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1650 1750 Stock Photos and Images
Foot stew of brass, anonymous, Netherlands, 1650 - 1750, brass (alloy), w 18.1 cm × w 17.1 cm × h 6.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/foot-stew-of-brass-anonymous-netherlands-1650-1750-brass-alloy-w-181-cm-w-171-cm-h-61-cm-image261357348.htmlRMW55RY0–Foot stew of brass, anonymous, Netherlands, 1650 - 1750, brass (alloy), w 18.1 cm × w 17.1 cm × h 6.1 cm
Art inspired by Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin, 1650–1750, Pen and gray ink over leadpoint or graphite(?)., 7 1/4 x 11 3/16 in. (18.4 x 28.4 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-designs-for-decorative-borders-with-floral-ornamentation-and-a-putto-and-griffin-16501750-pen-and-gray-ink-over-leadpoint-or-graphite-7-14-x-11-316-in-184-x-284-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965710.htmlRF2HW5WDJ–Art inspired by Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin, 1650–1750, Pen and gray ink over leadpoint or graphite(?)., 7 1/4 x 11 3/16 in. (18.4 x 28.4 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of A Man in Armour, ca. 1650–1750, Charcoal with touches of white chalk on blue paper, 28.4 × 19.6 cm (11 3/16 × 7 11/16 in.), Made in France, French, 17th–18th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-inarmour-ca16501750-charcoal-with-touches-of-white-chalk-on-blue-paper-284-196-cm-11-316-7-1116in-made-in-france-french-17th18thcentury-works-on-paper-drawings-andwatercolors-image393472499.htmlRM2DT4657–Portrait of A Man in Armour, ca. 1650–1750, Charcoal with touches of white chalk on blue paper, 28.4 × 19.6 cm (11 3/16 × 7 11/16 in.), Made in France, French, 17th–18th century, Works on Paper - Drawings and Watercolors
Art inspired by Design for Interior Corner of a Frieze or a Stairwell, ca. 1650–1750, Pen and black ink, brown wash (recto) graphite (verso), 7 1/2 x 5 11/16 in. (19.1 x 14.4 cm), Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-interior-corner-of-a-frieze-or-a-stairwell-ca-16501750-pen-and-black-ink-brown-wash-recto-graphite-verso-7-12-x-5-1116-in-191-x-144-cm-drawings-anonymous-italian-17th-or-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462988117.htmlRF2HW6X1W–Art inspired by Design for Interior Corner of a Frieze or a Stairwell, ca. 1650–1750, Pen and black ink, brown wash (recto) graphite (verso), 7 1/2 x 5 11/16 in. (19.1 x 14.4 cm), Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Anonymous, Italian, 17th century, Design of fireworks: two views of a rocket, Anonymous, Italian, 17th century, 1650–1750, Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and some compass construction., Sheet: 6 5/16 × 3 3/4 in. (16 × 9.5 cm), Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-italian-17th-century-design-of-fireworks-two-views-of-a-rocket-anonymous-italian-17th-century-16501750-pen-and-brown-ink-brush-and-gray-wash-over-leadpoint-or-graphite-ruling-and-some-compass-construction-sheet-6-516-3-34-in-16-95-cm-drawings-image344623767.htmlRM2B0JY3K–Anonymous, Italian, 17th century, Design of fireworks: two views of a rocket, Anonymous, Italian, 17th century, 1650–1750, Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and some compass construction., Sheet: 6 5/16 × 3 3/4 in. (16 × 9.5 cm), Drawings
Textile fragment embroidered with floral pattern and dated 1650 - 1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-fragment-embroidered-with-floral-pattern-and-dated-1650-1750-image66712859.htmlRMDTF0X3–Textile fragment embroidered with floral pattern and dated 1650 - 1750
2003-02-18 Loenersloot Castle on the Angstel circa 1700 (1650-1750). 848 Manner of Jan van der Heyden 001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/2003-02-18-loenersloot-castle-on-the-angstel-circa-1700-1650-1750-848-manner-of-jan-van-der-heyden-001-image185817220.htmlRMMP8KN8–2003-02-18 Loenersloot Castle on the Angstel circa 1700 (1650-1750). 848 Manner of Jan van der Heyden 001
Farm in a wooded dune landscape. Dating: 1650 - 1750. Measurements: h 24 cm × w 28.5 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob Isaacksz. van Ruisdael (school of). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farm-in-a-wooded-dune-landscape-dating-1650-1750-measurements-h-24-cm-w-285-cm-d-45-cm-museum-rijksmuseum-amsterdam-author-jacob-isaacksz-van-ruisdael-school-of-image232911028.htmlRMREX0B0–Farm in a wooded dune landscape. Dating: 1650 - 1750. Measurements: h 24 cm × w 28.5 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob Isaacksz. van Ruisdael (school of).
Calligraphic dragon head, 1650-1750. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphic-dragon-head-1650-1750-artist-unknown-image186183827.htmlRMMPWBAB–Calligraphic dragon head, 1650-1750. Artist: Unknown.
Mikałaj Radzivił Stary. Мікалай Радзівіл Стары (1650-1750). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mikaaj-radzivi-stary-1650-1750-image401259720.htmlRM2E8PXT8–Mikałaj Radzivił Stary. Мікалай Радзівіл Стары (1650-1750).
Gustav II. Adolf, King of Sweden 1650/1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustav-ii-adolf-king-of-sweden-16501750-image418499651.htmlRM2F8T8G3–Gustav II. Adolf, King of Sweden 1650/1750
The Giants' Hall with the Moorish ballet in Dresden in 1678 (1650 - 1750) by Johann Atzelt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-giants-hall-with-the-moorish-ballet-in-dresden-in-1678-1650-1750-by-johann-atzelt-image545677244.htmlRM2PKNMW0–The Giants' Hall with the Moorish ballet in Dresden in 1678 (1650 - 1750) by Johann Atzelt
Sea with Warships, anonymous, 1650 - 1750 Sailing ships at sea. On the front ship are armored men. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sea-with-warships-anonymous-1650-1750-sailing-ships-at-sea-on-the-front-ship-are-armored-men-image570302960.htmlRF2T3RF6T–Sea with Warships, anonymous, 1650 - 1750 Sailing ships at sea. On the front ship are armored men.
Virgin and Child. 1650–1750. Flanders. Boxwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-16501750-flanders-boxwood-image337960709.htmlRM2AHRC99–Virgin and Child. 1650–1750. Flanders. Boxwood
Japanese mask of a female demon (Hannya) 1650-1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-japanese-mask-of-a-female-demon-hannya-1650-1750-112650699.htmlRMGF7K37–Japanese mask of a female demon (Hannya) 1650-1750
The Schoolmaster, Jan Adriaensz. van Staveren (copy after), 1650 - 1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-schoolmaster-jan-adriaensz-van-staveren-copy-after-1650-1750-image596908545.htmlRF2WK3EX9–The Schoolmaster, Jan Adriaensz. van Staveren (copy after), 1650 - 1750
Stone Hall overmantel, 1650-1750, pearwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-hall-overmantel-1650-1750-pearwood-image458638984.htmlRM2HJ4PKM–Stone Hall overmantel, 1650-1750, pearwood
A mountain town Knudsen, Jens 1650 - 1750 Engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 469, D 3448, 1889 En bjergstad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-mountain-town-knudsen-jens-1650-1750-engraving-print-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-469-d-3448-1889-en-bjergstad-image613496938.htmlRM2XJ35GX–A mountain town Knudsen, Jens 1650 - 1750 Engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 469, D 3448, 1889 En bjergstad
Shield (adaga), Spanish Colonial, Mexican-American border, 1650-1750, painted leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shield-adaga-spanish-colonial-mexican-american-border-1650-1750-painted-leather-image457460337.htmlRM2HG7395–Shield (adaga), Spanish Colonial, Mexican-American border, 1650-1750, painted leather
Portrait of Pope Innocent XI, anonymous, 1650 - 1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-pope-innocent-xi-anonymous-1650-1750-image488031922.htmlRF2K9YNKE–Portrait of Pope Innocent XI, anonymous, 1650 - 1750
Foot stew of brass, anonymous, Netherlands, 1650 - 1750, brass (alloy), w 18.1 cm × w 17.1 cm × h 6.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/foot-stew-of-brass-anonymous-netherlands-1650-1750-brass-alloy-w-181-cm-w-171-cm-h-61-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349966890.htmlRF2B9AA9E–Foot stew of brass, anonymous, Netherlands, 1650 - 1750, brass (alloy), w 18.1 cm × w 17.1 cm × h 6.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mummy-masks-to-1750-1650-bc-13th-dynasty-mirgissa-sudan-plaster-on-43786143.htmlRMCF6HJR–Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian
William and Mary: William III (1650-1702) Prince of Orange and King of England (1689-1702) with his wife Maria Stuart (1662-1694) Queen Mary II of England (1689-1694), portrait miniature by Peter Hoadly, 1700-1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-and-mary-william-iii-1650-1702-prince-of-orange-and-king-of-england-1689-1702-with-his-wife-maria-stuart-1662-1694-queen-mary-ii-of-england-1689-1694-portrait-miniature-by-peter-hoadly-1700-1750-image431730180.htmlRM2G2B070–William and Mary: William III (1650-1702) Prince of Orange and King of England (1689-1702) with his wife Maria Stuart (1662-1694) Queen Mary II of England (1689-1694), portrait miniature by Peter Hoadly, 1700-1750
Anonymous, Italian, 17th century, Design of fireworks: the rocket in its propelling capsule, Anonymous, Italian, 17th century, 1650–1750, Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and extensive compass construction., Sheet: 6 5/16 × 3 3/4 in. (16 × 9.6 cm), Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-italian-17th-century-design-of-fireworks-the-rocket-in-its-propelling-capsule-anonymous-italian-17th-century-16501750-pen-and-brown-ink-brush-and-gray-wash-over-leadpoint-or-graphite-ruling-and-extensive-compass-construction-sheet-6-516-3-34-in-16-96-cm-drawings-image344623760.htmlRM2B0JY3C–Anonymous, Italian, 17th century, Design of fireworks: the rocket in its propelling capsule, Anonymous, Italian, 17th century, 1650–1750, Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and extensive compass construction., Sheet: 6 5/16 × 3 3/4 in. (16 × 9.6 cm), Drawings
Statuette of Ta, Egyptian 1750-1650 BC; 13th Dynasty; Egyptian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statuette-of-ta-egyptian-1750-1650-bc-13th-dynasty-egyptian-image328352389.htmlRM2A25MR1–Statuette of Ta, Egyptian 1750-1650 BC; 13th Dynasty; Egyptian
Mariae Himmelfahrt, detail, anonymous, 1650-1750, drawing, sanguine, brush and brown wash Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mariae-himmelfahrt-detail-anonymous-1650-1750-drawing-sanguine-brush-and-brown-wash-image573313339.htmlRM2T8MK0B–Mariae Himmelfahrt, detail, anonymous, 1650-1750, drawing, sanguine, brush and brown wash
Michiel Adriaensz de Ruyter (1607-1676), Lieutenant Admiral. Dating: 1650 - 1750. Place: Netherlands. Measurements: support: h 112 cm × w 90 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol (copy after). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michiel-adriaensz-de-ruyter-1607-1676-lieutenant-admiral-dating-1650-1750-place-netherlands-measurements-support-h-112-cm-w-90-cm-d-7-cm-museum-rijksmuseum-amsterdam-author-ferdinand-bol-copy-after-image232828898.htmlRMREP7HP–Michiel Adriaensz de Ruyter (1607-1676), Lieutenant Admiral. Dating: 1650 - 1750. Place: Netherlands. Measurements: support: h 112 cm × w 90 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol (copy after).
N/A. Grafik aus dem Klebeband Nr. 3 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Christoph Dimpfel (1642-1688), Kaufmann und Steueramtsassessor in Regensburg; Inschrift und Wappen fehlen GND:123251702 Motto: Alles nach Gottes Willen . between 1688 and 1700. Johann Caspar Gutwein (1650–1750) Description German painter Date of birth/death 1650 1750 Location of birth Stadtamhof bei Regensburg Work period between 1669 and 1730 Work location Prag; Brünn; Graz; Regensburg; Augsburg Authority control : Q30308743 VIAF:17497791 ISNI:0000 0000 1116 5709 GND:123495148 SUDOC:07326 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-3-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-christoph-dimpfel-1642-1688-kaufmann-und-steueramtsassessor-in-regensburg-inschrift-und-wappen-fehlen-gnd123251702-motto-alles-nach-gottes-willen-between-1688-and-1700-johann-caspar-gutwein-16501750-description-german-painter-date-of-birthdeath-1650-1750-location-of-birth-stadtamhof-bei-regensburg-work-period-between-1669-and-1730-work-location-prag-brnn-graz-regensburg-augsburg-authority-control-q30308743-viaf17497791-isni0000-0000-1116-5709-gnd123495148-sudoc07326-image210051188.htmlRMP5MJC4–N/A. Grafik aus dem Klebeband Nr. 3 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Christoph Dimpfel (1642-1688), Kaufmann und Steueramtsassessor in Regensburg; Inschrift und Wappen fehlen GND:123251702 Motto: Alles nach Gottes Willen . between 1688 and 1700. Johann Caspar Gutwein (1650–1750) Description German painter Date of birth/death 1650 1750 Location of birth Stadtamhof bei Regensburg Work period between 1669 and 1730 Work location Prag; Brünn; Graz; Regensburg; Augsburg Authority control : Q30308743 VIAF:17497791 ISNI:0000 0000 1116 5709 GND:123495148 SUDOC:07326
Basin, 1650/1750. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/basin-16501750-image451399942.htmlRM2H6B16E–Basin, 1650/1750.
11583 205 Porträtt på danska 1500-tals astronomen Tycho Brahe. Målat cirka 1650-1750 - Skoklosters slott - 93173 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/11583-205-portrtt-p-danska-1500-tals-astronomen-tycho-brahe-mlat-cirka-1650-1750-skoklosters-slott-93173-image212760607.htmlRMPA4293–11583 205 Porträtt på danska 1500-tals astronomen Tycho Brahe. Målat cirka 1650-1750 - Skoklosters slott - 93173
Schmidt, Sebastian unknown artist dating: 1650/1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schmidt-sebastian-unknown-artist-dating-16501750-image418528595.htmlRM2F8WHDR–Schmidt, Sebastian unknown artist dating: 1650/1750
English: Exhibit in the Peabody Museum, Harvard University, Cambridge, Massachusetts, USA. Photography was permitted without restriction; exhibit is old enough so that it is in the . 27 May 2017, 15:14:25 345 Shield (adaga), Spanish Colonial, Mexican-American border, 1650-1750, painted leather - Peabody Museum, Harvard University - DSC05998 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-exhibit-in-the-peabody-museum-harvard-university-cambridge-massachusetts-usa-photography-was-permitted-without-restriction-exhibit-is-old-enough-so-that-it-is-in-the-27-may-2017-151425-345-shield-adaga-spanish-colonial-mexican-american-border-1650-1750-painted-leather-peabody-museum-harvard-university-dsc05998-image211364567.htmlRMP7TDJF–English: Exhibit in the Peabody Museum, Harvard University, Cambridge, Massachusetts, USA. Photography was permitted without restriction; exhibit is old enough so that it is in the . 27 May 2017, 15:14:25 345 Shield (adaga), Spanish Colonial, Mexican-American border, 1650-1750, painted leather - Peabody Museum, Harvard University - DSC05998
Halberd. 1650–1750. Germany. Steel, wood (ash), and brass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halberd-16501750-germany-steel-wood-ash-and-brass-image337929462.htmlRM2AHP0DA–Halberd. 1650–1750. Germany. Steel, wood (ash), and brass
Japanese mask of a graceful old woman (Uba) 1650-1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-japanese-mask-of-a-graceful-old-woman-uba-1650-1750-112650688.htmlRMGF7K2T–Japanese mask of a graceful old woman (Uba) 1650-1750
Qanat (Tent) panel . Description from nationalmuseumindia.gov.in Place of origin: Rajasthan Materials: Cotton, painted, printed Dimensions: L: 220 W: 123 cm Acc.no. 56.23/84 . (1650 AD - 1750 AD). 1034 Qanat (Tent) panel - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qanat-tent-panel-description-from-nationalmuseumindiagovin-place-of-origin-rajasthan-materials-cotton-painted-printed-dimensions-l-220-w-123-cm-accno-562384-1650-ad-1750-ad-1034-qanat-tent-panel-google-art-project-image185553822.htmlRMMNTKP6–Qanat (Tent) panel . Description from nationalmuseumindia.gov.in Place of origin: Rajasthan Materials: Cotton, painted, printed Dimensions: L: 220 W: 123 cm Acc.no. 56.23/84 . (1650 AD - 1750 AD). 1034 Qanat (Tent) panel - Google Art Project
The evangelist Luke between 1700 and 1750 / between 1601 and 1650 by Artus Wolffort Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-evangelist-luke-between-1700-and-1750-between-1601-and-1650-by-artus-wolffort-image562513573.htmlRM2RK4KPD–The evangelist Luke between 1700 and 1750 / between 1601 and 1650 by Artus Wolffort
Portrait of an elderly man (michelangelo alluminati) Guala, Pietro Francesco 1698 - 1757, Fabbroni, Christoforo 1650 - 1750 Painting Italian paintings and sculpture in Denmark, Harald Olsen, p. 66, 28349, 1961 Portrait of an Elderly Man (Michelangelo Alluminati) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-elderly-man-michelangelo-alluminati-guala-pietro-francesco-1698-1757-fabbroni-christoforo-1650-1750-painting-italian-paintings-and-sculpture-in-denmark-harald-olsen-p-66-28349-1961-portrait-of-an-elderly-man-michelangelo-alluminati-image613390683.htmlRM2XHXA23–Portrait of an elderly man (michelangelo alluminati) Guala, Pietro Francesco 1698 - 1757, Fabbroni, Christoforo 1650 - 1750 Painting Italian paintings and sculpture in Denmark, Harald Olsen, p. 66, 28349, 1961 Portrait of an Elderly Man (Michelangelo Alluminati)
Boerenhuis in bosachtig duinlandschap . Nederlands: Een boerenhuisje met een trapgevel in een duinlandschap. Voor het huis staat bij het hek een man, op de voorgrond een herder. . between 1650 and 1750. N/A 216 Boerenhuis in bosachtig duinlandschap Rijksmuseum SK-A-3498 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boerenhuis-in-bosachtig-duinlandschap-nederlands-een-boerenhuisje-met-een-trapgevel-in-een-duinlandschap-voor-het-huis-staat-bij-het-hek-een-man-op-de-voorgrond-een-herder-between-1650-and-1750-na-216-boerenhuis-in-bosachtig-duinlandschap-rijksmuseum-sk-a-3498-image209848867.htmlRMP5BCAB–Boerenhuis in bosachtig duinlandschap . Nederlands: Een boerenhuisje met een trapgevel in een duinlandschap. Voor het huis staat bij het hek een man, op de voorgrond een herder. . between 1650 and 1750. N/A 216 Boerenhuis in bosachtig duinlandschap Rijksmuseum SK-A-3498
The Knights of Cups from nine different packs - left to right, downwards Galler of Brussels, 1740; Swiss anonymous, early 19th century; Beranger of Nice, c.1832; Valla of Trieste, 1750; Florentine anonymous, 1650; Muller, Switzerland, 1930; Annannino of Genoa, 1887; Renault of Besancon, 1800; and Grimand of Paris, 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-knights-of-cups-from-nine-different-packs-left-to-right-downwards-galler-of-brussels-1740-swiss-anonymous-early-19th-century-beranger-of-nice-c1832-valla-of-trieste-1750-florentine-anonymous-1650-muller-switzerland-1930-annannino-of-genoa-1887-renault-of-besancon-1800-and-grimand-of-paris-1900-image268820163.htmlRMWH9PT3–The Knights of Cups from nine different packs - left to right, downwards Galler of Brussels, 1740; Swiss anonymous, early 19th century; Beranger of Nice, c.1832; Valla of Trieste, 1750; Florentine anonymous, 1650; Muller, Switzerland, 1930; Annannino of Genoa, 1887; Renault of Besancon, 1800; and Grimand of Paris, 1900
English: The Tears of Saint Peter between 1660 and 1750. After David Teniers the Younger (1610–1690) Alternative names David Teniers the Younger, David Taisniers Description Flemish painter, draughtsman, printmaker, miniaturist and copyist Date of birth/death 15 December 1610 (baptised) 25 April 1690 Location of birth/death Antwerp Brussels Work period from 1626 until 1690 Work location Antwerp (1626-1650), Brussels (circa 1651-1690) Authority control : Q335022 VIAF: 88765161 ISNI: 0000 0000 8078 0545 ULAN: 500001443 LCCN: n79059287 NLA: 35724369 WorldCat After Jusepe de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-tears-of-saint-peter-between-1660-and-1750-after-david-teniers-the-younger-16101690-alternative-names-david-teniers-the-younger-david-taisniers-description-flemish-painter-draughtsman-printmaker-miniaturist-and-copyist-date-of-birthdeath-15-december-1610-baptised-25-april-1690-location-of-birthdeath-antwerp-brussels-work-period-from-1626-until-1690-work-location-antwerp-1626-1650-brussels-circa-1651-1690-authority-control-q335022-viaf88765161-isni0000-0000-8078-0545-ulan500001443-lccnn79059287-nla35724369-worldcat-after-jusepe-de-image185826025.htmlRMMP92YN–English: The Tears of Saint Peter between 1660 and 1750. After David Teniers the Younger (1610–1690) Alternative names David Teniers the Younger, David Taisniers Description Flemish painter, draughtsman, printmaker, miniaturist and copyist Date of birth/death 15 December 1610 (baptised) 25 April 1690 Location of birth/death Antwerp Brussels Work period from 1626 until 1690 Work location Antwerp (1626-1650), Brussels (circa 1651-1690) Authority control : Q335022 VIAF: 88765161 ISNI: 0000 0000 8078 0545 ULAN: 500001443 LCCN: n79059287 NLA: 35724369 WorldCat After Jusepe de
Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mummy-masks-to-1750-1650-bc-13th-dynasty-mirgissa-sudan-plaster-on-43786123.htmlRMCF6HJ3–Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian
![. Afbeeldinge van de wydvermaarde en beroemde koopstad Amsteldam met d’omleggende landen / gemeten en getekent door Gerrit Drogenham ... ; in ’t koper gebragt door Daniel Stopendaal en uitgegeven door Nicolaus Visser ... Scale [c. 1:25.000]. 6-sheet wall map of Amsterdam. [c. 1750]. Gerrit Drogenham (beginning of the 18th century), Daniél Stopendaal (c. 1650-), Nicolaes Jansz Visscher(1618-1679) XUBAKZL12A4 071, 3/16/12, 2:47 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R51.4, G20.1, B17.3 188 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 4 (71) Stock Photo](https://c8.alamy.com/comp/P21KTA/afbeeldinge-van-de-wydvermaarde-en-beroemde-koopstad-amsteldam-met-domleggende-landengemeten-en-getekent-door-gerrit-drogenham-in-t-koper-gebragt-door-daniel-stopendaal-en-uitgegeven-door-nicolaus-visser-scale-c-125000-6-sheet-wall-map-of-amsterdam-c-1750-gerrit-drogenham-beginning-of-the-18th-century-danil-stopendaal-c-1650-nicolaes-jansz-visscher1618-1679-xubakzl12a4-071-31612-247-pm-8c-7992x10656-00-100-juni-2011-ppro-1120-s-r514-g201-b173-188-map-special-collections-university-of-amsterdam-otm-hb-kzl-i-2-a-4-71-P21KTA.jpg ". Afbeeldinge van de wydvermaarde en beroemde koopstad Amsteldam met d’omleggende landen / gemeten en getekent door Gerrit Drogenham ... ; in ’t koper gebragt door Daniel Stopendaal en uitgegeven door Nicolaus Visser ... Scale [c. 1:25.000]. 6-sheet wall map of Amsterdam. [c. 1750]. Gerrit Drogenham (beginning of the 18th century), Daniél Stopendaal (c. 1650-), Nicolaes Jansz Visscher(1618-1679) XUBAKZL12A4 071, 3/16/12, 2:47 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R51.4, G20.1, B17.3 188 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 4 (71) Stock Photo")
. Afbeeldinge van de wydvermaarde en beroemde koopstad Amsteldam met d’omleggende landen / gemeten en getekent door Gerrit Drogenham ... ; in ’t koper gebragt door Daniel Stopendaal en uitgegeven door Nicolaus Visser ... Scale [c. 1:25.000]. 6-sheet wall map of Amsterdam. [c. 1750]. Gerrit Drogenham (beginning of the 18th century), Daniél Stopendaal (c. 1650-), Nicolaes Jansz Visscher(1618-1679) XUBAKZL12A4 071, 3/16/12, 2:47 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R51.4, G20.1, B17.3 188 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 4 (71) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/afbeeldinge-van-de-wydvermaarde-en-beroemde-koopstad-amsteldam-met-domleggende-landengemeten-en-getekent-door-gerrit-drogenham-in-t-koper-gebragt-door-daniel-stopendaal-en-uitgegeven-door-nicolaus-visser-scale-c-125000-6-sheet-wall-map-of-amsterdam-c-1750-gerrit-drogenham-beginning-of-the-18th-century-danil-stopendaal-c-1650-nicolaes-jansz-visscher1618-1679-xubakzl12a4-071-31612-247-pm-8c-7992x10656-00-100-juni-2011-ppro-1120-s-r514-g201-b173-188-map-special-collections-university-of-amsterdam-otm-hb-kzl-i-2-a-4-71-image207791258.htmlRMP21KTA–. Afbeeldinge van de wydvermaarde en beroemde koopstad Amsteldam met d’omleggende landen / gemeten en getekent door Gerrit Drogenham ... ; in ’t koper gebragt door Daniel Stopendaal en uitgegeven door Nicolaus Visser ... Scale [c. 1:25.000]. 6-sheet wall map of Amsterdam. [c. 1750]. Gerrit Drogenham (beginning of the 18th century), Daniél Stopendaal (c. 1650-), Nicolaes Jansz Visscher(1618-1679) XUBAKZL12A4 071, 3/16/12, 2:47 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R51.4, G20.1, B17.3 188 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 4 (71)
Quapaw, Native American, Bottle, between 1650 and 1750, fired clay, red, white and black slip pigment, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quapaw-native-american-bottle-between-1650-and-1750-fired-clay-red-white-and-black-slip-pigment-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349816725.htmlRF2B93EPD–Quapaw, Native American, Bottle, between 1650 and 1750, fired clay, red, white and black slip pigment, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Slovenš?ina: Alegorija zime . between 1650 and 1750. Alegorija zime Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slovenina-alegorija-zime-between-1650-and-1750-alegorija-zime-image184771705.htmlRMMMH25D–Slovenš?ina: Alegorija zime . between 1650 and 1750. Alegorija zime
Christ and the Samaritan Woman, Anonymous, 1650-1750, Drawing, red chalk, brush and brown wash Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-and-the-samaritan-woman-anonymous-1650-1750-drawing-red-chalk-brush-and-brown-wash-image573313336.htmlRM2T8MK08–Christ and the Samaritan Woman, Anonymous, 1650-1750, Drawing, red chalk, brush and brown wash
Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin. Artist: Anonymous, Italian, 17th century. Dimensions: 7 1/4 x 11 3/16 in. (18.4 x 28.4 cm). Date: 1650-1750. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designs-for-decorative-borders-with-floral-ornamentation-and-a-putto-and-griffin-artist-anonymous-italian-17th-century-dimensions-7-14-x-11-316-in-184-x-284-cm-date-1650-1750-museum-metropolitan-museum-of-art-new-york-usa-image213111353.htmlRMPAM1KN–Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin. Artist: Anonymous, Italian, 17th century. Dimensions: 7 1/4 x 11 3/16 in. (18.4 x 28.4 cm). Date: 1650-1750. Museum: Metropolitan Museum of Art, New York, USA.
Putti with a garland, print, print maker: anonymous, Netherlands, 1650 - 1750, paper, etching, height, 133 mm × width, 116 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/putti-with-a-garland-print-print-maker-anonymous-netherlands-1650-1750-paper-etching-height-133-mm-width-116-mm-image606623227.htmlRM2X6X237–Putti with a garland, print, print maker: anonymous, Netherlands, 1650 - 1750, paper, etching, height, 133 mm × width, 116 mm
Farm in a wooded dune landscape, 1650-1750. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farm-in-a-wooded-dune-landscape-1650-1750-image556244766.htmlRM2R8Y3TE–Farm in a wooded dune landscape, 1650-1750.
Penitent St. Jerome, print maker: anonymous, France, 1650 - 1750, paper, engraving, height 346 mm × width 255 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitent-st-jerome-print-maker-anonymous-france-1650-1750-paper-engraving-height-346-mm-width-255-mm-print-image599483235.htmlRM2WR8PYF–Penitent St. Jerome, print maker: anonymous, France, 1650 - 1750, paper, engraving, height 346 mm × width 255 mm, print
Conring, Hermann unknown artist dating: 1650/1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conring-hermann-unknown-artist-dating-16501750-image418498375.htmlRM2F8T6XF–Conring, Hermann unknown artist dating: 1650/1750
Visit to the workshop of W. van de Berge, draughtsman: anonymous, 1650 - 1750, paper, pen, h 193 mm × w 240 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visit-to-the-workshop-of-w-van-de-berge-draughtsman-anonymous-1650-1750-paper-pen-h-193-mm-w-240-mm-image472072569.htmlRM2JC0NAH–Visit to the workshop of W. van de Berge, draughtsman: anonymous, 1650 - 1750, paper, pen, h 193 mm × w 240 mm
Talavera Poblana (Potter). Basin. 1650–1750. Puebla. Tin-glazed earthenware Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/talavera-poblana-potter-basin-16501750-puebla-tin-glazed-earthenware-image337921318.htmlRM2AHNJ2E–Talavera Poblana (Potter). Basin. 1650–1750. Puebla. Tin-glazed earthenware
Germany, Bavaria, Dillingen an der Donau, Study Church of the Assumption, south facade with south portal. University church of the Collegium St. Hieronymi, formerly Jesuit college, builder Hans Alberthal 1650, since 1750 rococo interior. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/germany-bavaria-dillingen-an-der-donau-study-church-of-the-assumption-south-facade-with-south-portal-university-church-of-the-collegium-st-hieronymi-formerly-jesuit-college-builder-hans-alberthal-1650-since-1750-rococo-interior-image382640164.htmlRM2D6ENC4–Germany, Bavaria, Dillingen an der Donau, Study Church of the Assumption, south facade with south portal. University church of the Collegium St. Hieronymi, formerly Jesuit college, builder Hans Alberthal 1650, since 1750 rococo interior.
Eddystone wooden lighthouse c1750 - John Rudyard (or Rudyerd) 1650-c1718 - designed this lighthouse as a conical wooden structure around a core of brick and concrete for Captain John Lovett who acquired the lease of the rock, and was allowed to charge passing ships a toll of one penny per ton. On the night of 2 December 1755 it burnt down when a lantern caught fire. The three keepers were rescued but one of them Henry Hall,aged 94, died several days later from ingesting molten lead from the roof. The piece of lead was removed from his body and is in the National Museums of Scotland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eddystone-wooden-lighthouse-c1750-john-rudyard-or-rudyerd-1650-c1718-designed-this-lighthouse-as-a-conical-wooden-structure-around-a-core-of-brick-and-concrete-for-captain-john-lovett-who-acquired-the-lease-of-the-rock-and-was-allowed-to-charge-passing-ships-a-toll-of-one-penny-per-ton-on-the-night-of-2-december-1755-it-burnt-down-when-a-lantern-caught-fire-the-three-keepers-were-rescued-but-one-of-them-henry-hallaged-94-died-several-days-later-from-ingesting-molten-lead-from-the-roof-the-piece-of-lead-was-removed-from-his-body-and-is-in-the-national-museums-of-scotland-image343415275.htmlRM2AXKWK7–Eddystone wooden lighthouse c1750 - John Rudyard (or Rudyerd) 1650-c1718 - designed this lighthouse as a conical wooden structure around a core of brick and concrete for Captain John Lovett who acquired the lease of the rock, and was allowed to charge passing ships a toll of one penny per ton. On the night of 2 December 1755 it burnt down when a lantern caught fire. The three keepers were rescued but one of them Henry Hall,aged 94, died several days later from ingesting molten lead from the roof. The piece of lead was removed from his body and is in the National Museums of Scotland.
Farm in a wooded dune landscape between 1650 and 1750 by Jacob van Ruisdael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farm-in-a-wooded-dune-landscape-between-1650-and-1750-by-jacob-van-ruisdael-image561055996.htmlRM2RGP8J4–Farm in a wooded dune landscape between 1650 and 1750 by Jacob van Ruisdael
A country road in a mountain area Knudsen, Jens 1650 - 1750 Engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 470, D 3448, 1889 En landevej i en bjergegn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-country-road-in-a-mountain-area-knudsen-jens-1650-1750-engraving-print-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-470-d-3448-1889-en-landevej-i-en-bjergegn-image613440645.htmlRM2XJ0HPD–A country road in a mountain area Knudsen, Jens 1650 - 1750 Engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 470, D 3448, 1889 En landevej i en bjergegn
Ebony bracket clock with silver mounts by Joseph Knibb 1650 c 1750 in the Great Chamber at Trerice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ebony-bracket-clock-with-silver-mounts-by-joseph-knibb-1650-c-1750-22716327.htmlRMB8XPWB–Ebony bracket clock with silver mounts by Joseph Knibb 1650 c 1750 in the Great Chamber at Trerice
Bjorn Norgaard's tapestry 'Older Absolutism', Christiansborg Palace, Copenhagen, Denmark Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bjorn-norgaards-tapestry-older-absolutism-christiansborg-palace-copenhagen-73385988.htmlRFE7B0G4–Bjorn Norgaard's tapestry 'Older Absolutism', Christiansborg Palace, Copenhagen, Denmark
The practical book of early American arts and crafts . MEXICAN MAIOLICA LAVABO DECORATIONS IN BLUE OUTLINED WITH BLACK, HISPANO-MORESQUE PHASE, c. 1650 Courtesy of Pennsvlvania Museum and School of Industrial Art. MEXICAN MAIOLICA BARREL-SHAPED FLOWER JARS,CHINESE INFLUENCE, c. 1750 BLUE DECORATION. Courtesy of Pennsylvania Museum and School of Industrial Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-early-american-arts-and-crafts-mexican-maiolica-lavabo-decorations-in-blue-outlined-with-black-hispano-moresque-phase-c-1650-courtesy-of-pennsvlvania-museum-and-school-of-industrial-art-mexican-maiolica-barrel-shaped-flower-jarschinese-influence-c-1750-blue-decoration-courtesy-of-pennsylvania-museum-and-school-of-industrial-art-image339123199.htmlRM2AKMB2R–The practical book of early American arts and crafts . MEXICAN MAIOLICA LAVABO DECORATIONS IN BLUE OUTLINED WITH BLACK, HISPANO-MORESQUE PHASE, c. 1650 Courtesy of Pennsvlvania Museum and School of Industrial Art. MEXICAN MAIOLICA BARREL-SHAPED FLOWER JARS,CHINESE INFLUENCE, c. 1750 BLUE DECORATION. Courtesy of Pennsylvania Museum and School of Industrial Art
Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mummy-masks-to-1750-1650-bc-13th-dynasty-mirgissa-sudan-plaster-on-43786119.htmlRMCF6HHY–Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian
Discovery reports (1956) Discovery reports discoveryreports27inst Year: 1956 ii4 DISCOVERY REPORTS o m.); 1568 (1400-0 m.); 1571 (500-0, 1400-1000 m.); 1581 (500-250, 1750-600 m.); 1585 (500-0, 1400-700 m.); 1586 (250-100, 550-0, 1650-950 m.); 1587 (450-0 m.); 1588 (500-200 m.); 1589 (600-0 m.). The other new 'Discovery' records for the species are: Stations 87 (1000-0 m.); 89 (1000-0 m.); ioob (900-1000 m.); 100c (260-310, 2500-2000 m.); 102 (250-0 m.); 282 (300-0 m.); 297 (200- 300-0 m.); ' Discovery II' 670 (470-0 m.); 671 (2000-0 m.); 673 (1500-1000, 750-500 m.); 675 (500- 250 m.); 677 ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/discovery-reports-1956-discovery-reports-discoveryreports27inst-year-1956-ii4-discovery-reports-o-m-1568-1400-0-m-1571-500-0-1400-1000-m-1581-500-250-1750-600-m-1585-500-0-1400-700-m-1586-250-100-550-0-1650-950-m-1587-450-0-m-1588-500-200-m-1589-600-0-m-the-other-new-discovery-records-for-the-species-are-stations-87-1000-0-m-89-1000-0-m-ioob-900-1000-m-100c-260-310-2500-2000-m-102-250-0-m-282-300-0-m-297-200-300-0-m-discovery-ii-670-470-0-m-671-2000-0-m-673-1500-1000-750-500-m-675-500-250-m-677-image241943494.htmlRMT1HDB2–Discovery reports (1956) Discovery reports discoveryreports27inst Year: 1956 ii4 DISCOVERY REPORTS o m.); 1568 (1400-0 m.); 1571 (500-0, 1400-1000 m.); 1581 (500-250, 1750-600 m.); 1585 (500-0, 1400-700 m.); 1586 (250-100, 550-0, 1650-950 m.); 1587 (450-0 m.); 1588 (500-200 m.); 1589 (600-0 m.). The other new 'Discovery' records for the species are: Stations 87 (1000-0 m.); 89 (1000-0 m.); ioob (900-1000 m.); 100c (260-310, 2500-2000 m.); 102 (250-0 m.); 282 (300-0 m.); 297 (200- 300-0 m.); ' Discovery II' 670 (470-0 m.); 671 (2000-0 m.); 673 (1500-1000, 750-500 m.); 675 (500- 250 m.); 677 (
Head on high foot, Semi-spherical head of undecorated faience, on a high foot., anonymous, England, c. 1650 - c. 1750, earthenware, tin glaze, h 5.1 cm × d 7.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-on-high-foot-semi-spherical-head-of-undecorated-faience-on-a-high-foot-anonymous-england-c-1650-c-1750-earthenware-tin-glaze-h-51-cm-d-72-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349965342.htmlRF2B9A8A6–Head on high foot, Semi-spherical head of undecorated faience, on a high foot., anonymous, England, c. 1650 - c. 1750, earthenware, tin glaze, h 5.1 cm × d 7.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Slovenš?ina: Alegorija pomladi . between 1650 and 1750. Alegorija pomladi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slovenina-alegorija-pomladi-between-1650-and-1750-alegorija-pomladi-image184771702.htmlRMMMH25A–Slovenš?ina: Alegorija pomladi . between 1650 and 1750. Alegorija pomladi
Design for Interior Corner of a Frieze or a Stairwell. Artist: Anonymous, Italian, 17th or 18th century. Dimensions: 7 1/2 x 5 11/16 in. (19.1 x 14.4 cm). Date: ca. 1650-1750. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-interior-corner-of-a-frieze-or-a-stairwell-artist-anonymous-italian-17th-or-18th-century-dimensions-7-12-x-5-1116-in-191-x-144-cm-date-ca-1650-1750-museum-metropolitan-museum-of-art-new-york-usa-image213106565.htmlRMPAKRGN–Design for Interior Corner of a Frieze or a Stairwell. Artist: Anonymous, Italian, 17th or 18th century. Dimensions: 7 1/2 x 5 11/16 in. (19.1 x 14.4 cm). Date: ca. 1650-1750. Museum: Metropolitan Museum of Art, New York, USA.
The Schoolmaster, 1650-1750. Copy after Jan Adriaensz. van Staveren. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-schoolmaster-1650-1750-copy-after-jan-adriaensz-van-staveren-image556256517.htmlRM2R8YJT5–The Schoolmaster, 1650-1750. Copy after Jan Adriaensz. van Staveren.
Conring, Hermann unknown artist dating: 1650/1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conring-hermann-unknown-artist-dating-16501750-image418474719.htmlRM2F8R4NK–Conring, Hermann unknown artist dating: 1650/1750
Soldiers at a stable, print maker: unknown, France, (possibly), 1650 - 1750, paper, etching, width 105 mm × width 167 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/soldiers-at-a-stable-print-maker-unknown-france-possibly-1650-1750-paper-etching-width-105-mm-width-167-mm-print-image599528002.htmlRM2WRAT2A–Soldiers at a stable, print maker: unknown, France, (possibly), 1650 - 1750, paper, etching, width 105 mm × width 167 mm, print
Halberd for Civic Guard of Cologne. 1650–1750. Austria. Steel, gold, wood (oak), and brass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halberd-for-civic-guard-of-cologne-16501750-austria-steel-gold-wood-oak-and-brass-image337929363.htmlRM2AHP09R–Halberd for Civic Guard of Cologne. 1650–1750. Austria. Steel, gold, wood (oak), and brass
Harbour in the Mediterranean between 1650 and 1750 by Peter van de Velde Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harbour-in-the-mediterranean-between-1650-and-1750-by-peter-van-de-velde-image562716632.htmlRM2RKDXPG–Harbour in the Mediterranean between 1650 and 1750 by Peter van de Velde
Prospectus of a square in an Italian city Knudsen, Jens 1650 - 1750 Engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 471, D 3448, 1889 Prospekt af et torv i en italiensk stad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospectus-of-a-square-in-an-italian-city-knudsen-jens-1650-1750-engraving-print-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-471-d-3448-1889-prospekt-af-et-torv-i-en-italiensk-stad-image613458952.htmlRM2XJ1D48–Prospectus of a square in an Italian city Knudsen, Jens 1650 - 1750 Engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 471, D 3448, 1889 Prospekt af et torv i en italiensk stad
Ceremonial vessel (rhyton) in the shape of a grape cluster, Alishar, the Mansion, Middle Bronze Age, 1750-1650 BC, ceramic - Oriental Institute Museum, University of Chicago - DSC07649 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ceremonial-vessel-rhyton-in-the-shape-of-a-grape-cluster-alishar-the-172643128.htmlRMM0TG20–Ceremonial vessel (rhyton) in the shape of a grape cluster, Alishar, the Mansion, Middle Bronze Age, 1750-1650 BC, ceramic - Oriental Institute Museum, University of Chicago - DSC07649
Deutsches barock und rokoko : herausgegeben im anschluss an die Jahrhundert-ausstellung deutscher kunst 1650-1800, Darmstadt, 1914 . 1065. JACOB CATS (1741—1799) Herde an der Tränke. AquarellKönigl. Sachsisches Kupferstichkabinett, Dresden 621. 1066. JOHANN CASPAR ZEHENDER (1750—1800) Die Qerbermühle bei Frankfurt a. M. Tusche mit Weiß gehöhtSammlung Kippenberg, Leipzig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsches-barock-und-rokoko-herausgegeben-im-anschluss-an-die-jahrhundert-ausstellung-deutscher-kunst-1650-1800-darmstadt-1914-1065-jacob-cats-17411799-herde-an-der-trnke-aquarellknigl-sachsisches-kupferstichkabinett-dresden-621-1066-johann-caspar-zehender-17501800-die-qerbermhle-bei-frankfurt-a-m-tusche-mit-wei-gehhtsammlung-kippenberg-leipzig-image339101255.htmlRM2AKKB33–Deutsches barock und rokoko : herausgegeben im anschluss an die Jahrhundert-ausstellung deutscher kunst 1650-1800, Darmstadt, 1914 . 1065. JACOB CATS (1741—1799) Herde an der Tränke. AquarellKönigl. Sachsisches Kupferstichkabinett, Dresden 621. 1066. JOHANN CASPAR ZEHENDER (1750—1800) Die Qerbermühle bei Frankfurt a. M. Tusche mit Weiß gehöhtSammlung Kippenberg, Leipzig
Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mummy-masks-to-1750-1650-bc-13th-dynasty-mirgissa-sudan-plaster-on-43786130.htmlRMCF6HJA–Mummy masks to 1750 - 1650 BC. (13th dynasty) Mirgissa (Sudan) plaster on canvas Egypt Egyptian
Southern mountain landscape with streams and travelers on donkeys Fosie, Johanna 1726 - 1764, Both, Jan 1618 - 1654 Drawing Borgerkunst: hos familien Fosie på Østergade omkring 1750, Susanne Aasted, 46387, 1977. Early Professional Women in Northern Europe, c. 1650-1850, Johanna Ilmakunnas, 2018 Sydlandsk bjerglandskab med vandløb og rejsende på æsler Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/southern-mountain-landscape-with-streams-and-travelers-on-donkeys-fosie-johanna-1726-1764-both-jan-1618-1654-drawing-borgerkunst-hos-familien-fosie-p-stergade-omkring-1750-susanne-aasted-46387-1977-early-professional-women-in-northern-europe-c-1650-1850-johanna-ilmakunnas-2018-sydlandsk-bjerglandskab-med-vandlb-og-rejsende-p-sler-image613555926.htmlRM2XJ5TRJ–Southern mountain landscape with streams and travelers on donkeys Fosie, Johanna 1726 - 1764, Both, Jan 1618 - 1654 Drawing Borgerkunst: hos familien Fosie på Østergade omkring 1750, Susanne Aasted, 46387, 1977. Early Professional Women in Northern Europe, c. 1650-1850, Johanna Ilmakunnas, 2018 Sydlandsk bjerglandskab med vandløb og rejsende på æsler
Head on high foot, Semi-spherical head of undecorated faience, on a high foot., anonymous, England, c. 1650 - c. 1750, earthenware, tin glaze, h 6.2 cm × d 8.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-on-high-foot-semi-spherical-head-of-undecorated-faience-on-a-high-foot-anonymous-england-c-1650-c-1750-earthenware-tin-glaze-h-62-cm-d-83-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349965343.htmlRF2B9A8A7–Head on high foot, Semi-spherical head of undecorated faience, on a high foot., anonymous, England, c. 1650 - c. 1750, earthenware, tin glaze, h 6.2 cm × d 8.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Slovenš?ina: Alegorija poletja . between 1650 and 1750. Alegorija poletja Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slovenina-alegorija-poletja-between-1650-and-1750-alegorija-poletja-image184771703.htmlRMMMH25B–Slovenš?ina: Alegorija poletja . between 1650 and 1750. Alegorija poletja
Saint Onuphrius - Sant Onofrio 1750 by José de Almeida, Portugese, Portugal, ( Onuphrius ,Onoufrios , Venerable Onuphrius , Nofer the Anchorite, ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-onuphrius-sant-onofrio-1750-by-jos-de-almeida-portugese-portugal-173439874.htmlRMM24T96–Saint Onuphrius - Sant Onofrio 1750 by José de Almeida, Portugese, Portugal, ( Onuphrius ,Onoufrios , Venerable Onuphrius , Nofer the Anchorite, )
Ornament with two putti. Draughtsman: anonymous. Dating: 1650 - 1750. Measurements: h 132 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-with-two-putti-draughtsman-anonymous-dating-1650-1750-measurements-h-132-mm-w-187-mm-museum-rijksmuseum-amsterdam-image233089350.htmlRMRF63RJ–Ornament with two putti. Draughtsman: anonymous. Dating: 1650 - 1750. Measurements: h 132 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam.
Map of the Mastenbroek polder, 1650-1750. Drawn on a grid. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-mastenbroek-polder-1650-1750-drawn-on-a-grid-image565274724.htmlRM2RRJDK0–Map of the Mastenbroek polder, 1650-1750. Drawn on a grid.
Ciampoli, Giovanni Battista Unknown artist dating: 1650/1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ciampoli-giovanni-battista-unknown-artist-dating-16501750-image418518027.htmlRM2F8W40B–Ciampoli, Giovanni Battista Unknown artist dating: 1650/1750
Christ and miraculous fishing, print maker: anonymous, France, 1650 - 1750, paper, etching, engraving, height 595 mm × width 454 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-and-miraculous-fishing-print-maker-anonymous-france-1650-1750-paper-etching-engraving-height-595-mm-width-454-mm-print-image599538408.htmlRM2WRB9A0–Christ and miraculous fishing, print maker: anonymous, France, 1650 - 1750, paper, etching, engraving, height 595 mm × width 454 mm, print
Jar with Abstract Strokes. 1650–1750. Korea. Stoneware painted in underglaze iron brown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-with-abstract-strokes-16501750-korea-stoneware-painted-in-underglaze-iron-brown-image338010345.htmlRM2AHWKJ1–Jar with Abstract Strokes. 1650–1750. Korea. Stoneware painted in underglaze iron brown
Deutsches barock und rokoko : herausgegeben im anschluss an die Jahrhundert-ausstellung deutscher kunst 1650-1800, Darmstadt, 1914 . 1066. JOHANN CASPAR ZEHENDER (1750—1800) Die Qerbermühle bei Frankfurt a. M. Tusche mit Weiß gehöhtSammlung Kippenberg, Leipzig. 1067. CHRISTOPH JACOB WILHELM HALLER VON HALLERSTEIN (1771—1839) Forum Romanum FederzeichnungKunsthalle, Bremen 622 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsches-barock-und-rokoko-herausgegeben-im-anschluss-an-die-jahrhundert-ausstellung-deutscher-kunst-1650-1800-darmstadt-1914-1066-johann-caspar-zehender-17501800-die-qerbermhle-bei-frankfurt-a-m-tusche-mit-wei-gehhtsammlung-kippenberg-leipzig-1067-christoph-jacob-wilhelm-haller-von-hallerstein-17711839-forum-romanum-federzeichnungkunsthalle-bremen-622-image339101112.htmlRM2AKKAX0–Deutsches barock und rokoko : herausgegeben im anschluss an die Jahrhundert-ausstellung deutscher kunst 1650-1800, Darmstadt, 1914 . 1066. JOHANN CASPAR ZEHENDER (1750—1800) Die Qerbermühle bei Frankfurt a. M. Tusche mit Weiß gehöhtSammlung Kippenberg, Leipzig. 1067. CHRISTOPH JACOB WILHELM HALLER VON HALLERSTEIN (1771—1839) Forum Romanum FederzeichnungKunsthalle, Bremen 622
Southern Landscape with cliffs, a stream with waterfalls and three fishermen Fosie, Johanna 1726 - 1764 Drawing Borgerkunst: hos familien Fosie på Østergade omkring 1750, Susanne Aasted, 46387, 1977. Early Professional Women in Northern Europe, c. 1650-1850, Johanna Ilmakunnas, 2018 Sydlandsk landskab med klipper, et vandløb med vandfald og tre fiskere Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/southern-landscape-with-cliffs-a-stream-with-waterfalls-and-three-fishermen-fosie-johanna-1726-1764-drawing-borgerkunst-hos-familien-fosie-p-stergade-omkring-1750-susanne-aasted-46387-1977-early-professional-women-in-northern-europe-c-1650-1850-johanna-ilmakunnas-2018-sydlandsk-landskab-med-klipper-et-vandlb-med-vandfald-og-tre-fiskere-image613566991.htmlRM2XJ6AXR–Southern Landscape with cliffs, a stream with waterfalls and three fishermen Fosie, Johanna 1726 - 1764 Drawing Borgerkunst: hos familien Fosie på Østergade omkring 1750, Susanne Aasted, 46387, 1977. Early Professional Women in Northern Europe, c. 1650-1850, Johanna Ilmakunnas, 2018 Sydlandsk landskab med klipper, et vandløb med vandfald og tre fiskere
![Fragment of a lamp [?] Or candle stick, Fragment of a lamp [?] Or candlestick of stoneware covered with a green glaze., anonymous, Germany (possibly), c. 1650 - c. 1750, stoneware, glaze, vitrification, h 9.9 cm × d 7.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo](https://c8.alamy.com/comp/2B9AGHY/fragment-of-a-lamp-or-candle-stick-fragment-of-a-lamp-or-candlestick-of-stoneware-covered-with-a-green-glaze-anonymous-germany-possibly-c-1650-c-1750-stoneware-glaze-vitrification-h-99-cm-d-72-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B9AGHY.jpg "Fragment of a lamp [?] Or candle stick, Fragment of a lamp [?] Or candlestick of stoneware covered with a green glaze., anonymous, Germany (possibly), c. 1650 - c. 1750, stoneware, glaze, vitrification, h 9.9 cm × d 7.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo")
Fragment of a lamp [?] Or candle stick, Fragment of a lamp [?] Or candlestick of stoneware covered with a green glaze., anonymous, Germany (possibly), c. 1650 - c. 1750, stoneware, glaze, vitrification, h 9.9 cm × d 7.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-lamp-or-candle-stick-fragment-of-a-lamp-or-candlestick-of-stoneware-covered-with-a-green-glaze-anonymous-germany-possibly-c-1650-c-1750-stoneware-glaze-vitrification-h-99-cm-d-72-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349971831.htmlRF2B9AGHY–Fragment of a lamp [?] Or candle stick, Fragment of a lamp [?] Or candlestick of stoneware covered with a green glaze., anonymous, Germany (possibly), c. 1650 - c. 1750, stoneware, glaze, vitrification, h 9.9 cm × d 7.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Slovenš?ina: Alegorija jeseni . between 1650 and 1750. Alegorija jeseni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slovenina-alegorija-jeseni-between-1650-and-1750-alegorija-jeseni-image184771704.htmlRMMMH25C–Slovenš?ina: Alegorija jeseni . between 1650 and 1750. Alegorija jeseni
Visit to the workshop of W. van de Berge. Draughtsman: anonymous. Dating: 1650 - 1750. Measurements: h 193 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visit-to-the-workshop-of-w-van-de-berge-draughtsman-anonymous-dating-1650-1750-measurements-h-193-mm-w-240-mm-museum-rijksmuseum-amsterdam-image232949074.htmlRMREYMWP–Visit to the workshop of W. van de Berge. Draughtsman: anonymous. Dating: 1650 - 1750. Measurements: h 193 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.
. Coastal view with a Stormy Sea . circa 1750 17 1650 Christian Hilfgott Brand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coastal-view-with-a-stormy-sea-circa-1750-17-1650-christian-hilfgott-brand-image206543536.htmlRMP00TAT–. Coastal view with a Stormy Sea . circa 1750 17 1650 Christian Hilfgott Brand
Map of the East Bijlmer and Gein and Gaasperpolder, 1650-1750. Manuscript map. At the bottom right the title. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-east-bijlmer-and-gein-and-gaasperpolder-1650-1750-manuscript-map-at-the-bottom-right-the-title-image565274804.htmlRM2RRJDNT–Map of the East Bijlmer and Gein and Gaasperpolder, 1650-1750. Manuscript map. At the bottom right the title.
One Hundred Geese. between 1650 and 1750. Brooklyn Museum - One Hundred Geese - Bian Shoumin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/one-hundred-geese-between-1650-and-1750-brooklyn-museum-one-hundred-geese-bian-shoumin-image184938468.htmlRMMMTJW8–One Hundred Geese. between 1650 and 1750. Brooklyn Museum - One Hundred Geese - Bian Shoumin
Ernst, Elector of Saxony Unknown artist dating: 1650/1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ernst-elector-of-saxony-unknown-artist-dating-16501750-image418530025.htmlRM2F8WK8W–Ernst, Elector of Saxony Unknown artist dating: 1650/1750
Shepherdess with cow in a landscape, print maker: anonymous, Netherlands, (possibly), 1650 - 1750, paper, height 94 mm × width 117 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shepherdess-with-cow-in-a-landscape-print-maker-anonymous-netherlands-possibly-1650-1750-paper-height-94-mm-width-117-mm-print-image599538639.htmlRM2WRB9J7–Shepherdess with cow in a landscape, print maker: anonymous, Netherlands, (possibly), 1650 - 1750, paper, height 94 mm × width 117 mm, print
Follower of Francesco Monti. Angel Musicians. 1650–1750. Italy. Graphite, heightened with white chalk, on reddish- brown laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/follower-of-francesco-monti-angel-musicians-16501750-italy-graphite-heightened-with-white-chalk-on-reddish-brown-laid-paper-image337996359.htmlRM2AHW1PF–Follower of Francesco Monti. Angel Musicians. 1650–1750. Italy. Graphite, heightened with white chalk, on reddish- brown laid paper
Angels around the Ark of the Covenant, print maker: anonymous, Netherlands, 1650 - 1750, paper, engraving, etching, height 300 mm × width 187 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angels-around-the-ark-of-the-covenant-print-maker-anonymous-netherlands-1650-1750-paper-engraving-etching-height-300-mm-width-187-mm-print-image599483248.htmlRM2WR8R00–Angels around the Ark of the Covenant, print maker: anonymous, Netherlands, 1650 - 1750, paper, engraving, etching, height 300 mm × width 187 mm, print
View of De Haar Castle in Haarzuilens, print, print maker: anonymous, 1650 - 1750, paper, etching, height, 153 mm × width, 199 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-de-haar-castle-in-haarzuilens-print-print-maker-anonymous-1650-1750-paper-etching-height-153-mm-width-199-mm-image606665285.htmlRM2X6YYN9–View of De Haar Castle in Haarzuilens, print, print maker: anonymous, 1650 - 1750, paper, etching, height, 153 mm × width, 199 mm
Deutsches barock und rokoko : herausgegeben im anschluss an die Jahrhundert-ausstellung deutscher kunst 1650-1800, Darmstadt, 1914 . FRIEDRICH WILHELM EUGEN DOELL (1750 — 1816)1164. Prinz Friedrich Ferdinand Konstantin 1165. Herzog Karl August von Sachsen-Weimar von Sachsen-Weimar. Büste. Ton, h. 0,283 als Knabe. Büste. Ton, h. 0,294 Se. Kgl. Hoheit der Gro&herzog von Sachsen-Weimar-Eisenach 676 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsches-barock-und-rokoko-herausgegeben-im-anschluss-an-die-jahrhundert-ausstellung-deutscher-kunst-1650-1800-darmstadt-1914-friedrich-wilhelm-eugen-doell-1750-18161164-prinz-friedrich-ferdinand-konstantin-1165-herzog-karl-august-von-sachsen-weimar-von-sachsen-weimar-bste-ton-h-0283-als-knabe-bste-ton-h-0294-se-kgl-hoheit-der-groherzog-von-sachsen-weimar-eisenach-676-image339066530.htmlRM2AKHPPX–Deutsches barock und rokoko : herausgegeben im anschluss an die Jahrhundert-ausstellung deutscher kunst 1650-1800, Darmstadt, 1914 . FRIEDRICH WILHELM EUGEN DOELL (1750 — 1816)1164. Prinz Friedrich Ferdinand Konstantin 1165. Herzog Karl August von Sachsen-Weimar von Sachsen-Weimar. Büste. Ton, h. 0,283 als Knabe. Büste. Ton, h. 0,294 Se. Kgl. Hoheit der Gro&herzog von Sachsen-Weimar-Eisenach 676
Southern mountain landscape with streams and bridge. In the foreground washing woman Fosie, Johanna 1726 - 1764 Drawing Borgerkunst: hos familien Fosie på Østergade omkring 1750, Susanne Aasted, 46387, 1977. Early Professional Women in Northern Europe, c. 1650-1850, Johanna Ilmakunnas, 2018. Nordisk kvindelitteraturhistorie, Elisabeth Møller Jensen, Afb. bind 1, p.442, 93-209, 1993- Sydlandsk bjerglandskab med vandløb og bro. I forgrunden vaskende kvinde Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/southern-mountain-landscape-with-streams-and-bridge-in-the-foreground-washing-woman-fosie-johanna-1726-1764-drawing-borgerkunst-hos-familien-fosie-p-stergade-omkring-1750-susanne-aasted-46387-1977-early-professional-women-in-northern-europe-c-1650-1850-johanna-ilmakunnas-2018-nordisk-kvindelitteraturhistorie-elisabeth-mller-jensen-afb-bind-1-p442-93-209-1993-sydlandsk-bjerglandskab-med-vandlb-og-bro-i-forgrunden-vaskende-kvinde-image613514029.htmlRM2XJ3YB9–Southern mountain landscape with streams and bridge. In the foreground washing woman Fosie, Johanna 1726 - 1764 Drawing Borgerkunst: hos familien Fosie på Østergade omkring 1750, Susanne Aasted, 46387, 1977. Early Professional Women in Northern Europe, c. 1650-1850, Johanna Ilmakunnas, 2018. Nordisk kvindelitteraturhistorie, Elisabeth Møller Jensen, Afb. bind 1, p.442, 93-209, 1993- Sydlandsk bjerglandskab med vandløb og bro. I forgrunden vaskende kvinde
Six-part folding screen, Folding screen, six-part, representing women and children under blooming cherry and pine trees., anonymous, Japan, c. 1650 - c. 1750, wood (plant material), textile materials, h 170 cm × w 63 cm × d 12 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/six-part-folding-screen-folding-screen-six-part-representing-women-and-children-under-blooming-cherry-and-pine-trees-anonymous-japan-c-1650-c-1750-wood-plant-material-textile-materials-h-170-cm-w-63-cm-d-12-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349939205.htmlRF2B9930N–Six-part folding screen, Folding screen, six-part, representing women and children under blooming cherry and pine trees., anonymous, Japan, c. 1650 - c. 1750, wood (plant material), textile materials, h 170 cm × w 63 cm × d 12 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Virgin and Child. Flemish. Date: 1650-1750. Dimensions: H. 31.1 cm (12 1/4 in.). Boxwood. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-flemish-date-1650-1750-dimensions-h-311-cm-12-14-in-boxwood-origin-flanders-museum-the-chicago-art-institute-image240103948.htmlRMRXHK10–Virgin and Child. Flemish. Date: 1650-1750. Dimensions: H. 31.1 cm (12 1/4 in.). Boxwood. Origin: Flanders. Museum: The Chicago Art Institute.
Michiel Adriaensz de Ruyter (1607-1676), Lieutenant Admiral, 1650-1750. Copy after Ferdinand Bol. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michiel-adriaensz-de-ruyter-1607-1676-lieutenant-admiral-1650-1750-copy-after-ferdinand-bol-image556246048.htmlRM2R8Y5E8–Michiel Adriaensz de Ruyter (1607-1676), Lieutenant Admiral, 1650-1750. Copy after Ferdinand Bol.
