Miniature Dish with Handle, 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-miniature-dish-with-handle-15thearly-16th-century-162383310.html
RMKC55FX–Miniature Dish with Handle, 15th–early 16th century
Hayagriva in union with his wife of prajna. Late 15th-early 16th century, copper, encrusted, gilded, with turquoise. Tibetan Hindu/Buddhist mythology in which Janârdan Mâdhava, the Lord of all, was severed out of His body! And He was afterwards known as Hayagrîva, the horse-faced! Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hayagriva-in-union-with-his-wife-of-prajna-late-15th-early-16th-century-57358192.html
RMD98TXT–Hayagriva in union with his wife of prajna. Late 15th-early 16th century, copper, encrusted, gilded, with turquoise. Tibetan Hindu/Buddhist mythology in which Janârdan Mâdhava, the Lord of all, was severed out of His body! And He was afterwards known as Hayagrîva, the horse-faced!
Art inspired by Llama, 15th–early 16th century, Peru, Inca, Silver, Height 2 in., Metal-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-llama-15thearly-16th-century-peru-inca-silver-height-2-in-metal-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462795235.html
RF2HTX417–Art inspired by Llama, 15th–early 16th century, Peru, Inca, Silver, Height 2 in., Metal-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Jesus on the Road to Calvary', late 15th/early 16th century. Artist: Michael Sittow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-on-the-road-to-calvary-late-15thearly-16th-century-artist-michael-sittow-image262742909.html
RMW7CY79–'Jesus on the Road to Calvary', late 15th/early 16th century. Artist: Michael Sittow
A South German hand-pavise,late 15th/early 16th century Rectangular wooden body with rounded corners and broad angular gutter,the outer face line with gessoed canvas painted with arms of Bavarian town of Schongau,a black eagle displayed charged with a lozengy shield,all on a dotted ochre ground within a red border.The inner face retaining its original leather covering.With a pair of iron staples for carrying straps and wooden and leather handle retained by four large iron nails.The outer face in generally fine condition with evidence of a late 18,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-south-german-hand-paviselate-15thearly-16th-century-rectangular-51536483.html
RMCYRK8K–A South German hand-pavise,late 15th/early 16th century Rectangular wooden body with rounded corners and broad angular gutter,the outer face line with gessoed canvas painted with arms of Bavarian town of Schongau,a black eagle displayed charged with a lozengy shield,all on a dotted ochre ground within a red border.The inner face retaining its original leather covering.With a pair of iron staples for carrying straps and wooden and leather handle retained by four large iron nails.The outer face in generally fine condition with evidence of a late 18,Additional-Rights-Clearences-Not Available
English: The Annunciation to Mary (Diptych) . Diptych with the angel Gabriel and the Virgin . Late 15th - early 16th century. 873 MasterOf1499GabrielAndVirgin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-annunciation-to-mary-diptych-diptych-with-the-angel-gabriel-and-the-virgin-late-15th-early-16th-century-873-masterof1499gabrielandvirgin-image185859926.html
RMMPAJ6E–English: The Annunciation to Mary (Diptych) . Diptych with the angel Gabriel and the Virgin . Late 15th - early 16th century. 873 MasterOf1499GabrielAndVirgin
Turkish Armour for Horse and Rider, late 15th/early 16th century, steel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkish-armour-for-horse-and-rider-late-15thearly-16th-century-steel-image356163993.html
RM2BKCJPH–Turkish Armour for Horse and Rider, late 15th/early 16th century, steel
Ritual Stone (pulidor). Culture: Aztec. Dimensions: Height 2 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-stone-pulidor-culture-aztec-dimensions-height-2-in-date-15th-early-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213213358.html
RMPATKPP–Ritual Stone (pulidor). Culture: Aztec. Dimensions: Height 2 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
France, Vosges, Charmes, St Nicolas church built in 1493 in Renaisssance style, late 15th early 16th century stained glass window called the three dead and the three alive after a medieval story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-vosges-charmes-st-nicolas-church-built-in-1493-in-renaisssance-style-late-15th-early-16th-century-stained-glass-window-called-the-three-dead-and-the-three-alive-after-a-medieval-story-image593100410.html
RF2WCX1HE–France, Vosges, Charmes, St Nicolas church built in 1493 in Renaisssance style, late 15th early 16th century stained glass window called the three dead and the three alive after a medieval story
Large Foliate Dish with Garden Rock and Plants, Ming dynasty (1368-1644), late 15th/early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/large-foliate-dish-with-garden-rock-and-plants-ming-dynasty-1368-1644-late-15thearly-16th-century-image457031292.html
RM2HFFG24–Large Foliate Dish with Garden Rock and Plants, Ming dynasty (1368-1644), late 15th/early 16th century.
Apparition of the Cross to Constantine. Workshop of Antonello Gagini (late 15th - early 16th century) - Gallery of Art for the Sicilian region in Palazzo Abatellis - Palermo, Sicily, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apparition-of-the-cross-to-constantine-workshop-of-antonello-gagini-late-15th-early-16th-century-gallery-of-art-for-the-sicilian-region-in-palazzo-abatellis-palermo-sicily-italy-image528567253.html
RM2NKX8WW–Apparition of the Cross to Constantine. Workshop of Antonello Gagini (late 15th - early 16th century) - Gallery of Art for the Sicilian region in Palazzo Abatellis - Palermo, Sicily, Italy
Cihuateotl 15th–early 16th century Mexico Mesoamerica Aztec Stone 66 cm Mexican Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cihuateotl-15thearly-16th-century-mexico-mesoamerica-aztec-stone-66-50988780.html
RMCXXMKT–Cihuateotl 15th–early 16th century Mexico Mesoamerica Aztec Stone 66 cm Mexican
Crivelli carpet Anatolia late 15th early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crivelli-carpet-anatolia-late-15th-early-16th-century-139693840.html
RMJ37GWM–Crivelli carpet Anatolia late 15th early 16th century
Pre-Columbian art. Aztec. Standard Bearer. 15th–early 16th century. Sandstone, laminated. Castillo de Teayo. Veracruz. Mexico. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pre-columbian-art-aztec-standard-bearer-15thearly-16th-century-sandstone-36394514.html
RMC35WG2–Pre-Columbian art. Aztec. Standard Bearer. 15th–early 16th century. Sandstone, laminated. Castillo de Teayo. Veracruz. Mexico.
Battle hammers of the late 15th, early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-hammers-of-the-late-15th-early-16th-century-72530610.html
RME601EX–Battle hammers of the late 15th, early 16th century.
Chest, late 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chest-late-15thearly-16th-century-image259739812.html
RMW2G4NT–Chest, late 15th–early 16th century
Crivelli carpet Anatolia late 15th early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crivelli-carpet-anatolia-late-15th-early-16th-century-136455428.html
RMHX0284–Crivelli carpet Anatolia late 15th early 16th century
Aztec Cihuateotl. Mexico, Aztec. Late 15th-early 16th century. Stone. Metropolitan Museum of Art in New York City. 82nd Street Manhattan New USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aztec-cihuateotl-mexico-aztec-late-15th-early-16th-century-stone-metropolitan-museum-of-art-in-new-york-city-82nd-street-manhattan-new-usa-image387327329.html
RM2DE47XW–Aztec Cihuateotl. Mexico, Aztec. Late 15th-early 16th century. Stone. Metropolitan Museum of Art in New York City. 82nd Street Manhattan New USA
NICODEMUS Flemish late 15th early 16th century Bust length copy after Van der Weyden s Descent from the Cross Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nicodemus-flemish-late-15th-early-16th-century-bust-length-copy-after-22741222.html
RMB8YXJE–NICODEMUS Flemish late 15th early 16th century Bust length copy after Van der Weyden s Descent from the Cross
Blackware Paccha with Feline, 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-blackware-paccha-with-feline-15thearly-16th-century-162350120.html
RMKC3K6G–Blackware Paccha with Feline, 15th–early 16th century
Art inspired by Paccha, 15th–early 16th century, Peru, Inca, Wood, Height 18-1/2 in., Wood-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-paccha-15thearly-16th-century-peru-inca-wood-height-18-12-in-wood-containers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462797884.html
RF2HTX7BT–Art inspired by Paccha, 15th–early 16th century, Peru, Inca, Wood, Height 18-1/2 in., Wood-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Initial letter 'A', late 15th-early 16th century, (1843).Artist: Henry Shaw Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-letter-a-late-15th-early-16th-century-1843artist-henry-shaw-image262732867.html
RMW7CECK–Initial letter 'A', late 15th-early 16th century, (1843).Artist: Henry Shaw
A South German hand-pavise,late 15th/early 16th century Rectangular wooden body with rounded corners and broad angular gutter,the outer face line with gessoed canvas painted with arms of Bavarian town of Schongau,a black eagle displayed charged with a lozengy shield,all on a dotted ochre ground within a red border.The inner face retaining its original leather covering.With a pair of iron staples for carrying straps and wooden and leather handle retained by four large iron nails.The outer face in generally fine condition with evidence of a late 18,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-south-german-hand-paviselate-15thearly-16th-century-rectangular-51536474.html
RMCYRK8A–A South German hand-pavise,late 15th/early 16th century Rectangular wooden body with rounded corners and broad angular gutter,the outer face line with gessoed canvas painted with arms of Bavarian town of Schongau,a black eagle displayed charged with a lozengy shield,all on a dotted ochre ground within a red border.The inner face retaining its original leather covering.With a pair of iron staples for carrying straps and wooden and leather handle retained by four large iron nails.The outer face in generally fine condition with evidence of a late 18,Additional-Rights-Clearences-Not Available
The Immortal Li Tieguai Crossing the River on a Sword Ming dynasty, late 15th-early 16th century. 1175 The Immortal Li Tieguai Crossing the River on a Sword Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-immortal-li-tieguai-crossing-the-river-on-a-sword-ming-dynasty-late-15th-early-16th-century-1175-the-immortal-li-tieguai-crossing-the-river-on-a-sword-image185778480.html
RMMP6X9M–The Immortal Li Tieguai Crossing the River on a Sword Ming dynasty, late 15th-early 16th century. 1175 The Immortal Li Tieguai Crossing the River on a Sword
Benin kingdom court style; Nigeria; Late 15th-early 16th century; Copper alloy, iron inlay; H x W x D: 23.2 x 15.9 x 20 cm (9 1/8 x 6 1/4 x 7 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benin-kingdom-court-style-nigeria-late-15th-early-16th-century-copper-alloy-iron-inlay-h-x-w-x-d-232-x-159-x-20-cm-9-18-x-6-14-x-7-78-in-image353573269.html
RM2BF6J8N–Benin kingdom court style; Nigeria; Late 15th-early 16th century; Copper alloy, iron inlay; H x W x D: 23.2 x 15.9 x 20 cm (9 1/8 x 6 1/4 x 7 7/8 in.)
Miniature Pedestal Bowl. Culture: Aztec. Dimensions: Height 1-3/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-pedestal-bowl-culture-aztec-dimensions-height-1-38-in-date-15th-early-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213176966.html
RMPAR1B2–Miniature Pedestal Bowl. Culture: Aztec. Dimensions: Height 1-3/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Hungary, Budapest, listed as World Heritage by UNESCO, Pest district, Hungarian National Museum (Magyar Nemzeti Muzeum), wooden stall with the arms of Matthias and Beatrice, room 5, Late 15th, early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hungary-budapest-listed-as-world-heritage-by-unesco-pest-district-hungarian-national-museum-magyar-nemzeti-muzeum-wooden-stall-with-the-arms-of-matthias-and-beatrice-room-5-late-15th-early-16th-century-image444148928.html
RM2GPGMDM–Hungary, Budapest, listed as World Heritage by UNESCO, Pest district, Hungarian National Museum (Magyar Nemzeti Muzeum), wooden stall with the arms of Matthias and Beatrice, room 5, Late 15th, early 16th century
A Lute Player, late 15th-early 16th century. Artist: Perugino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-lute-player-late-15th-early-16th-century-artist-perugino-image186157567.html
RMMPT5TF–A Lute Player, late 15th-early 16th century. Artist: Perugino.
Venetian manifacture, Plate, late 15th-early 16th century, embossed, enamelled and gilded copper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venetian-manifacture-plate-late-15th-early-16th-century-embossed-enamelled-and-gilded-copper-image567599125.html
RM2RYCAD9–Venetian manifacture, Plate, late 15th-early 16th century, embossed, enamelled and gilded copper
Ornamented Knife tumi 15th–early 16th Century Peru Peruvian Inca copper 1t cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ornamented-knife-tumi-15thearly-16th-century-peru-peruvian-inca-copper-50988537.html
RMCXXMB5–Ornamented Knife tumi 15th–early 16th Century Peru Peruvian Inca copper 1t cm
Re entrant prayer rug Anatolia late 15th early 16th century reverse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-re-entrant-prayer-rug-anatolia-late-15th-early-16th-century-reverse-140368012.html
RMJ4A8R8–Re entrant prayer rug Anatolia late 15th early 16th century reverse
Madonna in Prayer mid 15th-early 16th century by Bernardino Butinone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-in-prayer-mid-15th-early-16th-century-by-bernardino-butinone-image563007502.html
RM2RKY5PP–Madonna in Prayer mid 15th-early 16th century by Bernardino Butinone
Chalice. Early 15th century (bowl: 16th century). Gilded silver. From Wroclaw (Breslau). National Museum. Warsaw. Poland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chalice-early-15th-century-bowl-16th-century-gilded-silver-from-wroclaw-breslau-national-museum-warsaw-poland-image247574322.html
RMTANYG2–Chalice. Early 15th century (bowl: 16th century). Gilded silver. From Wroclaw (Breslau). National Museum. Warsaw. Poland.
Fragment (Spain), late 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-spain-late-15thearly-16th-century-image342933709.html
RM2AWWYCD–Fragment (Spain), late 15th–early 16th century
Re entrant prayer rug Anatolia late 15th early 16th century reverse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-re-entrant-prayer-rug-anatolia-late-15th-early-16th-century-reverse-136622119.html
RMHX7JWB–Re entrant prayer rug Anatolia late 15th early 16th century reverse
Canon Bernardijn Salviati and Three Saints by the early Netherlandish artist, Gerard David (1460-1523), oil on wood, after 1501 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canon-bernardijn-salviati-and-three-saints-by-the-early-netherlandish-artist-gerard-david-1460-1523-oil-on-wood-after-1501-image466172429.html
RM2J2BYK9–Canon Bernardijn Salviati and Three Saints by the early Netherlandish artist, Gerard David (1460-1523), oil on wood, after 1501
Maricel museum, Sitges, Spain Master of los Balbases (attributed), St Francis, late 15th/early 16th century, tempera on panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maricel-museum-sitges-spain-master-of-los-balbases-attributed-st-francis-late-15thearly-16th-century-tempera-on-panel-image575858592.html
RF2TCTHE8–Maricel museum, Sitges, Spain Master of los Balbases (attributed), St Francis, late 15th/early 16th century, tempera on panel
Maize Deity (Chicomecoatl), 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-maize-deity-chicomecoatl-15thearly-16th-century-162325395.html
RMKC2FKF–Maize Deity (Chicomecoatl), 15th–early 16th century
Hayagriva in union (yab-yum) with his wife of wisdom (prajna). Late 15th-early 16th century Tibetan sculpture. copper, encrusted, gilded, turquoise. Buddhist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hayagriva-in-union-yab-yum-with-his-wife-of-wisdom-prajna-late-15th-57358237.html
RMD98W0D–Hayagriva in union (yab-yum) with his wife of wisdom (prajna). Late 15th-early 16th century Tibetan sculpture. copper, encrusted, gilded, turquoise. Buddhist
Art inspired by Paccha, 15th–early 16th century, Peru, Inca, Wood, Height 2-1/2 in., Wood-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-paccha-15thearly-16th-century-peru-inca-wood-height-2-12-in-wood-containers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462797896.html
RF2HTX7C8–Art inspired by Paccha, 15th–early 16th century, Peru, Inca, Wood, Height 2-1/2 in., Wood-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Calvary', late 15th/early 16th century. Artist: Cornelius Engebrechtsz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calvary-late-15thearly-16th-century-artist-cornelius-engebrechtsz-image262742803.html
RMW7CY3F–'Calvary', late 15th/early 16th century. Artist: Cornelius Engebrechtsz
A German Gothic horseman's hammer, late 15th/early 16th century. Strongly formed iron head retained by a transverse bolt, the latter attached to a short belt hook with acorn finial. Small rectangular hammer on a chamfered neck, tapering rear fluke of stiff-diamond section, closed socket cut with a raised kite-shield on both sides. On its original wooden haft, the upper half entirely encased by four iron straps each extending to a long slender drop shaped finial. The basal cap matching and fitted with matching straps over the sides. In untouched h, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-gothic-horsemans-hammer-late-15thearly-16th-century-strongly-formed-iron-head-retained-by-a-transverse-bolt-the-latter-attached-to-a-short-belt-hook-with-acorn-finial-small-rectangular-hammer-on-a-chamfered-neck-tapering-rear-fluke-of-stiff-diamond-section-closed-socket-cut-with-a-raised-kite-shield-on-both-sides-on-its-original-wooden-haft-the-upper-half-entirely-encased-by-four-iron-straps-each-extending-to-a-long-slender-drop-shaped-finial-the-basal-cap-matching-and-fitted-with-matching-straps-over-the-sides-in-untouched-h-additional-rights-clearance-info-not-available-image243637220.html
RMT4AHN8–A German Gothic horseman's hammer, late 15th/early 16th century. Strongly formed iron head retained by a transverse bolt, the latter attached to a short belt hook with acorn finial. Small rectangular hammer on a chamfered neck, tapering rear fluke of stiff-diamond section, closed socket cut with a raised kite-shield on both sides. On its original wooden haft, the upper half entirely encased by four iron straps each extending to a long slender drop shaped finial. The basal cap matching and fitted with matching straps over the sides. In untouched h, Additional-Rights-Clearance-Info-Not-Available
. 矢師。『職人尽図屏風』(喜多院蔵)より。狩野吉信筆。桃山文化。 Arrow maker 'Ya-shi'. From 'Shokunin Zukusi-zu Byoubu' (Kita shrine collection). late 15th - early 16th century.. 狩野吉信, Yoshinobu Kano. 58 Arrow maker00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arrow-maker-ya-shi-from-shokunin-zukusi-zu-byoubu-kita-shrine-collection-late-15th-early-16th-century-yoshinobu-kano-58-arrow-maker00-image188184019.html
RMMX4EHR–. 矢師。『職人尽図屏風』(喜多院蔵)より。狩野吉信筆。桃山文化。 Arrow maker 'Ya-shi'. From 'Shokunin Zukusi-zu Byoubu' (Kita shrine collection). late 15th - early 16th century.. 狩野吉信, Yoshinobu Kano. 58 Arrow maker00
Moderno, The Flagellation, late 15th - early 16th century The Flagellation; late 15th - early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moderno-the-flagellation-late-15th-early-16th-century-the-flagellation-late-15th-early-16th-century-image336033704.html
RM2AEKJBM–Moderno, The Flagellation, late 15th - early 16th century The Flagellation; late 15th - early 16th century
Miniature Pedestal Bowl. Culture: Aztec. Dimensions: Height 1-5/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-pedestal-bowl-culture-aztec-dimensions-height-1-58-in-date-15th-early-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image212863733.html
RMPA8NT5–Miniature Pedestal Bowl. Culture: Aztec. Dimensions: Height 1-5/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Hungary, Budapest, listed as World Heritage by UNESCO, Pest district, Hungarian National Museum (Magyar Nemzeti Muzeum), wooden stall with the arms of Matthias and Beatrice, room 5, Late 15th, early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hungary-budapest-listed-as-world-heritage-by-unesco-pest-district-hungarian-national-museum-magyar-nemzeti-muzeum-wooden-stall-with-the-arms-of-matthias-and-beatrice-room-5-late-15th-early-16th-century-image444148916.html
RM2GPGMD8–Hungary, Budapest, listed as World Heritage by UNESCO, Pest district, Hungarian National Museum (Magyar Nemzeti Muzeum), wooden stall with the arms of Matthias and Beatrice, room 5, Late 15th, early 16th century
Studies of a Head and a Hand, late 15th-early 16th century. Artist: Perugino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studies-of-a-head-and-a-hand-late-15th-early-16th-century-artist-perugino-image186157574.html
RMMPT5TP–Studies of a Head and a Hand, late 15th-early 16th century. Artist: Perugino.
France, Nièvre (58), Nevers, Saint-Cyr-et-Sainte-Julitte cathedral, Polychrome stone entombment (late 15th, early 16th century), on the way to Saint-J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-nivre-58-nevers-saint-cyr-et-sainte-julitte-cathedral-polychrome-stone-entombment-late-15th-early-16th-century-on-the-way-to-saint-j-image388904932.html
RM2DGM45T–France, Nièvre (58), Nevers, Saint-Cyr-et-Sainte-Julitte cathedral, Polychrome stone entombment (late 15th, early 16th century), on the way to Saint-J
Ornamented Knife tumi 15th–early 16th Century Peru Peruvian Inca Tin bronze 17 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ornamented-knife-tumi-15thearly-16th-century-peru-peruvian-inca-tin-50988553.html
RMCXXMBN–Ornamented Knife tumi 15th–early 16th Century Peru Peruvian Inca Tin bronze 17 cm
Buncheong ware jar, late 15th-early 16th century, Honolulu Museum of Art 132 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buncheong-ware-jar-late-15th-early-16th-century-honolulu-museum-of-172223930.html
RMM05DAJ–Buncheong ware jar, late 15th-early 16th century, Honolulu Museum of Art 132
Persia / Iran: 15th century anatomical drawing from the Tashrīḥ-i badan-i insān. Manṣūr ibn Muḥammad ibn Aḥmad, Tashrīḥ-i badan-i insān ('The Anatomy of the Human Body'). Persian manuscript, copy undated; appearance of paper, handwriting, ink, illustrations, etc. suggest ca. late 15th or very early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persia-iran-15th-century-anatomical-drawing-from-the-tashrih-i-badan-i-insan-mansur-ibn-muhammad-ibn-ahmad-tashrih-i-badan-i-insan-the-anatomy-of-the-human-body-persian-manuscript-copy-undated-appearance-of-paper-handwriting-ink-illustrations-etc-suggest-ca-late-15th-or-very-early-16th-century-image344224341.html
RM2B00NJD–Persia / Iran: 15th century anatomical drawing from the Tashrīḥ-i badan-i insān. Manṣūr ibn Muḥammad ibn Aḥmad, Tashrīḥ-i badan-i insān ('The Anatomy of the Human Body'). Persian manuscript, copy undated; appearance of paper, handwriting, ink, illustrations, etc. suggest ca. late 15th or very early 16th century.
Triumph of Maximilian, c1516 - sackbuts & Bombards The Triumph of Maximilian, c1516. Detail showing Musicians on horseback playing Sackbut (early trombone) and Bombard. Artist- Hans Burgkmair(1473-1531). Procession Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-maximilian-c1516-sackbuts-bombards-the-triumph-of-maximilian-image159143289.html
RMK6WGTW–Triumph of Maximilian, c1516 - sackbuts & Bombards The Triumph of Maximilian, c1516. Detail showing Musicians on horseback playing Sackbut (early trombone) and Bombard. Artist- Hans Burgkmair(1473-1531). Procession
Crivelli carpet Anatolia late 15th early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crivelli-carpet-anatolia-late-15th-early-16th-century-image261220113.html
RMW4YGWN–Crivelli carpet Anatolia late 15th early 16th century.
Late 15th-early 16th century cassone panel paint60d with E28098A battle SceneE28099 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-late-15th-early-16th-century-cassone-panel-paint60d-with-e28098a-battle-137885739.html
RMJ096JK–Late 15th-early 16th century cassone panel paint60d with E28098A battle SceneE28099
Bishop with a Book, late 15th–early 16th century, German, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bishop-with-a-book-late-15thearly-16th-century-german-35537664.html
RMC1PTJ8–Bishop with a Book, late 15th–early 16th century, German,
Maricel museum, Sitges, Spain Master of los Balbases (attributed), St Francis, late 15th/early 16th century, tempera on panel (detail) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maricel-museum-sitges-spain-master-of-los-balbases-attributed-st-francis-late-15thearly-16th-century-tempera-on-panel-detail-image575858598.html
RF2TCTHEE–Maricel museum, Sitges, Spain Master of los Balbases (attributed), St Francis, late 15th/early 16th century, tempera on panel (detail)
Standing Female with Headdress, 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-standing-female-with-headdress-15thearly-16th-century-162325387.html
RMKC2FK7–Standing Female with Headdress, 15th–early 16th century
Hayagriva in union (yab-yum) with his wife of wisdom (prajna). Late 15th-early 16th century Tibetan sculpture. copper, encrusted, gilded, turquoise. Buddhist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hayagriva-in-union-yab-yum-with-his-wife-of-wisdom-prajna-late-15th-57358243.html
RMD98W0K–Hayagriva in union (yab-yum) with his wife of wisdom (prajna). Late 15th-early 16th century Tibetan sculpture. copper, encrusted, gilded, turquoise. Buddhist
Art inspired by Tumi with Figure, 15th–early 16th century, Peru, Inca, Copper, Height 6-7/8 in., Metal-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tumi-with-figure-15thearly-16th-century-peru-inca-copper-height-6-78-in-metal-implements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462798326.html
RF2HTX7YJ–Art inspired by Tumi with Figure, 15th–early 16th century, Peru, Inca, Copper, Height 6-7/8 in., Metal-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Young Scandinavian Elk with Immature Antlers', late 15th-early 16th century (1913).Artist: Albrecht Dürer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-young-scandinavian-elk-with-immature-antlers-late-15th-early-16th-11058876.html
RMA4J3YW–'Young Scandinavian Elk with Immature Antlers', late 15th-early 16th century (1913).Artist: Albrecht Dürer
A German tilting vamplate on a reconstructed lance-stave 16th century. also fitted with a head for a war lance, late 15th/early 16th century The vamplate of truncated conical shape with crimped edge, struck with a mark (double struck), the Lombardic letter M capped by a minute cocked hat, and studded with domed iron lining rivets: on a modern long robust wooden lance-stave, tapering slightly, recessed over the rear, and additionally fitted with a socketed lance-head in excavated condition, formed with a long rounded shank and short robust leaf-sh, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-tilting-vamplate-on-a-reconstructed-lance-stave-16th-century-also-fitted-with-a-head-for-a-war-lance-late-15thearly-16th-century-the-vamplate-of-truncated-conical-shape-with-crimped-edge-struck-with-a-mark-double-struck-the-lombardic-letter-m-capped-by-a-minute-cocked-hat-and-studded-with-domed-iron-lining-rivets-on-a-modern-long-robust-wooden-lance-stave-tapering-slightly-recessed-over-the-rear-and-additionally-fitted-with-a-socketed-lance-head-in-excavated-condition-formed-with-a-long-rounded-shank-and-short-robust-leaf-sh-additional-rights-clearance-info-not-available-image246222786.html
RMT8GBJX–A German tilting vamplate on a reconstructed lance-stave 16th century. also fitted with a head for a war lance, late 15th/early 16th century The vamplate of truncated conical shape with crimped edge, struck with a mark (double struck), the Lombardic letter M capped by a minute cocked hat, and studded with domed iron lining rivets: on a modern long robust wooden lance-stave, tapering slightly, recessed over the rear, and additionally fitted with a socketed lance-head in excavated condition, formed with a long rounded shank and short robust leaf-sh, Additional-Rights-Clearance-Info-Not-Available
. 矢師。『職人尽図屏風』(喜多院蔵)より。狩野吉信筆。桃山文化。 Arrow maker 'Ya-shi'. From 'Shokunin Zukusi-zu Byoubu' (Kita shrine collection). late 15th - early 16th century.. 狩野吉信, Yoshinobu Kano. 58 Arrow maker00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arrow-maker-ya-shi-from-shokunin-zukusi-zu-byoubu-kita-shrine-collection-late-15th-early-16th-century-yoshinobu-kano-58-arrow-maker00-image187650436.html
RMMW8618–. 矢師。『職人尽図屏風』(喜多院蔵)より。狩野吉信筆。桃山文化。 Arrow maker 'Ya-shi'. From 'Shokunin Zukusi-zu Byoubu' (Kita shrine collection). late 15th - early 16th century.. 狩野吉信, Yoshinobu Kano. 58 Arrow maker00
Moderno, The Flagellation, late 15th - early 16th century The Flagellation; late 15th - early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moderno-the-flagellation-late-15th-early-16th-century-the-flagellation-late-15th-early-16th-century-image336033660.html
RM2AEKJA4–Moderno, The Flagellation, late 15th - early 16th century The Flagellation; late 15th - early 16th century
Riutal Stone (Pulidor). Culture: Aztec. Dimensions: H. 1 in. (2.5 cm). Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/riutal-stone-pulidor-culture-aztec-dimensions-h-1-in-25-cm-date-15th-early-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image212907811.html
RMPAAP2B–Riutal Stone (Pulidor). Culture: Aztec. Dimensions: H. 1 in. (2.5 cm). Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
France, Haute Saone, Luxeuil les Bains, 15th century house of Cardinal Jouffroy, 16th century orielle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-haute-saone-luxeuil-les-bains-15th-century-house-of-cardinal-jouffroy-16th-century-orielle-image444148590.html
RM2GPGM1J–France, Haute Saone, Luxeuil les Bains, 15th century house of Cardinal Jouffroy, 16th century orielle
RMMPT5TB–Ideal Head, late 15th-early 16th century. Artist: Michelangelo Buonarroti.
France, Nièvre (58), Nevers, Saint-Cyr-et-Sainte-Julitte cathedral, Polychrome stone entombment (late 15th, early 16th century), on the way to Saint-J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-nivre-58-nevers-saint-cyr-et-sainte-julitte-cathedral-polychrome-stone-entombment-late-15th-early-16th-century-on-the-way-to-saint-j-image388903913.html
RM2DGM2WD–France, Nièvre (58), Nevers, Saint-Cyr-et-Sainte-Julitte cathedral, Polychrome stone entombment (late 15th, early 16th century), on the way to Saint-J
Standard Bearer 15th–early 16th century Mexico Mesoamerica Veracruz Aztec Sandstone laminated 35 cm Mexican Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-standard-bearer-15thearly-16th-century-mexico-mesoamerica-veracruz-50988775.html
RMCXXMKK–Standard Bearer 15th–early 16th century Mexico Mesoamerica Veracruz Aztec Sandstone laminated 35 cm Mexican
Late 15th-early 16th century cassone panel paint60d with A battle Scene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-late-15th-early-16th-century-cassone-panel-paint60d-with-a-battle-147585948.html
RMJG33AM–Late 15th-early 16th century cassone panel paint60d with A battle Scene
Persia / Iran: 15th century anatomical drawing from the Tashrīḥ-i badan-i insān. Manṣūr ibn Muḥammad ibn Aḥmad, Tashrīḥ-i badan-i insān ('The Anatomy of the Human Body'). Persian manuscript, copy undated; appearance of paper, handwriting, ink, illustrations, etc. suggest ca. late 15th or very early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persia-iran-15th-century-anatomical-drawing-from-the-tashrih-i-badan-i-insan-mansur-ibn-muhammad-ibn-ahmad-tashrih-i-badan-i-insan-the-anatomy-of-the-human-body-persian-manuscript-copy-undated-appearance-of-paper-handwriting-ink-illustrations-etc-suggest-ca-late-15th-or-very-early-16th-century-image344224337.html
RM2B00NJ9–Persia / Iran: 15th century anatomical drawing from the Tashrīḥ-i badan-i insān. Manṣūr ibn Muḥammad ibn Aḥmad, Tashrīḥ-i badan-i insān ('The Anatomy of the Human Body'). Persian manuscript, copy undated; appearance of paper, handwriting, ink, illustrations, etc. suggest ca. late 15th or very early 16th century.
' History of Music ' - woodcut by Hans Burgkmair (1473-1531) from his prose novel 'Der Weisskunig ' in praise of his emperor Maximilian I Early music instruments being made. Portative organ, harp, wind, brass. Workshop. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-history-of-music-woodcut-by-hans-burgkmair-1473-1531-from-his-prose-163031826.html
RMKD6MN6–' History of Music ' - woodcut by Hans Burgkmair (1473-1531) from his prose novel 'Der Weisskunig ' in praise of his emperor Maximilian I Early music instruments being made. Portative organ, harp, wind, brass. Workshop.
Late 15th-early 16th century cassone panel paint`d with ‥98A battle Scene‥99. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-15th-early-16th-century-cassone-panel-paint`d-with-98a-battle-scene99-image395656646.html
RM2DYKM2E–Late 15th-early 16th century cassone panel paint`d with ‥98A battle Scene‥99.
Workshop of Antoniazzo Romano Madonna and Child Enthroned Late 15th - early 16th century Detached fresco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-workshop-of-antoniazzo-romano-madonna-and-child-enthroned-late-15th-75861274.html
RMEBBNR6–Workshop of Antoniazzo Romano Madonna and Child Enthroned Late 15th - early 16th century Detached fresco
JOSEPH OF ARIMATHEA Flemish late 15th early 16th century Bust length copy after Van der Weyden s Descent from the Cross Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-of-arimathea-flemish-late-15th-early-16th-century-bust-length-22741218.html
RMB8YXJA–JOSEPH OF ARIMATHEA Flemish late 15th early 16th century Bust length copy after Van der Weyden s Descent from the Cross
Luca Signorelli. Painting entitled 'The Adoration of the Shepherds' by the Early Italian Renaissance painter, Luca Signorelli (c. 1441/1445-1523), oil on wood, c. 1496 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luca-signorelli-painting-entitled-the-adoration-of-the-shepherds-by-the-early-italian-renaissance-painter-luca-signorelli-c14411445-1523-oil-on-wood-c-1496-image470331391.html
RM2J95CDK–Luca Signorelli. Painting entitled 'The Adoration of the Shepherds' by the Early Italian Renaissance painter, Luca Signorelli (c. 1441/1445-1523), oil on wood, c. 1496
Seated Female with Headdress, 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-seated-female-with-headdress-15thearly-16th-century-162325388.html
RMKC2FK8–Seated Female with Headdress, 15th–early 16th century
A woodcut engraving depicting Paris during the late 15th/ early 16th century. Dated 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woodcut-engraving-depicting-paris-during-the-late-15th-early-16th-century-dated-17th-century-image235272120.html
RMRJNFYM–A woodcut engraving depicting Paris during the late 15th/ early 16th century. Dated 17th century
Art inspired by Ritual Stone (pulidor), 15th–early 16th century, Mexico, Mesoamerica, Aztec (?), Greenstone, Height 1 in., Stone-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ritual-stone-pulidor-15thearly-16th-century-mexico-mesoamerica-aztec-greenstone-height-1-in-stone-implements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462797666.html
RF2HTX742–Art inspired by Ritual Stone (pulidor), 15th–early 16th century, Mexico, Mesoamerica, Aztec (?), Greenstone, Height 1 in., Stone-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'St Francis Receiving the Stigmata', late 15th-early 16th century. Artist: Francesco Francia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-francis-receiving-the-stigmata-late-15th-early-16th-century-artist-francesco-francia-image262740307.html
RMW7CRXB–'St Francis Receiving the Stigmata', late 15th-early 16th century. Artist: Francesco Francia
A German tilting vamplate on a reconstructed lance-stave 16th century. also fitted with a head for a war lance, late 15th/early 16th century The vamplate of truncated conical shape with crimped edge, struck with a mark (double struck), the Lombardic letter M capped by a minute cocked hat, and studded with domed iron lining rivets: on a modern long robust wooden lance-stave, tapering slightly, recessed over the rear, and additionally fitted with a socketed lance-head in excavated condition, formed with a long rounded shank and short robust leaf-sh, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-tilting-vamplate-on-a-reconstructed-lance-stave-16th-century-also-fitted-with-a-head-for-a-war-lance-late-15thearly-16th-century-the-vamplate-of-truncated-conical-shape-with-crimped-edge-struck-with-a-mark-double-struck-the-lombardic-letter-m-capped-by-a-minute-cocked-hat-and-studded-with-domed-iron-lining-rivets-on-a-modern-long-robust-wooden-lance-stave-tapering-slightly-recessed-over-the-rear-and-additionally-fitted-with-a-socketed-lance-head-in-excavated-condition-formed-with-a-long-rounded-shank-and-short-robust-leaf-sh-additional-rights-clearance-info-not-available-image246222777.html
RMT8GBJH–A German tilting vamplate on a reconstructed lance-stave 16th century. also fitted with a head for a war lance, late 15th/early 16th century The vamplate of truncated conical shape with crimped edge, struck with a mark (double struck), the Lombardic letter M capped by a minute cocked hat, and studded with domed iron lining rivets: on a modern long robust wooden lance-stave, tapering slightly, recessed over the rear, and additionally fitted with a socketed lance-head in excavated condition, formed with a long rounded shank and short robust leaf-sh, Additional-Rights-Clearance-Info-Not-Available
. 矢師。『職人尽図屏風』(喜多院蔵)より。狩野吉信筆。桃山文化。 Arrow maker 'Ya-shi'. From 'Shokunin Zukusi-zu Byoubu' (Kita shrine collection). late 15th - early 16th century.. 狩野吉信, Yoshinobu Kano. 50 Arrow maker00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arrow-maker-ya-shi-from-shokunin-zukusi-zu-byoubu-kita-shrine-collection-late-15th-early-16th-century-yoshinobu-kano-50-arrow-maker00-image188915030.html
RMMY9R1A–. 矢師。『職人尽図屏風』(喜多院蔵)より。狩野吉信筆。桃山文化。 Arrow maker 'Ya-shi'. From 'Shokunin Zukusi-zu Byoubu' (Kita shrine collection). late 15th - early 16th century.. 狩野吉信, Yoshinobu Kano. 50 Arrow maker00
Moderno, The Entombment, late 15th - early 16th century The Entombment; late 15th - early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moderno-the-entombment-late-15th-early-16th-century-the-entombment-late-15th-early-16th-century-image336033668.html
RM2AEKJAC–Moderno, The Entombment, late 15th - early 16th century The Entombment; late 15th - early 16th century
Temple Model. Culture: Aztec. Dimensions: Height 6-3/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-model-culture-aztec-dimensions-height-6-38-in-date-15th-early-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image212857100.html
RMPA8DB8–Temple Model. Culture: Aztec. Dimensions: Height 6-3/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
France, Calvados, Pays d'Auge, 15th and 16th century Saint Germain de Livet Castle labeled Museum of France, 16th century fresco in the guard room Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-calvados-pays-dauge-15th-and-16th-century-saint-germain-de-livet-castle-labeled-museum-of-france-16th-century-fresco-in-the-guard-room-image246118566.html
RMT8BJMP–France, Calvados, Pays d'Auge, 15th and 16th century Saint Germain de Livet Castle labeled Museum of France, 16th century fresco in the guard room
Christ and the Woman of Samaria, late 15th-early 16th century. Artist: Perugino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-and-the-woman-of-samaria-late-15th-early-16th-century-artist-perugino-image186157569.html
RMMPT5TH–Christ and the Woman of Samaria, late 15th-early 16th century. Artist: Perugino.
France, Nièvre (58), Nevers, Saint-Cyr-et-Sainte-Julitte cathedral, Polychrome stone entombment (late 15th, early 16th century), on the way to Saint-J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-nivre-58-nevers-saint-cyr-et-sainte-julitte-cathedral-polychrome-stone-entombment-late-15th-early-16th-century-on-the-way-to-saint-j-image388905447.html
RM2DGM4T7–France, Nièvre (58), Nevers, Saint-Cyr-et-Sainte-Julitte cathedral, Polychrome stone entombment (late 15th, early 16th century), on the way to Saint-J
Kneeling Female Figure 15th–early 16th century Mexico Mesoamerica Aztec Stone pigment 54.61 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kneeling-female-figure-15thearly-16th-century-mexico-mesoamerica-aztec-50787371.html
RMCXHFPK–Kneeling Female Figure 15th–early 16th century Mexico Mesoamerica Aztec Stone pigment 54.61 cm
London, UK. 21st Apr, 2023. An ANATOLIAN 'PHOENIX IN OCTAGON' RUG, Late 15TH/EARLY 16TH CENTURY, Estimate: GBP 100,000 - GBP 150,000 and A 'Holbein' Variant Rug, Central Or East Anatolia, Late 16th/Early 17th Century, Estimate: GBP 80,000 - GBP 120,000 and others - Preview of Christie's Art of the Islamic and Indian Worlds, including Oriental rugs and carpets. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-21st-apr-2023-an-anatolian-phoenix-in-octagon-rug-late-15thearly-16th-century-estimate-gbp-100000-gbp-150000-and-a-holbein-variant-rug-central-or-east-anatolia-late-16thearly-17th-century-estimate-gbp-80000-gbp-120000-and-others-preview-of-christies-art-of-the-islamic-and-indian-worlds-including-oriental-rugs-and-carpets-credit-guy-bellalamy-live-news-image547071815.html
RM2PP17K3–London, UK. 21st Apr, 2023. An ANATOLIAN 'PHOENIX IN OCTAGON' RUG, Late 15TH/EARLY 16TH CENTURY, Estimate: GBP 100,000 - GBP 150,000 and A 'Holbein' Variant Rug, Central Or East Anatolia, Late 16th/Early 17th Century, Estimate: GBP 80,000 - GBP 120,000 and others - Preview of Christie's Art of the Islamic and Indian Worlds, including Oriental rugs and carpets. Credit: Guy Bell/Alamy Live News
Persia / Iran: 15th century anatomical drawing from the Tashrīḥ-i badan-i insān. Manṣūr ibn Muḥammad ibn Aḥmad, Tashrīḥ-i badan-i insān ('The Anatomy of the Human Body'). Persian manuscript, copy undated; appearance of paper, handwriting, ink, illustrations, etc. suggest ca. late 15th or very early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persia-iran-15th-century-anatomical-drawing-from-the-tashrih-i-badan-i-insan-mansur-ibn-muhammad-ibn-ahmad-tashrih-i-badan-i-insan-the-anatomy-of-the-human-body-persian-manuscript-copy-undated-appearance-of-paper-handwriting-ink-illustrations-etc-suggest-ca-late-15th-or-very-early-16th-century-image344224336.html
RM2B00NJ8–Persia / Iran: 15th century anatomical drawing from the Tashrīḥ-i badan-i insān. Manṣūr ibn Muḥammad ibn Aḥmad, Tashrīḥ-i badan-i insān ('The Anatomy of the Human Body'). Persian manuscript, copy undated; appearance of paper, handwriting, ink, illustrations, etc. suggest ca. late 15th or very early 16th century.
Historic early battle wagons, tanks and armoured cars - A 16th-17th century German war cart carrying cannons Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historic-early-battle-wagons-tanks-and-armoured-cars-a-16th-17th-century-german-war-cart-carrying-cannons-image337806968.html
RM2AHGC6G–Historic early battle wagons, tanks and armoured cars - A 16th-17th century German war cart carrying cannons
Re entrant prayer rug Anatolia late 15th early 16th century reverse. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/re-entrant-prayer-rug-anatolia-late-15th-early-16th-century-reverse-image416499187.html
RM2F5H4XY–Re entrant prayer rug Anatolia late 15th early 16th century reverse.
At St Stephens church , St Albans . This lectern , a fine specimen of 15th century Flemish metal work , has been at St Stephen ' s Church for over 400 years . It is claimed by the City of Edinburgh , basing its claim on the supposition that it was taken from the Abbey of Holyrood by Sir Richard Lee , an officer of the Earl of Hertford , who was entrusted by Henry VIII to destroy Edinburgh in 1544 . St Stephen ' s suggest that the lectern was the gift of the Bishop of Dunkeld , Abbot of Holyrood , early in the 16th century . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-st-stephens-church-st-albans-this-lectern-a-fine-specimen-of-15th-century-flemish-metal-work-has-been-at-st-stephen-s-church-for-over-400-years-it-is-claimed-by-the-city-of-edinburgh-basing-its-claim-on-the-supposition-that-it-was-taken-from-the-abbey-of-holyrood-by-sir-richard-lee-an-officer-of-the-earl-of-hertford-who-was-entrusted-by-henry-viii-to-destroy-edinburgh-in-1544-st-stephen-s-suggest-that-the-lectern-was-the-gift-of-the-bishop-of-dunkeld-abbot-of-holyrood-early-in-the-16th-century-image359814670.html
RM2BWAY7X–At St Stephens church , St Albans . This lectern , a fine specimen of 15th century Flemish metal work , has been at St Stephen ' s Church for over 400 years . It is claimed by the City of Edinburgh , basing its claim on the supposition that it was taken from the Abbey of Holyrood by Sir Richard Lee , an officer of the Earl of Hertford , who was entrusted by Henry VIII to destroy Edinburgh in 1544 . St Stephen ' s suggest that the lectern was the gift of the Bishop of Dunkeld , Abbot of Holyrood , early in the 16th century .
Falconet or falcon. Light cannon developed in the late 15th century. Engraving. Museo Militar, 1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/falconet-or-falcon-light-cannon-developed-in-the-late-15th-century-engraving-museo-militar-1883-image333105890.html
RM2A9X7XX–Falconet or falcon. Light cannon developed in the late 15th century. Engraving. Museo Militar, 1883.
The Crucifixion by follower of Rogier van der Weyden (c.1399-1464), oil on panel, c. 1500 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-by-follower-of-rogier-van-der-weyden-c1399-1464-oil-on-panel-c-1500-image553194580.html
RM2R40598–The Crucifixion by follower of Rogier van der Weyden (c.1399-1464), oil on panel, c. 1500
Miniature Jar with Two Handles, 15th–early 16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-miniature-jar-with-two-handles-15thearly-16th-century-162383300.html
RMKC55FG–Miniature Jar with Two Handles, 15th–early 16th century
A woodcut engraving depicting Paris during the late 15th/ early 16th century. Dated 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woodcut-engraving-depicting-paris-during-the-late-15th-early-16th-century-dated-17th-century-image235272118.html
RMRJNFYJ–A woodcut engraving depicting Paris during the late 15th/ early 16th century. Dated 17th century
Art inspired by Male figure, 15th–early 16th century, Peru, Inca, Gold, Height 2-7/16 in., Metal-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-male-figure-15thearly-16th-century-peru-inca-gold-height-2-716-in-metal-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462795255.html
RF2HTX41Y–Art inspired by Male figure, 15th–early 16th century, Peru, Inca, Gold, Height 2-7/16 in., Metal-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Young woman, late 15th-early 16th century, (1908). Creator: Gerard David. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-late-15th-early-16th-century-1908-creator-gerard-david-image246382811.html
RMT8RKP3–Young woman, late 15th-early 16th century, (1908). Creator: Gerard David.
A German tilting vamplate on a reconstructed lance-stave 16th century. also fitted with a head for a war lance, late 15th/early 16th century The vamplate of truncated conical shape with crimped edge, struck with a mark (double struck), the Lombardic letter M capped by a minute cocked hat, and studded with domed iron lining rivets: on a modern long robust wooden lance-stave, tapering slightly, recessed over the rear, and additionally fitted with a socketed lance-head in excavated condition, formed with a long rounded shank and short robust leaf-sh, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-tilting-vamplate-on-a-reconstructed-lance-stave-16th-century-also-fitted-with-a-head-for-a-war-lance-late-15thearly-16th-century-the-vamplate-of-truncated-conical-shape-with-crimped-edge-struck-with-a-mark-double-struck-the-lombardic-letter-m-capped-by-a-minute-cocked-hat-and-studded-with-domed-iron-lining-rivets-on-a-modern-long-robust-wooden-lance-stave-tapering-slightly-recessed-over-the-rear-and-additionally-fitted-with-a-socketed-lance-head-in-excavated-condition-formed-with-a-long-rounded-shank-and-short-robust-leaf-sh-additional-rights-clearance-info-not-available-image246222783.html
RMT8GBJR–A German tilting vamplate on a reconstructed lance-stave 16th century. also fitted with a head for a war lance, late 15th/early 16th century The vamplate of truncated conical shape with crimped edge, struck with a mark (double struck), the Lombardic letter M capped by a minute cocked hat, and studded with domed iron lining rivets: on a modern long robust wooden lance-stave, tapering slightly, recessed over the rear, and additionally fitted with a socketed lance-head in excavated condition, formed with a long rounded shank and short robust leaf-sh, Additional-Rights-Clearance-Info-Not-Available
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