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1593 1650 artist merian Stock Photos and Images
PIAZZA SAN MARCO VENICE VINTAGE 1688 L'Altea Parte della Piazza S. Marco Di Venetia Hand Coloured Lithograph Illustration Etching Venice Italy by Artist Matthäus Merian (1593–1650) Piazza San Marco the main public square with St Mark’s Basilica and the Doge's Palace. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piazza-san-marco-venice-vintage-1688-laltea-parte-della-piazza-s-marco-di-venetia-hand-coloured-lithograph-illustration-etching-venice-italy-by-artist-matthus-merian-15931650-piazza-san-marco-the-main-public-square-with-st-marks-basilica-and-the-doges-palace-image471213522.htmlRM2JAHHJA–PIAZZA SAN MARCO VENICE VINTAGE 1688 L'Altea Parte della Piazza S. Marco Di Venetia Hand Coloured Lithograph Illustration Etching Venice Italy by Artist Matthäus Merian (1593–1650) Piazza San Marco the main public square with St Mark’s Basilica and the Doge's Palace.
Matthäus Merian d.ä, Matthew Merian d.ä, (1593-1650), Swiss artist, graphic artist, painting, Matthäus Merian, watercolor and gouache on parchment, Height, 6 cm (2.3 inches), Width, 4.5 cm (1.7 inches) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthus-merian-d-matthew-merian-d-1593-1650-swiss-artist-graphic-artist-painting-matthus-merian-watercolor-and-gouache-on-parchment-height-6-cm-23-inches-width-45-cm-17-inches-image261314481.htmlRMW53W81–Matthäus Merian d.ä, Matthew Merian d.ä, (1593-1650), Swiss artist, graphic artist, painting, Matthäus Merian, watercolor and gouache on parchment, Height, 6 cm (2.3 inches), Width, 4.5 cm (1.7 inches)
Anthropomorphic Landscape', c1613-1650. Artist: Matthaus Merian. Matthaus Merian (1593-1650) was a Swiss-born engraver who worked in Frankfurt for most of his career. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anthropomorphic-landscape-c1613-1650-artist-matthaus-merian-matthaus-merian-1593-1650-was-a-swiss-born-engraver-who-worked-in-frankfurt-for-most-of-his-career-image377037920.htmlRM2CWBFM0–Anthropomorphic Landscape', c1613-1650. Artist: Matthaus Merian. Matthaus Merian (1593-1650) was a Swiss-born engraver who worked in Frankfurt for most of his career.
Artist: Matthäus Merian the Elder, Swiss, 1593–1650, Bridge with Ruins, Etching, image: 11.2 × 16.8 cm (4 7/16 × 6 5/8 in.), Made in Switzerland, Swiss, 17th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-matthus-merian-the-elder-swiss-15931650-bridge-withruins-etching-image-112-168-cm-4-716-6-58-in-made-in-switzerland-swiss-17thcentury-works-on-paper-prints-image393448809.htmlRM2DT33Y5–Artist: Matthäus Merian the Elder, Swiss, 1593–1650, Bridge with Ruins, Etching, image: 11.2 × 16.8 cm (4 7/16 × 6 5/8 in.), Made in Switzerland, Swiss, 17th century, Works on Paper - Prints
Inspired by Landscapes with hunting scenes, some of which with topographic designation. Plate 3. Münchenstein., Matthäus Merian the Elder, artist, 1624, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-landscapes-with-hunting-scenes-some-of-which-with-topographic-designation-plate-3-mnchenstein-matthus-merian-the-elder-artist-1624-switzerland-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459331253.htmlRF2HK89KH–Inspired by Landscapes with hunting scenes, some of which with topographic designation. Plate 3. Münchenstein., Matthäus Merian the Elder, artist, 1624, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscapes in France. Plate 3. Nancy., Matthäus Merian the Elder, artist, 1613-1620, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-in-france-plate-3-nancy-matthus-merian-the-elder-artist-1613-1620-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-publishing-house-he-was-a-member-of-the-patrician-basel-merian-family-image454317607.htmlRM2HB3XMR–Landscapes in France. Plate 3. Nancy., Matthäus Merian the Elder, artist, 1613-1620, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family
The Witches' Sabbat. Artist: Merian, Matthäus, the Elder (1593-1650) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-witches-sabbat-artist-merian-matthus-the-elder-1593-1650-74093779.htmlRME8F7AB–The Witches' Sabbat. Artist: Merian, Matthäus, the Elder (1593-1650)
Matthäus Merian the Elder (1593-1650) Swiss engraver and cartographer (engraving after Joachum von Sandrart). An innovative cartography who produced bird's eye views of Basel and Paris. See description for more information. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-matthus-merian-the-elder-1593-1650-swiss-engraver-and-cartographer-102111914.htmlRMFX3GP2–Matthäus Merian the Elder (1593-1650) Swiss engraver and cartographer (engraving after Joachum von Sandrart). An innovative cartography who produced bird's eye views of Basel and Paris. See description for more information.
The Jew and Death. Episode from the Dance of Death, painted in 1441 in the Dominican cemetery in Basel. Engraving from an original by Matthäus Merian in 1641. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877. Author: Matthäus Merian (1593-1650). Swiss artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-jew-and-death-episode-from-the-dance-of-death-painted-in-1441-in-the-dominican-cemetery-in-basel-engraving-from-an-original-by-matthus-merian-in-1641-les-arts-au-moyen-age-et-a-lepoque-de-la-renaissance-by-paul-lacroix-paris-1877-author-matthus-merian-1593-1650-swiss-artist-image556022047.htmlRM2R8GYP7–The Jew and Death. Episode from the Dance of Death, painted in 1441 in the Dominican cemetery in Basel. Engraving from an original by Matthäus Merian in 1641. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877. Author: Matthäus Merian (1593-1650). Swiss artist.
Matthaus Merian the Elder, Swiss-born engraver and publisher, 1593-1650. A member of the patrician Basel Merian family, he worked in Frankfurt for most of his career. Matheus Merian Kupferstecher. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthaus-merian-the-elder-swiss-born-engraver-and-publisher-1593-1650-a-member-of-the-patrician-basel-merian-family-he-worked-in-frankfurt-for-most-of-his-career-matheus-merian-kupferstecher-copperplate-engraving-by-philipp-kilian-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image549180596.htmlRM2PWD9CM–Matthaus Merian the Elder, Swiss-born engraver and publisher, 1593-1650. A member of the patrician Basel Merian family, he worked in Frankfurt for most of his career. Matheus Merian Kupferstecher. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
. Engraved illustration of the 'chariot vision' of the Biblical book of Ezekiel, chapter 1, after an earlier illustration by Matthaeus (Matthäus) Merian (1593-1650), for his 'Icones Biblicae' (a.k.a. 'Iconum Biblicarum'). . 1670. copy by unknown artist after illustration by Matthaeus (Matthäus) Merian the elder (1593-1650) Ezekiel's vision Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraved-illustration-of-the-chariot-vision-of-the-biblical-book-of-ezekiel-chapter-1-after-an-earlier-illustration-by-matthaeus-matthus-merian-1593-1650-for-his-icones-biblicae-aka-iconum-biblicarum-1670-copy-by-unknown-artist-after-illustration-by-matthaeus-matthus-merian-the-elder-1593-1650-ezekiels-vision-image184978667.htmlRMMMXE4Y–. Engraved illustration of the 'chariot vision' of the Biblical book of Ezekiel, chapter 1, after an earlier illustration by Matthaeus (Matthäus) Merian (1593-1650), for his 'Icones Biblicae' (a.k.a. 'Iconum Biblicarum'). . 1670. copy by unknown artist after illustration by Matthaeus (Matthäus) Merian the elder (1593-1650) Ezekiel's vision
Bridge with Ruins. Artist: Matthäus Merian the Elder, Swiss, 1593–1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bridge-withruins-artist-matthus-merian-the-elder-swiss-15931650-image463165557.htmlRM2HWF0B1–Bridge with Ruins. Artist: Matthäus Merian the Elder, Swiss, 1593–1650
Vienna from the bird's show from north, in: 'Topographia Provinciarum Austria'. Matthäus d. Older Merian (1593-1650), Engraver, After: Jacob Hoefnagel (also: Houffnagel) (1575-1630), artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vienna-from-the-birds-show-from-north-in-topographia-provinciarum-austria-matthus-d-older-merian-1593-1650-engraver-after-jacob-hoefnagel-also-houffnagel-1575-1630-artist-image471114450.htmlRM2JAD382–Vienna from the bird's show from north, in: 'Topographia Provinciarum Austria'. Matthäus d. Older Merian (1593-1650), Engraver, After: Jacob Hoefnagel (also: Houffnagel) (1575-1630), artist
The dying grand prince of Moscow Vasili III of Russia relinquishes his power to Ivan IV the Terrible, most probably according to an illustration from the chronicle `Theatrum Europeum` Matthäus Merian. Merian, Matthäus (1593-1650 ; st.), graphic artist, Lesser, Aleksander (1814-1884), draughtsman, cartoonist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dying-grand-prince-of-moscow-vasili-iii-of-russia-relinquishes-his-power-to-ivan-iv-the-terrible-most-probably-according-to-an-illustration-from-the-chronicle-`theatrum-europeum`-matthus-merian-merian-matthus-1593-1650-st-graphic-artist-lesser-aleksander-1814-1884-draughtsman-cartoonist-image480409434.htmlRM2JWGF3P–The dying grand prince of Moscow Vasili III of Russia relinquishes his power to Ivan IV the Terrible, most probably according to an illustration from the chronicle `Theatrum Europeum` Matthäus Merian. Merian, Matthäus (1593-1650 ; st.), graphic artist, Lesser, Aleksander (1814-1884), draughtsman, cartoonist
Inspired by Landscapes in France. Plate 3. Nancy., Matthäus Merian the Elder, artist, 1613-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-landscapes-in-france-plate-3-nancy-matthus-merian-the-elder-artist-1613-1620-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-publishing-house-he-was-a-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459332172.htmlRF2HK8ATC–Inspired by Landscapes in France. Plate 3. Nancy., Matthäus Merian the Elder, artist, 1613-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscapes with hunting scenes, some of which with topographic designation. Plate 3. Münchenstein., Matthäus Merian the Elder, artist, 1624, Switzerland, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-with-hunting-scenes-some-of-which-with-topographic-designation-plate-3-mnchenstein-matthus-merian-the-elder-artist-1624-switzerland-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-publishing-house-he-was-a-member-of-the-patrician-basel-merian-family-image454316843.htmlRM2HB3WNF–Landscapes with hunting scenes, some of which with topographic designation. Plate 3. Münchenstein., Matthäus Merian the Elder, artist, 1624, Switzerland, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family
The Battle of Nördlingen on 6 September 1634, 1670. Artist: Merian, Matthäus, the Elder (1593-1650) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-nrdlingen-on-6-september-1634-1670-artist-merian-matthus-image60390411.htmlRMDE70GB–The Battle of Nördlingen on 6 September 1634, 1670. Artist: Merian, Matthäus, the Elder (1593-1650)
Perspectival Study with a View of a Medieval City. Artist: Attributed to Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). Dimensions: 6-3/4 x 11-3/8 in. (17.2 x 28.9 cm). Date: 1600-1650. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/perspectival-study-with-a-view-of-a-medieval-city-artist-attributed-to-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-dimensions-6-34-x-11-38-in-172-x-289-cm-date-1600-1650-museum-metropolitan-museum-of-art-new-york-usa-image212879064.htmlRMPA9DBM–Perspectival Study with a View of a Medieval City. Artist: Attributed to Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). Dimensions: 6-3/4 x 11-3/8 in. (17.2 x 28.9 cm). Date: 1600-1650. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Landscapes. Plate 1. Landscape with a double waterfall in a canal., Matthäus Merian the Elder, artist, 1616-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-landscapes-plate-1-landscape-with-a-double-waterfall-in-a-canal-matthus-merian-the-elder-artist-1616-1620-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459331162.htmlRF2HK89GA–Inspired by Landscapes. Plate 1. Landscape with a double waterfall in a canal., Matthäus Merian the Elder, artist, 1616-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscapes. Plate 1. Landscape with a double waterfall in a canal., Matthäus Merian the Elder, artist, 1616-1620, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-plate-1-landscape-with-a-double-waterfall-in-a-canal-matthus-merian-the-elder-artist-1616-1620-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-publishing-house-he-was-a-member-of-the-patrician-basel-merian-family-image454316713.htmlRM2HB3WGW–Landscapes. Plate 1. Landscape with a double waterfall in a canal., Matthäus Merian the Elder, artist, 1616-1620, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family
Herzog August Library in Wolfenbüttel, Between 1655 and 1660. Artist: Merian, Matthäus, the Elder (1593-1650) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-herzog-august-library-in-wolfenbttel-between-1655-and-1660-artist-135276186.htmlRMHT2A4A–Herzog August Library in Wolfenbüttel, Between 1655 and 1660. Artist: Merian, Matthäus, the Elder (1593-1650)
Three Haloed Female Figures. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy). Dimensions: Sheet (trimmed): 12 1/16 × 7 11/16 in. (30.7 × 19.6 cm). Date: ca. 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-haloed-female-figures-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-jacques-bellange-french-bassigny-ca-1575-1616-nancy-dimensions-sheet-trimmed-12-116-7-1116-in-307-196-cm-date-ca-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213197264.htmlRMPARY80–Three Haloed Female Figures. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy). Dimensions: Sheet (trimmed): 12 1/16 × 7 11/16 in. (30.7 × 19.6 cm). Date: ca. 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Landscapes with hunting scenes, some of which with topographic designation. Plate 3. Münchenstein., Matthäus Merian the Elder, artist, 1624, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscapes-with-hunting-scenes-some-of-which-with-topographic-designation-plate-3-mnchenstein-matthus-merian-the-elder-artist-1624-switzerland-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459672477.htmlRF2HKRTX5–Art inspired by Landscapes with hunting scenes, some of which with topographic designation. Plate 3. Münchenstein., Matthäus Merian the Elder, artist, 1624, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Landscapes in Germany and Switzerland. Plate 11. Altdorff, beÿ Dellsperg (Altdorf, near Delemont), Matthäus Merian the Elder, artist, circa 1620-1622, Switzerland, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-in-germany-and-switzerland-plate-11-altdorff-be-dellsperg-altdorf-near-delemont-matthus-merian-the-elder-artist-circa-1620-1622-switzerland-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-publishing-house-he-was-a-member-of-the-patrician-basel-merian-family-image454317741.htmlRM2HB3XWH–Landscapes in Germany and Switzerland. Plate 11. Altdorff, beÿ Dellsperg (Altdorf, near Delemont), Matthäus Merian the Elder, artist, circa 1620-1622, Switzerland, etching, Matthäus Merian der Ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family
Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emblem-35-like-ceres-triptolemum-thetis-brought-achillem-to-get-used-to-the-fire-so-the-artist-should-use-the-stone-1816-private-collection-image599662549.htmlRM2WRGYKH–Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection
Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars' after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 in. × 9 in. (30 × 22.8 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-5-emperor-claudius-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1316-in-9-in-30-228-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213146530.htmlRMPANJG2–Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars' after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 in. × 9 in. (30 × 22.8 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Landscapes in France. Plate 3. Nancy., Matthäus Merian the Elder, artist, 1613-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscapes-in-france-plate-3-nancy-matthus-merian-the-elder-artist-1613-1620-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-where-he-also-ran-a-publishing-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459675107.htmlRF2HKT083–Art inspired by Landscapes in France. Plate 3. Nancy., Matthäus Merian the Elder, artist, 1613-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, where he also ran a publishing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plate 10: Emperor Titus on Horseback, from 'The First Twelve Roman Caesars' after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-10-emperor-titus-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1316-9-116-in-30-23-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213318052.htmlRMPB1D9T–Plate 10: Emperor Titus on Horseback, from 'The First Twelve Roman Caesars' after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Landscapes. Plate 1. Landscape with a double waterfall in a canal., Matthäus Merian the Elder, artist, 1616-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscapes-plate-1-landscape-with-a-double-waterfall-in-a-canal-matthus-merian-the-elder-artist-1616-1620-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-frankfurt-for-most-of-his-career-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459671739.htmlRF2HKRRYR–Art inspired by Landscapes. Plate 1. Landscape with a double waterfall in a canal., Matthäus Merian the Elder, artist, 1616-1620, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in Frankfurt for most of his career, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 11/16 × 9 1/16 in. (29.7 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-3-emperor-tiberius-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1116-9-116-in-297-23-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213149267.htmlRMPANP1R–Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 11/16 × 9 1/16 in. (29.7 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Landscapes in Germany and Switzerland. Plate 11. Altdorff, beÿ Dellsperg (Altdorf, near Delemont), Matthäus Merian the Elder, artist, circa 1620-1622, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-landscapes-in-germany-and-switzerland-plate-11-altdorff-be-dellsperg-altdorf-near-delemont-matthus-merian-the-elder-artist-circa-1620-1622-switzerland-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-who-worked-in-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459332383.htmlRF2HK8B3Y–Inspired by Landscapes in Germany and Switzerland. Plate 11. Altdorff, beÿ Dellsperg (Altdorf, near Delemont), Matthäus Merian the Elder, artist, circa 1620-1622, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker who worked in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Balthasar, after figure in 'The Adoration of the Magi' by Jacques Bellange. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy). Dimensions: Sheet (trimmed): 11 1/8 × 7 1/16 in. (28.2 × 18 cm). Date: ca. 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/balthasar-after-figure-in-the-adoration-of-the-magi-by-jacques-bellange-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-jacques-bellange-french-bassigny-ca-1575-1616-nancy-dimensions-sheet-trimmed-11-18-7-116-in-282-18-cm-date-ca-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213152457.htmlRMPANX3N–Balthasar, after figure in 'The Adoration of the Magi' by Jacques Bellange. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy). Dimensions: Sheet (trimmed): 11 1/8 × 7 1/16 in. (28.2 × 18 cm). Date: ca. 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Landscapes in Germany and Switzerland. Plate 11. Altdorff, bei Dellsperg (Altdorf, near Delemont), Matthäus Merian the Elder, artist, circa 1620-1622, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscapes-in-germany-and-switzerland-plate-11-altdorff-bei-dellsperg-altdorf-near-delemont-matthus-merian-the-elder-artist-circa-1620-1622-switzerland-etching-matthus-merian-der-ltere-or-matthew-the-elder-or-sr-15931650-was-a-swiss-born-printmaker-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459675741.htmlRF2HKT12N–Art inspired by Landscapes in Germany and Switzerland. Plate 11. Altdorff, bei Dellsperg (Altdorf, near Delemont), Matthäus Merian the Elder, artist, circa 1620-1622, Switzerland, etching, Matthäus Merian der ältere (or Matthew, the Elder, or Sr., 1593–1650) was a Swiss-born printmaker, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plate 2: Emperor Augustus on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-2-emperor-augustus-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1316-9-116-in-30-23-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213114349.htmlRMPAM5EN–Plate 2: Emperor Augustus on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Matthäus Merian d.ä, Matthew Merian d.ä, (1593-1650), Swiss artist, graphic artist, painting, Matthäus Merian, watercolor and gouache on parchment, Height, 6 cm (2.3 inches), Width, 4.5 cm (1.7 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthus-merian-d-matthew-merian-d-1593-1650-swiss-artist-graphic-artist-painting-matthus-merian-watercolor-and-gouache-on-parchment-height-6-cm-23-inches-width-45-cm-17-inches-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349936288.htmlRF2B98Y8G–Matthäus Merian d.ä, Matthew Merian d.ä, (1593-1650), Swiss artist, graphic artist, painting, Matthäus Merian, watercolor and gouache on parchment, Height, 6 cm (2.3 inches), Width, 4.5 cm (1.7 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 11/16 x 9 1/16 in. (29.7 x 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-4-emperor-gaius-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1116-x-9-116-in-297-x-23-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213201967.htmlRMPAT57Y–Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 11/16 x 9 1/16 in. (29.7 x 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars' after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 5/8 × 9 1/16 in. (29.5 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-7-emperor-galba-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-58-9-116-in-295-23-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213263268.htmlRMPAXYD8–Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars' after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 5/8 × 9 1/16 in. (29.5 × 23 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Plate 1: Emperor Julius Caesar on Horseback, from ' The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 8 7/8 in. (30 × 22.5 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-1-emperor-julius-caesar-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1316-8-78-in-30-225-cm-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213147469.htmlRMPANKNH–Plate 1: Emperor Julius Caesar on Horseback, from ' The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 8 7/8 in. (30 × 22.5 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Caspar, after Three Magi series by Jacques Bellange. Artist: After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy); Probably Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). Dimensions: Sheet (trimmed): 11 7/16 × 7 3/8 in. (29 × 18.8 cm). Publisher: Jacob van der Heyden (Flemish, Strasbourg 1573-1645 Brussels). Date: ca. 1615. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caspar-after-three-magi-series-by-jacques-bellange-artist-after-jacques-bellange-french-bassigny-ca-1575-1616-nancy-probably-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-dimensions-sheet-trimmed-11-716-7-38-in-29-188-cm-publisher-jacob-van-der-heyden-flemish-strasbourg-1573-1645-brussels-date-ca-1615-museum-metropolitan-museum-of-art-new-york-usa-image213261455.htmlRMPAXW4F–Caspar, after Three Magi series by Jacques Bellange. Artist: After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy); Probably Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). Dimensions: Sheet (trimmed): 11 7/16 × 7 3/8 in. (29 × 18.8 cm). Publisher: Jacob van der Heyden (Flemish, Strasbourg 1573-1645 Brussels). Date: ca. 1615. Museum: Metropolitan Museum of Art, New York, USA.
Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-8-emperor-otho-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1316-9-116-in-30-23-cm-seriesportfolio-the-first-twelve-roman-caesars-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213368839.htmlRMPB3P3K–Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Plate 6: Emperor Nero on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 8 7/8 in. (30 × 22.6 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-6-emperor-nero-on-horseback-from-the-first-twelve-roman-caesars-after-tempesta-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-11-1316-8-78-in-30-226-cm-seriesportfolio-the-first-twelve-roman-caesars-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213182666.htmlRMPAR8JJ–Plate 6: Emperor Nero on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 8 7/8 in. (30 × 22.6 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Melchior, after Three Magi series by Jacques Bellange. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy). Dimensions: Sheet (trimmed): 11 7/16 × 7 3/8 in. (29 × 18.8 cm). Publisher: Jacob van der Heyden (Flemish, Strasbourg 1573-1645 Brussels). Date: ca. 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/melchior-after-three-magi-series-by-jacques-bellange-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-jacques-bellange-french-bassigny-ca-1575-1616-nancy-dimensions-sheet-trimmed-11-716-7-38-in-29-188-cm-publisher-jacob-van-der-heyden-flemish-strasbourg-1573-1645-brussels-date-ca-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image233077997.htmlRMRF5HA5–Melchior, after Three Magi series by Jacques Bellange. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Jacques Bellange (French, Bassigny (?) ca. 1575-1616 Nancy). Dimensions: Sheet (trimmed): 11 7/16 × 7 3/8 in. (29 × 18.8 cm). Publisher: Jacob van der Heyden (Flemish, Strasbourg 1573-1645 Brussels). Date: ca. 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Part I: Carolo III. Lotharingiae et Barri Duci. . .Dix grande Tables, contenantes les pourtaictz des pompe funebres. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); Frédéric Brentel (German, 1580-1651 (active Strasbourg)); After Claude de La Ruelle (French, active Nancy, ca. 1610); After Jean la Hière (French, active Nancy, ca. 1610). Printer: Printed by Herman de Loye , Nancy. Date: 1609?-?1610. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/part-i-carolo-iii-lotharingiae-et-barri-duci-dix-grande-tables-contenantes-les-pourtaictz-des-pompe-funebres-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-frdric-brentel-german-1580-1651-active-strasbourg-after-claude-de-la-ruelle-french-active-nancy-ca-1610-after-jean-la-hire-french-active-nancy-ca-1610-printer-printed-by-herman-de-loye-nancy-date-1609-1610-museum-metropolitan-museum-of-art-new-york-usa-image213162761.htmlRMPAPB7N–Part I: Carolo III. Lotharingiae et Barri Duci. . .Dix grande Tables, contenantes les pourtaictz des pompe funebres. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); Frédéric Brentel (German, 1580-1651 (active Strasbourg)); After Claude de La Ruelle (French, active Nancy, ca. 1610); After Jean la Hière (French, active Nancy, ca. 1610). Printer: Printed by Herman de Loye , Nancy. Date: 1609?-?1610. Museum: Metropolitan Museum of Art, New York, USA.
Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 11. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: sheet: 14 5/8 x 20 1/2 in. (37.2 x 52 cm) plate: 11 5/8 x 9 1/16 in. (29.5 x 23 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emperor-vespasian-on-horseback-from-the-series-the-first-twelve-roman-caesars-plate-11-artist-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-after-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-14-58-x-20-12-in-372-x-52-cm-plate-11-58-x-9-116-in-295-x-23-cm-seriesportfolio-the-first-twelve-roman-caesars-date-1610-50-museum-metropolitan-museum-of-art-new-york-usa-image213501258.htmlRMPB9R0X–Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 11. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: sheet: 14 5/8 x 20 1/2 in. (37.2 x 52 cm) plate: 11 5/8 x 9 1/16 in. (29.5 x 23 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.
Augsburg. Artist: After Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). Dimensions: Sheet: 2 1/8 × 4 5/8 in. (5.4 × 11.7 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: German Views, Twelve plates. Date: 1665. Distant view of Augsburg from the Red Tower (Rote Tor); stream flowing around fields in foreground; St. Ulrich's and St. Afra's Abbey at centre background. After a drawing by Matthaus Merian I. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/augsburg-artist-after-matthus-merian-the-elder-swiss-basel-1593-1650-schwalbach-dimensions-sheet-2-18-4-58-in-54-117-cm-etcher-wenceslaus-hollar-bohemian-prague-1607-1677-london-seriesportfolio-german-views-twelve-plates-date-1665-distant-view-of-augsburg-from-the-red-tower-rote-tor-stream-flowing-around-fields-in-foreground-st-ulrichs-and-st-afras-abbey-at-centre-background-after-a-drawing-by-matthaus-merian-i-museum-metropolitan-museum-of-art-new-york-usa-image213109567.htmlRMPAKYBY–Augsburg. Artist: After Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). Dimensions: Sheet: 2 1/8 × 4 5/8 in. (5.4 × 11.7 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: German Views, Twelve plates. Date: 1665. Distant view of Augsburg from the Red Tower (Rote Tor); stream flowing around fields in foreground; St. Ulrich's and St. Afra's Abbey at centre background. After a drawing by Matthaus Merian I. Museum: Metropolitan Museum of Art, New York, USA.
Matthaus Merian the Elder, Swiss-born engraver and publisher, 1593-1650. A member of the patrician Basel Merian family, he worked in Frankfurt for most of his career. Matheus Merian Kupferstecher. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthaus-merian-the-elder-swiss-born-engraver-and-publisher-1593-1650-a-member-of-the-patrician-basel-merian-family-he-worked-in-frankfurt-for-most-of-his-career-matheus-merian-kupferstecher-copperplate-engraving-by-philipp-kilian-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image571815702.htmlRM2T68CNA–Matthaus Merian the Elder, Swiss-born engraver and publisher, 1593-1650. A member of the patrician Basel Merian family, he worked in Frankfurt for most of his career. Matheus Merian Kupferstecher. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
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