlRME66KA0–Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family
Goblet (Berkemeyer), c. 1525-1550. Germany, 16th century. Green glass; overall: 12.6 cm (4 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goblet-berkemeyer-c-1525-1550-germany-16th-century-green-glass-overall-126-cm-4-1516-in-image448116291.htmlRM2H11CW7–Goblet (Berkemeyer), c. 1525-1550. Germany, 16th century. Green glass; overall: 12.6 cm (4 15/16 in.).
. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. CICHORIACEAE. Vol. III. 6. Lactuca canadensis L.. Wild or Tall Lettuce. Wild Opium. Fig. 4073. Lactuca canadensis L. Sp. PI. 796. 1753.Lactuca elongata Muhl.; Willd. Sp. PI. 1525. 1804.Lactuca canadensis iiiontana Britton, in Britton andBrown, 111. Fl. 3: 274. 1898. Biennial or annual, glabrous throughout, some-what glaucous; stem leafy up to the inflorescence,3°-io° high, br Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-cichoriaceae-vol-iii-6-lactuca-canadensis-l-wild-or-tall-lettuce-wild-opium-fig-4073-lactuca-canadensis-l-sp-pi-796-1753lactuca-elongata-muhl-willd-sp-pi-1525-1804lactuca-canadensis-iiiontana-britton-in-britton-andbrown-111-fl-3-274-1898-biennial-or-annual-glabrous-throughout-some-what-glaucous-stem-leafy-up-to-the-inflorescence3-io-high-br-image337130084.htmlRM2AGDGT4–. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. CICHORIACEAE. Vol. III. 6. Lactuca canadensis L.. Wild or Tall Lettuce. Wild Opium. Fig. 4073. Lactuca canadensis L. Sp. PI. 796. 1753.Lactuca elongata Muhl.; Willd. Sp. PI. 1525. 1804.Lactuca canadensis iiiontana Britton, in Britton andBrown, 111. Fl. 3: 274. 1898. Biennial or annual, glabrous throughout, some-what glaucous; stem leafy up to the inflorescence,3°-io° high, br
Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid. Links draagt een jongen een mand met stenen aan. Manufacturer : vervaardiger: anoniemPlaats manufacture: Antwerpen Dating: ca. 1525 - ca. 1575 Physical kenmerken: aardewerk Material: aardewerk Dimensions: h 9 cm. × b 15 cm. × d 6 cm. Subject: the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haardsteen-met-voorstelling-van-de-beide-ouderlingen-uit-de-geschiedenis-van-suzanna-die-ter-steniging-worden-weggeleid-haardsteen-met-voorstelling-van-de-beide-ouderlingen-uit-de-geschiedenis-van-suzanna-die-ter-steniging-worden-weggeleid-links-draagt-een-jongen-een-mand-met-stenen-aan-manufacturer-vervaardiger-anoniemplaats-manufacture-antwerpen-dating-ca-1525-ca-1575-physical-kenmerken-aardewerk-material-aardewerk-dimensions-h-9-cm-b-15-cm-d-6-cm-subject-the-story-of-susanna-and-the-elders-in-which-the-youth-daniel-intervenes-on-behalf-of-susanna-daniel-13-image348423965.htmlRM2B6T291–Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid. Links draagt een jongen een mand met stenen aan. Manufacturer : vervaardiger: anoniemPlaats manufacture: Antwerpen Dating: ca. 1525 - ca. 1575 Physical kenmerken: aardewerk Material: aardewerk Dimensions: h 9 cm. × b 15 cm. × d 6 cm. Subject: the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13)
. English: Founders and Benefactors Book of Tewkesbury Abbey: Robert Chandos, ‘'primus fundator noster de Goldclyf’', in armour and fur-lined mantle and bonnet, seated, he holds a model with a tall spire on its crossing tower: Goldcliff Priory, Monmouthshire was made a Tewkesbury cell in 1442. circa 1525. Unknown 213 Founders Book of Tewkesbury Abbey, Frame 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-founders-and-benefactors-book-of-tewkesbury-abbey-robert-chandos-primus-fundator-noster-de-goldclyf-in-armour-and-fur-lined-mantle-and-bonnet-seated-he-holds-a-model-with-a-tall-spire-on-its-crossing-tower-goldcliff-priory-monmouthshire-was-made-a-tewkesbury-cell-in-1442-circa-1525-unknown-213-founders-book-of-tewkesbury-abbey-frame-6-image187716964.htmlRMMWB6W8–. English: Founders and Benefactors Book of Tewkesbury Abbey: Robert Chandos, ‘'primus fundator noster de Goldclyf’', in armour and fur-lined mantle and bonnet, seated, he holds a model with a tall spire on its crossing tower: Goldcliff Priory, Monmouthshire was made a Tewkesbury cell in 1442. circa 1525. Unknown 213 Founders Book of Tewkesbury Abbey, Frame 6
Fragment with Sempervivum tectorum motif, Italian, probably Milan, 1475–1525, Italian, probably Milan, Silk, L. 22 x W. 11 1/4 inches (55.9 x 28.6 cm), Textiles-Velvets Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-with-sempervivum-tectorum-motif-italian-probably-milan-14751525-italian-probably-milan-silk-l-22-x-w-11-14-inches-559-x-286-cm-textiles-velvets-image344644034.htmlRM2B0KTYE–Fragment with Sempervivum tectorum motif, Italian, probably Milan, 1475–1525, Italian, probably Milan, Silk, L. 22 x W. 11 1/4 inches (55.9 x 28.6 cm), Textiles-Velvets
Art inspired by Close Helmet for the Field, ca. 1525–30, Milan, Italian, Milan, Steel, H. 14 in. (35.6 cm); W. 9 3/8 in. (23.8 cm); D. 13 1/4 in. (33.7 cm); Wt. 8 lb. 11 oz. (3940 g), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-close-helmet-for-the-field-ca-152530-milan-italian-milan-steel-h-14-in-356-cm-w-9-38-in-238-cm-d-13-14-in-337-cm-wt-8-lb-11-oz-3940-g-helmets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462753598.htmlRF2HTT6X6–Art inspired by Close Helmet for the Field, ca. 1525–30, Milan, Italian, Milan, Steel, H. 14 in. (35.6 cm); W. 9 3/8 in. (23.8 cm); D. 13 1/4 in. (33.7 cm); Wt. 8 lb. 11 oz. (3940 g), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jul 26, 2018: Texas Rangers shortstop Elvis Andrus #1 makes a play to first base for an out during an MLB game between the Oakland Athletics and the Texas Rangers at Globe Life Park in Arlington, TX Oakland defeated Texas 7-6 Albert Pena/CSM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jul-26-2018-texas-rangers-shortstop-elvis-andrus-1-makes-a-play-to-first-base-for-an-out-during-an-mlb-game-between-the-oakland-athletics-and-the-texas-rangers-at-globe-life-park-in-arlington-tx-oakland-defeated-texas-7-6-albert-penacsm-image213609834.htmlRMPBENEJ–Jul 26, 2018: Texas Rangers shortstop Elvis Andrus #1 makes a play to first base for an out during an MLB game between the Oakland Athletics and the Texas Rangers at Globe Life Park in Arlington, TX Oakland defeated Texas 7-6 Albert Pena/CSM
Ein ney Furmbüchlein, Title page. Dimensions: 7 7/8 × 6 1/8 in. (20 × 15.5 cm). Publisher: Johann Schönsperger the Younger (German, active 1510-30). Date: ca. 1525-29. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ein-ney-furmbchlein-title-page-dimensions-7-78-6-18-in-20-155-cm-publisher-johann-schnsperger-the-younger-german-active-1510-30-date-ca-1525-29-museum-metropolitan-museum-of-art-new-york-usa-image213210397.htmlRMPATG11–Ein ney Furmbüchlein, Title page. Dimensions: 7 7/8 × 6 1/8 in. (20 × 15.5 cm). Publisher: Johann Schönsperger the Younger (German, active 1510-30). Date: ca. 1525-29. Museum: Metropolitan Museum of Art, New York, USA.
Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, banker, portrait, drawing, by Hans Holbein the Elder, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fugger-jacob-ii-the-rich-631459-30101525-german-merchant-banker-portrait-27957158.htmlRMBHDFHX–Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German merchant, banker, portrait, drawing, by Hans Holbein the Elder, ,
Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saadi-dynasty-originated-in-the-valley-of-the-draa-river-among-the-72677999.htmlRME66NER–Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family
Hercules and Deianira René Boyvin French. Hercules and Deianira. René Boyvin (French, Angers ca. 1525–1598 or 1625/6 Angers). Engraving. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-and-deianira-ren-boyvin-french-hercules-and-deianira-ren-boyvin-french-angers-ca-15251598-or-16256-angers-engraving-prints-image457781682.htmlRM2HGNN5P–Hercules and Deianira René Boyvin French. Hercules and Deianira. René Boyvin (French, Angers ca. 1525–1598 or 1625/6 Angers). Engraving. Prints
Farquhar's 1910 garden annual . ; 1490 Mixed .30; 1495 Collection of 6 Varieties, separate, our selection, ... For Perennial Coreopsis see I^os. 6530-6540. CANDYTUFT. Iberis. Ifoot. Well-knowndwarf annuals, valuable for edgings and forcutting. 1525 Carmine. An attractive color. Oz., .50; 1530 Dark Crimson. A splendid dark shade. Oz., .30; 1535 Flesh Color. Fine delicate tint. .40; 1540 Rose Cardinal. Bright rosy cardinal; arich and striking color. Oz., 1.00;.J oz., .35 ; 1545 Giant White Perfection, a greatly improved strain of Giant White Candy-tuft producing immense spikes of pure whiteflowe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farquhars-1910-garden-annual-1490-mixed-30-1495-collection-of-6-varieties-separate-our-selection-for-perennial-coreopsis-see-ios-6530-6540-candytuft-iberis-ifoot-well-knowndwarf-annuals-valuable-for-edgings-and-forcutting-1525-carmine-an-attractive-color-oz-50-1530-dark-crimson-a-splendid-dark-shade-oz-30-1535-flesh-color-fine-delicate-tint-40-1540-rose-cardinal-bright-rosy-cardinal-arich-and-striking-color-oz-100j-oz-35-1545-giant-white-perfection-a-greatly-improved-strain-of-giant-white-candy-tuft-producing-immense-spikes-of-pure-whiteflowe-image340278211.htmlRM2ANH097–Farquhar's 1910 garden annual . ; 1490 Mixed .30; 1495 Collection of 6 Varieties, separate, our selection, ... For Perennial Coreopsis see I^os. 6530-6540. CANDYTUFT. Iberis. Ifoot. Well-knowndwarf annuals, valuable for edgings and forcutting. 1525 Carmine. An attractive color. Oz., .50; 1530 Dark Crimson. A splendid dark shade. Oz., .30; 1535 Flesh Color. Fine delicate tint. .40; 1540 Rose Cardinal. Bright rosy cardinal; arich and striking color. Oz., 1.00;.J oz., .35 ; 1545 Giant White Perfection, a greatly improved strain of Giant White Candy-tuft producing immense spikes of pure whiteflowe
. English: Founders and Benefactors Book of Tewkesbury Abbey: Robert Chandos, ‘'primus fundator noster de Goldclyf’', in armour and fur-lined mantle and bonnet, seated, he holds a model with a tall spire on its crossing tower: Goldcliff Priory, Monmouthshire was made a Tewkesbury cell in 1442. circa 1525. Unknown 214 Founders Book of Tewkesbury Abbey, Frame 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-founders-and-benefactors-book-of-tewkesbury-abbey-robert-chandos-primus-fundator-noster-de-goldclyf-in-armour-and-fur-lined-mantle-and-bonnet-seated-he-holds-a-model-with-a-tall-spire-on-its-crossing-tower-goldcliff-priory-monmouthshire-was-made-a-tewkesbury-cell-in-1442-circa-1525-unknown-214-founders-book-of-tewkesbury-abbey-frame-6-image188290050.htmlRMMX99TJ–. English: Founders and Benefactors Book of Tewkesbury Abbey: Robert Chandos, ‘'primus fundator noster de Goldclyf’', in armour and fur-lined mantle and bonnet, seated, he holds a model with a tall spire on its crossing tower: Goldcliff Priory, Monmouthshire was made a Tewkesbury cell in 1442. circa 1525. Unknown 214 Founders Book of Tewkesbury Abbey, Frame 6
Friedrich Hagenauer, (artist), German, active c. 1525 - 1546, Inscription, lead, overall (diameter): 6.38 cm (2 1/2 in.), gross weight: 73.11 gr (0.161 lb.), axis: 6:00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/friedrich-hagenauer-artist-german-active-c-1525-1546-inscription-lead-overall-diameter-638-cm-2-12-in-gross-weight-7311-gr-0161-lb-axis-600-image386242203.htmlRM2DCARTB–Friedrich Hagenauer, (artist), German, active c. 1525 - 1546, Inscription, lead, overall (diameter): 6.38 cm (2 1/2 in.), gross weight: 73.11 gr (0.161 lb.), axis: 6:00
Art inspired by Horizontal Panel with Triton and Child Surrounded by Foliage, 1525–61, Engraving, Sheet: 2 3/16 × 3 1/4 in. (5.6 × 8.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament design with female triton or sea goddess and child at left, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-horizontal-panel-with-triton-and-child-surrounded-by-foliage-152561-engraving-sheet-2-316-3-14-in-56-82-cm-heinrich-aldegrever-german-paderborn-ca-150215551561-soest-ornament-design-with-female-triton-or-sea-goddess-and-child-at-left-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463019676.htmlRF2HW8A90–Art inspired by Horizontal Panel with Triton and Child Surrounded by Foliage, 1525–61, Engraving, Sheet: 2 3/16 × 3 1/4 in. (5.6 × 8.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament design with female triton or sea goddess and child at left, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
July 03, 2018: Tampa Bay Rays relief pitcher Austin Pruitt (50) delivers a pitch in the fifth inning during a MLB game between the Tampa Bay Rays and the Miami Marlins at the Marlins Park, in Miami, Florida. The Rays won 9-6 in the 16th inning. Mario Houben/CSM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/july-03-2018-tampa-bay-rays-relief-pitcher-austin-pruitt-50-delivers-a-pitch-in-the-fifth-inning-during-a-mlb-game-between-the-tampa-bay-rays-and-the-miami-marlins-at-the-marlins-park-in-miami-florida-the-rays-won-9-6-in-the-16th-inning-mario-houbencsm-image211056234.htmlRMP7ACAJ–July 03, 2018: Tampa Bay Rays relief pitcher Austin Pruitt (50) delivers a pitch in the fifth inning during a MLB game between the Tampa Bay Rays and the Miami Marlins at the Marlins Park, in Miami, Florida. The Rays won 9-6 in the 16th inning. Mario Houben/CSM
Rattle. Culture: Panamanian. Dimensions: W. 53 mm x D. 44 mm x L. 173mm (2 1/16 x 1 3/4 x 6 13/16 in.); Weight: 210 grams. Date: 800-1525. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rattle-culture-panamanian-dimensions-w-53-mm-x-d-44-mm-x-l-173mm-2-116-x-1-34-x-6-1316-in-weight-210-grams-date-800-1525-museum-metropolitan-museum-of-art-new-york-usa-image212897117.htmlRMPAA8CD–Rattle. Culture: Panamanian. Dimensions: W. 53 mm x D. 44 mm x L. 173mm (2 1/16 x 1 3/4 x 6 13/16 in.); Weight: 210 grams. Date: 800-1525. Museum: Metropolitan Museum of Art, New York, USA.
Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German banker and trader, half length, with his bookkeeper Matthaeus Schwarz at his office, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fugger-jacob-ii-the-rich-631459-30101525-german-banker-and-trader-23529555.htmlRMBA7T57–Fugger, Jacob II 'the Rich', 6.3.1459 - 30.10.1525, German banker and trader, half length, with his bookkeeper Matthaeus Schwarz at his office,
Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saadi-dynasty-originated-in-the-valley-of-the-draa-river-among-the-72675540.htmlRME66JB0–Saadi Dynasty originated in the valley of the Draa River. Among the 6 graves are those of Ahmad al-Mansur and his family
Venus and Cupid René Boyvin French. Venus and Cupid. René Boyvin (French, Angers ca. 1525–1598 or 1625/6 Angers). Engraving. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venus-and-cupid-ren-boyvin-french-venus-and-cupid-ren-boyvin-french-angers-ca-15251598-or-16256-angers-engraving-prints-image457781678.htmlRM2HGNN5J–Venus and Cupid René Boyvin French. Venus and Cupid. René Boyvin (French, Angers ca. 1525–1598 or 1625/6 Angers). Engraving. Prints
. A plan book of Harris homes. FIRST FL00E PLAN 3LC0MD FL00G PLAN HARRIS BROTHERS COMPANY, 35th and Iron Streets, CHICAGO, ILLINOIS Page 54. Harris Home No. L-1525 Size, 20 ft. x 25 ft. 6 in. 6 Rooms Including Bays and Bath THE wise man builds for comfort and convenience, but never losessight of economy. The Harris Way builds to stay and makes every dollarcount, but does not sacrifice quality or looks to save a few cents. This designwm appeal to the practical, far-sighted home bidder. The outside is designed to«hnw to the best advantage without unnecessary expenditure of money for useless orna Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-plan-book-of-harris-homes-first-fl00e-plan-3lc0md-fl00g-plan-harris-brothers-company-35th-and-iron-streets-chicago-illinois-page-54-harris-home-no-l-1525-size-20-ft-x-25-ft-6-in-6-rooms-including-bays-and-bath-the-wise-man-builds-for-comfort-and-convenience-but-never-losessight-of-economy-the-harris-way-builds-to-stay-and-makes-every-dollarcount-but-does-not-sacrifice-quality-or-looks-to-save-a-few-cents-this-designwm-appeal-to-the-practical-far-sighted-home-bidder-the-outside-is-designed-tohnw-to-the-best-advantage-without-unnecessary-expenditure-of-money-for-useless-orna-image336726569.htmlRM2AFR64W–. A plan book of Harris homes. FIRST FL00E PLAN 3LC0MD FL00G PLAN HARRIS BROTHERS COMPANY, 35th and Iron Streets, CHICAGO, ILLINOIS Page 54. Harris Home No. L-1525 Size, 20 ft. x 25 ft. 6 in. 6 Rooms Including Bays and Bath THE wise man builds for comfort and convenience, but never losessight of economy. The Harris Way builds to stay and makes every dollarcount, but does not sacrifice quality or looks to save a few cents. This designwm appeal to the practical, far-sighted home bidder. The outside is designed to«hnw to the best advantage without unnecessary expenditure of money for useless orna
. English: Design for a Stained Glass Window with Two Swiss Mercenaries. Pen and ink and brush, grey wash, over chalk underdrawing, 43.6 × 32.3 cm, Kunstmuseum Basel. Art historian Christian Müller detects a 'pieced-together' quality in this drawing, pointing, for example, to the lack of room for the tops of the weapons. He finds the penwork 'cumbersome' and the washes patchy. Holbein's design is nonetheless of high quality and was probably executed by an assistant (Müller, 312). c. 1525–25. Workshop of Hans Holbein the Younger 618 Two Swiss Mercenaries, design for a Stained Glass Window, work Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-design-for-a-stained-glass-window-with-two-swiss-mercenaries-pen-and-ink-and-brush-grey-wash-over-chalk-underdrawing-436-323-cm-kunstmuseum-basel-art-historian-christian-mller-detects-a-pieced-together-quality-in-this-drawing-pointing-for-example-to-the-lack-of-room-for-the-tops-of-the-weapons-he-finds-the-penwork-cumbersome-and-the-washes-patchy-holbeins-design-is-nonetheless-of-high-quality-and-was-probably-executed-by-an-assistant-mller-312-c-152525-workshop-of-hans-holbein-the-younger-618-two-swiss-mercenaries-design-for-a-stained-glass-window-work-image187512772.htmlRMMW1XCM–. English: Design for a Stained Glass Window with Two Swiss Mercenaries. Pen and ink and brush, grey wash, over chalk underdrawing, 43.6 × 32.3 cm, Kunstmuseum Basel. Art historian Christian Müller detects a 'pieced-together' quality in this drawing, pointing, for example, to the lack of room for the tops of the weapons. He finds the penwork 'cumbersome' and the washes patchy. Holbein's design is nonetheless of high quality and was probably executed by an assistant (Müller, 312). c. 1525–25. Workshop of Hans Holbein the Younger 618 Two Swiss Mercenaries, design for a Stained Glass Window, work
Friedrich Hagenauer, (artist), German, active c. 1525 - 1546, Inscription, 1530, lead, overall (diameter): 6.91 cm (2 3/4 in.), gross weight: 108.31 gr (0.239 lb.), axis: 1:00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/friedrich-hagenauer-artist-german-active-c-1525-1546-inscription-1530-lead-overall-diameter-691-cm-2-34-in-gross-weight-10831-gr-0239-lb-axis-100-image386242389.htmlRM2DCAT31–Friedrich Hagenauer, (artist), German, active c. 1525 - 1546, Inscription, 1530, lead, overall (diameter): 6.91 cm (2 3/4 in.), gross weight: 108.31 gr (0.239 lb.), axis: 1:00
Art inspired by Gorget, ca. 1525–75, German, Steel, leather, H. 6 3/4 in. (17.1 cm); W. 11 in. (27.9 cm), Armor Parts-Colletins, Burgonets and gorgets were among the most practical and widely used forms of armor for protecting the vital areas of head and neck. Examples like this gorget, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-gorget-ca-152575-german-steel-leather-h-6-34-in-171-cm-w-11-in-279-cm-armor-parts-colletins-burgonets-and-gorgets-were-among-the-most-practical-and-widely-used-forms-of-armor-for-protecting-the-vital-areas-of-head-and-neck-examples-like-this-gorget-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462899674.htmlRF2HW2W76–Art inspired by Gorget, ca. 1525–75, German, Steel, leather, H. 6 3/4 in. (17.1 cm); W. 11 in. (27.9 cm), Armor Parts-Colletins, Burgonets and gorgets were among the most practical and widely used forms of armor for protecting the vital areas of head and neck. Examples like this gorget, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Key Biscayne, Florida, USA. 01st Apr, 2017. Johanna Konta, of Britain, plays a backhand against Caroline Wozniacki, of Denmark, in the woman's singles final at the 2017 Miami Open presented by Itau professional tennis tournament, played at Crandon Park Tennis Center in Key Biscayne, Florida, USA. Konta defeated Wozniacki 6-4, 6-3. Mario Houben/CSM/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-key-biscayne-florida-usa-01st-apr-2017-johanna-konta-of-britain-plays-137237654.htmlRMHY7M0P–Key Biscayne, Florida, USA. 01st Apr, 2017. Johanna Konta, of Britain, plays a backhand against Caroline Wozniacki, of Denmark, in the woman's singles final at the 2017 Miami Open presented by Itau professional tennis tournament, played at Crandon Park Tennis Center in Key Biscayne, Florida, USA. Konta defeated Wozniacki 6-4, 6-3. Mario Houben/CSM/Alamy Live News
Search Results for 1525 6 Stock Photos and Images (1,482)
Page 1 of 15