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1632 1717 Stock Photos and Images
Wang Hui (1632-1717) Deep in the Mountains 1692. India ink and pale colour on paper. Wang Hui was a native of Ch'ang-su in Kiangsi province. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wang-hui-1632-1717-deep-in-the-mountains-1692-india-ink-and-pale-colour-76392151.htmlRMEC7XY3–Wang Hui (1632-1717) Deep in the Mountains 1692. India ink and pale colour on paper. Wang Hui was a native of Ch'ang-su in Kiangsi province. .
Album After Old Masters and Poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-ink-on-paper-13-x-12-14-in-asian-art-image328774732.htmlRM2A2TYEM–Album After Old Masters and Poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, ink on paper, 13 x 12-1/4 in., Asian Art
Louis XIV, King of France (1638-1715), ca 1705. Artist: Benoist, Antoine (1632-1717) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-xiv-king-of-france-1638-1715-ca-1705-artist-benoist-antoine-image60376263.htmlRMDE6AF3–Louis XIV, King of France (1638-1715), ca 1705. Artist: Benoist, Antoine (1632-1717)
Landscape, 1632-1717. Wang Hui (Chinese, 1632-1717). Hanging scroll, color on silk; overall: 200.9 x 99.2 cm (79 1/8 x 39 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-1632-1717-wang-hui-chinese-1632-1717-hanging-scroll-color-on-silk-overall-2009-x-992-cm-79-18-x-39-116-in-image240364749.htmlRMRY1FK9–Landscape, 1632-1717. Wang Hui (Chinese, 1632-1717). Hanging scroll, color on silk; overall: 200.9 x 99.2 cm (79 1/8 x 39 1/16 in
. Deutsch: Wang Hui u. a.: Südreise des Kaisers Kangxi (Querrolle Nr. 9 - Ausschnitt: Theaterszene in Keqiao), ca. 1691–98, Tusche und Farbe auf Seide, Peking . between 1691 and 1698. Wang Hui (1632–1717) Alternative names Deutsch: auch genannt: Tzu Shi-ku 石谷 (shígǔ), 耕烟散人, 清晖老人, 乌目山人 Description Chinese painter Date of birth/death 1632 1717 Location of birth/death Changshu (常熟市), Jiangsu, China Changshu Work location Changshu South School Authority control : Q716222 VIAF: 65330434 ISNI: 0000 0000 8145 2180 ULAN: 500327902 LCCN: n81090298 NLA: 36606203 WorldCat 1250 Wang Hui5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-wang-hui-u-a-sdreise-des-kaisers-kangxi-querrolle-nr-9-ausschnitt-theaterszene-in-keqiao-ca-169198-tusche-und-farbe-auf-seide-peking-between-1691-and-1698-wang-hui-16321717-alternative-names-deutsch-auch-genannt-tzu-shi-ku-shg-description-chinese-painter-date-of-birthdeath-1632-1717-location-of-birthdeath-changshu-jiangsu-china-changshu-work-location-changshu-south-school-authority-control-q716222-viaf65330434-isni0000-0000-8145-2180-ulan500327902-lccnn81090298-nla36606203-worldcat-1250-wang-hui5-image185611157.htmlRMMNY8WW–. Deutsch: Wang Hui u. a.: Südreise des Kaisers Kangxi (Querrolle Nr. 9 - Ausschnitt: Theaterszene in Keqiao), ca. 1691–98, Tusche und Farbe auf Seide, Peking . between 1691 and 1698. Wang Hui (1632–1717) Alternative names Deutsch: auch genannt: Tzu Shi-ku 石谷 (shígǔ), 耕烟散人, 清晖老人, 乌目山人 Description Chinese painter Date of birth/death 1632 1717 Location of birth/death Changshu (常熟市), Jiangsu, China Changshu Work location Changshu South School Authority control : Q716222 VIAF: 65330434 ISNI: 0000 0000 8145 2180 ULAN: 500327902 LCCN: n81090298 NLA: 36606203 WorldCat 1250 Wang Hui5
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773064.htmlRM2A2TWB4–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Mountains after Rain. Artist: Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 7/16 x 19 3/8 in. (16.4 x 49.2 cm). Date: dated 1695. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountains-after-rain-artist-wang-hui-chinese-1632-1717-culture-china-dimensions-6-716-x-19-38-in-164-x-492-cm-date-dated-1695-museum-metropolitan-museum-of-art-new-york-usa-image212870648.htmlRMPA92K4–Mountains after Rain. Artist: Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 7/16 x 19 3/8 in. (16.4 x 49.2 cm). Date: dated 1695. Museum: Metropolitan Museum of Art, New York, USA.
Voyage dans le Sud de l'empereur Kangxi par le peintre chinois Wang Hui 1632 1717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-voyage-dans-le-sud-de-lempereur-kangxi-par-le-peintre-chinois-wang-143454436.htmlRMJ9AWGM–Voyage dans le Sud de l'empereur Kangxi par le peintre chinois Wang Hui 1632 1717
Vue perspective de la place de Louis le Grand avec la représentation de la marche des chars et cortège des gardes de la ville le 13 février 1747 - perspective view of Place de Louis le Grand (now Place Vendôme) in Paris showing the parade of carriages and city guards on 13 February 1747 to celebrate the marriage of Louis, Dauphin of France to Maria Josepha of Saxony. Engraving by Antoine Benoist, French artist and personal painter to King Louis XIV. 1632–1717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vue-perspective-de-la-place-de-louis-le-grand-avec-la-reprsentation-83346776.htmlRMERGNJG–Vue perspective de la place de Louis le Grand avec la représentation de la marche des chars et cortège des gardes de la ville le 13 février 1747 - perspective view of Place de Louis le Grand (now Place Vendôme) in Paris showing the parade of carriages and city guards on 13 February 1747 to celebrate the marriage of Louis, Dauphin of France to Maria Josepha of Saxony. Engraving by Antoine Benoist, French artist and personal painter to King Louis XIV. 1632–1717
Wang Hui (1632-1717) Deep in the Mountains 1692. India ink and pale colour on paper. Wang Hui was a native of Ch'ang-su in Kiangsi province. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wang-hui-1632-1717-deep-in-the-mountains-1692-india-ink-and-pale-colour-on-paper-wang-hui-was-a-native-of-chang-su-in-kiangsi-province-image210381385.htmlRMP67KGW–Wang Hui (1632-1717) Deep in the Mountains 1692. India ink and pale colour on paper. Wang Hui was a native of Ch'ang-su in Kiangsi province. .
Landscape Wang Hui (1632-1717). 'Paysage'. Encre sur papier. Paris, musée Cernuschi. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-wang-hui-1632-1717-paysage-encre-sur-papier-paris-muse-cernuschi-image350181943.htmlRM2B9M4HY–Landscape Wang Hui (1632-1717). 'Paysage'. Encre sur papier. Paris, musée Cernuschi.
Art inspired by Snowscape, Qing dynasty (1644–1911), dated 1682, China, Hanging scroll; ink and color on paper, Image: 52 7/8 x 21 1/8 in. (134.3 x 53.7 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-snowscape-qing-dynasty-16441911-dated-1682-china-hanging-scroll-ink-and-color-on-paper-image-52-78-x-21-18-in-1343-x-537-cm-paintings-unidentified-artist-after-wang-hui-chinese-16321717-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911164.htmlRF2HW3BWG–Art inspired by Snowscape, Qing dynasty (1644–1911), dated 1682, China, Hanging scroll; ink and color on paper, Image: 52 7/8 x 21 1/8 in. (134.3 x 53.7 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WANG HOUEI.1632-1717 ou 1720. Surnom-CHE-KOU. Natif de TCH'ANG-CHOU. Titre - PAYSAGE. Encre sur papier avec légers rehauts de couleurs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wang-houei1632-1717-ou-1720-surnom-che-kou-natif-de-tchang-chou-titre-paysage-encre-sur-papier-avec-lgers-rehauts-de-couleurs-image571868959.htmlRF2T6ATKB–WANG HOUEI.1632-1717 ou 1720. Surnom-CHE-KOU. Natif de TCH'ANG-CHOU. Titre - PAYSAGE. Encre sur papier avec légers rehauts de couleurs
Art inspired by Landscape: Eve of Mid-autumn, Qing dynasty (1644–1911), dated 1686, China, Hanging scroll; ink on paper, Image: 22 1/2 x 16 in. (57.2 x 40.6 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-eve-of-mid-autumn-qing-dynasty-16441911-dated-1686-china-hanging-scroll-ink-on-paper-image-22-12-x-16-in-572-x-406-cm-paintings-unidentified-artist-after-wang-hui-chinese-16321717-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911174.htmlRF2HW3BWX–Art inspired by Landscape: Eve of Mid-autumn, Qing dynasty (1644–1911), dated 1686, China, Hanging scroll; ink on paper, Image: 22 1/2 x 16 in. (57.2 x 40.6 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WANG HOUEI.1632-1717 ou 1720. Surnom - CHE-KOU. Natif de TCH'ANG-CHOU. Titre - PAYSAGE. Encre sur papier avec légers rehauts de couleurs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wang-houei1632-1717-ou-1720-surnom-che-kou-natif-de-tchang-chou-titre-paysage-encre-sur-papier-avec-lgers-rehauts-de-couleurs-image342010935.htmlRF2ATBXC7–WANG HOUEI.1632-1717 ou 1720. Surnom - CHE-KOU. Natif de TCH'ANG-CHOU. Titre - PAYSAGE. Encre sur papier avec légers rehauts de couleurs.
Art inspired by Mountains after Rain, Qing dynasty (1644–1911), dated 1695, China, Folding fan mounted as an album leaf; ink and color on paper, 6 7/16 x 19 3/8 in. (16.4 x 49.2 cm), Paintings, Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mountains-after-rain-qing-dynasty-16441911-dated-1695-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-paper-6-716-x-19-38-in-164-x-492-cm-paintings-wang-hui-chinese-16321717-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765845.htmlRF2HTTPFH–Art inspired by Mountains after Rain, Qing dynasty (1644–1911), dated 1695, China, Folding fan mounted as an album leaf; ink and color on paper, 6 7/16 x 19 3/8 in. (16.4 x 49.2 cm), Paintings, Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Travellers in Autumn Mountains. Artist: Wang Hui, Chinese, 1632–1717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/travellers-in-autumnmountains-artist-wang-hui-chinese-16321717-image463089405.htmlRM2HWBF79–Travellers in Autumn Mountains. Artist: Wang Hui, Chinese, 1632–1717
Art inspired by Gathering Water Chestnuts, Qing dynasty (1644–1911), 18th century or later, spurious date of 1706, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/4 x 20 in. (17.1 x 50.8 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-gathering-water-chestnuts-qing-dynasty-16441911-18th-century-or-later-spurious-date-of-1706-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-paper-6-34-x-20-in-171-x-508-cm-paintings-unidentified-artist-after-wang-hui-chinese-16321717-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903392.htmlRF2HW3200–Art inspired by Gathering Water Chestnuts, Qing dynasty (1644–1911), 18th century or later, spurious date of 1706, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/4 x 20 in. (17.1 x 50.8 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Wang Hui (Chinese, 1632-1717) - Tall Bamboo and Distant Mountains, after Wang Meng Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wang-hui-chinese-1632-1717-tall-bamboo-and-distant-mountains-after-wang-meng-image574850115.htmlRM2TB6K57–Wang Hui (Chinese, 1632-1717) - Tall Bamboo and Distant Mountains, after Wang Meng
Art inspired by 清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Qing dynasty (1644–1911), dated 1669, China, Hanging scroll; ink and color on paper, Image: 44 3/8 x 14 1/8 in. (112.7 x 35.9 cm), Paintings, Wang Hui (Chinese, 1632–1717), Defying the dictum of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-snow-clearing-landscape-after-li-cheng-qing-dynasty-16441911-dated-1669-china-hanging-scroll-ink-and-color-on-paper-image-44-38-x-14-18-in-1127-x-359-cm-paintings-wang-hui-chinese-16321717-defying-the-dictum-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908603.htmlRF2HW38J3–Art inspired by 清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Qing dynasty (1644–1911), dated 1669, China, Hanging scroll; ink and color on paper, Image: 44 3/8 x 14 1/8 in. (112.7 x 35.9 cm), Paintings, Wang Hui (Chinese, 1632–1717), Defying the dictum of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Kangxi Emperor's Southern Inspection Tour, Scroll Two: Pingyuan to Ji'nan between 1632 and 1717 by Wang Hui Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kangxi-emperors-southern-inspection-tour-scroll-two-pingyuan-to-jinan-between-1632-and-1717-by-wang-hui-image561963570.htmlRM2RJ7J7E–The Kangxi Emperor's Southern Inspection Tour, Scroll Two: Pingyuan to Ji'nan between 1632 and 1717 by Wang Hui
Landscape, 1632-1717. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-1632-1717-image330102127.htmlRM2A51CHK–Landscape, 1632-1717.
. Genealogical gleanings of Siggins, and other Pennsylvania families; a volume of history, biography and colonial, revolutionary, civil and other war records including names of many other Warren County pioneers. d, Knt.;will p. 27 Aug. 1632. 510 SlGGINS AND vii. RICHARD Anderson, of Gloucester co., Virginia. viii. ROBERT Anderson, of Goldmine, Virginia, m. abt.1704. ix. MARGARET Anderson, b. abt. 1717; m. abt. 1735;m. James Allen. x. MALCUM Allen; b. 1736; m., Mary Cunningham, dau. of James and Margaret ( ) Cunningham. xi. WILLIAM Allen, b. 1760-5, in Adair co., Kentucky;m. Elizabeth Tilford. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genealogical-gleanings-of-siggins-and-other-pennsylvania-families-a-volume-of-history-biography-and-colonial-revolutionary-civil-and-other-war-records-including-names-of-many-other-warren-county-pioneers-d-kntwill-p-27-aug-1632-510-slggins-and-vii-richard-anderson-of-gloucester-co-virginia-viii-robert-anderson-of-goldmine-virginia-m-abt1704-ix-margaret-anderson-b-abt-1717-m-abt-1735m-james-allen-x-malcum-allen-b-1736-m-mary-cunningham-dau-of-james-and-margaret-cunningham-xi-william-allen-b-1760-5-in-adair-co-kentuckym-elizabeth-tilford-image336764547.htmlRM2AFTXH7–. Genealogical gleanings of Siggins, and other Pennsylvania families; a volume of history, biography and colonial, revolutionary, civil and other war records including names of many other Warren County pioneers. d, Knt.;will p. 27 Aug. 1632. 510 SlGGINS AND vii. RICHARD Anderson, of Gloucester co., Virginia. viii. ROBERT Anderson, of Goldmine, Virginia, m. abt.1704. ix. MARGARET Anderson, b. abt. 1717; m. abt. 1735;m. James Allen. x. MALCUM Allen; b. 1736; m., Mary Cunningham, dau. of James and Margaret ( ) Cunningham. xi. WILLIAM Allen, b. 1760-5, in Adair co., Kentucky;m. Elizabeth Tilford.
. Deutsch: Wang Hui u. a.: Südreise des Kaisers Kangxi (Querrolle Nr. 9 - Ausschnitt: vor dem Tempel Yus des Großen), ca. 1691–98, Tusche und Farbe auf Seide, Peking . between 1691 and 1698. Wang Hui (1632–1717) Alternative names Deutsch: auch genannt: Tzu Shi-ku 石谷 (shígǔ), 耕烟散人, 清晖老人, 乌目山人 Description Chinese painter Date of birth/death 1632 1717 Location of birth/death Changshu (常熟市), Jiangsu, China Changshu Work location Changshu South School Authority control : Q716222 VIAF: 65330434 ISNI: 0000 0000 8145 2180 ULAN: 500327902 LCCN: n81090298 NLA: 36606203 WorldCat 1250 Wang Hu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-wang-hui-u-a-sdreise-des-kaisers-kangxi-querrolle-nr-9-ausschnitt-vor-dem-tempel-yus-des-groen-ca-169198-tusche-und-farbe-auf-seide-peking-between-1691-and-1698-wang-hui-16321717-alternative-names-deutsch-auch-genannt-tzu-shi-ku-shg-description-chinese-painter-date-of-birthdeath-1632-1717-location-of-birthdeath-changshu-jiangsu-china-changshu-work-location-changshu-south-school-authority-control-q716222-viaf65330434-isni0000-0000-8145-2180-ulan500327902-lccnn81090298-nla36606203-worldcat-1250-wang-hu-image185611154.htmlRMMNY8WP–. Deutsch: Wang Hui u. a.: Südreise des Kaisers Kangxi (Querrolle Nr. 9 - Ausschnitt: vor dem Tempel Yus des Großen), ca. 1691–98, Tusche und Farbe auf Seide, Peking . between 1691 and 1698. Wang Hui (1632–1717) Alternative names Deutsch: auch genannt: Tzu Shi-ku 石谷 (shígǔ), 耕烟散人, 清晖老人, 乌目山人 Description Chinese painter Date of birth/death 1632 1717 Location of birth/death Changshu (常熟市), Jiangsu, China Changshu Work location Changshu South School Authority control : Q716222 VIAF: 65330434 ISNI: 0000 0000 8145 2180 ULAN: 500327902 LCCN: n81090298 NLA: 36606203 WorldCat 1250 Wang Hu
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328775302.htmlRM2A2W072–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Gathering Water Chestnuts. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 3/4 x 20 in. (17.1 x 50.8 cm). Date: 18th century or later, spurious date of 1706. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gathering-water-chestnuts-artist-unidentified-artist-after-wang-hui-chinese-1632-1717-culture-china-dimensions-6-34-x-20-in-171-x-508-cm-date-18th-century-or-later-spurious-date-of-1706-museum-metropolitan-museum-of-art-new-york-usa-image213503207.htmlRMPB9WEF–Gathering Water Chestnuts. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 3/4 x 20 in. (17.1 x 50.8 cm). Date: 18th century or later, spurious date of 1706. Museum: Metropolitan Museum of Art, New York, USA.
Wang Hui. The Bamboo Slope. 1632–1717. China. Handscroll; ink on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wang-hui-the-bamboo-slope-16321717-china-handscroll-ink-on-paper-image337998637.htmlRM2AHW4KW–Wang Hui. The Bamboo Slope. 1632–1717. China. Handscroll; ink on paper
Leaf from Album of Landscapes. Artist, attributed to: Wang Hui, Chinese, 1632–1717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaf-from-album-oflandscapes-artist-attributed-to-wang-hui-chinese-16321717-image463092544.htmlRM2HWBK7C–Leaf from Album of Landscapes. Artist, attributed to: Wang Hui, Chinese, 1632–1717
Art inspired by 清 王翬 太行山色圖 卷 絹本, The Colors of Mount Taihang, Qing dynasty (1644–1911), Dated 1669, China, Handscroll; ink and color on silk, Image: 10 x 82 1/2 in. (25.3 x 209.4 cm), Paintings, Wang Hui (Chinese, 1632–1717), Wang Hui, like his teachers, believed that the study of old, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-colors-of-mount-taihang-qing-dynasty-16441911-dated-1669-china-handscroll-ink-and-color-on-silk-image-10-x-82-12-in-253-x-2094-cm-paintings-wang-hui-chinese-16321717-wang-hui-like-his-teachers-believed-that-the-study-of-old-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911175.htmlRF2HW3BWY–Art inspired by 清 王翬 太行山色圖 卷 絹本, The Colors of Mount Taihang, Qing dynasty (1644–1911), Dated 1669, China, Handscroll; ink and color on silk, Image: 10 x 82 1/2 in. (25.3 x 209.4 cm), Paintings, Wang Hui (Chinese, 1632–1717), Wang Hui, like his teachers, believed that the study of old, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Kangxi Emperor's Southern Inspection Tour, Scroll Four: Shandong-Jiangsu Border to Confluence of the Yellow and Huai Rivers between 1632 and 1717 by Wang Hui Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kangxi-emperors-southern-inspection-tour-scroll-four-shandong-jiangsu-border-to-confluence-of-the-yellow-and-huai-rivers-between-1632-and-1717-by-wang-hui-image561963571.htmlRM2RJ7J7F–The Kangxi Emperor's Southern Inspection Tour, Scroll Four: Shandong-Jiangsu Border to Confluence of the Yellow and Huai Rivers between 1632 and 1717 by Wang Hui
Art inspired by 清, 王翬, 溪山雨霽圖, 軸, Clearing after Rain over Streams and Mountains, Qing dynasty (1644–1911), dated 1662, China, Hanging scroll; ink on paper, Image: 44 7/8 x 17 7/8 in. (114 x 45.4 cm), Paintings, Wang Hui (Chinese, 1632–1717), Freely adapting elements traditionally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-clearing-after-rain-over-streams-and-mountains-qing-dynasty-16441911-dated-1662-china-hanging-scroll-ink-on-paper-image-44-78-x-17-78-in-114-x-454-cm-paintings-wang-hui-chinese-16321717-freely-adapting-elements-traditionally-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911179.htmlRF2HW3BX3–Art inspired by 清, 王翬, 溪山雨霽圖, 軸, Clearing after Rain over Streams and Mountains, Qing dynasty (1644–1911), dated 1662, China, Hanging scroll; ink on paper, Image: 44 7/8 x 17 7/8 in. (114 x 45.4 cm), Paintings, Wang Hui (Chinese, 1632–1717), Freely adapting elements traditionally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Landscape: Eve of Mid-autumn, dated 1686. Qing dynasty (1644-1911). After Wang Hui (Chinese, 1632-1717) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-eve-of-mid-autumn-dated-1686-qing-dynasty-1644-1911-after-wang-hui-chinese-1632-1717-image343007609.htmlRM2AX19KN–Landscape: Eve of Mid-autumn, dated 1686. Qing dynasty (1644-1911). After Wang Hui (Chinese, 1632-1717)
. English: Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 333 Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-kangxi-emperors-southern-inspection-tour-scroll-7-wuxi-to-suzhou-qing-dynasty-1644-1912-wang-hui-chinese-artist-1632-1717-333-kangxi-emperors-southern-inspection-tour-scroll-7-wuxi-to-suzhou-image187821100.htmlRMMWFYMC–. English: Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 333 Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773063.htmlRM2A2TWB3–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Landscape in the Style of Yan Wengui. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm). Date: 18th century or later, spurious date of 1707. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-yan-wengui-artist-unidentified-artist-after-wang-hui-chinese-1632-1717-culture-china-dimensions-6-12-x-19-14-in-165-x-489-cm-date-18th-century-or-later-spurious-date-of-1707-museum-metropolitan-museum-of-art-new-york-usa-image213105828.htmlRMPAKPJC–Landscape in the Style of Yan Wengui. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm). Date: 18th century or later, spurious date of 1707. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by 清, 王翬, 倣巨然燕文貴山水圖, 卷, Landscape in the Style of Juran and Yan Wengui, Qing dynasty (1644–1911), Dated 1713, China, Handscroll; ink and color on paper, Image: 12 1/4 x 158 3/8 in. (31.1 x 402.3 cm), Paintings, Wang Hui (Chinese, 1632–1717), At the age of eighty, Wang Hui, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-in-the-style-of-juran-and-yan-wengui-qing-dynasty-16441911-dated-1713-china-handscroll-ink-and-color-on-paper-image-12-14-x-158-38-in-311-x-4023-cm-paintings-wang-hui-chinese-16321717-at-the-age-of-eighty-wang-hui-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911162.htmlRF2HW3BWE–Art inspired by 清, 王翬, 倣巨然燕文貴山水圖, 卷, Landscape in the Style of Juran and Yan Wengui, Qing dynasty (1644–1911), Dated 1713, China, Handscroll; ink and color on paper, Image: 12 1/4 x 158 3/8 in. (31.1 x 402.3 cm), Paintings, Wang Hui (Chinese, 1632–1717), At the age of eighty, Wang Hui, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Album After Old Masters and Poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349852333.htmlRF2B95465–Album After Old Masters and Poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Leaf from Album of Landscapes. Artist, attributed to: Wang Hui, Chinese, 1632–1717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaf-from-album-oflandscapes-artist-attributed-to-wang-hui-chinese-16321717-image463092502.htmlRM2HWBK5X–Leaf from Album of Landscapes. Artist, attributed to: Wang Hui, Chinese, 1632–1717
Gathering Water Chestnuts, 18th century or later, spurious date of 1706. Qing dynasty (1644-1911). After Wang Hui (Chinese, 1632-1717) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gathering-water-chestnuts-18th-century-or-later-spurious-date-of-1706-qing-dynasty-1644-1911-after-wang-hui-chinese-1632-1717-image343007632.htmlRM2AX19MG–Gathering Water Chestnuts, 18th century or later, spurious date of 1706. Qing dynasty (1644-1911). After Wang Hui (Chinese, 1632-1717)
. English: Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 334 Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-kangxi-emperors-southern-inspection-tour-scroll-7-wuxi-to-suzhou-qing-dynasty-1644-1912-wang-hui-chinese-artist-1632-1717-334-kangxi-emperors-southern-inspection-tour-scroll-7-wuxi-to-suzhou-image188335887.htmlRMMXBC9K–. English: Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 334 Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773066.htmlRM2A2TWB6–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Landscapes in the Manner of Song and Yuan Masters. Artist: Yun Shouping (Chinese, 1633-1690). Culture: China. Dimensions: 10 5/8 x 15 5/8 in. (27 x 39.7 cm). Date: 1667. Yun Shouping was a member of the close circle of artists that made up the early Qing Orthodox movement. A protege of the 'Four Wangs,' he gained their admiration for the sensitivity of his brush handling, which was said to have exceeded even that of his contemporary and close friend Wang Hui (1632-1717). This landscape album, one of Yun's earliest dated works, rivals his elegant flower paintings in the exquisite delicacy of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-in-the-manner-of-song-and-yuan-masters-artist-yun-shouping-chinese-1633-1690-culture-china-dimensions-10-58-x-15-58-in-27-x-397-cm-date-1667-yun-shouping-was-a-member-of-the-close-circle-of-artists-that-made-up-the-early-qing-orthodox-movement-a-protege-of-the-four-wangs-he-gained-their-admiration-for-the-sensitivity-of-his-brush-handling-which-was-said-to-have-exceeded-even-that-of-his-contemporary-and-close-friend-wang-hui-1632-1717-this-landscape-album-one-of-yuns-earliest-dated-works-rivals-his-elegant-flower-paintings-in-the-exquisite-delicacy-of-image213366302.htmlRMPB3JW2–Landscapes in the Manner of Song and Yuan Masters. Artist: Yun Shouping (Chinese, 1633-1690). Culture: China. Dimensions: 10 5/8 x 15 5/8 in. (27 x 39.7 cm). Date: 1667. Yun Shouping was a member of the close circle of artists that made up the early Qing Orthodox movement. A protege of the 'Four Wangs,' he gained their admiration for the sensitivity of his brush handling, which was said to have exceeded even that of his contemporary and close friend Wang Hui (1632-1717). This landscape album, one of Yun's earliest dated works, rivals his elegant flower paintings in the exquisite delicacy of
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848732.htmlRF2B94YHG–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Leaf from Album of Landscapes. Artist, attributed to: Wang Hui, Chinese, 1632–1717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaf-from-album-oflandscapes-artist-attributed-to-wang-hui-chinese-16321717-image463092487.htmlRM2HWBK5B–Leaf from Album of Landscapes. Artist, attributed to: Wang Hui, Chinese, 1632–1717
Landscape, 1632-1717. Wang Hui (Chinese, 1632-1717). Hanging scroll, color on silk; overall: 200.9 x 99.2 cm (79 1/8 x 39 1/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-1632-1717-wang-hui-chinese-1632-1717-hanging-scroll-color-on-silk-overall-2009-x-992-cm-79-18-x-39-116-in-image448064310.htmlRM2H0Y2GP–Landscape, 1632-1717. Wang Hui (Chinese, 1632-1717). Hanging scroll, color on silk; overall: 200.9 x 99.2 cm (79 1/8 x 39 1/16 in.).
Tall Bamboo and Distant Mountains, after Wang Meng, 1694. Wang Hui (Chinese, 1632-1717). Hanging scroll, ink on paper; overall: 79.3 x 39.5 cm (31 1/4 x 15 9/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tall-bamboo-and-distant-mountains-after-wang-meng-1694-wang-hui-chinese-1632-1717-hanging-scroll-ink-on-paper-overall-793-x-395-cm-31-14-x-15-916-in-image448103972.htmlRM2H10W58–Tall Bamboo and Distant Mountains, after Wang Meng, 1694. Wang Hui (Chinese, 1632-1717). Hanging scroll, ink on paper; overall: 79.3 x 39.5 cm (31 1/4 x 15 9/16 in.).
Landscape in the Style of Yan Wengui, 18th century or later, spurious date of 1707. After Wang Hui (Chinese, 1632-1717). Qing dynasty (1644-1911) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-yan-wengui-18th-century-or-later-spurious-date-of-1707-after-wang-hui-chinese-1632-1717-qing-dynasty-1644-1911-image343013922.htmlRM2AX1HN6–Landscape in the Style of Yan Wengui, 18th century or later, spurious date of 1707. After Wang Hui (Chinese, 1632-1717). Qing dynasty (1644-1911)
. English: Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 291 Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-kangxi-emperors-southern-inspection-tour-scroll-7-wuxi-to-suzhou-qing-dynasty-1644-1912-wang-hui-chinese-artist-1632-1717-291-kangxi-emperors-southern-inspection-tour-scroll-7-wuxi-to-suzhou-image189109644.htmlRMMYJK7T–. English: Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 291 Kangxi Emperor's Southern Inspection Tour, Scroll 7, Wuxi to Suzhou
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328775301.htmlRM2A2W071–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Landscape in the Style of Juran and Yan Wengui. Artist: Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: Image: 12 1/4 x 158 3/8 in. (31.1 x 402.3 cm) Overall with mounting: 12 7/8 x 359 1/8 in. (32.7 x 912.2 cm). Date: Dated 1713. At the age of eighty, Wang Hui continued to find inspiration for his paintings in the styles of the ancients. On an album leaf in the National Palace Museum, Taipei, dated 1713, he wrote that his sixty years of studying and emulating old masters had passed like a single day. In autumn of the same year, he painted this handscroll, which combines the dispa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-juran-and-yan-wengui-artist-wang-hui-chinese-1632-1717-culture-china-dimensions-image-12-14-x-158-38-in-311-x-4023-cm-overall-with-mounting-12-78-x-359-18-in-327-x-9122-cm-date-dated-1713-at-the-age-of-eighty-wang-hui-continued-to-find-inspiration-for-his-paintings-in-the-styles-of-the-ancients-on-an-album-leaf-in-the-national-palace-museum-taipei-dated-1713-he-wrote-that-his-sixty-years-of-studying-and-emulating-old-masters-had-passed-like-a-single-day-in-autumn-of-the-same-year-he-painted-this-handscroll-which-combines-the-dispa-image213109693.htmlRMPAKYGD–Landscape in the Style of Juran and Yan Wengui. Artist: Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: Image: 12 1/4 x 158 3/8 in. (31.1 x 402.3 cm) Overall with mounting: 12 7/8 x 359 1/8 in. (32.7 x 912.2 cm). Date: Dated 1713. At the age of eighty, Wang Hui continued to find inspiration for his paintings in the styles of the ancients. On an album leaf in the National Palace Museum, Taipei, dated 1713, he wrote that his sixty years of studying and emulating old masters had passed like a single day. In autumn of the same year, he painted this handscroll, which combines the dispa
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349853613.htmlRF2B955RW–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Portrait of An Qi, 1715. Wang Hui (Chinese, 1632-1717), Tu Luo (Chinese, active about 1715), Yang Jin (Chinese, 1644-1728). Hanging scroll; ink and color on paper; image: 121.8 x 53.5 cm (47 15/16 x 21 1/16 in.); overall: 259.7 x 89.5 cm (102 1/4 x 35 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-an-qi-1715-wang-hui-chinese-1632-1717-tu-luo-chinese-active-about-1715-yang-jin-chinese-1644-1728-hanging-scroll-ink-and-color-on-paper-image-1218-x-535-cm-47-1516-x-21-116-in-overall-2597-x-895-cm-102-14-x-35-14-in-image448096464.htmlRM2H10FH4–Portrait of An Qi, 1715. Wang Hui (Chinese, 1632-1717), Tu Luo (Chinese, active about 1715), Yang Jin (Chinese, 1644-1728). Hanging scroll; ink and color on paper; image: 121.8 x 53.5 cm (47 15/16 x 21 1/16 in.); overall: 259.7 x 89.5 cm (102 1/4 x 35 1/4 in.).
Landscapes in the Manner of Song and Yuan Masters 1667 Yun Shouping Chinese Yun Shouping was a member of the close circle of artists that made up the early Qing Orthodox movement. A protege of the 'Four Wangs,' he gained their admiration for the sensitivity of his brush handling, which was said to have exceeded even that of his contemporary and close friend Wang Hui (1632–1717).This landscape album, one of Yun's earliest dated works, rivals his elegant flower paintings in the exquisite delicacy of its brushwork and variety of its compositions. The individual leaves range from monumental landsc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-in-the-manner-of-song-and-yuan-masters-1667-yun-shouping-chinese-yun-shouping-was-a-member-of-the-close-circle-of-artists-that-made-up-the-early-qing-orthodox-movement-a-protege-of-the-four-wangs-he-gained-their-admiration-for-the-sensitivity-of-his-brush-handling-which-was-said-to-have-exceeded-even-that-of-his-contemporary-and-close-friend-wang-hui-16321717this-landscape-album-one-of-yuns-earliest-dated-works-rivals-his-elegant-flower-paintings-in-the-exquisite-delicacy-of-its-brushwork-and-variety-of-its-compositions-the-individual-leaves-range-from-monumental-landsc-image458104649.htmlRM2HH8D49–Landscapes in the Manner of Song and Yuan Masters 1667 Yun Shouping Chinese Yun Shouping was a member of the close circle of artists that made up the early Qing Orthodox movement. A protege of the 'Four Wangs,' he gained their admiration for the sensitivity of his brush handling, which was said to have exceeded even that of his contemporary and close friend Wang Hui (1632–1717).This landscape album, one of Yun's earliest dated works, rivals his elegant flower paintings in the exquisite delicacy of its brushwork and variety of its compositions. The individual leaves range from monumental landsc
. English: Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 334 Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-kangxi-emperors-southern-inspection-tour-scroll-3-jinan-to-mt-tai-qing-dynasty-1644-1912-wang-hui-chinese-artist-1632-1717-334-kangxi-emperors-southern-inspection-tour-scroll-3-jinan-to-mt-tai-image188335886.htmlRMMXBC9J–. English: Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 334 Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773065.htmlRM2A2TWB5–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Clearing after Rain over Streams and Mountains. Artist: Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: Image: 44 7/8 x 17 7/8 in. (114 x 45.4 cm) Overall with mounting: 103 1/2 x 24 1/4 in. (262.9 x 61.6 cm) Overall with knobs: 103 1/2 x 27 1/2 in. (262.9 x 69.9 cm). Date: dated 1662. Freely adapting elements traditionally associated with Juran (act. ca. 960-85)--conical mountains defined by 'hemp-fiber' texture strokes and topped by dense groves or clusters of boulders interspersed with foliage dots--and mixing them with the 'cloudy mountains' imagery of Mi Youren (1074-1151), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clearing-after-rain-over-streams-and-mountains-artist-wang-hui-chinese-1632-1717-culture-china-dimensions-image-44-78-x-17-78-in-114-x-454-cm-overall-with-mounting-103-12-x-24-14-in-2629-x-616-cm-overall-with-knobs-103-12-x-27-12-in-2629-x-699-cm-date-dated-1662-freely-adapting-elements-traditionally-associated-with-juran-act-ca-960-85-conical-mountains-defined-by-hemp-fiber-texture-strokes-and-topped-by-dense-groves-or-clusters-of-boulders-interspersed-with-foliage-dots-and-mixing-them-with-the-cloudy-mountains-imagery-of-mi-youren-1074-1151-image212906606.htmlRMPAAMFA–Clearing after Rain over Streams and Mountains. Artist: Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: Image: 44 7/8 x 17 7/8 in. (114 x 45.4 cm) Overall with mounting: 103 1/2 x 24 1/4 in. (262.9 x 61.6 cm) Overall with knobs: 103 1/2 x 27 1/2 in. (262.9 x 69.9 cm). Date: dated 1662. Freely adapting elements traditionally associated with Juran (act. ca. 960-85)--conical mountains defined by 'hemp-fiber' texture strokes and topped by dense groves or clusters of boulders interspersed with foliage dots--and mixing them with the 'cloudy mountains' imagery of Mi Youren (1074-1151),
Tall Bamboo and Distant Mountains, after Wang Meng, 1694. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tall-bamboo-and-distant-mountains-after-wang-meng-1694-image330123484.htmlRM2A52BTC–Tall Bamboo and Distant Mountains, after Wang Meng, 1694.
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349853611.htmlRF2B955RR–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Eight landscapes 1699 Lu Han Chinese Almost nothing is known of Lu Han, the painter of this album, but the style of the landscapes indicates he studied the work of his contemporary Wang Hui (1632–1717). The album is notable for the layers of significance encoded in the images: not only is each leaf in the style of a different well-known painter, but many of them also depict historical events, such as the fourth-century Gathering at the Orchid Pavilion, or famous works of literature, such as the “Ode to the Pavilion of the Inebriated Old Man” by Ouyang Xiu (1007–1072).. Eight landscapes 51621 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eight-landscapes-1699-lu-han-chinese-almost-nothing-is-known-of-lu-han-the-painter-of-this-album-but-the-style-of-the-landscapes-indicates-he-studied-the-work-of-his-contemporary-wang-hui-16321717-the-album-is-notable-for-the-layers-of-significance-encoded-in-the-images-not-only-is-each-leaf-in-the-style-of-a-different-well-known-painter-but-many-of-them-also-depict-historical-events-such-as-the-fourth-century-gathering-at-the-orchid-pavilion-or-famous-works-of-literature-such-as-the-ode-to-the-pavilion-of-the-inebriated-old-man-by-ouyang-xiu-10071072-eight-landscapes-51621-image458015818.htmlRM2HH4BRP–Eight landscapes 1699 Lu Han Chinese Almost nothing is known of Lu Han, the painter of this album, but the style of the landscapes indicates he studied the work of his contemporary Wang Hui (1632–1717). The album is notable for the layers of significance encoded in the images: not only is each leaf in the style of a different well-known painter, but many of them also depict historical events, such as the fourth-century Gathering at the Orchid Pavilion, or famous works of literature, such as the “Ode to the Pavilion of the Inebriated Old Man” by Ouyang Xiu (1007–1072).. Eight landscapes 51621
. English: Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 333 Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-kangxi-emperors-southern-inspection-tour-scroll-3-jinan-to-mt-tai-qing-dynasty-1644-1912-wang-hui-chinese-artist-1632-1717-333-kangxi-emperors-southern-inspection-tour-scroll-3-jinan-to-mt-tai-image187821097.htmlRMMWFYM9–. English: Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 333 Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773068.htmlRM2A2TWB8–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
The Bamboo Slope. Wang Hui (1632-1717); Chinese. Date: 1632-1717. Dimensions: 10 1/8 × 69 1/2 in. Handscroll; ink on paper. Origin: China. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bamboo-slope-wang-hui-1632-1717-chinese-date-1632-1717-dimensions-10-18-69-12-in-handscroll-ink-on-paper-origin-china-museum-the-chicago-art-institute-image239945832.htmlRMRXADA0–The Bamboo Slope. Wang Hui (1632-1717); Chinese. Date: 1632-1717. Dimensions: 10 1/8 × 69 1/2 in. Handscroll; ink on paper. Origin: China. Museum: The Chicago Art Institute.
Remote Valleys and Deep Forests dated 1678 Liu Yu Liu Yu, a Nanjing native, is not listed among the Eight Masters of Jinling (Nanjing), but he belonged to the same circle of leading collectors and artists active in the city during the late seventeenth century, when it was a vital center for the arts. Liu developed an eclectic style that combined the dry, linear brushwork of the Nanjing individualist Gong Xian (1619–1689) with the landscape forms and brush idioms of the Orthodox master Wang Hui (1632–1717). Liu further enlivened his integration of stylistic sources with playful shifts in scale Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/remote-valleys-and-deep-forests-dated-1678-liu-yu-liu-yu-a-nanjing-native-is-not-listed-among-the-eight-masters-of-jinling-nanjing-but-he-belonged-to-the-same-circle-of-leading-collectors-and-artists-active-in-the-city-during-the-late-seventeenth-century-when-it-was-a-vital-center-for-the-arts-liu-developed-an-eclectic-style-that-combined-the-dry-linear-brushwork-of-the-nanjing-individualist-gong-xian-16191689-with-the-landscape-forms-and-brush-idioms-of-the-orthodox-master-wang-hui-16321717-liu-further-enlivened-his-integration-of-stylistic-sources-with-playful-shifts-in-scale-image458477281.htmlRM2HHWCCH–Remote Valleys and Deep Forests dated 1678 Liu Yu Liu Yu, a Nanjing native, is not listed among the Eight Masters of Jinling (Nanjing), but he belonged to the same circle of leading collectors and artists active in the city during the late seventeenth century, when it was a vital center for the arts. Liu developed an eclectic style that combined the dry, linear brushwork of the Nanjing individualist Gong Xian (1619–1689) with the landscape forms and brush idioms of the Orthodox master Wang Hui (1632–1717). Liu further enlivened his integration of stylistic sources with playful shifts in scale
![Hall of Lofty Pines, 1703. Wang Hui, a leading painter in the orthodox school of the early Qing dynasty (1644-1911), was commissioned to paint this landscape with a country estate for Li Duna (1628-1703), vice minister of justice in Emperor Kangxi’s court. The emperor had honored Li by granting him a piece of calligraphy with the name of Li’s retirement retreat, "Hall of Lofty Pines." He drew a comparison between pines and Li’s upright character, resilience, and longevity. Wang Hui’s painting was supposed to allow Li to imagine living in a beautiful, seclu Stock Photo](https://c8.alamy.com/comp/2A51256/hall-of-lofty-pines-1703-wang-hui-a-leading-painter-in-the-orthodox-school-of-the-early-qing-dynasty-1644-1911-was-commissioned-to-paint-this-landscape-with-a-country-estate-for-li-duna-1628-1703-vice-minister-of-justice-in-emperor-kangxix2019s-court-the-emperor-had-honored-li-by-granting-him-a-piece-of-calligraphy-with-the-name-of-lix2019s-retirement-retreat-quothall-of-lofty-pinesquot-he-drew-a-comparison-between-pines-and-lix2019s-upright-character-resilience-and-longevity-wang-huix2019s-painting-was-supposed-to-allow-li-to-imagine-living-in-a-beautiful-seclu-2A51256.jpg "Hall of Lofty Pines, 1703. Wang Hui, a leading painter in the orthodox school of the early Qing dynasty (1644-1911), was commissioned to paint this landscape with a country estate for Li Duna (1628-1703), vice minister of justice in Emperor Kangxi’s court. The emperor had honored Li by granting him a piece of calligraphy with the name of Li’s retirement retreat, "Hall of Lofty Pines." He drew a comparison between pines and Li’s upright character, resilience, and longevity. Wang Hui’s painting was supposed to allow Li to imagine living in a beautiful, seclu Stock Photo")
Hall of Lofty Pines, 1703. Wang Hui, a leading painter in the orthodox school of the early Qing dynasty (1644-1911), was commissioned to paint this landscape with a country estate for Li Duna (1628-1703), vice minister of justice in Emperor Kangxi’s court. The emperor had honored Li by granting him a piece of calligraphy with the name of Li’s retirement retreat, "Hall of Lofty Pines." He drew a comparison between pines and Li’s upright character, resilience, and longevity. Wang Hui’s painting was supposed to allow Li to imagine living in a beautiful, seclu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hall-of-lofty-pines-1703-wang-hui-a-leading-painter-in-the-orthodox-school-of-the-early-qing-dynasty-1644-1911-was-commissioned-to-paint-this-landscape-with-a-country-estate-for-li-duna-1628-1703-vice-minister-of-justice-in-emperor-kangxix2019s-court-the-emperor-had-honored-li-by-granting-him-a-piece-of-calligraphy-with-the-name-of-lix2019s-retirement-retreat-quothall-of-lofty-pinesquot-he-drew-a-comparison-between-pines-and-lix2019s-upright-character-resilience-and-longevity-wang-huix2019s-painting-was-supposed-to-allow-li-to-imagine-living-in-a-beautiful-seclu-image330093938.htmlRM2A51256–Hall of Lofty Pines, 1703. Wang Hui, a leading painter in the orthodox school of the early Qing dynasty (1644-1911), was commissioned to paint this landscape with a country estate for Li Duna (1628-1703), vice minister of justice in Emperor Kangxi’s court. The emperor had honored Li by granting him a piece of calligraphy with the name of Li’s retirement retreat, "Hall of Lofty Pines." He drew a comparison between pines and Li’s upright character, resilience, and longevity. Wang Hui’s painting was supposed to allow Li to imagine living in a beautiful, seclu
Four passe -partouts for four hanging rolls with landscapes, Xiang Wenyan, 1850 - 1900 Four passe-partouts for four hanging rolls with landscapes in the style of the four wangs, ink and light colors on paper. The four slangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Manufactured on behalf of Kang Furen. China paper. ink Four passe-partouts for four hanging rolls with landscapes in the style of the four wangs, ink and light colors on paper. The four slangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Manufactured on behalf of Kang Furen. Ch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-passe-partouts-for-four-hanging-rolls-with-landscapes-xiang-wenyan-1850-1900-four-passe-partouts-for-four-hanging-rolls-with-landscapes-in-the-style-of-the-four-wangs-ink-and-light-colors-on-paper-the-four-slangs-wang-shimin-1592-1680-wang-hui-1632-1717-and-yuangi-1642-1715-manufactured-on-behalf-of-kang-furen-china-paper-ink-four-passe-partouts-for-four-hanging-rolls-with-landscapes-in-the-style-of-the-four-wangs-ink-and-light-colors-on-paper-the-four-slangs-wang-shimin-1592-1680-wang-hui-1632-1717-and-yuangi-1642-1715-manufactured-on-behalf-of-kang-furen-ch-image576349208.htmlRM2TDJY88–Four passe -partouts for four hanging rolls with landscapes, Xiang Wenyan, 1850 - 1900 Four passe-partouts for four hanging rolls with landscapes in the style of the four wangs, ink and light colors on paper. The four slangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Manufactured on behalf of Kang Furen. China paper. ink Four passe-partouts for four hanging rolls with landscapes in the style of the four wangs, ink and light colors on paper. The four slangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Manufactured on behalf of Kang Furen. Ch
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848744.htmlRF2B94YJ0–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Four passe partouts for four hangers with landscapes. Cong passe-partouts for four pendants with landscapes in the style of the four of the four tangles, ink and light colors on paper. The four scenes: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Manufactured on behalf of Kang Furen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-passe-partouts-for-four-hangers-with-landscapes-cong-passe-partouts-for-four-pendants-with-landscapes-in-the-style-of-the-four-of-the-four-tangles-ink-and-light-colors-on-paper-the-four-scenes-wang-shimin-1592-1680-wang-hui-1632-1717-and-yuangi-1642-1715-manufactured-on-behalf-of-kang-furen-image414420215.htmlRM2F26D5Y–Four passe partouts for four hangers with landscapes. Cong passe-partouts for four pendants with landscapes in the style of the four of the four tangles, ink and light colors on paper. The four scenes: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Manufactured on behalf of Kang Furen.
John Smith, 1652–1743, British, Reverend Edward Fowler, Lord Bishop of Gloucester, 1717. Mezzotint on moderately thick, moderately textured, cream, laid paper. cap , chair , coat of arms , man , portrait , religious and mythological subject , tippet. Fowler, Edward (1632-1714), Lord Bishop of Gloucester Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-smith-16521743-british-reverend-edward-fowler-lord-bishop-of-gloucester-1717-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-cap-chair-coat-of-arms-man-portrait-religious-and-mythological-subject-tippet-fowler-edward-1632-1714-lord-bishop-of-gloucester-image398433677.htmlRM2E46665–John Smith, 1652–1743, British, Reverend Edward Fowler, Lord Bishop of Gloucester, 1717. Mezzotint on moderately thick, moderately textured, cream, laid paper. cap , chair , coat of arms , man , portrait , religious and mythological subject , tippet. Fowler, Edward (1632-1714), Lord Bishop of Gloucester
. English: Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 291 Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-kangxi-emperors-southern-inspection-tour-scroll-3-jinan-to-mt-tai-qing-dynasty-1644-1912-wang-hui-chinese-artist-1632-1717-291-kangxi-emperors-southern-inspection-tour-scroll-3-jinan-to-mt-tai-image189109638.htmlRMMYJK7J–. English: Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai . Qing Dynasty (1644-1912). Wang Hui (Chinese artist, 1632-1717) 291 Kangxi Emperor's Southern Inspection Tour, Scroll 3, Ji'nan to Mt. Tai
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773062.htmlRM2A2TWB2–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848739.htmlRF2B94YHR–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Tobias and the Angel . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 625 Vaccaro-nicola-1637-1717-italy-tobias-and-the-angel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobias-and-the-angel-before-1717-nicola-vaccaro-16401709-description-italian-painter-date-of-birthdeath-1632-23-may-1709-24-may-1709-location-of-birthdeath-naples-naples-work-location-rome-authority-control-q7029132-viaf72619335-isni0000-0000-8055-5540-ulan500018174-gnd135767911-rkd78906-625-vaccaro-nicola-1637-1717-italy-tobias-and-the-angel-image188062507.htmlRMMWXYJ3–. Tobias and the Angel . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 625 Vaccaro-nicola-1637-1717-italy-tobias-and-the-angel
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-image328773069.htmlRM2A2TWB9–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art
Tall Bamboo and Distant Mountains, after Wang Meng, 1694. Wang Hui (Chinese, 1632-1717). Hanging scroll, ink on paper; overall: 79.3 x 39.5 cm (31 1/4 x 15 9/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tall-bamboo-and-distant-mountains-after-wang-meng-1694-wang-hui-chinese-1632-1717-hanging-scroll-ink-on-paper-overall-793-x-395-cm-31-14-x-15-916-in-image240420308.htmlRMRY42FG–Tall Bamboo and Distant Mountains, after Wang Meng, 1694. Wang Hui (Chinese, 1632-1717). Hanging scroll, ink on paper; overall: 79.3 x 39.5 cm (31 1/4 x 15 9/16 in
Artist: Wang Hui, Chinese, 1632–1717, Travellers in Autumn Mountains, the sixth month, 1679, Hanging scroll, ink and color on silk, without mounting: 60 × 31 in. (152.4 × 78.7 cm), China, Chinese, Qing dynasty (1644–1911), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-wang-hui-chinese-16321717-travellers-in-autumnmountains-the-sixth-month1679-hanging-scroll-ink-and-color-on-silk-without-mounting-60-31-in-1524-787-cm-china-chinese-qing-dynasty16441911-paintings-image393035300.htmlRM2DRC8F0–Artist: Wang Hui, Chinese, 1632–1717, Travellers in Autumn Mountains, the sixth month, 1679, Hanging scroll, ink and color on silk, without mounting: 60 × 31 in. (152.4 × 78.7 cm), China, Chinese, Qing dynasty (1644–1911), Paintings
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848740.htmlRF2B94YHT–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
In the Style of Wang Hui, Landscape in the Style of Li Gonglin, China, Qing dynasty (1644–1911), In the Style of Wang Hui (Chinese, 1632–1717), dated 1702, China, Hanging scroll; ink and color on silk, Image: 46 3/4 x 22 1/4 in. (118.7 x 56.5 cm), Overall with mounting: 100 1/2 x 29 5/8 in. (255.3 x 75.2 cm), Overall with knobs: 100 1/2 x 33 3/4 in. (255.3 x 85.7 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-style-of-wang-hui-landscape-in-the-style-of-li-gonglin-china-qing-dynasty-16441911-in-the-style-of-wang-hui-chinese-16321717-dated-1702-china-hanging-scroll-ink-and-color-on-silk-image-46-34-x-22-14-in-1187-x-565-cm-overall-with-mounting-100-12-x-29-58-in-2553-x-752-cm-overall-with-knobs-100-12-x-33-34-in-2553-x-857-cm-paintings-image344583679.htmlRM2B0H3YY–In the Style of Wang Hui, Landscape in the Style of Li Gonglin, China, Qing dynasty (1644–1911), In the Style of Wang Hui (Chinese, 1632–1717), dated 1702, China, Hanging scroll; ink and color on silk, Image: 46 3/4 x 22 1/4 in. (118.7 x 56.5 cm), Overall with mounting: 100 1/2 x 29 5/8 in. (255.3 x 75.2 cm), Overall with knobs: 100 1/2 x 33 3/4 in. (255.3 x 85.7 cm), Paintings
. Tobias and the Angel . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 624 Vaccaro-nicola-1637-1717-italy-tobias-and-the-angel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobias-and-the-angel-before-1717-nicola-vaccaro-16401709-description-italian-painter-date-of-birthdeath-1632-23-may-1709-24-may-1709-location-of-birthdeath-naples-naples-work-location-rome-authority-control-q7029132-viaf72619335-isni0000-0000-8055-5540-ulan500018174-gnd135767911-rkd78906-624-vaccaro-nicola-1637-1717-italy-tobias-and-the-angel-image187522294.htmlRMMW2AGP–. Tobias and the Angel . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 624 Vaccaro-nicola-1637-1717-italy-tobias-and-the-angel
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848736.htmlRF2B94YHM–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Four passepartouts for four hanging rolls with landscapes, Four passepartouts for four hanging rolls with landscapes in the style of the four Wangs, ink and light colors on paper. The four Wangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Made for Kang Furen., Xiang Wenyan, China, 1850 - 1900, paper, ink, h 74 cm × w 52.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-passepartouts-for-four-hanging-rolls-with-landscapes-four-passepartouts-for-four-hanging-rolls-with-landscapes-in-the-style-of-the-four-wangs-ink-and-light-colors-on-paper-the-four-wangs-wang-shimin-1592-1680-wang-hui-1632-1717-and-yuangi-1642-1715-made-for-kang-furen-xiang-wenyan-china-1850-1900-paper-ink-h-74-cm-w-525-cm-image261322763.htmlRMW547RR–Four passepartouts for four hanging rolls with landscapes, Four passepartouts for four hanging rolls with landscapes in the style of the four Wangs, ink and light colors on paper. The four Wangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Made for Kang Furen., Xiang Wenyan, China, 1850 - 1900, paper, ink, h 74 cm × w 52.5 cm
. Tobias and the Angel . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 544 Vaccaro-nicola-1637-1717-italy-tobias-and-the-angel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobias-and-the-angel-before-1717-nicola-vaccaro-16401709-description-italian-painter-date-of-birthdeath-1632-23-may-1709-24-may-1709-location-of-birthdeath-naples-naples-work-location-rome-authority-control-q7029132-viaf72619335-isni0000-0000-8055-5540-ulan500018174-gnd135767911-rkd78906-544-vaccaro-nicola-1637-1717-italy-tobias-and-the-angel-image188771595.htmlRMMY382K–. Tobias and the Angel . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 544 Vaccaro-nicola-1637-1717-italy-tobias-and-the-angel
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848738.htmlRF2B94YHP–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
After Wang Hui, Landscape in the Style of Zhao Boju (Fang Zhao Boju shanshui), China, Qing dynasty (1644–1911), After Wang Hui (Chinese, 1632–1717), dated 1654, China, Hanging scroll; ink and color on paper, Image: 23 1/2 x 14 7/8 in. (59.7 x 37.8 cm), Overall with mounting: 76 5/8 x 19 1/2 in. (194.6 x 49.5 cm), Overall with knobs: 76 5/8 x 23 in. (194.6 x 58.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-wang-hui-landscape-in-the-style-of-zhao-boju-fang-zhao-boju-shanshui-china-qing-dynasty-16441911-after-wang-hui-chinese-16321717-dated-1654-china-hanging-scroll-ink-and-color-on-paper-image-23-12-x-14-78-in-597-x-378-cm-overall-with-mounting-76-58-x-19-12-in-1946-x-495-cm-overall-with-knobs-76-58-x-23-in-1946-x-584-cm-paintings-image344590660.htmlRM2B0HCW8–After Wang Hui, Landscape in the Style of Zhao Boju (Fang Zhao Boju shanshui), China, Qing dynasty (1644–1911), After Wang Hui (Chinese, 1632–1717), dated 1654, China, Hanging scroll; ink and color on paper, Image: 23 1/2 x 14 7/8 in. (59.7 x 37.8 cm), Overall with mounting: 76 5/8 x 19 1/2 in. (194.6 x 49.5 cm), Overall with knobs: 76 5/8 x 23 in. (194.6 x 58.4 cm), Paintings
Landscape in the Manner of Wang Yuanqi, c. 1875, Gu Yun, Chinese, 1835 - 1896, 33 3/4 x 18 5/8 in. (85.73 x 47.31 cm) (image)82 3/4 x 23 3/16 in. (210.19 x 58.9 cm) (overall, without roller), Light colors and ink on paper, China, 19th century, A respected literatus living in Suzhou during late Qing, Gu Yun was sent as an envoy to Japan in 1887. His painting generally followed in the manner of the Qing Orthodox School of ink landscape painting defined by the so-called four Wangs: Wang Shimin (1592-1680), Wang Jian (1598-1677), Wang Yuanqi (1642-1715), and Wang Hui (1632-1717). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-manner-of-wang-yuanqi-c-1875-gu-yun-chinese-1835-1896-33-34-x-18-58-in-8573-x-4731-cm-image82-34-x-23-316-in-21019-x-589-cm-overall-without-roller-light-colors-and-ink-on-paper-china-19th-century-a-respected-literatus-living-in-suzhou-during-late-qing-gu-yun-was-sent-as-an-envoy-to-japan-in-1887-his-painting-generally-followed-in-the-manner-of-the-qing-orthodox-school-of-ink-landscape-painting-defined-by-the-so-called-four-wangs-wang-shimin-1592-1680-wang-jian-1598-1677-wang-yuanqi-1642-1715-and-wang-hui-1632-1717-image573481773.htmlRM2T909RW–Landscape in the Manner of Wang Yuanqi, c. 1875, Gu Yun, Chinese, 1835 - 1896, 33 3/4 x 18 5/8 in. (85.73 x 47.31 cm) (image)82 3/4 x 23 3/16 in. (210.19 x 58.9 cm) (overall, without roller), Light colors and ink on paper, China, 19th century, A respected literatus living in Suzhou during late Qing, Gu Yun was sent as an envoy to Japan in 1887. His painting generally followed in the manner of the Qing Orthodox School of ink landscape painting defined by the so-called four Wangs: Wang Shimin (1592-1680), Wang Jian (1598-1677), Wang Yuanqi (1642-1715), and Wang Hui (1632-1717).
Swans, Pastorals (series title), numbered bottom right: 11., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 110 mm × width 140 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/swans-pastorals-series-title-numbered-bottom-right-11-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-110-mm-width-140-mm-print-image599485118.htmlRM2WR8WAP–Swans, Pastorals (series title), numbered bottom right: 11., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 110 mm × width 140 mm, print
Cows, Pastorals (series title), numbered bottom right: 2., print, print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height, 113 mm × width, 144 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cows-pastorals-series-title-numbered-bottom-right-2-print-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-113-mm-width-144-mm-image606666214.htmlRM2X700XE–Cows, Pastorals (series title), numbered bottom right: 2., print, print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height, 113 mm × width, 144 mm
Chickens and turkeys, Pastorals (series title), numbered bottom right: 12., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 112 mm × width 143 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chickens-and-turkeys-pastorals-series-title-numbered-bottom-right-12-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-112-mm-width-143-mm-print-image599485117.htmlRM2WR8WAN–Chickens and turkeys, Pastorals (series title), numbered bottom right: 12., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 112 mm × width 143 mm, print
. The Holy Family with John the Baptist . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 624 Vaccaro-nicola-1637-1717-italy-den-heliga-familjen-och-johann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-family-with-john-the-baptist-before-1717-nicola-vaccaro-16401709-description-italian-painter-date-of-birthdeath-1632-23-may-1709-24-may-1709-location-of-birthdeath-naples-naples-work-location-rome-authority-control-q7029132-viaf72619335-isni0000-0000-8055-5540-ulan500018174-gnd135767911-rkd78906-624-vaccaro-nicola-1637-1717-italy-den-heliga-familjen-och-johann-image187522293.htmlRMMW2AGN–. The Holy Family with John the Baptist . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 624 Vaccaro-nicola-1637-1717-italy-den-heliga-familjen-och-johann
album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-after-old-masters-and-poems-wang-hui-chinese-1632-1717-qing-dynasty-1650-1717-album-10-leaves-ink-on-paper-13-x-12-14-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349848734.htmlRF2B94YHJ–album after old masters and poems, Wang Hui (Chinese, 1632-1717), Qing dynasty, 1650-1717, album (10 leaves), ink on paper, 13 x 12-1/4 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Annunciation to the Shepherds, Pastorals (series title), numbered bottom right: 7., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 115 mm × width 145 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annunciation-to-the-shepherds-pastorals-series-title-numbered-bottom-right-7-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-115-mm-width-145-mm-print-image599485108.htmlRM2WR8WAC–Annunciation to the Shepherds, Pastorals (series title), numbered bottom right: 7., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 115 mm × width 145 mm, print
. The Holy Family with John the Baptist . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 625 Vaccaro-nicola-1637-1717-italy-den-heliga-familjen-och-johann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-family-with-john-the-baptist-before-1717-nicola-vaccaro-16401709-description-italian-painter-date-of-birthdeath-1632-23-may-1709-24-may-1709-location-of-birthdeath-naples-naples-work-location-rome-authority-control-q7029132-viaf72619335-isni0000-0000-8055-5540-ulan500018174-gnd135767911-rkd78906-625-vaccaro-nicola-1637-1717-italy-den-heliga-familjen-och-johann-image188062510.htmlRMMWXYJ6–. The Holy Family with John the Baptist . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 625 Vaccaro-nicola-1637-1717-italy-den-heliga-familjen-och-johann
Four passepartouts for four hanging rolls with landscapes, Four passepartouts for four hanging rolls with landscapes in the style of the four Wangs, ink and light colors on paper. The four Wangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Made for Kang Furen., Xiang Wenyan, China, 1850 - 1900, paper, ink, h 74 cm × w 52.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-passepartouts-for-four-hanging-rolls-with-landscapes-four-passepartouts-for-four-hanging-rolls-with-landscapes-in-the-style-of-the-four-wangs-ink-and-light-colors-on-paper-the-four-wangs-wang-shimin-1592-1680-wang-hui-1632-1717-and-yuangi-1642-1715-made-for-kang-furen-xiang-wenyan-china-1850-1900-paper-ink-h-74-cm-w-525-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revoluti-image349941955.htmlRF2B996EY–Four passepartouts for four hanging rolls with landscapes, Four passepartouts for four hanging rolls with landscapes in the style of the four Wangs, ink and light colors on paper. The four Wangs: Wang Shimin (1592-1680), Wang Hui (1632-1717) and Yuangi (1642-1715). Made for Kang Furen., Xiang Wenyan, China, 1850 - 1900, paper, ink, h 74 cm × w 52.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti
Art inspired by Landscape in the Style of Yan Wengui, Qing dynasty (1644–1911), 18th century or later, spurious date of 1707, China, Folding fan mounted as an album leaf; ink and color on paper, 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm), Paintings, Unidentified Artist, After Wang Hui (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-in-the-style-of-yan-wengui-qing-dynasty-16441911-18th-century-or-later-spurious-date-of-1707-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-paper-6-12-x-19-14-in-165-x-489-cm-paintings-unidentified-artist-after-wang-hui-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903435.htmlRF2HW321F–Art inspired by Landscape in the Style of Yan Wengui, Qing dynasty (1644–1911), 18th century or later, spurious date of 1707, China, Folding fan mounted as an album leaf; ink and color on paper, 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm), Paintings, Unidentified Artist, After Wang Hui (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai, 清, 王翬 等, 康熙南巡圖, （卷三: 濟南至泰山）, 卷, Qing dynasty (1644–1911), datable to 1698, China, Handscroll; ink and color on silk, Image: 26 3/4 in. x 45 ft. 8 3/4 in. (67.9 x 1393.8 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-kangxi-emperors-southern-inspection-tour-scroll-three-jinan-to-mount-tai-qing-dynasty-16441911-datable-to-1698-china-handscroll-ink-and-color-on-silk-image-26-34-in-x-45-ft-8-34-in-679-x-13938-cm-paintings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911181.htmlRF2HW3BX5–Art inspired by The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai, 清, 王翬 等, 康熙南巡圖, （卷三: 濟南至泰山）, 卷, Qing dynasty (1644–1911), datable to 1698, China, Handscroll; ink and color on silk, Image: 26 3/4 in. x 45 ft. 8 3/4 in. (67.9 x 1393.8 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by 清 王原祁 倣黃公望高克恭山水圖 軸, Landscape in the Styles of Huang Gongwang and Gao Kegong, Qing dynasty (1644–1911), dated 1705, China, Hanging scroll; ink on paper, Image: 45 1/8 x 21 1/4 in. (114.6 x 54 cm), Paintings, Wang Yuanqi (Chinese, 1642–1715), The youngest of the 'Four, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-in-the-styles-of-huang-gongwang-and-gao-kegong-qing-dynasty-16441911-dated-1705-china-hanging-scroll-ink-on-paper-image-45-18-x-21-14-in-1146-x-54-cm-paintings-wang-yuanqi-chinese-16421715-the-youngest-of-the-four-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462909129.htmlRF2HW398W–Art inspired by 清 王原祁 倣黃公望高克恭山水圖 軸, Landscape in the Styles of Huang Gongwang and Gao Kegong, Qing dynasty (1644–1911), dated 1705, China, Hanging scroll; ink on paper, Image: 45 1/8 x 21 1/4 in. (114.6 x 54 cm), Paintings, Wang Yuanqi (Chinese, 1642–1715), The youngest of the 'Four, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Goatherd with goats, Pastorals (series title), numbered bottom right: 5., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 113 mm × width 141 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/goatherd-with-goats-pastorals-series-title-numbered-bottom-right-5-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-113-mm-width-141-mm-print-image599485114.htmlRM2WR8WAJ–Goatherd with goats, Pastorals (series title), numbered bottom right: 5., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 113 mm × width 141 mm, print
Peacocks, rabbit and parrot, Pastorals (series title), numbered bottom right: 13., print, print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height, 112 mm × width, 143 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peacocks-rabbit-and-parrot-pastorals-series-title-numbered-bottom-right-13-print-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-112-mm-width-143-mm-image606666209.htmlRM2X700X9–Peacocks, rabbit and parrot, Pastorals (series title), numbered bottom right: 13., print, print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height, 112 mm × width, 143 mm
. The Holy Family with John the Baptist . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 624 Vaccaro-nicola-1637-1717-italy-die-heilige-familie-mit-dem-jo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-family-with-john-the-baptist-before-1717-nicola-vaccaro-16401709-description-italian-painter-date-of-birthdeath-1632-23-may-1709-24-may-1709-location-of-birthdeath-naples-naples-work-location-rome-authority-control-q7029132-viaf72619335-isni0000-0000-8055-5540-ulan500018174-gnd135767911-rkd78906-624-vaccaro-nicola-1637-1717-italy-die-heilige-familie-mit-dem-jo-image187565663.htmlRMMW49WK–. The Holy Family with John the Baptist . before 1717. Nicola Vaccaro (1640–1709) Description Italian painter Date of birth/death 1632 23 May 1709 / 24 May 1709 Location of birth/death Naples Naples Work location Rome Authority control : Q7029132 VIAF: 72619335 ISNI: 0000 0000 8055 5540 ULAN: 500018174 GND: 135767911 RKD: 78906 624 Vaccaro-nicola-1637-1717-italy-die-heilige-familie-mit-dem-jo
Prodigal son as swineherd with pigs at a trough, Pastorals (series title), numbered bottom right: 6., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 114 mm × width 142 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prodigal-son-as-swineherd-with-pigs-at-a-trough-pastorals-series-title-numbered-bottom-right-6-print-maker-botius-adamsz-bolswert-after-design-by-abraham-bloemaert-publisher-wilhelmus-koning-possibly-amsterdam-1611-1632-andor-c-1717-1732-paper-engraving-height-114-mm-width-142-mm-print-image599485112.htmlRM2WR8WAG–Prodigal son as swineherd with pigs at a trough, Pastorals (series title), numbered bottom right: 6., print maker: Boëtius Adamsz. Bolswert, after design by: Abraham Bloemaert, publisher: Wilhelmus Koning, (possibly), Amsterdam, 1611 - 1632 and/or c. 1717 - 1732, paper, engraving, height 114 mm × width 142 mm, print
Bridge at Tivoli, Ponte su la strada di Tivoli (title on object), Views of places in Italy (series title), Landscape with a bridge over which a street runs towards Tivoli. Print is part of an album., print maker: Israël Silvestre, publisher: Pierre Mariette (I), Anna Beeck, print maker: France, publisher: Paris, The Hague, 1632 - 1657 and/or 1693 - 1717, paper, etching, height 150 mm × width 126 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bridge-at-tivoli-ponte-su-la-strada-di-tivoli-title-on-object-views-of-places-in-italy-series-title-landscape-with-a-bridge-over-which-a-street-runs-towards-tivoli-print-is-part-of-an-album-print-maker-isral-silvestre-publisher-pierre-mariette-i-anna-beeck-print-maker-france-publisher-paris-the-hague-1632-1657-andor-1693-1717-paper-etching-height-150-mm-width-126-mm-print-image599525015.htmlRM2WRAM7K–Bridge at Tivoli, Ponte su la strada di Tivoli (title on object), Views of places in Italy (series title), Landscape with a bridge over which a street runs towards Tivoli. Print is part of an album., print maker: Israël Silvestre, publisher: Pierre Mariette (I), Anna Beeck, print maker: France, publisher: Paris, The Hague, 1632 - 1657 and/or 1693 - 1717, paper, etching, height 150 mm × width 126 mm, print
Search Results for 1632 1717 Stock Photos and Images (127)
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