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Design for a Bookcase with Writing Desk. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 8-3/4 x 12-1/2 in. (22.2 x 31.8 cm). Date: ca. 1550-70. This design combines a case for book storage with a writing desk and is therefore essentially a precursor to the secretary desk which would emerge in the 17th century. Since not many bookcases from before 1600 survive, this drawing is highly informative. Half of it has been filled with books and it shows how the different compartments were used for books of various sizes. The inscriptions below th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-bookcase-with-writing-desk-artist-anonymous-italian-16th-century-italian-active-central-italy-ca-1550-1580-dimensions-8-34-x-12-12-in-222-x-318-cm-date-ca-1550-70-this-design-combines-a-case-for-book-storage-with-a-writing-desk-and-is-therefore-essentially-a-precursor-to-the-secretary-desk-which-would-emerge-in-the-17th-century-since-not-many-bookcases-from-before-1600-survive-this-drawing-is-highly-informative-half-of-it-has-been-filled-with-books-and-it-shows-how-the-different-compartments-were-used-for-books-of-various-sizes-the-inscriptions-below-th-image213318903.htmlRMPB1EC7–Design for a Bookcase with Writing Desk. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 8-3/4 x 12-1/2 in. (22.2 x 31.8 cm). Date: ca. 1550-70. This design combines a case for book storage with a writing desk and is therefore essentially a precursor to the secretary desk which would emerge in the 17th century. Since not many bookcases from before 1600 survive, this drawing is highly informative. Half of it has been filled with books and it shows how the different compartments were used for books of various sizes. The inscriptions below th
Design for a Bookcase with Writing Desk ca. 1550–70 Anonymous, Italian, 16th century Italian This design combines a case for book storage with a writing desk and is therefore essentially a precursor to the secretary desk which would emerge in the 17th century. Since not many bookcases from before 1600 survive, this drawing is highly informative. Half of it has been filled with books and it shows how the different compartments were used for books of various sizes. The inscriptions below the desk mention ‘casette a tirare’ which indicates that the design also incorporated three drawers: an eleme Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-bookcase-with-writing-desk-ca-155070-anonymous-italian-16th-century-italian-this-design-combines-a-case-for-book-storage-with-a-writing-desk-and-is-therefore-essentially-a-precursor-to-the-secretary-desk-which-would-emerge-in-the-17th-century-since-not-many-bookcases-from-before-1600-survive-this-drawing-is-highly-informative-half-of-it-has-been-filled-with-books-and-it-shows-how-the-different-compartments-were-used-for-books-of-various-sizes-the-inscriptions-below-the-desk-mention-casette-a-tirare-which-indicates-that-the-design-also-incorporated-three-drawers-an-eleme-image458126791.htmlRM2HH9DB3–Design for a Bookcase with Writing Desk ca. 1550–70 Anonymous, Italian, 16th century Italian This design combines a case for book storage with a writing desk and is therefore essentially a precursor to the secretary desk which would emerge in the 17th century. Since not many bookcases from before 1600 survive, this drawing is highly informative. Half of it has been filled with books and it shows how the different compartments were used for books of various sizes. The inscriptions below the desk mention ‘casette a tirare’ which indicates that the design also incorporated three drawers: an eleme
Cuirassier's Armor, c. 1600-1620. The cuirassier was the heavy cavalryman of the late 1500s and early 1600s. Carrying pistols and a sword, he was clad in full armor, like this suit, with the exception of his lower legs, which were protected by heavy riding boots. Shortly after 1650, such heavy cavalry armor disappeared from use. By then, European cavalries had abandoned full armor as impractical against the increased sophistication of firearms. Similar armors survive in the Armory of Graz, Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cuirassiers-armor-c-1600-1620-the-cuirassier-was-the-heavy-cavalryman-of-the-late-1500s-and-early-1600s-carrying-pistols-and-a-sword-he-was-clad-in-full-armor-like-this-suit-with-the-exception-of-his-lower-legs-which-were-protected-by-heavy-riding-boots-shortly-after-1650-such-heavy-cavalry-armor-disappeared-from-use-by-then-european-cavalries-had-abandoned-full-armor-as-impractical-against-the-increased-sophistication-of-firearms-similar-armors-survive-in-the-armory-of-graz-austria-image330084758.htmlRM2A50JDA–Cuirassier's Armor, c. 1600-1620. The cuirassier was the heavy cavalryman of the late 1500s and early 1600s. Carrying pistols and a sword, he was clad in full armor, like this suit, with the exception of his lower legs, which were protected by heavy riding boots. Shortly after 1650, such heavy cavalry armor disappeared from use. By then, European cavalries had abandoned full armor as impractical against the increased sophistication of firearms. Similar armors survive in the Armory of Graz, Austria.
U.S. Marines with 3rd Battalion, 6th Marine Regiment, 2d Marine Division stage tucker terra model 1600 sno-cats in preparation for an 8 kilometer hike during Mountain Warfare Training Exercise (MTX) 3-24 at the Marine Corps Mountain Warfare Training Center, Bridgeport, California on March 29, 2024. MTX prepares units to survive and conduct extended operations in mountainous and cold weather environments. (U.S. Marine Corps photo by Lance Cpl. Noelia Vazquez) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/us-marines-with-3rd-battalion-6th-marine-regiment-2d-marine-division-stage-tucker-terra-model-1600-sno-cats-in-preparation-for-an-8-kilometer-hike-during-mountain-warfare-training-exercise-mtx-3-24-at-the-marine-corps-mountain-warfare-training-center-bridgeport-california-on-march-29-2024-mtx-prepares-units-to-survive-and-conduct-extended-operations-in-mountainous-and-cold-weather-environments-us-marine-corps-photo-by-lance-cpl-noelia-vazquez-image601807092.htmlRM2WY2K2C–U.S. Marines with 3rd Battalion, 6th Marine Regiment, 2d Marine Division stage tucker terra model 1600 sno-cats in preparation for an 8 kilometer hike during Mountain Warfare Training Exercise (MTX) 3-24 at the Marine Corps Mountain Warfare Training Center, Bridgeport, California on March 29, 2024. MTX prepares units to survive and conduct extended operations in mountainous and cold weather environments. (U.S. Marine Corps photo by Lance Cpl. Noelia Vazquez)
A tourist takes a picture of the skyline from the lookout point of Helaba bank in Frankfurt Main, Germany, 23 July 2010. The Committee of European Banking Supervisors (CEBS) releases the outcomes of European banks' stress tests on 23 July 2010 in London at 1600 GMT. A total of 91 banks were involved in the stress tests that analysed whether banks could survive a further economic or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-tourist-takes-a-picture-of-the-skyline-from-the-lookout-point-of-54944853.htmlRMD5AXM5–A tourist takes a picture of the skyline from the lookout point of Helaba bank in Frankfurt Main, Germany, 23 July 2010. The Committee of European Banking Supervisors (CEBS) releases the outcomes of European banks' stress tests on 23 July 2010 in London at 1600 GMT. A total of 91 banks were involved in the stress tests that analysed whether banks could survive a further economic or
Cuirassier's Armor, c. 1600–20. Austria, Graz(?), early 17th century. Steel (originally blued, now black); leather straps; overall: 171.4 cm (67 1/2 in.). The cuirassier was the heavy cavalryman of the late 1500s and early 1600s. Carrying pistols and a sword, he was clad in full armor, like this suit, with the exception of his lower legs, which were protected by heavy riding boots. Shortly after 1650, such heavy cavalry armor disappeared from use. By then, European cavalries had abandoned full armor as impractical against the increased sophistication of firearms. Similar armors survive in the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cuirassiers-armor-c-160020-austria-graz-early-17th-century-steel-originally-blued-now-black-leather-straps-overall-1714-cm-67-12-in-the-cuirassier-was-the-heavy-cavalryman-of-the-late-1500s-and-early-1600s-carrying-pistols-and-a-sword-he-was-clad-in-full-armor-like-this-suit-with-the-exception-of-his-lower-legs-which-were-protected-by-heavy-riding-boots-shortly-after-1650-such-heavy-cavalry-armor-disappeared-from-use-by-then-european-cavalries-had-abandoned-full-armor-as-impractical-against-the-increased-sophistication-of-firearms-similar-armors-survive-in-the-image448072792.htmlRM2H0YDBM–Cuirassier's Armor, c. 1600–20. Austria, Graz(?), early 17th century. Steel (originally blued, now black); leather straps; overall: 171.4 cm (67 1/2 in.). The cuirassier was the heavy cavalryman of the late 1500s and early 1600s. Carrying pistols and a sword, he was clad in full armor, like this suit, with the exception of his lower legs, which were protected by heavy riding boots. Shortly after 1650, such heavy cavalry armor disappeared from use. By then, European cavalries had abandoned full armor as impractical against the increased sophistication of firearms. Similar armors survive in the
Peter Paul Rubens, The Death of Dido, 1600-1603, pen and brown ink on paper, 3 3/4 in. x 4 1/2 in. (9.53 cm. x 11.5 cm.), According to Virgil's 'Aeneid,' Dido, Queen of Carthage, is distraught when her lover Aeneas departs. To the shock of all, she mounts a pyre assembled from Aeneas's belongings and falls on a sword. In this sketch and a related sheet at the Louvre, Rubens develops varying poses of the figure with outstretched arms, flowing drapery, and pained expression. This sheet is a rare 'first idea' sketch Rubens drew early in his Italian years, when he was in the service of the Duke Vi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-paul-rubens-the-death-of-dido-1600-1603-pen-and-brown-ink-on-paper-3-34-in-x-4-12-in-953-cm-x-115-cm-according-to-virgils-aeneid-dido-queen-of-carthage-is-distraught-when-her-lover-aeneas-departs-to-the-shock-of-all-she-mounts-a-pyre-assembled-from-aeneass-belongings-and-falls-on-a-sword-in-this-sketch-and-a-related-sheet-at-the-louvre-rubens-develops-varying-poses-of-the-figure-with-outstretched-arms-flowing-drapery-and-pained-expression-this-sheet-is-a-rare-first-idea-sketch-rubens-drew-early-in-his-italian-years-when-he-was-in-the-service-of-the-duke-vi-image344470893.htmlRM2B0C03W–Peter Paul Rubens, The Death of Dido, 1600-1603, pen and brown ink on paper, 3 3/4 in. x 4 1/2 in. (9.53 cm. x 11.5 cm.), According to Virgil's 'Aeneid,' Dido, Queen of Carthage, is distraught when her lover Aeneas departs. To the shock of all, she mounts a pyre assembled from Aeneas's belongings and falls on a sword. In this sketch and a related sheet at the Louvre, Rubens develops varying poses of the figure with outstretched arms, flowing drapery, and pained expression. This sheet is a rare 'first idea' sketch Rubens drew early in his Italian years, when he was in the service of the Duke Vi
Art inspired by 明 魏之克(魏克) 金陵四時圖 卷 紙本, Views of Nanjing in the Four Seasons, Ming dynasty (1368–1644), dated 1635, China, Handscroll; ink and color on paper, Overall with mounting: 12 5/8 in. × 38 ft. 10 in. (32.1 × 1183.6 cm), Paintings, Wei Zhike (Chinese, active ca. 1600–after 1636, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-views-of-nanjing-in-the-four-seasons-ming-dynasty-13681644-dated-1635-china-handscroll-ink-and-color-on-paper-overall-with-mounting-12-58-in-38-ft-10-in-321-11836-cm-paintings-wei-zhike-chinese-active-ca-1600after-1636-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903516.htmlRF2HW324C–Art inspired by 明 魏之克(魏克) 金陵四時圖 卷 紙本, Views of Nanjing in the Four Seasons, Ming dynasty (1368–1644), dated 1635, China, Handscroll; ink and color on paper, Overall with mounting: 12 5/8 in. × 38 ft. 10 in. (32.1 × 1183.6 cm), Paintings, Wei Zhike (Chinese, active ca. 1600–after 1636, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a Bookcase with Writing Desk, Anonymous, Italian, 16th century, ca. 1550–70 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-bookcase-with-writing-desk-anonymous-italian-16th-century-162447692.htmlRMKC83K8–Design for a Bookcase with Writing Desk, Anonymous, Italian, 16th century, ca. 1550–70
Art inspired by Design for a Bookcase with Writing Desk, ca. 1550–70, Pen and brown ink, brush and brown wash, over leadpoint, 8-3/4 x 12-1/2 in. (22.2 x 31.8 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), This design combines a case for book, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-bookcase-with-writing-desk-ca-155070-pen-and-brown-ink-brush-and-brown-wash-over-leadpoint-8-34-x-12-12-in-222-x-318-cm-anonymous-italian-16th-century-italian-active-central-italy-ca-15501580-this-design-combines-a-case-for-book-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956266.htmlRF2HW5DCA–Art inspired by Design for a Bookcase with Writing Desk, ca. 1550–70, Pen and brown ink, brush and brown wash, over leadpoint, 8-3/4 x 12-1/2 in. (22.2 x 31.8 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), This design combines a case for book, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
明 魏之克(魏克) 金陵四時圖 卷 紙本, Views of Nanjing in the Four Seasons, Wei Zhike, dated 1635 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-views-of-nanjing-in-the-four-seasons-wei-zhike-dated-1635-162418294.htmlRMKC6P5A–明 魏之克(魏克) 金陵四時圖 卷 紙本, Views of Nanjing in the Four Seasons, Wei Zhike, dated 1635
Cuirassier's Armor: Helmet, c. 1600-1620. The cuirassier was the heavy cavalryman of the late 1500s and early 1600s. Carrying pistols and a sword, he was clad in full armor, like this suit, with the exception of his lower legs, which were protected by heavy riding boots. Shortly after 1650, such heavy cavalry armor disappeared from use. By then, European cavalries had abandoned full armor as impractical against the increased sophistication of firearms. Similar armors survive in the Armory of Graz, Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cuirassiers-armor-helmet-c-1600-1620-the-cuirassier-was-the-heavy-cavalryman-of-the-late-1500s-and-early-1600s-carrying-pistols-and-a-sword-he-was-clad-in-full-armor-like-this-suit-with-the-exception-of-his-lower-legs-which-were-protected-by-heavy-riding-boots-shortly-after-1650-such-heavy-cavalry-armor-disappeared-from-use-by-then-european-cavalries-had-abandoned-full-armor-as-impractical-against-the-increased-sophistication-of-firearms-similar-armors-survive-in-the-armory-of-graz-austria-image330084778.htmlRM2A50JE2–Cuirassier's Armor: Helmet, c. 1600-1620. The cuirassier was the heavy cavalryman of the late 1500s and early 1600s. Carrying pistols and a sword, he was clad in full armor, like this suit, with the exception of his lower legs, which were protected by heavy riding boots. Shortly after 1650, such heavy cavalry armor disappeared from use. By then, European cavalries had abandoned full armor as impractical against the increased sophistication of firearms. Similar armors survive in the Armory of Graz, Austria.
