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1540 1573 Stock Photos and Images

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1540 1573 Stock Photos and Images

Early pumpers used cisterns as a source of water. Jacques Besson (1540 - 1573) was a French inventor, mathematician, and philosopher, chiefly remembered for his popular treatise on machines Theatrum Instrumentorum (1571-72), which saw many reprints in different languages. Besson's work was a collection of his own new inventions with detailed illustrations of each engraved by Jacques Androuet du Cerceau to his specifications. Some of his designs suggested important improvements to lathes and the waterwheel. The Latin captions to the highly detailed drawings were sparse, however, which would see Stock Photo
RM2BE10KT–Early pumpers used cisterns as a source of water. Jacques Besson (1540 - 1573) was a French inventor, mathematician, and philosopher, chiefly remembered for his popular treatise on machines Theatrum Instrumentorum (1571-72), which saw many reprints in different languages. Besson's work was a collection of his own new inventions with detailed illustrations of each engraved by Jacques Androuet du Cerceau to his specifications. Some of his designs suggested important improvements to lathes and the waterwheel. The Latin captions to the highly detailed drawings were sparse, however, which would see
Design for a wall decoration with four representations, draughtsman: Lattanzio Gambara, (possibly), 1540 - 1573, paper, pen, brush, h 153 mm × w 457 mm Stock Photo
RM2JC16NH–Design for a wall decoration with four representations, draughtsman: Lattanzio Gambara, (possibly), 1540 - 1573, paper, pen, brush, h 153 mm × w 457 mm
JACQUES BESSON (c 1540-1573) French inventor and mathematician. Illustration of an astrolabe from his Theatrum instrumentorum Stock Photo
RMF3K5A5–JACQUES BESSON (c 1540-1573) French inventor and mathematician. Illustration of an astrolabe from his Theatrum instrumentorum
. Nicholas Heath Nicholas Heath. Unknown date, but author was floruit in 1540-1573. Nicholas Heath by Hans Eworth Stock Photo
RMMMYYTC–. Nicholas Heath Nicholas Heath. Unknown date, but author was floruit in 1540-1573. Nicholas Heath by Hans Eworth
Design for a wall decoration with four performances. Draughtsman: Lattanzio Gambara (possibly). Dating: 1540 - 1573. Measurements: h 153 mm × w 457 mm. Museum: Rijksmuseum, Amsterdam. Stock Photo
RMREYMFM–Design for a wall decoration with four performances. Draughtsman: Lattanzio Gambara (possibly). Dating: 1540 - 1573. Measurements: h 153 mm × w 457 mm. Museum: Rijksmuseum, Amsterdam.
Leonor d'Orleans, Duke of Longueville, 1540-1573. Governor of Picardy and Normandy and military leader during the French Wars of Religion In plumed cap, black cape, doublet, breeches, hose, with sword. Le Duc de Longueville, 1570. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photo
RM2J85CMP–Leonor d'Orleans, Duke of Longueville, 1540-1573. Governor of Picardy and Normandy and military leader during the French Wars of Religion In plumed cap, black cape, doublet, breeches, hose, with sword. Le Duc de Longueville, 1570. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820.
Design for a wall decoration with four performances, Lattanzio Gambara (Possible), 1540 - 1573 drawing paper. ink. chalk pen / brush Stock Photo
RM2WGX827–Design for a wall decoration with four performances, Lattanzio Gambara (Possible), 1540 - 1573 drawing paper. ink. chalk pen / brush
Art inspired by Tomb of a Bishop, Etching, Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 95, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXGGG–Art inspired by Tomb of a Bishop, Etching, Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 95, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Member of the Fröschl Family. Hans Mielich, A Member of the Fröschl Family, German, 1516 - 1573, c. 1539/1540, oil on panel, Stock Photo
RMP9PA2F–A Member of the Fröschl Family. Hans Mielich, A Member of the Fröschl Family, German, 1516 - 1573, c. 1539/1540, oil on panel,
Art inspired by Madonna and Child, Engraving, Prints, Engraved by Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 83, top, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXGHD–Art inspired by Madonna and Child, Engraving, Prints, Engraved by Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 83, top, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Waissel, Matthew, circa 1540 - 1602, German musician, theologian, and author / writer, works, 'Tabulatura continens insignes et selectissimas quoque cantionex', title, 1573, Stock Photo
RMGDD3A0–Waissel, Matthew, circa 1540 - 1602, German musician, theologian, and author / writer, works, 'Tabulatura continens insignes et selectissimas quoque cantionex', title, 1573,
Art inspired by The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame, ca. 1540–80, Etching, Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW7KPH–Art inspired by The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame, ca. 1540–80, Etching, Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jacopo Zucchi (ca. 1540-ca. 1596), Bathsheba at Her Bath, ca.1573. Stock Photo
RMFYBYDY–Jacopo Zucchi (ca. 1540-ca. 1596), Bathsheba at Her Bath, ca.1573.
Lutherstadt Wittenberg Rathaus 6309 begonnen 1521 heutiges Aussehen seit 1573 davor Lutherdenkmal v Gottfried Schadow 19 Jh Stock Photo
RM2J7GKJM–Lutherstadt Wittenberg Rathaus 6309 begonnen 1521 heutiges Aussehen seit 1573 davor Lutherdenkmal v Gottfried Schadow 19 Jh
Dictionary of painters and engravers . ce. 1547. Portrait of Christoforo Ma- druzzo.Annunciation.Resurrection.Last Supper.Assumption. 1518.John the Baptist.Presentation of the Virgin. 1540.Pieta. 1573. (Finished by Palma Giovane.)Pesaro Madonna. 1526.Martyrdom of St. Lawrence. St. John. 1533. Verona.Vienna. Scvola di San Rocco. Duomo. Gallery. » Czernin Gallery. St. James. Christ Child, and Saints. ? St. Mark Enthroned. Descent of Holy Spirit.Medallions in Roof of Choir.Three Ceiling Pieces.Tobias and Angel.Annunciation.Transfiguration.S. Nicolas of Bari.Ceiling Painting of Wisdom.St. Christop Stock Photo
RM2AJ17E1–Dictionary of painters and engravers . ce. 1547. Portrait of Christoforo Ma- druzzo.Annunciation.Resurrection.Last Supper.Assumption. 1518.John the Baptist.Presentation of the Virgin. 1540.Pieta. 1573. (Finished by Palma Giovane.)Pesaro Madonna. 1526.Martyrdom of St. Lawrence. St. John. 1533. Verona.Vienna. Scvola di San Rocco. Duomo. Gallery. » Czernin Gallery. St. James. Christ Child, and Saints. ? St. Mark Enthroned. Descent of Holy Spirit.Medallions in Roof of Choir.Three Ceiling Pieces.Tobias and Angel.Annunciation.Transfiguration.S. Nicolas of Bari.Ceiling Painting of Wisdom.St. Christop
Farming and Herding Buffalo in Summer, mid- to late 1500s. Hideyori is most famous as the painter of a very early pair of genre screen paintings depicting people enjoying autumn foliage at a shrine-temple complex in Mount Takao near Kyoto. In this scene, people are hard at work farming their fields and herding water buffalo in summer. Such scenes were often associated with promoting the ideal of a prosperous realm, and also with the activities of the 12 months. Historical sources are divided on the biography of painter Kano Hideyori, but many scholars now believe he was the second son of Kano Stock Photo
RM2A50RFT–Farming and Herding Buffalo in Summer, mid- to late 1500s. Hideyori is most famous as the painter of a very early pair of genre screen paintings depicting people enjoying autumn foliage at a shrine-temple complex in Mount Takao near Kyoto. In this scene, people are hard at work farming their fields and herding water buffalo in summer. Such scenes were often associated with promoting the ideal of a prosperous realm, and also with the activities of the 12 months. Historical sources are divided on the biography of painter Kano Hideyori, but many scholars now believe he was the second son of Kano
Early pumpers used cisterns as a source of water. Jacques Besson (1540 - 1573) was a French inventor, mathematician, and philosopher, chiefly remembered for his popular treatise on machines Theatrum Instrumentorum (1571-72), which saw many reprints in different languages. Besson's work was a collection of his own new inventions with detailed illustrations of each engraved by Jacques Androuet du Cerceau to his specifications. Some of his designs suggested important improvements to lathes and the waterwheel. The Latin captions to the highly detailed drawings were sparse, however, which would see Stock Photo
RM2BE0J0G–Early pumpers used cisterns as a source of water. Jacques Besson (1540 - 1573) was a French inventor, mathematician, and philosopher, chiefly remembered for his popular treatise on machines Theatrum Instrumentorum (1571-72), which saw many reprints in different languages. Besson's work was a collection of his own new inventions with detailed illustrations of each engraved by Jacques Androuet du Cerceau to his specifications. Some of his designs suggested important improvements to lathes and the waterwheel. The Latin captions to the highly detailed drawings were sparse, however, which would see
Joshua Commanding the Israelites, n.d., Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-c.1573), or Circle of Federico Zuccaro (Italian, 1540/41-1609, Italy, Pen and brown ink with red chalk and brush and brown wash, on tan laid paper, 195 x 223 mm (max Stock Photo
RM2A2J1KP–Joshua Commanding the Israelites, n.d., Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-c.1573), or Circle of Federico Zuccaro (Italian, 1540/41-1609, Italy, Pen and brown ink with red chalk and brush and brown wash, on tan laid paper, 195 x 223 mm (max
. Portrait of Sir Francis Willoughby . 1573. Attributed to George Gower  (1540–1596)   Alternative names Gower Description English painter Date of birth/death circa 1540 1596 Location of birth/death England London Work period 1570s-1590s Work location London Authority control : Q2126008 VIAF: 65226012 ISNI: 0000 0000 8251 2456 ULAN: 500032228 LCCN: nr00039827 GND: 135583837 WorldCat 1124 Sir Francis Willoughby Stock Photo
RMMP34PE–. Portrait of Sir Francis Willoughby . 1573. Attributed to George Gower  (1540–1596)   Alternative names Gower Description English painter Date of birth/death circa 1540 1596 Location of birth/death England London Work period 1570s-1590s Work location London Authority control : Q2126008 VIAF: 65226012 ISNI: 0000 0000 8251 2456 ULAN: 500032228 LCCN: nr00039827 GND: 135583837 WorldCat 1124 Sir Francis Willoughby
Leonor d'Orleans, Duke of Longueville, 1540-1573. Governor of Picardy and Normandy and military leader during the French Wars of Religion In plumed cap, black cape, doublet, breeches, hose, with sword. Le Duc de Longueville, 1570. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photo
RM2T69BG5–Leonor d'Orleans, Duke of Longueville, 1540-1573. Governor of Picardy and Normandy and military leader during the French Wars of Religion In plumed cap, black cape, doublet, breeches, hose, with sword. Le Duc de Longueville, 1570. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.
Portrait of Johanna van Habsburg, Pieter van der Heyden, c. 1540 - 1573 print Portrait Ten Halven to the left of Johanna van Habsburg in an oval with her name and title in Latin. Antwerp paper engraving ear-rings. gloves, mittens, etc. Stock Photo
RM2WCX2K3–Portrait of Johanna van Habsburg, Pieter van der Heyden, c. 1540 - 1573 print Portrait Ten Halven to the left of Johanna van Habsburg in an oval with her name and title in Latin. Antwerp paper engraving ear-rings. gloves, mittens, etc.
Art inspired by Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame, ca. 1540–80, Etching, Sheet (Trimmed): 5 1/16 × 7 3/16 in. (12.8 × 18.3 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Jacques, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW7MER–Art inspired by Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame, ca. 1540–80, Etching, Sheet (Trimmed): 5 1/16 × 7 3/16 in. (12.8 × 18.3 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Jacques, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Bust of a woman flanked by three women on each side, set within an elaborate frame, ca. 1540–80, Etching, Plate: 4 15/16 x 6 15/16 in. (12.6 x 17.6 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), Formerly attributed to Andrea Schiavone (Andrea, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW7B0D–Art inspired by Bust of a woman flanked by three women on each side, set within an elaborate frame, ca. 1540–80, Etching, Plate: 4 15/16 x 6 15/16 in. (12.6 x 17.6 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), Formerly attributed to Andrea Schiavone (Andrea, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lutherstadt Wittenberg Rathaus 6306 begonnen 1521 heutiges Aussehen seit 1573 davor Lutherdenkmal v Gottfried Schadow links Melanchtondenkmal von Joha Stock Photo
RM2J7GKJK–Lutherstadt Wittenberg Rathaus 6306 begonnen 1521 heutiges Aussehen seit 1573 davor Lutherdenkmal v Gottfried Schadow links Melanchtondenkmal von Joha
Art inspired by Madonna and Child with Saints (after Parmigianino), Engraving, sheet: 11 x 8 in. (28 x 20.3 cm), Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW7AYE–Art inspired by Madonna and Child with Saints (after Parmigianino), Engraving, sheet: 11 x 8 in. (28 x 20.3 cm), Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ntre verrier, Amtmann dEmbrach 1540-1545 (fréquemment confondu avec len° 5). — 13. Wilhelm, frère du précédent, administra-teur des domaines de Wettingen à Zurich 1540, Amt-mann de Cappel 1562, où il mourut 1565. — 14. Jakob,frère des nos 12 et 13, * avant 1520, t 1585,. prévôt1563-1573, Oberstzunfïmeister 1570-1573, vice-bourg-mestre et bailli de Stock Photo
RM2AN2AWX–Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ntre verrier, Amtmann dEmbrach 1540-1545 (fréquemment confondu avec len° 5). — 13. Wilhelm, frère du précédent, administra-teur des domaines de Wettingen à Zurich 1540, Amt-mann de Cappel 1562, où il mourut 1565. — 14. Jakob,frère des nos 12 et 13, * avant 1520, t 1585,. prévôt1563-1573, Oberstzunfïmeister 1570-1573, vice-bourg-mestre et bailli de
Art inspired by Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, ca. 1540–80, Etching, Sheet (Trimmed): 7 × 5 in. (17.8 × 12.7 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), Formerly attributed to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW7B55–Art inspired by Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, ca. 1540–80, Etching, Sheet (Trimmed): 7 × 5 in. (17.8 × 12.7 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), Formerly attributed to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by 明, 侯懋功, 高山圖, 軸, High Mountains, Ming dynasty (1368–1644), dated 1569, China, Hanging scroll; ink and color on paper, Image: 46 5/8 x 11 in. (118.4 x 27.9 cm), Paintings, Hou Maogong (Chinese, active ca. 1540–1580), Hou Maogong was a student of both Wen Zhengming (1470–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW3BHH–Art inspired by 明, 侯懋功, 高山圖, 軸, High Mountains, Ming dynasty (1368–1644), dated 1569, China, Hanging scroll; ink and color on paper, Image: 46 5/8 x 11 in. (118.4 x 27.9 cm), Paintings, Hou Maogong (Chinese, active ca. 1540–1580), Hou Maogong was a student of both Wen Zhengming (1470–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hans Mielich, (artist), German, 1516 - 1573, A Member of the Fröschl Family, c. 1539/1540, oil on panel, overall: 64.2 x 47 cm (25 1/4 x 18 1/2 in.), framed: 84.8 x 68.3 x 6.4 cm (33 3/8 x 26 7/8 x 2 1/2 in Stock Photo
RM2DCFXM1–Hans Mielich, (artist), German, 1516 - 1573, A Member of the Fröschl Family, c. 1539/1540, oil on panel, overall: 64.2 x 47 cm (25 1/4 x 18 1/2 in.), framed: 84.8 x 68.3 x 6.4 cm (33 3/8 x 26 7/8 x 2 1/2 in
. English: Battle of Diemerdijk at Amsterdam in 1573. Etching. Nederlands: Slag op de Diemerdijk 1573. Ets. 1573. unkown (probely) Frans Hogenberg  (before 1540–1590)   Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartographer Date of birth/death before 1540 1590 Location of birth/death Mechelen Cologne Work period 1568-1588 Work location Antwerp (1568), London (1568), Cologne (1570-1585), Hamburg (1585-1588), Denmark (1588) Authority control : Q959748 VIAF: 100197099 ISNI: 0000 0001 1839 1431 ULAN: 500000956 LCCN: n50043890 W Stock Photo
RMMNXBXC–. English: Battle of Diemerdijk at Amsterdam in 1573. Etching. Nederlands: Slag op de Diemerdijk 1573. Ets. 1573. unkown (probely) Frans Hogenberg  (before 1540–1590)   Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartographer Date of birth/death before 1540 1590 Location of birth/death Mechelen Cologne Work period 1568-1588 Work location Antwerp (1568), London (1568), Cologne (1570-1585), Hamburg (1585-1588), Denmark (1588) Authority control : Q959748 VIAF: 100197099 ISNI: 0000 0001 1839 1431 ULAN: 500000956 LCCN: n50043890 W
The Tomb of a Bishop. Battista dell' Angolo del Moro (Italian, c.1515-c.1573); after Parmigianino (Italian, 1503-1540). Date: 1540-1545. Dimensions: 360 x 252 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo
RMRX6R23–The Tomb of a Bishop. Battista dell' Angolo del Moro (Italian, c.1515-c.1573); after Parmigianino (Italian, 1503-1540). Date: 1540-1545. Dimensions: 360 x 252 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute.
Portrait of Johanna van Habsburg, Pieter van der Heyden, c. 1540 - 1573 print Portrait Ten Halven to the left of Johanna van Habsburg in an oval with her name and title in Latin. Antwerp paper engraving gloves, mittens, etc.. ear-rings Stock Photo
RM2WE9BMT–Portrait of Johanna van Habsburg, Pieter van der Heyden, c. 1540 - 1573 print Portrait Ten Halven to the left of Johanna van Habsburg in an oval with her name and title in Latin. Antwerp paper engraving gloves, mittens, etc.. ear-rings
Lutherstadt Wittenberg Rathaus 6345 begonnen 1521 heutiges Aussehen mit Portal und Altan seit 1573 davor Lutherdenkmal v Gottfried Schadow 1817-21 Bal Stock Photo
RM2J7GKJR–Lutherstadt Wittenberg Rathaus 6345 begonnen 1521 heutiges Aussehen mit Portal und Altan seit 1573 davor Lutherdenkmal v Gottfried Schadow 1817-21 Bal
. Visitation of England and Wales . rslem ; mentioned ber 1534, and her mother in his fathers will 21 5 May 1540. December 1534. Thomas Adams of Burslem, Master Potter; mentioned in his grand-=fathers will 21 December 1534; bur. in St. Johns Church, Burslem, inDecember 1562. Will dated 10 December 1562, proved at Lichfield28 April 1563. =Ellen (? Burslem),mentioned in herhusbands will 10December 1562. William Adams=j=Margery. Thomas Adams=j=, of Longcroft,in Burslem;mentioned inhis fathers will10 December1562; Head-borough ofBurslem 1573. A Adams of Longcroft, andof Brickhouse, in Burslem,and Stock Photo
RM2CE3XC6–. Visitation of England and Wales . rslem ; mentioned ber 1534, and her mother in his fathers will 21 5 May 1540. December 1534. Thomas Adams of Burslem, Master Potter; mentioned in his grand-=fathers will 21 December 1534; bur. in St. Johns Church, Burslem, inDecember 1562. Will dated 10 December 1562, proved at Lichfield28 April 1563. =Ellen (? Burslem),mentioned in herhusbands will 10December 1562. William Adams=j=Margery. Thomas Adams=j=, of Longcroft,in Burslem;mentioned inhis fathers will10 December1562; Head-borough ofBurslem 1573. A Adams of Longcroft, andof Brickhouse, in Burslem,and
Probably workshop of Giacomo Mancini, 'El Frate', Pharmacy jar (albarello), Italian, Deruta, Probably workshop of Giacomo Mancini, 'El Frate' (Italian, active ca. 1540–60), dated 1573, Italian, Deruta, Maiolica (tin-glazed earthenware), Oerall: 13 3/16 × 8 13/16 × 8 13/16 in. (33.5 × 22.4 × 22.4 cm), Ceramics-Pottery Stock Photo
RM2B0KWBA–Probably workshop of Giacomo Mancini, 'El Frate', Pharmacy jar (albarello), Italian, Deruta, Probably workshop of Giacomo Mancini, 'El Frate' (Italian, active ca. 1540–60), dated 1573, Italian, Deruta, Maiolica (tin-glazed earthenware), Oerall: 13 3/16 × 8 13/16 × 8 13/16 in. (33.5 × 22.4 × 22.4 cm), Ceramics-Pottery
Flagellation of Christ, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1573, drawing, pen, washed, heightened with white, on blue-grey paper, 25.2 x 22.3 cm, bottom left Duke Albert of Saxe-Teschen Stock Photo
RM2T8M25Y–Flagellation of Christ, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1573, drawing, pen, washed, heightened with white, on blue-grey paper, 25.2 x 22.3 cm, bottom left Duke Albert of Saxe-Teschen
N/A. English: The siege of Haarlem in 1572/1573. Etching. Rotterdam, Museum Boijmans Van Beuningen Prentenkabinet (inv.no. BdH 15259 (PK)). Nederlands: Haarlem in Vogelvlucht. Ets. Rotterdam, Prentenkabinet Museum Boijmans Van Beuningen (inv.nr. BdH 15259 (PK)). Dated top right / Gedateerd rechtsboven: 10 Junnÿ Anno 1573. Provenance / Herkomst: 1951: bequeathed to the Museum Boijmans Van Beuningen by Dr. Bierens de Haan . between 1573 and 1590. Frans Hogenberg  (before 1540–1590)   Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartog Stock Photo
RMP5NT9A–N/A. English: The siege of Haarlem in 1572/1573. Etching. Rotterdam, Museum Boijmans Van Beuningen Prentenkabinet (inv.no. BdH 15259 (PK)). Nederlands: Haarlem in Vogelvlucht. Ets. Rotterdam, Prentenkabinet Museum Boijmans Van Beuningen (inv.nr. BdH 15259 (PK)). Dated top right / Gedateerd rechtsboven: 10 Junnÿ Anno 1573. Provenance / Herkomst: 1951: bequeathed to the Museum Boijmans Van Beuningen by Dr. Bierens de Haan . between 1573 and 1590. Frans Hogenberg  (before 1540–1590)   Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartog
Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, lower part of the sheet 'Tomb of a Bishop' with scene of a bishop's consecration, origin of the print medium: c. 1529 - 1573, etching, sheet size: 11.5 x 25.4 cm (trimmed Stock Photo
RM2T8G7KF–Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, lower part of the sheet 'Tomb of a Bishop' with scene of a bishop's consecration, origin of the print medium: c. 1529 - 1573, etching, sheet size: 11.5 x 25.4 cm (trimmed
The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm). Former Attribution: Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAAJGF–The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm). Former Attribution: Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
. German: Allegorie des Wassers . by 1596. Paolo Fiammingo  (circa 1540–1596)   Alternative names Paolo Fiammingo, Paolo Franceschi, Paolo dei Franceschi, Paul Franchoys, Pauwels Frank, Frank Pauwels Description Flemish painter and draughtsman Date of birth/death circa 1540 20 December 1596 Location of birth/death Antwerp Venice Work period from 1561 until 1596 Work location Antwerp (1561), Venice (1573-1596) Authority control : Q213284 VIAF: 70017170 ISNI: 0000 0000 6631 6260 ULAN: 500031364 WGA: FIAMMINGO, Paolo GND: 129725102 967 Pauwels Franck Allegorie des Wassers Stock Photo
RMMNT32M–. German: Allegorie des Wassers . by 1596. Paolo Fiammingo  (circa 1540–1596)   Alternative names Paolo Fiammingo, Paolo Franceschi, Paolo dei Franceschi, Paul Franchoys, Pauwels Frank, Frank Pauwels Description Flemish painter and draughtsman Date of birth/death circa 1540 20 December 1596 Location of birth/death Antwerp Venice Work period from 1561 until 1596 Work location Antwerp (1561), Venice (1573-1596) Authority control : Q213284 VIAF: 70017170 ISNI: 0000 0000 6631 6260 ULAN: 500031364 WGA: FIAMMINGO, Paolo GND: 129725102 967 Pauwels Franck Allegorie des Wassers
Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Lower part of the sheet 'Tomb of a Bishop' with scene of a bishop's consecration, Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Tomb of a Bishop, Battista Angolo (gen. del Moro) (1514 um - 1573), artist, Pandora, print medium creation: 1557, etching, sheet size: 38.1 x 24.2 cm (trimmed within platemark)' Field3 Monogrammed and dated 'Z.B.M., 1557' dating partially erased at lower left and at lower right Stock Photo
RM2T8G7KJ–Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Lower part of the sheet 'Tomb of a Bishop' with scene of a bishop's consecration, Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Tomb of a Bishop, Battista Angolo (gen. del Moro) (1514 um - 1573), artist, Pandora, print medium creation: 1557, etching, sheet size: 38.1 x 24.2 cm (trimmed within platemark)' Field3 Monogrammed and dated 'Z.B.M., 1557' dating partially erased at lower left and at lower right
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 3/16 in. (12.8 × 18.3 cm). Former Attribution: Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA93YA–Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 3/16 in. (12.8 × 18.3 cm). Former Attribution: Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
. The siege of Faesulae (Fiesole) by the Goths in the 6th century. 1550–99. Friedrich Sustris  (circa 1540–1599)   Alternative names Federicho di Lamberto d'Amsterdam, Federicho di Lamberto Sustris, Friedrich Sustris, Frederik Sustris Description Dutch painter, draughtsman, architect and etcher Date of birth/death circa 1540 1599 Location of birth/death Venice (?) Munich Work period from 1560 until 1567 Work location Rome (1560-1567), Augsburg (1569-1573), Trausnitz (1574-1580), Munich (circa 1581-1599) Authority control : Q67350 VIAF: 16256985 ISNI: 0000 0000 8095 7881 ULAN: 500019 Stock Photo
RMMNXPRF–. The siege of Faesulae (Fiesole) by the Goths in the 6th century. 1550–99. Friedrich Sustris  (circa 1540–1599)   Alternative names Federicho di Lamberto d'Amsterdam, Federicho di Lamberto Sustris, Friedrich Sustris, Frederik Sustris Description Dutch painter, draughtsman, architect and etcher Date of birth/death circa 1540 1599 Location of birth/death Venice (?) Munich Work period from 1560 until 1567 Work location Rome (1560-1567), Augsburg (1569-1573), Trausnitz (1574-1580), Munich (circa 1581-1599) Authority control : Q67350 VIAF: 16256985 ISNI: 0000 0000 8095 7881 ULAN: 500019
Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Tomb of a Bishop, Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Lower part of the sheet 'Tomb of a Bishop' with scene of a bishop's consecration, Anonymous (dating unknown), etcher Marco Dente (1486, 1500 - 1527), copy after Raphael (1483 - 1520), after, Cupid flees across the sea, Origin of the print medium: c. 1700 - c. 1820, etching on vergé paper, sheet size: 12. 8 x 17.8 cm plate margin: 8.7 x 13.0 cm Stock Photo
RM2T8G9K4–Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Tomb of a Bishop, Battista Angolo (gen. del Moro) (1514 um - 1573), artist Francesco Parmigianino (1503 - 1540), after, Lower part of the sheet 'Tomb of a Bishop' with scene of a bishop's consecration, Anonymous (dating unknown), etcher Marco Dente (1486, 1500 - 1527), copy after Raphael (1483 - 1520), after, Cupid flees across the sea, Origin of the print medium: c. 1700 - c. 1820, etching on vergé paper, sheet size: 12. 8 x 17.8 cm plate margin: 8.7 x 13.0 cm
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 7 1/16 × 5 3/16 in. (18 × 13.2 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB5B02–Bust of a woman in profile facing left, set in an elaborate frame with figures in niches. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 7 1/16 × 5 3/16 in. (18 × 13.2 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
Artist, attributed to: Sakugen Shuryo, Japanese, 1501–1579, Poem in Chinese (Kanshi), ca. 1540–49, Hanging scroll: ink on paper; with ivory rollers, without mounting: 16 3/4 × 25 1/2 in. (42.5 × 64.8 cm), Kyoto, Japan, Japanese, Kyoto, Muromachi period (1336–1573), Calligraphy Stock Photo
RM2DREB6P–Artist, attributed to: Sakugen Shuryo, Japanese, 1501–1579, Poem in Chinese (Kanshi), ca. 1540–49, Hanging scroll: ink on paper; with ivory rollers, without mounting: 16 3/4 × 25 1/2 in. (42.5 × 64.8 cm), Kyoto, Japan, Japanese, Kyoto, Muromachi period (1336–1573), Calligraphy
Angelo Falconetto (1507 - 1567), artist, tomb of a man of letters, Battista Angolo (gen. del Moro) (1514 um - 1573), artist, Bernardino Campi (1522 um - 1591), after Francesco Parmigianino (1503 - 1540), after, Vestalin Tuccia, Origin of the print medium: c. 1530 - 1573, etching on vergé paper, sheet size: 28.4 x 16.8 cm, monogrammed 'EV' in pen and black at lower left monogram of Enea Vico Stock Photo
RM2T8G9FC–Angelo Falconetto (1507 - 1567), artist, tomb of a man of letters, Battista Angolo (gen. del Moro) (1514 um - 1573), artist, Bernardino Campi (1522 um - 1591), after Francesco Parmigianino (1503 - 1540), after, Vestalin Tuccia, Origin of the print medium: c. 1530 - 1573, etching on vergé paper, sheet size: 28.4 x 16.8 cm, monogrammed 'EV' in pen and black at lower left monogram of Enea Vico
Tomb of a Bishop, Etching, Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino Stock Photo
RMKC7W3C–Tomb of a Bishop, Etching, Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino
Bust of a woman flanked by three women on each side, set within an elaborate frame, Battista Angolo del Moro, ca. 1540–80 Stock Photo
RMKCBG5K–Bust of a woman flanked by three women on each side, set within an elaborate frame, Battista Angolo del Moro, ca. 1540–80
Madonna and Child Madonna and Child with St. Catherine, St. Joseph and A Bishop, Attributed to Giulio Bonasone Stock Photo
RMKC7W32–Madonna and Child Madonna and Child with St. Catherine, St. Joseph and A Bishop, Attributed to Giulio Bonasone
. Italian: Betsabea al bagno Paolo Fiammingo  (circa 1540–1596)   Alternative names Paolo Fiammingo, Paolo Franceschi, Paolo dei Franceschi, Paul Franchoys, Pauwels Frank, Frank Pauwels Description Flemish painter and draughtsman Date of birth/death circa 1540 20 December 1596 Location of birth/death Antwerp Venice Work period from 1561 until 1596 Work location Antwerp (1561), Venice (1573-1596) Authority control : Q213284 VIAF: 70017170 ISNI: 0000 0000 6631 6260 ULAN: 500031364 WGA: FIAMMINGO, Paolo GND: 129725102 959 Paolofiammingo - Betsabea al bagno Stock Photo
RMMNT0R1–. Italian: Betsabea al bagno Paolo Fiammingo  (circa 1540–1596)   Alternative names Paolo Fiammingo, Paolo Franceschi, Paolo dei Franceschi, Paul Franchoys, Pauwels Frank, Frank Pauwels Description Flemish painter and draughtsman Date of birth/death circa 1540 20 December 1596 Location of birth/death Antwerp Venice Work period from 1561 until 1596 Work location Antwerp (1561), Venice (1573-1596) Authority control : Q213284 VIAF: 70017170 ISNI: 0000 0000 6631 6260 ULAN: 500031364 WGA: FIAMMINGO, Paolo GND: 129725102 959 Paolofiammingo - Betsabea al bagno
. Nederlands: Portret van de Goudse burgemeester Jan Claesz. Diert [van Haerlem] (1497-1574) . between 1540 and 1545. Maarten van Heemskerck     Alternative names Marten van Heemskerck, Martinus van Heemskerck, Maarten van Heemskerk, Maertÿnus van Heemskerck Description Dutch painter and draughtsman Date of birth/death 1 June 1498 / 1498 1 October 1574 / 1574 Location of birth/death Heemskerk Haarlem Work location Delft, Haarlem (1527–1532), Rome (1532–1536), Mantua (1536–1537), Haarlem (1537–1574), Amsterdam (1572–1573) Authority control : Q538350 VIAF: 88717459 ISNI: 0000 0001 214 Stock Photo
RMMP6PE1–. Nederlands: Portret van de Goudse burgemeester Jan Claesz. Diert [van Haerlem] (1497-1574) . between 1540 and 1545. Maarten van Heemskerck     Alternative names Marten van Heemskerck, Martinus van Heemskerck, Maarten van Heemskerk, Maertÿnus van Heemskerck Description Dutch painter and draughtsman Date of birth/death 1 June 1498 / 1498 1 October 1574 / 1574 Location of birth/death Heemskerk Haarlem Work location Delft, Haarlem (1527–1532), Rome (1532–1536), Mantua (1536–1537), Haarlem (1537–1574), Amsterdam (1572–1573) Authority control : Q538350 VIAF: 88717459 ISNI: 0000 0001 214
Bust of a woman in profile facing right, set within an elaborate frame with putti. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 in. × 7 1/16 in. (12.7 × 18 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPANK8H–Bust of a woman in profile facing right, set within an elaborate frame with putti. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 in. × 7 1/16 in. (12.7 × 18 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
Madonna and Child with Saints (after Parmigianino), Battista Angolo del Moro Stock Photo
RMKCBG6E–Madonna and Child with Saints (after Parmigianino), Battista Angolo del Moro
The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame Stock Photo
RMKCA7KF–The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame
. Nederlands: Portretten van de Goudse burgemeester Jan Claesz. Diert [van Haerlem] (1497-1574) en zijn vrouw Emmetje Teunisdr. van Souburgh (†1563) . between 1540 and 1545. Maarten van Heemskerck     Alternative names Marten van Heemskerck, Martinus van Heemskerck, Maarten van Heemskerk, Maertÿnus van Heemskerck Description Dutch painter and draughtsman Date of birth/death 1 June 1498 / 1498 1 October 1574 / 1574 Location of birth/death Heemskerk Haarlem Work location Delft, Haarlem (1527–1532), Rome (1532–1536), Mantua (1536–1537), Haarlem (1537–1574), Amsterdam (1572–1573) Authori Stock Photo
RMMP6PE5–. Nederlands: Portretten van de Goudse burgemeester Jan Claesz. Diert [van Haerlem] (1497-1574) en zijn vrouw Emmetje Teunisdr. van Souburgh (†1563) . between 1540 and 1545. Maarten van Heemskerck     Alternative names Marten van Heemskerck, Martinus van Heemskerck, Maarten van Heemskerk, Maertÿnus van Heemskerck Description Dutch painter and draughtsman Date of birth/death 1 June 1498 / 1498 1 October 1574 / 1574 Location of birth/death Heemskerk Haarlem Work location Delft, Haarlem (1527–1532), Rome (1532–1536), Mantua (1536–1537), Haarlem (1537–1574), Amsterdam (1572–1573) Authori
Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 5 1/8 × 7 1/8 in. (13 × 18.1 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPANW51–Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 5 1/8 × 7 1/8 in. (13 × 18.1 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
English: Vulcan, Venus and Mars . ? × ? cm . 1540. Maarten van Heemskerck  (1498–1574)   Alternative names Marten van Heemskerck, Martinus van Heemskerck, Maarten van Heemskerk, Maertÿnus van Heemskerck Description Dutch painter and draughtsman Date of birth/death 1 June 1498 / 1498 1 October 1574 / 1574 Location of birth/death Heemskerk Haarlem Work location Delft, Haarlem (1527–1532), Rome (1532–1536), Mantua (1536–1537), Haarlem (1537–1574), Amsterdam (1572–1573) Authority control : Q538350 VIAF: 88717459 ISNI: 0000 0001 2142 8602 ULAN: 500124291 LCCN: n50059018 WGA: HEEMSKERCK, Stock Photo
RMMNY866–English: Vulcan, Venus and Mars . ? × ? cm . 1540. Maarten van Heemskerck  (1498–1574)   Alternative names Marten van Heemskerck, Martinus van Heemskerck, Maarten van Heemskerk, Maertÿnus van Heemskerck Description Dutch painter and draughtsman Date of birth/death 1 June 1498 / 1498 1 October 1574 / 1574 Location of birth/death Heemskerk Haarlem Work location Delft, Haarlem (1527–1532), Rome (1532–1536), Mantua (1536–1537), Haarlem (1537–1574), Amsterdam (1572–1573) Authority control : Q538350 VIAF: 88717459 ISNI: 0000 0001 2142 8602 ULAN: 500124291 LCCN: n50059018 WGA: HEEMSKERCK,
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame Stock Photo
RMKCA7KG–Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, Battista Angolo Stock Photo
RMKCBG56–Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, Battista Angolo
明 侯懋功 高山圖 軸, High Mountains, Hou Maogong, dated 1569 Stock Photo
RMKC3KRJ–明 侯懋功 高山圖 軸, High Mountains, Hou Maogong, dated 1569
Four women surrounding a seated figure, a bird above them, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 3/16 × 7 5/16 in. (13.1 × 18.5 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB5W0P–Four women surrounding a seated figure, a bird above them, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 3/16 × 7 5/16 in. (13.1 × 18.5 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
G-002092-20120913.jpg Hans Mielich, A Member of the Fröschl Family, German, 1516 - 1573, c. 1539/1540, oil on panel, Gift of David Edward Finley and Margaret Eustis Finley 3 A Member of the Fröschl Family G-002092-20120913 Stock Photo
RMP0193G–G-002092-20120913.jpg Hans Mielich, A Member of the Fröschl Family, German, 1516 - 1573, c. 1539/1540, oil on panel, Gift of David Edward Finley and Margaret Eustis Finley 3 A Member of the Fröschl Family G-002092-20120913
. English: Maximilian II, Holy Roman Emperor. circa 1566. Nicolas Neufchatel  (fl. 1539–1567)   Alternative names Nicolas de Neufchâtel, Nicolaes Neufchatel, Lucidel Description Flemish painter and drawer Date of birth/death 1527 after 1573 Location of birth/death Mons Nuremberg (?) Work period circa 1539-1567 Work location Antwerp (1539), Mons (1540), Nuremberg (1561-23 July 1567) Authority control : Q323971 VIAF: 5815065 ULAN: 500010427 WGA: NEUFCHATEL, Nicolas GND: 122466705 BPN: 65522973 878 Maximilian II, Holy Roman Emperor Stock Photo
RMMNT7YJ–. English: Maximilian II, Holy Roman Emperor. circa 1566. Nicolas Neufchatel  (fl. 1539–1567)   Alternative names Nicolas de Neufchâtel, Nicolaes Neufchatel, Lucidel Description Flemish painter and drawer Date of birth/death 1527 after 1573 Location of birth/death Mons Nuremberg (?) Work period circa 1539-1567 Work location Antwerp (1539), Mons (1540), Nuremberg (1561-23 July 1567) Authority control : Q323971 VIAF: 5815065 ULAN: 500010427 WGA: NEUFCHATEL, Nicolas GND: 122466705 BPN: 65522973 878 Maximilian II, Holy Roman Emperor
. English: Maximilian II, Holy Roman Emperor . circa 1566. Nicolas Neufchatel  (fl. 1539–1567)   Alternative names Nicolas de Neufchâtel, Nicolaes Neufchatel, Lucidel Description Flemish painter and drawer Date of birth/death 1527 after 1573 Location of birth/death Mons Nuremberg (?) Work period circa 1539-1567 Work location Antwerp (1539), Mons (1540), Nuremberg (1561-23 July 1567) Authority control : Q323971 VIAF: 5815065 ULAN: 500010427 WGA: NEUFCHATEL, Nicolas GND: 122466705 BPN: 65522973 878 Maximilian II Holy Roman Emperor Stock Photo
RMMPAKE7–. English: Maximilian II, Holy Roman Emperor . circa 1566. Nicolas Neufchatel  (fl. 1539–1567)   Alternative names Nicolas de Neufchâtel, Nicolaes Neufchatel, Lucidel Description Flemish painter and drawer Date of birth/death 1527 after 1573 Location of birth/death Mons Nuremberg (?) Work period circa 1539-1567 Work location Antwerp (1539), Mons (1540), Nuremberg (1561-23 July 1567) Authority control : Q323971 VIAF: 5815065 ULAN: 500010427 WGA: NEUFCHATEL, Nicolas GND: 122466705 BPN: 65522973 878 Maximilian II Holy Roman Emperor
The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 7 1/16 × 5 in. (18 × 12.7 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPATHJT–The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 7 1/16 × 5 in. (18 × 12.7 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
. Nederlands: Beleg van Haarlem - executies door de Spanjaarden, ets Origineel gefotografeerd in de dependance van het Rijksmuseum op Schiphol. . between 1573 and 1590. Frans Hogenberg  (before 1540–1590)   Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartographer Date of birth/death before 1540 1590 Location of birth/death Mechelen Cologne Work period 1568-1588 Work location Antwerp (1568), London (1568), Cologne (1570-1585), Hamburg (1585-1588), Denmark (1588) Authority control : Q959748 VIAF:?100197099 ISNI:?0000 0001 1839 Stock Photo
RMMMRE73–. Nederlands: Beleg van Haarlem - executies door de Spanjaarden, ets Origineel gefotografeerd in de dependance van het Rijksmuseum op Schiphol. . between 1573 and 1590. Frans Hogenberg  (before 1540–1590)   Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartographer Date of birth/death before 1540 1590 Location of birth/death Mechelen Cologne Work period 1568-1588 Work location Antwerp (1568), London (1568), Cologne (1570-1585), Hamburg (1585-1588), Denmark (1588) Authority control : Q959748 VIAF:?100197099 ISNI:?0000 0001 1839
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPATE7F–A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
. Kardinal Otto Truchsess von Waldburg-Trauchburg (1514–1573) . 16th century. Lambert Sustris  (1515–1584)   Alternative names Lambert van Amsterdam; Lamberto d'Amsterdam; Lamberto Fiammingo; Lambertus de Amsterdam; Lambert Süter; Lambert Suster; Lambert Susterus; Lambert Süstris; Lambrecht Sustris; Lambert Zustris; Lambert Zustrus Description Dutch painter, fresco painter and draughtsman Date of birth/death circa 1515 1591 (?) Location of birth/death Amsterdam Venice (?) Work location Rome (ca. 1530-1535), Venice (1535-1548), Padua (ca. 1540-1543), Augsburg (1548), Padua Authority co Stock Photo
RMMNP3K7–. Kardinal Otto Truchsess von Waldburg-Trauchburg (1514–1573) . 16th century. Lambert Sustris  (1515–1584)   Alternative names Lambert van Amsterdam; Lamberto d'Amsterdam; Lamberto Fiammingo; Lambertus de Amsterdam; Lambert Süter; Lambert Suster; Lambert Susterus; Lambert Süstris; Lambrecht Sustris; Lambert Zustris; Lambert Zustrus Description Dutch painter, fresco painter and draughtsman Date of birth/death circa 1515 1591 (?) Location of birth/death Amsterdam Venice (?) Work location Rome (ca. 1530-1535), Venice (1535-1548), Padua (ca. 1540-1543), Augsburg (1548), Padua Authority co
A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 7 1/16 × 5 1/16 in. (17.9 × 12.8 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAB1AT–A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 7 1/16 × 5 1/16 in. (17.9 × 12.8 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.
. Español: Dama con perrito, óleo sobre tabla, 77 x 57 cm, Museo de Bellas Artes de la Coruña, en depósito del Museo del Prado . hacia 1550-1575. Nicolas Neufchatel  (fl. 1539–1567)   Alternative names Nicolas de Neufchâtel, Nicolaes Neufchatel, Lucidel Description Flemish painter and drawer Date of birth/death 1527 after 1573 Location of birth/death Mons Nuremberg (?) Work period circa 1539-1567 Work location Antwerp (1539), Mons (1540), Nuremberg (1561-23 July 1567) Authority control : Q323971 VIAF: 5815065 ULAN: 500010427 WGA: NEUFCHATEL, Nicolas GND: 122466705 BPN: 65522973 922 N Stock Photo
RMMPBF14–. Español: Dama con perrito, óleo sobre tabla, 77 x 57 cm, Museo de Bellas Artes de la Coruña, en depósito del Museo del Prado . hacia 1550-1575. Nicolas Neufchatel  (fl. 1539–1567)   Alternative names Nicolas de Neufchâtel, Nicolaes Neufchatel, Lucidel Description Flemish painter and drawer Date of birth/death 1527 after 1573 Location of birth/death Mons Nuremberg (?) Work period circa 1539-1567 Work location Antwerp (1539), Mons (1540), Nuremberg (1561-23 July 1567) Authority control : Q323971 VIAF: 5815065 ULAN: 500010427 WGA: NEUFCHATEL, Nicolas GND: 122466705 BPN: 65522973 922 N
. English: Battle of the Zuiderzee (IJsselmeer) in 1573. Etching. Rotterdam, Museum Boijmans Van Beuningen (inv.no. BdH 19783 (PK)). Nederlands: Slag op de Zuiderzee (uit de serie Historieprenten). Ets. Rotterdam, Museum Boijmans Van Beuningen (inv.nr. BdH 19783 (PK)). Inscriptions / Inscripties: Enckhuÿsen. Princen Admiral Admiral des Alba. Amstelreda 17. Es ist schon abgerißen hie // Ein scharmutzel auf der Suder See // Zwischen dem Princen von Vranien // Und dem von Alba auß Hispanien // Da in das Spanigs regiment // Dem feind ist kommen in sein hend // Der Admiral und sein attlerij // Zu d Stock Photo
RMMNXTH5–. English: Battle of the Zuiderzee (IJsselmeer) in 1573. Etching. Rotterdam, Museum Boijmans Van Beuningen (inv.no. BdH 19783 (PK)). Nederlands: Slag op de Zuiderzee (uit de serie Historieprenten). Ets. Rotterdam, Museum Boijmans Van Beuningen (inv.nr. BdH 19783 (PK)). Inscriptions / Inscripties: Enckhuÿsen. Princen Admiral Admiral des Alba. Amstelreda 17. Es ist schon abgerißen hie // Ein scharmutzel auf der Suder See // Zwischen dem Princen von Vranien // Und dem von Alba auß Hispanien // Da in das Spanigs regiment // Dem feind ist kommen in sein hend // Der Admiral und sein attlerij // Zu d
N/A. English: The siege of Alkmaar. Etching. Rotterdam, Prentenkabinet Museum Boijmans Van Beuningen (inv.no. BdH 19781 (PK)). Nederlands: De belegering van Alkmaar. Ets. Etching. Rotterdam, Prentenkabinet Museum Boijmans Van Beuningen (inv.nr. BdH 19781 (PK)). Inscriptions / Inscripties: ALCMAR. DE SCERMER. Don Friderico ALCMAR ein statt gar woll bekhant. // Im reichen und feisten Hollandt. // Ist von dem Spansen regiment. // Belegert gar starck und behendt. // Beschoßen und besturmet worden // Daß seie alles drinnen ermorden // Est ist in aber nitt gelungen // Dan seie zum abzugk seind gezwu Stock Photo
RMP5NT8M–N/A. English: The siege of Alkmaar. Etching. Rotterdam, Prentenkabinet Museum Boijmans Van Beuningen (inv.no. BdH 19781 (PK)). Nederlands: De belegering van Alkmaar. Ets. Etching. Rotterdam, Prentenkabinet Museum Boijmans Van Beuningen (inv.nr. BdH 19781 (PK)). Inscriptions / Inscripties: ALCMAR. DE SCERMER. Don Friderico ALCMAR ein statt gar woll bekhant. // Im reichen und feisten Hollandt. // Ist von dem Spansen regiment. // Belegert gar starck und behendt. // Beschoßen und besturmet worden // Daß seie alles drinnen ermorden // Est ist in aber nitt gelungen // Dan seie zum abzugk seind gezwu
'PROPALADIA' (1517). Obra del dramaturgo español Bartolomé de TORRES NAHARRO (h.1485-1540) en la que se reúnen ocho comedias. 'EL LAZARILLO DE TORMES'. Obra anónima. Edición compartida publicada en 1573 en Madrid. Stock Photo
RMPNWJ4E–'PROPALADIA' (1517). Obra del dramaturgo español Bartolomé de TORRES NAHARRO (h.1485-1540) en la que se reúnen ocho comedias. 'EL LAZARILLO DE TORMES'. Obra anónima. Edición compartida publicada en 1573 en Madrid.
Marriage of the Virgin. Follower of Parmigianino; Italian, 1503-1540. Date: 1573-1577. Dimensions: 269 x 422 mm. Pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid paper, laid down on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo
RMRX6RWP–Marriage of the Virgin. Follower of Parmigianino; Italian, 1503-1540. Date: 1573-1577. Dimensions: 269 x 422 mm. Pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid paper, laid down on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute.
Joshua Commanding the Israelites. Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-1573/77); or Circle of Federico Zuccaro (Italian, 1540/41-1609. Date: 1564-1574. Dimensions: 195 x 223 mm (max.). Pen and brown ink with red chalk and brush and brown wash, on tan laid paper. Origin: Italy. Museum: The Chicago Art Institute. Author: Circle of Jacopo Zanguidi Bertoja. Stock Photo
RMRX55W8–Joshua Commanding the Israelites. Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-1573/77); or Circle of Federico Zuccaro (Italian, 1540/41-1609. Date: 1564-1574. Dimensions: 195 x 223 mm (max.). Pen and brown ink with red chalk and brush and brown wash, on tan laid paper. Origin: Italy. Museum: The Chicago Art Institute. Author: Circle of Jacopo Zanguidi Bertoja.
Pharmacy jar (albarello). Culture: Italian, Deruta. Dimensions: Oerall (confirmed): 13 3/16 × 8 13/16 × 8 13/16 in. (33.5 × 22.4 × 22.4 cm). Maker: Probably workshop of Giacomo Mancini, 'El Frate' (Italian, active ca. 1540-60). Date: dated 1573. Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel's profile, and the cylindrical albarello type is generally narrower Stock Photo
RMPB0E8T–Pharmacy jar (albarello). Culture: Italian, Deruta. Dimensions: Oerall (confirmed): 13 3/16 × 8 13/16 × 8 13/16 in. (33.5 × 22.4 × 22.4 cm). Maker: Probably workshop of Giacomo Mancini, 'El Frate' (Italian, active ca. 1540-60). Date: dated 1573. Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel's profile, and the cylindrical albarello type is generally narrower
The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 22 5/16 × 16 11/16 in. (56.7 × 42.4 cm). Publisher: Pietro Facchetti (Italian, Mantua 1535-1619 Rome). Date: 1570-75. As explained by Boorsch (in Boorsch, Lewis and Lewis 1985, p. 164) the dates of 1540 and 1549 engraved on some of the plates from the series is false. The plates should rather be dated to the early 1570s. Museum: Metropolitan Museum of Art, New Stock Photo
RMR2MNBC–The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 22 5/16 × 16 11/16 in. (56.7 × 42.4 cm). Publisher: Pietro Facchetti (Italian, Mantua 1535-1619 Rome). Date: 1570-75. As explained by Boorsch (in Boorsch, Lewis and Lewis 1985, p. 164) the dates of 1540 and 1549 engraved on some of the plates from the series is false. The plates should rather be dated to the early 1570s. Museum: Metropolitan Museum of Art, New
Tomb of a Bishop. Dated: 1540s. Dimensions: plate: 36 x 25.7 cm (14 3/16 x 10 1/8 in.) sheet: 36.2 x 25.8 cm (14 1/4 x 10 3/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Battista Angolo del Moro after Parmigianino. Stock Photo
RMR3B35J–Tomb of a Bishop. Dated: 1540s. Dimensions: plate: 36 x 25.7 cm (14 3/16 x 10 1/8 in.) sheet: 36.2 x 25.8 cm (14 1/4 x 10 3/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Battista Angolo del Moro after Parmigianino.
The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 21 3/4 × 16 15/16 in. (55.3 × 43 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENN93–The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 21 3/4 × 16 15/16 in. (55.3 × 43 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA.
The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 22 1/4 × 16 9/16 in. (56.5 × 42 cm). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENMTE–The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 22 1/4 × 16 9/16 in. (56.5 × 42 cm). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA.
The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 21 15/16 × 16 1/4 in. (55.8 × 41.3 cm). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENMRT–The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 21 15/16 × 16 1/4 in. (55.8 × 41.3 cm). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA.
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