1590 1632 hi-res stock photography and images

Crucifixion of Christ, Pieter de Jode (I), Antwerp, 1590 - 1632, paper, engraving, h 465 mm × w 335 mm Stock Photo

RMW58213–Crucifixion of Christ, Pieter de Jode (I), Antwerp, 1590 - 1632, paper, engraving, h 465 mm × w 335 mm

England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615 Stock Photo

RM2TBTC2N–England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615

Landscape with the Apostle Philip Baptizing the Eunuch, by David Vinckboons, (1590-1632?). Stock Photo

RM2CWBGPB–Landscape with the Apostle Philip Baptizing the Eunuch, by David Vinckboons, (1590-1632?).

Robert Carr, Earl of Somerset, and Frances Howard, Countess of Somerset (1590 - 1632), notorious murderous English aristocrats. Married at 14 to the Earl of Essex, Frances spent years trying to annul the marriage so she could marry her true love Robert Carr, Earl of Somerset. The annulment was vehemently opposed by Sir Thomas Overbury, but in 1613, he was poisoned in prison by Howard's maid Anne Turner, allowing Frances to finally divorce her first husband and remarry Carr. In the trial in 1615, Frances and Robert were found guilty of plotting to murder Overbury, sent to prison, but pardoned b Stock Photo

RMP5N8P2–Robert Carr, Earl of Somerset, and Frances Howard, Countess of Somerset (1590 - 1632), notorious murderous English aristocrats. Married at 14 to the Earl of Essex, Frances spent years trying to annul the marriage so she could marry her true love Robert Carr, Earl of Somerset. The annulment was vehemently opposed by Sir Thomas Overbury, but in 1613, he was poisoned in prison by Howard's maid Anne Turner, allowing Frances to finally divorce her first husband and remarry Carr. In the trial in 1615, Frances and Robert were found guilty of plotting to murder Overbury, sent to prison, but pardoned b

Robert Carr, Earl of Somerset, and Frances Howard, Countess of Somerset (1590 - 1632), notorious murderous English aristocrats. Stock Photo

RMC0X72A–Robert Carr, Earl of Somerset, and Frances Howard, Countess of Somerset (1590 - 1632), notorious murderous English aristocrats.

FRANCES CARR, Countess of Somerset (1590-1632) painted by Wiliam Larkin in 1615 Stock Photo

RME7WBF0–FRANCES CARR, Countess of Somerset (1590-1632) painted by Wiliam Larkin in 1615

Peter Binoit 1590-1632 - Kytice Stock Photo

RMHTN1BY–Peter Binoit 1590-1632 - Kytice

Portrait of Samuel Ampzing (1590-1632).[1]. circa 1630. Frans Hals 095 WGA version Stock Photo

RMMMXNG3–Portrait of Samuel Ampzing (1590-1632).[1]. circa 1630. Frans Hals 095 WGA version

RMJTHT8C–Peter Binoit 1590 1632 Kytice

Portrait of Pietro Francavilla (Pietro Franqueville), Pieter de Jode (I), 1590 - 1632 Stock Photo

RMRYCXGB–Portrait of Pietro Francavilla (Pietro Franqueville), Pieter de Jode (I), 1590 - 1632

Frances Carr, Countess of Somerset, 1590 - 1632. The countess and her husband were found guilty of murder in a famous scandal during the reign of King James I. After an early 17th century print by Simon van de Passe. Stock Photo

RM2G8G5PY–Frances Carr, Countess of Somerset, 1590 - 1632. The countess and her husband were found guilty of murder in a famous scandal during the reign of King James I. After an early 17th century print by Simon van de Passe.

Frances Carr, Countess of Somerset (1590-1632). English noblewoman. Portrait. Studio of Willliam Larkin (ca.1580-1619). Oil on panel (57,5 x 43,8 cm), ca. 1615. National Portrait Gallery. London, England, United Kingdom. Stock Photo

RM2G8DH81–Frances Carr, Countess of Somerset (1590-1632). English noblewoman. Portrait. Studio of Willliam Larkin (ca.1580-1619). Oil on panel (57,5 x 43,8 cm), ca. 1615. National Portrait Gallery. London, England, United Kingdom.

Hendrik van Balen d.ae. (1573-1632); Jan Brueghel D.ae. (1568-1625), flower crust with Jesus and Johannes, 1590-1632 Stock Photo

RM2EKPW0M–Hendrik van Balen d.ae. (1573-1632); Jan Brueghel D.ae. (1568-1625), flower crust with Jesus and Johannes, 1590-1632

Portrait of Willem Teelinck, Pieter de Jode (I), after Adriaen Pietersz. van de Venne, 1590 - 1632 Bust portrait of Willem Teelinck, at the age of 41. Stock Photo

RF2KA0NYD–Portrait of Willem Teelinck, Pieter de Jode (I), after Adriaen Pietersz. van de Venne, 1590 - 1632 Bust portrait of Willem Teelinck, at the age of 41.

RM2RX4AHF–England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615

Kruisiging van Christus Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) the crucifixion of Christ on Mount Calvary. Left and right of him, the criminals crucified with him. Under the cross are Mary Magdalene, Mary, St. John and weeping spectators. In the foreground, a horse and a soldier with flag. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: car mat Stock Photo

RM2B70XJM–Kruisiging van Christus Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) the crucifixion of Christ on Mount Calvary. Left and right of him, the criminals crucified with him. Under the cross are Mary Magdalene, Mary, St. John and weeping spectators. In the foreground, a horse and a soldier with flag. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: car mat

Ambrosius Francken (II) (1590–1632) Aanbidding door de herders (zuiderdwarsbeuk) Sint-Janskerk (Mechelen) 13-09-2018 14-42-27. Stock Photo

RM2WEY19E–Ambrosius Francken (II) (1590–1632) Aanbidding door de herders (zuiderdwarsbeuk) Sint-Janskerk (Mechelen) 13-09-2018 14-42-27.

Art inspired by Portrait of Louis XIII, ca. 1632–35, Black and white chalk with touches of pastel on light brown paper, Sheet: 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm), Drawings, Simon Vouet (French, Paris 1590–1649 Paris), Recalled to France in 1627 by the French king Louis XIII, Vouet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXTTP–Art inspired by Portrait of Louis XIII, ca. 1632–35, Black and white chalk with touches of pastel on light brown paper, Sheet: 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm), Drawings, Simon Vouet (French, Paris 1590–1649 Paris), Recalled to France in 1627 by the French king Louis XIII, Vouet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

1590 c, ITALY : The italian naturalist , enthomologist , biologist , botanist ULISSE ALDROVANDI ( 1522 - 1605 ) aka Ulysses Aldrovandus aka Aldovrandi . Portrait by engraver Nicolas de Larmessin ( 1632 - 1694 ) . - HISTORY - foto storica storiche - portrait - ritratto - NATURALISTA - NATURALIST - SCIENZA - SCIENCE - BIOLOGY - BIOLOGIA - ENTOMOLOGO - ENTOMOLOGIA - BOTANICO - BOTANICA - BOTANIC - illustration - illustrazione - incisione - engraving - beard - barba - libro - book --- Archivio GBB Stock Photo

RM2BTB974–1590 c, ITALY : The italian naturalist , enthomologist , biologist , botanist ULISSE ALDROVANDI ( 1522 - 1605 ) aka Ulysses Aldrovandus aka Aldovrandi . Portrait by engraver Nicolas de Larmessin ( 1632 - 1694 ) . - HISTORY - foto storica storiche - portrait - ritratto - NATURALISTA - NATURALIST - SCIENZA - SCIENCE - BIOLOGY - BIOLOGIA - ENTOMOLOGO - ENTOMOLOGIA - BOTANICO - BOTANICA - BOTANIC - illustration - illustrazione - incisione - engraving - beard - barba - libro - book --- Archivio GBB

Crucifixion of Christ, Pieter de Jode (I), Antwerp, 1590 - 1632, paper, engraving, h 465 mm × w 335 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9C8R2–Crucifixion of Christ, Pieter de Jode (I), Antwerp, 1590 - 1632, paper, engraving, h 465 mm × w 335 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Portrait of Anton van Opstal (born 1590) between 1626 and 1632 by Anthony van Dyck Stock Photo

RM2RFYH00–Portrait of Anton van Opstal (born 1590) between 1626 and 1632 by Anthony van Dyck

Portrait of a Young Woman; Nicolaes Eliasz. Pickenoy, Dutch, 1590/1591 - 1654/1656; 1632; Oil on panel; Unframed: 118.7 x 90.2 cm (46 3/4 x 35 1/2 in.) Stock Photo

RMECE69H–Portrait of a Young Woman; Nicolaes Eliasz. Pickenoy, Dutch, 1590/1591 - 1654/1656; 1632; Oil on panel; Unframed: 118.7 x 90.2 cm (46 3/4 x 35 1/2 in.)

Frances Carr, condesa de Somerset (1590-1632). Noble inglesa. Figura central en el escándalo y asesinato, durante el reinado de Jacobo I, de Sir Thomas Overbury. Retrato realizado en el taller de Willliam Larkin (m. 1619). Oleo sobre tabla, h. 1615. National Portrait Gallery. Londres, Inglaterra. Stock Photo

RM2AFTC0J–Frances Carr, condesa de Somerset (1590-1632). Noble inglesa. Figura central en el escándalo y asesinato, durante el reinado de Jacobo I, de Sir Thomas Overbury. Retrato realizado en el taller de Willliam Larkin (m. 1619). Oleo sobre tabla, h. 1615. National Portrait Gallery. Londres, Inglaterra.

Gerrit van Honthorst (1590-1656), Friedrich V, Elector of the Palatinate (1596-1632), King of Bohemia (1619–20) Stock Photo

RMG1J243–Gerrit van Honthorst (1590-1656), Friedrich V, Elector of the Palatinate (1596-1632), King of Bohemia (1619–20)

Frederick V (1596-1632), Elector Palatine of the Rhine and King of Bohemia, ca 1631. Stock Photo

RMMPWFX8–Frederick V (1596-1632), Elector Palatine of the Rhine and King of Bohemia, ca 1631.

After Anthony van Dyck - Portrait of Anton van Opstal (1590-), 1626 - 1632. Stock Photo

RM2WDYP23–After Anthony van Dyck - Portrait of Anton van Opstal (1590-), 1626 - 1632.

English: The four temperaments, Sangvinevs between 1590 and 1632. 992 Pieter de Jode (I) - The four temperaments, Sangvinevs Stock Photo

RMMNT96C–English: The four temperaments, Sangvinevs between 1590 and 1632. 992 Pieter de Jode (I) - The four temperaments, Sangvinevs

After Gerrit van Honthorst (Utrecht 1590-1656) - Frederick V, King of Bohemia (1596-1632) Stock Photo

RM2WDYPE0–After Gerrit van Honthorst (Utrecht 1590-1656) - Frederick V, King of Bohemia (1596-1632)

RMG2KB4X–Portrait of Pietro Francavilla (Pietro Franqueville), Pieter de Jode (I), 1590 - 1632

. The Greek theater and its drama. se. The mostdifficult example of this problem has recently come to light in thefragments of Euripides Hypsipyle, vss. 15795.^ The heroineand Amphiaraus converse from the beginning of the fragment tovs. 1589, where the latter makes his exit. Two Hnes of farewell(vss. 1590 f.) are addressed to him and are assigned by thepapyrus to the children of Hypsipyle. Moreover, they areof such a nature that one line must have been spoken by eachof the two youths. Next, one of them converses with his motheruntil Thoas, who also has a speaking part, appears at vs. 1632. Cf. Stock Photo

RM2AG40AX–. The Greek theater and its drama. se. The mostdifficult example of this problem has recently come to light in thefragments of Euripides Hypsipyle, vss. 15795.^ The heroineand Amphiaraus converse from the beginning of the fragment tovs. 1589, where the latter makes his exit. Two Hnes of farewell(vss. 1590 f.) are addressed to him and are assigned by thepapyrus to the children of Hypsipyle. Moreover, they areof such a nature that one line must have been spoken by eachof the two youths. Next, one of them converses with his motheruntil Thoas, who also has a speaking part, appears at vs. 1632. Cf.

River landscape with oak forest, oil on oak wood, 102 x 97.5 cm, Monogrammed on the barrel of the group: .AF., [, Ligated, ], Alexander Keirincx, Antwerpen 1600–1652 Amsterdam, Ambrosius II. Francken, Antwerpen um 1590–1632 Antwerpen Stock Photo

RM2A2NX38–River landscape with oak forest, oil on oak wood, 102 x 97.5 cm, Monogrammed on the barrel of the group: .AF., [, Ligated, ], Alexander Keirincx, Antwerpen 1600–1652 Amsterdam, Ambrosius II. Francken, Antwerpen um 1590–1632 Antwerpen

Raphael Sadeler d. Ä. (An der Entstehung Beteiligte r) Die Transfiguration Christi. Copper engraving, etching 1590-1632 , 1590/1632 Stock Photo

RM2T884F4–Raphael Sadeler d. Ä. (An der Entstehung Beteiligte r) Die Transfiguration Christi. Copper engraving, etching 1590-1632 , 1590/1632

Portrait of Giovanni Baptista Marini, Pieter de Jode (I), after Simon Vouet, 1590 - 1632 Bust portrait of Giovanni Baptista Marini. He wears a cloak t Stock Photo

RF2KA0ANK–Portrait of Giovanni Baptista Marini, Pieter de Jode (I), after Simon Vouet, 1590 - 1632 Bust portrait of Giovanni Baptista Marini. He wears a cloak t

. The Victoria history of the county of Surrey. Natural history. In April 1587 Robert Ashton died seised of ' the manor or messuage called from old time Compton Hall,' then leased to his nephew, John Cotton. His son and heir was Robert Ashton, who was then nearly seventeen years of age.«»» From 1588 until 1632 the only mention of Compton or Morehouse >»« is in Norden's descrip- tion of Surrey, i"' which by internal evidence is after 1590 and before 1597, in which he says that Cotton, gent., lived at Morehouse. By 1632 it had passed into the hands of Sir Francis Clarke, who died seised Stock Photo

RMPG035A–. The Victoria history of the county of Surrey. Natural history. In April 1587 Robert Ashton died seised of ' the manor or messuage called from old time Compton Hall,' then leased to his nephew, John Cotton. His son and heir was Robert Ashton, who was then nearly seventeen years of age.«»» From 1588 until 1632 the only mention of Compton or Morehouse >»« is in Norden's descrip- tion of Surrey, i"' which by internal evidence is after 1590 and before 1597, in which he says that Cotton, gent., lived at Morehouse. By 1632 it had passed into the hands of Sir Francis Clarke, who died seised

Christ gives Peter the keys Christ give Peter the keys to heaven's gate. Four disciples watch. In the margin a caption in the Latijn. Manufacturer : printmaker Pieter de Jode (I) to painting by Peter Paul Rubens (listed building) Publisher: Martinus van den Enden (listed property) Place manufacture: Antwerp Date: 1590 - 1632 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 244 mm × W 321 mm Subject: Christ gives the keys of heaven to Peter Stock Photo

RM2B6GHT2–Christ gives Peter the keys Christ give Peter the keys to heaven's gate. Four disciples watch. In the margin a caption in the Latijn. Manufacturer : printmaker Pieter de Jode (I) to painting by Peter Paul Rubens (listed building) Publisher: Martinus van den Enden (listed property) Place manufacture: Antwerp Date: 1590 - 1632 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 244 mm × W 321 mm Subject: Christ gives the keys of heaven to Peter

Portrait of Giovanni Boccaccio, Pieter de Jode (I), after Titian, 1590 - 1632 Portrait of Giovanni Boccaccio, in half-person. Stock Photo

RF2T3R2T5–Portrait of Giovanni Boccaccio, Pieter de Jode (I), after Titian, 1590 - 1632 Portrait of Giovanni Boccaccio, in half-person.

Christ shown to the people, Pieter de Jode (I), after Maerten de Vos, 1590 - 1632 Pilate, standing on the balcony of his palace, shows Christ to the p Stock Photo

RF2T3RH3T–Christ shown to the people, Pieter de Jode (I), after Maerten de Vos, 1590 - 1632 Pilate, standing on the balcony of his palace, shows Christ to the p

Portrait of Pietro Francavilla (Pietro Franqueville), Pieter de Jode (I), 1590 - 1632. Reimagined by Gibon. Classic reimagined Stock Photo

RFRAYANX–Portrait of Pietro Francavilla (Pietro Franqueville), Pieter de Jode (I), 1590 - 1632. Reimagined by Gibon. Classic reimagined

Blomsterkrans med Jesus og Johannes between 1590 and 1632 by Hendrick van Balen the Elder Stock Photo

RM2RJAJ3W–Blomsterkrans med Jesus og Johannes between 1590 and 1632 by Hendrick van Balen the Elder

Portrait of Louis XIII. Artist: Simon Vouet (French, Paris 1590-1649 Paris). Dimensions: Sheet: 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm). Date: ca. 1632-35. Recalled to France in 1627 by the French king Louis XIII, Vouet brought with him an up-to-date Baroque manner and set up a sizable studio to help him meet the growing demand for large scale decorative painting for the hôtels and châteaux in and around Paris. Even while his impressive output of paintings was establishing Paris as a new center of Baroque style, Vouet also had a more personal relationship with the king, who not only commissioned Stock Photo

RMRFCFKP–Portrait of Louis XIII. Artist: Simon Vouet (French, Paris 1590-1649 Paris). Dimensions: Sheet: 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm). Date: ca. 1632-35. Recalled to France in 1627 by the French king Louis XIII, Vouet brought with him an up-to-date Baroque manner and set up a sizable studio to help him meet the growing demand for large scale decorative painting for the hôtels and châteaux in and around Paris. Even while his impressive output of paintings was establishing Paris as a new center of Baroque style, Vouet also had a more personal relationship with the king, who not only commissioned

English: Better to blow hard than to burn the mouth between 1590 and 1632. 992 Pieter de Jode (I) - Better to blow hard than to burn the mouth Stock Photo

RMMNT96A–English: Better to blow hard than to burn the mouth between 1590 and 1632. 992 Pieter de Jode (I) - Better to blow hard than to burn the mouth

RMRDF8KH–. The Victoria history of the county of Surrey. Natural history. In April 1587 Robert Ashton died seised of ' the manor or messuage called from old time Compton Hall,' then leased to his nephew, John Cotton. His son and heir was Robert Ashton, who was then nearly seventeen years of age.«»» From 1588 until 1632 the only mention of Compton or Morehouse >»« is in Norden's descrip- tion of Surrey, i"' which by internal evidence is after 1590 and before 1597, in which he says that Cotton, gent., lived at Morehouse. By 1632 it had passed into the hands of Sir Francis Clarke, who died seised

Virgin and Child with Christ at Cradle, Virgin and Child with Christ, sitting at Cradle, Christ-child looking or turning to Mary, Madonna representations, cradle, crib, Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, engraving, h 350 mm × w 263 mm Stock Photo

RMW58214–Virgin and Child with Christ at Cradle, Virgin and Child with Christ, sitting at Cradle, Christ-child looking or turning to Mary, Madonna representations, cradle, crib, Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, engraving, h 350 mm × w 263 mm

Portrait of Marcus van Vaernewijck, Pieter de Jode (I), 1590 - 1632 print BostePortret of Marcus van Vaernewijck, with Bonnet. In the margin there are coat of arms and three lines in Latin. Antwerp paper engraving Stock Photo

RM2WGARXW–Portrait of Marcus van Vaernewijck, Pieter de Jode (I), 1590 - 1632 print BostePortret of Marcus van Vaernewijck, with Bonnet. In the margin there are coat of arms and three lines in Latin. Antwerp paper engraving

Gevangenneming van Christus Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Christ arrested in the garden of Gethsemane by soldiers posing with halberds and lanterns gather around him. He chained around his neck. In the background is Simon Peter with a heavy d knocked off the right ear of the servant Malchus. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical featur Stock Photo

RM2B6NXN7–Gevangenneming van Christus Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Christ arrested in the garden of Gethsemane by soldiers posing with halberds and lanterns gather around him. He chained around his neck. In the background is Simon Peter with a heavy d knocked off the right ear of the servant Malchus. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical featur

Christ is nailed to the cross, Pieter de Jode (I), after Maerten de Vos, 1590 - 1632 Christ is nailed to the cross. In the foreground a basket with ro Stock Photo

RF2T3R81G–Christ is nailed to the cross, Pieter de Jode (I), after Maerten de Vos, 1590 - 1632 Christ is nailed to the cross. In the foreground a basket with ro

RF2B92R2H–River landscape with oak forest, oil on oak wood, 102 x 97.5 cm, Monogrammed on the barrel of the group: .AF., [, Ligated, ], Alexander Keirincx, Antwerpen 1600–1652 Amsterdam, Ambrosius II. Francken, Antwerpen um 1590–1632 Antwerpen, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Saint Christopher and spectators, Pieter de Jode (I), after Otto van Veen, 1590 - 1632 Hilly landscape with a turbulent river. Saint Christopher wades Stock Photo

RF2T3RFC8–Saint Christopher and spectators, Pieter de Jode (I), after Otto van Veen, 1590 - 1632 Hilly landscape with a turbulent river. Saint Christopher wades

RF2T3RHXK–Portrait of Willem Teelinck, Pieter de Jode (I), after Adriaen Pietersz. van de Venne, 1590 - 1632 Bust portrait of Willem Teelinck, at the age of 41.

The Surgeon (La Saignée). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0JFB–The Surgeon (La Saignée). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1632. Museum: Metropolitan Museum of Art, New York, USA.

Deutsch: König Sigismund III. (1566-1632) von Polen, Kniestück Deutsch: um 1590 . 1119 Sigismund III of Poland-Lithuania and Sweden (Martin Kober) Stock Photo

RMMNX9W4–Deutsch: König Sigismund III. (1566-1632) von Polen, Kniestück Deutsch: um 1590 . 1119 Sigismund III of Poland-Lithuania and Sweden (Martin Kober)

Nativity, Stable with Mary and Joseph with the Christ child, lying on a canvas. Joseph is holding a candle. Behind them the ox and the donkey. In the background two shepherds. In the margin a two-line caption in Latin., Mary, Joseph and the new-born Christ (Nativity), Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, etching, h 171 mm × w 124 mm Stock Photo

RMW5820K–Nativity, Stable with Mary and Joseph with the Christ child, lying on a canvas. Joseph is holding a candle. Behind them the ox and the donkey. In the background two shepherds. In the margin a two-line caption in Latin., Mary, Joseph and the new-born Christ (Nativity), Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, etching, h 171 mm × w 124 mm

RM2WG9PAY–Portrait of Marcus van Vaernewijck, Pieter de Jode (I), 1590 - 1632 print BostePortret of Marcus van Vaernewijck, with Bonnet. In the margin there are coat of arms and three lines in Latin. Antwerp paper engraving

View of the Piazzetta (the part of the Piazza San Marco between the Doge's Palace and the Biblioteca Marcianate) to Venice in 1585. in the square and the various figures two columns with the statue of St. Teodoro Amasea and the lion of Mark. Central to the arms of the city of Venice on a pedestal, flanked by a river god and a river goddess. As part of the pedestal four lines in Latijn. Manufacturer : printmaker Pieter de Jode (I) to painting: Louis Toeput (listed property) provider of privilege: Senate of Venice (listed property) Place manufacture: Netherlands Date: 1590 - 1632 Physical featur Stock Photo

RM2B6PA12–View of the Piazzetta (the part of the Piazza San Marco between the Doge's Palace and the Biblioteca Marcianate) to Venice in 1585. in the square and the various figures two columns with the statue of St. Teodoro Amasea and the lion of Mark. Central to the arms of the city of Venice on a pedestal, flanked by a river god and a river goddess. As part of the pedestal four lines in Latijn. Manufacturer : printmaker Pieter de Jode (I) to painting: Louis Toeput (listed property) provider of privilege: Senate of Venice (listed property) Place manufacture: Netherlands Date: 1590 - 1632 Physical featur

RF2B9C8R1–Virgin and Child with Christ at Cradle, Virgin and Child with Christ, sitting at Cradle, Christ-child looking or turning to Mary, Madonna representations, cradle, crib, Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, engraving, h 350 mm × w 263 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

The Shoemaker. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm) Plate: 10 1/4 × 13 1/16 in. (26.1 × 33.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1632-33. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAM494–The Shoemaker. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm) Plate: 10 1/4 × 13 1/16 in. (26.1 × 33.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1632-33. Museum: Metropolitan Museum of Art, New York, USA.

Piles of Books.[1] Alternative title(s): Drie boeken.[2] circa 1615-1630. Hercules Seghers (1589/1590–before 1638) Alternative names Hercules Pietersz., Hercules Seegers, Hercules Segers, Hercules Pietersz. Seghers, Herkeles Seghers, Herkeles Pietersz. Seghers, Hercules Zegers, Hercules Zeghers Description Dutch printmaker, painter and draughtsman Date of birth/death 1589 or 1590 between 1633 and 1638 Location of birth/death Haarlem The Hague Work location Haarlem (1612), Amsterdam (1614-1631), Utrecht (1631), The Hague (1632-1638) Authority control : Q931846 VIAF: 7636553 ISN Stock Photo

RMMNWXPX–Piles of Books.[1] Alternative title(s): Drie boeken.[2] circa 1615-1630. Hercules Seghers (1589/1590–before 1638) Alternative names Hercules Pietersz., Hercules Seegers, Hercules Segers, Hercules Pietersz. Seghers, Herkeles Seghers, Herkeles Pietersz. Seghers, Hercules Zegers, Hercules Zeghers Description Dutch printmaker, painter and draughtsman Date of birth/death 1589 or 1590 between 1633 and 1638 Location of birth/death Haarlem The Hague Work location Haarlem (1612), Amsterdam (1614-1631), Utrecht (1631), The Hague (1632-1638) Authority control : Q931846 VIAF: 7636553 ISN

Portrait of Willem Teelinck, Bust portrait of Willem Teelinck, at the age of 41. He holds a Bible in his left hand. The portrait is set in an oval frame with a border lettering. Below the frame a frame, with a handwritten, eight-line caption in Dutch., Willem Teellinck, Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, engraving, h 165 mm × w 113 mm Stock Photo

RMW5821H–Portrait of Willem Teelinck, Bust portrait of Willem Teelinck, at the age of 41. He holds a Bible in his left hand. The portrait is set in an oval frame with a border lettering. Below the frame a frame, with a handwritten, eight-line caption in Dutch., Willem Teellinck, Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, engraving, h 165 mm × w 113 mm

Portrait of Justus Lipsius, Pieter de Jode (I), After Abraham Janssens, 1590 - 1632 print Portrait of Justus Lipsius, humanist and scholar. In the margin five lines in Latin. Antwerp paper engraving historical persons Leiden Stock Photo

RM2WGC7NA–Portrait of Justus Lipsius, Pieter de Jode (I), After Abraham Janssens, 1590 - 1632 print Portrait of Justus Lipsius, humanist and scholar. In the margin five lines in Latin. Antwerp paper engraving historical persons Leiden

Christ to the people shown Passion of Christ (serietitel) Passionis et resurrectionis (serietitel) Pontius Pilate showing Christ wearing a robe and crown of thorns on his head, in a boost to the nation. The people calling for his crucifixion. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material: paper Technique: engra (printing process ) / etch dimensions: Stock Photo

RM2B6GDGC–Christ to the people shown Passion of Christ (serietitel) Passionis et resurrectionis (serietitel) Pontius Pilate showing Christ wearing a robe and crown of thorns on his head, in a boost to the nation. The people calling for his crucifixion. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material: paper Technique: engra (printing process ) / etch dimensions:

Right and wrong passions, Allegorical representation with a man who has let the wrong putti enter the room, symbolizing negative passions. They are only concerned with wealth, play, sleep and the fight and keep the man (man) away from the good passions, symbolized by the club (power) of Hercules and the shield with Medusa's head of Minerva. The print has an uppercase in Latin. In the margin a four-line caption in Latin and in French, Hercules as personification or some other abstract notion, stiff between Virtues and Vices, Psychomachy, anonymous, Antwerp, 1590 - 1632, paper, etching, h 270 mm Stock Photo

RF2B9BYY4–Right and wrong passions, Allegorical representation with a man who has let the wrong putti enter the room, symbolizing negative passions. They are only concerned with wealth, play, sleep and the fight and keep the man (man) away from the good passions, symbolized by the club (power) of Hercules and the shield with Medusa's head of Minerva. The print has an uppercase in Latin. In the margin a four-line caption in Latin and in French, Hercules as personification or some other abstract notion, stiff between Virtues and Vices, Psychomachy, anonymous, Antwerp, 1590 - 1632, paper, etching, h 270 mm

Martyrdom of Saint Thaddeus, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD6FP–Martyrdom of Saint Thaddeus, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

22-02-2008 . Landscape with overhanging fir . circa 1615-1630. Hercules Seghers (1589/1590–before 1638) Alternative names Hercules Pietersz., Hercules Seegers, Hercules Segers, Hercules Pietersz. Seghers, Herkeles Seghers, Herkeles Pietersz. Seghers, Hercules Zegers, Hercules Zeghers Description Dutch printmaker, painter and draughtsman Date of birth/death 1589 or 1590 between 1633 and 1638 Location of birth/death Haarlem The Hague Work location Haarlem (1612), Amsterdam (1614-1631), Utrecht (1631), The Hague (1632-1638) Authority control : Q931846 VIAF: 7636553 ISNI: 0000 00 Stock Photo

RMMNWXR0–22-02-2008 . Landscape with overhanging fir . circa 1615-1630. Hercules Seghers (1589/1590–before 1638) Alternative names Hercules Pietersz., Hercules Seegers, Hercules Segers, Hercules Pietersz. Seghers, Herkeles Seghers, Herkeles Pietersz. Seghers, Hercules Zegers, Hercules Zeghers Description Dutch printmaker, painter and draughtsman Date of birth/death 1589 or 1590 between 1633 and 1638 Location of birth/death Haarlem The Hague Work location Haarlem (1612), Amsterdam (1614-1631), Utrecht (1631), The Hague (1632-1638) Authority control : Q931846 VIAF: 7636553 ISNI: 0000 00

Tomb of Christ, Christ is laid in the rock tomb by Joseph of Arimatea. On the left in the background is Nicodemus at the stairs against the cross. On the right a group of grieving women including Mary and Mary Magdalene. In the margin a caption, in three columns of two lines, in Latin, Christ's entombment (possibly by angels), Pieter de Jode (I), Italy, 1590 - 1632, paper, engraving, h 287 mm × w 357 mm Stock Photo

RMW57XXT–Tomb of Christ, Christ is laid in the rock tomb by Joseph of Arimatea. On the left in the background is Nicodemus at the stairs against the cross. On the right a group of grieving women including Mary and Mary Magdalene. In the margin a caption, in three columns of two lines, in Latin, Christ's entombment (possibly by angels), Pieter de Jode (I), Italy, 1590 - 1632, paper, engraving, h 287 mm × w 357 mm

Maria with Christenkind near Wieg, Pieter de Jode (I), After Peter Paul Rubens, 1590 - 1632 print Mary with the Christ child, sitting at a cradle. Antwerp paper engraving Christ-child looking or turning to Mary Madonna-representations. cradle, crib Stock Photo

RM2WGB6BY–Maria with Christenkind near Wieg, Pieter de Jode (I), After Peter Paul Rubens, 1590 - 1632 print Mary with the Christ child, sitting at a cradle. Antwerp paper engraving Christ-child looking or turning to Mary Madonna-representations. cradle, crib

Laatste avondmaal Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Christ and his disciples around a table. Christ is in the middle and John leans against him. On the table is the bread. Bottom left stabbing two lion paws under the clothing of a pupil. In the margin of a four-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: car material: paper Technique: engra (printing process) Stock Photo

RM2B714AP–Laatste avondmaal Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Christ and his disciples around a table. Christ is in the middle and John leans against him. On the table is the bread. Bottom left stabbing two lion paws under the clothing of a pupil. In the margin of a four-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: car material: paper Technique: engra (printing process)

RF2B9C8KN–Nativity, Stable with Mary and Joseph with the Christ child, lying on a canvas. Joseph is holding a candle. Behind them the ox and the donkey. In the background two shepherds. In the margin a two-line caption in Latin., Mary, Joseph and the new-born Christ (Nativity), Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, etching, h 171 mm × w 124 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe

Death of Judas, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFCYMP–Death of Judas, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

. Landscape with overhanging fir . circa 1615-1630. Hercules Seghers (1589/1590–before 1638) Alternative names Hercules Pietersz., Hercules Seegers, Hercules Segers, Hercules Pietersz. Seghers, Herkeles Seghers, Herkeles Pietersz. Seghers, Hercules Zegers, Hercules Zeghers Description Dutch printmaker, painter and draughtsman Date of birth/death 1589 or 1590 between 1633 and 1638 Location of birth/death Haarlem The Hague Work location Haarlem (1612), Amsterdam (1614-1631), Utrecht (1631), The Hague (1632-1638) Authority control : Q931846 VIAF: 7636553 ISNI: 0000 0001 1591 7792 U Stock Photo

RMMNWXPT–. Landscape with overhanging fir . circa 1615-1630. Hercules Seghers (1589/1590–before 1638) Alternative names Hercules Pietersz., Hercules Seegers, Hercules Segers, Hercules Pietersz. Seghers, Herkeles Seghers, Herkeles Pietersz. Seghers, Hercules Zegers, Hercules Zeghers Description Dutch printmaker, painter and draughtsman Date of birth/death 1589 or 1590 between 1633 and 1638 Location of birth/death Haarlem The Hague Work location Haarlem (1612), Amsterdam (1614-1631), Utrecht (1631), The Hague (1632-1638) Authority control : Q931846 VIAF: 7636553 ISNI: 0000 0001 1591 7792 U

Christ is nailed to the cross Passion of Christ (series title) Passionis et resurrectionis (series title), Christ is nailed to the cross. In the left foreground a woman with a child in front of her, pointing to the cross. In the background a furious crowd. In the margin a caption in Latin. Print from a series of fifteen with the passion of Christ., Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 177 mm × w 127 mm Stock Photo

RMW58210–Christ is nailed to the cross Passion of Christ (series title) Passionis et resurrectionis (series title), Christ is nailed to the cross. In the left foreground a woman with a child in front of her, pointing to the cross. In the background a furious crowd. In the margin a caption in Latin. Print from a series of fifteen with the passion of Christ., Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 177 mm × w 127 mm

Title print for a series with the passion of Christ, Pieter de Jode (I), after Andreas Boscolus, 1590 - 1632 Ornamental frame with title, crowned with and flanked by Engelen. Title print for a series of fifteen with the passion of Christ. Italy paper etching / engraving angels Stock Photo

RM2WG8B1C–Title print for a series with the passion of Christ, Pieter de Jode (I), after Andreas Boscolus, 1590 - 1632 Ornamental frame with title, crowned with and flanked by Engelen. Title print for a series of fifteen with the passion of Christ. Italy paper etching / engraving angels

Goede en verkeerde hartstochten Allegory with a man the wrong putti the room has admitted that symbolize negative passions. They only deal with wealth, play, sleep and fight and keep the man (man) from the great passions, symbolized by the club (force) of Hercules and shield with Medusa Head of Minerva. The picture has an epigraph in Latin. In the margin a four-line signature in Latin and in the Frans. Manufacturer : printmaker: anonymous designed by: Otto van Veen (listed building) Publisher: Pieter de Jode (I) (listed building) Place manufacture: Antwerp Date: 1590 - 1632 Physical features: Stock Photo

RM2B6RME9–Goede en verkeerde hartstochten Allegory with a man the wrong putti the room has admitted that symbolize negative passions. They only deal with wealth, play, sleep and fight and keep the man (man) from the great passions, symbolized by the club (force) of Hercules and shield with Medusa Head of Minerva. The picture has an epigraph in Latin. In the margin a four-line signature in Latin and in the Frans. Manufacturer : printmaker: anonymous designed by: Otto van Veen (listed building) Publisher: Pieter de Jode (I) (listed building) Place manufacture: Antwerp Date: 1590 - 1632 Physical features:

RF2B9C8KY–Christ is nailed to the cross Passion of Christ (series title) Passionis et resurrectionis (series title), Christ is nailed to the cross. In the left foreground a woman with a child in front of her, pointing to the cross. In the background a furious crowd. In the margin a caption in Latin. Print from a series of fifteen with the passion of Christ., Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 177 mm × w 127 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em

Martyrdom of Saint Peter, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.5 cm) Plate: 2 3/4 x 1 13/16 in. (7 x 4.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD6Y7–Martyrdom of Saint Peter, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.5 cm) Plate: 2 3/4 x 1 13/16 in. (7 x 4.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

. English: Jacob Hoefnagel (atributed), Gloria Crocodilus - Oculata fides, drawing, Dimensions: H: 83 mm, W: 92 mm, The British Museum . 1634. Jacob Hoefnagel (1573–1632/1633) Alternative names Jan Hoefnagel, Jakob Hoefnagel, Jakub Hoefnagel, Jakub Hufnagel Description Flemish painter, draughtsman, printmaker and miniaturist Date of birth/death 1573 between 2 October 1632 and 6 April 1633 Location of birth/death Antwerp Dutch Republic or Hamburg (?) Work period from 1590 until 1630 Work location Vienna, Antwerp, Prague, Stockholm, Northern Netherlands, Hamburg (1621-1630) Authority Stock Photo

RMMP7GMC–. English: Jacob Hoefnagel (atributed), Gloria Crocodilus - Oculata fides, drawing, Dimensions: H: 83 mm, W: 92 mm, The British Museum . 1634. Jacob Hoefnagel (1573–1632/1633) Alternative names Jan Hoefnagel, Jakob Hoefnagel, Jakub Hoefnagel, Jakub Hufnagel Description Flemish painter, draughtsman, printmaker and miniaturist Date of birth/death 1573 between 2 October 1632 and 6 April 1633 Location of birth/death Antwerp Dutch Republic or Hamburg (?) Work period from 1590 until 1630 Work location Vienna, Antwerp, Prague, Stockholm, Northern Netherlands, Hamburg (1621-1630) Authority

Better blown than the mouth burned, Two charlatans for a table on which bottles, jars and coins. One of them blows in a bowl of hot liquid. In the margin a caption of two lines in Latin and in Dutch, showing that the charlatan can be more careful to prevent misery., Proverbs, sayings, etc. (BETTER SAVE THAN SORRY), clothes, costume (men's clothes ), head-gear: hat (men's clothes), Pieter de Jode (I) (mentioned on object), Netherlands, 1590 - 1632, paper, engraving, h 211 mm × w 146 mm Stock Photo

RMW5821E–Better blown than the mouth burned, Two charlatans for a table on which bottles, jars and coins. One of them blows in a bowl of hot liquid. In the margin a caption of two lines in Latin and in Dutch, showing that the charlatan can be more careful to prevent misery., Proverbs, sayings, etc. (BETTER SAVE THAN SORRY), clothes, costume (men's clothes ), head-gear: hat (men's clothes), Pieter de Jode (I) (mentioned on object), Netherlands, 1590 - 1632, paper, engraving, h 211 mm × w 146 mm

RM2WGB20M–Maria with Christenkind near Wieg, Pieter de Jode (I), After Peter Paul Rubens, 1590 - 1632 print Mary with the Christ child, sitting at a cradle. Antwerp paper engraving Christ-child looking or turning to Mary Madonna-representations. cradle, crib

Kruisdraging Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Christ falls while wearing his cross to Golgotha. Simon of Cyrene helps him. Left foreground Veronica offers a cloth to dry his sweat. In the margin of a two-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material: paper Technique: engra (printing process ) / etch dimensions: sheet: h 178 mm × W 124 Stock Photo

RM2B70WMH–Kruisdraging Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Christ falls while wearing his cross to Golgotha. Simon of Cyrene helps him. Left foreground Veronica offers a cloth to dry his sweat. In the margin of a two-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material: paper Technique: engra (printing process ) / etch dimensions: sheet: h 178 mm × W 124

RF2B9C8RC–Portrait of Willem Teelinck, Bust portrait of Willem Teelinck, at the age of 41. He holds a Bible in his left hand. The portrait is set in an oval frame with a border lettering. Below the frame a frame, with a handwritten, eight-line caption in Dutch., Willem Teellinck, Pieter de Jode (I) (mentioned on object), Antwerp, 1590 - 1632, paper, engraving, h 165 mm × w 113 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement,

Martyrdom of Saint Matthew, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.5 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFCY2J–Martyrdom of Saint Matthew, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.5 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

. English: Jacob Hoefnagel, Allegory of the Humanist Virtue, drawing, red chalk, white heightening on paper, text on the drawing: omnia mea mecum porto (all I own I carry with me), dimensions: 199 × 148 mm, date: 1599, Museum of Fine Arts in Budapest. 1599. Jacob Hoefnagel (1573–1632/1633) Alternative names Jan Hoefnagel, Jakob Hoefnagel, Jakub Hoefnagel, Jakub Hufnagel Description Flemish painter, draughtsman, printmaker and miniaturist Date of birth/death 1573 between 2 October 1632 and 6 April 1633 Location of birth/death Antwerp Dutch Republic or Hamburg (?) Work period from 1590 Stock Photo

RMMP7GMB–. English: Jacob Hoefnagel, Allegory of the Humanist Virtue, drawing, red chalk, white heightening on paper, text on the drawing: omnia mea mecum porto (all I own I carry with me), dimensions: 199 × 148 mm, date: 1599, Museum of Fine Arts in Budapest. 1599. Jacob Hoefnagel (1573–1632/1633) Alternative names Jan Hoefnagel, Jakob Hoefnagel, Jakub Hoefnagel, Jakub Hufnagel Description Flemish painter, draughtsman, printmaker and miniaturist Date of birth/death 1573 between 2 October 1632 and 6 April 1633 Location of birth/death Antwerp Dutch Republic or Hamburg (?) Work period from 1590

RMW57PEB–Right and wrong passions, Allegorical representation with a man who has let the wrong putti enter the room, symbolizing negative passions. They are only concerned with wealth, play, sleep and the fight and keep the man (man) away from the good passions, symbolized by the club (power) of Hercules and the shield with Medusa's head of Minerva. The print has an uppercase in Latin. In the margin a four-line caption in Latin and in French, Hercules as personification or some other abstract notion, stiff between Virtues and Vices, Psychomachy, anonymous, Antwerp, 1590 - 1632, paper, etching, h 270 mm

RM2WGAY99–Maria with Christenkind near Wieg, Pieter de Jode (I), After Peter Paul Rubens, 1590 - 1632 print Mary with the Christ child, sitting at a cradle. Antwerp paper engraving Christ-child looking or turning to Mary Madonna-representations. cradle, crib

Kruisafneming Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Body Christ on the cross is met by Nicodemus and Joseph, both on a ladder, helped by two anonymous figures. John. Mary and Mary Magdalene sitting on the floor near the body of Christ. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material: paper Technique: engra (printing Stock Photo

RM2B70W38–Kruisafneming Passie van Christus (serietitel) Passionis et resurrectionis (serietitel) Body Christ on the cross is met by Nicodemus and Joseph, both on a ladder, helped by two anonymous figures. John. Mary and Mary Magdalene sitting on the floor near the body of Christ. In the margin of a three-line signature in Latin. Print out a series of fifteen with the passion of Christus. Manufacturer : printmaker Pieter de Jode (I) designed by Andrea Boscoliuitgever Matteo FlorimiPlaats manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material: paper Technique: engra (printing

RF2B9C4WB–Tomb of Christ, Christ is laid in the rock tomb by Joseph of Arimatea. On the left in the background is Nicodemus at the stairs against the cross. On the right a group of grieving women including Mary and Mary Magdalene. In the margin a caption, in three columns of two lines, in Latin, Christ's entombment (possibly by angels), Pieter de Jode (I), Italy, 1590 - 1632, paper, engraving, h 287 mm × w 357 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic ener

Frontispiece, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 3/8 x 3 3/8 in. (11.1 x 8.5 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD74N–Frontispiece, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 3/8 x 3 3/8 in. (11.1 x 8.5 cm) Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

. Portret Anny pomorskiej (1590-1660), księżnej Croy - ołtarz kościoła ewangelickiego w Smołdzinie . circa 1632. Unknown 47 Anna Gryf Croy Stock Photo

RMMW76C7–. Portret Anny pomorskiej (1590-1660), księżnej Croy - ołtarz kościoła ewangelickiego w Smołdzinie . circa 1632. Unknown 47 Anna Gryf Croy

Carrying the Cross Passion of Christ (series title) Passionis et resurrectionis (series title), Christ falls to Calvary while carrying his cross. Simon van Cyrene helps him. In the left foreground, Veronica offers a cloth to wipe his sweat away. In the margin a two-line caption in Latin. Print from a series of fifteen with the passion of Christ., Christ collapsing, carrying of the cross, Christ meets Veronica, who has a cloth to wipe Christ's face, Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 178 mm × w 124 mm Stock Photo

RMW5820R–Carrying the Cross Passion of Christ (series title) Passionis et resurrectionis (series title), Christ falls to Calvary while carrying his cross. Simon van Cyrene helps him. In the left foreground, Veronica offers a cloth to wipe his sweat away. In the margin a two-line caption in Latin. Print from a series of fifteen with the passion of Christ., Christ collapsing, carrying of the cross, Christ meets Veronica, who has a cloth to wipe Christ's face, Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 178 mm × w 124 mm

Venus and Mercury, Pieter The Jode (i), Aft Bartholomeus sprung, 1590 - 1632 print Mercury and Venus, in a hug. Amor flies above them. In the margin a two -way caption in Latin. Antwerp paper engraving Mercury and Venus as lovers Stock Photo

RM2WG9RNX–Venus and Mercury, Pieter The Jode (i), Aft Bartholomeus sprung, 1590 - 1632 print Mercury and Venus, in a hug. Amor flies above them. In the margin a two -way caption in Latin. Antwerp paper engraving Mercury and Venus as lovers

Saint Catherine of Alexandria, kneeling for Christ Child. Mary holds the baby. Anna gives the hand of Catherine to the Infant Jesus so he can ring to her finger. Right is Joseph and left standing a woman and a engel. Manufacturer : printmaker Pieter de Jode (I) (listed property) designed by Titian (listed property) Place manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material : paper Technique: engra (printing process) / etching dimensions: sheet: h 171 mm × W 186 mm Subject: The Mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child Stock Photo

RM2B6W5DX–Saint Catherine of Alexandria, kneeling for Christ Child. Mary holds the baby. Anna gives the hand of Catherine to the Infant Jesus so he can ring to her finger. Right is Joseph and left standing a woman and a engel. Manufacturer : printmaker Pieter de Jode (I) (listed property) designed by Titian (listed property) Place manufacture: Italy Date: 1590 - 1632 Physical features: engra and etching material : paper Technique: engra (printing process) / etching dimensions: sheet: h 171 mm × W 186 mm Subject: The Mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child

RF2B9C8RB–Better blown than the mouth burned, Two charlatans for a table on which bottles, jars and coins. One of them blows in a bowl of hot liquid. In the margin a caption of two lines in Latin and in Dutch, showing that the charlatan can be more careful to prevent misery., Proverbs, sayings, etc. (BETTER SAVE THAN SORRY), clothes, costume (men's clothes ), head-gear: hat (men's clothes), Pieter de Jode (I) (mentioned on object), Netherlands, 1590 - 1632, paper, engraving, h 211 mm × w 146 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinv

Martyrdom of Saint Andrew, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.6 cm) Plate: 2 3/4 x 1 13/16 in. (7 x 4.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD4JW–Martyrdom of Saint Andrew, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.6 cm) Plate: 2 3/4 x 1 13/16 in. (7 x 4.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

. Portret Anny pomorskiej (1590-1660), księżnej Croy - ołtarz kościoła ewangelickiego w Smołdzinie . circa 1632. Unknown 41 Anna Gryf Croy Stock Photo

RMMY9C7D–. Portret Anny pomorskiej (1590-1660), księżnej Croy - ołtarz kościoła ewangelickiego w Smołdzinie . circa 1632. Unknown 41 Anna Gryf Croy

View of Piazzetta in Venice, 1585 Vrbs Venetvm vt Nvlli (...) (title on object), View of the Piazzetta (the part of Piazza San Marco between the Palazzo Ducale and the Biblioteca Marcianate) in Venice, in 1585. Various figures and two columns with the statue of Saint Teodoro of Amasea and the lion of Mark on the square. Right in front of the coat of arms of the city of Venice on a pedestal, flanked by a river god and a river goddess. In the box on the pedestal four lines in Latin, river-gods, Piazzetta, San Marco, Pieter de Jode (I), Netherlands, 1590 - 1632, paper, etching, h 309 mm × w 423 Stock Photo

RMW57XCW–View of Piazzetta in Venice, 1585 Vrbs Venetvm vt Nvlli (...) (title on object), View of the Piazzetta (the part of Piazza San Marco between the Palazzo Ducale and the Biblioteca Marcianate) in Venice, in 1585. Various figures and two columns with the statue of Saint Teodoro of Amasea and the lion of Mark on the square. Right in front of the coat of arms of the city of Venice on a pedestal, flanked by a river god and a river goddess. In the box on the pedestal four lines in Latin, river-gods, Piazzetta, San Marco, Pieter de Jode (I), Netherlands, 1590 - 1632, paper, etching, h 309 mm × w 423

Portrait of Giovanni Boccaccio, Pieter de Jode (I), After Titian, 1590 - 1632 print Portrait of Giovanni Boccaccio, halfway. He stands behind a table and points with the middle finger from his left hand to an open book. In the margin the name of the portrayed person. Antwerp paper engraving Stock Photo

RM2WD2CK3–Portrait of Giovanni Boccaccio, Pieter de Jode (I), After Titian, 1590 - 1632 print Portrait of Giovanni Boccaccio, halfway. He stands behind a table and points with the middle finger from his left hand to an open book. In the margin the name of the portrayed person. Antwerp paper engraving

Christ is nailed to the cross and passion of Christ Birth (series title) Dominicae passionis mysteria typicis adumbrationibus adamussim effigiata (series title) Christ is nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the margin of a four-line signature in Latin. Seventeenth print from a series of twenty-four on the birth and passion of Christus. Manufacturer : print maker: Pieter de Jode (I) (shown on object) to drawing of: Maerten the VosPlaats manufacture: Antwerpen Date: 1590 - 1632 Physical characteristics: engra material: paper Technique : engra (printi Stock Photo

RM2B6GYFN–Christ is nailed to the cross and passion of Christ Birth (series title) Dominicae passionis mysteria typicis adumbrationibus adamussim effigiata (series title) Christ is nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the margin of a four-line signature in Latin. Seventeenth print from a series of twenty-four on the birth and passion of Christus. Manufacturer : print maker: Pieter de Jode (I) (shown on object) to drawing of: Maerten the VosPlaats manufacture: Antwerpen Date: 1590 - 1632 Physical characteristics: engra material: paper Technique : engra (printi

RF2B9C8KR–Carrying the Cross Passion of Christ (series title) Passionis et resurrectionis (series title), Christ falls to Calvary while carrying his cross. Simon van Cyrene helps him. In the left foreground, Veronica offers a cloth to wipe his sweat away. In the margin a two-line caption in Latin. Print from a series of fifteen with the passion of Christ., Christ collapsing, carrying of the cross, Christ meets Veronica, who has a cloth to wipe Christ's face, Pieter de Jode (I), Italy, 1590 - 1632, paper, etching, h 178 mm × w 124 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and

Martyrdom of Saint Peter, an oval composition, from the series 'Les images de tous les saints et saintes de l'année' (Images of all the saints of the year). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 4 7/8 x 2 11/16 in. (12.4 x 6.9 cm) image: 2 9/16 x 1 7/8 in. (6.5 x 4.8 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: Les images de tous les saints et saintes de l'année (Images of all the saints of the year). Date: 1632-35. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD65H–Martyrdom of Saint Peter, an oval composition, from the series 'Les images de tous les saints et saintes de l'année' (Images of all the saints of the year). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 4 7/8 x 2 11/16 in. (12.4 x 6.9 cm) image: 2 9/16 x 1 7/8 in. (6.5 x 4.8 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: Les images de tous les saints et saintes de l'année (Images of all the saints of the year). Date: 1632-35. Museum: Metropolitan Museum of Art, New York, USA.

RMMX402J–. Portret Anny pomorskiej (1590-1660), księżnej Croy - ołtarz kościoła ewangelickiego w Smołdzinie . circa 1632. Unknown 47 Anna Gryf Croy

Last Supper Passion of Christ (series title) Passionis et resurrectionis (series title ), Christ and his disciples around a table. Christ sits in the middle and John leans against him. The bread is on the table. At the bottom left, two lion's feet protrude under the clothing of a student. In the margin a four-line caption in Latin. Print from a series of fifteen with the passion of Christ., Last Supper (in general) (Matthew 26: 21-35, Mark 14: 18-31, Luke 22: 3, 22: 15-23, John 13: 21- 38), Pieter de Jode (I), Italy, 1590 - 1632, paper, engraving, h 185 mm × w 128 mm Stock Photo

RMW5820M–Last Supper Passion of Christ (series title) Passionis et resurrectionis (series title ), Christ and his disciples around a table. Christ sits in the middle and John leans against him. The bread is on the table. At the bottom left, two lion's feet protrude under the clothing of a student. In the margin a four-line caption in Latin. Print from a series of fifteen with the passion of Christ., Last Supper (in general) (Matthew 26: 21-35, Mark 14: 18-31, Luke 22: 3, 22: 15-23, John 13: 21- 38), Pieter de Jode (I), Italy, 1590 - 1632, paper, engraving, h 185 mm × w 128 mm

1590 1632 Stock Photos and Images

1590 1632 Stock Photos and Images

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